World Lit Response Paper One

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Robbi Selvidge

Dr. Neeta Bhasin

World Literature

September 20th, 2020

The Hero’s Journey as it pertains to The Epic of Gilgamesh

Joseph Campbell’s concept of The Hero’s Journey can be used to analyze The Epic of

Gilgamesh as it falls into the monomyth category. This theory is that all stories and myths fall

within a certain pattern of character development and behavior. In this paper I will be analyzing

the journey of King Gilgamesh through his role as the story’s protagonist.

The epic begins in Uruk, located in the Mesopotamian Fertile Crescent, with King

Gilgamesh as ruler. Gilgamesh is a successful ruler in the sense that he has accomplished many

incredible feats; however he was cruel toward his subjects, particularly the women within his

kingdom. The call to action is what pulls him away from this sense of normal and toward his

growth as a character. Within this epic, the call to action happens when Gilgamesh is challenged

by a creature in the wilderness known as Enkidu. When Gilgamesh wins and recognizes the first

worthy opponent he’s had, the threshold of transformation begins and Gilgamesh meets his

helper in Enkidu.

Together the duo encounter trials and tribulations, particularly when they attempt to steal

trees from a forest forbidden to mortals. On this journey they face the demon, Humbaba and fight

for their lives. Without the supernatural aid of the sun god Shamash, the two might not have

succeeded. Another trial faced was when the two were forced to fight the Bull of Heaven after

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Gilgamesh spurns Ishtar, the goddess of love. In this moment the gods decided that the duo had

become too powerful and that one must perish.

Enkidu’s death, while not violent in nature, is arguably the main climax of this epic. It is

where the monomyth’s abyss occurs forcing Gilgamesh into a revelation. In addition to taking an

emotional toll on Gilgamesh, Enkidu’s decline into madness and eventual death spurs the King

into frantic thought and fear of his own death. He proclaims, “Shall I not die too? Am I not like

Enkidu? Oh woe has entered my vitals! I have grown afraid of death, so I roam the steppe.”

(Tablet IX, lines 1-3).

Gilgamesh comes to the realization that he is mortal and in his fear tries to find a way to

live forever, even if only in the memories of people. He seeks a mentor whom he finds in

Utnapishtim. Gilgamesh hoped that like Utnapishtim he could also be given eternal life;

however, he is left hopeless once again when he fails the test and is told to return home. The

final transformation happens when Gilgamesh acquires the plant which restores youth, only to

have it taken from him again.

His atonement is found in the end when he returns to Uruk empty handed but with the

realization that while he himself will not live forever, he knows now that mankind itself will. He

continues to live his life as ruler but this time as a just and fair one who respects his subjects.

This shift in his character completes his arc and brings the world of the epic to its new normal;

furthermore ending the cycle and rendering the story complete.

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