PP3 and PLANNING
PP3 and PLANNING
PP3 and PLANNING
Architectural Design Competition (ADC)- is used for civic or monumental projects. The competition may either be an
idea competition, design or design build competition.
PRE-DESIGN SERVICES
cover a broad line of architectural services ranging from initial problem identification to activities that would
allow the Architect to initially conceptualize an array of architectural and allied solutions.
nominally include consultation, pre-feasibility studies, feasibility studies, site selection and analysis, site
utilization and land-use studies, architectural research, architectural programming, space planning, space
management studies, value management, design brief preparation, promotional services and other related
activities.
Consultation
- When a Client calls upon the Architect to give oral or written advice and direction, to attend conferences, to
make evaluations and appraisals regarding a contemplated project and similar activities, the Architect
renders valuable inputs whether or not the Client pursues the project.
Pre-Feasibility Studies
- These preliminary studies involve the procurement, analysis and use of secondary information gathered for
the project to aid the Client in early decision-making. They represent the Architect’s initial assessment of a
project’s soundness, allowing the Client to promptly explore available/ readily identifiable directions/
options. Researched/ processed/ validated secondary data are generally used for such studies e.g.
electronic, print, etc.
Feasibility
- Studies Detailed analysis of the project based on pre-feasibility studies will determine the viability of a
proposed development. The studies will set the project against present and future trends to forecast how it
will perform over time. This requires primary data gathering and analysis.
Site Selection and Analysis
- This entails the formulation of site criteria, assistance to the Client in site evaluation as well as analysis to
determine the most appropriate site/s for a proposed project or building program.
Site Utilization and Land-Use Studies
- The detailed analysis of the site involves the identification of a site’s development potentials through the
proper utilization of land. The analysis covers the context of the site as well as that of its surrounding
environment and the development controls that apply to the site and its environs.
Architectural Research
- Architectural research entails the conduct of primary and secondary researches and assembled facts used as
basis for conclusion.
Architectural Programming
- This analytical problem-seeking process will lead to the statement and identification of both horizontal and
vertical requirements in offering a solution. It incorporates a space program with characterizations of the
envisioned spaces such as ambiance, cost range, etc.
Space Planning
- The Architect determines the adequate size and appropriate configuration and assemblage for a proposed
project in consideration of the use, allocation and interface of spaces for given activities. Space planning is
done mainly through primary data gathering such as interviews, consultations, interfaces, focus group
discussions (FGDs), space planning surveys, space audits, etc. and subsequent analyses i.e. spatial layouts
with stacking concepts, particularly for multi-storey structures.
Space Management Studies
- An analysis of the space requirements of the project based on organizational structure and functional set-up
pinpoints linkages and interaction of spaces. The formulation of the space program will serve as the basis for
the development of the architectural plan/design.
Value Management
- This technique is applied in the cost management process to minimize the negative effect of simplified
operations associated with many cost-reduction programs. The goal of value management is to achieve an
unimpaired program at minimum cost. Thus, a plan, design or system that has been successfully value-
managed will still satisfy the same performance criteria as the costlier alternatives.
Design Brief Preparation
- Under design brief preparation, the Architect states the project terms of reference (ToR) including the
concept, objectives and other necessary requirements to bid out architectural services (whether public or
private).
Promotional Services
- Projects may require promotional activities in order to develop and generate financial support and
acceptance from governing agencies or from the general public. In such cases, the Architect can act as the
agent of the Owner by producing and coordinating the additional activities necessary to complete the
services. In all such activities, the Architect must maintain his professional status as the representative of the
Owner.
It is possible for Architects (as natural persons) working in a single firm to specialize in a variety of ways.
Many Architects and firms (juridical persons) specialize without losing the generalist approach of the
Architect or firm.
- By Association, Consultation or Networking
Another common practice is consultation between an Architect and a firm of other disciplines, under the
extended terms of the Owner Architect Agreement.
METHOD OF COMPENSATION
Multiple of Direct Personnel Expenses
Professional Fee Plus Expenses
- This method of compensation is frequently used where there is continuing relationship involving a series
of Projects.
Lump Sum or Fixed Fee
- This method may be applied to government projects since they entail more paper work and time-
consuming efforts.
Per Diem, Honorarium Plus Reimbursable Expenses
Mixed Methods of Compensation
- The SPP provides for more than one method of compensation on a project. Each project should be
examined to determine the most appropriate and equitable method of compensation.
SCOPE OF SERVICES
Project Definition Phase
This phase involves the definition of the requirements of the project by the Owner. The Architect in turn informs
the Owner of the technical requirements of the project and the concomitant professional fees. In this phase, the
Architect:
- consults with the Owner to ascertain the conceptual framework and related requirements of the project
and confirms such requirements with him.
- gathers relevant information and data leading to the definition of the requirements of the project,
including the scope of the Architect’s services.
- reviews and refines the owner’s space requirements and translates them into an architectural program.
- prepares an initial statement of probable construction cost.
Schematic Design Phase
This phase consists of the preparation of schematic design studies derived from the Project Definition Phase,
leading to conceptual plans. The Architect:
- evaluates the Owner’s program, schedule, budget, project site and proposes methods of project
deliveries.
- prepares the initial line drawings representing design studies leading to a recommended solution,
including a general description of the project for approval by the Owner.
- submits to the Owner a Statement of the Probable Project Construction Cost (SPPCC) based on current
cost parameters.
Design Development Phase
Based on approved schematics and conceptual plans, the Architect prepares:
- the Design Development documents consisting of plans, elevations, sections and other drawings,
- outline specifications to fix and illustrate the size and character of the entire project as to type of
materials, type of structural, electrical, mechanical, sanitary, electronic and communications systems.
- diagrammatic layout of construction systems, and 2.3.4 an updated SPPCC for submission to the Owner.
Contract Document Phase
Based on the approved Design Development Documents, the Architect:
- prepares the complete Contract Documents consisting of detailed designs and construction drawings,
setting forth in detail the work required for the architectural, structural, electrical, plumbing/ sanitary,
mechanical, electronic and communication works prepared by the Architect and the respective
professionals involved.
- prepares Technical Specifications describing type and quality of materials, finish, manner of construction
and the general conditions under which the project is to be constructed.
- submits to the Owner seven (7) sets of all construction drawings and technical specifications for
purposes of obtaining a building permit.
- updates the SPPCC based on changes in scope, requirements or market conditions.
- assists the Owner in filing the required documents to secure approval of government authorities having
jurisdiction over the design of the Project.
Bidding or Negotiation Phase
- In this phase, the Architect:
a. prepares the Bid Documents such as forms for contract letting, documents for construction,
forms for invitation and instruction to bidders, forms for bidders’ proposals, general / specific conditions
of contract, etc.
b. assists the Owner from the early stage of establishing a list of prospective Contractors to
awarding of the construction contract.
- For competitive bids / procurements, the Architect:
a. furnishes complete sets of the Bid Documents for purposes of bidding in as many sets as may
be required to conduct a successful bidding. The said documents are loaned to bidders at an amount
sufficient to cover direct and indirect costs attendant to the preparation, packaging, reproduction and
delivery of the said documents.
The Bid Documents are the intellectual property of the Architect (Sec. 33 of R.A. No. 9266), and
must be returned by all entities acquiring bid documents. A bond may be required to assure the return
of the Bid Documents. The Architect retains the sole ownership and copyright to the said documents
(Sec. 33 of R.A. No. 9266). As such, bidders must not reproduce nor use the documents for unauthorized
purposes. The Owner also must not use the documents for any other purpose other than the project for
which the Owner and Architect signed an agreement.
b. helps in organizing and conducting pre-bid conferences,
c. responds to questions from bidders,
d. assists the Owner in obtaining proposals from Contractors, analyzes bid results and prepares
abstract of bids, notice of award, notice to proceed and other construction contracts.
- For negotiated contracts, the Architect performs similar functions as in item 2.5.2 but negotiates with
one Contractor instead of many bidders.
Construction Phase
In this phase, the Architect performs the following:
- makes decisions on all claims of the Owner and Contractors on all matters relating to the execution and
progress of work or the interpretation of the Contract Documents.
- prepares change orders, gathers and turns over to the Owner written guarantees required of the
Contractor and Sub-Contractors.
- makes periodic visits to the project site to familiarize himself with the general progress and quality of
work and to ascertain that the work is proceeding in accordance with the Contract Documents. The
Architect shall not be required to make exhaustive or continuous 8-hour on-site supervision to check on
the quality of the work involved and shall not be held responsible for the Contractor's failure to carry
out the Construction work in accordance with the Contract Documents. During such project site visits
and on the basis of his observations, he shall report to the Client defects and deficiencies noted in the
work of Contractors, and shall condemn work found failing to conform to the Contract Documents.
- determines the amount owing and due to the Contractor and issues corresponding Certificates for
Payment for such amounts based on his observations and the Contractor's Applications for Payment.
These Certificates will constitute a certification to the Client that the work has progressed to the state
indicated and that to his best knowledge, the quality of work performed by the Contractor is in
accordance with the Contract Documents. The Architect shall conduct the necessary inspection to
determine the date of substantial and final completion and issue the final Certificate of Payment to the
Contractor.
- Should more extensive inspection or full-time (8-hour) construction supervision be required by the
Client, a separate full-time supervisor shall be hired and agreed upon by the Owner and the Architect
subject to the conditions provided in the SPP Document on Full -Time Supervision. When the Architect is
requested by the Owner to do the full time supervision, his services and fees shall be covered separately
in conformance with the applicable and appropriate SPP Document.
SITE AND PHYSICAL PLANNING (INCLUDING MASTER DEVELOPMENT PLANNING, SUBDIVISION PLANNING AND
URBAN DESIGN)
- Physical planning refers to the orderly arrangement within a piece of land or property on which vertical
structures such as buildings, monuments and the like, as well as horizontal developments such as rights-
of-way (ROWs), open spaces and activity spaces are to be proposed.
- Planning, as we know it today, started with physical planning, with Architects performing the lead role.
The great cities of the world have taken shape mainly through the activities of visionary Architects who
actively engaged in physical planning.
- The Architect is concerned not merely with a building/structure but with its immediate surroundings as
well. In planning for a building, he studies its interrelationship with other structures, the surrounding
environment, and their effect and impact on the neighboring areas.
- If the Architect is commissioned to do physical plans for specific site, he has to go beyond the study of
human behavior and activities and must undertake an in-depth study of the host site’s economic
systems, its laws and regulations, tax structure, infrastructure, utilities, and all other components that
will have a bearing on the project.
FORENSIC ARCHITECTURE
The Architect in this area of practice undertakes a scientific study on the built environment’s well-being, which
allows the Architect to focus on the ways in which the building/structure can best maintain itself and prolong its
life in a cost-efficient manner, and finally provide recommendations to the Owner/ Client. The forensic study
may include:
determination as to the causes of building, building component and/or building material deterioration
the causes of observed building deficiencies e.g., non-compliance with planning and building laws, deviations
from original use or function of spaces
research on possible faulty activities and operations during the project implementation phase
determination of faulty plan/ design and/or construction methodology.
BUILDING APPRAISAL
Appraisal is defined as an act or process of estimating value. The Consulting Architect in this area of practice
places value on the building/ structure condition and defects, and on its repair and maintenance, including the
required improvements.
STRUCTURAL CONCEPTUALIZATION
The Architect in this area of practice conceives, chooses and develops the type, disposition, arrangement and
proportioning of the structural elements of an architectural work, giving due considerations to safety, cost-
effectiveness, functionality and aesthetics.
PRELIMINARY SERVICES
The Consulting Architect in this area of practice must have much more than the basic knowledge of Site Analysis,
Space Planning and Management, Architectural Programming, and the other services under SPP Document 201.
BUILDING COMPONENTS
The Consulting Architect in this area of practice must have much more than the basic knowledge of Building
Materials and Finishes, Construction Methodologies, Building Envelopes including cladding and roofing systems,
Architectural Fenestrations and Architectural Hardware, Fixtures and Fittings.
Construction Services
o Fulltime Supervision Services (SPP Document 204-A)
- Construction Management Services (SPP Document 204-B)
o Post-Construction Services (SPP Document 205)
- Building and Facilities Administration
- Post-Construction Evaluation
Client
Manufacturer
Supplier
Co- Architects
Scope of Service
Professional fee
Time or Duration
LEGAL CONTRACT
NOTARIZED
WITH SIGN OF AN ARCHITECT AND CLIENT
WITH WITNESS
LATE PAYMENT
MALPRACTICE
DELAY IN SERVICE
INSTALLMENT
BASIS: DOWNPAYMENT, BALANCE, MILESTONE, APPEARANCE
FULL PAYMENT
MILESTONE IN CONSTRUCTION
CONCRETING
MASONRY
CARPENTRY
PAINTING
TURN-OVER
EXPERIENCE
MATERIAL CONSUMED
TOTAL COST
PROJECT MANAGEMENT
DESIGN
ESTIMATES / BOQ / WBS
SPECIFICATIONS
PERMITS
BIDDING PROCESS
CONTRACTOR QUALIFICATIONS
EXPERIENCE
LABOR FORCE
EQUIPMENTS
**LICENSED
LAY-OUTING
CONCRETING
MASONRY WORKS
FINISHING WORKS
TURN-OVER / TESTING NAND COMMISSIONING
PLANNING REVIEWER
URBAN DESIGN
- process of designing and shaping cities, towns and villages
- involvesa the arrangement of group of buildings, streets and public spaces, whole neighborhoods and
districts, entire cities and transport system, and services and amenities.
- An interdisciplinary field
- About making connections between people and places movement and urban form, nature, and the buyilt
fabric.
Physical and systematic design undertaken by an architect on a community and urban plane, more comprehensive than,
and an extension of the architecture and building, entourage, utilities and movement systems.
OPERATES 3 SCALES
Form – pattern
Shape – spatial structure
Character
Pedestrian zones
Incorporation of nature and within a city
Aesthetics
Urban structure
Urban typology, density and sustainability
Accessibility
Legibility and wayfinding
Animation
Function and fit
Complimentary mixed uses
Character and meaning
Order and incident
Continuity and change
Civil society
Participation and engagement
COMMUNITY ARCHITECTURE
- Can refer to a usually small social unit of any size that shares common values
- Expression of a community’s vision
- Often formally conducted by NGOs, universities or government agencies to progress the social well-being of a
local, regional and sometimes national communities.
- Design process encourages community groups to set goals and work together to achieve them.
COMMUNITY PLANNING
- Involves the formulation of ling range visions, goals, policies and strategies for achieving social, economic, and
environmental sustainability within a community in order to guide future community development
COMMUNITY ARCHITECTURE
- Architecture carried out with the active participation of the community or the end-users.
- Movement that argues the importance of user involvement I the design, construction and management of the
environment
- Based on the democratic design system of decision-making that advocates the inclusion of community members
in issues concerning their built environment.
- To improve the quality of the environment by involving people in the design and management of the buildings
and spaces they inhabit.
SOCIO-CULTURAL
CULTURAL ASPECTS
1. Concepts of beauty
2. Education
3. Language
4. Law and politics
5. Religion
6. Social organization
7. Technology and material
8. Culture
9. Values
10. Attitude
SOCIAL FACTORS
1. Reference groups
2. Family
3. Role and status in society
4. Time and available resources
SOCIO-CULTURAL PERSPECTIVE
- Point of view that is built upon the idea that: society and culture is the major factors influencing personal
development
1. Geography
2. Anthropology
3. Cultural landscape
VERNACULAR ARCHITECTURE
- architectural style designed based on local needs, availability of construction materials and reflecting local
traditions
- did not use formally schooled architects but relied on the design skills and tradition of local builders.
CULTURAL LANDSCAPE
ETHNOGRAPHIC LANDSCAPE
- landscape are symbolic environments that people create to give meaning and definition to their physical
environment
HISTORICAL SITES
- historic sites are cultural landscapes significant for their association with a historic event, activity or person
VERNACULAR LANDSCAPE
- landscape that evolved through use by the people whose activities or occupancy shaped those landscapes.
- These special sites reveal aspects of our country’s origins and development as well as our evolving relationships
with the natural world. They provide scenic, economic, ecological, social recreational, and educational
opportunities helping communities to better understand themselves.
- Movement that community architecture is today can also be traced back to the 1930s from the urban renewal
measures of the government in both the U.K. and North.
- In the UK, Urban Renewal can be directly linked to the economic boost that the country observes in the post-war
period when the attention turned to the improvement of the living conditions in poor neighborhoods.
- 1930s - The story was the same in the US, where the slum clearance movement gave birth to the Urban Renewal
policies. Slum clearance was an outcome of the great depression period during the 1930s when the physically
deteriorated neighborhoods became the focus attention in the US.
- 1930s - At the same time the development of the Modern Movement in Architecture led by Architects like Le
Corbusier propagated the notion of high-rise buildings employing industrial construction techniques as the
future of Urban Development.
- Anticipation of slum clearance and urban renewal as solution to all social and physical problems of the “blighted
areas” failed to live up to their claims and expectations.
- 1945-1952 – Unite D’ Habitation, Le Corbusier
- 1960s - The first significant step as a result of the 1960s debate on the community participation in planning and
decision-making was the concept of Advocacy Planning in the US.
- Paul Davidoff – an urban planning professor, first introduced this concept in the article published in the
November 1965 issue of the Journal of the American Institute of Planners, Entitled “Advocacy and Pluralism in
Planning”
- Davidoff in his article, called for Democracy in the planning profession, where voices of all interest groups are
heard, and the role of the planner is that of an advocate for these interest groups.
- 1970s – parallel to the advocacy Planning movement in the United States, the community groups in the United
Kingdom launched community action in the 1960s and 1970s.
- The project that laid the Foundation of “Community Architecture Movement” in Britain was the Black Road
Area Improvement Project in Macclesfield, Cheshire, under the able leadership of Rod Hackney, the first
Community Architect in Britain.
- “Community Architecture is the Architecture of the Community”. No rules to Community architecture. It is
more than “an attitude of mind” that inspires architects to taken on work directly with their lower-income user
clients.
- 2013 – royal Institute of British Architects (RIBA) released a paper titled “Guide to Localism” composed of 2
parts:
o Part one being “Neighborhood Planning”
o Part two “Getting Community Engagement Right”
- The paper is part of the “Localism Bill” being proposed. The project of RIBA now termed as “Localism”.
- Localism – another form of the community architecture movement with the same driving principle of getting the
people to join in the designing and development process of their own places.
- AESTETICS – set of principles concerned with the nature and appreciation of beauty.
o Ancient aesthetics
- Greece had the most influence on the development of the aesthetic in the west.
- Greek Philosophers initially felt that aesthetically appealing objects were beautiful in and of
themselves. Plato felt that beautiful objects incorporated proportion, harmony and the unity
among their parts. Similarly, in the metaphysics, Aristotle found that the Universal elements of
beauty were order, symmetry and definiteness.
o Islam aesthetics
- Islamic - refers not only on the religion, but to any form of art created in an Islamic culture or in
an Islamic context.
- According to Islam, human works of art are inherently flawed compare to the work of God.
o Indian aesthetics
- Indian art evolved with the emphasis on inducing special spiritual or philosophical states in the
audience, or with representing them symbolically.
- VASTU SHATRA – is a traditional Hindu system of architecture, with literally translates to
“science of architecture”
These are text found on the Indian subcontinent that describe principles of design, layout,
measurements, ground preparation, space arrangement and spatial geometry.
Vastu Shastras incorporate traditional Hindu and in some case Buddhist Beliefs.
The design is intended to integrate architecture with nature, the relative functions of
various parts of the structure and ancient beliefs utilizing geometric pattern (YANTRA),
symmetry and directional alignments.
o Chinese aesthetics
- Confucius emphasized the role of the arts and humanities (music and poetry) in broadening
human nature and aiding “li” (etiquette, the rites) in bringing us back to what is essential about
humanity.
- His opponent Mozi, however argued that music and fine arts were classist and wasteful,
benefiting the rich but not the common people.
ARCHITECTS
- Investigate the needs of the community extensively to ensure a suitable design for the location.
- An architect works in consultation with local inhabitants in designing housing and other amenities.
Access to Resources
- series of participatory exercises - allows development practitioners to collect information and raises
awareness among beneficiaries
Analysis of Tasks
- gender analysis tool - raises community awareness about the distribution of domestic, market, and
community activities according to gender and familiarizes planners with the degree of role flexibility
that is associated with different tasks.
Logical Framework
- matrix that illustrates a summary of project design, emphasizing the results that are expected when a
project is successfully completed.
Assessment of Needs
- tools that draw out information about people’s varied needs, raises participants’ awareness of related
issues and provides a framework for prioritizing the needs.
Participant’s Observation
- fieldwork technique used by anthropologists and sociologists to collect qualitative and quantitative data
that leads to an in-depth understanding of peoples' practices, motivations, and attitudes.
Seasonal Diagrams
- Show the major changes that affect a household, community or region within a year such as those
associated with climate, crops, labor, availability and demand, livestock, prices and so on.
Socio-Cultural Profiles
- Detailed descriptions of the social and cultural dimensions that in combination with technical, economic,
and environmental dimensions serve as a basis for design and preparation of policy and project work.
Village Meetings
- Meetings with many users in participatory development, including information sharing and group
consultation, consensus building, prioritization and sequencing of interventions, and collaborative
monitoring and evaluation.
Identifying Sense of Time and Place
- growing number of planners and architects are seeking to design communities that have a stronger
"sense of place”
Centralized Form - A number of secondary forms clustered about a dominant, central parent-form
Linear Form – series of forms arranged sequentially in a row
Radial Form– composition of linear forms extending outward from a central form in a radial manner
Clustered Form– collection of forms grouped together by proximity or the sharing of a common visual trait
Grid Form– set of modular forms related and regulated by a three-dimensional grid
Centralized Organization– central, dominant space about which a number of secondary spaces are grouped
Ex. Villa Farnese, Caprarola, 1547–1549, Giacomo da Vignola
Shape
- characteristic outline or surface configuration of a particular form
- principal aspect by which we identify and categorize forms
Size
- physical dimensions of length, width, and depth of a form.
- While these dimensions determine the proportions of a form, its scale is determined by its size relative
to other forms in its context.
Color
- A phenomenon of light and visual perception that may be described in terms of an individual’s
perception of hue, saturation, and tonal value.
- attribute that most clearly distinguishes a form from its environment. It also affects the visual weight of
a form
Texture
- The visual and especially tactile quality given to a surface by the size, shape, arrangement, and
proportions of the parts.
- also determines the degree to which the surfaces of a form reflect or absorb incident light
Position
- The location of a form relative to its environment or the visual field within which it is seen.
Orientation
- The direction of a form relative to the ground plane, the compass points, other forms, or to the person
viewing the form.
Visual Inertia
- The degree of concentration and stability of a form
- depends on its geometry as well as its orientation relative to the ground plane, the pull of gravity, and
our line of sight.
- signs are used to convey information in pictorial form signs and symbols are commonly used in every situation.
- Pictograms and symbols are easier to recognize and understand, cross various language barriers, and often close
the communication gap.
- Symbols are quickly becoming the standard for traffic control devices throughout the world.
SEMIOTICS
- The study of SIGNS and SYMBOLS and their use and interpretation.
- “Symbolism in Architecture is another form of communication.”- Robert Venturi
SAFETY COLORS
MANDATORY SIGNS
- road signs which are used to set the obligations of all traffic which use a specific area of road.
- Unlike prohibitory signs, mandatory signs tell traffic what it must do, rather than must not do.
- Most mandatory road signs are circular, may use white symbols on a blue background with white border or
black symbols on a white background with a red border, although the letter is also associated with prohibit
signs.
PROHIBITION SIGNS
WARNING SIGNS
- These signs are yellow type of sign which indicates a potential hazard, obstacle or condition requiring special
attention.
- Some are traffic signs that indicate roads that may not be readily apparent to a driver.
SAFETY SIGNS
- medium of communication that convey information or instructions regarding the physical safety of people
- Signs in workplaces may be posted in variety of areas in order to draw attention to them, such as on walls, on
doors, on machinery and products, or as floor makings
- usually have a symbol and text, although there are safety signs that have only one of the two
DANGER SIGNS
- Safety signs for warning when a hazard or a hazardous condition is likely to be life-threatening.
- The word 'Danger' is featured inside a red oval which in turn is inside a black rectangle and often feature other
warning symbols.
- This mark is placed on recycled objects to tell the consumer that they are buying a recycled product
- This is a big advertising point as companies like their products to be seen as being environmentally friendly
- This mark is placed on breakable objects packaging to tell people handling the box to treat it.
- These signs are used commonly to distinguish the male and female toilets.
- In public toilets, triangle (represents skirt or dress) used for female toilets and the inverted triangle (represents
broad-shouldered tuxedo) for male toilets.
Red: Red generally means stop. The use of red on signs is limited to stop, yield, and prohibition signs.
White: A white background indicates a regulatory sign.
Yellow: conveys a general caution message.
Green: shows permitted traffic movements or directional guidance
Fluorescent yellow/green: Indicates pedestrian crossings and school zones.
Blue indicates road user services, tourist information, and evacuation routes.
Orange: Orange is used for warning and guidance in roadway work zones.
Coral: Coral is used for incident management signs.
Brown: Brown is used to showing guidance to sites of public recreation or cultural interest.
An octagon road sign conveys the need to stop. A stop sign is the only sign that uses this shape.
An upside-down triangle road sign always means “yield.”
Pennant-shaped Road signs warn drivers of no-passing zones.
Diamond-shaped Road signs always warn possible hazards ahead.
Round-shaped signs are used for railroad signs.
A pentagon-shaped road sign provides a warning that a school zone is ahead, or a school crossing zone is
approaching.
A horizontal rectangle- shaped road sign usually provides guidance to drivers but can be used for a variety of
needs.
Vertical rectangle road signs are typically used to inform drivers of regulatory notices, such as speed limits.
BUILDINGS
- buildings are the most pronounced elements of urban design.
- buildings shapes and articulate space by forming the street walls of the city.
- well-designed buildings and groups of buildings work together to create a sense of place.
SAMPLE OF A BUILDING
a. RESIDENTIAL BUILDING
- these are buildings which are used for normal residential purposes and should facilitate
activities such as sleeping, living and cooking.
b. EDUCATIONAL BUILDING
- these are buildings housing educational institutions such as schools or colleges which are
affiliated and recognized by an appropriate board, university or any similar affiliation authority.
c. INSTITUTIONAL BUILDINGS
- these types of buildings consist of buildings that are constructed by the government, semi-
government organizations or registered trusts for specific purposes.
d. COMMERCIAL BUILDINGS
- buildings where commercial activities take place. a commercial building could contain one or
more of many types of businesses, including retailers, restaurants, offices or manufacturing.
e. INDUSTRIAL BUILDINGS
- types of commercial properties used for business purposes. simply put, are factories or other
large premises primarily used for manufacturing or storing raw materials, goods, or services for
economic purposes.
PUBLIC SPACES
- public space is the living room of the city and it is where people come together to enjoy the city.
- public spaces make high quality in the city possible.
- public spaces range from grand central plazas and squares to small local neighborhood parks.
a. PUBLIC SQUARE
- most squares are hardscapes suitable for open markets, concerts, political rallies, and other events that
require firm ground.
- being centrally located, town squares are usually surrounded by small shops such as bakeries, meat
markets, cheese stores, and clothing stores. at their center is often a well, monument, statue or another
feature.
STREETS
- these are the connections between spaces and places, as well as being spaces themselves.
- they are defined by their physical dimension and character as well as the size, scale and character of the
building that line them.
- the pattern of the street network is part of what defines as a city and what makes each city unique.
SAMPLE OF STREET
MAIN STREET
- it is usally a focal point for shops and retailers.
HIGH AND FORE STREET
- high street frequently used fot the street name of the primary business street of towns or cities.
- fore streets are often used for the main street.
SKYWAY
- skyway is usually used in the us for long or high bridges for traffic
BOULEVARD
- multilane arterial thoroughfare, divided with a median down the center, and perhaps with roadways
along each side designed as slow travel and parking lanes and for bicycle and pedestrian usage, often
with above-average quality of landscaping and scenery.
ESPLANADE
- long, open, level area, usually next to river or large body of water, where people may walk.
ALLEY
- a narrow passageway between or behind buildings.
TRANSPORT
- transport system connects the parts of cities and help shape them and enable movement throughout
the city.
- they include road, rail, bicycle and pedestrian networks together form the total movement system of a
city.
- the balance of these various transport systems in what helps define the quality and character of cities
and makes them either friendly or hostile to pedestrians.
SAMPLE TRANSPORTATION
- train
- bus
- jeepneys
- taxis
- tricycles
- private
- automobiles
- bicycle
- sidewalk
LANDSCAPE
- it is the green part of the city that weaves throughout, in the form of urban parks, street trees, plants,
flowers, and water in many forms.
- the landscape helps define the character and beauty of a city and creates soft, contrasting spaces and
elements.
SAMPLE OF LANDSCAPE
CENTRAL PARK
- one of those places that make new york such great place to live. the huge park. 341 hectares large (843
acres). is located in the center of manhattan. its design has served as an example for city parks around
the world.
POCKET PARK
- small park accessible to the general public. pocket parks are frequently created on a single vacant
building lot or on small, irregular pieces of land. they also may be created as a compoment of the public
space requirement of large building projects.
CONCEPT OF LEGIBILITY
It is said to be the ease with which people understand the layout of a place.
To understand the layout of the city, people make a mental map, which contains mental images of the city
constrains (varies from every individual)
Every person has a different mental map according to his/ her understanding of the city.
CONCEPT OF IMAGEABILITY
IMAGEABILITY
Paths
- Channel along which the observer customarily, occasionally, or potentially moves
- May be the streets, walkways, transit lines, canals, railroads and other channels in which people travel
- Along this path the other environmental elements are arranged and related.
Edges
- Linear elements not used or considered as paths by the observer
- Boundaries between two phases, linear breaks in continuity: shores, railroad cuts, edges of
development, walls.
Districts
- Medium-to-large sections of the city
- conceived of as having two-dimensional extent
- which the observer mentally enters “inside of”
- recognizable as having some common, identifying character
- Always identifiable from the inside
- also used for exterior reference if visible from the outside
Nodes
- Points, the strategic spots in a city into which an observer can enter, and which are the intensive foci to
and from which he is traveling
- May be primarily junctions, places of a break in transportation, a crossing or convergence of paths,
moments of shift from one structure to another
Landmarks
- A rather simply defined physical object: building, sign, store, mountain
- Use involves the singling out of one element from a host of possibilities
- Some are distant ones, typically seen from many angles and distances, over the tops of smaller
elements, and used as radial references