A Rose For Emily

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A Rose For Emily

Emily was a lonely woman who went through a lot in William Faulkner’s short story “A Rose
for Emily” in order to find love. When Emily is thirty years old, her father passes away. Shortly
after, a man named Homer moves to the area, and Emily ends up falling in love with him. The
red color of the lover’s rose, which has many meanings, represents enduring passion. Yellow
symbolizes friendship and joy; white represents modesty and innocence. While orange signifies
zeal and desire; pink signifies thanks, appreciation, and admiration. The symbolic meaning of
white lilac and purple flowers is enchantment and love at first sight (Teleflora). In “A Rose for
Emily,” the rose represents and expresses the adoration and love Emily was never given.

Dilworth sees the existing relationship between the narrator and Emily as largely symbiotic. This
means that Emily and the society represented by the narrator can only exist mutually with each
other. To reinforce this argument, Dilworth argues that the traits and behaviors of Emily are
creations of the narrator thus implying that he presents Emily as the symbol of communicating
what he believes to be the cultural values of the society in which he lives. Arguably, therefore,
the actions of the main character such as killing followed by evading justice and failure to pay
taxes without any legal action being taken upon her are depictive of the eminent shortfalls of the
white society of the south during the time of writing of the short story. For instance, quoting a
critique of the short story (Helen Nebeker), Dilworth affirms, “the narrator’s awareness of events
implies long held knowledge of murder which the narrator has kept secret to preserve the honor
and myth of the south” (p.253). Arguably, therefore, this means that the society was aware of
certain atrocities that were committed by certain highly profiled persons and yet they could not
be brought to book.

One of the central concerns of Dilworth entails placing a logically substantive argument about
the townspeople’s knowledge of homicide. In particular, Dilworth argues, “on the basis of the
evidence, it is inconceivable, I think, that the townspeople did not know early on about Emily’s
killing Homer Barron” (Dilworth, 1999, p.257). Dilworth assumes that Emily must have
expressed the guilt of her sins among the townspeople even though they may not have talked
about it amongst themselves. In this argument, there is a breach of one element of logical
argument. There lacks a direct evidence from the story depicting Emily in any state of remorse or
any other form of emotion that shows her feeling for being sorry for either killing her lover or by
denying her father’s death for four days.

Dilworth supports his claim, however, by using details from the narrative to tie Emily to
Barron’s passing. He argues out that “they knew that her lover was last seen entering at the
kitchen entrance at dark one evening,” citing the townspeople’s knowledge of the last time they
saw Barron enter the residence of his sweetheart (Dilworth , 1999, p.258).

There are many ways of interpreting or attaching meaning for any literary work. One way is to
interpret it from the context of its setting. Historically, racial discrimination, denial of certain
rights to women, and even belief in the superiority of persons in the high-class social group were
issues that had to be dealt with in the early 20th century. A Rose for Emily seems to be set within
this chronological period. Consequently, it is possible that, through Emily, Faulkner actually
portrayed the differences among people in relation to their social status. This means that the
society may have known about the evils committed by Emily. However, because of the fear
associated with her social status, they could not have confronted her. From the arguments raised
by Dilworth implicating Emily with the death of her lover, it is arguable that Emily’s failure to
respond to the druggist about the purpose of the arsenic is an evidence of suspecting her to have
poisoned her lover. Otherwise, from the story itself, the reader is only told that the status of the
corpse by the time it was found was in the last stages of decomposition. Nothing shows that the
cause of death was through poisoning. This makes it hard to determine whether Emily actually
poisoned rats, just as the arsenic was labeled ’for rats,’ or her lover.

A Rose for Emily is a short story written by Faulkner. It attracts valid interpretations. In this
paper, the focus was to analyze Dilworth’s article ‘A Romance to Kill For: Homicidal
Complicity in Faulkner’s “A Rose for Emily” who provides one of the ways of interpreting the
short story. The concern was to scrutinize the logic of the arguments presented by Dilworth. The
paper has argued that, while some arguments are logical, others lack adequate evidence to
support them.

Reference List:

Dilworth, T. (1999). A Romance to Kill For: Homicidal Complicity in Faulkner’s A Rose for
Emily. Studies in short fiction, 36(3), 251-264.

https://ivypanda.com/essays/critique-for-a-rose-for-emily/

https://interestingliterature.com/2022/02/william-faulkner-rose-for-emily-summary-
analysis/amp/

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