Arch of Titus
Arch of Titus
Arch of Titus
different
types of marble. It is inscribed with dedications to Titus, and then updated with notes about a later
refurbishment. On the arch, marble carvings of the treasures from the war in Jerusalem are depicted.
Nobody really knows who designed the Arch. However, it is thought that Domitian’s favourite
Architect Rabirius was the orchestrator
HISTORY
Titus had fought several campaigns under his father, Emperor Vespasian, although being Emperor for
only two years. The Arch of Titus honors his deification as well as his victory over the Jews during the
Jewish War, which lasted from 66 AD to 73 AD. The triumphal procession celebrated after the Romans
seized and destroyed Jerusalem's city and Temple is shown in the panels that adorn the arch. As a
result, the arch had significance beyond the Roman era. There are three reliefs on the arch, each
depicting a different scene. It is thought originally some of the designs were painted in a yellow ochre.
Despite the fact that it was built to commemorate the defeat of the Jews, the monument became a
symbol of the Jewish dispersion. it’s often called a triumphal arch because of the high relief depictions
of Roman soldiers carrying the treasures of the Second Temple — the seven-branched Menorah, the
silver trumpets, the Table of the Shew Bread — in Titus’ triumphal procession of 71 A.D. the menorah
depicted on the arch served as a model for the state of Israel's logo. The Arch of Titus also served as a
model for many arches constructed after the 16th century, the most renowned of which is the Arc de
Triomphe in Paris. The royal Frangipani dynasty built another level to the vault and converted the arch
into a defensive tower during the Middle Ages. During Pope Paul IV's pontificate, the Arch of Titus
was designated as a site for taking the oath of submission (between 1555 and 1559). the Arc de
Triomphe is not the only arch modelled on an Arch of Titus drawing. India Gate in New Delhi and
Patuxai Victory Gate in Laos too contain design elements from the Arco di Tito
the treasures that are showing being looted in Jerusalem – including the candelabra – were never found.
Rumor has it they ended up at the bottom of the Tigris.
The central panel in the single arch’s soffit relief depicts Titus being carried to the heavens by an eagle.
The inscription also emphasizes the recently deceased emperor’s divinity: “SENATUS/
POPULUSQUE ROMANUS/ DIVO TITO DIVI VESPASIANI F(ilio)/ VESPASIANO AUGUSTO”
(The Senate and People of Rome [dedicate this arch] to the divine Titus Vespasian Augustus, son of the
divine Vespasian).
The triumph panel opposite depicts Titus carried by a triumphal four-horse chariot (quadriga) followed
closely by the goddess of Victory (Victoria), preceded by official attendants known as lictors, and
accompanied by symbolic representations (genii) of the Senate, the Roman people, and Virtus (manly
virtue) (below).
In 1821, it was time for the Arch to get a bit of a spruce-up. Neoclassicism architect Giuseppe Valadier
was selected for the job. He restored the arch with travertine, so that the additions could be clearly
seen.
As part of the reconstruction, an inscription detailing why the restoration was undertaken was added.
This inscription can be clearly seen on the opposite side to the original.
Arches were essential in Roman architecture because they distributed weight significantly more
effective than the Greek-style rectilinear post-and-lintel arrangement. The archway may have helped
distribute the weight of a statue group displayed on top of a monument (now lost). The arch monument
also established a passageway in the midst of the street, allowing and encouraging pedestrians to walk
through and view the relief sculptures honoring Titus more closely. The ornamental columns of the
arch are of the Composite order, which implies that their capitals mix Ionic and Corinthian traits. The
capitals atop the thin, fluted pillars have Ionic-style volutes (scroll-like crowns) and Corinthian-style
elaborate acanthus leaves.