Brahma
Brahma
Brahma
The word "Brahman" comes from ancient Sanskrit and it is a central concept in Hinduism. It is
talked about in the ancient Hindu scriptures called the Vedas, and it is also discussed in the
early Upanishads, which are philosophical texts. In these texts, Brahman is often described as
the cosmic principle, and it is sometimes referred to as "Sat-cit-ānanda," meaning truth,
consciousness, and bliss. It is considered the highest and most real aspect of existence.
Text
If the red slayer think he slays,
Or if the slain think he is slain,
They know not well the subtle ways
I keep, and pass, and turn again.
In these last lines Brahma tells the reader that even those deemed most important by humanity, and
the other strong gods, want what he has. He has an “abode” that includes all of the world, and it is
enviable. He speaks about the “strong gods” such as Agni the god of fire, and Yama, the god of war
(mentioned in the first stanza). The speaker also refers to the “sacred Seven,” the highest holy persons
in Hinduism. Both groups seek to draw closer to Brahma.
Brahma speaks directly to the reader in the last two lines. He tells “you” to “Find” him and “turn” your
back “on heaven”. It is Brahma, the idea and spirit, that one should pursue, not the idealized heavenly
end to one’s life. “You” are only a “meek lover of the god” and should do as he says.
Literary Devices
● Personification: Emerson personifies various abstract concepts and forces. For example,
he personifies the "strong gods" and the "doubter and the doubt," giving them human-like
attributes and agency.
● Apostrophe: The poem uses apostrophe, a figure of speech in which the speaker
addresses someone absent or something non-human as if it were present and capable of
responding. Emerson directly addresses Brahma, engaging in a dialogue with the divine.
● Paradox: Emerson employs paradoxical statements to express complex ideas. For
instance, the line "The strong gods pine for my abode" presents a contradiction, as it
implies that the gods long for the very thing that the speaker possesses.
● Imagery: The poem incorporates vivid imagery to paint a picture in the reader's mind.
For example, the line "And drop my frame through quivering earth" creates a visual and
tactile image of the speaker's body descending through the ground.
Literary Devices
● Metaphor: Emerson employs metaphors to convey his ideas. For example, in the line
"The strong gods pine for my abode," he compares himself to Brahma, the Hindu deity,
suggesting that he possesses divine qualities.
● Allusion: The poem alludes to various religious and mythological concepts, such as
Brahma and the Hindu philosophy of the divine. These allusions enhance the depth and
meaning of the poem.
● Repetition: Emerson uses repetition in the poem to emphasize certain ideas. For instance,
the phrase "I am the doubter and the doubt" is repeated several times, emphasizing the
dual nature of the speaker's consciousness.
● Parallelism: The poem often employs parallel structures to convey balance and
symmetry. An example is the line "They reckon ill who leave me out; / When me they fly,
I am the wings," where the parallel structure reinforces the interconnectedness of the
speaker with the world.
Critical Understanding
Interpreting "Brahma" by Ralph Waldo Emerson in real life involves understanding its philosophical
themes and applying them to our own experiences and perceptions.
The poem's emphasis on the divinity within individuals encourages us to recognize our own inherent
spiritual potential. It prompts us to embrace our unique qualities and abilities, acknowledging that we
too possess qualities of the divine.
The vivid imagery in the poem can inspire us to engage with the sensory aspects of our existence. It
encourages us to fully experience the beauty and wonder of the natural world, to be present in the
moment, and to cultivate a sense of awe and appreciation for life's mysteries.
Conclusion
In summary, a critical understanding of "Brahma" involves recognizing the poem's
exploration of transcendentalist themes, such as the divinity within individuals, the
interconnectedness of all things, and the limitations of human understanding. Through
its literary devices and philosophical underpinnings, the poem challenges the reader to
question their own perceptions and contemplate the mysteries of existence.