The themes that I have seen in the poem are death, oppression, and prejudice.

From just the

At first reading, the aspect of someone's character in the poem that is presented to or perceived by
others is the persona is already dead. But later on, readers can see the persona as the representation of
women in the society before, where they are weak and should just stay at home. The poem is composed as
though the speaker is straightforwardly tending to the peruser and is, maybe, indicating either the peruser
or someone else an image of herself (or himself). The speaker shows the photograph as well as clarifies
how it ought to be seen and deciphered. So, the speaker reveals to us how to comprehend a photo we
never truly observe, and she does as such as a feature of a sonnet that appears to resist sane clarifications
in different manners. We need to see the picture as not just it is, but to go deeper into its perspective. The
sonnet begins guiltlessly with the pronoun "It" and the peruser looks for the subject in the initial hardly
any lines of cognizant portrayal. The "obscured lines and dim bits" recommend a print in an old paper,
and then again, a sepia-colored or high contrast photo that is frequently contained in an overlooked family
collection.

The voice in This Is A Photograph Of Me that spoke out to me and grabbed my attention were the
lines "It was taken some time ago. At first, it seems to be a smeared print: blurred lines and grey flecks
blended with the paper; then, as you scan it, you see in the left-hand corner a thing that is like a branch:
part of a tree (balsam or spruce) emerging and, to the right, halfway up what ought to be a gentle slope, a
small frame house" It showed the oppression and prejudice women went through the past years of civility.
It made am emphasize how women were treated before.

The tone is formal because Margaret Atwood has a women's activist's viewpoint photo step by
step creates prompting the peruser's acknowledgment of her passing. Atwood who appears to be alive
however is, in reality, dead in the sonnet, investigates the veneers that ladies acknowledge to adjust to
man-centric culture – she clarifies the appearance and truth of ladies. Women have consistently been
peered downward on (mentally ignored) the sections infer the position of and de-stresses ladies
strengthens that she (ladies as a rule) performs just like the enhancement to the photo of our general
public. She needs individuals as far as possible themselves to triviality yet see the genuine quintessence,
significance, and significant noteworthiness of ladies, and the lessening picture and character of the
poetess mirror the condition of ladies

The mood is realistic, gloomy, imaginary, or mournful and dark. The speaker starts talking about
herself she encloses those lines within parentheses. It is as though learning the speaker is dead—no,
suffocated—weren't sufficient, the peruser is informed that up and down she's been "looking" at a photo
of the body. Every day, precise starting to the sonnet feels somewhat like a mortgage holder giving a
delicate, if marginally exhausting, visit through a decent house: We just got these iced sconces; the visitor
washroom is toward the finish of the lobby on the left; we love the backsplash, as well. The clear title
doesn't allude to the frightful heading the sonnet will take, even though you're sitting tight for Atwood to
at last depict the figure of an individual. Before perusers know it, they're complicit in something
horrendous and unexplained.

When you've had a second to gather yourself, you can perceive how "This Is a Photograph of Me"
plays with thoughts of the character, permeability, lack of involvement, and words versus pictures. It
welcomes the peruser to perceive the speaker, who is quiet and imperceptible while making herself both
seen and heard. The magnificence of the normal scene (the wave of water, the refraction of daylight)
thoroughly darkens her—however, you regardless feel her phantom instinctively. Regardless of whether
similar to me, you need to dismiss as opposed to gazing sufficiently long to really "see" her. Perhaps
others won't feel a similar unexpected nervousness I did when they read this unexpectedly, however, I'll
generally observe "This Is a Photograph of Me" as an inconspicuous work of repulsiveness. The move
most of the way in isn't a hop alarm; its power is more guileful and deadening. In any case, since I ponder
this sonnet a very long time after first experiencing it, I can likewise discover something inquisitively
shocking in it. The speaker appears to be lost, alone, and less ghoulish than I initially suspected. She
presents herself in brackets as though murmuring for somebody to observe, on the off chance that not a
mind-blowing completion, at that point at any rate the reality of her demise.

Women's benefits have gained significant ground in the past 100 years; regardless, women are so
far ward upon sex inclination in the public field. Women are equal in information to men; in any case,
women are still incredibly paid not as much as men and are consistently setbacks of physical and mental
abuse from overbearing men. Margaret Atwood is an outstanding ladies' lobbyist author whom much of
the time explains the abuse of women in the public eye. In her odd piece "This is a Photograph of Me,"
Atwood utilizes a couple of parts of nature found in a photograph to speak to the quality of men over
women in our extreme society. She demands society by and large to see through the speculations put on
women and watch the veritable hugeness and significance women have in history and our present lives.
Atwood's despondent piece begins with a woman depicting an old cloudy photograph of a woodsy scene
with a house, a lake, a tree appendage, and a little slant.

The woman seems like she is seeing the photo surprisingly as she raises the gigantic pieces of the
photograph that have been reshaped from either overexposure or the light reflecting off the lake. The
second half of the work reveals that the photograph was taken not long after the woman choked in the
lake. The woman lights up the peruser so that if they look cautiously, they will see her brought down
underneath the water. The piece is rich with symbolism in its substance and structure. Atwood uses a ton
of symbolism in her poem to impart the subject of female abuse. This symbolism is found in the fogginess
of the photograph, the tree appendage, the inclination, the house, the lake, and the reflected light off of the
lake. The curving of the photos in the photograph addresses the negative names put on women.

We have to look past this bowing to see what the photos are or to watch the certifiable epitome
and noteworthiness of women. Everything in the picture, really and symbolically, is affected by the
photograph's twisting. The little slant that "ought to be a fragile/incline" The water portrays society's male
quality that is twisting the veritable voice of women addressed as the light reflected off the water. Atwood
urges us to look past the mutilations of inclination and see the certified pictures of the noteworthy
importance of women in our overall population.

Atwood moreover purposely places fenced-in areas in the substance to confine the work into two
halves. In the main half, she portrays a scene photograph that has been distorted for some dark
clarification. The presence of fenced-in areas habitually exhibits that the substance inside them is not as
huge as the standard substance. By using sections in the portrayal of the woman's spirit, Atwood is
demonstrating how women are normally observed as insignificant. The piece is separated into two halves
with the portrayal of the scene in the central half and the presence of the woman's substance in the
ensuing half. The lake in Atwood's poem could in like manner be related to an astonishing picture of
politeness.

The art of symbolism portrays water as unequivocally refined; besides, water that ascents up out
of the earth is unravelled as a gift from the midsection of Mother Nature. This is reminiscent of Atwood's
image of the lake; generally, typical lakes are considered from streaming springs that are from the earth.
The beginning of all life occurs inside the "water" of the female stomach. Subsequently, the lake may
address the female stomach or birth of life, and the brought down woman may speak to women's strong
voice and authentic nature that is restlessly set up to be normally acquainted with a male-overpowered
world. The striking relationship of water to the female soul is displayed through the gifted limit of women
to help and produce life inside the fluid of their uterus or gut. In Atwood's piece, cultured power is fit to
be normally acquainted with a vast expanse of sexual direction consistency.

Atwood's whimsical and unequivocally feministic piece is overflowing with symbolism. The
piece is by all accounts a ghastly portrayal of a photograph taken of a dead woman concealed underneath
the lake she choked in. Understanding that Margaret Atwood is an esteemed ladies' lobbyist writer,
convinces that the piece's symbolically covered standard subject is the abuse of women in a male-
controlled society. How the photograph is clouded, the pieces of the scene and the usage of sections to
isolate the work could be decoded in various habits; regardless, the shrouded point is overwhelmingly
woman's rights in nature.

The lines are short and similar too have been composed as sections. Indeed, even in this sonnet,
each line folds around to the following one until the end shows that it's anything but a representation
under investigation at the same time, best-case scenario, the image of a scene where a voice makes an
abnormal solicitation that is difficult to fulfill. The voice of the wild could be challenging mechanical
advances as well. Atwood's style demonstrates that a sonnet may start with the author's plan however it
must be finished the per user's awareness. The title of Margaret Atwood's "This Is a Photograph of Me" is
very interesting. The title may offer ascent to a few translations. The speaker may need our consideration
regarding being attracted to the photo. The way that she asserts that it is her in the photo, borderlines the
way that she appears to be unique truly. Nonetheless, the most conceivable understanding would be that
the overall observation or viewpoint about her was very unique; this was her genuine self in the photo.
She initially proceeds to portray the photograph regarding time, it was anything but an ongoing photo yet
taken some time back. It gives off an impression of being spread (out of deconstruction).

There seemed, by all accounts, to be obscured lines like she was graphically examined. The
obscured lines and dim specks (slanders) appear to be mixed with the paper itself. They have now gotten
complicatedly connected with her character. The poetess is in this way portrayed in the principal refrain
by methods for legitimate examination, and regarding the material. Lady has consistently been mentally
ignored; she rather stays as a material ware for rectification. The notices of today act like the best
examples. The whole poem is figurative language itself because it wants to give an image deeper than
what the eyes of the readers can see.
Reference:

Cruz, L. ( April 12, 2017) The Subtle Horror of Margaret Atwood’s ‘This Is a Photograph of Me’
online https://www.theatlantic.com/notes/2017/04/favorite-poems-margaret-atwood-this-
is-a-photograph-of-me/522705/