Manual

D I - B o x active
Active Pick-up System for Contrabass
Copyright The copyright of all documentation provided with this product
remains with

Michael Schäfer
Sommerbergstraße 37
D-66346 Püttlingen.

This manual contains technical descriptions and drawings that

are not to be duplicated, spread, exploited or made accessible to
third parties neither in whole nor in part without our permission.
Any offences are punishable and shall impose obligation to pay
damages (lt. UWG BGB).

Validity The following documentation applies to all product types listed on

the cover page. Further variations are possible. The information,
details and data are presented without any warranty or liability
and is subject to change.

© 2017 by

Michael Schäfer

Sommerbergstraße 37
D 66346 Püttlingen

T: +49 6806 44449

F: +49 6806 44456

[email protected]
www.ans-music.de

Translation of the original Document

Page 2
Content

1. Performance Features ........................................................................................................ 4

2. General Description ............................................................................................................ 5
2.1. Phantom Power .................................................................................................................. 5
2.2. Balanced and Unbalanced Sgnalling................................................................................... 5
Unbalanced Transmission ............................................................................................................. 5
Balanced Transmission ................................................................................................................. 6
2.3. DI-Box active ....................................................................................................................... 6
3. Technical Description .......................................................................................................... 7
3.1. Definition of terms ............................................................................................................... 8
Active Pickup IN– Combination Input .................................................................................. 8
Instr. IN– Jack Input ............................................................................................................ 8
Amp. OUT– Jack Output ..................................................................................................... 8
DI Out - XLR-Output ............................................................................................................ 8
bat. sw – Battery Switch ...................................................................................................... 8
MUTE - MUTE -Switch ........................................................................................................ 8
Light-emitting Diodes LED’s, blue red green ....................................................................... 9
4. Putting into Use ................................................................................................................ 10
4.1 Function Test .................................................................................................................... 11
4.2 Position and Function of the Internal Controls / Battery Change ....................................... 12
4.3 Description of the Internal Controls ................................................................................... 13
4.4 DI-Box active on the Mixing Console / Amplifier. .............................................................. 15
4.5 DI-Box active on the instrument amplifier .......................................................................... 16
4.6 DI-Box active on the instrument amplifier and simultaneously on a mixing console........... 17
5. Levelling .......................................................................................................................... 18

Page 3
1. Performance Features

DI-Box active is a pre-amplifier for the pick-up system ANS active with an input for
active PU. It also contains a preamp specifically designed for this pick-up and a
second input that can be used for bass guitars and other instruments.
Both inputs include an internal gain control – the outputs (balanced – unbalanced)
include an internal control. Therefore, the signals to the amplifier and the mixing
console can be adjusted separately.

The version SLAP has an input with an adjustable LOW CUT and therefore allows
connecting a fingerboard.

In order to install the amplifier, you will also need

1 XLR-cable
2 Batterys (9V)

Typical Applications
 Operation for balanced Inputs with phantom power, precursors and intrumtental
amplifiers
 Output level adjustable internal -20 dB to ca. +6 dB
 additional adjustable internal Input (Plug) on the Box (E-Bass, 2. PU for
Rockabilly neck-pickups)
 Mute-Switch, selectable PU.Input or the two Inputs

This manual describes the technology and application and explains the system using
examples.

Page 4
2. General Description

2.1. Phantom Power

Microphones and other signal sources often require a separate power supply from a
battery, rechargeable battery or power supply. Today, this effort is avoided by
supplying connected signal sources with power via the signal cable (microphone
cable etc.). Therefore, a supply voltage is coupled to the signal wires of the
connection cable in the input of the mixing console. There is always a DC voltage
which does not disrupt the transmission of the audio signal as audio signals are
always AC voltage.
The standard phantom power voltage is 48V and can deviate below this value. This
value is irrelevant for the DI-Box active-system as it runs accurately under voltages
between 7V and 48V.

2.2. Balanced and Unbalanced Sgnalling

This term requires no definition as it is used rather frequently throughout the
description. There are two types of signalling, namely balanced and unbalanced
transmission.

Unbalanced Transmission

The benefit of this transmission type is the simpler input and output switching
technology of the individual devices. The disadvantage is its sensitivity to humming
noises and other interferences, which increases with each metre of cable length.
This type is mostly used for short transmission routes such as guitar, bass guitar or
keyboard cables etc. The most frequently used ports for this are 6,3mm jack ports.
What is most notable about the unbalanced transmission is the composition of the
cables used. They have a signal wire and a shield, which is simultaneously used as
signal ground.
Older systems use the jack cables as speaker cables, but this is not part of the
currently described application.

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 Balanced Transmission

Balanced transmission is preferred for the application of very weak signal sources
such as dynamic microphones etc. It is also recommended to be used for longer
cable lengths.

Its major benefit is its insensitivity to disruptions such as humming noises and
interfering signals i.e. line and environment related disruptions. Balanced
transmission is less critical with respect to line length.
Its disadvantage is the sophisticated switching technology for in- and output of the
separate devices. It used to be applied almost exclusively to sound studio and large
stage technology. Due to the drop in prices of electronic bulk sales, it increasingly
captured the market and is now commonly used in low-priced devices. The same
applies to phantom power being state of the art of current mixing consoles.

Mostly, the used plug connections are 3-pole XLR-connectors. The composition of
cables includes two signal wires and a mutual shield also being used as signal
ground. The term for this cable type is: Microphone cable.
XLR-connectors are also used for other purposes. However, this is not part of the
currently described application.

2.3. DI-Box active

DI-Box active is a preamplifier with an input particularly developed for the box
amongst many other features. DI-Box active requires power supply with phantom
power from the mixing console, the preamplifier or 1-2 batteries (9V).

Page 6
3. Technical Description
The term DI (Direct Input) derives from sound technology. It is a device switched
between instrument and amplifier to deduce a separate signal for a mixing console.
There are many price categories for a DI Box. Its disadvantage is that there is a
sound loss of the instrument by interposing a DI Box.
In order to avoid this, the DI-Box active was designed - amongst other particularly
adapted features - for the contrabass.

The function of the ANS-DI and in- /output switches are visible on the label

Page 7
3.1. Definition of terms
Active Pickup IN– Combination Input

This input is unbalanced and comes with stereo jack and XLR-port.
It is made particularly for the DI-Box active . When delivered, it is switched on phantom
power (PIN 3 for the XLR and RING for the jack) which can be deactivated if necessary
(see chapter “Putting JP5 into use”).

Instr. IN– Jack Input

This input is unbalanced and can be used for bass guitars, guitars or similar
instruments. When delivered, it is NOT switched on phantom power, but it can be
activated if necessary (see chapter “Putting JP4 into use”).
Its input sensitivity is 470 kΩ and can internally be adjusted to respective needs (see
chapter “Putting P2 into use”). This input can be adjusted to other levels by means of
minor amendments.

Amp. OUT– Jack Output

This output is unbalanced and provides a combination of both the signals of active
Pickup INand instr. in. The volume balance can be adjusted using 2 potentiometers
inside the DI-Box (see chapter “Putting P1, P2 into use”). The signal to Amp. OUTis
intended for connecting it to an instrument amplifier (Line Level) (-10db). This can be
corrected by means of adjustments inside the DI-Box if necessary (see chapter “Putting
P3 into use”). It is possible to adjust this input to other levels through minor
amendments.

DI Out - XLR-Output

This output is balanced and provides the same combination of both the signals of active
Pickup INand instr. In, as does the jack output amp. out. The signal to DI Out is
intended for connecting it to a mixing console and can be at quite a high level with 0dB.
This can be adjusted and corrected inside the DI-Box if necessary (see chapter “Putting
P1. P2 into use”).

bat. sw – Battery Switch

In order to save batteries, they can be switched off completely. There is a pressure
switch between LED’s and the jack input instr. in. If the pressure switch is being
pressed, the batteries are switched on. The red LED will light up under sufficient battery
voltage. If the switch sticks out, the batteries are switched on, but the red LED will not
light up.
If the blue LED lights up, the DI-Box active is fully functional without batteries.

MUTE - MUTE -Switch

The MUTE-switch is on the top of the Box. It is designed as foot switch and extremely
robust.
If the MUTE-function (inputs switched to mute) is activated, the green LED will light up.
Depending on the configuration of the DI-Box active the XLR-input Pickup-In will be
switched to mute either separately or simultaneously with the jack input Say-IN. Muting
will affect both outputs Sym.-Out and Asym-OUT.

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Light-emitting Diodes LED’s, blue red green

DI-Box active contains 3 colour light-emitting diodes signalling different operating

states

Blue
The LED lights up when a mixing console or an amplifier with switched on phantom
power is connected to the output DI Out. In this case, operating is possible and
reasonable without batteries. Therefore, the battery switch bat. saw is switched off
(button off).

Red
The LED lights up when there are one or two batteries inside the device and the
battery switch bat. sw is switched on (button pressed). If the batteries are charged,
the blue LED might flicker, but this is of no significance.

Green
The LED lights up when the MUTE-switch is being pressed. The XLR- input and -
depending on the configuration – the jack Instr. IN switched to mute. There is no
signal on the - DI OUT - and - Amp-OUT -.
If the LED does not light up, both inputs are open.

Page 9
4. Putting into Use
DI-Box active is intended for conventional usage ex works. In general, you should be
able to play without amendments.
When you press the battery switch, the red LED will light up. If the LED does not light
up, you might have to change batteries.

Occasionally, minor amendments of the in- and output level (for instruments, active
boxes or in-ear systems) or the MUTE-function may be necessary.
Before changing the level, you should have read and understood chapter 4. Please
decide afterwards if and what you would like to amend.

The following description explains the function of the jumper (JP4, JP5, JP6 – solder
jumper) JP3 and of the potentiometer.

The potentiometers P1, P2, P3 are so-called endless trimmers. That means that there
is no end stop. The adjustment range includes 20 rotations and you have to be an
experienced user in order to achieve the best outcome. To change the level, you need
a very small slot screwdriver and some patience.

Amendments to the jumpers (JP4, JP5, JP6 – solder jumper) may only
be performed by an experienced technician and after consultation with
us.

Warranty expires through inappropriate damage.

Please let us know your preferences and we will adopt the appropriate amendments
professionally, reliably and swiftly.

Page 10
4.1 Function Test
Please position the DI-Box active as illustrated below.

 Switch on the battery switch bat. sw to test the batteries.

The red LED will light up. The blue LED may flicker slightly.
If no LED lights up, check the batteries of the ANS-DI.
If the green LED lights up as well, the MUTE-switch is switched on.

 Operate the MUTE-switch by pressing it 1x until it clicks.

The green LED does not light up anymore.

DI-Box active ready for use.

 Please switch the ANS-DI off again.

Page 11
4.2 Position and Function of the Internal Controls / Battery Change
The DI-Box active comes with a battery ex work. The jumper JP3 is plugged in. The
battery is attached to the lower battery terminal Bat1.
One battery is sufficient for operating the ANS-DI .

High volume sounds (meaning an extremely high pressure on the

instrument) can lead to slight distortions, even if the battery is fully
charged. In this case, you rank among the 3% of users with “strong
fingers” and you will require 2 batteries for the DI-Box active .(see
chapter 6, “JP3”)

Please open the box in order to change batteries(s) or make amendments to the
internal controls of the Box.

 Remove the 4 screws of the cover.

You will see the main board and the batterie(s).

 Switch off the battery switch bat. sw to change the batterie(s) (Button off).

 The batterie(s) can be changed.

 Please test whether the red LED lights up using the battery switch bat. sw.
If the LED does not light up, check the battery connection.

 Screw the cover down again.

Page 12
4.3 Description of the Internal Controls

P1 Input sensitivity combination input active Pickup IN

P2 Input sensitivity jack input Instr. IN

P3 Output level jack output Amp. OUT

Page 13
JP3 Battery-Jumper
open = 2 batteries
closed = 1 battery.
When delivered (1 battery), the jumper is closed!

Caution
Incorrect connection can destroy the battery

When using 1 battery, please only use the battery connection BAT1.

If 1 battery is used and connected to BAT2, the battery and possibly the battery
port will be destroyed.

JP4 By using a solder jumper on JP4, the jack input can also be supplied with phantom
power. This is not standard.

JP5 By using a solder jumper on JP5, the XLR-input is supplied with phantom power.
This is standard. In order to switch this off, the small conductor bridge inside the
jumper has to be interrupted.

JP6 The switch / jumper serves the configuration of the MUTE-function. The settings
determine whether the XLR-input active Pickup IN should be switched to mute
(muted) separately or with the jack input. When delivered, only the combination
input active Pickup IN is switched to mute.

These amendments may only be performed after consulting us and under

instruction of our specialists.
Warranty expires through inappropriate damage.
Please let us know your preferences and we will adopt the appropriate amendments
professionally, reliably and swiftly.

Page 14
4.4 DI-Box active on the Mixing Console / Amplifier.
If a mixing console with phantom power is available, putting it into use will be
uncomplicated. Please ensure that all components belonging to the mixing console /
amplifier (boxes etc.) are connected properly.

The pickups are sensitive for external influences. The cable must be to a high quality
(small capacitante) and according to be short.

For this function test, you need

1 XLR- (microphone cable),

The gain control of your mixing console should be set to insensitive, channel control
and sum should be set to “0”. Furthermore, all tone control should be set to “0” – or
centre position and effects (echo etc.) should be switched off.

 Switch on the mixing console or amplifier and check the functioning of your
system.

 Turn the input and output “very low” before connecting DI-Box active via an
´XLR-cable to the amplifier.

 Connect the XLR-cable of DI-Box active to your selected input of the mixing
console / amplifier.

 Set the sum control to parp. 30%.

 Carefully regulate the system by slowly turning on the input control (gain
control for mixing consoles) while playing your instrument.

After having performed all mentioned points, you should now hear your instrument
through the speakers of the system.

Take your time adjusting the level and do not change more than one setting during
the test. Position yourself like you are standing on stage.

Different positions of the pick up lead to different volumes and

sounds.

For questions and professional support we are available by telephone:

+49 6806 44449 .

Page 15
4.5 DI-Box active on the instrument amplifier

The pickups are sensitive for external influences. The cable must be to a high quality
(small capacitante) and according to be short.

For this function test, you need

1 XLR- (microphone cable),
1 jack cable
1 instrument amplifier with jack input.

 Connect the instrument amplifier on DI-Box active and check the functioning.

 Set the input and sum control to “very low”.

 Switch on the battery switch of the ANS-DI . (button pressed).

If the red LED lights up, you can continue the function test.

 Connect the bass to the XLR-cable (microphone cable) or a stereo jack cable
(depending on the pick-up version) with the combination active Pickup-IN.

 Amp. OUT output should be connected to the input of the amplifier with the jack
cable (instrument cable).

 Set the sum control to appr. 30%.

 Carefully regulate the amplifier while playing your instrument.

After having performed all mentioned points, you should now hear your instrument
through the speakers of the system.

Take your time adjusting the level and do not change more than one setting during the
test. Position yourself like you are standing on stage.

The use of DI-Box active monitors is an exception. You can connect them to the Amp.
OUT output of the Box as well. Depending on the type, it may be necessary to regulate
the output level. The same applies to in-ear systems.

Different positions of the pick up lead to different volumes and sounds.

For questions and professional support we are available by telephone:

+49 6806 44449 .

Page 16
4.6 DI-Box active on the instrument amplifier and simultaneously on a
mixing console

This situation applies to bigger events.

An additional „normal DI-Box“ from a sound technician is not

necessary.

 Connect the instrument as described to the amplifier and further connect the
balanced output Sym.-Out of the ANS-DI to the input of the mixing console.

 The settings for the amplifier are carried out analogous to 4.5.
If the mixing console contains phantom power, the blue LED of the ANS-DI
will light up. The battery switch can then remain switched off.

After having performed all mentioned points, you should now hear your instrument
through the speakers of the system.

Take your time adjusting the level and do not change more than one setting during
the test. Position yourself like you are standing on stage.

The use of DI-Box active monitors is an exception. You can connect them to the
Amp. OUT output of the Box as well. Depending on the type, it may be necessary to
regulate the output level. The same applies to in-ear systems.

Different positions of the pick up lead to different volumes and

sounds.

For questions and professional support we are available by telephone:

+49 6806 44449 .

Page 17
5. Levelling

The level settings of the DI-Box active may only be amended by an

experienced technician and after consultation with us.

P1 Input sensitivity XLR-input active Pickup-In

P2 Input sensitivity jack input Instr. IN
P3 Output level jack output Amp.-Out

The separate levels are amended through P1 – P3. We recommend that you proceed
as follows:

 Connect the instrument to the combination input active Pickup IN to ANS-DI

and connect the output DI-Out to the mixing console.

 Switch on the mixing console and set the input control Gain to your desired
position.

 In order to adjust your desired level, turn on the control P1 until there is no more
level at the output DI-Out .

 Then turn the potentiometer P1 in the other direction until the desired level is set
to the output DI-Out . Now, please do not change the setting of P1 anymore.

 Connect the instrument amplifier / active box, in-ear system etc. to the output
Amp.-Out .

 Proceed with potentiometer P3 analogous to P1 until your desired level is set to

the output Amp.-Out .

 To conclude, connect your desired signal source (bass guitar, guitar, digital
piano) to the input Instr. IN

Page 18
  Adjust the signal level using the potentiometer P2 to the level of the
contrabass. The selected weightage of both input levels will be equally
displayed on the Amp.-Out and the DI-Out

If appropriate measuring instruments are available, this method should

be preferable.

Randomly swivelling the potentiometers does not lead to an optimal, desired

outcome. In case of doubt, always begin from scratch with the setting of P1.

The output level of the signal source should be as high (loud) as possible.
The input level of the mixing console / amplifier should be as insensitive (low) as
possible
This way external impact (humming noises, white noise) is minimised

For questions and professional support we are available by telephone:

+49 6806 44449 .

Page 19
Personal Notes

Page 20
© 2017 by

Michael Schäfer Sommerbergstraße 37

D 66346 Püttlingen

T: +49 6806 44449

F: +49 6806 44456

[email protected]
www.ans-music.de