The Setting of Children S Literature: History and Culture

The Setting of
Children´s Literature:
History and Culture
Remembering that:
• Children's literature is any literature that is enjoyed by children. More
specifically, children's literature comprises those books written and
published for young people who are not yet interested in adult
literature or who may not possess the reading skills or developmental
understandings necessary for its perusal.
• The age range for children's literature is from infancy through the
stage of early adolescence, which roughly coincides with the
chronological ages of twelve through fourteen. Between that
literature most appropriate for children and that most appropriate for
adults lies young adult literature. Usually young adult literature is
more mature in content and more complex in literary structure than
children's literature.
History
• Literature written specifically for an audience of children began to be
published on a wide scale in the seventeenth century. Most of the
early books for children were didactic rather than artistic, meant to
teach letter sounds and words or to improve the child's moral and
spiritual life.
• In the mid-1700s, however, British publisher John Newbery (1713–
1767), influenced by John Locke's ideas that children should enjoy
reading, began publishing books for children's amusement. Since that
time there has been a gradual transition from the deliberate use of
purely didactic literature to inculcate moral, spiritual, and ethical
values in children to the provision of literature to entertain and
inform.
• This does not imply that suitable literature for children is either
immoral or amoral. On the contrary, suitable literature for today's
children is influenced by the cultural and ethical values of its authors.
• These values are frequently revealed as the literary work unfolds, but
they are a means to an end, not an end in themselves. Authors
assume a degree of intelligence on the part of their audience that was
not assumed in the past. In this respect, children's literature has
changed dramatically since its earliest days.
• Another dramatic development in children's literature in the
twentieth century has been the picture book. Presenting an idea or
story in which pictures and words work together to create an
aesthetic whole, the picture book traces its origin to the nineteenth
century, when such outstanding artists as Randolph Caldecott, Kate
Greenaway, and Walter Crane were at work.
• In the 1930s and 1940s such great
illustrators as Wanda Gag, Marguerite de
Angeli, James Daugherty, Robert Lawson,
Dorothy Lathrop, Ludwig Bemelmans,
Maud and Miska Petersham, and Ingri and
Edgar Parin d'Aulaire began their work.
• Many of these and other equally illustrious

artists helped to bring picture books to
their present position of prominence.
Since 1945 many highly talented
illustrators have entered this field.
• With the advent of computer-based
reproduction techniques in the
latter part of the twentieth century,
the once tedious and expensive
process of full color reproduction
was revolutionized, and now almost
any original media can be
successfully translated into picture
book form.
• Although many artists continue to
work with traditional media such as
printmaking, pen and ink,
photography, and paint, they have
been joined by artists who work
with paper sculpture, mixed media
constructions, and computer
graphics.
• Another major change in publishing for children has been the rise in
multicultural children's literature. Prior to the mid-twentieth century
the world depicted in children's books was largely a white world. If
characters from a nonwhite culture appeared in children's books they
were almost always badly stereotyped.
• The civil rights movement alerted publishers and the reading public to
the need for books that depicted the America of all children, not just
a white majority.
• Although the percentage of children's books by and about people of
color does not equate with their actual population numbers, authors
of color such as Virginia Hamilton, Mildred Taylor, Alma Flor Ada,
Walter Dean Myers, Gary Soto, and Laurence Yep, and illustrators
such as Allen Say, Ed Young, John Steptoe, Jerry Pinkney, and Brian
Pinkney have made major contributions to a more multiculturally
balanced world of children's books.
• Not only are there larger numbers of talented writers and artists from
many cultures at work for children, but the range of subject matter
discussed in children's fiction has also been extended remarkably.
Topics that were considered taboo only a short time ago are being
presented in good taste.
• Young readers from ten to fourteen can read well-written fiction that
deals with death, child abuse, economic deprivation, alternative life
styles, illegitimate pregnancy, juvenile gang warfare, and rejected
children. By the early twenty-first century it had become more nearly
true than ever before that children may explore life through
literature.
The Importance of Culture
in Children’s Books
• With the challenges that minorities have recently
faced in this country, the importance of culture in
children’s books—for the kids, especially, could not be
timelier.
• Reading about various races, gender identities and
cultures to children is one of the best ways to open
their minds and hearts, Children’s Books that Teach
Diversity are More Important than Ever.
• Stories that address diversity, empathy and fairness
can even change how people feel about tough issues.
“Multicultural literature serves as a
powerful tool in enabling students
to gain a better understanding of
both their own culture and the
cultures of others. Through this
deeper knowledge, relationships
can be strengthened, bridging the
gap between students from diverse
cultural backgrounds” (Hseu &
Hetzel, 2000).
Diversity Gives Understanding
• Children introduced to diversity at a young age acquire stronger social
skills and are more receptive to those who speak a different language
than their parents These children are open to imitation regardless of
language, which demonstrates their willingness to learn.
• As students of the 21st century are global participants, it is
important that they possess cultural sensitivity. Through
extensive research, Norton (2009) has discovered that when
students can relate global events to the themes, conflicts
and characterisations found in multicultural literature, it
helps them to better understand current world issues.
• Students therefore develop greater cognitive skills as they
learn to engage with and critically evaluate the texts that
they read.
• Immersing children in culturally
diverse activities gives them the
opportunity to become more
comfortable with the difference in
race, religion, language, and
lifestyle.
• International school and Foreign
Exchange Student programs allow
students the opportunity to interact
with others that look and speak in a
way they aren’t familiar with. As
this becomes the norm, a child’s
tolerance and open-mindedness for
others increases.
• Suzanne Evans (2010) conducted a research on critical literacy using a
range of multicultural picture books. Her aim was to determine
whether student perspectives on diversity and the acceptance of
others altered once they were exposed to multicultural texts.
• Evans concluded that exposure to multicultural literature increased

students’ awareness of the various social practices, values and belief
systems of other cultures. These themes are a major focus in the
Australian and Europe Curriculum, with a general capability strand
dedicated to intercultural understanding, which is incorporated
throughout each of the key learning areas.
• Multicultural literature fosters positive self-esteem and prevents students from
feeling isolated. It has the ability to nurture respect, empathy and acceptance
among all students (Steiner et al, 2008)
• Whoever You Are (Fox, 1997) is an
older publication that illustrates
perfectly how multicultural
literature can promote unity
among different cultures. The
story highlights the fact that all
children feel the same emotions
no matter where they live in the
world, what language they speak,
or how they look. It suggests that
although people have many
differences, there are common
traits that unite us.
Helps students look critically at the world
• Multicultural literature can help
students develop global awareness by
introducing them to current cultural
issues. When students vicariously
experience the feelings and emotions
of others through literature, they are
encouraged to look critically at the
world and gain a greater
understanding of the global
community (Monobe & Son, 2014).
• Exposing children to diversity early on can have an impact on how
successful they are as adults. According to a study by Margareth
Coleman in 2017, which recorded youths from seven countries,
children between 4 and 15 years old rejected unfair deals that gave
others advantages and disadvantages.
• By learning to work with others regardless of status or race, children
will incorporate those attitudes well into adulthood. Fairness and
equality can be a matter of common sense versus an area of
inexperience.
Final thoughts
• Give the children the opportunity to learn and grow as young as
possible.
• Allow them the chance to develop multi-language skills and expose
them to different cultural experiences. As you do so, their world views
will surely become more open-minded and aware.
• The future lies within the young, providing them with the opportunity
to learn will surely have a great impact on society in the long run.
Thank you! ¡Gracias! ¡Grazie! Danke!

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• Many of these and other equally illustrious

• Evans concluded that exposure to multicultural literature increased

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