Stress and Rhythm

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STRESS AND RHYTHM

Stress; rhythm and intonation should be considered as a whole, for they are very

closely connected elements of a single aspect of the language that we might call

SPEECH FLOW. Speech is essentially movement. However accurate we learn to

pronounce the isolated sounds of a language we must still train ourselves to set them

in motion in the right manner if we wish to make ourselves easily understood. Spoken

language behaves like music. The sounds of English and isolated syllables, like notes

or chords in music, only become intelligible when set in motion.

A reasonably speech flow (when being correct) is more important for intelligibility

than correct sounds. It is possible to carry on an intelligible English conversation in a

series of mumbles and grunts, provided the voice - movement is correct. Some

foreign speakers of English, even though they learn to make English sounds quite

well, fail to acquire a sufficiently accurate speech flow. The result is that English

speaking people find it quite difficult to understand them; and they, for their part,

complain that English people mispronounce or swallow half their words.

SENTENCE STRESS

It can be generally assumed that in any normal sentence we shall stress (or give full

sound value to the significant words only. These content words are briefly:

1) Nouns (and some pronouns, notably interrogatives)

2) Demonstratives (this, that, etc.)

3) Adjectives

4) Most adverbs.

5) Verbs (and auxiliaries in certain circumstances)

The other words in a sentence, mostly form - words to join together the words that
carry meaning, are normally unstressed, many of them carrying special weak forms.

The syllables bearing stress proceed at a fairly regular pace; the unstressed syllables

being accommodated between them in varying rhythmic sequences. The latter

provide one of the greatest difficulties for the foreign student, who generally tries to

give them a fuller pronunciation than is due to them.

We can see this most clearly by comparing sentences with many significant words and

therefore many stresses) with sentences consisting mainly of form - words (and

therefore of few stresses). Consider the following four sentences: the first and second

have 11 and 12 words respectively 10 of them being stressed; the third and fourth

have 14 and 16 words respectively with only 4 actresses each. Yet, the longer

sentences take only half the time to say that the shorter ones take. The unstressed

words, crowded together between the steadily moving pulses, are spoken quite

quickly compared with the shorter sentences full of stressed syllables.

1- Bert a friend John has just sold two very fine old paintings.

2- The Daniel Jones pronouncing Dictionary lists most versions of modern English

pronunciation.

3- What would you have done if he had talked to you in the street?

4- It would have been better not to have paid for it before you had received it.

The ability to move smoothly and steadily form one stress to the next, and to fit in

the unstressed syllables between them, forms the basis of a good natural English

accent.

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