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Takeshi Murata

Kasia Michalski Gallery • Poznańska 16 • 00-680 Warsaw • +48 22 409 33 07 • www.kasiamichalski.com


Born in 1974. Lives and works in Los Angeles

education

1997 B.F.A. in Film/Video/Animation, Rhode Island School of Design, Providence

residencies

The Smithsonian Museum of American Art, Washington D.C.

2008 Mattress Factory, Pittsburgh

selected solo exhibitions

2016 Second Nature, Kasia Michalski Gallery, Warsaw

2015 Takeshi Murata, Halsey Mckay Gallery, East Hampton, NY


Takeshi Murata Survey, Kunsthalle Stavanger, Stavanger, Norway

2014 Takeshi Murata: OM Rider, Salon 94, New York

2013 Takeshi Murata: Midnight, Ratio 3, San Francisco


Takeshi Murata: Mortality, Museum of Art and Design, New York

2012 Synthesizers, Salon 94, New York

2011 Get Your Ass to Mars, Ratio 3, San Francisco

2008 Layr Wuestenhagen Contemporary, Vienna

2007 Escape Spirit VideoSlime, Ratio 3, San Francisco


Damage Control, Gallery.Sora, Tokyo
Vox Populi Gallery, Philadelphia
Black Box: Takeshi Murata, Hirshhorn Museum and Sculpture Garden, Washington
Lift 02: Takeshi Murata, The Kitchen, New York
Two, The Reliance (The Approach), London

2006 Silver Equinox, Ratio 3, San Francisco

selected group exhibitions

2016 San Francisco Museum of Modern Art, San Francisco


At Home, Launch F18, New York

2015 The Metabolic Age, Museo de Arte Latinoamericano de Buenos Aires


HQTBD | Still/Life, Basilica Hudson, Hudson, NY

2014 Early Man, The Hole, New York


Spaced Out: Migration To The Interior, Curated by Phong Bui, Redbull Studios, New York
Private Settings, Museum of Modern Art in Warsaw, Warsaw
Rewritten by Machine and New Technology: Video Art in the 20th and 21st Centuries, University Art
Gallery, Indiana State University, Terre Haute, IN
Speculative Materialism Oo Oo, Leclere-Maison de Ventes aux Encheres, Marseille

Kasia Michalski Gallery • Poznańska 16 • 00-680 Warsaw • +48 22 409 33 07 • www.kasiamichalski.com 2


2013 ANAMERICANA, American Academy in Rome, Italy
Empire State: New York Art Now, Palazzo Delle Esposizioni, Rome, Italy (cat.);
Galerie Thaddaeus Ropac, Paris Pantin, France
the poetics of mountains, their mutations and multifarious things, Presented by Artprojx. Verbier 3-D
 as part of its ‘Mutations’ programme, Verbier, Switzerland
The Cat Show, White Columns, New York
The Mother of Design, Marunouchi House, New York
How Things are Made, Spot Welders, New York
Time Moving and Storage: Takeshi Murata, James Ferraro, Ben Jones, Loyal Gallery, Malmö

2012 Empire State, Palazzo delle Esposizioni, Rome


Time moving and storage, Loyal Gallery, Malmö
Transmission LA: AV Club, Museum of Contemporary Art (MOCA), Los Angeles
We Could Be Heroes: The Mythology of Monsters and Heroes in Contemporary Art, The Brigham
University Museum of Art, Provo, UT

2011 Chaos as Usual, Bergen Kunstall, Bergen, Norway Astatic, Massachusetts College of Art and Design, Boston
The Digital Eye: Photographic Art in the Electronic Age, The Henry Art Gallery, Seattle, WA
Amnesia, Andrea Rosen Gallery, New York
Facemaker, Royal/T, Los Angeles
Worng, IMO Projects, Copenhagen
Dadarhea, Canada Gallery, New York
New York Minute, Garage Center for Contemporary Culture, Moscow

2010 Free, New Museum, New York


Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha
Keep On Moving, Don’t Stop, Public Screens, Stavanger
Deception of the Eye, Special Effects in Contemporary Art, Kunsthalle Wilhelmshaven, Germany
Greater New York, PS1, New York

2009 Borderland Abstraction, Bemis Center for Contemporary Arts, Omaha


New York Minute, MACRO FUTURE, Rome
The New Yorkers, V1 Gallery, Copenhagen
Suddenly This Summer, Sikkema Jenkins & Co., New York
Safe Word, Ratio 3, San Francisco
Video Journeys, Sister, Los Angeles
Straylight Cavern, Cell Project Space, London
MEDIATED, UCR/California Museum of Photography, Riverside

2008 Fear Minus One, UCSD University Art Gallery, San Diego
Materialized: New American Video and...., Bergen Kunsthalle, Bergen
Predrive: After Technology, Mattress Factory, Pittsburgh
Peace and agriculture in a pre-Romantic ideal landscape, without sublime terrors, Haunch of Venison, Berlin
Mailorder Monsters, Max Wigram Gallery Project Space, London
Mailorder Monsters, Andreas Melas Presents, Athens
Stray Alchemists, Ullens Center for Contemporary Art, Beijing
Multiplex, Western Bridge, Seattle
Two-Fold Faction, PKM Gallery, Beijing

2007 Bitten, Kim Light Gallery/Lightbox, Los Angeles


Animated Painting, San Diego Museum of Art, San Diego (traveling)
Abstract Action, Gallery W52, New York

Kasia Michalski Gallery • Poznańska 16 • 00-680 Warsaw • +48 22 409 33 07 • www.kasiamichalski.com 3


Fractured Figure, DESTE Foundation for Contemporary Art, Athens
Alpha, Ratio 3, San Francisco
Mailorder Monsters, Deitch Projects, New York
Solar Set, Foxy Productions, New York
Automatic Update, Museum of Modern Art, New York
Red Hot: Contemporary Asian Art Rising, Museum of Fine Arts, Houston
Silence. Listen to the Show, Fondazione Sandretto Re Rebaudengo, Torino
Fresh NY, Threshold Artspace, Perth, Scotland

2006 Noorderzon, Groningen


Sommer, Grimm|Rosenfeld, Munich
Cosmic Wonder, Yerba Buena Center for the Arts, San Francisco
Redeconstruction, Gladstone Gallery, New York
Take It to the Net, Vilma Gold, London
3, Grimm|Rosenfeld, New York
Video Artists in Dialogue, Hudson Valley Center for Contemporary Art, New York
Videos in Progress, RISD : Museum, Providence
By Design, Taka Ishii Gallery, Tokyo

2005 EAI Multiplex 2, Smack Mellon Gallery, Brooklyn, New York


The Zine Unbound, Yerba Buena Center for the Arts, San Francisco
With us against reality, or against us!, Willy Wonka Inc./Galleri S.E., Oslo
Tedious Limbs, Deitch Projects, New York
Disorientation/Reorientation, New York University
April Fools Only, Anthology Film Archive, New York
L.A. Remixed, Natural History Museum, Los Angeles

2004 Four Color Pen Show, Locust Projects, Miami


And if you think you see with just your eyes you are mad, Peres Projects, Los Angeles
Reas Presents, 3more Gallery, Brooklyn
Panorama, Eyebeam, New York
Territoires Electroniques, Vasarely Foundation, Aix-en-Provence
Video Whoopie Cushion, Harvard University, Cambridge
Drunk vs. Stoned, Gavin Brown’s Enterprise, New York
FACT Center, Liverpool
Beautiful Losers & Beaver College, Contemporary Arts Center, Cincinnati
Sound Lab, Brooklyn

selected screenings

2015 New York Film Festival, New York


Sundance Film Festival, Park City, UT
Ann Arbor Film Festival
Rooftop Films NYC

2014 Street Views, Contemporary Art Museum St. Louis

2013 Art Basel Miami Beach, Miami

2011 The Art Of Fear, Nitehawk Cinema, Brooklyn


Panstwowa Galeria Sztuki, Sopot, Poland
Pure Logo, New Image Art Gallery, Los Angeles
BLITZKRIEG - Art Athina, D.ART, Athens

Kasia Michalski Gallery • Poznańska 16 • 00-680 Warsaw • +48 22 409 33 07 • www.kasiamichalski.com 4


Superclub Gallery and Studios, Edinburgh
Internationale Kurzfilmtage Oberhausen, Oberhausen, Germany
Brigham Young University Museum of Art, Provo, UT
Leeds College of Art, Leeds
Flint Institute of Arts, Flint, MI
Kinetic Histories, Fundaciòn La Laboral. Centro de Arte y Creaciòn Industrial, Asturias, Spain
Play Ground, New Walk Museum and Gallery, Leicester
Betwixt and Between, Artspace, New Haven, CT

2010 Gene Siskel Film Center’s Conversations at the Edge, Chicago


Migrating Forms, Anthology Film Archives, New York
The American College of Greece, Athens
From Aniconism to Bliss: Media art shows its Islamic roots, Pacific Cinematheque, Vancouver
FACT, Liverpool
Abstract Dissolve, SITE Santa Fe, Santa Fe

2009 Video Journeys, Sister, Los Angeles

2007 53rd Internationale Kurzfilmtage, Oberhausen, Germany

2005 New York Underground Film Festival, New York

2004 DOTMOV Festival, Tokyo


Digital Showcase at The Austin Museum of Digital Art, Austin
44th Cracow Film Festival, Cracow
New York Underground Film Festival, New York NY

lectures & panel discussions

2015 California Institute of the Arts: Degree Animation, Artist’s talk, screening, and studio visits
Rhode Island School of Design, Artist’s talk, screening, and studio visits
Kasten in Context: New Peers: Barbara Kasten in conversation with David Hartt, Takeshi Murata, and Sara
VanDerBeek, Institute of Contemporary Art, The University of Pennsylvania

2014 University of Kentucky School of Art and Visual Studies, Artist’s talk and Screening

2013 Rhode Island School of Design, Artist’s talk, screening, and studio visits
Amherst College: Film and Media Studies, Artist’s talk and screening
San Francisco Art Institute, Artist’s talk and screening
Přehlídka animovaného filmu Olomouc, Czech Republic, Artist’s talk and screening

2012 Yale University School of Art: Sculpture MFA, Artist’s talk, screening, and studio visits

2011 Rhode Island School of Design, Artist’s talk, screening, and studio visits

2010 Massachusetts College of Art and Design, Artist’s talk and screening
School of the Art Institute of Chicago: Department of Film, Video, and New Media, Artist’s talk, screening,
and studio visits

2008 Maryland Institute College of Art, Artist talk and screening


Rhode Island School of Design, Artist’s talk, screening, and studio visits

Kasia Michalski Gallery • Poznańska 16 • 00-680 Warsaw • +48 22 409 33 07 • www.kasiamichalski.com 5


2007 Syracuse University, Department of Transmedia, Artist talk and screening

Pomona College, Artist talk and screening

selected bibliography

2016 Alex Urso, Senza chiedere nulla. Takeshi Murata a Varsavia, Artribune, June 2016
Takeshi Murata, Consumer Reports, Art in America, January 2016

2014 Alex Gartenfeld, “Takeshi Murata.” Cura, October 2014


Peter Cochrane, “Takeshi Murata.” San Francisco Arts Quarterly May, 2014

2013 Kenneth Baker, ‘Takeshi Murata: Midnight,’ Animated Allegory, SF Gate, November 22, 2013
Marc Masters, “Robert Beatty: Soundtracks for Takeshi Murata.” Pitchfork, December 2013
Kathryn McKinney, “SFAQ Review: Takeshi Murata solo exhibition, ‘Midnight’ at Ratio 3, San Francisco”,
SFAC, December 2013
Bad at Sports. “Interview with Takeshi Murata”, Art Practical, December 2013
Alex Gartenfeld, Sir Norman Rosenthal, Empire State: New York Art Now, exhibition catalogue, Rome:
Skira Rizzoli
Glen Helfand, “Critic’s Picks: San Francisco.” Artforum.com, 27 June 2013
Arthur Ou, “Photo.edu: Toward a New Curriculum,” Aperture, Spring 2013
Paul Laster, “Takeshi Murata: Mortality,” Time Out New York, Feb. 22, 2013
Brienne Walsh, “Takeshi Murata,” Art in America, Feb. 2013

2012 Elisabeth Byre, Eriend Hammer, Hanne Mugaas, Chaos As Usual, Oh How Time Flies, No Sense of Place
(exhibition catalogue). Bergen: Bergen Kunsthalle
Matthew Schnipper, “Art Show: Takeshi Murata”, Fader, 12 Oct. 2012
“Goings On About Town: Takeshi Murata”, The New Yorker, 12 Oct. 2012
Heather Corcoran, “Takeshi Murata’s CG Hand,” Art in America, 20 Sept. 2012

2011 Danielle Sommer, “Get Your Ass To Mars: Takeshi Murata at Ratio 3.” Daily Serving, May 2011
Matt Sussman, “Slick”, San Francisco Bay Guardian, May 2011
Brian Andrews, “Review: Takeshi Murata – Get Your Ass to Mars”, Art Practical, May 2011
Genevieve Quick, “Review: Takeshi Murata – Get Your Ass to Mars”, Art Practical, May 2011
Kenneth Baker, “Eye-popping Murata”, San Francisco Chronicle, May 2011
The Digital Eye, Photographic Art in the Electronic Age, Prestel Publishing, Munich, Berlin, London New
York
Sylvia Wolf, “MEDIATED”, (exhibition catalogue), Riverside, California: UCR California Museum of Pho-
tography

2010 “The Creators Project | Takeshi Murata.” The Creators Projects, June 2010

2009 Barbara Pollack, “Suddenly This Summer.” ARTnews Oct. 2009


Alice Pfeiffer, “At Last, Artists Harness the Internet.” The New York Times, September 2009
Johnny Ray Huston, “Kinda Kink.com.” The San Francisco Bay Guardian, July 2009
Katie Farrell, “A New Voyeurism.” Artslant.com, June 2009
Catherine Taft, “Video Journeys.” Artforum, June 2009
Rudolf Frieling, “Subjective Projections: Takeshi Murata.” Bielefelder Kunstverein, May 2009
Davide Quadrio, “Best of 2008: Davide Quadrio”, ARTFORUM China, January 2009

2008 Glen Helfand, “Takeshi Murata.” Artforum, vol. XLVI, no. 5, January 2008, p. 288
“PREDRIVE: After Technology.” Rhizome.org November 2008
MEDIATED. Riverside: UCR California Museum of Photography

Kasia Michalski Gallery • Poznańska 16 • 00-680 Warsaw • +48 22 409 33 07 • www.kasiamichalski.com 6


Animated Painting. San Diego: San Diego Museum of Art
Stray Alchemists. Beijing: Ullens Center for Contemporary Arts
“Takeshi Murata.” Dazed & Confused - Japan, January 2008
Silence. Listen to the Show (exhibition catalogue), Torino, Italy: Fondazione Sandretto Re Rebaudengo

2006 Stray Alchemists. (exhibition catalogue), Beijing, China: Ullens Center for Contemporary Art
Animated Painting. (exhibition catalogue), San Diego, California: San Diego Museum of Art
Kenneth Baker, “Yerba Buena Center for the Arts’ ‘Cosmic Wonder’ exhibition reaches across a generational
gap.” San Francisco Chronicle, August 3, 2006, pp. E1, E6
Alison Bing, “Takeshi Murara: Silver Equinox.” San Francisco Gate
Melissa Feldman, “Takeshi Murata at Ratio 3.” Art in America, no. 10, Nov. 2006, p. 220
Kristin M. Jones, “Dereconstruction.” Frieze, issue 102, Oct. 2006, p. 259
Katie Kutz, “Big Bang. Artists embrace spirituality and their many selves at “Cosmic Wonder.” The San Fran-
cisco Bay Guardian, vol. 40, no. 46, 16-22 Aug. 2006, p. 54
Matthew Higgs, Redeconstruction (exhibition catalogue), New York, New York: Gladstone Gallery
David Velasco, “Dereconstruction,” Artforum, vol. XLV, no. 1, Sept. 2006, p. 374

public collections

San Francisco Museum of Modern Art, San Francisco


DESTE Foundation for Contemporary Art, Athens
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Museum of Contemporary Art North Miami, Miami
Palm Springs Art Museum, Palm Springs
Smithsonian Museum of American Art, Washington, D.C.

Kasia Michalski Gallery • Poznańska 16 • 00-680 Warsaw • +48 22 409 33 07 • www.kasiamichalski.com 7

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