The Good Soul of Szechuan

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Bertolt Brecht
The Good Soul of Szechuan
translated by
David Harrower
Methuen Drama
Published by Methuen Drama, 2008
13579108642
Methuen Drama
A & C Black Publishers Limited
38 Soho Square
London W1D 3HB
www.acblack.com
Translation copyright for the play © 1985 by Stefan S. Brecht

David Harrower has asserted his right to be identified as the translator of this work
Original work entitled Der gute Mensch von Sezuan

Copyright © 1955 by Suhrkamp Verlag, Berlin
All rights reserved
ISBN: 978 1 408 10965 6

A CIP catalogue record for this book is available from the British Library.
Typeset by Country Setting, Kingsdown, Kent
Printed and bound in Great Britain by
Cox & Wyman Ltd, Reading Berkshire
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Enquiries about use of any material other than in performance

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; country of origin.
The Good Soul
of Szechuan
by Bertolt Brecht
translation by David Harrower
This production opened at the Young Vic on 8 May 2008

THE GOOD SOUL OF SZECHUAN
by Bertolt Brecht
translation by David Harrower
God 3 Steven Beard

Mrs Shin/Movement Direction Linda Dobell
Policeman/Priest Gareth Farr
Wang Adam Gillen
Carpenter/Mr Shu Fu Shiv Grewal
Shen Te/Shui Ta Jane Horrocks
Yang Sun John Marquez
Agent/Trumpet Sam 0’Mahony-Adams
Nephew/Piano/Musical Direction David Osmond
God 1 Susan Porrett
Wife Sophie Russell
Mrs Mitzu/Mrs Yang Liza Sadovy
Father Tom Silburn
God 2 Michelle Wade
Direction Richard Jones
Design Miriam Buether
Costume Nicky Gillibrand
Light Paule Constable
Music and Sound David Sawer
Associate Sound Design Sarah Weltman
Casting Julia Horan CDG
Assistant Direction Anna Dirckinck-Holmfeld
Assistant Design Olan Wrynn
Wigs Campbell Young
Costume Supervisor Claire Murphy
Assistant Costume Supervisor Bryony Fayers
Costume Makers Keith Watson & Pauline Parker
Wardrobe Assistants/Dressers Geri Spencer & Anu Bankole
Wardrobe Work Placements Hannah Chilton & Penny Scuthorpe
Stage Manager Julia Reid
Deputy Stage Manager Jenny Grand
Assistant Stage Manager Rebecca Ridley
Props Buyers Anthony Newman & Sun Ling
Literal Translation Laura Gribble
Scenery built in the Young Vic workshops by Paul Halter, Chris Shepherd, Gibson
Arpino, Nathan Davidson (work experience) and by Factory Settings
Stage Crew Ben Porter
With thanks to Toyota Material Handling UK, Keith King at A.P.S. Plant
Services LTD, David Pearce at W Pearce LTD
Bertolt Brecht Playwright
Bertolt Brecht was born in Augsburg on 10 February 1898 and died in
Berlin on 14 August 1956. He grew to maturity as a playwright in the
frenetic years of the twenties and early thirties, with such plays as Man
Equals Man, The Threepenny Opera and The Mother. He left Germany
wren Hitler came to power in 1933, eventually reaching the United
States in 1941, where he remained until 1947. It was during this period
of exile that such masterpieces as Life of Galileo, Mother Courage and
Her Children and The Caucasian Chalk Circle were written. Shortly
after his return to Europe in 1947 he founded the Berliner Ensemble,
and from then until his death was mainly occupied in producing his own
plays.
The Good Soul of Szechuan was written between 1939 and 1941 and
completed in 1943.
David Harrower Translation

Previous adaptations include: Pirandello's Six Characters in Search of an
Author (Young Vic); Chekhov's Ivanov (National Theatre); Buchner's
Woyzeck (Lyceum Theatre Edinburgh); Jon Fosse's The Girl on the Sofa
(Edinburgh International Festival and the Schaubuhne, Berlin);
Horvarth's Tales from the Vienna Woods (National Theatre); and
Schiller's Mary Stuart (National Theatre of Scotland).
Original works include: Knives in Hens (Traverse Theatre); 54% Acrylic
(for BBC Radio 4); Kill the Old Torture Their Young (Traverse Theatre);
Presence (Royal Court); Dark Earth (Traverse); Blackbird (Edinburgh
International Festival).
BIOGRAPHIES Television includes: Holby City,
Steven Beard God 3 Doctors, Britz, The Bill, Turkish
Theatre and opera includes: Racing Delight, Jonathan Creek, Heartbeat.
Demon, Le Bourgeois Gentilhomme,
Adam Gillen Wang
A Midsummer Night’s Dream
Theatre includes: The Lion’s Mouth
(National Theatre); Endgame
(Royal Court Rough Cuts); The Five
(Nottingham Playhouse and Weimar);
Wives of Maurice Pinder (National
A Flea in Her Ear, The Illusion
Theatre).
(Old Vic); La Béte (Lyric
Television includes: Oliver Twist.
Hammersmith); Seven Doors, Nathan
Film includes: Hippie Hippie Shake.
the Wise, Scapino (Chichester Festival
Theatre); Of Thee I Sing, Paradise Shiv Grewal Carpenter /Mr Shu Fu
Moscow (Opera North); Much Ado Shiv was a member of the Radio
About Nothing, King John(RSC). Drama Company.
Film includes: Shakespeare in Love. Theatre includes: Too Close to Home
(Manchester Library); Rafta Rafta
Linda Dobell
(National Theatre); Gladiator Games
Mrs Shin /Movement Direction
(Sheffield Crucible);A Fine Balance
Theatre and opera includes: Asylum
(Hampstead Theatre); Iwelfth Night
(Nigel Charnock Co.); Holy Mothers
(Albery Theatre); Strictly Dandia
(Ambassador's Theatre); The Pleasure
(Edinburgh Festival); Balti Kings (West
Man (Citizen's Theatre, Glasgow);
Yorkshire Playhouse);
The Miser (National Theatre);
A Midsummer Night’s Dream (London
The Lower Depths (Cardboard
Bubble Theatre); A Streetcar Named
Citizens); Crock of Gold (London
Desire (Sherman Theatre, Cardiff).
Bubble Theatre); Lady Macbeth of
Television and radio includes: Messiah
Mtsensk (Royal Opera House);
III, Second Generation, The Archers,
A Midsummer Night's Dream (RSC);
Book at Bedtime.
Lulu, From Morning to Midnight
Film includes: Brothers in Trouble,
(ENO); The Queen of Spades,
Felicia’s Journey.
Hansel and Gretel (WNO): Macbeth
(Glyndebourne). Jane Horrocks Shen Te/Shui Ta
Theatre includes: The Rise and Fall of
Gareth Farr Policeman/ Priest Little Voice (National Theatre and
Theatre includes: Hobson’s Choice Aldwych); Cabaret (Donmar);
(Young Vic); In Celebration (Duke of Absurd Person Singular (Garrick).
York's); How Many Miles to Basra
Television includes: Road, Bad Girl,
(West Yorkshire Playhouse); The Long, Absolutely Fabulous, Suffer the Little
the Short and the Tall(Sheffield Children, Never Mind the Horrocks,
Crucible); Harvest (Royal Court); The Street.
A Midsummer Night's Dream(RSC);
Film includes: The Dressmaker,
Brassed Off (York Theatre Royal); The Witches, Life Is Sweet, Little
The Taming of the Shrew (Salisbury Voice, Chicken Run, Corpse Bride.
Playhouse).
John Marquez Yang Sun Sophie Russell Wife
Theatre includes: Streetcar to Theatre includes: The Chaingang Gang,
Tennessee (Young Vic); Meat and Two Veg, The Ratcatcher of
The Hypochondriac, The Chain Play Hamelin (Cartoon de Salvo);
(Almeida); The Emperor Jones, The Crock of Gold, Metamorphoses,
Market Boy, Sing Your Heart Out for The Tinderbox, Alice Through the
the Lads, Baby Doll (National Looking Glass (London Bubble);
Theatre); Local, Mother Theresa is Great Expectations (Shifting Sands
Dead, Twins (Royal Court). Theatre Co.); The Bitches’ Ball
Television includes: Gunrush, (Penny Dreadful Theatre Co.);
Doc Martin, Hotel Babylon, I am Dandy (David Gale Ensemble);
Ronni Ancona & Co. Oliver Twist (TNT Music Theatre);
Cinderella (Palace, Westcliff);
Sam 0’Mahony-Adams East Anglian Psychos (Eastern Angles
Agent / Trumpet Theatre Co.); A Christmas Carol
Theatre includes: Mongeo (Belgrade (Manoel Theatre, Malta).
Theatre, Coventry); The Taming of the Television includes: Wire in the Blood.
Shrew (Wilton’s Music Hall);
Much Ado About Nothing, King John, Liza Sadovy Mrs Mitzu/ Mrs Yang
Romeo and Juliet (RSC); The Beach Theatre and opera includes:
(Theatre 503). Six Characters Looking for an Author
Television includes: Casualty. (Young Vic); Sunday in the Park with
George (Menier Chocolate Factory and
David Osmond Wyndham’s): The Dresser (Peter Hall
Nephew/ Piano/ Musical Direction Company at the Duke of York's);
Theatre includes: The History Boys Tales from the Vienna Woods,
(National Theatre tour and West End); The Heiress (National Theatre);
The Winter's Tale, The Grapes of Wrath, Alice in Wonderland (RSC);
SATB (Rose Bruford College). Company (Donmar and Albery);
The Marriage of Figaro (Music Theatre
Susan Porrett God 1
London); Into the Woods (Phoenix and
Theatre includes: The London Cuckolds
West End).
(Royal Court); A Month in the
Television and radio includes: Extras,
Country, Much Ado About Nothing
Midsomer Murders, Prime Suspect,
(National Theatre); The Art of Success,
The Archers.
Macbeth (RSC); David Copperfield
Film includes: Topsy Turvey;
(Greenwich Theatre); Forty Years On
Sweeney Todd.
(West Yorkshire Playhouse); Romeo
and Juliet (English Touring Theatre);
Hay Fever (Oxford Stage Company).
Television includes: Upstairs/
Downstairs, Grange Hill, Absolute Hell,
Foyle’s War, After Thomas.
Film includes: A Private Function.
Tom Silburn Father Richard Jones Direction
Theatre includes: Two Princes Theatre and opera includes:
(Clwyd Theatr Cymru); Chasing the Six Characters Looking For An Author,
Moment (Arcola); Dr. Faustus Hobson's Choice (Young Vic); La Béte
(Bristol Old Vic); On the Third Day (Broadway and West End);
(New Ambassadors); 5/11, Titanic (Broadway);
The Government Inspector, King Lear, Billy Budd (Frankfurt); Lady Macbeth
The Master and Margarita, Of Mtsensk (Royal Opera House and
A Midsummer Night’s Dream La Scala); Wozzeck (Komische Berlin
(Chichester Festival Theatre); Of Mice and WNO); Into The Woods
and Men (Birmingham Rep). (Phoenix Theatre); Hansel And Gretel
Film includes: King Lear, The Trench. (WNO and The Met, New York);
Radio includes: James Baldwin in The Trojans (ENO); The Fiery Angel
Paris, Killing Mr Mort, States of Mind. (La Monnaie, Brussels); Wagner's
Ring Cycle, Gianni Schicchi &
Michelle Wade God 2 L’Heure Espagnole (Royal Opera
Theatre and opera includes: House); Tales From The Vienna Woods
Six Characters Looking for an Author (National Theatre); The Cunning Little
(Young Vic); The Wild Duck Vixen (Amsterdam).
(Lyric Hammersmith); Man and
Superman (West End); Miriam Buether Design
Romeo and Juliet, Othello, Theatre and opera includes:
The Importance of Being Earnest generations (Young Vic); My Child, The
(Leeds Playhouse); Wonderful World Of Dissocia (Royal
My Mother Said I Never Should Court); The Bacchae, Realism
(Contact Theatre, Manchester); (National Theatre of Scotland); Trade
The Seagull, The Glass Menagerie (RSC and Soho Theatre);
(Manchester); The Wind in the Willows Sacrifice (WNO); Death Of Klinghoffer
(Royal Opera House); (Scottish Opera); The Bee
A Midsummer Night's Dream (RSC). (Soho Theatre and Tokyo);
After The End (Paines Plough);
Long Time Dead (Theatre Royal,
Plymouth); poo! (no water)
(Frantic Assembly); Guantanamo
(Tricycle Theatre).
Dance includes: Outsight and
Tenderhooks (Foundation Gulbenkian,
Lisbon); Body of Poetry (Komische
Oper, Berlin).
Nicky Gillibrand Costumes Piano Concerto (all BBC Proms),
Theatre and opera includes: From Morning to Midnight (ENO),
Vernon God Little (Young Vic); Stramm Gedichte (New London
The Seagull, Powerbook (National Chamber Choir), Rebus (musik Fabrik).
Theatre); Jumpers (National Theatre Theatre includes: Jackets (Bush);
and Broadway); Billy Elliot (West End Food of Love (Almeida), The Blue Ball
and Australia); The Tempest (RSC); (National Theatre), Swansong,
By The Bog Of Cats (Wyndham’s): The Long Time Ago Story
Camille (Lyric Hammersmith); (BBC Radio 3).
Lady Macbeth Of Mtsensk
(Royal Opera House and Italy); Julia Horan CDG Casting
The Wind in the Willows, Gianni Theatre and opera includes:
Schicchi & L’Heure Espagnole( Royal Lost Highway (ENO and Young Vic);
Opera House); Rusalka (Copenhagen); Tintin (Young Vic and tour);
The Fiery Angel (La Monnaie, Swimming with Sharks (Vaudeville);
Brussels); Wozzeck (Opera North); A Chain Play, The Homecoming,
Peter Grimes (ENO). Awake and Sing!, Dying for It
(Almeida); Out of the Fog (Almeida
Paule Constable Light Projects); Three Sisters on Hope Street
Theatre and opera includes: (Liverpool Everyman and Playhouse,
Vernon God Little, generations Hampstead Theatre);
(Young Vic); The Man Who Had All the Absolute Beginners (Lyric
Luck, Othello (Donmar Warehouse); Hammersmith); pool (no water)
War Horse, (Frantic Assembly); Gaddafi — A Living
Women of Troy, Saint Joan Myth (ENO); Bad Jazz (ATC);
(National Theatre); Satyagraha Katka’s Dick (Watford).
(ENO); Saint Matthew Passion
(Glyndebourne); Death in Venice Anna Dirckinck- Holmfeld
(Bregenz); Evita (Adelphi Theatre); Assistant Director
A Moon for the Misbegotten (Old Vic); As assistant director: Rusalka,
Peter Grimes (Opera North); L‘incoronazione di Poppea,
The Marriage of Figaro Vec Makropulos (Copenhagen Opera
(Royal Opera House). House); That Face (Royal Court);
Dance includes: Seven Deadly Sins Stallerhof (Southwark Playhouse).
(Royal Ballet). As director:
365 Days / 365 Plays: W29 (Site-spe-
David Sawer Music and Sound cific theatre piece, London);
Works include: cat's-eye (Lontano), Postmortem (King’s Head Theatre);
Hollywood Extra (Matrix Ensemble), The Pinup (White Bear Theatre);
The Memory of Water (BCMG), The Dispute (Edinburgh Festival);
Tiroirs (London Sinfonietta), Songs of Inferno (L’Océan Productions).
Love and War, Byrnan Wood,
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The Good Soul of Szechuan
The Santa Monica Version
The version of Der gute Mensch von Sezuan which is presented

here is not just a lively new translation of the familiar text, but
a significantly different version of the play, prepared by Brecht
himself but previously unpublished in any language. David
Harrower’s text is based on a ‘literal’ translation (by Laura
Gribble) of a typescript in the Brecht Archive dated 1943 and
labelled ‘only copy’. This is the script sometimes known as the
Santa Monica version.
The more familiar version of the play had been completed
back in January 1941 in Finland. Brecht hesitated, butitwas
this version that eventually came to the theatre in Zurich in
February 1943. But Brecht seldom thought of his plays as
finished, and he welcomed each new production or publication
as an opportunity to rework his material and to produce
something better tuned to the new historical and local
circumstances. So, now in California, he also embarked on a
major rewrite, possibly with a production on Broadway in
mind.
Two scenes and half-a-dozen characters were dropped, and
_ the text, which he himself acknowledged was overlong and full
of difficulties, was radically shortened. He also undertook a
serious change to the plot: the sacks which the family leave
with Shen Te in the opening scene transpire to contain not
tobacco (as in the familiar version) but opium. From this it
follows that Shen Te/Shui Ta becomes involved in an explicitly
illegal and destructive (and not merely immoral) trade. Sun
eventually becomes a broken-down opium addict. Whether
this is a gain or not depends upon one’s reading of the play.
(A fuller account of the genesis and of the differences between
the versions is to be found in the Methuen Drama volume
Brecht Collected Plays: Six, edited and introduced by John Willett
and Ralph Manheim, especially in the Notes, pages 336-51.)
The present text deviates from the Santa Monica script in one
respect, namely that one of the lost scenes, the wonderful
comic wedding scene, is restored.
One way and another, after that Zurich production and in the
course of a number of productions in the States, Austria and
West Germany in the late 1940s and early 1950s, it was the
earlier version which became the authorised standard. It was
the 1941 text which received its East German premiere in 1956
(just six months before Brecht’s death) under the direction of
Brecht’s protégé Benno Besson, and which formed the basis for
the first and all subsequent publications in German.
The Santa Monica version was given its first production in
1977 at the Greenwich Theatre, directed by David Thompson,
and since then has led a somewhat clandestine life in the
theatres of the UK, without ever coming to publication. It is
a particular pleasure to be able to present this tougher, tighter,
possibly more ‘American’ version to the reading public. As
Brecht commented in his Journal (30 June 1940), ‘only the stage
can decide between possible variants’.
Tom Kuhn,
General Editor
Characters
Shen Te / Shui Ta
First God
Second God
Third God
Wang
Mrs Shin
Carpenter
Nephew
Wife
Father
Policeman
Priest
Agent
Mr Shu Fu
Yang Sun
Mrs Mi Tsu
Mrs Yang
Prelude
A street in the cafntal of Szechuan province.
Wang I’m a water seller here in the capital of Szechuan

province. It’s hard work. When water’s scarce, I have to travel
miles to fetch it. When there’s plenty, I make no money at all.
Poverty’s the rule in this province. People are saying it’s gotten
so bad only the Gods can help us now. So imagine my elation
when I get told by a cattle dealer who travels around a lot that
some very senior Gods have set out on a journey and could
well be passing through Szechuan any day now. Apparently, it’s
“cause Heaven’s alarmed by the amount of complaints it’s been
getting.
I’ve been watching for them for three days now, here on the
edge of the city, always as night falls, hoping I'll be the first to
welcome them. ’Cause you can be sure I won’t get a look-in
later — they’ll be mobbed, with the powerful first in line. I just
hope I recognise them. They may not all arrive together,
though — they could turn up one at a time so as not to attract
attention.
He looks over at some workers passing by.
That can’t be them. They’re just knocking off work. Look how
bent their shoulders are from carrying heavy loads all day. And
him over there, he’s no God, not with ink on his fingers. No,
I’d say he’s an office worker at the local cement factory.
Two gentleman walk past.
And these two fine gentlemen — no way they’re Gods. ‘Their
faces are too sadistic, like men who beat others to get their
way, which Gods don’t need to do. Over there, those three. . .
Now we're talking. They’re well fed and look like they’ve never
worked for a living — and there’s dust on their shoes — they’ve
travelled many miles. It is them! O Divinities, ’'m Wang, the
water seller, at your service.
He throws himself to the ground.
6 The Good Soul of Szechuan
First God (delighted) Have you been expecting us?

Wang (offers them water from his cup) For a while now. I knew
you'd come, I knew it!
First God We need a room for the night. Is one available?
Wang One? We’ve hundreds of rooms! Divinities, the whole
city’s at your command. Just tell me whereabouts you want to
stay?
The Gods exchange meaningful looks.
First God The nearest house, my son. Ask at the nearest
one first.
Wang Only worry is. . . the powerful people round here
might find out I chose one of them over another. There’s not
many can help a man like me, but there’s plenty who can
harm me.
First God We'll make it an order then — nearest house first.
Wang That’s Mr Fo’s over there!

He hurries over to the house, knocks. The door opens, but then he’s turned
away. Comes back hesitantly.
No luck. Mr Fo’s not home and his servants won’t do anything
without his say-so — he’s very strict. Tell you what though, he’ll
be fuming when he finds out who they’ve turned away.
Gods (smiling) I’m sure he will.
Wang Just a moment. The widow Su lives next door. She’ll
be over the moon.
He runs over, but 1s clearly turned away from there too.
I’m going to ask over here. She says she’s only got a tiny room
which isn’t ready and hasn’t been cleaned and... I can
understand her embarrassment. So, next up, Mr Cheng.
Second God _A small room is enough for us. Tell her we are
on our way.
Prelude 7
Wang It'll be a mess. Crawling with spiders.

Second God No matter. More spiders, fewer flies.
Third God _ Try Mr Cheng or somewhere else. I don’t get
on too well with spiders.
Wang knocks on another door and 1s let in.
Voice (within) Gods? Don’t come to us with your Gods!
We've other things to worry about.
Wang (returns) He’s inconsolable, Mr Cheng, inconsolable.
He has all his relatives staying and can’t bring himself to tell
you face to face. I think it’s *cause some of them aren’t exactly
upstanding, if you know what I mean. He’s afraid of your
judgement.
Third God Are we so terrifying?
Wang Only to bad people. Like them in Kwan province —
they’ve had floods there for years now.
Second God _ And why is that do you think?
Wang ’Cause they’ve got no respect for the Gods.
Second God _ Rubbish. It’s because they never repair their
dam.
First God Ssst. (Jo Wang.) Do you still have hope, my son?
Wang How can you ask that? Any house here’ll have a room
for you. People are clamouring to pat ee up. Just had bad
luck so far. Watch this. i
He goes, hesitantly, then stops and stands in the street, undecided which
house to go to.
Second God What did I tell you?
Third God More bad luck...
Second God _ Bad luck in Shun, bad luck in Kwan and now
bad luck in Szechuan. The truth is, the people are no longer
God-fearing. Face it, our mission here has failed.
First God We might find good people at any moment. We

can’t give up this easily.
Third God _ The ruling stated: if enough good people are
found who live a moral life, the world can stay as it is. We’ve
found the water seller, haven’t we?
He approaches Wang, who’s still standing undecided.
Second God Wait. When he offered us water, I saw
something. Look at his measuring cup.
He shows it to the First God.
First God _ It has a false bottom.
Second God _ He’s a cheat.
First God All right. He fails too. So, he’s corrupt — we’ll find
plenty of other good people. We have to! For two thousand
years people have claimed that the world can’t go on as it is;
that no one can remain virtuous in it. We must search harder
for people who are able to live by our commands.
Third God (to Wang) Perhaps a room will be too hard to
find?
Wang Not for you! What’re you talking about? Pm the one
to blame, I should’ve found you one immediately, I’ve been
slacking.
Third God It’s not your fault.
He goes back to the other Gods.
Wang They can see what’s going on. (Addresses a passing
gentleman.) Excuse me, sir, but three of the highest Gods, whose
visit has been the talk of Szechuan for years, have just arrived
and are seeking lodgings. Don’t walk on . . . Quick, before
someone else snaps them up. This is your chance, the chance
of a lifetime.
The first gentleman walks off Wang turns to another.
Prelude 9
Wang _ Sir, you heard me. Do you perhaps have a spare

room? Doesn’t have to be palatial, it’s the gesture that counts.
Gentleman How do I know what kind of Gods they are?
Who knows who Id be letting into my home.
He goes into a tobacconist’s. Wang returns to the Gods.
Wang I’ve found a gentleman who’s definitely certain to say
yes.
He sees lus cup on the ground, looks uncertainly at the Gods, picks it up
and runs back.
First God Doesn't sound too encouraging.
Wang (io the Gentleman, as he exits shop) What about the
room then?
Gentleman How do you know I’m not looking for a room
myself?
First God He’s not going to find anything, Szechuan’s just
like the rest of them.
Wang These are Principal Gods! Three of them! There’s
statues of them in the temple if you don’t believe me.
Gentleman (laughs) How do I know they’re not a bunch of
crooks?
He exits.
Wang (calls afier kim) Where’s your respect, you chinless git!
You’re going to burn in eternity, y'know! The Gods’ll shit on
you. Your grandkids’ grandkids will still be paying for your
mistake. You’ve brought shame on the whole of Szechuan.
(Pause.) Now only Shen Te’s left. Shen Te the hooker. She never
says no to anyone. Shen Te!
Shen Te’s head appears at an upstairs window.
Wang They’re here, the Gods are here, but I can’t find any
room for them. Can you put them up for the night?
Shen Te_ [I can’t, Wang. I’ve got a client coming. You can’t
find anywhere for them at all?
Wang Nope. Szechuan’s a pile of shit.
Shen Te [I could hide when he arrives and he might go
away. He’s coming to take me out somewhere.
Wang Can we come up for now?
Shen Te_ As long as you’re quiet. Can I be straight with
them?
Wang No! They mustn’t find out. It’s better we wait
downstairs. But don’t go anywhere with your client, all right?
Shen Te_ [’m skint, Wang, and I’m going to be evicted if
I don’t come up with my rent by tomorrow.
Wang How can you think about money at a time like this?
Shen Te Even on the Emperor’s birthday, my stomach
rumbles. Go on then, [’ll take them in.
She turns the hght down. The Gods move nearer to Wang.
First God_ It’s hopeless, isn’t it?
Wang (startled to find the Gods behind him) No, I’ve found you
something.
He wipes his brow.
Gods _ Really? Let’s see it then.
Wang No hurry. Relax. The room’s being made up.
Third God We'll sit down and wait then.
Wang Bit busy here though, eh? All the toing and froing.
We’re better over there, don’t you think?
Second God _ We like to watch people. It’s why we’re here.
Wang Windy too.
Second God We can put up with that.
Prelude 11
Wang How about a night-time tour of Szechuan?

Third God We've walked far enough today. (Smiles.) If you
want us to move away from here, you just have to say so. (They
walk back.) Is this all right for you?
They sit on the front steps of a house. Wang sits to one side, on the
ground.
Wang You'll be staying with a young woman who . . . who
lives on her own. She’s a good soul — the best person there is
in Szechuan.
Third God We're glad to hear it.
Wang (fo the audience) When I picked up my cup just now,
they all looked at me funny. D’you think they know? I can’t
look any of them in the eye.
Third God You're exhausted.
Wang A bit. All the rushing around.
First God Is life hard for the people here?
Wang Yes. For the good ones.
First God (fenetratingly) And for you?
Wang I know what you’re saying. No, I’m not good. But
life’s not easy for me either.
The Client has arrived at Shen Te’s house. He whistles several times.
Each time he does, Wang flinches.
Third God _[ think he’s gone now.
Wang (at sixes and sevens) Yes, sir.
He gets up and walks to the square, leaving behind his carrying pole.
In the meantime, Shen Te has come out of her house to call quietly for
Wang. She goes down the street looking for him. So when Wang now
calls for her, there’s no answer.
Wang She’s gone. Left me in the lurch. Off to earn her
bloody rent and now there’s nowhere for the Gods. They’re
tired and they’re tired of hanging around. What’m I going to

say? There’s always my own place in the sewage pipe, but, no,
I can’t take them there. They won’t want to stay with me after
what happened with the drinking cup. I’m not going back to
them, I can’t. But my carrying pole’s over there . . . What’ll
I do? I’m leaving it — I’m getting out of Szechuan. I’m going
to hide somewhere where they won’t find me. I’ve failed them,
the Gods I worship and revere, I’ve failed them.
He runs off As soon as he’s gone, Shen Te returns. She sees the Gods.
Shen Te Are you the Gods? I’m Shen Te. I'd be honoured if
you'd accept my invitation to stay in my room for the night.
Third God Where has the water seller gone?
Shen Te I must’ve just missed him.
First God He probably thought you’d left him and couldn’t
face us.
Third God (picks up Wang's stuff) We'll store this in your
house. He’ll need it later.
Shen Te leads them into the house.
It gets dark, then light again.
Dawn. The Gods step outside to leave, led by Shen Te, who lights
their way with a lamp.
First God My dear Shen Te, thank you for your hospitality.
We won’t forget it was you who took us in. Give the water
seller his carrying pole back and tell him we’re grateful to him
for showing us a good person.
Shen Te_ I’m not good. When Wang asked me, I hesitated,
I wasn’t sure.
First God That doesn’t matter — you made the right

decision in the end. And truth be told, you gave us more than
shelter for the night. There are many — even some of us Gods —
who doubt there are any good people left. This is the reason
for our journey. We can continue now, happy in the knowledge
that we found such a good soul in Szechuan. Goodbye.
Prelude 13
Shen Te Wait, Divinities . . . How am I good, tell me? I want

to be but every month there’s the rent to pay. I sell my body in
order to live. And even then I don’t make enough, since there
are so many others doing it too. I want to follow your commands
of brotherly love and honesty, I do, and not covet my neighbour’s
house and to love one man faithfully and loyally and not
exploit anyone or benefit from their misery or rob the poor
and the helpless. But how’m I supposed to do all that? Even
when I try my best I end up breaking half of them.
First God ‘These are nothing but the worries of every good
person.
Third God Farewell, Shen Te. Give my regards to the water
seller. He was a good friend to us.
Second God For all the good it’s done him.
Third God Take care of yourself.
First God Above all, be good, Shen Te. Goodbye.
They turn to go, already waving goodbye.
Shen Te (earful) But how can I when everything’s so
expensive?
Second God We can’t help you there, I’m afraid. We don’t
get involved in economic matters.
Third God Wait a moment. If she had a bit more money,
surely she’d have a better chance of staying good.
Second God We can’t give her anythirig. We’d have to
answer for it up there.
First God So?
They discuss it animatedly,
First God (io Shen Te, embarrassed) We know you're
struggling with your rent. We’re not poor and so we'll leave
something for our accommodation.
Gwes her some money.
But you can’t tell anyone. It might be misinterpreted.

Second God Wildly misinterpreted.
Third God No, we’re allowed. We’re simply paying for our
night’s lodgings. Nothing in the ruling forbids it. Goodbye
then.
They leave hurriedly.
One
A small tobacco shop, not open for business yet, the shelves not completely
stocked.
Shen Te (io the audience) It’s three days now since the Gods
left. The money they left me was more than a thousand silver
dollars. So I bought this tobacco shop with it. I moved in
yesterday and I hope I can do a lot of good here. Mrs Shin,
for example, who I bought the shop from — she came by
yesterday to ask for some rice for her kids and I was able to
give her some. That’s her there, walking across the square
again, carrying her bowl.
Mrs Shin enters. The women bow to one another,
Shen Te Good day, Mrs Shin.

Mrs Shin Good day, Shen Te. How are you finding your
new home?
Shen Te [like it very much. How are your children?
Mrs Shin Oh, they’re living in someone else’s house, if you
can call that shack a house . . . The littlest one’s got a terrible
cough already.
Shen Te That’s awful.
Mrs Shin What would you know about awful? You’re doing
all right. But running this dump will teach you a thing or two.
This neighbourhood’s a slum.
One 15
Shen Te But you told me the workers from the cement

factory come in here every lunchtime for tobacco.
Mrs Shin Some of them do. They’re the only ones who buy
anything. You won’t get any locals parting with their money.
Shen Te You didn’t tell me that when you sold me the shop.
Mrs Shin Don’t start accusing me after you’ve stolen a
home from me and my kids. And then you go calling it a shack
and a slum! You’ve got some nerve. (She cries.)
Shen Te (quickly) I'll get the rice.
Mrs Shin |! want to borrow some money off you as well.
Shen Te (while she pours rice nto a bowl) I can’t. I haven’t sold
anything yet.
Mrs Shin But I need it. What’m I going to live on? You’ve
taken everything from me. You’ve got your hands round my
throat, choking the life out of me. I'll leave my motherless kids
on your doorstep, you tight-fisted hag,
She grabs the bowl of rice from Shen Te.
Shen Te Don’t get so angry. You'll spill the rice.
The Wife and Husband entey, along with their shabbily dressed
Nephew. All carry sacks over their shoulders.
Wife My dear Shen Te, we’d heard how well you’re doing.
Look at you, a businesswoman now. Us, we’ve nowhere to live
at the moment. Our tobacco shop went bust. We wondered
if we could stay a night with you? Have’ you met my nephew?
He came along too, he goes everywhere with us.
Nephew (looking around) Nice shop you've got here.
Mrs Shin Who’s this then? :
Shen Te They were my first landlords when I came to the
city from the country. (Zo the audience.) When my small bit of
money had gone they turned me out onto the street. ‘They'll
be afraid now that I'll do the same.
They’re poor.
They’re homeless.
They’ve no friends,
How could anyone turn them away?
(Warmly, to them.) You’re welcome. I'd be glad to put you up. All
I have though is a small room at the back of the shop.
Husband Don’t worry. That’ll do us.
Wife (wile Shen Te brings in tea) Best we just settle in and
not get in your way. I suppose you chose a tobacco shop
because it reminded you of your first home in the city, eh? We
can pass on a few tips. Bet you’re glad we came now.
Mrs Shin (sarcastically) She’ll be even gladder if a few paying
customers come as well.
Wife Is that a dig at us?
Husband _ Shhh. She’s got a customer.
An Unemployed Man enters.
Unemployed Man __ Hello. I’m unemployed.
Mrs Shin laughs.
Shen Te What can I do for you?
Unemployed Man _ [heard you’re opening tomorrow so
I thought to myself, she’ll be unpacking stuff, and usually some
of it falls out and gets damaged. Ciggies, y’know, stuff like
that? Any chance of one?
Wife He’s got a nerve, begging for tobacco. Bread, I’d
understand...
Unemployed Man _Bread’s expensive. All I want’s a couple
of puffs on a cigarette and I'll be a new man. Right now, I’m
a wreck.
Shen Te (ewes him cigarettes) It’s important to feel like a new
man. You’re my first customer and you’re going to bring me
luck.
One 17
The Unemployed Man lights up, inhales and exits, coughing

Wife Was that wise, dear Shen Te?
Mrs Shin If that’s how you’re going to trade, you’ll be out
of business in three days.
Husband _[ bet you he had money on him.
Shen Te He said he had nothing.
Nephew How do you know he wasn’t lying?
Shen Te (angry) How do I know he was?
Wife (shakes her head) She can’t say no. You’re too good, Shen
Te. If you want to hold on to your shop, you’ll have to learn to
refuse people.
Husband Why don’t you tell people the shop’s not yours?
Say it belongs to a relative — a cousin or something.
Mrs Shin She’d never do that, she’s too intent on do-
gooding.
Shen Te (/aughs) Just keep the complaints coming. I'll turf
you lot out and take my rice back.
Wife (outraged) You give her rice as well?
Shen Te (¢o the audience)
They’re bad people.
They don’t trust anyone.
They even begrudge someone a bowl of rice.
They want to grab everything for themselves.
Who could blame them?
A little man, the Carpenter, enters. Mrs Shin gets up hastily to go.
Mrs Shin [’ll drop in again tomorrow.
She exits.
Carpenter Stop, Mrs Shin, it’s you I came to see.
Wife Does she come often then? She got some kind of claim
on you?
Shen Te No. But she’s hungry.

Carpenter She knows why she’s running. You the new
owner? I see you’re stocking the shelves — shelves that aren’t
yours. Not unless you pay for them. The scum that were here
before you never did. (To the others.) ’m the carpenter, Lin ‘To.
Shen Te _[ thought everything was included in the price.
Carpenter Robbery. Robbery and fraud. I bet you and that
Mrs Shin are in this together. I want fifty silver dollars for the
work I did.
Shen Te How can I pay you? I haven’t made any money yet.
Carpenter Then [ll have all your assets sold off: Immediately.
So pay up or be sold off; your choice.
Husband (prompting Shen Te) ‘Tell him. . . you’ll have to
consult your cousin . . .
Shen Te Can’t it wait till next month?
Carpenter (shouting) No!
Shen Te Do you have to be so hard-nosed, Mr Lin To? I
can’t meet everyone’s demands.
(To the audience.)
A little leniency and one’s strength doubles.
A carthorse stops to chew a tuft of ‘grass,
Leave him to it and he’ll pull better than before.
Show a bit of patience in June and come August the peach
tree will be weighed down with fruit.
Without forbearance how can we live together?
Allow a small delay
And the furthest destinations are easily reached.
(Zo the Carpenter.) That’s all ’m asking for, Mr Lin To.
Carpenter And who'll be patient with me and my family?
He pulls a shelf from the wall.
Pay up or I take my shelves with me.
One 19
Wife Shen Te, why don’t you let your cousin take care of
the matter .. . ? (To the Carpenter.) Write an invoice and her
cousin’ll pay you.
Carpenter [’ve heard about cousins like that.
Nephew Don’t laugh. I know him personally.
Husband He’s got a sharp brain. He knows what’s what.
Carpenter (fo Shen Te) I hope for your sake he does. All
right, I'll write him an invoice.
Fle turns the shelf upside down, sits on it and writes out an invoice.
Wife (to Shen Te) He'll fleece you-for those few planks if
you don’t put a stop to it. Don’t ever‘accept a demand, you
hear, however justified, ’cause then you’ll be inundated with
others. ‘Throw a bone in the garbage and before you know it
all the dogs in the neighbourhood are in your yard fighting
over it. What do you think the courts are there for?
Shen Te_ The courts won’t feed him if his labour doesn’t.
He wants to be paid for the work he’s done. He has a family to
support. I feel awful that I can’t pay him. What will the Gods
say?
Husband You did enough taking us in.
A limping man, the Brother, and a pregnant woman, the Sister-in-
Law, enter.
Brother (éo the couple) So this’s where you’ve got to. My own
flesh and blood leave us abandoned on‘a street corner.
Wife (to Shen Te, embarrassed) This is my brother Wung and

my sister-in-law. (To both of them.) Sit down and keep quiet so
you don’t bother our old friend, Miss Shen'Te. You can stay
here, it’s fine by her. (Jo Shen Te.) I think we’ll have to take
both of them in. My sister-in-law’s five months gone. It’s only
right, isn’t it?
Shen Te They’re both welcome.
Wife Say thank you. There’s cups back there. (7o Shen Te.)
They’ve nowhere else to go. Lucky for them you bought this
shop.
Carpenter (grumpily) My bill. I'll be back here first thing
tomorrow.
He leaves.
Nephew (calls after him) Don’t you worry, her cousin’ll pay
you.
Sister-in-Law (quietly, to the Nephew) Things won’t last like
this too long. ,
An old man, Grandfather, enters led by a Boy.

Boy Here they are.
Wife Hello, Grandfather. (Jo Shen Te.) He'll have been
worried about us. And the boy, hasn’t he grown? He eats like
a wolf. Who else you got with you?
Husband (looking around) Only your niece.
A young girl, the Niece, enters.
Sister-in-Law (quictly to the Nephew) ‘Told you. ‘The rats
are boarding the sinking ship . . .
Wife (to Shen Te) She’s a young relative of mine from the
country. That’ll be it now. There weren’t this many of us when
you lived with us before, were there? We’ve just multiplied.
The worse off we got, the more of us appeared. And the more
of us there were, the worse off we got. Better lock up now in
case the ranks swell again.
She locks up and everyone sits down.
The important thing is we don’t disturb your business, so we’ve
planned it like this: the younger ones will go out during the
day leaving Grandfather, sister-in-law and perhaps me as well.
The rest of them will only drop in once or twice a day, all
right?
One 21
Nephew (jokily, to Shen Te) Just hope your cousin doesn’t

turn up in the night.
Sister-in-Law laughs.
Brother (helps himself to a cigarette) Don’t mind us smoking the
odd one, do you?
Husband Course she doesn’t.
Everyone takes a cigarette. The Brother passes ajug of wine around.
Nephew Drink up. It’s on her cousin.
Grandfather (fo Shen Te) Good day.
Shen Te 1s confused by the delayed greeting She bows. Still in her hand,
the Carpenter’ Dill.
Wife Is no one going to sing for our kind hostess?
Nephew Grandad can start.
They sing ‘The Smoke Song’.
Grandfather
Before my hair went grey I used to think
My brains were all I needed to survive,
But if there’s nothing in my house to eat or drink,
How can pure intellect keep me alive?
That’s why I say: stuff it!
Just like grey smoke
Fading in cold air.
That’s how you'll go too.
Husband
Hard work and honesty get you nowhere.
I know that’s why I took the crooked Me
But even that leads only to failure,
So I’ve got sod all else to say.
Except to say: stuff it!
Just like grey smoke
Fading in cold air.
No one will remember you.
Niece
I hear the old folk say there is no hope,
Any dreams you have Time cuts them short
If you’re young like me life’s door is wide open
But [’m pretty sure it leads to nowt.
And so I also say: stuff it!
Just like grey smoke.
Fading in cold air,
You will vanish for ever.
Nephew Where’s the wine from?
Sister-in-Law (fois to Brother) He sold some of that
special tobacco for it.
Husband You did what? You bastard, we said we’d never
dip into it, even when we had nowhere to stay.
Brother Bugger off, you — my wife was freezing. Don’t
bloody drink the wine then. Give me that jug!
They scuffle. The tobacco shelves fall over.
Shen Te (imploringly) .Watch it! This is my shop! It was a gift
of the Gods. ‘Take whatever you want, but don’t wreck it.
Wife This place is smaller than I thought. I shouldn’t have
told Auntie and others about it, should I? If they come we'll be
crammed in here.
Sister-in-Law (about Shen Te) Her face is dropping as well,
you noticed?
Voices outside. A knock on the door.
Voice Open up. It’s us.
Wife Oh, is that you, Auntie? What’re we going to do?
Shen Te My beautiful shop. My shop that was full of hope.
I’ve not even opened yet and already it’s chaos.
(To the audience.)
This little lifeboat of salvation
“Interlude 23
Is being sucked down into the deep.

Too many of the shipwrecked
Are desperately reaching out for it.
Interlude
Under a bridge.
Wang the water seller crouching on the riverbank.
Wang (looking around) A\ll’s quiet. I’ve been hiding for four
days now. They won’t find me — I’m keeping my eyes peeled. I
did the smart thing and ran in the direction they were heading.
On the second day they passed over the bridge. I heard their
steps above me. Now they’ll be far away, which means I’m safe
from them.
He leans back, falls asleep. Music. The bank becomes transparent and the
Gods appear. Wang Ilifis his arm to cover himself as if about to be
struck.
Wang All right, I know ~ I failed you. I couldn’t find anyone
who'd give you a room for the night. Go. Leave me alone.
First God No, you did find someone. She took us in and
watched over us as we slept, and in the morning, as we were
leaving, she lit our way with a lamp. You found our good
person for us, a good soul of Szechuan.
Wang Shen Te?
Third God Of course.
Wang And I ran off showing no faith in her. I thought she
was only thinking about her rent and wouldn’t come back.
Gods
O you weak man,
Well meaning but weak man.
Where there is hardship you think there can be no goodness.
Where there is risk you believe there will be no bravery,
Such weakness which sees no virtue in anyone.

O rash judgement, O thoughtless desperation.
Wang Divinities, I’m so ashamed.
First God Water seller, we want you to go to Szechuan and
report back to us about all the good Shen Te is doing, Things
are going well for her. She’s bought a small shop with some
money she was given — so she can do what her kind heart bids
her. You must stand by her and encourage her — that 1s what
the good deserve. We, meanwhile, will carry on with our
journey and put an end finally to the belief that good people
cannot survive on this earth.
Two
The tobacco shop.

Sleeping people le everywhere. The lamp still burns. A knock on the door.
The Wife raises herself up, still half asleep.
Wife Shen Te, someone’s at the door. Where is she?
Nephew Probably making breakfast for her cousin. He’ll
want to eat before he starts sorting out this mess.
The Wife laughs and shuffles to the door. Ayoung man, Shui Ta,
enters. Behind him, the Garpenter.
Shui Ta_ I’m the cousin.
Wife (taken aback) You what?
Shui Ta Call me Shui Ta.
Guests (rousing each other) It’s the cousin...! / But that was
a joke. / She doesn’t have a cousin. / There’s someone here
saying he’s the cousin. / No, no way!
Nephew If you’re her cousin, mister, then you can go and
help Shen Te make breakfast. Go on. Chop chop.
Shui Ta (extinguishes the lamp) ‘Vhis is my shop, not a bloody
refuge! Get dressed, all of you. Now!
(iwor 25
Husband Your shop? I thought it was Shen Te’s.

Shui Ta shakes his head.
Husband It’s not?
Sister-in-Law She was lying to us. Where is she, anyway?
Shui Ta She’s attending to other business, so I’m giving the
orders now — no more charity, no more helping hand.
Wife (shaken) And we thought she was a good person...
Nephew (io Shui Ta) I don’t believe you. Start looking for
her.
Husband Yes, c’mon — you, you and you, get looking. We’ll
stay here with Grandfather and hold the fort. The boy can go
and find us something to eat. (Zo the Boy.) See that pastry shop
on the corner? Get over there and fill your pockets.
Sister-in-Law And bring me back a couple of those little
white cakes.
Husband Make sure the baker doesn’t see you. And keep
clear of the copper.
The Boy nods, goes. The others get dressed.
Shui Ta_ I don’t want any thieving connected with this shop.
Nephew Don’t worry about him, Shen Te’ll sort him out.
The Nephew, Brother, Sister-in-Law and Niece exit.
Sister-in-Law Save some food for us. -
Shui Ta (calmly) They won’t find her. And by the way, my
cousin’s hospitality towards you has now ended. ‘There’s far too
many of you. I want this shop to be run like a shop.
Husband Shen Te wouldn’t do this to us.
Shui Ta Well then, Shen Te needs to learn, doesn’t she? (To

the Carpenter.) This city’s in crisis. It’s beyond help — no one
can change anything here. Someone wrote a poem eleven
hundred years ago and things are still the same as then:
When the Governor was asked what was needed

To help the city’s freezing poor, he replied,
‘A blanket ten thousand feet long
To cover the suburbs.’
He starts clearing up the shop.
Carpenter Your cousin owes me for the shelves. Fifty silver
dollars.
Shui Ta (takes out money) You don’t think fifty’s too steep?
Carpenter Nope. And I don’t do discounts. Wife and kids
to feed. ;
Shui Ta How many?
Carpenter Four.
Shui Ta Then I'll give you five silver dollars.
Carpenter (laughs) Funny guy. Those shelves are walnut.
Shui Ta ‘Take them down then.
Carpenter What d’you mean?
Shui Ta_ They’re too expensive. ‘Take them down.
Wife That’s telling him. (She laughs.)
Carpenter [I want Miss Shen Te brought here. She’ll listen
to me.
Shui Ta Of course she will. That’s why she’s facing ruin.
Carpenter (resolutely takes a shelf, carries it to the door) All right,
you can stack all your tobacco and stuff on the floor. See if I
care.
Shui Ta (fo the Husband) Don’t just stand there then. Give
him a hand.
Husband (takes another shelf carries it grmning) Watch yourselves,
walnut shelves coming through.
Carpenter You bastard. You want my family to starve?
Two 27
Shui Ta All right, I’ll offer you two dollars for the lot. You’re
right, I don’t want to my stock lying on the floor.
Carpenter Five!
Shui Ta looks calmly out the window. The Husband busies himself
carrying the shelves outside.
Carpenter Watch what you’re doing, idiot. (Desperately)
They were made to measure. They fit this wall and nowhere
else. I cut those planks special, mister.
Shui Ta That’s why I’m offering two dollars. You cut down
the wood, I cut down the price.
The Wife squeals with pleasure.
Carpenter I’m sick of this. Keep the bloody shelves, pay
me whatever you've got.
Shui Ta Two silver dollars.
He puts the coins on the table. The Carpenter takes them. The
Husband starts carrying the planks back inside.
Husband That’s not bad for a pile of planks.
Carpenter It better be enough to get me pissed.
He exats.
Husband Oh, we got him good.
Wife (wiping tears of laughter away) “They’re walnut.’ “Take
them down.’ ‘Fifty silver dollars.’ That’s how you deal with
people like him.
Shui Ta “That’s how you deal with people like him.’ I want
you two out of here now.
Husband Us? Why?
Shui Ta Because you’re thieves and parasites. Now! And no
arguing or pleading.
Husband Don’t say anything. It’s not good to get angry on
an empty stomach. Where’s that bloody boy got to?
Shui Ta_ I’ve already told you — he doesn’t come through

that door with stolen cakes! (Shouts suddenly.) Get out! (They stay
seated. Calmly.) So be it.
He goes to the door and greets someone outside. A Policeman appears
at the door.
Shui Ta _[ take it this is. your neighbourhood, Officer. _
Policeman Correct, sir.
Shui Ta The name’s Shui Ta. (They smile.) Lovely weather
we're having.
Policeman _A little too warm, perhaps.
Shui Ta Maybe a little.
Husband (quietly to the Wife) If the boy comes back we'll
get it.
He surreptitiously tnes to signal to Shui Ta, who ignores him.
Shui Ta _ I suppose it all depends whether you’re standing in
a cool place or outside on a hot, dusty street.
Policeman _[ suppose it does.
Wife (fo the Husband) Calm down. The boy’s not stupid.
He'll stay away if he sees a policeman in the doorway.
Shui Ta Why don’t you come in? ‘The shop belongs to me
and my cousin, and let me assure you we consider it imperative
to be on good terms with the authorities.
Policeman (coming in) Very kind of you, Mr Shui Ta. Yes, it
certainly is cooler in here.
Husband (queily) He’s doing it on purpose now. The boy
won’t see him.
Shui Ta They’re visitors. Distant acquaintances of my

cousin’s, so I’m told. Only passing through.
They bow to one another.
In fact,we were just saying our goodbyes.
Two 29
Husband (hoarsely) Yep, that’ll be us off then.

Shui Ta_ [’ll pass your thanks on to my cousin and tell her
you're sorry you couldn’t stay.
From the street outside, shouts of ‘Stop, thief’
Policeman What’s that?
The Boy arrives, cakes and bread falling from his clothes. The Wife
signals frantically for him to get out. He turns to run.
Policeman (i, you, stop! (Grabs him.) Where did you get
these cakes?
Boy Over there.
Policeman Stealing, eh?
Wife We don’t know anything about it. ’ve no idea who he is.
Policeman Do you have an explanation, Mr Shui Ta?
Shui Ta 7s silent.
Policeman All right, we'll all go down to the police station
then.
Shui Ta Officer, I am shocked that something like this could
happen here.
Wife (foits at Shui Ta) He knew exactly what the boy was
up to!
Shui Ta _ If I did, Officer, ’'d hardly have invited you in here,
would I?
Policeman No. Of course not. I have to take them in for
questioning, Mr Shui Ta.
Shui Ta dows his assent.
Shui Ta One last thing before you go. The sacks you
brought — are you not taking them with you?
Husband (imploringly) Sacks? What sacks? We didn’t bring
any sacks.
Shui Ta Sorry, Officer, my cousin’s mistake. A

misunderstanding.
Policeman Right, you lot. Get moving.
He ushers them out.
Grandfather (solemnly, in the doorway) Good day.
Everyone leaves except Shui Ta, who walks to the back of the shop and
pulls out a sack. He shows it to the audience.
Shui Ta See this? It’s heroin.
He hears someone coming, hides the sack.
Policeman _[ handed the suspects over to a colleague because
I wanted to come back to pass on the gratitude of the city
police department.
Shui Ta No, Officer, it’s you who must be thanked.
Policeman (casually) You mentioned earlier something about
some sacks. You haven’t come across any of them?
Shui Ta Nothing at all. Do you smoke, Officer?
Policeman (pocketing two cigars) I have to tell you my
department wasn’t sure about this shop, but your determined
stance on the side of the law has shown us that you’re a pillar
of law and order within the community. You’ll be staying on,
I hope?
Shui Ta _[| can’t, unfortunately. I just dropped by to help out
my cousin, that’s all. I told her she’ll have. to learn to survive
by herself, I won’t always be here. Doesn’t stop a cousin from
worrying about her, though.
Policeman What about a husband for her?
Shui Ta_ A husband?
Policeman (enthusiastically) Why not? She’s got a lot going

for her. I mean, for instance, there’s Mr Shu Fu the barber
who lives next door. He owns twelve houses and has only the
one wife, who’s getting on a bit. Only yesterday, in fact, he
Three 31
expressed to me an interest in the young lady. And he also

asked about her financial situation. Now, if that doesn’t show
genuine feeling . . .
Shui Ta (cautiously) That’s not such a bad idea. Could you
arrange a meeting?
Policeman Yes, I think I could probably do that. Course
itd have to be done delicately — Mr Shu Fu is an honourable
man. Perhaps they could accidentally meet outside the tea
shop near the municipal lake. There’s a bath hut nearby. I know
because I arrested a vagrant there only last week. Miss Shen
Te could be . . . could be admiring the carps in the lake and
could, in her appreciation, say... say...
Shui Ta ‘Look at the lovely carps.’
Policeman Brilliant. And Mr Shu Fu could reply...
Shui Ta All I see is a beautiful face reflected in the water.’
Policeman Perfect. Pll go and speak with Mr Shu Fu
immediately. You can be sure, Mr Shui Ta, the Szechuan
authorities want only the best for the honest businessman.
Shui Ta _ To be honest, I thought there was no hope for this
business. My cousin believes it was gifted to her by the Gods.
But suddenly things have got a lot brighter. Scary, isn’t it, that
to succeed in life a person needs good fortune, a head full of
ideas and plenty of loyal friends.
Three
Dusk in the municipal park.

A young man in torn clothes watches an aeroplane flying high over the
park. He’s Yang Sun.
He takes out a rope, glances around. He’s heading over to a large willow
tree when two Prostitutes come walking along the path. One is old,
the other 1s the Niece from the family who descended on Shen Te’s
shop.
Young Prostitute Hey, you wanting any business, darling?

Yang Sun Maybe — if you buy me something to eat first.
Old Prostitute Course we will . . . (Jo the Young
Prostitute.) You’re wasting your time, that’s the unemployed
pilot.
Young Prostitute But there’s no one else here — and it’s
going to start raining in a minute.
Old Prostitute Trust me, you never know what you'll find.
They walk on.
Yang Sun throws the rope over one of the branches of the willow.
The two Prostitutes enter again, walking quickly. They don’t notice
him this time.
Young Prostitute [’m telling you it’s going to piss down.
Shen Te comes walking along the path.
Old Prostitute Look who it is, the evil pig of Szechuan.
I want to have a go at her.
Young Prostitute It was her cousin, it wasn’t her. She took
my family in. And she offered to pay for the stolen cakes. I’ve
got nothing against her.
Old Prostitute Well, I do. (Loudly’) If it isn’t Shen Te, a
filthy rich businesswoman now, but still on-the streets stealing
customers from us.
Shen Te_ [’m not. I’m going to the tea house by the lake.
Young Prostitute You really marrying that barber who’s
got three children?
Shen Te (nods) I’m off to meet him now.
Yang Sun _ Give me some peace here, will you?
Old Prostitute You shut your mouth!
The Prostitutes exit.
Three 33
Yang Sun (calls afier them) Vultures! Vampires! (To the audience.)
Even in this remote spot, even in the pouring rain, you still
find them hunting mercilessly for prey, ready to pick them off
and devour them.
Shen Te (angrily) Don’t speak about them like that . . . !
(Notices the rope.) Oh... !
Yang Sun What?
Shen Te What’s the rope for?
Yang Sun _ Get going, sister. Hop it. I’ve got nothing, nada,
not even a nickel. And even if I had, I'd buy a cup of water
before I spent it on you.
It starts to rain.
Shen Te No. Not rope. Don’t do it.
Yang Sun_[ told you to get lost!
Shen Te It’s raining.
Yang Sun Don’t be trying to come and shelter under this
tree.
Shen Te (standing in the rain) No.
Yang Sun _ Exactly. No business here. You’re too ugly for me
anyway. Bandy legs.
Shen Te No, | haven't.
Yang Sun All night, I don’t need to‘see ge C’mon then,

get out of the rain.
Shen Te walks over and sits under the tree.
Shen Te Why are you doing that?
Yang Sun To get rid of you. (Pause.) D’you know what a
mail pilot is?
Shen Te Yes. I’ve seen a few of them in the tea house.
Yang Sun No, you haven’t. They weren’t pilots. What you
saw was a couple of air-headed idiots in leather helmets with
no ear for an engine or feel for a machine and who only get to
fly because they bribe the hangar manager. Ask one of them
to let her bank through the clouds and then pull her ever so
gently with the joystick and they'll say, ‘Sorry, mate, not in my
contract.’ They’re an obscenity. You land a plane on a runway
like it’s your own arse you’re touching down . . . ’m a real
pilot — and a real fucking idiot — know why? ’Cause at flying
school in Beijing I read every book they had about flying
except for one page — one page that I skipped — the page that
said that there’s sod-all work for pilots nowadays. So that’s
what I am ~ a pilot without a plane. A mail pilot with no mail.
You’re nodding, but you’ve no idea what what I’m talking
about.
Shen Te _ Ido.
Yang Sun No, you don’t. You can’t.
Shen Te (half laughing, half crying) When we were kids we
found a bird — a crane with a broken wing. He got so attached
to us. We used to play with him and he’d run after us, squawking
if we got too far ahead. But then in spring and autumn, when
he saw the other birds migrating, flying over our village, he got
so restless and distracted. And I knew how he felt.
Yang Sun Don’t cry.
Shen Te No.
Yang Sun _ It’s bad for your complexion.
Shen Te All right, I’m stopping.
Shen Te wipes her tears away with her sleeve. Yang Sun, leaning
against the tree, not looking at her, reaches out and touches her face. .
Yang Sun You can’t even wipe your face properly.
He wipes itfor her with a piece of sackcloth. Pause.
If you’re going to stop me from hanging myself, at least you
can say something.
Shen Te [| don’t know what to say.
Three 35
Yang Sun _ So why d’you want to cut me down, sister?

Shen Te I’m scared. (Nods.) You’re only feeling like this
"cause it’s such a miserable evening.
(Zo the audtence.)
In our country
There should be no miserable evenings.
Or high bridges over rivers.
Even the hour before dawn breaks
Or the long, dark winter months
All of them are laden with danger.
In the face of such misery
It takes only the smallest thing
For people to throw their precious lives away.
Yang Sun _ Tell me about yourself then.
Shen Te There’s not much to know. I own a small shop.
Yang Sun So you're not touting for trade...
Shen Te No. But before that, yes, I was on the street.
Yang Sun_ And the shop ~ I suppose that was a gift from the
Gods?
Shen Te Yes.
Yang Sun One fine evening they came to you and said:
‘Here’s some money.’
Shen Te (quietly laughs) One fine morning actually.
Yang Sun You're not a lot of fun, are’you?
Shen Te (a/ler a pause) I can play the zither a bit. And I do
impersonations of people. (With a deep voice she does the impression
of a dignitary.) ‘Oh damn and blast it, my dear, I seem to have
left my wallet at home.’ Then when I got the shop I gave my
zither away and told myself, Shen Te, you must apply yourself,
you must be disciplined.
I’m a rich woman now.
I can do what I want.
Pll sleep on my own

For a whole year.
I'll have nothing to do with men.
Yang Sun But now you’re marrying one? This man you’re
meeting at the tea house by the lake?
Shen Te’s sz/ent.
Yang Sun D’you know anything about love?
Shen Te Everything there is to know.
Yang Sun You know nothing. Did you like being in love?
Shen Te No.
Yang Sun (strokes her face without looking at her) D’you like that?
Shen Te Yes.
Yang Sun _ Easily satisfied, aren’t you? What a city!
Shen Te Don’t you have any friends?
Yang Sun_ Loads. But none of them want to know Im still
jobless. They look as me as if it’s my fault.
Shen Te They say: to speak without hope is to speak
without kindness.
Yang Sun_ [have no hope. I’m five hundred silver dollars
short of having hope. I got a letter this morning telling me
about a job — and five hundred is how much it’ll cost me to get
that job. So, that’s why I say — stuff hope, reach for the rope.
Shen Te A job asa pilot?
He nods, and she continues slowly.
I have a friend — he’s my cousin, actually — who might be able
to get his hands on that kind of money. He’s very hard-headed,
though, and very ruthless. He doesn’t lend to just anyone. But
youre a pilot and pilots need to fly, he’ll understand that.
Yang Sun What’re you going on about?
Three 37
Shen Te Come to the tobacco shop in Sandalmakers Lane

tomorrow. If I’m not there, ask for my cousin.
Yang Sun (/aughs) And what if no one’s there? (Looks at her)
Your shawl’s the prettiest thing about you.
Shen Te [| felt a raindrop just then.
Yang Sun Where?
Shen Te Between my eyes.
Yang Sun More towards the right one or the left one?
Shen Te More towards the left.
Yang Sun Good. (After a while, sleepily) And you’re definitely
through with men?
Shen Te (smiles) My legs are not bandy.
Yang Sun Maybe not.
Shen Te Definitely not.
Yang Sun (leans wearily against the tree) But since I haven't
eaten anything for two days, and haven’t drunk anything for
one, I couldn’t make love to you even if I wanted to.
Shen Te _[ like it in the rain.
Wang arrives and sings ‘The Song of the Water Seller in the Rain’.
Wang
I sell water, cups of water
Now of course it’s pissing raining
Walked for miles to fetch this water
This is how I make my living:
‘Come and buy my fresh, pure water!’
But no one wants it
No one pays me
They’re too desperate and greedy
Buy my water, you bastards!
Could I stop the sky from leaking
Halt the rain for seven years
I'd sell water by the drop

‘Give us water,’ they’d be screaming
Hands were grabbing out for me
But I only gave them water
If the bastards
Had been good to me
Buy my water, you dogs!
(Laughing )
You’re happy now gulping the water
On your back, mouths wide open
Sucking on the sky’s huge udder
No one bothered what it costs
I’m left shouting: ‘Fresh, pure water!’
But no one wants it
No one pays me
Buy water, you bastard dogs.
The rain’s stopped. Shen Te sees Wang and walks towards him.
Shen Te Wang, you're back. Your carrying pole’s at my
place.
Wang Thank you. How are you, Shen Te?
Shen Te I’m great. I’ve just met a really smart and exciting
man. Id like to buy a cup of your water.
Wang just tilt your head back and open your mouth. You
can drink as much water as you want. The willow over there’s
dripping with it.
Shen Te But I want your water, Wang.
You’ve carried it here from far away
Exhausting yourself.
And no one’s buying because it’s raining today.
I want it for that man over there.
He’s a pilot.
Pilots live braver lives than other people.
With only the clouds for company
“Tnterlude 39
He weathers the storms

And flies across the heavens
Delivering mail to people in distant parts.
Wang I thought you’re supposed to be meeting someone in
the park who can help you.
Shen Te _[’ve found someone now J can help.
She pays for the water, takes it over to Yang Sun. She laughs, calls back
io Wang.
Shen Te He’s asleep! We’ve all tired him out — the rain, his
hopelessness, and me.
Interlude
Wang’s sleeping place in a sewer pipe.

Wang asleep. The sewer pipe becomes transparent. He sees the Gods in
his sleep.
Wang (excited) I saw her, Divinities, I saw Shen Te. She’s
doing you proud.
First God We are glad to hear that.
Wang _ She’s in love! She introduced me to her boyfriend.
Things are going so well for her.
First God Hopefully it is strengthening her endeavours to
be good.
Wang Absolutely. She does as many good deeds as she can.
First God (keenly) Suchas...
Wang No one leaves her shop without tobacco, even if they
have no money.
First God That sounds encouraging. What else?
Wang She took in a family of eight who had nowhere to
live.
First God (triumphantly, to Second God) Do you hear that?

Eight! (Jo Wang.) What else has she done?
Wang She bought a cup of water from me even though it
was raining.
First God Small, kindly acts as well — this is wonderful to
hear.
Wang But it is proving expensive. The shop doesn’t bring in
much.
First God A thoughtful gardener can do wonders with the
tiniest plot of land.
Wang She does! Every morning she gives rice to the needy —
she must spend half her income on it.
First God (slightly disappointed) Ym not complaining. It’s not
a bad start at all.
Wang Remember, times aren’t easy. She had to get her
cousin’s help because her shop was in trouble.
Hardly was the shelter built
When out of the wintry sky
All the bedraggled birds came flying
Fighting for a place inside
And the hungry fox
Gnawed through the thin walls
And the one-legged wolf
Knocked over the small bowl of rice.
What I mean is, things had gotten too much for her to cope
with on her own. But everyone still talks of how good she is.
They call her the ‘Angel of the Suburbs’. Everyone except Lin
To, the carpenter.
First God What do you mean? Does the carpenter talk
badly of her?
Wang He still says he hasn’t been paid in full for the shelves
he built.
" Interlude 41
Second God _ The carpenter wasn’t paid? How could Shen

Te let that happen?
Wang She probably didn’t have the money.
Second God _ It doesn’t matter. What is owed must be paid.
She cannot let this continue. One must obey the spirit of our
commands to the letter.
Wang It was her cousin, not her.
Second God _ Then this cousin must not be allowed into the
shop again.
Wang (dejected) I understand you, Divinities. But can I say in
Shen Te’s defence that her cousin’s considered a very reputable
businessman. Even the police speak highly of him.
First God Well, we should not to pass judgement on this
cousin without a hearing. I admit I know nothing of business.
Perhaps we should find out what normal practice 1s in such
matters. Business! Is it absolutely necessary? It’s everywhere
nowadays. I mean, did the Seven Benevolent Kings do business?
Did Kung the Just sell fish? What does business have to do with
a righteous and worthy life?
Second God (wth a very blocked nose) Anyhow, it must not be
allowed to happen again.
He turns to leave. The other two Gods do hkewise.
Third God (embarrassed, to Wang) Excuse our somewhat

harsh tone today. We’re exhausted; we've hardly slept. The
accommodation last night . . . The wealthy direct us towards
the poor, but the poor never have enough rooms.
Gods (departing, grumbling) Even the best show weakness. /
You can’t take anything for granted. / Straight from the heart,
yes, but it counts for nothing. / She should at least have . . .
They fade into inaudibility.
Wang (calls afler them) Don’t be too hard on us! You’re maybe
expecting too much to begin with.
Four
In front of the curtain.

Shen Te appears, holding Shui Ta’s mask and suit, and sings “The
Song of the Powerlessness of the Gods and the Good’.
Shen Te
In our country
The able man needs luck
Only with the right connections
Is he able to contribute
The good can do nothing for themselves
And the Gods have no power to help.
Why don’t the Gods have tanks and cannons
Battleships, bombers and mines
To destroy the bad and defend the good?
Show their support for mankind
In our country
The good don’t stay good for long
When our stomachs are empty
We fight and debase each other
Oh, the laws of the Gods
Are no use to the hungry
Why don’t the Gods come to market
Share out their wealth with a smile
Their bread and wine would keep us all happy
Maybe then we’d be friendly and kind
In our country
You need the strength of an empire
Just to put food on the table
What point in helping a single poor beggar
If you kick aside everyone else?
I want to hear the Gods shout from the skies
That they owe us a better world
Help to arm us with tanks and rifles
To march against suffering and want. Take aim! Fire!
Five 43
Five
The tobacco shop.

Shui Ta’s at the counter, reading the newspaper. He doesn’t pay any
attention to Mrs Shin, who’s talking while cleaning the shop.
Mrs Shin _ [hate gossip, Mr Shui Ta, but I think you should
know what’s going on. People are talking about Miss Shen ‘Te
staying out until all hours of the morning — plus the local
spongers start queuing outside the shop first thing for a plateful
of rice. This shop’s getting a bad reputation.
When she gets no answer from him, she leaves, carrying her bucket.
Yang Sun (/rom outside) Is this Miss Shen Te’s shop?
Mrs Shin Yes. But her cousin’s there today.
With the light step of Shen Te, Shui Ta walks to the mirror and is
just about to do up his hair when he notices his error. He turns away with
a soft laugh. Yang Sun enters. Behind him enters Mrs Shin, curious.
She walks past him into the back of the shop.
Yang Sun _ I’m Yang Sun.
Shui Ta bows.
Yang Sun _ Is Shen Te here?
Shui Ta_ No, she’s not.
Yang Sun_[ expect she’s told you about us.
He begins to inspect the shop. .
A real shop! I thought she was making it up.
He looks into the little boxes and china pots with satisfaction.
Not bad, not bad at all.
He helps himself to a cigar. Shui Ta lights i.
Yang Sun_[ reckon we could squeeze five hundred out of
this, don’t you think?
Shui Ta (surprised, but also amused) May J ask, do you intend

to sell itimmediately?
Yang Sun D’you see five hundred in cash lying around
anywhere?
Shui Ta shakes his head.
Yang Sun So we'll have to sell.
Shui Ta I'd say she was a bit hasty promising you the
money. It could cost her the shop. You know the saying: haste
is the wind that blows down the scaffolding.
Yang Sun _I need the money fast or I can forget about the
job. And the girl’s not one to hang about. That goes for most
things with her...
Shui Ta _ Really?
Yang Sun Yes, really.
Shui Ta And can IJ ask what the money’s for?
Yang Sun You're checking me out, I can understand that.
The hangar manager in Beijing is a friend of mine from
school, he can get me a flying job for five hundred dollars.
Shui Ta_ That’s a lot of money.
Yang Sun _ That’s ’cause he has to find a pilot guilty of
negligence and the pilot he’s thinking of has a large family,
so he’s extremely conscientious and professional. D’you see?
This is between you and me, by the way — Shen Te doesn’t
need to know about it.
Shui Ta But couldn’t this hangar manager find you guilty of
something a month from now?
Yang Sun _ Ubh-uh. Not me. No negligence with me. I’ve been
out of a job long enough.
Shui Ta (nods) The hungry horse pulls the cart home quicker.
(Studies him for a moment.) You’re asking a lot of my cousin, Mr
Yang Sun. Give up her shop, leave her home and her friends
Five 45
behind and put herself completely in your hands. I assume

youre planning to marry her?
Yang Sun _ I°d be prepared to do that.
Shui Ta Then isn’t it foolish to sell off the shop? A quick
sale won’t fetch much. Why not work in the shop yourself?
Yang Sun Me, a pilot, working behind a counter? ‘What
kind of cigar are you looking for, sir?’ That’s no career for
Yang Sun.
Shui Ta So, how much does a pilot make?
Yang Sun (pulls a letter from his bag) ll be paid one hundred
and fifty silver dollars a month! Look. And look at the stamp.
Beying.
Shui Ta It’s a fair sum.
Yang Sun You think I fly for free?
Shui Ta My cousin’s asked me to help you get this job,
Mr Yang Sun, which obviously means everything to you. And
I think she should be allowed to follow her heart and discover
the joys of love, etc. So, yes, I will consent to the sale of her
shop. There’s Mrs Mi Tsu now, the tobacco merchant.
Mi Tsu Good day, Mr Shui Ta. Is it true you’re selling the
shop?
Shui Ta My cousin’s getting married and her future husband,
Mr Yang Sun here, is taking her to Beijing to start a new life.
If I can get enough for the tobacco, I'll sell.
Mi Tsu How much are you asking?
Yang Sun Five hundred straight up.
Mi Tsu What did it cost you?
Shui Ta My cousin paid a thousand for it, and hardly any of
it’s been sold.
Mi Tsu _A thousand? Then she was ripped off. Move out the
day after tomorrow, I’ll give you three hundred for the whole
shop.
Yang.Sun_ It’s not enough. (Like an auctioneer.) First-class

tobacco, only recently acquired, in excellent condition, factory
price: a thousand dollars. In addition, all shop furnishings
plus a week-on-week growing customer base all for the unique
price of only five hundred dollars . . . ! Snap it up quick.
You’re an intelligent woman, you know about life. (Stroking her.)
You know love too, I’m sure. Love, it makes you gaga — it
makes you shout who the hell cares about profit or common
sense! And what an opportunity love’s created for an astute
businesswoman . .
Mi Tsu (not wmmune to this, but remaining firm) Three hundred
dollars.
Yang Sun (takes Shui Ta 0 one side) OK, it’s not enough but
three hundred in cash is a good start.
Shui Ta (alarmed) But you won’t get the job for three
hundred.
Yang Sun But what else would I do with the shop?
Shui Ta But then everything’s gone — what will you live on?
Yang Sun_[’ll have three hundred dollars. (Jo Mi Tsu.) It’s
a deal. Three hundred for the whole lot. When do we get the
money?
Mi Tsu _ Right now. (Pulls out the money.) Three hundred
dollars. My contribution towards young love.
Yang Sun (fo Shui Ta) Write three hundred on the contract.
I see Shen Te’s already signed it.
Shui Ta writes on the contract, hands it to Mi Tsu. Yang Sun
takes the money.
Mi Tsu _ Good day to you both. My regards to Miss Shen Te.
She exits.
Yang Sun (sis down, exhausted) There we go. Job done.
Shui Ta But it’s not enough.
Five 47
Yang Sun_I know. We’re two hundred short. It’s all right,
you'll get it from somewhere.
Shui Ta How, without stealing?
Yang Sun Your cousin told me you’re a man who knows
about money.
Shui Ta Maybe I am. (Slowly) I suppose it is Shen Te’s
happiness we’re dealing with here. It’s said that a person must
be kind to themselves but sympathise with themselves also.
Yang Sun So you'll see to it. Oh, man, I’m going to fly
again! ;
Shui Ta (bows, smiling) A pilot must fly. (Casually) Do you
have any money of your own? For the journey to Beijing?
Yang Sun Course I have.
Shui Ta How much?
Yang Sun_[’ll get it, even if it means stealing it.
Shui Ta _I see. So that’s more money that has to be found.
Yang Sun _ All right, calm down. [ll get to Beijing, don’t you
worry.
Shui Ta ‘Two tickets won’t be cheap.
Yang Sun No, I’m leaving the girl here. I don’t want her
being a burden to me, not while I’m settling in.
Shui Ta _I see.
Yang Sun Don’t look at me like that. I’ve got to grab this
chance.
Shui Ta And what’s my cousin going to live off?
Yang Sun _ Nothing you can do for her?
Shui Ta I can try. (Pause.) Give me the three hundred, for
safe keeping. You’ll get it back when you can show me two
tickets to Beijing.
Yang Sun You don’t trust me?

Shui Ta _[| don’t trust anybody.
Yang Sun Same here. (They stare at each other.) If you want to
interfere with the course of true love, on you go. I can see
we’re not going to agree here. I’ll ask Shen Te for the rest
of the cash.
Shui Ta You really believe she’ll sacrifice everything for you?
Even when she finds out you’re not even taking her with you?
Yang Sun _ Yes, she will. Even then.
Shui Ta And my opposition to this doesn’t bother you?
Yang Sun_ Not really, no.
Shui Ta Or that Shen Te’s an intelligent, rational human
being?
Yang Sun (amused) You think she’ll want to listen to your
advice? You’re forgetting the power of love and the desires of
the flesh. You want her to be rational? It’s not going to happen.
The poor girl’s been neglected her whole life. I only have to
put my hand gently on her shoulder and whisper, ‘Come with
me,’ and she’ll hear bells ringing and be happy to sell her own
mother.
Shui Ta (pained) Mr Yang Sun...!
Yang Sun Mr... whateveryou’recalled!
Shui Ta_ My cousin’s devoted to you because . . .
Yang Sun _ Because it’s my hands she wants stroking her tits.
So stick that in one of your pipes and smoke it.
He takes another cigar, puts a few more in his pocket, finally grabs the
whole box and sticks it under his arm.
I’m going outside to wait for her. And if she gets home late it’s
‘cause I took her out for something to eat to talk intimately to
each other about two hundred dollars.
He exits.
Five 49
Mrs Shin (sticks her head out from the back) What a charmer he is.
Shui Ta (screams) The shop’s ruined! He’s not in love with
her! I’m lost!
He begins to walk around like a captive animal, repeating again and
again ‘The shop’s ruined’, until he suddenly stops and addresses Mrs
Shin.
Shui Ta You grew up in the gutter, Mrs Shin, and so did I.
Are we irresponsible? No. Do we have the necessary brutality?
Yes. I’d happily grab you by the neck and shake you until you
spit out the cash you stole from me. You know I would. The
times are awful and this city’s hell, but we still go on pulling
ourselves up the slippery slope. Then disaster — a girl falls in
love and that’s it, she’s lost. One sign of weakness and it’s all
over with. How do you not show weakness? How do you guard
against love, the most deadly weakness of all? Love’s impossible;
it asks everything of you. But how can a person live always
watching their back? What kind of world is that?
Sweet caresses become silent throttling,
The sigh of love becomes a cry of fear.
Why are those vultures circling overhead?
They see a girl going out on a date.
Go and get the barber, Mr Shu Fu, immediately!
Mrs Shin goes out.
Shui Ta paces around again until Shu Fu walks in, followed by
Mrs Shin, who then withdraws at a wave fiom Shu Fu.
Shui Ta I gather, sir, you’ve recently expressed some interest
in my cousin. I’m putting aside all the rules of decency and
modesty because the young lady finds herself at this moment
in the greatest danger.
Shu Fu Oh.
Shui Ta A shop-owner less than an hour ago, she’s now little

more than a vagrant. Mr Shu Fu, this shop is ruined.
Shu Fu Mr. Shui Ta, the shop is a loss, true, but remember
there is goodness in Miss Shen Te’s heart. That is her charm.
It is why she’s known throughout the district as the Angel of
the Suburbs.
Shui Ta_ Her goodness has cost her her business! We must
put a stop to it.
Shu Fu May I suggest another way? Put aside what’s
happened. Let Shen Te continue as she is. It’s in her nature.
I hear she feeds four people every morning — but what if she
was able to feed four hundred? I know she’s also looking to
shelter some of our homeless — well then, I have a few houses
behind my cattle shed, she can use them. It’s what she’s good
at, this kind of thing, isn’t it? So leave her to it. It’s what she
would want, I’m sure.
Shui Ta And I’m sure she’ll have nothing but admiration for
you, Mr Shu Fu.
Shu Fu Would you agree to her and I having dinner soon?
In an intimate but highly reputable restaurant.
Shui Ta_ [ll let her know immediately. She will listen to
common sense this time. She’s very upset about her shop,
which she likes to think was a gift from the Gods. If you’d
kindly wait for a minute or so.
He goes into the back of the shop.
Mrs Shin (puts her head through the door) Are congratulations in
order?
Shu Fu [d say so. Tell Miss Shen Te’s guests that from
tonight they’re sleeping in the houses behind my cattle shed.
She grins and nods. Shu Fu addresses the audience.
Shu Fu) What do you think of me, ladies and gentlemen?
Could such an esteemed man do more? Be more unselfish?
More understanding? More forward-looking? An intimate
dinner may sound vulgar to you but don’t worry, nothing will
happen. No physical contact at all, not even an apparently
Five 51
accidental brush of hands when passing the salt. It will be a

meeting of minds. Two people who can help each other. I
should make sure there’s a vase of flowers on the table. White
chrysanthemums. (He makes a note.) No, there’ll be no exploiting
or taking advantage of her situation ~— I will humbly and
sincerely offer my assistance. And guidance. Which I believe
Miss Shen Te will acknowledge with a grateful glance. Perhaps
more than grateful.
Mrs Shin Did everything turn out as you wanted, Mr. Shu
Fu?
Shu Fu Exactly as I wanted. There are going to be changes
around here, effective immediately. A certain individual will be
sent packing. And this shop will be bought back and will start
trading again. And let it be known that in future no one is to
question or prey upon the reputation of Szechuan’s most
virtuous young lady. So, what do we know about this Yang
Sun?
Shu Fu Not much except that he’s the dirtiest, most lazy —
Shu Fu He’s nothing. He doesn’t exist. He is history, Mrs
Shin.
Enter Yang Sun.
Yang Sun What’s going on here?
Mrs Shin Mr Shu Fu, d’you want me to call Mr Shui Ta?
He wouldn’t want strangers loitering in his shop.
Shu Fu Miss Shen Te has an important meeting with Mr
Shui Ta which can’t be interrupted.
Yang Sun What, she’s here? I didn’t see her coming in.
What meeting? I should have been told about this.
Shu Fu prevents him from going into the back room.

Shu Fu_I know who you are, sir. And you should know that
Miss Shen Te and I are about to announce our engagement.
Yang Sun What?
Mrs Shin Didn’t see that coming, did you?

Yang Sun struggles with Shu Fu to get into the back room. Shen
Te steps out.
Shu Fu I’m sorry, my dear. Perhaps you can explain to —
Yang Sun What’s going on here? Have you gone mad?
Shen Te (breathless) Yang Sun, my cousin and Mr Shu Fu
have come to an agreement that I take some time to consider
Mr Shu Fu’s ideas about how to help the unfortunate people
of this neighbourhood. (Pause.) Also, my cousin 1s absolutely
dead set against our relationship.
Yang Sun And you agree with him?
Shen Te Yes.
Pause.
Yang Sun Did they tell you I’m a bad person?
Shen Te remains silent.
Yang Sun And maybe they’re right, maybe I am. But that’s
the reason I need you. ’m a humble man. No capital, not
many manners. But I have to stand up for myself. Look at me.
You really think I wouldn’t love you if you had no money?
They’re forcing you to do something that’ll make you unhappy.
(He moves to her. Quietly.) Look at him. Have you no eyes in your
head? You poor thing, what’re they trying to do to you now?
Force you into marriage? If I hadn’t come along, they’d have
had you hanging up in the slaughterhouse by now. Tell me
straight, if it hadn’t been for me, would you have gone off
with him?
Shen Te Yes.
Yang Sun A man you don’t love.
Shen Te Yes.
Yang Sun Have you forgotten everything? The rain?
Five 53
Shen Te No.
Yang Sun How you cut me down from the branch, bought
me a cup of water, promised me the money so I could fly
again... ?
Shen Te (shaking) What do you want?
Yang Sun Come away with me.
Shen Te Mr Shu Fu, forgive me, I want to go with Yang
Sun.
Yang Sun _ Get your shawl, the blue shawl you wore.
Shen Te fetches the shawl, which she was wearing in the park.
Yang Sun We’re lovers, just so you Bice
He takes her to the door.
Where did you put the key to the shop?
He takes it out of her pocket and gives it to Mrs Shin.
Yang Sun Leave it on the doorstep when you’ve finished
here. Let’s go, Shen Te.
Shu Fu This is rape! (Calls into the back.) Mr Shui Ta!
Yang Sun Don’t shout like that in here.
Shen Te Please don’t call my cousin, Mr Shu Fu. I know he
doesn’t agree with me but he’s wrong, I can feel it now, he’s
wrong.
(To the audience.)
I want to go with the man I love.
I don’t want to have to calculate what it'll cost.
I don’t want to consider whether it’s good.
I only want to go with the man I love.
Yang Sun _ And that’s me.
They exit together.
Interlude
Outside a tea shop.

Shen Te carries a small sack under her arm.
Shen Te I’ve never seen the city so early in the morning.

At this hour I usually lie with the blanket pulled over my head,
afraid to face the day. But this morning I walked among the
paper boys and the men who sprinkle the asphalt roads with
water and the ox carts loaded with fresh vegetables from the
countryside.
I always heard that when you’re in love you walk on clouds,
but the real beauty is that you walk on earth. The houses are
like heaps of rubble with lights burning in them and the sky
is pink but still clear because there’s no dust. I tell you, when
yow’re not in love you miss out on so much — you don’t get to
see the city as it rises in the morning like a dedicated old
labourer breathing in the fresh air as he reaches for his work
tools.
And here’s the House of Bliss, the tea house where I have to
sell this sack so that Yang Sun can fly again.
She’s about to go in, when some people come out. They’re addicts, freezing,
unsteady on their feet. A young man pulls out his wallet, finds it empty,
throws it away. A woman vomits. An ugly old man holds up a very young
and very doped girl.
This is terrible. Heroin has destroyed them. (Looks at her sack,
shocked.) This is poison. How could I think of selling it? It’s not
even mine. What was I thinking of? I let my emotions rule me
and threw myself back into Yang Sun’s arms again. I couldn’t
resist his voice and his caresses. The awful things he said to
Shui Ta had no effect on Shen Te. When he put his arms
around me, all I thought was: the Gods wanted me to be good
to myself.
Not let anyone go to ruin,
Not even oneself.
Six .55
To bring happiness to everyone,

Including oneself,
That is good.
He’s like a hurricane heading for Beijing who just blew away
my shop. But he’s not a bad man and he loves me. As long as
I’m with him, he won’t do anything bad. What one man says
to other men doesn’t mean a thing. He wants to look big and
strong and tough. When I tell him what I saw here, he’ll
understand. He’d rather go and work with me at the cement
factory than be a pilot on the back of others’ misery. Will I be
strong enough to summon up the good in him? Now, about to
marry him, I’m caught between fear and joy.
Six
A private room in a cheap restaurant in the suburbs.

A Waiter pours wine for the wedding guests. Next to Shen Te stand
the Grandfather, the Sister-in-Law, the Niece, Mrs Shin
and the Unemployed Man. A Priest stands in the corner alone.
At the front, Yang Sun, wearing a dinner jacket, speaks with his
mother, Mrs Yang.
Yang Sun Bad news, Mother. She’s just told me she can’t
raise the extra two hundred dollars.
Mrs Yang What did you say? Because if she can’t, you can't
marry her.
to her cousin. She’s so
Yang Sun _[ told her I wanted to tallts
pig-headed.
Mrs Yang But he wants to marry her off to the barber.
Yang Sun_ It’s been dealt with. The barber’s out the picture.
Shui Ta will see sense — the shop’s sold now and if I don’t get
the rest of the money, I’ll have no job either.
Mrs Yang I'll stand outside and watch for him. You go to
your bride.
Shen Te (to the audience as she pours wine) I wasn’t wrong about
him. He took the disappointment well. Not being able to fly
again must have hit him hard, but look at him now, he’s
smiling and joking. I love him with all my heart.
She waves Yang Sun over.
Shen Te We haven’t made a toast yet.
Yang Sun What shall we toast to?
Shen Te The future.
They drink.
Yang Sun _ To a time when the bridegroom won’t have to
rent his dinner jacket.
Shen Te And the bride’s dress gets caught in the rain
occasionally.
Yang Sun That what we wish for we get.
Shen Te And that it comes to us soon.
Mrs Yang goes to leave, talking to Mrs Shin.
Mrs Yang _ I’m so happy for my son. I always told him he
could get any girl he wanted. He’s a fully qualified mechanic
and pilot. And do you know what he told me a moment ago?
That he’s marrying for love. Money isn’t everything. It’s true
love, I tell you. (Zo the Sister-in-Law.) It had to happen
sometime. It’s so difficult for a mother to let them go, so
difficult. (Calls over to the Priest.) Don’t make the ceremony too
short, you hear? If you take as much time over it as you took
negotiating your fee, that’ll be fine. (Jo Shen Te.) Just a tiny
delay, my dear. We’re still waiting on one of the guests. (To
everyone.) Excuse me please.
She exits.
Sister-in-Law As long as there’s wine, we’re happy to wait.
They sut down.
Unemployed Man We're not missing anything.
Six 57
Yang Sun (loudly, jokily) Shen Te, my love, since our wedding
happened at such short notice, I think we should have a quick
test before we exchange vows. (Zo the guests.) Who knows what
kind of wife I’m getting? First question: can she make five cups
of tea from three tea leaves?
Shen Te No.
Yang Sun So I won’t be drinking much tea then. Are you

able to sleep on a straw mat the size of the priest’s prayer book?
Shen Te With you?
Yang Sun On your own.
Shen Te Then, no, I can’t.
Yang Sun _ I’m shocked, what kind of woman is this, soon to
be my wife?
Everyone laughs. Mrs Yang enters behind Shen Te. Shrugging her
shoulders, she indicates to Yang Sun that no one’s arrwed. The Priest
points to his watch.
Mrs Yang Hold your horses. A few more minutes.
Everyone’s enjoying themselves.
She sits down with the guests.
Shen Te How are we going to pay for this?
Mrs Yang Let’s not talk business today. Brings such a vulgar
tone to the happy occasion, d’you not think?
The doorbell rings. Everyone looks towards the door. No one enters.
Shen Te Who’s your mother waiting for, Yang Sun?
Yang Sun _ It’s a surprise. By the way, how’s your cousin,
Shui Ta? I liked him. Sensible head on his shoulders. What's
wrong with you?
Shen Te I don’t know. I don’t want to think about him.
Yang Sun Why not?

Shen Te Because if you like him, you can’t love me.
Yang Sun Then I hope the Three Devils have him: the
Marsh Devil, the Fog Devil and the Gas-Shortage Devil.
Drink, pig-headed girl.
He forces her to drink.
Sister-in-Law (io Mrs Shin) Something fishy’s going on
here.
Mrs Shin Did you expect anything else?
The Priest walks resolutely over to Mrs Yang, holding up lus watch.
Priest I have to go, Mrs Yang. I have another wedding and
a funeral first thing in the morning.
Mrs Yang D’you think I want the delay? We were hoping
we’d only need the one jug of wine. See how low it’s getting.
(Loudly to Shen Te.) Dear Shen Te, I can’t understand why
your cousin’s making us wait like this.
Shen Te My cousin?
Mrs Yang _ It’s him we’re all waiting for. Is it so old-fashioned
to believe that the bride’s close relatives should be present on
her wedding day?
Shen Te Oh, Yang Sun, is this because of the extra two
hundred dollars?
Yang Sun (not looking at her) She’s just told you why — she’s
old-fashioned. I respect that. We’ll wait for fifteen minutes and
if he’s not here by then we’ll go ahead.
Mrs Yang _[ assume you've all heard that my son is about
to start work as a mail pilot. ’m delighted. A good income’s
essential in times like these.
Sister-in-Law The job’s in Beijing, isn’t it?
Mrs Yang Yes, Beijing.
Shen Te Yang Sun, why haven’t you told her you’re not
going to Beijing?
Six 59
Yang Sun Your cousin can if he thinks the same way. I’ve
changed my mind. I want to go.
Shen Te (shocked) Yang Sun!
Yang Sun_ [hate Szechuan! I hate this city! When I half
close my eyes, d’you know how I see them all? As horses.
Turning their heads up to the sky, petrified. What’s that
thundering over their heads? Are they still useful? Are they to
be boiled down into glue? They can all bite each other to death
in their horse town. I just want out of here.
Shen Te But I’ve told you, I can’t raise the two hundred.
Yang Sun _I know, you've told me. That’s why I want to see
your cousin. Go and have a drink and leave the business affairs
to us.
Shen Te But my cousin can’t come!
Yang Sun What d’you mean?
Shen Te He’s not around any more.
Yang Sun So we’ve no future then, have we?
Shen Te We still have three hundred dollars. We could
buy back some of our tobacco and sell it outside the cement
factory.
Yang Sun You think I’d stand on the street and sell tobacco
to cement workers? Forget it. I’d rather blow all the money in
one night — or just throw it in the river. Your cousin’s coming —
and he’ll have the money with him.
Shen Te He can’t come!
Yang Sun _I thought he couldn’t stay away.
Shen Te He can’t be where I am.
Yang Sun Very cryptic...
Shen Te You have to understand . . . it’s me that loves you.
Shui Ta loves nobody. He wanted you to have the three
hundred because of the pilot’s job but he won’t bring the rest.
Yang Sun Why not?

Shen Te (looks into his eyes) He told me you only bought one
ticket to Beijing.
Yang Sun _[ did — yesterday — but look what I have today.
Pulls two pieces of paper halfway out his pocket.
Careful, in case my mother sees. Two tickets to Beijing, one for
me, one for you. So d’you think your cousin will still be against
the marriage?
Shen Te No. It’s a good job. And I don’t have the shop any
more is.
Yang Sun 0 were the reason I sold all the furniture.
Shen Te Don’t say any more. Don’t show me the tickets.
I’m scared I'll leave with you right now. But, Yang Sun, I don’t
have the two hundred dollars you want.
Yang Sun_ So what’m I going to do? (Pause.) Have a drink!
Or are you one of those timid wet-blanket types? "Cause I don’t
want a wife like that. When I drink, I dream I'll fly again. And
when you drink, maybe, just maybe, you'll understand me.
Shen Te_ [| do understand you. But I can’t help you.
Yang Sun ‘Here’s an aeroplane for you, darling, but ’m
afraid it’s only got the one wing.’
Shen Te It would be dishonest to take that job in Beijing.
I need the three hundred dollars back. Give it back.
Yang Sun ‘Give it back.’ What’re you talking about? D’you

want to be my wife or not? Cause you’re betraying me,
y know that? ‘Thank God it’s not up to you any more, it’s all
been agreed.
Mrs Yang (coldly) Yang Sun, are you sure this cousin’s
coming? He’s not staying away for some reason you’re not
telling me?
Six 61
Yang Sun What’re you on about, Mother? We’re best mates.

Open the door wider so he’ll see us when he walks down the
street.
He goes to the door, kicks it open. Comes back, swaying slightly from the
drink, sits down next to Shen Te.
Yang Sun We'll keep waiting. Your cousin’s got more sense
than you. Like he said, love’s a part of life. And he knows what
that’d mean to you: no shop any more and no wedding either.
They wait.
Mrs Yang Listen.
They hear footsteps. Everyone looks towards the door but the footsteps
move past and fade away.
Mrs Shin This is going to be a disaster. I can feel it, I can
smell it. The bride wants a wedding but the groom’s only
interested in her cousin.
Yang Sun Taking his bloody time, isn’t he?
Shen Te (quietly) Yang Sun...
Yang Sun_[ have to sit here with two tickets in my pocket
next to a dunce who can’t add up. Won’t be long before you
send the police after me to get your money back.
Shen Te (to the audience) He’s a bad man ~ and he wants me
to be bad too. I’m in love with him and all he cares about is
Shui Ta. And all around us sit the vulnerable and the poor
who'll be waiting for rice outside my door tomorrow morning,
And in Beijing a pilot I’ve never met is worried sick about his
job. It’s them, my faith in them that keeps me going.
Yang Sun (stares at the almost empty wine jug) This wine jug will
be our clock. We’re poor people, so when it’s all drunk, time’s
up.
Mrs Yang signals for him to be quiet. She’s heard more footsteps.
Waiter Another jug of wine, Mrs Yang?
Mrs Yang _[ think we’ve had enough. Wine makes you so

hot, doesn’t it?
Mrs Shin Costs a bit too.
Mrs Yang _[ always sweat when I drink.
Waiter I must ask you to settle up then.
Mrs Yang (ignoring him) Ladies and gentlemen, a little more
patience, please, the cousin is on his way. (Zo the Waiter.)
Don’t annoy us, we’re celebrating.
Waiter I’m serving nothing else until the bill’s paid.
Mrs Yang _ But everyone knows me around here.
Waiter Exactly.
Mrs Yang The service here is appalling. Don’t you agree,
Yang Sun?
Priest [| have to go.
He exits importantly.
Mrs Yang (desperately) No one leave their seats. The priest’ll
be back in a few minutes.
Yang Sun _ Forget it, Mother. Ladies and gentlemen, seeing
as the priest has left, there’s no need to stay a moment longer.
Sister-in-Law C’mon, Grandad. -
Grandfather (solemnly empties hus glass) ‘To the bride.
Niece (‘0 Shen Te) Don’t mind him. He means well. He’s
fond of you.
Mrs Shin [ said it, didn’t I? A disaster.
All the guests leave.
Shen Te (fo Yang Sun) Do you want me to leave too?
Yang Sun _ No, you wait.
He pulls at her wedding clothes, skewing them.
Six 63
Yang Sun _ It’s your wedding day, isn’t it? I’m still waiting
and the old lady’s still waiting too. She wants to see her hawk
soaring in the sky — but pigs will fly before that ever happens.
(To the empty chairs as if the guests were still there.) Ladies and
gentlemen, what’s happened to you? D’you not like it here?
The wedding’s only been delayed a little while because of the
important cousin’s no-show and because the bride doesn’t
know what love is. So, for you all, while you wait, I, the groom
will sing you a song.
He sings “The Song of St Nevercome’s Day’.
As you lay in your wretched cradle
This story you'll have heard as a baby
A poor woman’s son will inherit the throne
Pigs will fly, pigs will fly
When a poor woman’s son will inherit the throne.
And on that day goodness will be rewarded
And crime will never pay
And Labour and Wages will respect each other
And bread and salt will be free
Bread and salt will be free.
And grass will grow green in the sky
And rivers run upstream
And Man will be good and watch in wonder
As the earth turns to paradise
When the earth turns to paradise.
And on that day Pll be a pilot
And you'll become a general
And you, poor woman, will have a day off
And you'll get a job that pays well
You'll get a job that pays well.
And boy are we tired of waiting
For this new age to be born
We get told it won’t wait until nightfall

No, this will all happen at dawn.
All this will happen at dawn.
And grass will grow green in the sky
And rivers run upstream
And Man will wake in a.paradise
The answer to all of his dreams
The answer to all of his dreams.
Mrs Yang He’s not coming.
The three of them sit down. Two of them look towards the door.
Interlude
Wang’s sleeping place.

Wang sees the Gods in his dreams. He has fallen asleep over a large
book.
Wang I’m s0 glad you’ve come, Divinities. Something’s been
troubling me. It’s from this book I found in the ruined hut of
a priest who moved away to become an unskilled labourer in
the cement factory. Can I read it to you?
With has left hand, he turns the pages of an umaginary book in his lap,
then lifting it up, leaving the real book where tt 1s."
‘In Sung there is a place known as Thornwood where catalpa,
cypress and mulberry trees grow. Those trees which measure
nine or ten inches in circumference are cut down by people
who want bars for their dog kennels. The trees with a
circumference of three or four feet are cut down by the rich
and distinguished families who want them as planks for their
coffins. And the trees with a circumference of seven or eight
feet are cut down by people wanting roof-beams for their
luxurious villas. And so it is that none of the trees in Thornwood
Interlude 65
reach the end of their life cycle and instead are cut down
prematurely by the axe and the saw. Such is the curse of
usefulness.’
Third God But that means that the most useless would be
the best.
Wang No, not the best, the most fortunate.

First God The things people write!
Second God Why are you so taken with this parable, water
seller?
Wang Because of Shen Te. She’s failed in love because she
was so kind to others. Maybe she really is too good for this
world.
First God Nonsense, you weak, unhappy man. You’re
letting doubt and lice eat away at you.
Wang Forgive me. I only thought perhaps you might be able
to intervene.
First God Impossible.
He points to the Third God, who has a black eye from a fight.
First God Only yesterday, this one here intervened in a
dispute. You can see what happened to him.
Wang But her cousin’s had to come back again — and he’s
a very clever and able man, but even he could do nothing. It
looks like the shop’s lost.
Third God (alarmed) Perhaps we should help.
First God _ No, she has to help herself.
Second God (firmly) The worse the situation, the better the
person that emerges. Suffering purifies.
First God We've put all our hopes in her.
Third God Our search has not gone well. We’ve witnessed
some attempts to be good here and there, some steady resolve,
noble principles, but they alone don’t make a good person.

Whenever we do meet someone halfway good, they’re living in
the most inhumane circumstances. (Confidentially.) And trying to
find a room for the night . . . Guess where we’ve been sleeping.
The straw’s a clue.
Wang But couldn’t you at least —
Gods _ No. We are only observers. Shen Te will find her way
on this dark earth. Her strength will grow as her burden
increases. Be patient, water seller, everything will turn out. . .
The Gods have steadily become paler, their voices fainter. Now they
disappear.
Seven
A yard behind Shen Te’s tobacco shop.

Household goods on a cart. Shen Te and Mrs Shin take washing off
the line.
Mrs Shin So, not only have you lost your shop but the
whole neighbourhood knows your pilot’s been drinking the
money away in dodgy dives all over town.
Shen Te stays silent.
Mrs Shin You've lost everything — husband, tobacco, your
home. That’s what you get trying to be a cut above the rest of
us. What will you live off now?
Shen Te Maybe I can earn some money sorting tobacco.
A Child appears in the entrance to the yard.
Mrs Shin (shoos jim away) Get away! (Jo Shen Te.) One
whiff of ruin and the street rats come scuttling.
Shen Te Let him rummage through the junk. He might find
something he can use.
Mrs Shin If there’s anything useful, I'll have it. You haven’t
paid me.for the laundry yet. Get out, or I'll call the police!
Seven 67
The Child goes.

Shen Te Why are you so mean?
(Zo the audtence.)
Is it not exhausting
To kick out at a fellow human being?
The veins on your forehead
Swell up from the effort it takes to be greedy.
A hand, reaching out,
Can give and take with equal ease.
Only when it grabs, does it need effort.
Oh, the temptation to give!
How gratifying it is to be kind!
A good word escapes like a sigh of: pleasure.
Mrs Shin Don’t let your cousin hear you talking like that.
What are his trousers doing here? Did he leave naked?
Shen Te He’s got two pairs.
Mrs Shin _[ thought you said he’d gone for good. How could
he forget a pair of trousers?
Shen Te Maybe he doesn’t need them any more.
Mrs Shin You can take them with you then.
Shen Te No.
The Carpenter appears in the entrance to the yard.
Carpenter Good day, Miss Shen Te. People are saying the
barber Shu Fu is housing the homeless. Is it true?
Mrs Shin It was. But then someone turned him down so

the houses are gone.
Carpenter I’ve nowhere to take my family.
Mrs Shin (about Shen Te) It won’t be long before she’ll be
asking you for shelter.
The Carpenter exits, abjectly.
Mrs Shin There’s plenty more like him around.
Shen Te This is awful.

Mrs Shin (about the Carpenter) There’s always the fishing
huts by the river for them. You’re still besotted by that pilot
even after the way he treated you. Don’t you care he’s a bad
man?
Shen Te It all comes from poverty.
(To the audience.)
I saw his cheeks puff out in the night
While he was sleeping: he looked evil.
And in the morning I held his jacket up to the bent
And I could see the wall through it.
Then when I saw his deceiving smile I was disgusted
But when I saw the holes in his shoes, I fell in love again.
Mrs Shin So now you’re defending him? (Angrily) I wish
you’d bloody well piss off.
Shen Te (sways while she takes the washing off the line) I feel a bit
dizzy.
Mrs Shin (takes the washing from her) Maybe he’s left a baby
inside you as well . . . (Laughs.) That pilot’s had you every which
way.
She exits carrying basket.
Shen Te (quietly) Oh joy! A little person growing in my body.
No one can tell yet, but he’s there. The world’s secretly
expecting him. In the cities they’re already whispering: ‘Here
comes someone we'll have to reckon with.’
She presents her little son to the audvence.
A pilot!
Greet the new conqueror
Of uncharted regions and inaccessible mountains.
Who carries over endless deserts
The mail from one person to another.
She starts to walk up and down, taking her little son by the hand.
Seven 69
C’mon, son, take a look at the world. Here, this is a tree. Bow
to it and say hello. (Shows him how to bow.) So now you know
each other. Hold on, here comes the water seller. He’s a friend,
don’t be afraid, shake his hand. ‘A cup of fresh water for my
son, please. It’s hot.’ (She gives him the cup.) Oh, the policeman.
Him, we avoid. Maybe we'll pick some cherries from the
garden of rich Mr Feh Pung. We can’t let him see us. You want
cherries, don’t you? Careful, son.
They walk cautiously, looking around.
No, you can’t walk straight over and help yourself.
He appears to be pulling her away, but she resists.
We have to be careful. (She gives in.) All right, if you want to
walk straight up to them. . . (She lifis him up.) Can you reach
the cherries? Put them in your mouth, it’s a good place to keep
them. (She eats one.) It tastes lovely. Damn, the policeman! Now
we have to run.
They run away.
There’s the road. Calm now, walk slowly, so that we won’t be
noticed. As if nothing had happened...
She sings as she walks with her son.
A plum, for no reason at all,
Attacked a tramp as he hobbled about
But the fellow was quick,
Smashed the plum with a stick,
And the plum ended up in his mouth.
The Child has reappeared in the entrance to the yard. He looks at
Shen Te’s performance in astonishment. Suddenly she notices him and
beckons him into the yard.
Child Where are you going?
Shen Te [I don’t know, Mi Tsu.
The Child rubs his tummy and looks at Shen Te expectantly.
Shen Te No rice left, not a single grain.
Child = Stay.
Shen Te_ I'd like to.
We can hear the cry of the water seller: “Water for sale!”
Child I’m thirsty.
Shen Te That I can fix for you. C’mon, little man. (To the
audience.) Did you all hear that? There’s a child here from
tomorrow who’s asking for water today. (Zo the child.) Hang on
a moment.
She runs to the entrance of the yard, where Wang has appeared.
Wang Hello, Shen Te. [’m sorry about your shop.
Shen Te That doesn’t matter. I’ve just experienced incredible
joy. ’m having a child, Wang. I’m glad you’re here, I was
bursting to tell someone. But don’t tell anyone else, I don’t
want Yang Sun finding out. I'll take a cup of water.
He gives her a cup of water. When she turns round, she stops in her
tracks, seeing the Child rummaging in the bin. He pulls something out
and eats wl.
Shen Te (fo Wang) Go now. I don’t feel very well.
She pushes him away.
He’s hungry. He’s going through the rubbish bin.
She picks up the Child and, while she talks, shows the audience his
small grey mouth. The music for “The Song of the Powerlessness of the
Gods and the Good’ starts as she speaks.
Shen Te
Oh my son, my little pilot,
What kind of world will you be born into?
They'll want you scavenging through rubbish bins, you too.
Look at his little grey mouth!
Is that how you treat your fellow creatures?
Have you no pity for the fruit of your own womb?
No compassion for yourselves, you unhappy people.
Well, at least, Pll protect my own
Eight 71
Even if I have to become a tigress.

From today onwards, now that I’ve seen this
Pll cut myself off from everyone
And not rest until Pve saved my son.
What I’ve learnt in the school of the gutter,
The senseless violence and wicked deceit,
Is all for you.
I shall be good to you, my son,
And to everyone else be a tigress,
A wild animal, if I must.
And I must.
Interlude
Wang walks along the curtain as if tt were a road. He stops and

addresses the audience.
Wang Can you tell me, good people, where Miss Shen ‘Te
from Sandalmakers Lane has gone? She disappeared five months
ago and she hasn’t been seen since. Her cousin appeared
suddenly — for the third time — and since then some strange
business has been going on in the tobacco shop. A profitable
business, yes, but dishonourable. Evil. (Quzetly.) Heroin. The
worst of it is, I can’t contact the Gods any more. Perhaps it’s
the worry keeping me awake at night so I don’t dream any
more. If you see Shen Te, tell her to get in touch. We miss her
round here — the good people are always missed.
He walks away.
Eight
Shen Te’s tobacco shop.
The shop has become an office with armchairs and beautiful carpets.
Shui Ta, well dressed and fat, is seeing out the Wife, Husband and
Nephew who visited Shen Te on the day she opened her shop. Mrs
Shin, dressed in flashy new clothes, watches him, amused. Outside, it’s
raining.
Shui Ta For the tenth time. I never saw any sacks in the
back room!
Wife In that case we’ll write to Miss Shen Te. What’s her
address?
Shui Ta_ No idea, sorry.

Nephew The sacks are gone, but you got wealthy. . .
Shui Ta So it would appear.
Mrs Shin Id let the matter drop. After all, Mr Shui Ta
has employed most of your family in his es factory. His
patience 1s wearing thin.
Wife But the work’s ruining the boy’s health.
Shui Ta and Mrs Shin remain silent.
Husband _ Let’s go. We've no proof about the sacks. Maybe
Shen Te will return some day.
Shui Ta shrugs. The Wife, Husband and Nephew leave angrily,
Shui Ta (weakly) Work ruining his health? Work’s work.
Mrs Shin They’d have had no idea what to do with those
sacks. It needed know-how to make réal money from it. That’s
what you did.
Shui Ta (sitting down) ’m dizzy again.
Mrs Shin ’Cause you’re seven months gone, that’s why. The
excitement’s bad for you. You’re lucky you’ve got me to help
you. (She laughs.)
Shui Ta (weakly) Can I count on you, Mrs Shin?
Mrs Shin Absolutely. Course, it’ll cost you a bit.
A man wearing fashionable clothes enters. It’s the Unemployed Man
who was given cigarettes on the opening day of the shop. He’s now the
Agent.
Eight 73
Agent Your accounts, Mr Shui Ta. Sales to street clients

total fifty dollars. Sales at the House of Bliss...
Shui Ta (with difficulty) Go. Tomorrow.
Mrs Shin Can’t you see Mr Shui Ta isn’t well?
Agent There’s a problem with the police in the Fourth
District. A package fell into the wrong hands.
Mrs Shin Do something about it then!
The Agent 1s about to go.
Shui Ta Wait. The money!
The Agent hands over the money, leaves:
Mrs Shin Open your shirt, you’ll be more comfortable.
Shui Ta (pathetically) This is all for the child, Mrs Shin. Only
for the child.
Mrs Shin _ All for the child.
Shui Ta_ I’m putting on so much weight. People must have
noticed.
Mrs Shin They’re all saying it’s ’cause you're rich.
Shui Ta What’ll become of the little one?
Mrs Shin Three times a day you ask me this. It'll go into
care, the best money can buy.
Shui Ta Yes. (Fearfully.) And he must never see Shui Ta.
Mrs Shin Never. Always Shen Te.
Shui Ta But all the neighbourhood gossips . . . And the
water seller. They watch the shop like hawks.
Mrs Shin Drink some water. Why don’t you move out of
here into a bigger house? Why do I bother? You're still pining
for that bloody pilot.
Shui Ta Rubbish!
A man in ragged clothes appears in the door. It’s Yang Sun. He's
astonished to see Shui Ta in the arms of Mrs Shin, who 1s helping
Shui Ta to drink the water.
Yang Sun Don’t want to disturb anything . . .
Shui Ta gets up with difficulty and stares at him.
Mrs Shin Look what we ‘have here.
Yang Sun (subservient) Excuse my clothes, Mr Shui Ta. My
luggage got lost somewhere and I didn’t want to let the rain
stop me from looking up some old friends.
Shui Ta takes Mrs Shin to one side before she can say anything
Shui Ta Go and get some clothes.
Mrs Shin Throw him out. Immediately. Pm warning you.
Shui Ta (sharply) Do what I tell you!
Mrs Shin exits reluctantly.
Yang Sun Woollen rugs — someone’s gotten rich. Pve heard
that everyone calls you the Tobacco King now.
Shui Ta I got lucky.
Yang Sun _ No, you earned it. Some get fat, others stay thin,
that’s how it is, eh?
Shui Ta [I know you've had your share of bad luck. Are you
ill?
Yang Sun Me? No. Fit as a fiddle.
Shui Ta =That’s good to hear. Poor health is a hard thing to
be cured of.
Mrs Shin returns with some clothes from the back room.
Shui Ta _ See if these fit you. The hat might be too big for
your head.
Mrs Shin puts a hat on Yang Sun’s head.
Shui Ta’ Yes, too big. Get another one, Mrs Shin.
Eight
Yang Sun_ [ don’t want a hat. (Suddenly angry.) What’re you

doing? Fobbing me off with an old hat? (Pulls himself together.)
I need what I came for. (Servile.) Mr Shui Ta, why won’t you
help a man who’s fallen on hard times?
Shui Ta How can I help you?
Mrs Shin You really don’t know? I can tell you what he’s
wanting...
Shui Ta (beginning to understand) No...!
Mrs Shin Heroin.
Shui Ta Yang Sun!
Yang Sun Just a small bag. All I need’s two or three pipes.
I don’t care about clothes or food, I just want a pipe.
Shui Ta (horrified) No, not heroin! Don’t tell me you’re an
addict . . . It only brings misery. It’s bliss at first, yes, but it
quickly turns to misery and suffering.
Yang Sun _[ know. I’m already there.
Shui Ta Stop it, now! You can fight your addiction — you
can overcome it, I know you can.
Yang Sun So speaks Mr Shui Ta, the heroin dealer, who
makes his money from the very same misery.
Shui Ta Water. I’m going to be sick.
Mrs Shin (/ussing about her) You’ve not been well lately, not
like you used to be. (Mockingly.) Maybe the rain brought Mr
Yang Sun. Rain always makes you short-tempered and
melancholy, doesn’t it . . . ?
Shui Ta Go, get out of here!
Wang’s voice
I’ve got water to sell
I sell water, cups of water
Now of course it’s pissing raining
Walked for miles to fetch this water
This is how I make my living:

‘Come and buy my fresh, pure water!’
But no one wants it
No one pays me
Buy my water, you bastards!
Mrs Shin There’s that water seller again. He’s like a broken
bloody record!
She exits.
Wang’s voice Are there no good people left in Szechuan?
Are there none living here on the square where Shen Te used
to live? Where is she? Many months ago, when it was raining,
she bought a cup of water from me. Where is she now? Has
no one seen her? Heard from her? One night she walked into
this house here and never appeared again.
Yang Sun_ Give me what I want and [’ll shut him up. What
the hell’s it got to do with him where she is, anyway?
Wang enters.
Wang Mr Shui Ta, I need to ask again: when will Miss Shen
Te return? It’s six months now since she disappeared.
Shui Ta remains silent.
Wang A lot’s happened — most of which wouldn’t have if

she’d been here.
Shui Ta 7s stzll silent.
Wang Rumours are going round that something’s happened

to her. Her friends are worried sick. D’you have an address for
her? .
Shui Ta_ I’m sorry, Wang, I’m busy right now. Come back
next week.
Wang (agitated) People have noticed the rice for the poor is
being put out at the door again.
Shui Ta And what do they have to say about that?
Eight 77
Wang That Shen Te hasn’t left town at all.

Shui Ta So, where’s she gone?
Wang’ silent.
Shui Ta For the last time, Wang, take my advice, if you’re
Shen Te’s friend, stop asking where she is.
Wang The last time I saw her she told me she was pregnant.
Yang Sun What?!
Shui Ta (quickly) It was a lie.
Wang You can’t shut us up, Mr Shui Ta. A good person isn’t
easily forgotten. There aren’t many of them around.
He exits. Shui Ta stares after him, paralysed. Then he goes quickly into
the back room.
Yang Sun (io the audience) Pregnant... ! It’s unbelievable.
I’ve been made a fool of. Shui Ta’s packed her off somewhere.
It’s unnatural, it’s . . . it’s inhumane. I have a son. A small
Yang about to enter the world. But the girl’s disappeared and
I’ve been left to rot. (Losing his temper.) The bastards tried to buy
me off with a hat! (He tramples on it.) Criminals! Thieves!
Kidnappers! And the girl will have no one to protect her.
Sobbing is heard from the back room. He goes still.
Is that someone crying? Who’s there? It’s stopped. It can’t be
Shui Ta . . . Who is it? And who’s putting the rice out every
morning? Is she still here? Is he hiding her? Who else could it
be? That would be a gift from the Gods. If she’s here, I’ll find
her, Pll bloody well find her.
Shui Ta returns from the back room. He goes to the door and looks out
into the rain.
Yang Sun _ So where is she then?
Shui Ta (raises his hand and listens) One moment. It’s nine
o’clock. You can’t hear a thing today. The rain’s too strong.
Yang Sun (with irony) What’re you wanting to hear?
Shui Ta The mail plane.

Yang Sun You being funny?
Shui Ta _[I was told once you wanted to fly. What happened?
Yang Sun (cautiously) What kind of question’s that? You want
to buy me off with a pilot’s job now? You think I can fly like
this? (Holds up his shaking hands.) Where’s my fiancée? D’you
hear me? Where’s my fiancée, Shen Te?
Shui Ta _ You really want to know?
Yang Sun Course I do! And I’m telling you now, there'll be
no looking the other way if I find out she’s been abducted or
kidnapped by you.
Pause.
Shui Ta What would you do?

Yang Sun (roughly) Ud say give me what I want and no more
stalling.
Shui Ta_ Give you...
Yang Sun (hoarsely) The stuff I came for.
Shui Ta I sce. (Pause.) Pll never give you any of it.
Yang Sun Surely your cousin wouldn’t deny the father of
her child a few pipes and a bench to sleep on? Brother-in-law,
my longing for her is overpowering me. I need to do something,
I need to hold her in my arms again. Shen Te! Shen Te!
Shui Ta _ She’s left here. Go and look in the back room.
Yang Sun (looks at him suspiciously) No, not on my own. I’m

not in the physical state I used to be. I’ll get the police —
they’re better nourished.
He leaves quickly, making sure not to turn his back on Shui Ta.
Shui Ta watches him, impasstwely, then goes into the back room and
brings out Shen Te’s belongings: underwear, toiletries, a dress. For a
long time he looks at the blue shawl. He rolls everything into a bundle,
gets out a. suitcase and some men’s clothes and packs them in the suitcase.
Eight 79
Shui Ta So this is it. After all my effort and so much success
I have to leave this profitable business which I built up from
that shabby little shop that the Gods thought was sufficient
reward for me. One moment of weakness, a stupid moment
of indulgence has destroyed everything. I let that idiot open
his deceiving mouth instead of handing him in for the theft of
three hundred dollars. Toughness, inhumanity are nothing if
they’re not absolute. That’s how the world works.
A notse from outside. He hides the things under the table. A stone is
thrown through the window. The voices of a mob outside.
Yang Sun, Wang and the Policeman enter.
Policeman Mr Shui Ta, due to the excitable mood in the
neighbourhood I’m being forced to investigate an allegation
against you — that you’re holding your cousin, Miss Shen'Te,
against her will.
Shui Ta Nonsense.
Policeman Mr Yang Sun here says he heard sobbing from
the room behind your office, sobbing sounds which could only
have been made by a woman. With your permission, I'd like to
inspect the room.
Shui Ta opens the door. The Policeman bows and steps onto the
threshold. He looks into the room, then turns round and smiles.
Policeman No one there.
Yang Sun But [heard sobbing...
He notices the things under the table.
They weren’t there before.
He opens the bundle and pulls out Shen Te’s clothing etc.
Wang Those are Shen Te’s clothes.
He runs to the door and shouts to the mob outside.
Her clothes are here!
Policeman You said that your cousin had left town, Mr
Shui Ta. Tell us where we can find her.
Shui Ta [I don’t have her address.

Policeman Just give me something, anything to shut them
up.
Mob _They’ve found Shen Te’s things! The Tobacco King
has murdered and hidden the girl!
Policeman Mr Shui Ta, you’ll have to come with me to the
police station.
Shui Ta bows and leaves the house in front of the Policeman.
Wang A terrible crime has been committed.
Yang Sun (confused) But I heard sobbing...
Interlude
Wang’ sleeping place.

Music. For the last time the Gods appear to Wang in hus sleep.
The signs of miles of wandering, deep exhaustion and many bad
experiences are unmistakable. One God has lost his hat, one has lost a leg
in a fox trap and all three are barefoot.
Wang You're here at last. Oh, Divinities, terrible things are
happening in Shen Te’s shop. She’s disappeared and her
cousin’s taken control of everything. Now he’s been arrested
and people are saying he murdered her for the shop. But I
don’t believe it. She was in a dream I had and she told me that
her cousin’s holding her captive. You have to return to us and
free her.
First God This is terrible! Our whole journey has been a
failure. We found so few good people and they were all living
in conditions not fit for human beings. Shen Te was our only
hope.
Second God If she’s still good, that is.
Wang Course she is — but we can’t find her anywhere . . . !
Nine 81
First God Then everything is lost.

Second God We need courage.
First God Courage? If she isn’t found we’ll have to resign.
What kind of world did we find? Misery, baseness and ruin
everywhere. Even the landscape dying. The beautiful trees
have been replaced by pylons and beyond the mountain we
saw clouds of black smoke and heard gunfire. And nowhere a
good person succeeding.
Third God Oh, water seller, is this what our commands do?
I fear all our moral rules may have to be scrapped. The people
have enough to do living their barren lives. Good intentions
drive them to the edge, good deeds push them over. (To the other
two Gods.) The world is truly uninhabitable, you must concede
that now.
First God (vehemently) No, it’s because the people are
worthless!
Third God __ It’s because the world is too cold.
Second God It’s because the people are too weak.
First God Dignity, my friends, keep your dignity. We must
not despair. We found one, didn’t we? One who was good and
who didn’t become evil. If she’s missing, then we will not rest
until we find her. One is enough — one good soul will be
enough.
They disappear swiftly.
Nine
A courtroom.
Tn groups: Shu Fu and the tobacco merchant Mi Tsu; Mrs Shin

and the Agent together with the Policeman; Wang with the family
of eight, the Carpenter and the Young Prostitute and her
Mother. Yang Sun 7s by lumself
Grandfather Shui Ta’s too powerful.

Wang _I got as many witnesses together as I could.
Carpenter The Tobacco King has the same powerful
friends as the Judge.
Sister-in-Law Mrs Shin was seen last night outside the
Judge’s house, handing in a huge goose. The fat was dripping
through the basket.
Young Prostitute Poor Shen Te will never be found, will
she?
Wang The Gods are the only ones who could uncover the
truth.
Policeman Silence in court!
The Gods enter, wearing robes, whispering as they walk to take their
Seals.
Third God We'll be found out. They’ll see through the

forged certificates.
Second God _ And they’re going to question the Judge’s
sudden stomach ache.
First God No, that’s real — he ate half a goose.
Mrs Shin (alarmed) We've got three new judges.
Wang Three very distinguished judges . os
The Third God, who’s the last in the row, overhears and smiles at
Wang. The Gods sit. The First God slams his gavel on the table.
The Policeman fetches Shui Ta, who’s received with hisses. He
maintains an arrogant attitude.
Policeman (quietly, to Shui Ta) You won’t like this. It’s not
Judge Fu Yi Tchen. But the new ones look very cooperative.
Shui Ta sees the Gods and faints.
Young Prostitute What’s going on? The Tobacco King’s
fainted.
Nine 83
Sister-in-Law Soon as he saw the new judges.

Wang Does he know them? No, he can’t know them.
First God _ Are you the tobacco merchant Shui Ta?
Shui Ta (jeebly) Yes.
First God You've been accused of having got rid of your
own cousin, Miss Shen Te, in order to take over her shop. Do
you plead guilty?
Shui Ta No.
First God (looks through the files) First we'll hear what the local
policeman has to say about the reputations of the defendant
and his cousin.
Policeman Shen Te was a girl who did her best to be
pleasant to everyone, who lived and let live, as they say.
Whereas Mr Shui Ta is a man of strong principles. His cousin’s
kindness to people forced him on occasion to . . . get tough.
However, Mr Shui Ta, unlike the girl, is a respectable citizen
who honours the law.
First God Are there any others here willing to testify on
behalf of the defendant?
Shu Fu and Mi Tsu step forward.
Policeman (whispers to the Gods) Mr Shu Fu, a highly
influential gentleman.
Shu Fu) Mr Shui Ta is considered a very respectable
businessman in this town. He is Vice President of the Chamber
of Commerce and has been selected as a Justice of the Peace
in his neighbourhood.
Wang (interrupting) By you! ’Cause you do business with him!
Policeman (whispers about Wang) A dodgy character.
Mi Tsu _ As the president of the charitable society I'd like to

bring to the attention of the court the fact that Mr Shui Ta
provides both employment and food to many inhabitants of

Szechuan.
Policeman (whispers) Mrs Mi Tsu, a close friend of Judge Fu
Yi Tchen.
First God _ Has anyone present anything to say against the
defendant?
Wang, the Carpenter and the family of eight step forward.
Policeman This lot are the scum of the neighbourhood.
First God Pertaining to the general conduct of sy Ta,
what do you have to say?
All He ruined us. / He blackmailed me. / He brought
misery. / He exploited the helpless. / Lied. / Deceived. /
Murdered.
First God Defendant, what is your response?
Shui Ta Your Honour, I did nothing except ensure the
survival of my cousin. I only ever appeared three times — each
time when she was in danger of losing her shop. I never
wanted to stay — it was circumstances that forced me to. And
I got nothing but grief for it. My cousin was popular, maybe,
but I did the dirty work. That’s why I’m hated.
Sister-in-Law Yes, you are. Take our case, Your Honour!
(Jo Shui Ta.) I won’t mention the sacks.
Shui Ta Why not? Why not?
Sister-in-Law (io the Gods) Shen Te gave us shelter — then
he had us arrested.
Shui Ta You were stealing cakes!
Sister-in-Law He doesn’t care about cakes, he was after the
shop!
Shui Ta Yes, you hear that? A shop, not a dosshouse.
Sister-in-Law But we had nowhere to stay.
Nine 85
Shui Ta_ There were too many of you. The lifeboat was
capsizing so I had to set it afloat again. There wasn’t a
morning when the poorest of the neighbourhood didn’t get
their rice. My cousin considered the shop a gift of the Gods.
Wang And you still wanted to sell it!
Shui Ta Because my cousin wanted to help a pilot to fly.
I was helping her raise the money.
Wang Maybe that’s what she wanted, but you were wanting
that well-paid job in Beijing. The shop wasn’t good enough for
you.
Shui Ta My cousin knew nothing about business.
Mrs Shin And she was in love with the pilot.
Shui Ta She shouldn’t have the right to love?
Wang Of course! So, why did you force her to marry a man
she didn’t love — the barber over there?
Shui Ta _ Because the man she did love was no good.
First God Is he here?
Mrs Shin (foits to Yang Sun) There. The proverb says
birds of a feather flock together. He’s what your Angel of the
Suburbs got up to in private.
Wang (angrily) She didn’t love him because he was like her, it
was because he was so downcast. She didn’t help him because
she was in love with him, she loved him because she helped him.
Second God _ You’re right. To love like that was worthy of
her.
Shui Ta _ But it was too dangerous. It destroyed her!
First God Is this pilot accusing you of Shen Te’s murder?
Yang Sun _ No, false imprisonment! He can’t have killed her.
I heard her voice just before he was arrested.
First God Tell us exactly what you heard?
Yang Sun Sobbing, Your Honour, sobbing.

Third God _ And you recognised it as hers?
Yang Sun _[ know her voice.
Shu Fu You made her cry often enough.
Yang Sun_[ made her happy too. But then he. . . (points to
Shui Ta) wanted to sell her to you.
Shui Ta (‘0 Yang Sun) Because you didn’t love her.
Yang Sun_ [had no job.
Wang (to Shui Ta) You were only after the barber’s money.
Shui Ta But ask what the money was needed for, Your
Honour. (Yo Yang Sun.) You wanted her to sacrifice everything
for you — but the barber offered his houses and his money to
help the poor. And if she’d married him, she could’ve done
even more good. But she didn’t want to.
Wang So now it’s Shen Te’s fault?
Shui Ta Yes. It usually was.
Mrs Shin Look at all the good she did. Look at that junkie
there who she wanted to help! (Poiis to Yang Sun.) And look
at him. . . (Pomts to the Agent.) Mr Li Gung. Less than a year
ago he came into her shop in rags, unemployed and begging
for a cigarette. Now he’s working as a‘commercial agent for
Mr Shui Ta.
Agent (standing up) It’s true. It was Mr Shui Ta helped me get
where I am today.
Prostitute’s Mother (to her daughter) That’s him, isn’t it?
The daughter nods.
He’s a heroin dealer. He works for Mr Shui Ta. We have proof.
Wang It’s typical of the way you ‘help’ people, Mr Shui Ta.
Shen Te had to be got rid of so you could build up your heroin
empire. Tell the court the truth.
Nine 87
Shui Ta It’s for the child.
Wife What child?
Carpenter What about our kids, Tobacco King? Slaving in

your sweat shops!
Shui Ta is silent. The Grandfather steps forward at a sign from
Wang.
Grandfather (dignified) The work is unhealthy. The boy
coughs constantly.
Wang That shut you up. The Gods gave Shen Te that shop
to be a source of good in the world. But every time she tried,
you were there to block her.
Shui Ta (enraged) Because otherwise the source would have
dried up, you fool!
Mrs Shin He’s right, Your Honour.
Wang What use is a source if the water kills you?
Shui Ta Good deeds bring ruin.
Wang _ So bad deeds mean a good life, is that right? What
did you do with her, you evil bastard?
Shui Ta [| was her only friend.
All Where is she?
Shui Ta Gone away!
Wang Where?
Shui Ta_ I won't tell you.
All But why did she have to go?
Shui Ta (shouts) Because all of you would’ve torn her to
pieces!
A sudden silence. Shui Ta collapses into his chaur.
I can’t go on any more. I’ll explain everything. If the judges
clear the courtroom, I’ll make a confession.
All He’s confessing. / He’s been found guilty.

First God (slams his gavel) Clear the courtroom.
The Policeman clears the courtroom.
Mrs Shin (as she goes) They’re in for a surprise.
Shui Ta Have they gone? All of them? I can’t be silent any
more. I recognise you, Divinities.
Second God What have you done with our good soul of
Szechuan?
Shui Ta _I must tell the truth. ’'m her.
He takes his mask off and pulls off his clothes. Shen Te stands before
them.
Second God _ Shen Te!
Shen Te
Yes, it’s me. Shui Ta and Shen Te.
The instruction you gave me

To live and be good
Has ripped me apart like a lightning bolt.
I couldn’t do it,
It was too hard — to be good to others
And to myself at the same time.
Your world is so tough.
So much misery, so much despair.
Hold out your hand to help
And it will be torn off.
Help the people who are lost
And you become lost yourself.
Who couldn’t resist being bad
If they know they’ll die hungry?
Where was I to find the strength that was needed?
Only from myself! But I wasn’t strong enough.
The weight of good intentions crushed me.
Nine 89
When I did wrong I walked around proudly,

My stomach full of fine food.
Something is wrong with your world.
Why is wickedness rewarded?
Why are the good punished so harshly?
Oh, I was so tempted to think only of myself.
I had a secret knowledge inside me,
Because my mother used to wash me in the gutter
All my senses were sharp as steel.
But pity hurt me so acutely
That I became furious at the sight of misery.
Then I felt myself changing,
My lips becoming hard and thin
And kind words tasted bitter in my mouth.
And yet I wanted to be an Angel of the Suburbs.
One happy face and I was walking on air.
Condemn me ~ all I did was help my neighbours
and love the man I loved
and try to save my little son from poverty.
For your grand plan, O Gods,
I was human — too human and too small.
First God (with all the signs of outrage) Enough. We were so
happy to find you again — what are we to think now?
Shen Te_ I’m a bad person hated by everyone in Szechuan.
First God You're the good soul of Szechuan loved by
everyone.
Shen Te The bad one too!
First God _ It was a misunderstanding! A few unfortunate

events... You were perhaps a bit overenthusiastic.
Second God_ But how will she go on living?
First God _ She is a strong person — and tough. She can do it.
Second God_ Didn’t you hear what she said?
First God (vehemently) So much confusion. It’s unbelievable.

Do we have to admit our commands are fatal? Should we
scrap them? No. Is the world to be changed? How? By whom?
No, everything is in order. (Slams his gavel down.) And now .. .
At a sign from him, music is heard. A rosy glow 1s seen.
Let us return.
We've found this little world fascinating.
Its joys and suffering
Have delighted and pained us.
And beyond the stars and planets, Shen Te,
We will think of you often.
Shen Te, the good person,
Who makes our spirit manifest down here on earth.
Carrier of a small burning light in the cold darkness.
Farewell, goodbye.
At a sign from him the ceiling opens. A pink cloud descends. The Gods
get on ut and are slowly lifted upwards.
Shen Te Don’t go! Don’t leave! Don’t leave me! How am
I going to look the water seller in the face? What about the
barber who Ill never love? And what do I do about Yang Sun?
And I’m pregnant and I’m having the child soon and he’ll
have to eat. I can’t stay here!
She looks in panic towards the door, through which are the neighbours and
others.
First God You can do it. Just be good and everything will
be fine.
Everyone enters. They stare amazed to see the Gods floating upwards on
their pink cloud.
Wang _ Show your respect! The Gods have appeared among
us. Three of the most eminent Gods came to Szechuan to look
for a good person and they found one...
First God And there she is.
All Shen Te!
Nine 91
First God Not dead, only in hiding. She will remain among
you, the good soul of Szechuan.
Shen Te But I need my cousin!
First God No, you don't.
Shen Te Please. Just once a week.
First God Once a month then, no more.
Shen Te Oh, don’t leave, Divinities! I haven’t told you
everything yet. I need you so badly.
The Gods sing the “Trio of the Vanishing Gods on a Cloud’.
Gods
The time has come, we must depart
Now is the hour to take our leave
Further studied and examined
Our virtuous find may disappear
Human bodies cast dark shadows
And obscure the golden light
Therefore now you must allow us
Home to our eternal life.
Shen Te Help me!
Gods
Let us now the search is over
Leave quickly while we can
All on earth raise your voices
Praise the good soul of Szechuan.
While Shen Te desperately stretches to reach them, they disappear
upwards, smiling and waving
ors
Se
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methuen |drama
Three Gods are on a journey to find out if there are
any good people left on earth.
Only Shen Te, a good-hearted prostitute, offers them

shelter. With the money they give her she opens a
tobacco shop. At once everyone needs her help.
Her livelihood is in danger. Worse, she is falling in

love with Sun, a pilot, who is robbing her blind. Her
hard hearted cousin Shui Ta arrives to protect her.
Whe is he and how can good people stay good ina

world of poverty and cruelty?
This new translation by David Harrower, based on a

previously unpublished version of Brecht’s famous
parable, premiered at the Young Vic, London, on 8
May 2008.
‘Brecht is the key figure of our time and all theatre

today starts from or returns to his achievement’
Peter Brook
2740317797191
BRECHT BERTOLT
z
GOOD SOUL OF SZECHUA
m ti
ami 109655 |
4e: Joe Dilworth

The Good Soul of Szechuan

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The Good Soul of Szechuan

Translation copyright for the play © 1985 by Stefan S. Brecht

Original work entitled Der gute Mensch von Sezuan

ISBN: 978 1 408 10965 6

Enquiries about use of any material other than in performance

This production opened at the Young Vic on 8 May 2008

God 3 Steven Beard

David Harrower Translation

theatre artists, especially directors. By presenting > “OC

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The version of Der gute Mensch von Sezuan which is presented

A street in the cafntal of Szechuan province.

Wang I’m a water seller here in the capital of Szechuan

First God (delighted) Have you been expecting us?

Wang That’s Mr Fo’s over there!

Wang It'll be a mess. Crawling with spiders.

First God We might find good people at any moment. We

First God _ It has a false bottom.

Second God _ He’s a cheat.

Wang _ Sir, you heard me. Do you perhaps have a spare

Wang How about a night-time tour of Szechuan?

tired and they’re tired of hanging around. What’m I going to

First God That doesn’t matter — you made the right

Shen Te Wait, Divinities . . . How am I good, tell me? I want

But you can’t tell anyone. It might be misinterpreted.

Shen Te Good day, Mrs Shin.

Shen Te But you told me the workers from the cement

The Unemployed Man lights up, inhales and exits, coughing

Shen Te No. But she’s hungry.

Wife (to Shen Te, embarrassed) This is my brother Wung and

An old man, Grandfather, enters led by a Boy.

Nephew (jokily, to Shen Te) Just hope your cousin doesn’t

Is being sucked down into the deep.

Such weakness which sees no virtue in anyone.

The tobacco shop.

Husband Your shop? I thought it was Shen Te’s.

Shui Ta Well then, Shen Te needs to learn, doesn’t she? (To

When the Governor was asked what was needed

Shui Ta_ I’ve already told you — he doesn’t come through

Shui Ta They’re visitors. Distant acquaintances of my

Husband (hoarsely) Yep, that’ll be us off then.

Shui Ta Sorry, Officer, my cousin’s mistake. A

Shui Ta_ A husband?

Policeman (enthusiastically) Why not? She’s got a lot going

expressed to me an interest in the young lady. And he also

Dusk in the municipal park.

Young Prostitute Hey, you wanting any business, darling?

Yang Sun All night, I don’t need to‘see ge C’mon then,

Yang Sun _ So why d’you want to cut me down, sister?

Pll sleep on my own