Adagio For Strings-Partitura e Partes

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Adagio

for Strings

 
                        
Molto Adagio

B♭ Clarinet 1st  

 
        

B♭ Clarinet 2nd    
 

          
  

B♭ Clarinet 3rd
   

             
  

Bass Clarinet 1st




       
  

     
Bass Clarinet 2nd

  

                   
     
5

B♭ Cl.1st


        

B♭ Cl.2nd


     

B♭ Cl.3rd
     
  
    

B. Cl.1st
  

    

     
B. Cl.2nd


  
             
1

   

10

B♭ Cl.1st

   
   
 

B♭ Cl.2nd    

        

B♭ Cl.3rd
   
  
   
 

 
B. Cl.1st

 

     
B. Cl.2nd

                   
     
14

B♭ Cl.1st

   
   
 

 
 
B♭ Cl.2nd


               
 
 

B♭ Cl.3rd

    
  

   
B. Cl.1st

  
    
 
B. Cl.2nd

2

                 
2


17

B♭ Cl.1st


 

B♭ Cl.2nd          
     
   


            
B♭ Cl.3rd

 
     

B. Cl.1st
  

 

     

B. Cl.2nd

 
      
21


B♭ Cl.1st

 
                  

B♭ Cl.2nd  

                      

B♭ Cl.3rd 


   
 

  
  
B. Cl.1st

 
 



        
B. Cl.2nd

 

3
  
 
25

     
B♭ Cl.1st

          
        
    

B♭ Cl.2nd

 
B♭ Cl.3rd                     

  
    

   
B. Cl.1st

  
     
   
B. Cl.2nd

 
              
3


28

B♭ Cl.1st

    


        

B♭ Cl.2nd
    

 
              


B♭ Cl.3rd



     

    


B. Cl.1st

 

                      


B. Cl.2nd

 
cresc.

4

       
 
32

 
B♭ Cl.1st


         

B♭ Cl.2nd


     

   
B♭ Cl.3rd

            
B. Cl.1st     
 

 
B. Cl.2nd                            
 

           
  
4

  
37

B♭ Cl.1st


espr.

 

  
  
B♭ Cl.2nd

     
B♭ Cl.3rd        

                
    

B. Cl.1st


cresc. cresc.

     

B. Cl.2nd

5
                
 
41

B♭ Cl.1st

  
 

  
 
B♭ Cl.2nd

           


B♭ Cl.3rd

      

            
     

B. Cl.1st 

   
    

B. Cl.2nd   
 

       
    
45

B♭ Cl.1st

    
cresc. sempre

   
 
B♭ Cl.2nd


   
cresc. sempre

               
B♭ Cl.3rd

  espr.   
cresc. sempre

 
   

B. Cl.1st 
 
cresc. sempre

B. Cl.2nd      


cresc. sempre

6
         
      5
        
 
49


B♭ Cl.1st

          

      
 

B♭ Cl.2nd    
  
     
  

          
 
B♭ Cl.3rd


    
 

 
  

 
  
B. Cl.1st
         

          
 

 


         
B. Cl.2nd

 


              
Tempo Ⅰ゜


57

B♭ Cl.1st

                     

      
B♭ Cl.2nd   
      
  
espr.


B♭ Cl.3rd     

           

 
B. Cl.1st

   
  

      
B. Cl.2nd


(senza sord.)

7

      
62

B♭ Cl.1st

                 

    più
più

B♭ Cl.2nd

 
 

B♭ Cl.3rd
        

  

B. Cl.1st
    più
  

    più
B. Cl.2nd

  
 
molto espr.


66

      
B♭ Cl.1st

  
  
 

B♭ Cl.2nd
   
 
   
 morendo

   

B♭ Cl.3rd

      
 
 morendo

B. Cl.1st

  
 
 morendo

    
B. Cl.2nd

 morendo

8
B♭ Clarinet 1 Adagio for Strings

                                  

Molto Adagio

   


1

         
     
                 
7

 

                                   
13

   

 
                 
18
2


    

 
          

   
    
3

      
27


  

                      

      
4


37

          

 

        
              
espr.
44

  
   5
cresc. sempre 

   
               
Tempo Ⅰ゜
51

 
  


              
molto espr.

  
     
60


  
più
B♭ Clarinet 2 Adagio for Strings


                    
    
Molto Adagio

   


                
1 2

            
11

  

   
 

               


 
20


                      
3

        
26

     
        
4

 
31

     
 

               
 
    
42

 
  5
cresc. sempre  


                            

53

 

                           
espr.

       
 
60

 

 

più

   
67

morendo
B♭ Clarinet 3 Adagio for Strings


         
      
1

         
Molto Adagio

    


  
                     
 
13

  

   

       
2

    
           
17

                                       
  
22

  


                       
3
27

     
   


                          
37
4


 

      
cresc. sempre

  
                    
espr.
47


  

      
 
5

         
54

         

 


       
    
64

  
  morendo
Bass Clarinet 1 Adagio for Strings

  
                    
1


Molto Adagio

  
   

    
      
2

     
13

    
  


                           
23
3

 
  

                
4

     
    
33

 cresc.  cresc.

                                    

    
40

 cresc. sempre

        5
       
  
           
48


   


    
 

    
         
58

 
  morendo
più
Bass Clarinet 2 Adagio for Strings


        
Molto Adagio 1

               
   

 
      
2


13

            

    

3

           
22

     

 
 cresc.

                                
   
29

 


                    
34
4

  

      
  
        
45

cresc. sempre   

    
 
54
5

                   

  
(senza sord.)

   
64

       
  morendo
più

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