Terminator vs. Avatar: Notes On Accelerationism
Terminator vs. Avatar: Notes On Accelerationism
Terminator vs. Avatar: Notes On Accelerationism
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Avatar
Mark Fi s h e r
2012
Why political intellectuals, do you incline towards the proletariat? In
commiseration for what? I realize that a proletarian would hate you,
you have no hatred because you are bourgeois, privileged, smooth
skinned types, but also because you dare not say the only important
thing there is to say, that one can enjoy swallowing the shit of capital,
its materials, its. metal bars, its polystyrene, its books, its sausage
pates, swallowing tonnes of it till you burst-and because instead of
saying this, which is a/so what happens in the desires of those who
work with their hands, arses and heads, ah, you become a leader
of men, what a leader of pimps, you lean forward and divulge: ah,
but that's alienation, it isn't pretty, hang on, we'll save you from it
we will work to liberate you from this wicked affection for servitude,
we will give you dignity. And in this way you situate yourselves on
the most despicable side, the moralistic side where you desire that
our capitalize desires be totally ignored, brought to a standstill, you
are like priests with sinners, our servile intensities frighten you, you
have to tell yourselves: how they must suffer to endure that! And of
course we suffer, we the capitalized, but this does not mean that we
do not enjoy, nor that what you think you can offer us as a remedy
for what?-does not disgust us, even more. We abhor therapeutics
and its vaseline, we prefer to burst under the quantitative excesses
that you judge the most stupid. And don 't wait for our spontaneity
to rise up in revolt either.1
1. J.-F. Lyotard, Libidinal Economy, trans. l.H. Grant (London: Athlone, 1993), 116. See
this volume, 218.
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And from Libidinal Economy-the one passage from the text that is
remembered, if only in notoriety:
Spit on Lyotard they certainly did. But in what does the alleged
scandalous nature of this passage reside? Hands up who wants
to give up their anonymous suburbs and pubs and return to the
organic mud of the peasantry. Hands up, that is to say, all those
who really want to return to pre-capitalist territorialities. families and
villages. Hands up, furthermore. those who really believe that these
desires for a restored organic wholeness are extrinsic to late capitalist
culture. rather than fully incorporated components of the capitalist
libidinal infrastructure. Hollywood itself tells us that we may appear
to be always-on techno-addicts. hooked on cyberspace, but inside,
in our true selves. we are primitives organically linked to the mother/
planet, and victimised by the military-industrial complex. James
Cameron's Avatar is significant because it highlights the disavowal
that is constitutive of late capitalist subjectivity, even as it shows how
this disavowal is undercut. We can only play at being inner primitives
by virtue of cinematic proto-VR technology whose very existence
presupposes the destruction of the organic idyll of Pandora.
If Libidinal Economy was repudiated, but more often ignored, the gos
theoretical moment to which G rant's own translation contributed
has fared even worse. Despite his current reputation as a founder of
speculative realism, Grant's incendiary gos texts-sublime cyborg
surgeries suturing Blade Runner into Kant. Marx and Freud-have
all but disappeared from circulation. The work of Grant's one-time
mentor Nick Land does not even draw derisive comment. Like Libidi
nal Economy, his work. too. has drawn little critical response-and
Land, to say the least, had no Marxist friends to lose. Hatred for the
academic left was in fact one of the libidinal motors of Land's work.
As he writes in ' Machinic Desire':
Land was our Nietzsche-with the same baiting of the so-called pro
gressive tendencies, the same bizarre mixture of the reactionary and
the futuristic, and a writing style that updates nineteenth-century
aphorisms into what Kodwo Eshun called 'text at sample veloc
ity.' Speed-in the abstract and the chemical sense-was crucial
here: telegraphic tech-punk provocations replacing the conspicuous
cogitation of so much post-structuralist continentalism, with its
implication that the more laborious and agonised the writing, the
more thought must be going on.
12. F. Jameson. Valences of the Dialectic (LDndon and New York: Verso, 2010), 551.