Behringer Mixer djx750

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User Manual

PRO MIXER DJX750


Professional 5-Channel DJ Mixer with
Advanced Digital Effects and BPM Counter
2 PRO MIXER DJX750 User Manual

Table of Contents
Thank you........................................................................ 2
Important Safety Instructions....................................... 3
Legal Disclaimer.............................................................. 3
Limited warranty............................................................. 3
1. Control Elements........................................................ 4
1.1 Stereo channels 1 to 4........................................................ 4
1.2 Microphone channel.......................................................... 5
1.3 Monitor section.................................................................... 5
1.4 Master section...................................................................... 5
1.5 Crossfader section............................................................... 5
1.6 XPQ 3D surround effect..................................................... 5
1.7 Auto BPM counter................................................................ 5
1.8 Internal effects processor................................................. 6
2. Connections................................................................ 6
2.1 Rear panel connectors ...................................................... 6
3. Initial Operation......................................................... 7
4. Shipment..................................................................... 7
5. Online Registration.................................................... 7
6. Specifications.............................................................. 8

Thank you
Your purchase of the BEHRINGER PRO MIXER DJX750 has put you at the forefront
of today’s trends in DJ mixing consoles. Numerous features, such as beat counter,
insert loop and digital effects processor, enable you to work in completely new
and creative ways. The DJX750 is a mixer for professional use, it is extremely easy
to operate and it helps you give free rein to your creativity.
Time is tight and if you don’t want to be left in the dust, you’d better get moving.
To help you along, we have developed an excellent DJ mixing console with the
most popular new features and technologies. It is perfectly suited for use in
dance clubs or for DJ systems and is sure to deliver tons of pure fun.
Be honest: who really likes to read manuals? We know you want to get started
right away, but it is only after reading these instructions that you will fully
understand and be able to properly use all the features your DJX750 has to offer.
Take the time to read everything through!
3 PRO MIXER DJX750 User Manual

Important Safety 9. Do not defeat the safety purpose of the polarized 20. Please keep the environmental aspects of battery
Instructions or grounding-type plug. A polarized plug has two blades disposal in mind. Batteries must be disposed-of at a
with one wider than the other. A grounding-type plug battery collection point.
has two blades and a third grounding prong. The wide 21. Use this apparatus in tropical and/or
blade or the third prong are provided for your safety. If the moderate climates.
provided plug does not fit into your outlet, consult an
electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or LEGAL DISCLAIMER
pinched particularly at plugs, convenience receptacles, MUSIC Group accepts no liability for any loss
Terminals marked with this symbol carry
and the point where they exit from the apparatus. which may be suffered by any person who relies
electrical current of sufficient magnitude
to constitute risk of electric shock. 11. Use only attachments/accessories specified by either wholly or in part upon any description,
Use only high-quality professional speaker cables with the manufacturer. photograph, or statement contained herein.
¼" TS or twist-locking plugs pre-installed. All other Technical specifications, appearances and other
12. Use only with the
installation or modification should be performed only information are subject to change without notice.
cart, stand, tripod, bracket,
by qualified personnel. All trademarks are the property of their respective
or table specified by the
owners. MIDAS, KLARK TEKNIK, LAB GRUPPEN, LAKE,
This symbol, wherever it appears, manufacturer, or sold with
TANNOY, TURBOSOUND, TC ELECTRONIC, TC HELICON,
alerts you to the presence of uninsulated the apparatus. When a cart
BEHRINGER, BUGERA and DDA are trademarks
dangerous voltage inside the is used, use caution when
or registered trademarks of MUSIC Group IP Ltd.
enclosure - voltage that may be sufficient to constitute a moving the cart/apparatus
© MUSIC Group IP Ltd. 2016 All rights reserved.
risk of shock. combination to avoid
injury from tip-over.
This symbol, wherever it appears,
13. Unplug this apparatus during lightning storms or LIMITED WARRANTY
alerts you to important operating and
when unused for long periods of time.
maintenance instructions in the For the applicable warranty terms and conditions
accompanying literature. Please read the manual. 14. Refer all servicing to qualified service personnel. and additional information regarding MUSIC Group’s
Servicing is required when the apparatus has been Limited Warranty, please see complete details online at
Caution damaged in any way, such as power supply cord or plug music-group.com/warranty.
To reduce the risk of electric shock, do not is damaged, liquid has been spilled or objects have fallen
remove the top cover (or the rear section). into the apparatus, the apparatus has been exposed
No user serviceable parts inside. Refer servicing to to rain or moisture, does not operate normally, or has
qualified personnel. been dropped.
Caution 15. The apparatus shall be connected to a MAINS socket
To reduce the risk of fire or electric shock, outlet with a protective earthing connection.
do not expose this appliance to rain and 16. Where the MAINS plug or an appliance coupler is
moisture. The apparatus shall not be exposed to dripping used as the disconnect device, the disconnect device shall
or splashing liquids and no objects filled with liquids, remain readily operable.
such as vases, shall be placed on the apparatus.
17. Correct disposal of this
Caution product: This symbol indicates
These service instructions are for use that this product must not be
by qualified service personnel only. disposed of with household
To reduce the risk of electric shock do not perform any waste, according to the WEEE
servicing other than that contained in the operation Directive (2012/19/EU) and
instructions. Repairs have to be performed by qualified your national law. This product
service personnel. should be taken to a collection center licensed for the
1. Read these instructions. recycling of waste electrical and electronic equipment
(EEE). The mishandling of this type of waste could have
2. Keep these instructions.
a possible negative impact on the environment and
3. Heed all warnings. human health due to potentially hazardous substances
4. Follow all instructions. that are generally associated with EEE. At the same time,
5. Do not use this apparatus near water. your cooperation in the correct disposal of this product
will contribute to the efficient use of natural resources.
6. Clean only with dry cloth.
For more information about where you can take your
7. Do not block any ventilation openings. Install in waste equipment for recycling, please contact your local
accordance with the manufacturer’s instructions. city office, or your household waste collection service.
8. Do not install near any heat sources such as 18. Do not install in a confined space, such as a book
radiators, heat registers, stoves, or other apparatus case or similar unit.
(including amplifiers) that produce heat.
19. Do not place naked flame sources, such as lighted
candles, on the apparatus.
4 PRO MIXER DJX750 User Manual

1. Control Elements
(1) (3) (2) (5) (4)

(7) (27)

(28)
(8)
(29)

(17)
(32)

(9) (31)

(30)

(10) (16)

(11) (33)

(6) (34)
(12)
(18)
(13) (35)

(14) (36)
(19)
(15) (37)

(21) (22) (23) (24) (25) (26) (20)

1.1 Stereo channels 1 to 4 ◊ Never connect devices with line level to the highly sensitive phono
inputs! The output level of phono pick-up systems is measured in
(1) Use the LINE/CD switch to select the input signal for channel 1. Unlike other
millivolts, whereas CD players and tape decks have levels measured in
channels, channel 1 features two line inputs.
volts, i.e. the level from line signals is up to 100 times higher than that
(2) You determine the input signals for the channels 2 to 4 with the PHONO/CD of the phono inputs.
i.e. PHONO/LINE switch (channels 3 and 4). “Phono” is intended for
(3) The GAIN control in the CHANNEL section is used to adjust the level of the
connecting a turntable. “Line” i. e. “CD” must be selected for all other signal
input signal. The level meter (5) reads the input level.
sources (e. g. CD or MD players). The input sensitivity of the phono input can
be switched to line level, allowing utmost flexibility (see (41)).
5 PRO MIXER DJX750 User Manual

(4) Each of the input channels features a 3-band equalizer (HI, MID and LOW) 1.5 Crossfader section
with kill characteristic. Thus, the signal can be attenuated to a much greater
(21) ASSIGN A and ASSIGN B selectors let you determine which input signals are
extent (-32 dB) than it can be raised (+12 dB). This function can be very
routed to CROSSFADER sides A and B. You can also alternate between these
useful when, for exmple, fading a frequency range out of a music track.
two signals by using the CROSSFADER (see below).
◊ The overall level also depends on the EQ setting. Thus, should adjust
(22) The VCA controlled CROSSFADER is used to fade between the channels you
the equalizer before setting the input gain with the GAIN control.
have selected (see (21)). Like the channel faders, the crossfader section is
(5) The 10-digit LED chains display the signal level of the input signals. equipped with a professional 45-mm fader.
(6) Adjust the channel volume using the CHANNEL fader. (23) The TIME OFFSET LED indicates the synchronisation of tracks
(see chapter 2.7).
1.2 Microphone channel (24) The TEMPO DIFFERENCE LED displays tempo differences between the tracks
(7) The MIC IN connector is the balanced XLR input for your dynamic microphone. (see chapter 2.7).
(8) Set the volume of the microphone signal with the GAIN control in the (25) A 3-band kill switch is available for use with both the left and the right side
MIC section. of the crossfader (KILL A and KILL B respectively). Kill switches are used to
lower three separate frequency ranges (LOW, MID and HIGH) up to -32 dB.
(9) There is a 3-band equalizer (HI, MID and LOW, no kill characteristic) in the
When using the kill switch, the equalizer of ordinary DJ mixers usually
microphone section. This allows you to fine-tune your voice to adapt
loses its functionality. Not the case with the DJX750: the EQs can be used to
perfectly to your sound.
achieve an even more pronounced lowering of a particular frequency range.
(10) Activate the microphone channel using the MIC ON switch. The channel is
(26) The CF CURVE control lets you alter the control characteristic of the
active when the corresponding LED is lit.
crossfader between linear and logarithmic in an infinite number of steps.
(11) The DJX750 is equipped with a talkover function, which works very simply: When set to linear, the crossfader engages directly proportionally to
if you speak into the microphone while a track is running, the volume of the fader’s incremental movement. When set to logarithmic, the fader’s
the music is automatically reduced, so that your voice is always “in front”. movement yields higher volume increases as the fader moves farther along
The TALK control allows you to determine how much the music volume is its range of motion.
lowered (max. -24 dB). This function can come in handy when your own voice
needs to be prominently heard, as in when making an announcement etc. 1.6 XPQ 3D surround effect
The XPQ 3D surround function is a built-in effect that puts the finishing touch
1.3 Monitor section to your music and turns every gig into a real experience. The widening of the
The MONITOR signal is your headphones signal, allowing you to listen to music stereo base makes for a livelier, more transparent sound. You can determine the
without affecting the MASTER output signal. intensity of the effect by using the SURROUND control (27), while the XPQ ON
switch (28) turns the XPQ effect on (the respective LED is lit).
(12) When the MODE switch is in the “Split” position, channel PFL is located on the
left side of the headphones, while the MASTER signal is on the right side. In this
case, the MIX control (see below) serves no function. While in “Stereo” mode,
1.7 Auto BPM counter
you can use the MIX control to alternate between MASTER signal and PFL. The integrated auto BPM counter is an extremely useful feature. It ensures
smooth transition from one track to the next, taking a lot of the guesswork out.
(13) When in “Stereo” mode, the MIX control lets you determine which signal can
It can calculate the various tempos of tracks in bpm (beats per minute). Both BPM
be heard via the headphones. When the control is turned to its left-most
counter sections are identical and both show the BPM value of the two signals
position (CUE), you hear the PFL signal only; when the control is turned to its
routed to the crossfader. The LEDs located above the DISPLAYs 1 - 4 (29) indicate
right-most position, you hear the MASTER signal only. Alternating the MIX
which of the four input channels are routed to the respective BPM counter.
control between the two end positions lets you dermine the relative ratio
between the two signals in your headphones. The tempo of the track assigned by using the ASSIGN A or ASSIGN B keys is shown
in the respective Display (30). Several tempo changes in one track would produce
(14) The Level control determines the volume of the headphones signal.
a constant display of various BPM values and thus lead to unnecessary confusion.
(15) Connect your headphones using the PHONES OUT stereo connector. That’s why the beat counter sections each have a SYNC LOCK button (31) that can
Your headphones should have a minimum impedance of 32 Ohms. be used during the song to limit the range of possible tempo values. This makes
sense if the counter has already calculated a realistic value. You can do the
(16) To select the PFL signal for the headphones, use the MONITOR CUE keys
same thing manually with the BEAT ASSIST button (32). Pushing this button at
(CH-1 to CH-4, MASTER, FX). You can also select multiple signal sources and
least three times in sync with the song’s tempo results in the calculated tempo
listen to them simultaneously. LEDs on corresponding keys are lit when a
appearing in the DISPLAY. The Beat Assist and SYNC LOCK buttons are each
channel is routed to the headphones.
equipped with a LED.
1.4 Master section When you have limited the tempo of the tracks on both channels with the SYNC
LOCK or BEAT ASSIST buttons, the difference in tempo from both channels is
(17) The LEVEL METER displays the level of the MASTER signal.
illustrated in the form of a nine-character message on the TEMPO DIFFERENCE-
(18) The MASTER fader allows you to adjust the output volume at the MASTER LED (24). The extent of theT difference in tempo is indicated by a corresponding
output (see (44)). swing to the right (signal A is slower) or to the left (signal B is slower). When the
middle LED lights up, the tempi are the same. The TIME OFFSET LED (23) below
(19) The MASTER BALANCE control for the MASTER output is for setting the
that displays the signal A and B synchronisation. Should the middle LED light
stereo image.
up, the tracks are synchronised. Should the display move to the left or right,
(20) The BOOTH LEVEL control adjusts the output level of the BOOTH output the channels are not synchronised. The TEMPO DIFFERENCE and TIME OFFSET
(see  (45)). displays are only active if the tempi of both channels have been fixed in one of
the ways described.
6 PRO MIXER DJX750 User Manual

◊ When no signal is present (or when the signal level is too low), the BPM • When the new effect has been loaded, turn the PROGRAM control (35)
display shows only dashes. When the signal is present but can not be to change the effect’s parameters. The parameter value is shown on
identified, the display shows 160 BPM and then shows the said dashes. the display.
The beat counter then attempts to get another readout. Therefore,
◊ View the table (column “Ajustable Parameter”) to see which parameter
“160” BPM is no usable value; rather, it is simply an error message
of the selected effect can be modified.
when the signal can not be analyzed.
◊ The parameter values of the delay and echo effects are displayed in
To exit the SYNC LOCK or BEAT ASSIST modes, simply push the SYNC LOCK button
BPM (beats per minute). The selectable range is from 80 to 160 BPM.
once more on both channels.
The display only shows two digits and so values of 100 and above are
represented with a dot behind the number (for example, 120 BPM is
1.8 Internal effects processor displayed as “20.”).
Presets of the multi-effects processor • Use the LEVEL control (36) to determine the volume level of the effect signal.

Grp No. Effect Type Adjustable Parameter • Activate the effect signal by pressing the FX ON switch (37).
1 0 Filter Sweep LP Frequency Press and hold the PROGRAM control one more time to use it for selecting
1 Filter Sweep BP Frequency effects again.
2 Filter Sweep HP Frequency
3 “Auto Filter (Envelope)” LP Sensitivity
4 “Auto Filter (Envelope)” BP Sensitivity 2. Connections
5 “Auto Filter (Envelope)” HP Sensitivity
6 LFO Filter LP LFO Rate 2.1 Rear panel connectors
7 LFO Filter BP LFO Rate
8 LFO Filter HP LFO Rate
2 0 Bitcrusher — Depth (40) (39) (38)
3 0 Flanger Gate/Pan LFO Rate
1 Flanger “Standard (Full Res)” LFO Rate
2 Flanger “Standard (Half Res)” LFO Rate
3 Flanger Ultra LFO Rate
4 0 Delay 1/1 Delay Time (related to BPM)
1 Delay 3/4 Delay Time (related to BPM)
2 Delay 1/2 Delay Time (related to BPM)
5 0 Echo 1/1 Delay Time (related to BPM)
1 Echo 3/4 Delay Time (related to BPM)
2 Echo 1/2 Delay Time (related to BPM)
6 0 Reverb Big Plate Reverb Time (Decay)
(50) (41)
1 Reverb Small Chamber Reverb Time (Decay)
2 Reverb Bright Room Reverb Time (Decay)
3 Reverb Voice Widener Tone
(38) These are the LINE i. e. CD inputs to connect a tape deck, CD or MD player etc.
4 Reverb/Delay “Big Plate + Delay” Delay Time (related to BPM) Unlike other channels, channel 1 features two line inputs.
7 0 Phase Shifter 4 LFO Rate
1 Phase Shifter Fall LFO Rate (39) The PHONO inputs for channels 2 to 4 are for connecting a turntable.
2 Phase Shifter Rise LFO Rate (40) The GND connectors ground the turntables.
8 0 Panning Panning LFO Rate
1 Panning Tremolo LFO Rate
(41) With the PHONO/LINE switch it is possible to switch the input sensitivity of
the PHONO inputs 2 to 4 to line level. This allows you to connect a tape deck
9 0 Sim/Dyn Ultrabass Frequency
or a CD player to the PHONO inputs.
1 Sim/Dyn Ultrafex Frequency
2 Sim/Dyn Voice Changer Distortion

The DJX750 features an internal digital effects processor into which you can (44) (45) (46) (42) (43)
feed your master signal, the signals of the input channels or the mic signal.
The module provides a number of standard effects, such as reverb, delay and
echo, as well as various filter and modulation effects.
• To select the signal to be processed, use the SOURCE selector (33).
• Press and hold PROGRAM select to enter effect select mode.
• Turn the PROGRAM control (35) to select an effect. The corresponding
program number appears on the PROGRAM display (34).
• Press the PROGRAM control load the selected preset.

(48) (49)
7 PRO MIXER DJX750 User Manual

(42) The DJX750 features an integrated effects loop for the connection of an
external effects device. The MONITOR signal is taken at the SEND output
and routed, for example, to a reverb processor. Thus, the signal at the SEND
connector is identical to the headphones signal and is selected with the
!! Caution
Please note that when operating the unit at 120 V, a higher fuse rating is
MONITOR CUE buttons (16). required. Please refer to the “Specifications” for details.
(43) The externally processed signal is added to the MASTER output signal via the If you set the unit to a different mains voltage, be sure to use a fuse of the correct
RETURN connectors. The effect signal volume may only be adjusted at the type and rating. Please refer to the “Specifications” for details.
output control of the effects device itself.
◊ Blown fuses must be replaced by fuses of the correct rating!
(44) The MASTER output is for connecting to an amplifier and can be adjusted Please refer to the “Specifications” section for the applicable rating.
with the MASTER fader (18). Before you change the fuse, switch off the device and pull the plug to
avoid electric shock or damage to the device.
◊ Always turn the power amps on last to avoid inrush currents that can
easily damage your speakers. And, to avoid sudden and unpleasant The mains connection is made using the enclosed power cord and a standard IEC
surprises for your ears, make sure there is no signal at the DJX750 receptacle. It meets all international safety certification requirements.
before turning on the power amps. To be sure, slide all the faders to the
◊ Please make sure that all devices are properly grounded. For your own
bottom and switch all controls to the zero position.
safety, never remove or disable the ground conductors from the devices
(45) The BOOTH output gives you an additional option of connecting an amplifier or on the power cords. The unit must always be connected to the mains
in order to, for example, feed the signal into your monitors or to bring sound outlet with a protective grounding connection.
to an extra area. The BOOTH output level is regulated by using the BOOTH
◊ The sound quality may diminish within the range of powerful
LEVEL control (20) of the MASTER section.
broadcasting stations and high-frequency sources. Increase the
(46) Using the TAPE output you can record your music by connecting devices such as distance between the transmitter and the device and use shielded
tape decks, DAT recorders etc. Unlike the MASTER output, the output volume is cables for all connections.
fixed, making it necessary for you to adjust the input level on the recording device.
(47) The POWER switch powers the DJX750 on. You should always make sure that
the POWER switch is in the “Off” position when initially connecting the unit
4. Shipment
to the mains. Should your BEHRINGER product malfunction, it is our intention to have it
repaired as quickly as possible. To arrange for warranty service, please contact
◊ Merely switching the unit off does not mean that it is fully disconnected
the BEHRINGER retailer from whom the equipment was purchased. Should your
from the mains. When not using the unit for prolonged periods of time,
BEHRINGER dealer not be located in your vicinity, you may directly contact one of
please unplug the unit’s power cord from the power outlet.
our subsidiaries.
(48) This is the connector for the power cable. This is where the advantage of a
Corresponding contact information is included in the original equipment
sophisticated internal power supply can be seen: the pulse behaviour of each
packaging (Global Contact Information/European Contact Information).
amplifying circuit is mainly determined by the voltage reserves available.
Should your country not be listed, please contact the distributor nearest
Each mixing console is equipped with numerous operational amplifiers
you. A list of distributors can be found in the support area of our website
(op amps) to process line level signals. Due to limited output of their power
(behringer.com).
supplies, many mixing consoles show signs of “stress” when subjected to
heavy loads. But not your DJX750: the sound is always clear and transparent. Registering your purchase and equipment with us helps us process your repair
claims more quickly and efficiently.
(49) FUSE HOLDER / VOLTAGE SETTING. Before connecting the unit to the mains,
ensure that the voltage setting matches your local voltage. Blown fuses Your product was carefully packed at the factory to ensure safe transport.
should only be replaced by a fuse of the same type and rating. On some Nevertheless, if the box is damaged inspect the unit immediately for signs
units, the fuses holder can be switched to one of two positions, i.e. 230 V and of damage.
120 V. Please note: should you desire to operate the unit outside Europe at
◊ If the unit is damaged please do NOT return it to us, but notify your
120 V, a higher fuse rating is required.
dealer and the shipping company immediately; otherwise, claims for
◊ To disconnect power from main, pull out the main cord plug. damage or replacement may not be granted.
When installing the product, ensure that the plug is easily accessible.
◊ Always use the original box to prevent damage during storage
If mounting in a rack, ensure that the mains can be easily disconnected
or transport.
by a plug or by an all-pole disconnect switch on or near the rack.
◊ Make sure that children cannot play unsupervised with the unit or
(50) SERIAL NUMBER.
its packaging.

3. Initial Operation 5. Online Registration


◊ Ensure adequate air supply and to avoid overheating do not place the
Please register your new BEHRINGER equipment right after your purchase
unit near radiators etc.
by visiting behringer.com and read the terms and conditions of our
◊ Before you connect your unit to the mains, please make sure that your warranty carefully.
local voltage matches the voltage required by the unit. The fuse holder
Thank you for your cooperation!
on the mains connector has 3 triangular markings, with two of these
triangles opposing each other. The unit is set to the operating voltage
printed next to these markers and can be set to another voltage by
turning the fuse holder by 180°.
8 PRO MIXER DJX750 User Manual

6. Specifications
Audio Inputs Power Supply

Mic 40 dB Gain, XLR, Power consumption 32 W


electronically balanced input stage
Mains connection Standard IEC receptacle
Phono in 40 dB Gain, unbalanced input
Line in 0 dB Gain, unbalanced inputs Mains Voltages/Fuses

CD in 0 dB Gain, unbalanced inputs 100 - 120 V~, 50/60 Hz T 1A H


Return 0 dB Gain, unbalanced input 220 - 230 V~, 50/60 Hz T 500 mA H

Audio Outputs Dimensions/Weight

Master max. +21 dBu Dimensions (H x W x D) approx. 4.1 x 12.6 x 14.6"


approx. 104.3 x 320 x 370.8 mm
Booth max. +21 dBu
Weight approx. 8.6 lbs / approx. 3.9 kg
Tape typ. 0 dBu
Send typ. 0 dBu BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts,
modifications may be made from time to time to existing products without prior notice. Specifications and
Phones Out max. 180 mW @ 75 W / 1% THD appearance may differ from those listed or illustrated.

Equalizer

Stereo Low +12 dB / -32 dB @ 50 Hz


Stereo Mid +12 dB / -32 dB @ 1.2 kHz
Stereo High +12 dB / -32 dB @ 10 kHz
Mic Low +15 dB / -15 dB @ 80 Hz
Mic Mid +15 dB / -15 dB @ 2.5 kHz
Mic High +15 dB / -15 dB @ 12 kHz
Kill Low -54 dB @ 50 Hz
Kill Mid -44 dB @ 1 kHz
Kill High -26 dB @ 10 kHz

Digital Effects Processor

DSP Freescale
A/D-D/A converter 24-bit Sigma-Delta,
64/128-times oversampling
Sampling rate 46.875 kHz

System Specifications

Signal-to-noise ratio > 80 dB (Line)


Crosstalk > 70 dB (Line)
Distortion (THD) < 0.03%
Frequency response 10 Hz - 55 kHz, +0 / -3 dB
9 PRO MIXER DJX750 User Manual

FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION

PRO MIXER DJX750

Responsible Party Name: MUSIC Group Services NV Inc.


Address: 5270 Procyon Street
Las Vegas, NV 89118
USA
Phone Number: +1 702 800 8290

PRO MIXER DJX750


complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B
digital device, pursuant to part 15 of the FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that
interference will not occur in a particular installation. If this equipment does cause
harmful interference to radio or television reception, which can be determined
by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC rules. Operation is subject to the
following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may
cause undesired operation.

Important information:
Changes or modifications to the equipment not expressly approved by MUSIC Group
can void the user’s authority to use the equipment.
Dedicate Your Life to Music

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