Le Vent, Le Cri PIANO

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The text appears to be musical notation written in text form, containing repeating patterns of numbers.

The text is structured into pages containing strings of numbers that seem to indicate musical notes and their duration.

The text contains repeating sequences of the numbers 3, 34, 51, 65 and 71 throughout the different pages, indicating they may represent musical elements like notes or rhythms.

Le

Vent, Le cri


    
    
Adante  = 55


       
5

            

 
3 3 3

 
Πιάνο 3 3



      
3

  

5

  3  3 
 
    
   
3

 
Pno.


33 3 3

 
3 3 3 3

 


3

     
  
   
8
3

       
 
    
       
    
Pno. 3 3 3

 3 3
3 3 3 3 3 3 3

   


           
 
11

3  3
7 3

       
      
  3 3       
3

  
Pno. 3 3 3 3

 


      
3


  

 
14

    
    3 
     
       
3 3

 
Pno.

  
3 3 3


3 3 3

 
3 3

      
 
  
17
3

  
      
           
Pno. 3

    
3 3 3

 
3 3 3

 3
    
2

   
    
3
19

         


  
3 3 3

  
Pno. 3 3
3 3 3 3

   


3 
3
3 
3
3 3

                      
   
22


     
           
   
3 3 3
Pno. 3

   
3 3 3 3 3

 


3 3

  
   
  
3
25

     


       
3 3 3 3
Pno.

    
3 3


3 3 3 3

 



  
28

    
    
  
    
3 3 3 3

   
Pno. 3
3
3

 


3 3
3 3

  

31

      
      
  
Pno. 3 3 3

 
3 3 3 3 3

   


3 3

        

34

                     
           
3 3 3 3
Pno. 3 3

   3 3
3 3 3

 
3

       
 3
37

     
             
 
3 3

     
Pno. 3 3 3

 
3 3


3 3

       
40

 3
3

          
           
Pno. 3 3


3 3

 


3 3

  
      

42

   
   
        

        
 
Pno. 3 3 3

 
3 3

  


3 3
3 3 3 3

 
       

3
45


     
     
3

  
3 3

    
Pno. 3 3 3 3

 
3 3

 


3 3

 
     
48

 3
3

          

   
     
Pno. 3 3 3


3 3 3


3

 


3 3 3

      
  
51

 
               
      
3 3


Pno. 3 3

3 3
 
3 3 3 3

  
4

       
 3
54

         


            
3 3
Pno. 3 3

 


3 3
3 3


3 3

       
57

 3
3

  
      
       

3

  
Pno. 3 3 3

    
3


3


      
59

  
  
     
        
 
3 3

 
Pno.


3 3 3
3 3


  
   
61

 
3 3

 
                  
      
Pno. 3 3


3 3
3


3 3

  
    
63


        
          
  
Pno. 3 3

 


3 3
3 3


3

     
65

    3
3

  
          
      
  
   
Pno. 3 3 3

 
3

3
3


5

 
71

 
Pno.

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