Motzki H - Alternative Accounts-1
Motzki H - Alternative Accounts-1
Motzki H - Alternative Accounts-1
a u t h o r s h i p, f o r m at i o n a n d c a n o n i s at i o n
According to the prevailing consensus, the Qur ān originated in the
first third of the seventh century CE in the towns of Mecca and Medina. Its
author (in Muslim eyes, its transmitter) was Muh.ammad who ‘published’
his revelations in segments which he later rearranged and edited, in large
measure himself. Yet he did not leave a complete and definitive recension.
The canonical text such as it has been known for centuries was not achieved
until twenty years after the Prophet’s death. The qur ānic material which
had been preserved in written and oral forms was then carefully collected
at the behest of the third caliph, Uthmān, who published it as the only
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60 Harald Motzki
officially authorised version of the Qur ān. The stylistic uniformity of the
whole proves its genuineness. This historical account is based on evidence
found in the Qur ān itself as interpreted in the light of the Muslim tradition,
i.e., the biography (sı̄ra) of the Prophet and traditions on the collection of
the Qur ān after his death.1
All the elements of this account have been challenged by John Wans-
brough in his Quranic studies: Sources and methods of scriptural interpre-
tation (1977) and The sectarian milieu: Content and composition of Islamic
salvation history (1978). Wansbrough doubts the value of source analysis
that seeks to detect historical facts and to reconstruct ‘what really hap-
pened’. He begins from the premise that the Muslim sources about the ori-
gin of Islam, including Qur ān, sı̄ra, the traditions from the Prophet (h.adı̄th),
qur ānic exegesis (tafsı̄r) and historiography, are the product of literary activ-
ity, i.e., fictional literature, which reflects ‘salvation history’. The sources
need to be analysed, therefore, as literature, i.e., by using literary-critical
methods. Factual historical conclusions can be at best a by-product of such
literary analysis.2 The method of analysis that Wansbrough adopted, form
criticism, is drawn from biblical studies.
Wansbrough points to ‘the fragmentary character’ of the Qur ān and
to the frequent occurrence of ‘variants’ in both the Qur ān and other gen-
res of early literature, i.e., texts or narratives that are similar in content
but different in structure or wording. These phenomena do not support
the idea of a primitive text (Urtext), originating from or compiled by an
individual author or a text carefully edited by a committee, but are better
explained by assuming that the Qur ān has been created by choosing texts
from a much larger pool of originally independent traditions. Wansbrough
labels these essential qur ānic forms ‘pericopes’ or, because of their content,
‘prophetical logia’. The latter term does not mean, however, that they derive
from the historical Muh.ammad. The different logia can be reconstructed by
form-critical analysis which distinguishes between: (1) the forms through
which the themes of revelation are expressed (i.e., the prophetical logia);
(2) rhetorical conventions by which the logia are linked and in which they
are clothed; (3) variant traditions in which they have been preserved and
(4) exegetical glosses and linguistic or conceptual assimilation.3
The content of the prophetical logia is characterised by four main
themes: retribution, sign, exile and covenant. They display a ‘monotheist’
imagery known from the Bible and this suggests that the qur ānic forms
of prophetical expression continue already established literary forms. The
fact that most texts which articulate the monotheist themes are introduced,
sometimes even concluded, by formulas and literary conventions indicates
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62 Harald Motzki
date, but only that a canonical, and thus authoritative, collection of them
did not yet exist.5
If Wansbrough’s theory is accepted, there is no way to establish anything
of the revelation or the life of the historical Muh.ammad from Qur ān, sı̄ra,
tafsı̄r or h.adı̄th. To look for historical facts in this sort of literature would
be a meaningless research exercise.
c o l l e c t i o n , u t h m ā n i c c o d e x a n d
companion codices
Most Western Islamicists reject Muslim traditions about a first collec-
tion of the Qur ān made on behalf of the caliph Abū Bakr shortly after the
demise of the Prophet as unlikely because the details in these accounts are
unconvincing. They accept, however, the traditions about the official collec-
tion during the caliphate of Uthmān, although these reports also contain
problematic details. The text achieved under Uthmān is the Qur ān as we
now have it as far as the consonantal text and its structure is concerned.
Variant readings of earlier collections made by other Companions and sup-
pressed by Uthmān are transmitted that suggest that ‘there was no great
variation in the actual contents of the Qur ān in the period immediately
after the Prophet’s death’, only the order of the sūras was not fixed and
there were slight variations in reading.6
As mentioned above, Wansbrough rejected this account without fur-
ther study of the relevant sources because it was incompatible with his
theory about the formation of the Qur ān. An alternative account, based on
a detailed study of the traditions in question, has been given by John Bur-
ton in his book The collection of the Qur ān (1977). Burton starts from the
premise, adopted from Ignaz Goldziher and Joseph Schacht, that traditions
(h.adı̄ths) do not pass on historical facts about the time and persons they pur-
port to report on, but reflect the opinions of later Muslim scholars who used
the traditions to substantiate their own views. His hypothesis is that Islamic
source theory (us.ūl al-fiqh) ‘has fashioned’ the traditions which recount the
history of the collection of the Qur ān. In his study Burton argues that these
traditions derive from the discussions among the us.ūl scholars about the
authority of the two main sources of Islamic jurisprudence, the Qur ān and
the sunna of the Prophet, as well as about the issue of abrogation (naskh) of
qur ānic verses. All the traditions that report collections of the Qur ān after
the death of Muh.ammad are, therefore, fictitious hypothetical constructs
that were invented to back their legal views. According to Burton, neither a
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collection on Abū Bakr’s behalf nor an official edition made by order of the
caliph Uthmān ever happened.
Why did the legal scholars invent different collections and claim that
the Qur ān as it exists is the result of an incomplete redaction of the reve-
lations made during Uthmān’s caliphate? Burton thinks that Muslim legal
scholars needed an incomplete qur ānic text because there were established
legal practices which had no basis in the Qur ān and which had been dis-
puted for that reason. To save these practices scholars claimed that they were
based on revelations which did not find their way into the Qur ān as it was.
Such a view presupposed that the Prophet had left no definitive collection of
his revelations. To substantiate this supposition, the legal scholars invented
reports about the existence of different precanonical collections and then,
in order to explain that there was actually only one Qur ān, they promoted
the idea of an incomplete official edition made on Uthmān’s behalf. If
all the traditions about different qur ānic collections and codices are spuri-
ous, the only historically reliable fact that remains is the Qur ān as it was
and is. Yet when and by whom was that Qur ān compiled? Burton assumes
that the Qur ān as we now have it was that left by Muh.ammad himself.7 Yet
this last conclusion does not derive ineluctably from Burton’s investigation;
other scenarios can be imagined as well.
c o m p o s i t i o n o f s ū r a s a n d e m e r g e n c e
of a canon
The prevalent opinion in qur ānic scholarship views the original units
of revelation to have been short passages. Several such passages were after-
wards ‘collected’ by Muh.ammad himself to form the longer sūras. After
his death those who compiled the canonical version added to the ‘embry-
onic sūras’ all the material circulating as qur ānic revelations and not yet
included somewhere. The change of rhyme indicates where heterogeneous
passages have been secondarily assembled.8 The sūras are thus considered
to be textual units in which bits of revelation have been lumped together in
some way or other, rather than being unities in themselves.
This view has been challenged by Angelika Neuwirth in her Studien
zur Komposition der mekkanischen Suren (1981). Her premise is that the
individual sūra is the formal unit which Muh.ammad chose for his prophecy.
Therefore, the individual sūra must be the heuristic basis of a literary study
of the Qur ān, not the Qur ān as a whole as favoured by others, such as
Wansbrough.9 In her study, Neuwirth analyses the Meccan sūras with the
aim of detecting structures within them which the Prophet himself gave to
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64 Harald Motzki
them. Since the verse is an important structural element of the sūra, the
first step of an investigation which aims at analysing the composition of
sūras is an examination of the traditional systems of separating the verses.
Using the rhyme and structure of the verses as criteria, Neuwirth is able to
suggest several corrections of the Kūfan division of the verses displayed in
the Muslim standard edition.
The qur ānic verses are marked by end rhymes so the rhyme may have
a function in the composition. Since the qur ānic rhymes and their literary
function had not been studied properly before, Neuwirth, in a second step,
analyses and describes the different types of rhymes, their occurrence and
their development in the three layers of Meccan sūras that Nöldeke had
distinguished. She argues that in almost all these sūras change or modifica-
tion of rhyme functions to organise formally the development of ideas. This
function is particularly crucial in the sūras of the earliest Meccan period that
are characterised by short verses.
The length of the verses in the Qur ān varies. They are short in the early
sūras and become longer and longer in the second and third Meccan period,
respectively. The structure of the verses and the relation between verse and
sentence can also be determined by rules of composition. Neuwirth there-
fore studies the verses and distinguishes different types of verses accord-
ing to their length. She shows that the use of certain types of verses has
consequences for the composition of larger groupings of verses and she
emphasises the important role of the ‘clausula phrase’ in sūras when the
structure of verses becomes more complex.
The next question is: are the verses grouped together in a systematic
manner to form larger units, each of them containing a particular content
or topic which distinguishes them from one another (termed Gesätze)?
Secondly, are these larger units of content only arbitrarily or loosely put
together to form a sūra or are they combined in a carefully considered way?
Here, too, her study detects different types of Gesätze and even different
types of sūras, each type displaying a similar structure.
Neuwirth’s study comes to the conclusion that the sūras, as well as
the numerous literary forms found in them, are, from the beginning, com-
posed of clearly proportioned elements. The composition becomes more
complex and less varied in the course of time but nevertheless reveals, in
most cases, an intentional design. Neuwirth concludes that it must have
been the Prophet himself who composed the bulk of the Meccan sūras in
the form which they have now, occasional cases of later revision notwith-
standing. Whether this can also be proven for the Medinan sūras remains
to be examined. The historical context (Sitz im Leben) of the Meccan sūras,
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p r e - i s l a m i c h i s t o ry
Until the third decade of the twentieth century the issue of Jewish
and Christian influences and sources contained in the Qur ān was a promi-
nent research topic in Western scholarship but then it went out of fashion.
Watt mentions the issue only at the end of his Introduction in the chapter
on ‘The Qur ān and occidental scholarship’ and remarks that ‘the study of
sources and influences, besides being a proper one, has a moderate degree
of interest’.13 He suggests that such a study does not contribute much to the
appreciation of the new scriptural synthesis created in the Qur ān on the
basis of earlier ideas.
This view is questioned by Günther Lüling in his study Über den
Ur-Qur ān: Ansätze zur Rekonstruktion vorislamischer christlicher Strophen-
lieder im Qur ān (1974). His approach is motivated by theories about the
development of Jewish and Christian religious ideas, more precisely by the
idea that both religions have forgotten or abandoned their primitive dog-
mas. These dogmas can be rediscovered and reconstructed by re-reading
the sources without the distorting lens of the later orthodoxy of the two
religions. By manipulating and reinterpreting the sources, this orthodoxy
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66 Harald Motzki
The content of both types of texts is shaped by the ideas of pre-Islamic Arab
paganism that were adopted by the Muslims. Since, however, the primitive
Christian texts were hostile to the pagan religious concepts, the Muslim
Qur ān has an anti-Christian undertone. A formal characteristic of the Mus-
lim Qur ān is its composition in rhyme-prose whereas the hidden Christian
texts in it were originally written in poetic strophes. Further, the language
of the Muslim Qur ān is not homogeneous and can be classified into four
different types of language: (1) the highly literary language of the primitive
Christian qur ān; (2) the chaotic ‘language’ which resulted from the Muslim
reinterpretation of the Christian hymns; (3) the language of the early edito-
rial glosses and comments added to the revised primitive Christian texts –
these additions were in a colloquial language and may reflect Muh.ammad’s
way of speaking – and (4) the language of the larger, Muslim-originated
passages that is literary, perhaps an early form of classical standard Ara-
bic. This language may have been produced by the educated scribes who
recorded the Qur ān at Muh.ammad’s request.
The Muslim Qur ān is then, according to Lüling, the result of several
stages of textual revision. The first stage was the refashioning of the content
and style of the primitive ‘Christian qur ān’ to fit this document, probably an
archaic Christology, confessed by the so-called h.unafā (sing. h.anı̄f ), into a
national pagan Arab framework. This revision was motivated by the wish to
create a monotheistic Arab orientation independent of the competing Chris-
tian factions of Mecca and their political patrons outside Arabia. This period
of revision may have already started two generations before Muh.ammad
and was continued by him. The second stage of revision of the Qur ān as
it existed then started after the victory of the Muslims over the Meccan
Christian (!) mushrikūn (according to Lüling, these were people who made
Jesus a ‘partner’ of God). This revision was motivated by a desire to mitigate
the anti-Christian tenor of the first revision in order to win these Meccan
Christians for the Muslim cause and to hide the real origins of Islam as an
anti-Christian movement with pagan and national Arab inclinations. The
last stage consisted in a revision of the entire Qur ān to align it as closely
as possible with the standard literary Arabic, the language of the poetry.
This editing may have already started during the life of the Prophet but was
perhaps finished only after his death.
l a n g u ag e a n d r e a d i n g
In the Qur ān the language used is called ‘Arabic’ ( arabı̄ ).15 There was
a lively discussion at the beginning of the twentieth century as to pre-
cisely what that means. In what type of Arabic did Muh.ammad recite the
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68 Harald Motzki
Qur ān? In 1906 Karl Vollers argued that it was originally in the Meccan
dialect and that later Muslim scholars redacted the text to make it accord, as
far as possible, with the artificial literary language of Arabic poetry. Promi-
nent Islamicists have rejected Voller’s theory and hold the view that the
language of the Qur ān is not a dialect but essentially the literary language
of the Arab tribes with some Meccan dialectical peculiarities, reflected, for
instance, in the orthography of the Qur ān. The consensus is thus that the
Qur ān has been recited and written in ‘a Meccan variant of the literary
language’.16
That does not mean, however, that all words contained in the Qur ān
are ‘pure Arabic’, i.e., derived from the reservoir of Arabic roots. Western
scholars have identified many loanwords from other languages, most of
them belonging to the Aramaic-Syriac group of Semitic languages. The list
published by Arthur Jeffery in 1938 contains about 322 loanwords17 that
amount to 0.4 per cent of the complete qur ānic vocabulary (proper names
included). A large portion of these loanwords are already found in pre-
Islamic Arabic texts and can be considered part of the Arabic language
before the Qur ān.18 That means that the loanwords found in the Qur ān
do not contradict the common assumption that its language is essentially a
literary Arabic close to that of the pre- and early Islamic poetry and to the
classical Arabic of prose texts written in the Islamic period.
The first codices of the Qur ān were written in a scriptio defectiva,
i.e., without short vowels, even without some long vowels, and without
distinguishing between consonants of a similar shape. (The Arabic term for
this skeletal form of qur ānic script is rasm.) This script was very difficult
to read and, therefore, theoretically a potential source of variant readings
and interpretations. In practice, however, substantial differences of reading
remained minimal because ‘knowledge of the Qur ān among the Muslims
was based far more on memory than on writing’, the script being ‘little more
than an elaborate mnemonic device’.19 The correct reading of the Qur ān
was transmitted from the Prophet’s time onwards by Qur ān-reciters (qurrā )
who knew the text by heart. On the basis of the oral reading tradition the
defective script of the early codices was gradually improved during the first
Islamic centuries and so the written qur ānic text emerged as we know it
today.20
This view was challenged by Lüling as mentioned above. He not only
rejects the view that the Qur ān is a text which derives almost completely
from one ‘author’ (Muh.ammad), but also disputes the idea that the language
of the Qur ān is homogeneous. Only the original Muslim parts are close to
classical Arabic. In his attempt to retrace a primitive Christian liturgical
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text in the Qur ān he sometimes suggests that Arabic words have a meaning
closer to their Aramaic or Hebrew counterparts than the meaning current
in classical Arabic, assuming that the pre-Islamic Arabic koine (standard
language) was influenced by Aramaic, then the lingua franca of the near
east.21 Lüling is also convinced that the primitive qur ān has been con-
sciously changed by Muh.ammad and later Muslims.
In a more radical form similar ideas about the original language of the
Qur ān are expounded in a study by Christoph Luxenberg (a pseudonym)
entitled Die syro-aramäische Lesart des Koran (2000). Its premises are that
Syro-Aramaic was the most important literary and cultural language in the
region of the vicinity in which the Qur ān originated. Since Arabic was not
yet a literary language, educated Arabs used Syro-Aramaic for literary pur-
poses. This suggests that literary Arabic itself was developed by Arabs edu-
cated in the Syro-Aramaic culture. These Arabs were mostly Christianised
and brought much of their religious and cultural language into Arabic.
These premises lead Luxenberg to the hypotheses that the Qur ān, as one
of the earliest specimens of literary Arabic, must reflect this Syro-Aramaic
heritage and that in addition to words already identified as Syro-Aramaic
loanwords, many more lexical items and syntactical structures, generally
considered to be genuine Arabic by Muslim and Western scholars, may be
of Syro-Aramaic origin.
The study focuses on qur ānic passages that Western scholars consider
obscure and on which early Muslim exegetes expressed variant interpreta-
tions. Luxenberg’s philological method involves several steps. The first is to
check al-T.abarı̄’s (d. 310/923) large commentary of the Qur ān and the Lisān
al-Arab, the most substantial lexicon of classical Arabic, to see whether the
early exegetes preserved a meaning of the unclear words that better fits the
context than the meaning assumed by the most prominent Western trans-
lations. If this search does not yield a result, he next asks whether there is
a homonymous lexical root in Syro-Aramaic that has a meaning other than
that of the Arabic word and one clearly better suited to the context. If this
exercise proves futile, Luxenberg then returns to the undotted form (rasm)
of the word to determine whether another reading (dotting) of it produces
an Arabic or Aramaic word or root that makes more sense. If this step also
fails he tries to translate the alleged Arabic word into Aramaic in order
to deduce its meaning from the semantic of the Syro-Aramaic expression.
Should this step prove unproductive, he consults the material preserved
from Aramaic-Arabic lexica of the fourth/tenth century searching for mean-
ings of Arabic terms unknown in classical and modern Muslim sources
of Arabic but recorded by Christian lexicographers. A final step has him
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70 Harald Motzki
concluding remark
The alternative accounts of the Qur ān’s formation presented in this
chapter have been described without a concurrent evaluation of them. Each
is a sophisticated piece of scholarship that deserves to be carefully stud-
ied for the quality of its arguments and methods. The reader interested in
the scholarly echo which these alternative accounts provoked will find the
relevant literature in ‘Further reading’.
Notes
1. W. M. Watt, Bell’s Introduction to the Qur ān (Edinburgh: Edinburgh University
Press, 1970), chs. 2 and 3.
2. J. Wansbrough, The sectarian milieu: Content and composition of Islamic salva-
tion history (Oxford: Oxford University Press, 1978), pp. ix, 118–19, and his ‘Res
ipsa loquitur: History and mimesis’ (Jerusalem: The Israel Academy of Sciences
and Humanities, 1987) (Albert Einstein Memorial Lectures); repr. in H. Berg
(ed.), Method and theory in the study of Islamic origins (Leiden/Boston: Brill,
2003), pp. 10–19.
3. J. Wansbrough, Quranic studies: Sources and methods of scriptural interpretation
(Oxford: Oxford University Press, 1977), ch. I.
4. Ibid.
5. Ibid., pp. 44, 170–202.
6. Watt, Bell’s Introduction, ch. 3.
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72 Harald Motzki
7. J. Burton, The collection of the Qur ān (Cambridge: Cambridge University Press,
1977), chs. 1, 6–10.
8. Watt, Bell’s Introduction, pp. 38–9, 90–7, 111, 113.
9. A. Neuwirth, Studien zur Komposition der mekkanischen Suren (Berlin/New
York: Walter de Gruyter, 1981), pp. 1–2.
10. Ibid., passim.
11. A. Neuwirth, ‘Vom Rezitationstext über die Liturgie zum Kanon: Zu Entstehung
und Wiederauflösung der Surenkomposition im Verlauf der Entwicklung des
islamischen Kultus’, in S. Wild (ed.), The Qur ān as text (Leiden: Brill, 1996),
pp. 69–105, and her ‘Referentiality and textuality in sūrat al-h.ijr: Some observa-
tions on the qur ānic “canonical process” and the emergence of a community’,
in I. J. Boullata (ed.), Literary structures of religious meaning in the Qur ān (Rich-
mond, Surrey: Curzon Press, 2000), pp. 143–72. See also her ‘Qur ān, crisis and
memory: The qur ānic path towards canonization as reflected in the anthro-
pogonic accounts’, in A. Neuwirth and A. Pflitsch (eds.), Crisis and memory
in Islamic societies (Beirut: Orient-Institut der Deutschen Morgenländischen
Gesellschaft, 2001), pp. 113–52.
12. Neuwirth, ‘Referentiality and textuality’.
13. Watt, Bell’s Introduction, pp. 184–5.
14. G. Lüling, Über den Ur-Qur ān: Ansätze zur Rekonstruktion vorislamischer
christlicher Strophenlieder im Qur ān (Erlangen: H. Lüling, 1974), pp. 176–85,
401–12.
15. Q 12:2; 20:113; 39:28; 41:3; 42:7; 43:3; cf. 13:37; 16:103; 26:195; 41:44; 46:12.
16. Watt, Bell’s Introduction, pp. 83–4.
17. A. Jeffery, The foreign vocabulary of the Qur ān (Baroda: Oriental Institute, 1938).
18. Watt, Bell’s Introduction, pp. 84–5.
19. Ibid., pp. 47–8.
20. Ibid.
21. Lüling, Über den Ur-Qur ān, pp. 30, 51–4, 91, 93, 113, 165, 192, 305, 382–4.
22. This observation is corroborated by the earliest fragments of qur ānic
manuscripts; see G.-R. Puin, ‘Über die Bedeutung der ältesten Koranfragmente
aus Sanaa (Jemen) für die Orthographiegeschichte des Korans’, in H.-C. Graf von
Bothmer, K.-H. Ohlig and G.-R. Puin, ‘Neue Wege der Koranforschung’, Maga-
zin forschung (Universität des Saarlandes) 1 (1999), 37–40, on http://www.uni-
saarland.de/verwalt/kwt/f-magazin/1-99/Neue Wege.pdf, esp. 39–40.
Further reading
Adams, C. J., ‘Reflections on the work of John Wansbrough’, in H. Berg (ed.), Islamic
origins reconsidered: John Wansbrough and the study of early Islam, Special
issue of Method and theory in the study of religion 9 (1997), 75–90.
Berg, H., ‘The implications of, and opposition to, the methods and theories of John
Wansbrough’, in H. Berg (ed.), Islamic origins reconsidered: John Wansbrough
and the study of early Islam, Special issue of Method and theory in the study of
religion 9 (1997), 3–22.
de Blois, F., ‘Review of G. Luxenberg, Die syro-aramäische Lesart des Koran’, Journal
of Qur anic Studies 5 (2003), 92–7.
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Böwering, G., ‘Chronology and the Qur ān’, in J. D. McAuliffe (ed.), Encyclopaedia of
the Qur ān, 5 vols., Leiden: Brill, 2001–6, vol. II, pp. 316–35.
Brague, R., ‘Le Coran: Sortir du cercle?’ (Review of C. Luxenberg, Die syro-aramäische
Lesart des Koran and of A.-L. Prémare, Les fondations de l’islam), Critique: Revue
générale des publications françaises et étrangères 671 (2003), 232–51.
Burton, J., ‘Collection of the Qur ān’, in J. D. McAuliffe (ed.), Encyclopaedia of the
Qur ān, 5 vols., Leiden: Brill, 2001–6, vol. I, pp. 351–61.
The collection of the Qur ān, Cambridge: Cambridge University Press, 1977.
van Ess, J., ‘Review of J. Wansbrough, Quranic studies’, Bibliotheca Orientalis 35
(1978), 353.
Gilliot, Cl., ‘Deux études sur le Coran’, Arabica 30 (1983), 16–37.
‘Langue et Coran: Une lecture syro-araméenne du Coran’, Arabica 50 (2003), 381–
93.
Gilliot, Cl. and P. Larcher, ‘Language and style of the Qur ān’, in J. D. McAuliffe (ed.),
Encyclopaedia of the Qur ān, 5 vols., Leiden: Brill, 2001–6, vol. III, pp. 109–35.
Günther, S., ‘Review of G. Lüling, Über den Ur-Qur ān’, al-Qant.ara 16 (1995), 485–9.
Hopkins, S., ‘Review of C. Luxenberg, Die syro-aramäische Lesart des Koran’,
Jerusalem Studies in Arabic and Islam 28 (2003), 377–80.
Ibn Rawandi, ‘On pre-Islamic Christian strophic poetical texts in the Koran: A critical
look on the work of Günther Lüling’, in Ibn Warraq (pseud.) (ed. and trans.),
What the Koran really says: Language, text and commentary, Amherst, NY:
Prometheus Books, 2002, pp. 653–710.
Jeffery, A., The foreign vocabulary of the Qur ān, Baroda: Oriental Institute, 1938.
Leemhuis, F., ‘Codices of the Qur ān’, in J. D. McAuliffe (ed.), Encyclopaedia of the
Qur ān, 5 vols., Leiden: Brill, 2001–6, vol. I, pp. 347–51.
Lüling, G., Die Wiederentdeckung des Propheten Muhammad: Eine Kritik am
‘christlichen’ Abendland, Erlangen: H. Lüling, 1981.
Über den Ur-Qur ān: Ansätze zur Rekonstruktion vorislamischer christlicher Stro-
phenlieder im Qur ān, Erlangen: H. Lüling, 1974; Eng. ed., A challenge to Islam
for reformation: The rediscovery and reliable reconstruction of a comprehensive
pre-Islamic Christian hymnal hidden in the Koran under earliest Islamic reinter-
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