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    Dengarlah - Gemala - Hati Accordion

    Uploaded by

    Dyba anun
    The document appears to be musical notation for an accordion piece. It contains multiple lines of musical symbols with numbers below, likely representing notes, beats, and measures. The notation is transcribed by Tan Sri P. Ramlee.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Dengarlah - Gemala - Hati Accordion

    Uploaded by

    Dyba anun
    37 views2 pages
    The document appears to be musical notation for an accordion piece. It contains multiple lines of musical symbols with numbers below, likely representing notes, beats, and measures. The notation is transcribed by Tan Sri P. Ramlee.

    Original Title

    DENGARLAH_GEMALA_HATI ACCORDION

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

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    The document appears to be musical notation for an accordion piece. It contains multiple lines of musical symbols with numbers below, likely representing notes, beats, and measures. The notation is transcribed by Tan Sri P. Ramlee.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    37 views2 pages

    Dengarlah - Gemala - Hati Accordion

    Uploaded by

    Dyba anun
    The document appears to be musical notation for an accordion piece. It contains multiple lines of musical symbols with numbers below, likely representing notes, beats, and measures. The notation is transcribed by Tan Sri P. Ramlee.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 2

    ACCORDION DENGARLAH

    GEMALA HATI


    TAN SRI P. RAMLEE TRANSCRIBED BY

      = 106              


    YAZID RAZAK

         
        
            
    3 3 3


          3
         
                           
    7


    3 3

     
            


         
                        
    14


            


                            
     
    21

                  


                      
          

    34

     
                 


                   
              
     
    46

             

                           
    
    2

        
    54


             


    
                       
             

    61


    3


               
    3


          
            
                  
    68

             


       
                  
    77

               


           
         
         
    88


          

    3

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