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    133-Amor Si Culla

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    Antonio Schiavone
    The document is a musical score for the piece "Amor si Culla" for solo mandolin. It contains standard musical notation including notes, rhythms, dynamics, and other performance instructions. The piece consists of three main sections - an opening Larghetto dolce section, a Trio section, and a return to the opening material. It utilizes various musical techniques such as glissandos, tremolo, and dynamics to convey the romantic and gentle nature of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    133-Amor Si Culla

    Uploaded by

    Antonio Schiavone
    27 views1 page
    The document is a musical score for the piece "Amor si Culla" for solo mandolin. It contains standard musical notation including notes, rhythms, dynamics, and other performance instructions. The piece consists of three main sections - an opening Larghetto dolce section, a Trio section, and a return to the opening material. It utilizes various musical techniques such as glissandos, tremolo, and dynamics to convey the romantic and gentle nature of the music.

    Original Title

    133-Amor_si_Culla

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    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document is a musical score for the piece "Amor si Culla" for solo mandolin. It contains standard musical notation including notes, rhythms, dynamics, and other performance instructions. The piece consists of three main sections - an opening Larghetto dolce section, a Trio section, and a return to the opening material. It utilizes various musical techniques such as glissandos, tremolo, and dynamics to convey the romantic and gentle nature of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    27 views1 page

    133-Amor Si Culla

    Uploaded by

    Antonio Schiavone
    The document is a musical score for the piece "Amor si Culla" for solo mandolin. It contains standard musical notation including notes, rhythms, dynamics, and other performance instructions. The piece consists of three main sections - an opening Larghetto dolce section, a Trio section, and a return to the opening material. It utilizes various musical techniques such as glissandos, tremolo, and dynamics to convey the romantic and gentle nature of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 1

    Amor

    si Culla
    For Mandolin Solo, v0.1.1

         
    Raffaele Calace, Op. 133

       
               
    Larghetto dolce

      liss.      


          .
      
     g con grazia  gl i s s .
     g l i s s    
             g lis 
    s .
     gliss.

          
      
    

          
          
                                
         
    1. 2.

    gliss.     gliss.                 
    To Trio

      
    6


    a tempo 
      
            1. 
      
                                        

       
    2.

                 
    D.S. al Trio

       
             
    13

    rall.
       

       trem. dolce          
    

     
     rit.

                   
            
    Trio

     
    19

      
     
     
              

            gliss.                      
             
                  
    a tempo

     
    24 rit.

          
                      

    
    

        
         
    

       
              
    32

     
    1. 2.

      
    

    gliss.


    

           
     gliss.                   
                     
          
     
     
        
     g          gliss
    Tempo I

     g li  g li  g lis s .
    36

    s s . l i s s . . s s .

     
                
             
          
     gliss.      
        
            
          
    42


    a tempo  
             
      
     
                                


          
            
         
    
    
     
    48

    rall.     
    
     rit.
    CC-BY-SA 2020 Zachary Bian

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