A Dolls House Act One Questions
A Dolls House Act One Questions
A Dolls House Act One Questions
Pre-reading activity:
Pre-reading activity
In pairs, list as many connotations as possible for the term ‘doll’s house’. Try to divide them
into positive and negative ideas. It may be useful to visit a website such as
www.dollshouse.com to get ideas if you have never had a doll’s house!
1. A Doll’s House may be described as a ‘well-made play’: a style of 19 th century play with
clear-cut protagonists and antagonists, artificially logical plots, often involving some
‘skeleton in the family cupboard’, and usually happy endings. These plays often used
stock characters and lines of business. Oscar Wilde used these devices in The Importance
of Being Earnest, while Ibsen and Shaw often used the basic form of the well-made plot,
but used more realistic and problematic characters. During your reading of the first act,
note any possible ‘skeletons’ which may be developed later in the play. What
expectations are raised?
2. Look at the language Torvald uses when he speaks to Nora. How does this develop the
concepts you have already discussed when thinking about the term ‘doll’s house’?
4. How important is Nora’s deception over the macaroons in helping us understand her
greater deceptions?
5. Consider ways in which Nora’s behaviour towards Kristina reinforces our view of her
that has been established by her husband.
6. How does the first act provide social commentary on the lives of middle class women in
the 19th century? What dramatic effects are created by the discussion between the two old
friends?
7. Nora says: ‘It would ruin everything between us. Our whole marriage would be wrecked
by it!’ Return to this quotation when you have read Act 3 and decide how right she was.
What dramatic effects are obtained by its placement here?
8. The first act introduces us to a banker, a doctor and a lawyer. How does Ibsen use these
characters from respected professions to comment on society?
9. Evening falls during the course of this act. How does the reappearance of Krogstad tie in
with the changes on stage?
10. Compare the opening and closing lines of this act. How far have we moved from the
simplicity of the Christmas preparation scene?