Grade 8 2nd Quarter East Asian Arts

ELEMENTS AND
PRINCIPLES OF
ARTS AND CRAFTS
IN EAST ASIAN
COUNTRIES
LEARNING COMPETENCY:
ANALYZE ELEMENTS AND
PRINCIPLES OF ART IN THE
PRODUCTION OF ARTS AND
CRAFTS INSPIRED BY THE
CULTURES OF EAST ASIA.
Write the agenda in easy-to-read bullet points
Add a title for the agenda if you like

List the topics you will cover in class
Also the activities you propose to do
Give the allotted time per topic or activity
Add extra guidelines if there are any

IF YOU WERE ASKED TO
CREATE A PAINTING, WHAT
THEME WILL YOU CHOOSE TO
PAINT (ANIMALS, CAVES,
BUILDINGS, OR NATURE)? WHY
WOULD YOU CHOOSE THAT?
The term "composition" refers to the
arrangement of visual elements in a painting
or other work of art.
Arts is the expression or application of
human creative skills and imagination,
typically in a visual form such as painting or
sculpture, producing works to be
appreciated primarily for their beauty or
emotional power.
10 COMMON
PRINCIPLES OF ARTS
Balance is the sense of stability achieved
through implied weight of an object.
• Symmetrical balance – when one
image is mirrored on the other side
to repeat itself.
• Asymmetrical balance – when
different types of elements create a
visual balance.
• Radial balance – is the distribution
of elements around a central point in
all directions.
Emphasis is when one
element of an artwork stands
out more than another. This
creates a sense of
importance and is
intentionally used to
communicate a message or
feeling.
Movement is the
visual flow of your
artwork. It is the path
that you intend your
viewer’s eye to
follow.
Pattern as a principle of
design may be defined as
regular arrangement of
repeated same elements,
usually increases the
visual excitement by
supplementing surface
interest.
Proportion is the relationship of
two or more elements in a
design and how they compare
with one another, it is said to be
harmonious when a correct
relationship exists between the
elements with respect to size or
quantity.
Repetition is simply
repeating a single element
many times in a design. For
example, you could draw a
line horizontally and then
draw several others next to
it.
Rhythm is a principle
of design that
suggests movement
or action; it is usually
achieved through
repetition of lines,
shapes and colors.
Unity in an artwork
creates a sense of
harmony and wholeness,
by using similar
elements within the
composition and placing
them in a way that
brings them all together.
Variety adds interest by using
contrasting elements within
the composition. Variety is the
counterweight to harmony and
creates visual interest by
slightly changing or using
different elements together in
a composition.
Harmony can be described
as sameness, the belonging
of one thing with another.
The repetition of design
elements like colour, texture,
shape and form are one of
the easiest ways to achieve
harmony to create a
composition.
Painting in
China, Japan
and Korea
In East Asia, the objects or
items that are usually put into
paintings are called subjects,
themes or motifs, These may
be about animals, people,
landscapes, and anything
about the environment.
PAINTING SUBJECTS OR THEMES
CHINA 1. Flowers and birds
2. Landscapes
3. Palaces and Temples
4. Human Figures
5. Animals
6. Bamboos and Stones
JAPAN 1. Scenes from
everyday life
2. Narrative scenes
crowded with
figures and details
KOREA 1. landscape paintings
2.Minhwa
3. Four Gracious Plants
(plum blossoms, orchids
or wild orchids,
chrysanthemums)
4. bamboo
5. portraits
Minhwa
Four Gracious Plants (plum blossoms, orchids or

wild orchids, chrysanthemums)
Important aspects in East Asian Painting
•Landscape painting was regarded
as the highest form of Chinese painting
•They also consider the three concepts
of their arts Nature, Heaven and
Humankind YinYang
•Silk was often used as the medium to
paint upon, but it was quite expensive
•Cai Lun invented the paper in the 1 st
Century AD it provided not only a cheap
and widespread medium for writing but
painting became more economical
Mountain and Water
are important
features in Korean
landscape painting
because it is a site
for building temples
and buildings.
Painting is
closely related
to calligraphy
among the
Chinese people
Calligraphy
• is the art of
beautiful
handwriting
• The script found on these objects is
commonly called jiaguwen or shell and bone
script
• Cangjie the legendary inventor of Chinese
writing, got his ideas from observing animals’
footprints and birds’ claw marks on the sand
as well as other natural phenomena
East Asian temples and houses
have sweeping roofs because
they believe that it will protect
them from the elements of
water, wind and fire Buddhists
believed that it helped ward off
evil spirits which were deemed to
be straight lines
The figures at the tips are called roof guards.
There are three main types of
roofs in traditional Chinese
architecture that influenced other
Asian architecture
1.Straight inclined
2. Multi inclined
3. Sweeping
1. Straight inclined-more economical for
common Chinese architecture
2. Multi-inclined
Roofs-with two or
more sections
of incline. These roofs
are used for
residences of wealthy
Chinese.
3. Sweeping - has curves that rise at the corners
of the roof. These are usually reserved for
temples and palaces although it may also be
found in the homes of the wealthy.
Woodblock printing is a
technique for printing text, images or
patterns used widely throughout
East Asia. It became one of their
oldest and most highly developed
visual arts.
Woodblock Printing
Japanese Ukiyo e
The best known and most popular style
of Japanese art is Ukiyo e which is
Japanese for "pictures of the floating
world” and it is related to the style of
woodblock print making that shows
scenes of harmony and carefree
everyday living.
Paintings in East Asia do not only
apply on paper, silk and wood
Performers of Kabuki in Japan and
Peking Opera in China use their
faces as the canvas for painting
while mask painting is done in Korea.
Peking opera face
painting or Jingju
Lianpu is done with
different colors in
accordance with the
performing characters’
personality and
historical assessment.
Originally, Lianpu is called the false mask.
Guan Ju - Red
indicates devotion,
courage, bravery,
uprightness and
loyalty.
Huang Pang -
Yellow signifies
fierceness,
ambition and
coolheadedness.
Zhu Wen - A green
face tells the
audience that the
character is not only
impulsive and violent,
he also lacks
selfrestraint.
Zhang Fei - Black
symbolizes roughness
and fierceness. The black
face indicates either a
rough and bold character
or an impartial and
selfless personality.
Lian Po - Purple
stands for
uprightness and cool
headedness. While a
reddish purple face
indicates a just and
noble character.
Cao Cao - white
suggests treachery,
suspiciousness
and craftiness. It is
common to see the
white face of the
powerful villain
on stage.
Kabuki Make up of Japan
Kabuki makeup or Kesho is already in
itself an interpretation of the actor’s own
role through the medium of the facial
features. On stage, this interpretation
becomes a temporalization of makeup in
collaboration with the audience.
Kabuki Makeup is also another way
of face painting which has two types:
1. standard makeup - applied to
most actors
2. kumadori makeup - applied to
villains and heroes
It is composed of very dramatic lines and shapes
using colors that represent certain qualities.
•dark red = passion or anger
•dark blue = depression or sadness
• pink = youth
• light green = calm
• black = fear
• purple = nobility
Some examples of face painting are the mukimi guma
or suji guma , where the lines are painted onto an
actor’s face. These are then smudged to soften them.
Kumadori - The Painted Faces of Japanese Kabuki
Theatre
Korean masks, called
tal or t'al , originated
with religious meaning
just like the masks of
other countries which
also have religious or
artistic origins. Korea
has a rich history of
masks.
The roles of colors in Korean masks
1. Black, Red and White Bright and vibrant colors
that help establish the age and race of the
figure
2. Half Red and Half White mask symbolize the idea
that the wearer has two fathers, Mr. Red and Mr.
White
3. Dark faced mask indicates that the character
was born of an adulterous mother
PAPER ARTS and KNOT TYING
Paper was first invented by Cai Lun
of the Eastern Han Dynasty in China.
It is indeed one of the greatest
contributions of ancient China in the
development of arts.
FOLK ARTS OF CHINA:
1. PAPER CUT
2. CHINESE KNOTS
3.PAPER FOLDING
4. PAPER KITES
The earliest document
showing paper folding is a
picture of a small paper
boat in an edition of
Tractatus de Sphaera
Mundi from 1490 by
Johannes de Sacrobosco
In China, traditional funerals include burning
yuanbao which is a folded paper that look like
gold nuggets or ingots called Sycee. This is also
used for other ceremonial practices This kind of
burning is commonly done at their ancestors’
graves during the Ghost Festival.
A sycee is a type of silver or gold ingot
currency used in China until the 20th
century. The name is derived from the
Cantonese words meaning "fine silk.”
Origami
The term Origami came from ori meaning "folding"
and kami meaning "paper". It is the traditional
Japanese art of paper folding, which started in the
17th century AD.
Flowers, animals, birds, fish, geometric shapes and
dolls are the common models used in Japanese
Origami.
Jianzhi - is the first type of paper cutting design ,
since paper was invented by the Chinese. The cut
outs are also used to decorate doors and windows.
They are sometimes referred to "chuāng huā",
meaning Window Flower.
KITE MAKING
A kite is an assembled or joined aircraft that was
traditionally made of silk or paper with a bowline
and a resilient bamboo. Today, kites can be made
out of plastic. Kites are flown for recreational
purposes, display of one’s artistic skills.
Chinese kites may be differentiated
into four main categories:
1.Centipede
2.Hard Winged Kites
3.Soft Winged Kites
4.Flat Kites
KNOT TYING
In Korea, decorative
knotwork is known as
“Maedeup" or called Dorae
or double connection knot,
often called Korean
knot work or Korean knots.
Zhongguo - is the Chinese decorative
handicraft art that began as a form of
Chinese folk art in the Tang and Song
Dynasty (960 1279 AD) in China.
In Japan, knot tying
is called
Hanamusubi .
It emphasizes on
braids and focuses
on Individual
knots.

Grade 8 2nd Quarter East Asian Arts

Uploaded by

Copyright:

Available Formats

Grade 8 2nd Quarter East Asian Arts

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Grade 8 2nd Quarter East Asian Arts

Uploaded by

Copyright:

Available Formats

ELEMENTS AND

Write the agenda in easy-to-read bullet points

Add a title for the agenda if you like

Also the activities you propose to do

Give the allotted time per topic or activity

Add extra guidelines if there are any

Four Gracious Plants (plum blossoms, orchids or

You might also like