IAS Mains Compulsory Bengali 2014

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CS (Mai11) Exam: ;2014 lc-DRN-N-DFoc 1

BENGALI
· (Compulsory)

j Time Allowed : Three Hours I IMaximum Marks : 300 I. ·


QUESTION PAPER SPECIFIC INSTRUCTIONS

Please ·read each of the following instructions carifully before attempting questions·:
All questions
.
are to be attempted.
.
The number of marks carried by a question is indicated against it.

Answers must be written in BENGALI (Bengali. Script) unless otherwise d.irected in the question.

Word limit in questions, wherever specified, J>ho.uld be adhered to and if answered in much longer or shorter
than the prescribed length, marks may be deducted. ·

Any page or portion of the page left blank in· the answer book must be clearly struck off.

. . .

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·. --
Most people involved in the film production industry know that there is a constant
evolution. The change is in the way movies are made, discovered, marketed, distributed,
shown, and seen. Following ゥョ、・ー」セ@ in 1947, the 1950s and 60s are regarded as the
'Golden Age' of Indian cinema in· terms of films, stars, music and lyrics. The genre was
loosely defined, the most popular being 'socials', films which addressed the social problems
of citizens in the newly developing state. In the mid-1960s, camera technology revolutionized
the documentary method by enabling the synchronized recording of image and sound. Today,
CINEMA 4D users are free to create scenes without worrying about the size of objects or
how many objects are in the scene, shaded settings, texture size, multipasscrendering or eye-
catching particle systems.

Until the 1960s, ·film-making companies, many of whom owned studios, dominated the
.film industry. Artistes and technicians were either their employees or were contracted on a
long-term basis. Since the 1960s, however, most performers went the freelance way, resulting
in the star system and huge escalations in film production costs. Financing deals in the
· industry also started becoming murkier and murkier, since then. According to estimates, the
. Indian film industry has an annual turnover of Rs. 60 billion. It employs more than 6 million

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..
employees. In the late
people; most of whom are contract workers as. opposed to regular
1990s, it was recognized as an industry.
ions of reality.
More money impacted the perception, visual representation, and definit
nt to their times.
Like any other media of mass communication, the themes are releva
to the time of the
Thus, filmmaking became !flOre expensive and riskier. As opposed
kers often select
Gemini studios, when only 5 percent of a movie was shot outdoor, filmma
more efficiently or
overseas locations in order to create greater realism, manage costs
g for the perfect
source people and props. Filmmakers spend considerable time scoutin
location.

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..-.... ....
Q. 6(a) wiセ@ "141 セ@ :- 2X5=10
(i) セi@ 2
. (ii) GQBセ@ 2
(iii) AA I 2
(iv) 'lfl! I 2
(v) 'r'fl 2

Q. 6(b) f«--<t!C'l' セ\エ@ \Aセ@ pエcBGiゥセ@ PtC"'C'II セBGエ[ァhイゥZ@ セ@ :- 2X5=10


(i) '<rnl 2
(ii) セ\エャ@ 2
(iii) \!if'i! I 2
(iv) |Uャセ@ I 2
(v) セi@ 2

Q. 6(c) f<tRwtc>lf セ@ ᄋセ@ セ@ :--=- 2X5=10


(i) セ\`イャ@ 2
(ii) 'l'l"''l'I'G II 2
(iii) C5fPn<SWM I 2
(iv) "'l'l:>li'f>'ll . 2
(v) セN@ セ@ セ@ 'l'l"'i¥ I 2

Q. 6(d) セ@ セ@ \ᆪAセᄋ@ セN@ 1:1R:>"'"' セ@ :- 2X5=10


• (i) \511h'l' Ii'l I 2
(ii) セi@ 2
HゥIセ@ I 2
(iv) セ@ 2
(v) セi@ 2

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