EE

Songbook ee EE
Songbook ee

Summer Vacation 2002 Summer Vacation 2002

“In music, in the panorama of nature, in dreams at night “In music, in the panorama of nature, in dreams at night
(as Leopardi himself wrote in his Canto Notturno) it is to (as Leopardi himself wrote in his Canto Notturno) it is to
something else that man pays homage, from which he something else that man pays homage, from which he
expects something: he awaits it. His enthusiasm is for expects something: he awaits it. His enthusiasm is for
something that music, or everything that is beautiful i n something that music, or everything that is beautiful i n
this world, has awakened within him. When a person this world, has awakened within him. When a person
begins to feel this, his soul immediately harks to await the begins to feel this, his soul immediately harks to await the
other thing: even in the presence of what he can grasp, he other thing: even in the presence of what he can grasp, he
awaits another thing: he grasps what he can grasp, but he awaits another thing: he grasps what he can grasp, but he
awaits another thing.” awaits another thing.”
Luigi Giussani Luigi Giussani

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CONTENTS (BY KIND) (Alphabetical list p. 276) CONTENTS (BY KIND) (Alphabetical list p. 276)
Prayerful Song...........................24 Daniel....................................... 35 Prayerful Song...........................24 Daniel....................................... 35
ENGLISH SONGS ENGLISH SONGS
Rivers of Babylon.....................24 Day-O...................................... 35 Rivers of Babylon.....................24 Day-O...................................... 35
A New Creation.......................11 Sans Day Carol .........................24 Down by the Riverside............ 35 A New Creation.......................11 Sans Day Carol .........................24 Down by the Riverside............ 35
Ah, Holy Jesus..........................12 Shepherd of Souls......................25 Freedom................................... 36 Ah, Holy Jesus..........................12 Shepherd of Souls......................25 Freedom................................... 36
Along the Jordan River ............12 Shining in God’s Glory .............25 Give Me Jesus........................... 36 Along the Jordan River ............12 Shining in God’s Glory .............25 Give Me Jesus........................... 36
Amazing Grace.........................13 Should Auld Acquaintance Be Glory Hallelujah to the Amazing Grace.........................13 Should Auld Acquaintance Be Glory Hallelujah to the
Ave Maria Star of Every Forgot....................................25 Newborn King...................... 36 Ave Maria Star of Every Forgot....................................25 Newborn King...................... 36
Morning.................................13 Sing of Mary .............................25 Go Tell it on the Mountains..... 37 Morning.................................13 Sing of Mary .............................25 Go Tell it on the Mountains..... 37
Ballad of the Old Man..............14 Stabat Mater (English)..............26 He’s Got the whole World in Ballad of the Old Man..............14 Stabat Mater (English)..............26 He’s Got the whole World in
Come down O Love Divine.....14 The Day Thou Gavest Lord his Hands............................... 37 Come down O Love Divine.....14 The Day Thou Gavest Lord his Hands............................... 37
Come my Way My Truth Is Ended .................................26 Here Comes Jesus .................... 37 Come my Way My Truth Is Ended .................................26 Here Comes Jesus .................... 37
My Life..................................15 The Design................................27 I Want Jesus to Walk with My Life..................................15 The Design................................27 I Want Jesus to Walk with
Come O Creator Spirit ............15 The Forgotten...........................27 Me......................................... 37 Come O Creator Spirit ............15 The Forgotten...........................27 Me......................................... 37
Faithful Cross ...........................15 The Mystery .............................28 I Want to Be a Christian.......... 38 Faithful Cross ...........................15 The Mystery .............................28 I Want to Be a Christian.......... 38
Flattire Freeway .......................16 The Morn Dawns Refulgent It’s Me...................................... 38 Flattire Freeway .......................16 The Morn Dawns Refulgent It’s Me...................................... 38
How Great Thou Art ...............17 with Glory .............................28 Jesus Met the Woman.............. 38 How Great Thou Art ...............17 with Glory .............................28 Jesus Met the Woman.............. 38
I Saw three Ships ......................17 The Strife is o’er, the Battle Joshua Fit the Battle of I Saw three Ships ......................17 The Strife is o’er, the Battle Joshua Fit the Battle of
I Wonder ..................................17 Done ......................................28 Jericho ................................... 39 I Wonder ..................................17 Done ......................................28 Jericho ................................... 39
If I Had My Way......................18 The Things that I See................29 Kumbaya.................................. 39 If I Had My Way......................18 The Things that I See................29 Kumbaya.................................. 39
Jesus, My Lord, My God, My The Wind in the Willows .........29 Let Us Break Bread Together.. 39 Jesus, My Lord, My God, My The Wind in the Willows .........29 Let Us Break Bread Together.. 39
All..........................................18 There’s a Long, Long Trail .......30 Man Come into Egypt............. 39 All..........................................18 There’s a Long, Long Trail .......30 Man Come into Egypt............. 39
Little David Play on Your Turn to Me ...............................30 Michael Row the Boat Little David Play on Your Turn to Me ...............................30 Michael Row the Boat
Harp ......................................18 Virgin Great and Glorious ........30 Ashore ................................... 40 Harp ......................................18 Virgin Great and Glorious ........30 Ashore ................................... 40
Lord of all Hopefulness.............19 Where Charity and Love My Lord What a Morning ....... 40 Lord of all Hopefulness.............19 Where Charity and Love My Lord What a Morning ....... 40
Magnificat.................................19 Prevail....................................31 Nobody Knows the Trouble.... 40 Magnificat.................................19 Prevail....................................31 Nobody Knows the Trouble.... 40
Mary Did You Know...............20 Witness .....................................31 Oh Happy Day ........................ 41 Mary Did You Know...............20 Witness .....................................31 Oh Happy Day ........................ 41
Morning has Broken.................20 Wondrous Love ........................32 O Mary Don’t You Weep........ 41 Morning has Broken.................20 Wondrous Love ........................32 O Mary Don’t You Weep........ 41
My Father Sings to Me.............20 Ye Sons and Daughters.............32 Old Time Religion .................. 41 My Father Sings to Me.............20 Ye Sons and Daughters.............32 Old Time Religion .................. 41
My Song Is Love Unknown.....21 You...........................................32 Pick a Bale o’ Cotton............... 41 My Song Is Love Unknown.....21 You...........................................32 Pick a Bale o’ Cotton............... 41
Nazareth morning ....................21 Rock-a-my Soul...................... 41 Nazareth morning ....................21 Rock-a-my Soul...................... 41
SPIRITUALS SPIRITUALS
Now that the Day Has Run Sometimes I Feel...................... 42 Now that the Day Has Run Sometimes I Feel...................... 42
its Course...............................22 All God’s Children Got Swing Low............................... 42 its Course...............................22 All God’s Children Got Swing Low............................... 42
O Come O Come Wings.....................................33 Very Last Day.......................... 42 O Come O Come Wings.....................................33 Very Last Day.......................... 42
Emmanuel .............................22 All my Trials.............................33 Walk together, Children .......... 43 Emmanuel .............................22 All my Trials.............................33 Walk together, Children .......... 43
O Merciful Redeemer ..............22 All Night All Day .....................34 We Shall Overcome................. 43 O Merciful Redeemer ..............22 All Night All Day .....................34 We Shall Overcome................. 43
Peter, Do You Love Me?..........22 Balm in Gilead..........................34 Were You there........................ 43 Peter, Do You Love Me?..........22 Balm in Gilead..........................34 Were You there........................ 43
Poor Wayfaring Stranger..........23 Climbin’ up the Mountain........34 When Israel Was in Egypt’s Poor Wayfaring Stranger..........23 Climbin’ up the Mountain........34 When Israel Was in Egypt’s
Prayer to Mary .........................23 Come and Go with Me.............35 Land ...................................... 44 Prayer to Mary .........................23 Come and Go with Me.............35 Land ...................................... 44
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When the Saints Go Bamboo ....................................60 Gimme Some Lovin’................ 75 When the Saints Go Bamboo ....................................60 Gimme Some Lovin’................ 75
Marching in ...........................44 Barbara Ann..............................61 God Bless them Moonshiners... 76 Marching in ...........................44 Barbara Ann..............................61 God Bless them Moonshiners... 76
Battle Cry of Freedom..............61 Going to Boston....................... 76 Battle Cry of Freedom..............61 Going to Boston....................... 76
IRISH AND SCOTTISH IRISH AND SCOTTISH
Beautiful day.............................61 Gypsy Rover............................ 77 Beautiful day.............................61 Gypsy Rover............................ 77
SONGS SONGS
Blackbird...................................62 Happy Together....................... 77 Blackbird...................................62 Happy Together....................... 77
An Irish Blessing.......................44 Blowin’ in the Wind .................62 Happy Wanderer...................... 78 An Irish Blessing.......................44 Blowin’ in the Wind .................62 Happy Wanderer...................... 78
Both Sides the Tweed...............44 Bridge Over Troubled Help ......................................... 78 Both Sides the Tweed...............44 Bridge Over Troubled Help ......................................... 78
Carrickfergus ............................45 Waters....................................63 Here comes the sun.................. 79 Carrickfergus ............................45 Waters....................................63 Here comes the sun.................. 79
Cockles and Mussels.................45 Bring it on Home to Me...........63 Hey Jude .................................. 79 Cockles and Mussels.................45 Bring it on Home to Me...........63 Hey Jude .................................. 79
I’ll Tell Me Ma .........................46 By the Light of the Silvery Hold On................................... 80 I’ll Tell Me Ma .........................46 By the Light of the Silvery Hold On................................... 80
Nora .........................................46 Moon .....................................64 Homeward Bound ................... 80 Nora .........................................46 Moon .....................................64 Homeward Bound ................... 80
Only Our Rivers......................47 Bye, Bye, Love .........................64 House of the Rising Sun .......... 81 Only Our Rivers......................47 Bye, Bye, Love .........................64 House of the Rising Sun .......... 81
Shady Grove.............................47 California Dreaming .................64 How Long Train Been Gone ... 81 Shady Grove.............................47 California Dreaming .................64 How Long Train Been Gone ... 81
The Black Velvet Band ............48 Camptown Races.....................65 Hymn....................................... 81 The Black Velvet Band ............48 Camptown Races.....................65 Hymn....................................... 81
The Foggy Dew .......................48 Can’t Buy Me Love..................65 I Can See Clearly Now............ 82 The Foggy Dew .......................48 Can’t Buy Me Love..................65 I Can See Clearly Now............ 82
The Holy Ground.....................49 Can’t Help Falling in Love.......66 I Feel Fine ................................ 82 The Holy Ground.....................49 Can’t Help Falling in Love.......66 I Feel Fine ................................ 82
The Rose of Tralee...................49 City of New Orleans ................66 I Saw Her Standing there......... 83 The Rose of Tralee...................49 City of New Orleans ................66 I Saw Her Standing there......... 83
The Spanish Lady .....................50 Clementine ...............................67 I Should Have Known Better .. 83 The Spanish Lady .....................50 Clementine ...............................67 I Should Have Known Better .. 83
The Star of County Down........50 Comfortably Numb..................67 I Still Haven’t Found what The Star of County Down........50 Comfortably Numb..................67 I Still Haven’t Found what
The Town I Loved so Well ......51 Cotton Fields............................68 I’m Looking for..................... 84 The Town I Loved so Well ......51 Cotton Fields............................68 I’m Looking for..................... 84
The Wild Rover.......................52 Dashing away with the I Want To Hold Your Hand.... 84 The Wild Rover.......................52 Dashing away with the I Want To Hold Your Hand.... 84
Smoothing Iron......................68 I Will........................................ 85 Smoothing Iron......................68 I Will........................................ 85
ROCK – POP – FOLK ROCK – POP – FOLK
Dixie .........................................68 I’ll Never Find Another You.... 85 Dixie .........................................68 I’ll Never Find Another You.... 85
A Hard Day’s Night.................52 Don’t Let Me down..................69 I’m a Believer........................... 85 A Hard Day’s Night.................52 Don’t Let Me down..................69 I’m a Believer........................... 85
A Heart in New York ..............53 Don’t Think Twice, It’s I’m Looking Through You ...... 86 A Heart in New York ..............53 Don’t Think Twice, It’s I’m Looking Through You ...... 86
Alive in the World....................54 Alright....................................69 I’ve Been Working on the Alive in the World....................54 Alright....................................69 I’ve Been Working on the
All of Me...................................54 Dona Dona................................70 Railroad ................................ 86 All of Me...................................54 Dona Dona................................70 Railroad ................................ 86
America ....................................54 Down in the River to Pray.......70 If I fell....................................... 87 America ....................................54 Down in the River to Pray.......70 If I fell....................................... 87
American Pie ............................55 Down on the Corner.................70 If I Had a Hammer .................. 87 American Pie ............................55 Down on the Corner.................70 If I Had a Hammer .................. 87
American Tune.........................56 Dream a Little Dream of Me ....71 If You Want to Sing out, American Tune.........................56 Dream a Little Dream of Me ....71 If You Want to Sing out,
An Austrian Went Yodeling.....57 Early in the Morning.................71 Sing out................................. 88 An Austrian Went Yodeling.....57 Early in the Morning.................71 Sing out................................. 88
And I Love Her ........................57 Edelweis....................................72 If You’re Happy and You And I Love Her ........................57 Edelweis....................................72 If You’re Happy and You
Angie ........................................58 El condor pasa...........................72 Know it................................. 88 Angie ........................................58 El condor pasa...........................72 Know it................................. 88
Another Saturday Night...........58 Erie Canal .................................72 Jailhouse Rock ......................... 88 Another Saturday Night...........58 Erie Canal .................................72 Jailhouse Rock ......................... 88
April Come She Will................59 Everybody Needs Somebody....73 Jamaica Farewell ...................... 89 April Come She Will................59 Everybody Needs Somebody....73 Jamaica Farewell ...................... 89
As Tears Go By ........................59 Father and Son..........................73 Johnny B. Goode...................... 89 As Tears Go By ........................59 Father and Son..........................73 Johnny B. Goode...................... 89
Back in the USSR....................59 Five Hundred Miles..................74 Keep on the Sunny Side ........... 90 Back in the USSR....................59 Five Hundred Miles..................74 Keep on the Sunny Side ........... 90
Bad Moon Rising.....................60 Forever Young..........................74 Knockin’ on Heaven’s Door..... 90 Bad Moon Rising.....................60 Forever Young..........................74 Knockin’ on Heaven’s Door..... 90
Ballad of Spring Hill.................60 Get back....................................75 Kodachrome............................. 90 Ballad of Spring Hill.................60 Get back....................................75 Kodachrome............................. 90

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Late in the Evening...................91 Rock Around the Clock .........110 The Night they Drove Old Late in the Evening...................91 Rock Around the Clock .........110 The Night they Drove Old
Lean on Me...............................92 Rocky Raccoon......................111 Dixie down.......................... 126 Lean on Me...............................92 Rocky Raccoon......................111 Dixie down.......................... 126
Leaving on a Jet Plane ..............92 Ruby Tuesday ........................111 The River is Here .................. 127 Leaving on a Jet Plane ..............92 Ruby Tuesday ........................111 The River is Here .................. 127
Lemon Tree..............................93 Sad Lisa...................................112 The Sounds of Silence............. 127 Lemon Tree..............................93 Sad Lisa...................................112 The Sounds of Silence............. 127
Let it Be....................................93 Sailing .....................................112 The Times They Are A- Let it Be....................................93 Sailing .....................................112 The Times They Are A-
Lord of the Dance.....................94 San Francisco Bay Blues .........112 Changing............................. 127 Lord of the Dance.....................94 San Francisco Bay Blues .........112 Changing............................. 127
Love Me Do .............................94 Satisfaction..............................113 The Water is Wide................. 128 Love Me Do .............................94 Satisfaction..............................113 The Water is Wide................. 128
Love Me Tender.......................95 Save Tonight...........................114 There Must Be more to Life Love Me Tender.......................95 Save Tonight...........................114 There Must Be more to Life
Marly Purt Drive......................95 Scarborough Fair.....................114 than this............................... 128 Marly Purt Drive......................95 Scarborough Fair.....................114 than this............................... 128
Me and Julio Down By the Settle Down............................114 This Land Is Your Land ......... 129 Me and Julio Down By the Settle Down............................114 This Land Is Your Land ......... 129
Schoolyard.............................96 She Came in through the This Train is bound for glory.. 129 Schoolyard.............................96 She Came in through the This Train is bound for glory.. 129
Minnie the Moocher.................96 Bathroom Window..............115 Those Were the Days............. 129 Minnie the Moocher.................96 Bathroom Window..............115 Those Were the Days............. 129
Mister Bojangles.......................97 She Caught the Katy ..............115 Ticket to Ride........................ 130 Mister Bojangles.......................97 She Caught the Katy ..............115 Ticket to Ride........................ 130
Mo Ghile Mear “Our Hero”....97 Shenandoah.............................115 Tom Dooley........................... 130 Mo Ghile Mear “Our Hero”....97 Shenandoah.............................115 Tom Dooley........................... 130
Mr. Tambourine Man...............97 Shine on Harvest Moon..........116 Tum-Balalaika ....................... 130 Mr. Tambourine Man...............97 Shine on Harvest Moon..........116 Tum-Balalaika ....................... 130
Mrs. Robinson..........................98 Singin’ in the Rain..................116 Twilight A-Stealing ............... 131 Mrs. Robinson..........................98 Singin’ in the Rain..................116 Twilight A-Stealing ............... 131
MTA Song................................98 Sixteen Tons ...........................116 Twist and Shout..................... 131 MTA Song................................98 Sixteen Tons ...........................116 Twist and Shout..................... 131
Mull of Kintyre.........................99 Slip Sliding Away....................117 Ukulele Lady.......................... 132 Mull of Kintyre.........................99 Slip Sliding Away....................117 Ukulele Lady.......................... 132
My Bonnie................................99 Sloop John B...........................117 Van Dieman’s Land................ 132 My Bonnie................................99 Sloop John B...........................117 Van Dieman’s Land................ 132
My Hometown ......................100 Solitary Man ...........................118 Wabash Cannonball ............... 132 My Hometown ......................100 Solitary Man ...........................118 Wabash Cannonball ............... 132
My Own Worst Enemy .........101 Something...............................118 Wake up Little Susie .............. 133 My Own Worst Enemy .........101 Something...............................118 Wake up Little Susie .............. 133
My Way .................................101 Something More.....................119 Walkin’ after Midnight........... 134 My Way .................................101 Something More.....................119 Walkin’ after Midnight........... 134
New Morning.........................101 Stand by Me............................119 Was a Sunny Day................... 134 New Morning.........................101 Stand by Me............................119 Was a Sunny Day................... 134
New York ..............................102 Streets of Laredo .....................120 We Can Work It out.............. 134 New York ..............................102 Streets of Laredo .....................120 We Can Work It out.............. 134
No Woman no Cry................103 Streets of London....................120 When I’m sixty-four .............. 135 No Woman no Cry................103 Streets of London....................120 When I’m sixty-four .............. 135
Norwegian Wood...................103 Stuck in a Moment .................121 When the Ship Comes in ....... 135 Norwegian Wood...................103 Stuck in a Moment .................121 When the Ship Comes in ....... 135
Nowhere Man ........................103 Summertime...........................121 Where Have All the Flowers Nowhere Man ........................103 Summertime...........................121 Where Have All the Flowers
Ob-La-Di Ob-La-Da.............104 Sweet Baby James...................122 Gone.................................... 136 Ob-La-Di Ob-La-Da.............104 Sweet Baby James...................122 Gone.................................... 136
Octopus’ Garden ....................104 Sweet Home Alabama............122 Where the Streets Have no Octopus’ Garden ....................104 Sweet Home Alabama............122 Where the Streets Have no
Oh Susanna.............................105 Sweet Home Chicago.............122 Name .................................. 136 Oh Susanna.............................105 Sweet Home Chicago.............122 Name .................................. 136
Old Black Joe .........................105 Take Me Home Country While My Guitar Gently Old Black Joe .........................105 Take Me Home Country While My Guitar Gently
One.........................................106 Roads...................................123 Weeps.................................. 137 One.........................................106 Roads...................................123 Weeps.................................. 137
Paint it Black..........................107 Tears in Heaven......................123 Wild Mountain Thyme.......... 137 Paint it Black..........................107 Tears in Heaven......................123 Wild Mountain Thyme.......... 137
Pat on the Railway.................107 Tenting Tonight .....................124 Wild World............................ 138 Pat on the Railway.................107 Tenting Tonight .....................124 Wild World............................ 138
Proud Mary ............................108 The 59th Street Bridge Song Wish You Were Here ............ 138 Proud Mary ............................108 The 59th Street Bridge Song Wish You Were Here ............ 138
Puff the Magic Dragon ...........108 (Feelin’ Groovy) ..................124 With a Little Help from My Puff the Magic Dragon ...........108 (Feelin’ Groovy) ..................124 With a Little Help from My
Que será será...........................109 The Boxer...............................125 Friends................................. 139 Que será será...........................109 The Boxer...............................125 Friends................................. 139
Red River Valley...................109 The Drunken Sailor.................125 With or Without You............ 139 Red River Valley...................109 The Drunken Sailor.................125 With or Without You............ 139
Riders.....................................109 The Midnight Special..............126 Wonderful Tonight ................ 140 Riders.....................................109 The Midnight Special..............126 Wonderful Tonight ................ 140

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Yellow Submarine..................140 Veni redemptor gentium ........150 Chanson de mai...................... 164 Yellow Submarine..................140 Veni redemptor gentium ........150 Chanson de mai...................... 164
Yesterday................................141 Veni veni Emmanuel ..............151 Da mi conforto Dio................ 164 Yesterday................................141 Veni veni Emmanuel ..............151 Da mi conforto Dio................ 164
You Can’t Do that .................141 Attende Domine .....................151 De la crudel morte.................. 165 You Can’t Do that .................141 Attende Domine .....................151 De la crudel morte.................. 165
You Take my Breath away ....142 Crux fidelis..............................151 Egli è il tuo bon Jesù............... 165 You Take my Breath away ....142 Crux fidelis..............................151 Egli è il tuo bon Jesù............... 165
You Won’t See Me.................142 O filii et filiae ..........................152 Laude novella ......................... 165 You Won’t See Me.................142 O filii et filiae ..........................152 Laude novella ......................... 165
You’ve Got to Hide Your Victimae paschali laudes .........153 Ma vïele.................................. 165 You’ve Got to Hide Your Victimae paschali laudes .........153 Ma vïele.................................. 165
Love away ...........................142 O ignis Spiritus .......................153 Magdalena degna de laudare... 166 Love away ...........................142 O ignis Spiritus .......................153 Magdalena degna de laudare... 166
Veni Creator Spiritus..............154 Mère au Sauveur..................... 166 Veni Creator Spiritus..............154 Mère au Sauveur..................... 166
HYMNS HYMNS
Veni Sancte Spiritus................154 Ognun m’entenda .................. 166 Veni Sancte Spiritus................154 Ognun m’entenda .................. 166
Regina Caeli...........................143 Adoro te devote ......................155 O côr soave ............................ 166 Regina Caeli...........................143 Adoro te devote ......................155 O côr soave ............................ 166
Salve Regina...........................143 Ave verum ..............................155 Troppo perde il tempo ........... 166 Salve Regina...........................143 Ave verum ..............................155 Troppo perde il tempo ........... 166
Non nobis...............................143 Lauda Sion Salvatorem ...........155 Tutor dicendo......................... 167 Non nobis...............................143 Lauda Sion Salvatorem ...........155 Tutor dicendo......................... 167
Parce Domine.........................143 Pange lingua gloriosi...............157 Vero amor è Gesù .................. 168 Parce Domine.........................143 Pange lingua gloriosi...............157 Vero amor è Gesù .................. 168
Before the Break of Daylight..143 Aeterne rerum conditor (Ad Voi ch’amate lo Criatore........ 168 Before the Break of Daylight..143 Aeterne rerum conditor (Ad Voi ch’amate lo Criatore........ 168
Dal sangue dell’Agnello galli cantum)........................157 Dal sangue dell’Agnello galli cantum)........................157
ITALIAN SONGS ITALIAN SONGS
riscattati...............................144 Pater mi ..................................158 riscattati...............................144 Pater mi ..................................158
Del giorno giunti al termine ...144 Conditor alme siderum...........158 Abramo .................................. 168 Del giorno giunti al termine ...144 Conditor alme siderum...........158 Abramo .................................. 168
Dio che di chiara luce..............144 Iesu dulcis memoria ................158 A noi Signore.......................... 169 Dio che di chiara luce..............144 Iesu dulcis memoria ................158 A noi Signore.......................... 169
Eterno Creatore del mondo....145 Iesu tibi vivo ...........................158 Al mattino.............................. 169 Eterno Creatore del mondo....145 Iesu tibi vivo ...........................158 Al mattino.............................. 169
Eterno Dio immutabile...........145 O quam amabilis.....................158 Alleluia della forza .................. 169 Eterno Dio immutabile...........145 O quam amabilis.....................158 Alleluia della forza .................. 169
Fu luce la prima parola ...........145 Jesu rex admirabilis .................159 Allora saprete che esisto.......... 170 Fu luce la prima parola ...........145 Jesu rex admirabilis .................159 Allora saprete che esisto.......... 170
Immersi nel grande mistero....145 Christe cunctorum..................159 Amare Ancora ........................ 170 Immersi nel grande mistero....145 Christe cunctorum..................159 Amare Ancora ........................ 170
Innalzate nei cieli lo sguardo...146 Dulcis Christe .........................160 Annuncio................................ 171 Innalzate nei cieli lo sguardo...146 Dulcis Christe .........................160 Annuncio................................ 171
L’aurora risplende di luce........146 Ubi caritas...............................160 Apparirà.................................. 171 L’aurora risplende di luce........146 Ubi caritas...............................160 Apparirà.................................. 171
Liberati dal giogo del male .....147 Ave generosa...........................160 Avanti forza............................ 172 Liberati dal giogo del male .....147 Ave generosa...........................160 Avanti forza............................ 172
Nel primo chiarore del giorno 147 Ave maris stella.......................160 Ave Maria splendore del Nel primo chiarore del giorno 147 Ave maris stella.......................160 Ave Maria splendore del
O Cristo splendore divino ......147 Ave Regina caelorum .............161 mattino................................ 172 O Cristo splendore divino ......147 Ave Regina caelorum .............161 mattino................................ 172
O Trinità infinita ....................147 Isti sunt agni novelli................161 Ave Maria stella del mattino .. 172 O Trinità infinita ....................147 Isti sunt agni novelli................161 Ave Maria stella del mattino .. 172
Per te solo è chiara la notte.....148 Nitida stella.............................161 Ballata del potere.................... 173 Per te solo è chiara la notte.....148 Nitida stella.............................161 Ballata del potere.................... 173
Prima che sorga l’alba.............148 Omni die.................................162 Ballata del tempo perduto...... 174 Prima che sorga l’alba.............148 Omni die.................................162 Ballata del tempo perduto...... 174
Raggiante fra tenebre dense....148 O spes mea cara ......................162 Ballata dell’amore vero........... 174 Raggiante fra tenebre dense....148 O spes mea cara ......................162 Ballata dell’amore vero........... 174
Risplenda nella notte una Stabat Mater ...........................162 Ballata dell’uomo vecchio ...... 174 Risplenda nella notte una Stabat Mater ...........................162 Ballata dell’uomo vecchio ...... 174
gran luce ..............................149 Ballata della società (L’opera). 175 gran luce ..............................149 Ballata della società (L’opera). 175
LAUDE AND Camminerò............................ 175 LAUDE AND Camminerò............................ 175
Sempre cantiam al rifiorir del Sempre cantiam al rifiorir del
TROUBADOUR-SONGS Cantico dei redenti................. 176 TROUBADOUR-SONGS Cantico dei redenti................. 176
giorno ..................................149 giorno ..................................149
Sole che t’alzi..........................149 A la clarté................................163 Canzone degli occhi e del Sole che t’alzi..........................149 A la clarté................................163 Canzone degli occhi e del
Amor dolçe senza pare ............163 cuore.................................... 176 Amor dolçe senza pare ............163 cuore.................................... 176
LATIN SONGS LATIN SONGS
Anime affaticate et sitibonde...164 Canzone di Maria Chiara ....... 177 Anime affaticate et sitibonde...164 Canzone di Maria Chiara ....... 177
Rorate caeli desuper ...............150 Ave donna santissima..............164 Che siano una sola cosa .......... 177 Rorate caeli desuper ...............150 Ave donna santissima..............164 Che siano una sola cosa .......... 177

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Com’è bello com’è dolce........178 Le ore discendono ...................192 Viva la companì ..................... 205 Com’è bello com’è dolce........178 Le ore discendono ...................192 Viva la companì ..................... 205
Come è grande .......................178 Liberazione n. 2.......................193 Come è grande .......................178 Liberazione n. 2.......................193
ITALIAN FOLK SONGS ITALIAN FOLK SONGS
Crocifisso, mio Signor ............178 Ma non avere paura.................193 Crocifisso, mio Signor ............178 Ma non avere paura.................193
D’amor pane dolcissimo .........178 Ma perché ...............................193 Ai preât le biele stele............... 205 D’amor pane dolcissimo .........178 Ma perché ...............................193 Ai preât le biele stele............... 205
Dal profondo...........................179 Magnificat...............................194 Alla mattina............................ 206 Dal profondo...........................179 Magnificat...............................194 Alla mattina............................ 206
Di luce mattutina sorger Marta Marta............................194 Bella ciao................................ 206 Di luce mattutina sorger Marta Marta............................194 Bella ciao................................ 206
nuovo...................................179 Martino e l’imperatore............195 Bersagliere ha cento penne ..... 206 nuovo...................................179 Martino e l’imperatore............195 Bersagliere ha cento penne ..... 206
Dove andrò.............................179 Mattone su mattone................195 Cjante il gjal........................... 207 Dove andrò.............................179 Mattone su mattone................195 Cjante il gjal........................... 207
Errore di prospettiva...............180 Mi prendi per la mano.............196 Dove sei stato mio bell’alpino 207 Errore di prospettiva...............180 Mi prendi per la mano.............196 Dove sei stato mio bell’alpino 207
Favola.....................................180 Miserere ..................................196 E col cifolo del vapore ............ 207 Favola.....................................180 Miserere ..................................196 E col cifolo del vapore ............ 207
Grazie Signore ........................181 Narrano i cieli .........................196 El capitan de la compagnia..... 207 Grazie Signore ........................181 Narrano i cieli .........................196 El capitan de la compagnia..... 207
Gs cha cha cha ........................181 Nel silenzio della notte............197 Era una notte che pioveva ...... 207 Gs cha cha cha ........................181 Nel silenzio della notte............197 Era una notte che pioveva ...... 207
Gustate e vedete .....................181 Noi non sappiamo chi era .......197 Ij dispiasì de noiautri alpin...... 208 Gustate e vedete .....................181 Noi non sappiamo chi era .......197 Ij dispiasì de noiautri alpin...... 208
Ho abbandonato.....................182 Non c’è nessuno......................198 Il testamento del capitano ...... 208 Ho abbandonato.....................182 Non c’è nessuno......................198 Il testamento del capitano ...... 208
Ho un amico...........................182 Non son sincera.......................198 In licenza ................................ 208 Ho un amico...........................182 Non son sincera.......................198 In licenza ................................ 208
I cieli.......................................183 O dolce casa mia.....................198 Joska la Rossa......................... 209 I cieli.......................................183 O dolce casa mia.....................198 Joska la Rossa......................... 209
Il cielo è pieno di stelle............183 Parsifal (Canzone dell’ideale) ..199 L’è tre ore che son chi soto..... 209 Il cielo è pieno di stelle............183 Parsifal (Canzone dell’ideale) ..199 L’è tre ore che son chi soto..... 209
Il disegno ................................184 Canzone dell’ideale .................199 La bella la va al fosso .............. 209 Il disegno ................................184 Canzone dell’ideale .................199 La bella la va al fosso .............. 209
Il giovane ricco .......................184 Perdonami mio Signore ..........199 La ceseta de Transaqua........... 210 Il giovane ricco .......................184 Perdonami mio Signore ..........199 La ceseta de Transaqua........... 210
Il mio volto.............................185 Pim-pam.................................199 La Dosolina ............................ 210 Il mio volto.............................185 Pim-pam.................................199 La Dosolina ............................ 210
Il mistero ................................185 Povera voce.............................200 La leggenda della Grigna........ 210 Il mistero ................................185 Povera voce.............................200 La leggenda della Grigna........ 210
Il monologo di Giuda .............186 Preghiera a Maria....................200 La montanara ......................... 211 Il monologo di Giuda .............186 Preghiera a Maria....................200 La montanara ......................... 211
Il nostro cuore.........................186 Quando uno ha il cuore La rivista dell’armamento....... 211 Il nostro cuore.........................186 Quando uno ha il cuore La rivista dell’armamento....... 211
Il popolo canta........................186 buono...................................200 La Visaille............................... 212 Il popolo canta........................186 buono...................................200 La Visaille............................... 212
Il seme ....................................187 Quant’è dolce o Salvatore.......201 Me compare Giacometo......... 212 Il seme ....................................187 Quant’è dolce o Salvatore.......201 Me compare Giacometo......... 212
Il viaggio.................................187 Questo giorno.........................201 Monte Canino........................ 213 Il viaggio.................................187 Questo giorno.........................201 Monte Canino........................ 213
In chi.......................................188 Qui presso a te ........................201 Ninna nanna alpina................. 213 In chi.......................................188 Qui presso a te ........................201 Ninna nanna alpina................. 213
In comunione..........................189 Re Magi..................................201 Signore delle cime .................. 213 In comunione..........................189 Re Magi..................................201 Signore delle cime .................. 213
In questa notte splendida ........189 Rossa sera ...............................202 Stelutis Alpinis........................ 213 In questa notte splendida ........189 Rossa sera ...............................202 Stelutis Alpinis........................ 213
Inno delle scolte di Assisi ........189 Sapete Voi...............................202 Sul pajon................................. 214 Inno delle scolte di Assisi ........189 Sapete Voi...............................202 Sul pajon................................. 214
Io non sono degno ..................189 Se il Signore non costruisce la Sul ponte di perati .................. 214 Io non sono degno ..................189 Se il Signore non costruisce la Sul ponte di perati .................. 214
Io ti offro.................................190 città......................................202 Ta-pum.................................. 214 Io ti offro.................................190 città......................................202 Ta-pum.................................. 214
La canzone della Bassa............190 Signor Signore salvaci tu.........203 Valsugana............................... 215 La canzone della Bassa............190 Signor Signore salvaci tu.........203 Valsugana............................... 215
La guerra.................................190 Stasera.....................................203 Alla fiera di mastro Andrè....... 215 La guerra.................................190 Stasera.....................................203 Alla fiera di mastro Andrè....... 215
La nuova Auschwitz ...............191 Sulla collina.............................204 Azzurro................................... 216 La nuova Auschwitz ...............191 Sulla collina.............................204 Azzurro................................... 216
La pietra..................................191 Ti adoro Redentore ................204 Caruso.................................... 216 La pietra..................................191 Ti adoro Redentore ................204 Caruso.................................... 216
La strada .................................191 Tu mi guardi dalla croce .........204 Che sarà.................................. 217 La strada .................................191 Tu mi guardi dalla croce .........204 Che sarà.................................. 217
La traccia ................................192 Tu sei un Dio fedele ................204 I coccodrilli............................. 217 La traccia ................................192 Tu sei un Dio fedele ................204 I coccodrilli............................. 217
Lasciati fare.............................192 Vedrò la bontà del Signor .......205 Il ragazzo della via Gluck ....... 218 Lasciati fare.............................192 Vedrò la bontà del Signor .......205 Il ragazzo della via Gluck ....... 218

9 9
La Battaglia di Magenta .........218 SPANISH SONGS Porompompero...................... 249 La Battaglia di Magenta .........218 SPANISH SONGS Porompompero...................... 249
La santa Caterina....................219 Salve....................................... 249 La santa Caterina....................219 Salve....................................... 249
Adiós con el corazón ...............234 Adiós con el corazón ...............234
Romagna mia.........................219 Serrana mía............................. 250 Romagna mia.........................219 Serrana mía............................. 250
Ahora es Tiempo.....................234 Ahora es Tiempo.....................234
Tango delle capinere...............219 Sevillanas del adiós ................. 250 Tango delle capinere...............219 Sevillanas del adiós ................. 250
Aire castellano-leonés..............234 Aire castellano-leonés..............234
Toitela ti.................................220 Si me enamoro algún día........ 251 Toitela ti.................................220 Si me enamoro algún día........ 251
Cambiar al hombre.................235 Cambiar al hombre.................235
Dicitencello Vuje....................220 Solo le pido a Dios.................. 251 Dicitencello Vuje....................220 Solo le pido a Dios.................. 251
Carbonero...............................235 Carbonero...............................235
Era de maggio.........................221 Tío Caimán............................ 252 Era de maggio.........................221 Tío Caimán............................ 252
Chan Chan..............................236 Chan Chan..............................236
Funiculì funiculà .....................222 Toda la vida............................ 252 Funiculì funiculà .....................222 Toda la vida............................ 252
Cielito lindo............................236 Cielito lindo............................236
Luntane cchiù luntane.............222 Todos Juntos .......................... 253 Luntane cchiù luntane.............222 Todos Juntos .......................... 253
Cómo......................................236 Cómo......................................236
Malafemmena.........................223 Ve Corazón............................ 253 Malafemmena.........................223 Ve Corazón............................ 253
Como busca............................237 Como busca............................237
Mandulinata a Napole ............223 Virgen morenita..................... 253 Mandulinata a Napole ............223 Virgen morenita..................... 253
Compañía hacia el destino ......237 Compañía hacia el destino ......237
Mare nostre.............................224 Vuestra soy para vos nací ....... 253 Mare nostre.............................224 Vuestra soy para vos nací ....... 253
Cuando de mi Patrona............237 Cuando de mi Patrona............237
Maruzzella ..............................224 Vuestra soy pues me criasteis . 254 Maruzzella ..............................224 Vuestra soy pues me criasteis . 254
Dos Cocodrilos .......................237 Dos Cocodrilos .......................237
’O sole mio.............................225 El está aquí..............................238 ’O sole mio.............................225 El está aquí..............................238
BRASILIAN SONGS BRASILIAN SONGS
’O surdato ’nnamurato ...........225 El mar .....................................238 ’O surdato ’nnamurato ...........225 El mar .....................................238
Reginella ................................225 A canoa................................... 254 Reginella ................................225 A canoa................................... 254
El Rey.....................................238 El Rey.....................................238
Sicilianedda mia......................226 Alecrim................................... 254 Sicilianedda mia......................226 Alecrim................................... 254
El Señor es mi fuerza...............239 El Señor es mi fuerza...............239
Silenzio cantatore....................226 Balada de caridade.................. 254 Silenzio cantatore....................226 Balada de caridade.................. 254
Entre a mi pago sin golpear Entre a mi pago sin golpear
Torna a Surriento....................226 Convite a liberdade ................ 255 Torna a Surriento....................226 Convite a liberdade ................ 255
(La Chacarera) .....................239 (La Chacarera) .....................239
Fica mal com Deus................. 255 Fica mal com Deus................. 255
FRENCH SONGS Este es el día del Señor ............240 FRENCH SONGS Este es el día del Señor ............240
Garota de Ipanema................. 256 Garota de Ipanema................. 256
Estoy alegre.............................240 Estoy alegre.............................240
Abraham.................................227 Meu são Bendito .................... 256 Abraham.................................227 Meu são Bendito .................... 256
Estrella del mar .......................241 Estrella del mar .......................241
Alouette..................................227 O peixe vivo........................... 256 Alouette..................................227 O peixe vivo........................... 256
Francisco Alegre......................241 Francisco Alegre......................241
Champs Elysées......................228 Prece ao vento........................ 257 Champs Elysées......................228 Prece ao vento........................ 257
Gracias a la vida ......................242 Gracias a la vida ......................242
Chant de Pénitence.................228 Romaria................................. 257 Chant de Pénitence.................228 Romaria................................. 257
Gracias por la amistad.............243 Gracias por la amistad.............243
Chevaliers de la table ronde....229 Sou feliz Senhor...................... 258 Chevaliers de la table ronde....229 Sou feliz Senhor...................... 258
Granada...................................243 Granada...................................243
La samaritaine.........................229 La samaritaine.........................229
Guantanamera.........................244 GERMAN SONGS Guantanamera.........................244 GERMAN SONGS
Les anges dans nos Les anges dans nos
Hombres nuevos.....................244 Hombres nuevos.....................244
campagnes ...........................230 Der Mond ist aufgegangen ..... 258 campagnes ...........................230 Der Mond ist aufgegangen ..... 258
Hoy arriesgaré.........................244 Hoy arriesgaré.........................244
Oh doux pays de Chanaan......230 Heidenröslein ......................... 259 Oh doux pays de Chanaan......230 Heidenröslein ......................... 259
La bamba ................................245 La bamba ................................245
Santiano..................................231 Ode an die Freude.................. 259 Santiano..................................231 Ode an die Freude.................. 259
La cucaracha............................245 La cucaracha............................245
Seigneur où es-tu?...................231 Seigneur où es-tu?...................231
La Virgen de Guadalupe .........245 OTHER SONGS La Virgen de Guadalupe .........245 OTHER SONGS
Si Dieu ne nous aimait pas......232 Si Dieu ne nous aimait pas......232
Las cintas de mi capa...............246 Las cintas de mi capa...............246
Sur le pont d’Avignon.............232 Minu Kuntali.......................... 259 Sur le pont d’Avignon.............232 Minu Kuntali.......................... 259
Madre de la Paz.......................246 Madre de la Paz.......................246
Vent fin...................................233 Pa Ret Ap Domi.................... 259 Vent fin...................................233 Pa Ret Ap Domi.................... 259
María Isabel.............................247 María Isabel.............................247
Vieux pèlerin ..........................233 Vieux pèlerin ..........................233
Niño lindo...............................247 TRANSLATIONS............. 261 Niño lindo...............................247 TRANSLATIONS............. 261
Zachée ....................................233 Zachée ....................................233
Pasacalles.................................248 Pasacalles.................................248
Pescador de hombres...............248 CHORD CHARTS ........... 274 Pescador de hombres...............248 CHORD CHARTS ........... 274

10 10
ENGLISH SONGS D G ENGLISH SONGS D G
And so George Washington And so George Washington
D D
A New Creation I found the liberty A New Creation I found the liberty
R. Veras / J. Fields that Abraham Lincoln R. Veras / J. Fields that Abraham Lincoln
D G C A D D G C A D
What can I call my home? could not have given me. What can I call my home? could not have given me.
D G D G
Who is my family? Please tell you orphan son Who is my family? Please tell you orphan son
D D
Where do I come from? I finally found freedom, Where do I come from? I finally found freedom,
C A D C C A D C
What is my history? more than he could have seen in his American What is my history? more than he could have seen in his American
G A Bm G A Bm
Someone long ago Dream. Someone long ago Dream.
D D
sailed across the sea, The amber waves of grain sailed across the sea, The amber waves of grain
C A Bm G Bm C A Bm G Bm
left his native home in search of liberty. will never be the same. left his native home in search of liberty. will never be the same.

As he stepped aboard, ’ Cause God has shed his grace As he stepped aboard, ’ Cause God has shed his grace
G Bm C Bm G Bm C Bm
was he really sure through a human face. was he really sure through a human face.
what he was aiming toward It happened long ago, what he was aiming toward It happened long ago,
C Bm G Bm C Bm G Bm
what he was looking for? our friendship shows us how what he was looking for? our friendship shows us how

Did he long for home An event so unforeseen Did he long for home An event so unforeseen
G Bm C A D G Bm C A D
in a land so strange? still happens here and now. in a land so strange? still happens here and now.
C C
Did he lose his memory In our broken histo ry Did he lose his memory In our broken histo ry
C A D Bm C A D Bm
when his name was changed? there’s a new reality‚ when his name was changed? there’s a new reality‚
C A C A
Did he sell his history if you’re more aware than dreamers ever Did he sell his history if you’re more aware than dreamers ever
Bm D Bm D
For a new world fant asy dare. For a new world fant asy dare.
A C A C
He could never find beyond his dreaming Come and share our liberty‚ He could never find beyond his dreaming Come and share our liberty‚
D Bm D Bm
mind? follow us and you will see mind? follow us and you will see
C C
In our land of liber ty‚ a new nation In our land of liber ty‚ a new nation
Bm Em F # m G Bm Em F # m G
Oh say did you ever see a new creation Oh say did you ever see a new creation
Em F # m G A Em F # m G A
the ideal plan, a new creation. the ideal plan, a new creation.
Em F#m G D Em F#m G D
the self made man? the self made man?

11 11
Ah, Holy Jesus C C7 Ah, Holy Jesus C C7
I cannot see their faces I cannot see their faces
Ah, holy Jesus, F G Ah, holy Jesus, F G
How hast thou offended, and I cannot hear their names, How hast thou offended, and I cannot hear their names,
C C7 C C7
That man to judge thee but from back in ancient times That man to judge thee but from back in ancient times
Hath in hate pretended? F D7 Hath in hate pretended? F D7
By foes derided, many prophets have told of them By foes derided, many prophets have told of them
By thine own rejected, C G7 C By thine own rejected, C G7 C
O most afflicted. and I know I will go and see. O most afflicted. and I know I will go and see.

Who was the guilty? Along the Jordan River Who was the guilty? Along the Jordan River
Who brought this upon thee? There’s a fascinating Man Who brought this upon thee? There’s a fascinating Man
Alas, my treason, Now I can look at His eyes Alas, my treason, Now I can look at His eyes
Jesus, hath undone thee. And Jesus is His name. Jesus, hath undone thee. And Jesus is His name.
’Twas I, Lord Jesus, He’s telling of His Father, ’Twas I, Lord Jesus, He’s telling of His Father,
I it was denied thee: Really you cannot understand, I it was denied thee: Really you cannot understand,
I crucified thee. And I know I must stay and see. I crucified thee. And I know I must stay and see.
C7 F G7 C C7 F G7 C
Lo, the good Shepherd Deep inside a fire burns my soul, Lo, the good Shepherd Deep inside a fire burns my soul,
For the sheep is offered; C7 F For the sheep is offered; C7 F
The slave hath sinnèd, Warms my heart while The slave hath sinnèd, Warms my heart while
D7 G D7 G
And the Son hath suffered; And the Son hath suffered;
A new awareness grows, A new awareness grows,
For man’s atonement, C C7 For man’s atonement, C C7
While he nothing heedeth, With out Him I can’t understand While he nothing heedeth, With out Him I can’t understand
God intercedeeth. F D7 God intercedeeth. F D7
The things any more, The things any more,
For me, kind Jesus, C G7 C For me, kind Jesus, C G7 C
Was thine Incarnation, Deep in side I know He is the Lord. Was thine Incarnation, Deep in side I know He is the Lord.
Thy mortal sorrow, Along the streets of my city Thy mortal sorrow, Along the streets of my city
And thy life’s oblation; I met a group of working men, And thy life’s oblation; I met a group of working men,
Thy death of anguish I’ve always known their faces Thy death of anguish I’ve always known their faces
And thy bitter Passion And I surely know their names, And thy bitter Passion And I surely know their names,
For my salvation. But something new has happened For my salvation. But something new has happened
Therefore, kind Jesus, In their hearts and in their eyes Therefore, kind Jesus, In their hearts and in their eyes
Since I cannot pay thee, And I know that I must stay and see. Since I cannot pay thee, And I know that I must stay and see.
I do adore thee Deep inside a fire burns their souls, I do adore thee Deep inside a fire burns their souls,
And will ever pray thee, Warms their hearts while And will ever pray thee, Warms their hearts while
Think on thy pity A new awareness grows, Think on thy pity A new awareness grows,
And thy love unswerving, Without Him they can’t understand And thy love unswerving, Without Him they can’t understand
Not my deserving. The things anymore, Not my deserving. The things anymore,
Along the Jordan River Deep inside they know He is the Lord. Along the Jordan River Deep inside they know He is the Lord.

C C7 Along the paths of my life C C7 Along the paths of my life

Along the Jordan River Lots of questions come and go. Along the Jordan River Lots of questions come and go.
F C Sometimes they made me cry F C Sometimes they made me cry
there’s a group of walking men. there’s a group of walking men.
12 12
’Cause I didn’t know who to ask «why?», Ave Maria Star of Every Morning ’Cause I didn’t know who to ask «why?», Ave Maria Star of Every Morning
But now I’ve met the Lord of life, But now I’ve met the Lord of life,
He lives strongly in these men, Ave Maria stella del mattino (p. 172) He lives strongly in these men, Ave Maria stella del mattino (p. 172)
And I know I must stay and sing. G G° G And I know I must stay and sing. G G° G
Ave Ma ria‚ Ave Ma ria‚
Deep inside a fire burns my soul, G° Am Deep inside a fire burns my soul, G° Am
Warms my heart Star of every morning Warms my heart Star of every morning
While a new awareness grows, D While a new awareness grows, D
Without Him I can’t understand You have been watching Without Him I can’t understand You have been watching
C G C G
The things anymore; Over us through the night. The things anymore; Over us through the night.
Deep inside I know He is the Lord. B7 C Deep inside I know He is the Lord. B7 C
Please watch and pray for us, Please watch and pray for us,
Amazing Grace B7 Amazing Grace B7
Who now begin a new day, Who now begin a new day,
G G7 C G C Am G G7 C G C Am
Amazing grace, how sweet the sounds‚ Please watch and pray for us, Amazing grace, how sweet the sounds‚ Please watch and pray for us,
7 f 7 f
Em A D D E D Em A D D E D
that saved a wretch like me. For every day of our whole life here, that saved a wretch like me. For every day of our whole life here,
G G7 C G Ef D G G7 C G Ef D
I once was lost, but now am found‚ Ave Ma ria. I once was lost, but now am found‚ Ave Ma ria.
Em C DG Em C DG
was blind but now I see. Ave Maria. was blind but now I see. Ave Maria.
’T was grace that taught my heart to fear Mother of all of us, ’T was grace that taught my heart to fear Mother of all of us,
and grace my fears relieved; Show us Christ, your sweet Son, and grace my fears relieved; Show us Christ, your sweet Son,
how precious did that grace appear Whom you have borne how precious did that grace appear Whom you have borne
the hour I first believed. For us all in your womb. the hour I first believed. For us all in your womb.
He was born for every man, He was born for every man,
Through many dangers, toils and snares, To free us all from death for ever Through many dangers, toils and snares, To free us all from death for ever
I have already come; And He died for every man, to lead us back to a I have already come; And He died for every man, to lead us back to a
’tis grace that brought me safe thus far true life. ’tis grace that brought me safe thus far true life.
and grace will lead me home. Ave Maria. and grace will lead me home. Ave Maria.
How sweet the name of Jesus sounds Ave Maria. How sweet the name of Jesus sounds Ave Maria.
in a believers ear. You who are so full of grace, in a believers ear. You who are so full of grace,
It soothes his sorrows, heals the wounds Show to us the right way, It soothes his sorrows, heals the wounds Show to us the right way,
and drives away his fear. Where life is waiting, ready waiting for us. and drives away his fear. Where life is waiting, ready waiting for us.
Please ask our Lord Please ask our Lord
Must Jesus bear the cross alone To give us all His loving mercy, Must Jesus bear the cross alone To give us all His loving mercy,
and all the world go free? Please ask in our name and all the world go free? Please ask in our name
No, there’s a cross for ev’ry one That we may be forever peaceful. No, there’s a cross for ev’ry one That we may be forever peaceful.
and there’s a cross for me. Amen and there’s a cross for me. Amen
When we’ve been there ten thousand years, When we’ve been there ten thousand years,
bright shining as the sun, bright shining as the sun,
we’ve no less days to sing God’s praise. we’ve no less days to sing God’s praise.
than when we first begun. than when we first begun.

13 13
Ballad of the Old Man I would like to see you God … Ballad of the Old Man I would like to see you God …
Ballata dell’uomo vecchio (p. 174) All the fear that I feel, Ballata dell’uomo vecchio (p. 174) All the fear that I feel,
(Capo: 3 rd Fret) The love that I don’t feel (Capo: 3 rd Fret) The love that I don’t feel
Em Am Em
Are of many, many years. Em Am Em
Are of many, many years.
All the sadness that I feel‚ All the sadness that I know, All the sadness that I feel‚ All the sadness that I know,
Am Em The faith that I oppose are Am Em The faith that I oppose are
The love that I don’t feel‚ of many, many years. The love that I don’t feel‚ of many, many years.
B7 Em God, I’m old by now, B7 Em God, I’m old by now,
Are of many, many years. Yes, I’m very old, Are of many, many years. Yes, I’m very old,
Am Em Am Em
All the suffering that I cause, But if you wish, All the suffering that I cause, But if you wish,
Am G You will save me. Am G You will save me.
The faith that I oppose, The faith that I oppose,
B 7
Em Please listen Lord … B 7
Em Please listen Lord …
Are of many, many years. Are of many, many years.
Am Em Come down O Love Divine Am Em Come down O Love Divine
God I’m old by now‚ God I’m old by now‚
Am D Em D E A Am D Em D E A
yes I’ m very old‚ Come down, O Love divine‚ yes I’ m very old‚ Come down, O Love divine‚
Am G D Bm E A Am G D Bm E A
though you know how old, Seek Thou this soul of mine, though you know how old, Seek Thou this soul of mine,
7 7
B D G A D B D G A D
yet you remain. And visit it with Thine own ardor glowing‚ yet you remain. And visit it with Thine own ardor glowing‚
Bm D E A Bm D E A
I would like to see you God, O Comfor ter draw near, I would like to see you God, O Comfor ter draw near,
I’d like to see you God, Am Em A I’d like to see you God, Am Em A
But it is not possible. Within my heart ap pear, But it is not possible. Within my heart ap pear,
D G A D D G A D
His face is the one you have, And kindle it, Thy holy flame bestowing. His face is the one you have, And kindle it, Thy holy flame bestowing.
The very face you have, The very face you have,
Which for me is terrible. O let it freely burn, Which for me is terrible. O let it freely burn,
God, I’m old by now, till earthly passions turn God, I’m old by now, till earthly passions turn
yes I’m very old, To dust and ashes in its heat consuming; yes I’m very old, To dust and ashes in its heat consuming;
though you know how old, And let Thy glorious light though you know how old, And let Thy glorious light
yet you remain. Shine ever on my sight, yet you remain. Shine ever on my sight,
And clothe me round, the while my path And clothe me round, the while my path
Em Em
Please listen Lord, illuming. Please listen Lord, illuming.
Am Em Am Em
Stay on here with me‚ And so the yearning strong, Stay on here with me‚ And so the yearning strong,
Am Em With which the soul will long, Am Em With which the soul will long,
Re peat again to me‚ Shall far outpass the power of human telling; Re peat again to me‚ Shall far outpass the power of human telling;
B7 Em For none can guess its grace, B7 Em For none can guess its grace,
Your loving word. Till he become the place Your loving word. Till he become the place
Repeat again, Wherein the Holy Spirit makes its dwelling. Repeat again, Wherein the Holy Spirit makes its dwelling.
Am Em Am Em
The word that with your love‚ The word that with your love‚
Am G Am G
You gave to me one day, You gave to me one day,
B7 Em B7 Em
With which I was saved. With which I was saved.
14 14
Come my Way My Truth My Life May we by You the Father learn, Come my Way My Truth My Life May we by You the Father learn,
And know the Son, and you discern, And know the Son, and you discern,
George Herbert (1593–1632) Who are of both; and thus adore George Herbert (1593–1632) Who are of both; and thus adore
(b 243) In perfect faith for evermore. (b 243) In perfect faith for evermore.
D Am G Am F C D Am G Am F C
Come, my way, my truth, my life: Amen. Come, my way, my truth, my life: Amen.
Bm Am G Am Bm Am G Am
such a way, as gives us breath; Faithful Cross such a way, as gives us breath; Faithful Cross
F G Am Em D F G Am Em D
such a truth, as ends all strife; Crux fidelis (p. 151) such a truth, as ends all strife; Crux fidelis (p. 151)
C D Em Am D 9 C D Em Am D 9
such a life, as killeth death. Faithful Cross! above all other such a life, as killeth death. Faithful Cross! above all other
One and only noble tree! One and only noble tree!
Come, my light, my feast, my strength: None in foliage, none in blossom, Come, my light, my feast, my strength: None in foliage, none in blossom,
such a light, as shows a feast None in fruit thy peer may be; such a light, as shows a feast None in fruit thy peer may be;
such a feast, as mends in length such a feast, as mends in length
such a strength, as makes his guest. Dearest wood and dearest iron! such a strength, as makes his guest. Dearest wood and dearest iron!
Dearest weight is hung on thee. Dearest weight is hung on thee.
Come, my joy, my love, my heart: Come, my joy, my love, my heart:
such a joy, as none can move, Sing, my tongue, the glorious battle, such a joy, as none can move, Sing, my tongue, the glorious battle,
such a love, as none can part, Sing the ending of the fray; such a love, as none can part, Sing the ending of the fray;
such a heart, as joys in love. Now above the Cross, the trophy, such a heart, as joys in love. Now above the Cross, the trophy,
Sound the loud triumphant lay: Sound the loud triumphant lay:
D9 D9
xxo23o Tell how Christ, the world’s Redeemer, xxo23o Tell how Christ, the world’s Redeemer,
========= =========
||||||
--------------
As a victim won the day. ||||||
--------------
As a victim won the day.
||| || •
--------------
||| || •
--------------
|||| | •
-------------- Faithful Cross … |||| | •
-------------- Faithful Cross …
|||||| ||||||

God in pity saw man fallen, God in pity saw man fallen,
Come O Creator Spirit Come O Creator Spirit
Shamed and sunk in misery, Shamed and sunk in misery,
C G Am G F When he fell on death by tasting C G Am G F When he fell on death by tasting
Come, O Cr eator Spirit, come, Fruit of the forbidden tree; Come, O Cr eator Spirit, come, Fruit of the forbidden tree;
C Dm G C (E) C Dm G C (E)
And make with in our hearts Your home, Then another tree was chosen And make with in our hearts Your home, Then another tree was chosen
Am E Am D G Which the world from death should free. Am E Am D G Which the world from death should free.
To us your grace e tern al give, To us your grace e tern al give,
Dm G F G C Dearest wood … Dm G F G C Dearest wood …
Who of your breathing move and live. Who of your breathing move and live.
Thus the scheme of our salvation Thus the scheme of our salvation
Our senses with Your light inflame, Was of old in order laid, Our senses with Your light inflame, Was of old in order laid,
Our hearts to heavenly love reclaim; That the manifold deceiver’s Our hearts to heavenly love reclaim; That the manifold deceiver’s
Our bodies’ poor infirmity Art by art might be outweighed, Our bodies’ poor infirmity Art by art might be outweighed,
With strength perpetual fortify. And the lure the foe put forward With strength perpetual fortify. And the lure the foe put forward
Into means of healing made. Into means of healing made.
Our earthly foe afar repel, Our earthly foe afar repel,
Grant us henceforth in peace to dwell; Faithful Cross … Grant us henceforth in peace to dwell; Faithful Cross …
And so to us, with You for guide, And so to us, with You for guide,
No ill shall come no harm betide. Therefore when the appointed fullness No ill shall come no harm betide. Therefore when the appointed fullness
Of the holy time was come Of the holy time was come
He was sent who maketh all things He was sent who maketh all things
15 15
Forth from God’s eternal home; Faithful Cross … Forth from God’s eternal home; Faithful Cross …
Thus He came to earth, incarnate, Thus He came to earth, incarnate,
Offspring of a maiden’s womb. To the Trinity be glory Offspring of a maiden’s womb. To the Trinity be glory
Everlasting, as is meet; Everlasting, as is meet;
Dearest wood … Equal to the Father, equal Dearest wood … Equal to the Father, equal
To the Son, and Paraclete: To the Son, and Paraclete:
Hear the helpless baby crying Trinal Unity, whose praises Hear the helpless baby crying Trinal Unity, whose praises
Where the narrow manger stands; All created things repeat. Amen. Where the narrow manger stands; All created things repeat. Amen.
See how she, His Virgin Mother, See how she, His Virgin Mother,
Ties His limbs with slender bands, Dearest wood … Ties His limbs with slender bands, Dearest wood …
Swaddling clothes she wraps about Him, Swaddling clothes she wraps about Him,
And confines God’s feet and hands! Flattire Freeway And confines God’s feet and hands! Flattire Freeway
Faithful Cross … Riro Maniscalco / Richard Veras Faithful Cross … Riro Maniscalco / Richard Veras
Thirty years among us dwelling, I dreamed I’d seen a green garden Thirty years among us dwelling, I dreamed I’d seen a green garden
His appointed time fulfilled, In this skyscraper forest that lets nothing new His appointed time fulfilled, In this skyscraper forest that lets nothing new
Born for this, He meets His Passion, grow Born for this, He meets His Passion, grow
For that this He freely willed, The fresh water showers dry weeds into flowers For that this He freely willed, The fresh water showers dry weeds into flowers
On the Cross the Lamb is lifted And sprinkles on seedlings unknown On the Cross the Lamb is lifted And sprinkles on seedlings unknown
Where his life-blood shall be spilled. Where his life-blood shall be spilled.
I longed just for one true story I longed just for one true story
Dearest wood . . . In this wastepaper playground only tall tales Dearest wood . . . In this wastepaper playground only tall tales
get told get told
He endured the nails, the spitting, Give me news to delight me, and words to invite He endured the nails, the spitting, Give me news to delight me, and words to invite
Vinegar, and spear, and reed; me Vinegar, and spear, and reed; me
From that holy Body broken To watch the way real life unfolds From that holy Body broken To watch the way real life unfolds
Blood and water forth proceed; Blood and water forth proceed;
Earth, and stars, and sky, and ocean My hope needs mendin’ but my need is Earth, and stars, and sky, and ocean My hope needs mendin’ but my need is
By that flood from stain are freed. unbendin’ By that flood from stain are freed. unbendin’
My wantin’ don’t ever get cold My wantin’ don’t ever get cold
Faithful Cross … I can’t help wishin’ while guitar strings keep Faithful Cross … I can’t help wishin’ while guitar strings keep
Bend thy boughs, O Tree of Glory fishin’ Bend thy boughs, O Tree of Glory fishin’
Thy relaxing sinews bend; For a tune that will never get old Thy relaxing sinews bend; For a tune that will never get old
For a while the ancient rigor La la la For a while the ancient rigor La la la
That thy birth bestowed, suspend; I looked for another wonder That thy birth bestowed, suspend; I looked for another wonder
And the King of heavenly beauty In this highwire circus where no risk is too bold And the King of heavenly beauty In this highwire circus where no risk is too bold
On thy bosom gently tend! Keep your clowns and your lions, let the On thy bosom gently tend! Keep your clowns and your lions, let the
Dearest wood … trapeze keep flyin’ Dearest wood … trapeze keep flyin’
But give my heart something to hold But give my heart something to hold
Thou alone wast counted worthy Thou alone wast counted worthy
This world’s ransom to uphold; Will destiny come to greet me This world’s ransom to uphold; Will destiny come to greet me
For a shipwreck’d race preparing On this flattire freeway where nobody gets For a shipwreck’d race preparing On this flattire freeway where nobody gets
Harbor, like the Ark of old; home? Harbor, like the Ark of old; home?
With the sacred Blood anointed The rest stops don’t feed me, the maps never With the sacred Blood anointed The rest stops don’t feed me, the maps never
From the smitten Lamb that rolled. lead me From the smitten Lamb that rolled. lead me
To a face that replaces alone To a face that replaces alone
16 16
My hope needs mendin’… Pray whither sailed those ships all three … My hope needs mendin’… Pray whither sailed those ships all three …

How Great Thou Art O they sailed in to Bethlehem … How Great Thou Art O they sailed in to Bethlehem …
A D And all the angels in heaven shall sing … A D And all the angels in heaven shall sing …
O Lord, my God, when I in awesome wonder O Lord, my God, when I in awesome wonder
A A And all the bells on earth shall ring … A A And all the bells on earth shall ring …
Consider all the works Thy hands have made. Consider all the works Thy hands have made.
A D And all the souls on earth shall sing … A D And all the souls on earth shall sing …
I see the stars, I hear the rolling thunder‚ I see the stars, I hear the rolling thunder‚
A E A Then let us all rejoice amain! … A E A Then let us all rejoice amain! …
Thy power throughout the universe displayed. Thy power throughout the universe displayed.
A D
I Wonder A D
I Wonder
|: Then sings my soul, my Savior God, to (b 246) |: Then sings my soul, my Savior God, to (b 246)
A A
Thee‚ Am F Thee‚ Am F
E7 A I wonder as I wander E7 A I wonder as I wander
How great Thou art, how great Thou art. :| C D9 How great Thou art, how great Thou art. :| C D9
out under the sky‚ out under the sky‚
And when I think that God, his Son not Am F 7+ And when I think that God, his Son not Am F 7+
sparing that Jesus the Saviour sparing that Jesus the Saviour
Sent Him to die, I scarce can take it in Em 7 Am Sent Him to die, I scarce can take it in Em 7 Am
That on the cross, His burden gladly bearing should come for to die‚ That on the cross, His burden gladly bearing should come for to die‚
F F
He bled and died to take away my sin. for poor hungry people He bled and died to take away my sin. for poor hungry people
C G C G
Then sings my soul … like you and like I‚ Then sings my soul … like you and like I‚
Am F 7+ Am F 7+
When Christ shall come with shouts of I wonder as I wander When Christ shall come with shouts of I wonder as I wander
acclamation, Am D9 acclamation, Am D9
And take me home, what joy shall fill my out under the sky. And take me home, what joy shall fill my out under the sky.
heart. heart.
When I shall bow in humble adoration When Mary bore Jesus When I shall bow in humble adoration When Mary bore Jesus
And there proclaim: my God how great Thou ’twas in a cow-stall, And there proclaim: my God how great Thou ’twas in a cow-stall,
art. with wisemen and farmers art. with wisemen and farmers
and shepherds and all and shepherds and all
Then sings my soul … and high from God’s heaven Then sings my soul … and high from God’s heaven
a star’s light did fall a star’s light did fall
I Saw three Ships and the promise of ages, I Saw three Ships and the promise of ages,
G D
it did them recall. G D
it did them recall.
I saw three ships come sailing in If Jesus had wanted I saw three ships come sailing in If Jesus had wanted
G D G D
on Christmas day, on Christmas day, for any wee thing, on Christmas day, on Christmas day, for any wee thing,
G D a star in the sky or G D a star in the sky or
I saw three ships come sailing in a bird on the wing, I saw three ships come sailing in a bird on the wing,
G C D G G C D G
or all of God’s angels or all of God’s angels
on Christmas day in the morning. on Christmas day in the morning.
in heaven for to sing in heaven for to sing
And what was in those ships all three … he surely could’ve had it, And what was in those ships all three … he surely could’ve had it,
’cause he is the King. ’cause he is the King.
Our Savior Christ and his lady … Our Savior Christ and his lady …

17 17
D9 F 7+ and cold black hair. D9 F 7+ and cold black hair.
xxo23o T3421o xxo23o T3421o
=========
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=========
• ||| | • Delilah she climbed up =========
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=========
• ||| | • Delilah she climbed up
-------------- -------------- -------------- --------------
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--------------
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on Sampson’s knee ||| || •
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on Sampson’s knee
|||| | •
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| •• |||
-------------- and said “Tell me where your strength lies, |||| | •
--------------
| •• |||
-------------- and said “Tell me where your strength lies,
|||||| |||||| |||||| ||||||
if you please”. if you please”.
If I Had My Way She talked so fine, she talked so fair, If I Had My Way She talked so fine, she talked so fair,
Sampson said Delilah, “Cut of my hair, Sampson said Delilah, “Cut of my hair,
A D A D A D A D
You read ab out S amp son, shave my head just as clean as your hand You read ab out S amp son, shave my head just as clean as your hand
A D A D… and my strength will be like a natural man.” A D A D… and my strength will be like a natural man.”
you read ab out his birth you read ab out his birth
He was the strongest man If I had my way … He was the strongest man If I had my way …
that ever lived on Earth. that ever lived on Earth.
Jesus, My Lord, My God, My All Jesus, My Lord, My God, My All
One day old Sampson One day old Sampson
was walking alone D A D was walking alone D A D
He looked down on the ground Jesus, my Lord, my God, my all He looked down on the ground Jesus, my Lord, my God, my all
Em D AD Em D AD
and he saw an old jaw-bone. how can I love Thee as I ought and he saw an old jaw-bone. how can I love Thee as I ought
He lifted up that jaw-bone A D He lifted up that jaw-bone A D
and he swung it over his head, and how revere this wondrous gift and he swung it over his head, and how revere this wondrous gift
and when it got to moving Em D A D and when it got to moving Em D A D
ten thousand was dead. so far surpassing hope or thought. ten thousand was dead. so far surpassing hope or thought.
A F #m A D G A Bm A F #m A D G A Bm
If I had my w ay, Sweet Sacrament, we Thee adore If I had my w ay, Sweet Sacrament, we Thee adore
C D A G A D C D A G A D
If I had my w ay in this wicked world, O make us love Thee more and more If I had my w ay in this wicked world, O make us love Thee more and more
A C# F#m B E G Bm A D A C# F#m B E G Bm A D
If I had m y way I would tear this building O make us love Thee more and more. If I had m y way I would tear this building O make us love Thee more and more.
A DADADA A DADADA
down. Had I but Mary’s sinless heart down. Had I but Mary’s sinless heart
to love Thee with dearest King to love Thee with dearest King
Sampson and the lion O with what bursts of fervent praise, Sampson and the lion O with what bursts of fervent praise,
got in attack Thy goodness, Jesus would I sing. got in attack Thy goodness, Jesus would I sing.
Sampson he crawled up Sampson he crawled up
on the lion’s back. Sweet Sacrament … on the lion’s back. Sweet Sacrament …
You read about this lion – O! see upon the altar placed You read about this lion – O! see upon the altar placed
he killed a man with his paw the victim of divinest love! he killed a man with his paw the victim of divinest love!
Sampson he got his hands Let all the earth below adore, Sampson he got his hands Let all the earth below adore,
around the lion’s jaw; and join the choirs of heav’n above. around the lion’s jaw; and join the choirs of heav’n above.
and he ripped that beast and he ripped that beast
till the lion was dead Sweet Sacrament … till the lion was dead Sweet Sacrament …
and the bees made honey and the bees made honey
in the lion’s head. Little David Play on Your Harp in the lion’s head. Little David Play on Your Harp
E E
If I had my way … If I had my way …
Little David, play on your harp, Little David, play on your harp,
A E A E A E A E
Delilah was a women, Delilah was a women,
H allelu, hallelu, H allelu, hallelu,
she was fine and fair she was fine and fair
She had lovely looks, God knows, She had lovely looks, God knows,
18 18
 E Be there at our homing, E Be there at our homing,
Little David play on your harp, And give us, we pray, Little David play on your harp, And give us, we pray,
B E B E
H allelu! Your love in our hearts, Lord, H allelu! Your love in our hearts, Lord,
At the eve of the day. At the eve of the day.
David was a shepherd boy David was a shepherd boy
He kill Goliath and shout for joy. 4. Lord of all gentleness, He kill Goliath and shout for joy. 4. Lord of all gentleness,
Lord of all calm, Lord of all calm,
Little David, play on your harp … Whose voice is contentment, Little David, play on your harp … Whose voice is contentment,
Whose presence is balm, Whose presence is balm,
Joshua was the son of Nun Be there at our sleeping, Joshua was the son of Nun Be there at our sleeping,
He never would quit till his work was done. And give us, we pray, He never would quit till his work was done. And give us, we pray,
Little David, play on your harp … Your peace in our hearts, Lord, Little David, play on your harp … Your peace in our hearts, Lord,
at the end of the day. at the end of the day.
I told you once, I told you twice I told you once, I told you twice
You’ll never get to heaven shootin’ dice. Magnificat You’ll never get to heaven shootin’ dice. Magnificat
Little David, play on your harp … Mary, as you held your lovely boy babe, Little David, play on your harp … Mary, as you held your lovely boy babe,
Did you gladly welcome the miracle God had Did you gladly welcome the miracle God had
Lord of all Hopefulness made, Lord of all Hopefulness made,
D A Wondering as you gazed at Him, King of all D A Wondering as you gazed at Him, King of all
1. Lord of all hopefulness, Kings, 1. Lord of all hopefulness, Kings,
Bm D That this helpless child mankind would redeem? Bm D That this helpless child mankind would redeem?
Lord of all joy, Lord of all joy,
A D My soul magnifies the Lord, A D My soul magnifies the Lord,
Whose trust ever childlike, My spirit sings His praise; Whose trust ever childlike, My spirit sings His praise;
G A G A
No cares can des troy , He has look upon His handmaid, No cares can des troy , He has look upon His handmaid,
G D And blessed me in all ways, G D And blessed me in all ways,
Be there at our waking Though my life bring care and sorrow, Be there at our waking Though my life bring care and sorrow,
G I’ll trust in God above, G I’ll trust in God above,
And give us, we pray For He has done great things for me And give us, we pray For He has done great things for me
Bm D Bm D
Your bliss in our hearts, Lord, With unending mercy and love. Your bliss in our hearts, Lord, With unending mercy and love.
G D G D
At the break of the day. Mary, as He grew, were you burdened by fear? At the break of the day. Mary, as He grew, were you burdened by fear?
Did you hold your heart when you saw He was Did you hold your heart when you saw He was
2. Lord of all eagerness, nowhere near? 2. Lord of all eagerness, nowhere near?
Lord of all faith, Trembling as you heard how He spoke to the Lord of all faith, Trembling as you heard how He spoke to the
Whose strong hands were skilled scribes, Whose strong hands were skilled scribes,
At the plane and the lathe, Did you know then He would offer His life? At the plane and the lathe, Did you know then He would offer His life?
Be there at our labors Be there at our labors
And give us, we pray, Mary, as you wept burning tears for your son, And give us, we pray, Mary, as you wept burning tears for your son,
Your strength in our hearts, Lord, Did your soul delight at the victory He had Your strength in our hearts, Lord, Did your soul delight at the victory He had
At the noon of the day. won? At the noon of the day. won?
Mother, will you guide me, help me to Mother, will you guide me, help me to
3. Lord of all kindliness, understand 3. Lord of all kindliness, understand
Lord of all grace, How my own life changed when God became Lord of all grace, How my own life changed when God became
Your hands swift to welcome, man? Your hands swift to welcome, man?
Your arms to embrace, Your arms to embrace,
19 19
Mary Did You Know C Am D 7 Mary Did You Know C Am D 7
praise for the morning, praise for the morning,
Mary did you know that your baby boy G C F Mary did you know that your baby boy G C F
would one day walk on water? praise for them, sprin ging would one day walk on water? praise for them, sprin ging
G C G C
Mary did you know that your baby boy Mary did you know that your baby boy
fresh from the Word. fresh from the Word.
would save our sons and daughters, would save our sons and daughters,
did you know that your baby boy Sweet the rain’s new fall did you know that your baby boy Sweet the rain’s new fall
has come to make you new sunlit from heaven, has come to make you new sunlit from heaven,
and the child that you deliver like the first dewfall and the child that you deliver like the first dewfall
would soon deliver you? on the first grass. would soon deliver you? on the first grass.
Praise for the sweetness Praise for the sweetness
Mary did you know that your baby boy Mary did you know that your baby boy
of the wet garden, of the wet garden,
would give sight to the blind men? would give sight to the blind men?
sprung in completeness sprung in completeness
Mary did you know that your baby boy Mary did you know that your baby boy
where his feet pass. where his feet pass.
would calm a storm with his hand, would calm a storm with his hand,
did you know that your baby boy Mine is the sunlight, did you know that your baby boy Mine is the sunlight,
has walked where angels trod mine is the morning has walked where angels trod mine is the morning
and when you kiss your little boy born of the one light and when you kiss your little boy born of the one light
you have kissed the face of God. Eden saw play! you have kissed the face of God. Eden saw play!
Praise with elation, Praise with elation,
The blind will see, the deaf will hear The blind will see, the deaf will hear
praise every morning, praise every morning,
the dead will live again the dead will live again
God’s recreation God’s recreation
the lame will leap, the dumb will speak the lame will leap, the dumb will speak
of the new day! of the new day!
the praises of the lamb. the praises of the lamb.
Oh Mary did you know that your baby boy My Father Sings to Me Oh Mary did you know that your baby boy My Father Sings to Me
is God of all creation? Richard Veras – Riro Maniscalco is God of all creation? Richard Veras – Riro Maniscalco
Mary did you know that your baby boy Mary did you know that your baby boy
would one day rule the nations, G D G Am would one day rule the nations, G D G Am
did you know that your baby boy In the world there is a voice did you know that your baby boy In the world there is a voice
D G D G
was heaven’s perfect love and it sings with a mission was heaven’s perfect love and it sings with a mission
and the sleeping child you’re holding B7 Em and the sleeping child you’re holding B7 Em
is the great “I am”. In my life there is a choice is the great “I am”. In my life there is a choice
C G DG C G DG
Morning has Broken and I’ve chosen to listen Morning has Broken and I’ve chosen to listen
D G Am D G Am
T: Eleanor Farjeon – M: traditional to the sound of life and freedom T: Eleanor Farjeon – M: traditional to the sound of life and freedom
D G D G
C Dm to a strong, insistent cry C Dm to a strong, insistent cry
Morning has bro ken B7 Em Morning has bro ken B7 Em
G F C In the world there is Some one G F C In the world there is Some one
like the first morning, C Am D7 G like the first morning, C Am D7 G
Em Am asking me to ask Him “Why?” Em Am asking me to ask Him “Why?”
blackbird has spo ken G D Em blackbird has spo ken G D Em
D7 G G7 D7 G G7
My Father sings to me My Father sings to me
like the first bird. C G B 7 Em like the first bird. C G B 7 Em
C F C F
in endless elation in endless elation
Praise for the singing, Praise for the singing,

20 20
 C G He came from his blest throne C G He came from his blest throne
He sings my existence salvation to bestow, He sings my existence salvation to bestow,
C G C G
He sings my salvation but men made strange and none He sings my salvation but men made strange and none
B7 Em the longed for Christ should know. B7 Em the longed for Christ should know.
A song that has been written But oh my friend, my friend indeed, A song that has been written But oh my friend, my friend indeed,
C G who at my need his life should spend. C G who at my need his life should spend.
in harmony with yearning in harmony with yearning
Bm C Here might I stay and sing Bm C Here might I stay and sing
A tune beyond my hope no story so divine. A tune beyond my hope no story so divine.
Am D Am D
with words beyond my learning Never was love, dear King with words beyond my learning Never was love, dear King
never was grief like thine. never was grief like thine.
I’m deafened by my meanness This is my friend, in whose sweet praise I’m deafened by my meanness This is my friend, in whose sweet praise
Yet still His song resounds I all my days should gladly spend. Yet still His song resounds I all my days should gladly spend.
Discouraged by my weakness Discouraged by my weakness
G 7+ G 7+
Yet still His grace abounds 32ooo1 Yet still His grace abounds 32ooo1
========= =========
I’ve discerned Him in the noise ||||||
--------------
I’ve discerned Him in the noise ||||||
--------------
I have heard Him in the silence •
| ||| •
-------------- I have heard Him in the silence •
| ||| •
--------------
my heart has found its key • |||||
-------------- my heart has found its key • |||||
--------------
|||||| ||||||
in the music of His presence in the music of His presence
Nazareth morning Nazareth morning
My Father sings to me … My Father sings to me …
Riro Maniscalco / Richard Veras Riro Maniscalco / Richard Veras
So I could hear more clearly So I could hear more clearly
My Father’s Son was slain She breaks the darkness with a hope no one has My Father’s Son was slain She breaks the darkness with a hope no one has
He rose above the discord seen He rose above the discord seen
His blood runs through my veins Beneath her heart there grows a grace that has His blood runs through my veins Beneath her heart there grows a grace that has
The Son sings of His Spirit not been The Son sings of His Spirit not been
Whose sound is unity Nazareth Morning Whose sound is unity Nazareth Morning
The Spirit sings a movement Has come to be The Spirit sings a movement Has come to be
that keeps on moving me The dawn that eyes have longed to see that keeps on moving me The dawn that eyes have longed to see
My Father sings to me … Carpenter’s lady with a baby at her breast My Father sings to me … Carpenter’s lady with a baby at her breast
A humble court where kings and shepherds are A humble court where kings and shepherds are
My Song Is Love Unknown her guests My Song Is Love Unknown her guests
Nazareth Morning Nazareth Morning
(b 247) Bethlehem Star (b 247) Bethlehem Star
D A Bm A light for people near and far D A Bm A light for people near and far
My song is love unk nown My song is love unk nown
D F #m G Em Dawn grows to Day D F #m G Em Dawn grows to Day
my S aviour’s love to me. Day comes to stay my S aviour’s love to me. Day comes to stay
A A7 D The dark of sin won’t dim the way A A7 D The dark of sin won’t dim the way
Love to the loveless shown Love to the loveless shown
Bm E A The darkness lied and tried to hide the day in Bm E A The darkness lied and tried to hide the day in
that they might lovely be. death that they might lovely be. death
Am Em G Bm Am Em G Bm
But who am I‚ that for my sake Yet in her cries there lies a hope in every breath But who am I‚ that for my sake Yet in her cries there lies a hope in every breath
D G 7+ A D Nazareth Morning D G 7+ A D Nazareth Morning
my Lord should take frail flesh and die. Calvary Night, my Lord should take frail flesh and die. Calvary Night,

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Can never stop the truth and light and teach us in her ways to go. Can never stop the truth and light and teach us in her ways to go.
Another morning brings an unexpected light Rejoice … Another morning brings an unexpected light Rejoice …
Another Mary sees an unexpected sight Another Mary sees an unexpected sight
Nazareth Morning O come, O come, Thou Lord of might, Nazareth Morning O come, O come, Thou Lord of might,
Rolls stones away who to Thy tribes on Sinai’s height Rolls stones away who to Thy tribes on Sinai’s height
No night can end this endless day in ancient times did give the law, No night can end this endless day in ancient times did give the law,
in cloud and majesty and awe. in cloud and majesty and awe.
Nazareth Morning Nazareth Morning
Will always be Rejoice … Will always be Rejoice …
The dawn that longs to set us free The dawn that longs to set us free
O Merciful Redeemer O Merciful Redeemer
The dawn that longs to set us free The dawn that longs to set us free
The dawn that longs to set us free O merciful Redeemer, hear; The dawn that longs to set us free O merciful Redeemer, hear;
in pity now incline thine ear; in pity now incline thine ear;
Now that the Day Has Run its Course accept the contrite prayers we raise Now that the Day Has Run its Course accept the contrite prayers we raise
Now that the day has run its course in this our fast of forty days. Now that the day has run its course in this our fast of forty days.
O blest Creator of mankind, Our hearts are open, Lord, to Thee, O blest Creator of mankind, Our hearts are open, Lord, to Thee,
illumine our expectant night and knowing our iniquity, illumine our expectant night and knowing our iniquity,
and wake us in eternal light. pour out on us Thy healing grace, and wake us in eternal light. pour out on us Thy healing grace,
Keep vigil o’er our sleep this night, restore to life a fallen race. Keep vigil o’er our sleep this night, restore to life a fallen race.
we ask of Your sweet tenderness, Our sins are great, our wills are weak, we ask of Your sweet tenderness, Our sins are great, our wills are weak,
release our weary bodies from but Thy forgiveness, Lord, we seek, release our weary bodies from but Thy forgiveness, Lord, we seek,
temptations of the evil one. and for the glory of Thy name, temptations of the evil one. and for the glory of Thy name,
O hear us, God omnipotent, do Thou, our wounded souls reclaim. O hear us, God omnipotent, do Thou, our wounded souls reclaim.
deliver us, O Christ our Lord, O grant, most holy Trinity, deliver us, O Christ our Lord, O grant, most holy Trinity,
who, with the Holy Spirit, reigns Thou undivided Unity, who, with the Holy Spirit, reigns Thou undivided Unity,
in glory through eternity. Amen. That these, our holy Lenten days in glory through eternity. Amen. That these, our holy Lenten days
increase our merit and Thy praise. Amen. increase our merit and Thy praise. Amen.
O Come O Come Emmanuel O Come O Come Emmanuel
En Am Em Peter, Do You Love Me? En Am Em Peter, Do You Love Me?
Ocome, O come Em manuel Ocome, O come Em manuel
G Am Em Kristi Brown G Am Em Kristi Brown
and rannsom captive Israel and rannsom captive Israel
Am C D Jesus came upon his friends Am C D Jesus came upon his friends
that mourns in lonely exile here fishin’ in the sea. that mourns in lonely exile here fishin’ in the sea.
G D G He caused their nets to overflow, G D G He caused their nets to overflow,
until the Son of God appear. then said, “Come eat with me.” until the Son of God appear. then said, “Come eat with me.”
D Bm He served them all, one by one, D Bm He served them all, one by one,
Re joice, re joice of the fish and the bread. Re joice, re joice of the fish and the bread.
Am Em G Am Em They gazed in wonder at their Lord, Am Em G Am Em They gazed in wonder at their Lord,
E m manuel shall come to Thee, O Israel. risen from the dead. E m manuel shall come to Thee, O Israel. risen from the dead.
O come, Thou wisdom from on high, Then Jesus asked, “Peter, do you love me?” O come, Thou wisdom from on high, Then Jesus asked, “Peter, do you love me?”
and order all things far and nigh; “Yes I do my Lord.” and order all things far and nigh; “Yes I do my Lord.”
to us the path of knowledge show, He asked “Peter, do you love me?” to us the path of knowledge show, He asked “Peter, do you love me?”
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“Yes I do my Lord.” They’ve gone before me one by one, “Yes I do my Lord.” They’ve gone before me one by one,
“Then feed my sheep, feed my sheep, I’m only going over Jordan, “Then feed my sheep, feed my sheep, I’m only going over Jordan,
feed my sheep.” “Yes I will my Lord.” I’m only going over home. feed my sheep.” “Yes I will my Lord.” I’m only going over home.
Now Simon Peter loved the Lord, I know dark clouds will gather ’round me, Now Simon Peter loved the Lord, I know dark clouds will gather ’round me,
though Him he had denied. I know my way is rough and steep, though Him he had denied. I know my way is rough and steep,
Filled with shame he could not meet But beauteous fields lie just before me, Filled with shame he could not meet But beauteous fields lie just before me,
his gentle Master’s eye. Where souls redeemed their vigils keep. his gentle Master’s eye. Where souls redeemed their vigils keep.
But Jesus gazed at His friend I’m going there to meet my Saviour, But Jesus gazed at His friend I’m going there to meet my Saviour,
with mercy so profound, I’m going there to see my Lord, with mercy so profound, I’m going there to see my Lord,
That Peter answered “Yes, my Lord!” I’m only going over Jordan That Peter answered “Yes, my Lord!” I’m only going over Jordan
and shared His cross and crown. I’m only going over home. and shared His cross and crown. I’m only going over home.
Then Jesus asked … I want to sing salvation’s story, Then Jesus asked … I want to sing salvation’s story,
In concert with that blood-washed band, In concert with that blood-washed band,
Now we too hear our Savior’s voice, I want to wear a crown of glory Now we too hear our Savior’s voice, I want to wear a crown of glory
calling us to Him. When I get home to that bright land. calling us to Him. When I get home to that bright land.
Like Peter, we turn away, I’m going there to see my Saviour, Like Peter, we turn away, I’m going there to see my Saviour,
silenced by our sin. And shout his praise through heaven’s dome, silenced by our sin. And shout his praise through heaven’s dome,
But we must offer all to Him, I’m only going over Jordan, But we must offer all to Him, I’m only going over Jordan,
and echo Peter’s “yes”, I’m only going over home. and echo Peter’s “yes”, I’m only going over home.
For in His mighty, tender love, For in His mighty, tender love,
lies our happiness! Prayer to Mary lies our happiness! Prayer to Mary
Then Jesus asked … Preghiera a Maria (p. 200) Then Jesus asked … Preghiera a Maria (p. 200)
Poor Wayfaring Stranger Maria, you who have waited here in silence, Poor Wayfaring Stranger Maria, you who have waited here in silence,
Bm E Bm
For His true word to us all, Bm E Bm
For His true word to us all,
I am a poor wayfaring stranger, Help us to welcome in our hearts I am a poor wayfaring stranger, Help us to welcome in our hearts
Em Bm Em Bm
Wand’ring through this world of woe‚ Your only Son who now lives in us. Wand’ring through this world of woe‚ Your only Son who now lives in us.
Bm E Bm Bm E Bm
There is no sickness, toil nor danger Maria, you who have been so mild and gentle, There is no sickness, toil nor danger Maria, you who have been so mild and gentle,
E Em Bm In front of your sweet Lord, E Em Bm In front of your sweet Lord,
In that bright world to which I go. In that bright world to which I go.
Bm D E Help us … Bm D E Help us …
I’m going there to see my father, I’m going there to see my father,
F# Bm D F# Maria, you who have borne forever sweetly F# Bm D F# Maria, you who have borne forever sweetly
I’m going there no more to roam, The enormous gift of His love, I’m going there no more to roam, The enormous gift of His love,
E7 Em Bm E7 Em Bm
I’m only going over Jordan, Help us … I’m only going over Jordan, Help us …
Bm7 Em Bm Bm7 Em Bm
I’m only going over home. Maria, all of your Son’s unfair sufferings I’m only going over home. Maria, all of your Son’s unfair sufferings
You’ve borne with humility, You’ve borne with humility,
I feel my sins are all forgiven, I feel my sins are all forgiven,
My hopes are stayed on things above, Help us … My hopes are stayed on things above, Help us …
I’m going away to yon bright heaven I’m going away to yon bright heaven
Where all is joy and peace and love. Maria, you who forever live in glory Where all is joy and peace and love. Maria, you who forever live in glory
I’m going there to meet my brothers, Together with your Lord, I’m going there to meet my brothers, Together with your Lord,

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Help us … attentive to the Mystery, Help us … attentive to the Mystery,
the desire behind the song. the desire behind the song.
Prayerful Song Prayerful Song
Rivers of Babylon Rivers of Babylon
Kristi Brown 2001 Kristi Brown 2001
1. By the waters, the waters of Babylon 1. By the waters, the waters of Babylon
Now and then a weariness, 2. We sat down and wept, and wept, for thee, Now and then a weariness, 2. We sat down and wept, and wept, for thee,
that I cannot resist, Zion that I cannot resist, Zion
causes me to see my life 3. We remember, we remember, we remember causes me to see my life 3. We remember, we remember, we remember
as so much desperate risk, thee, Zion. as so much desperate risk, thee, Zion.
a beggar’s tattered wish. a beggar’s tattered wish.
At those times my peace is lost, Sans Day Carol At those times my peace is lost, Sans Day Carol
washed away by tears; D A D washed away by tears; D A D
like a child in the dark Now the holly bears a berry like a child in the dark Now the holly bears a berry
G A D G A D
I am filled with fear, I am filled with fear,
As white as the milk As white as the milk
wanting someone near. D A D wanting someone near. D A D
And Mary bore Jesus And Mary bore Jesus
So I ask in prayerful song G A D So I ask in prayerful song G A D
that the One to whom I belong Who was wrapped up in silk that the One to whom I belong Who was wrapped up in silk
will help me to see will help me to see
A D A D
all that He And M ary bore Jesus Christ, all that He And M ary bore Jesus Christ,
promises my life to be, F#m Bm promises my life to be, F#m Bm
the joy for which I long. Our Savior for to be the joy for which I long. Our Savior for to be
G A Bm G A Bm
Once I thought that following Him And the first tree in the greenwood, Once I thought that following Him And the first tree in the greenwood,
would hinder pain and loss; Em A D G F# would hinder pain and loss; Em A D G F#
reveling in the Resurrection, It was the holly‚ hol ly‚ hol ly reveling in the Resurrection, It was the holly‚ hol ly‚ hol ly
G A Bm G A Bm
I forgot the cost, And the first tree in the greenwood, I forgot the cost, And the first tree in the greenwood,
I denied the Cross. Em A D I denied the Cross. Em A D
It was the holly. It was the holly.
Every day I rebel against Every day I rebel against
the Way He made for me; Now the holly bears a berry the Way He made for me; Now the holly bears a berry
though my life is but a gift, As green as the grass though my life is but a gift, As green as the grass
I clutch it selfishly, And Mary bore Jesus I clutch it selfishly, And Mary bore Jesus
thinking to be free. Who died on the cross thinking to be free. Who died on the cross
So I ask in prayerful song And Mary bore Jesus Christ … So I ask in prayerful song And Mary bore Jesus Christ …
that the One to whom I belong that the One to whom I belong
will help me to be Now the holly bears a berry will help me to be Now the holly bears a berry
endlessly As black as the coal endlessly As black as the coal
attentive to the Mystery, And Mary bore Jesus attentive to the Mystery, And Mary bore Jesus
the joy for which I long Who died for us all the joy for which I long Who died for us all

So I ask in prayerful song And Mary bore Jesus Christ … So I ask in prayerful song And Mary bore Jesus Christ …
that the One to whom I belong Now the holly bears a berry, that the One to whom I belong Now the holly bears a berry,
will help me to be As blood it is red will help me to be As blood it is red
endlessly endlessly
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Then trust we our Savior Oh, the whole, wide world’s … Then trust we our Savior Oh, the whole, wide world’s …
Who rose from the dead. Who rose from the dead.
In the bright day or shadowed night, In the bright day or shadowed night,
And Mary bore Jesus Christ … Whether my soul feels burdened or light, And Mary bore Jesus Christ … Whether my soul feels burdened or light,
I want to see it all with that wise woman’s I want to see it all with that wise woman’s
Shepherd of Souls eyes, Shepherd of Souls eyes,
G D Am D G full of hope, full of wonder. G D Am D G full of hope, full of wonder.
1. Shepherd of souls re fresh and bless 1. Shepherd of souls re fresh and bless
Em A7 D Oh, the whole, wide world’s … Em A7 D Oh, the whole, wide world’s …
Your chosen pilgrim flock Your chosen pilgrim flock
Am D Should Auld Acquaintance Be Forgot Am D Should Auld Acquaintance Be Forgot
with manna in the wilderness with manna in the wilderness
C G D G D A C G D G D A
with water from the rock. Should auld acquaintance be forgot, with water from the rock. Should auld acquaintance be forgot,
D G D G
2. We would not live by bread alone and never brought to min’? 2. We would not live by bread alone and never brought to min’?
D A D A
but by Your word of grace Should auld acquaintance be forgot, but by Your word of grace Should auld acquaintance be forgot,
in strength of which we travel on D G D in strength of which we travel on D G D
to our abiding place. and days o’ lang syne? to our abiding place. and days o’ lang syne?
3. Be known to us in breaking bread, D A 3. Be known to us in breaking bread, D A
but do not then depart For auld lang syne, my dear, but do not then depart For auld lang syne, my dear,
D G D G
savior abide with us and spread for auld lang syne, savior abide with us and spread for auld lang syne,
Your table in our heart. D A Your table in our heart. D A
we’ll tak’ a cup o’ kindness yet, we’ll tak’ a cup o’ kindness yet,
4. Lord sup with us in love divine; D G D 4. Lord sup with us in love divine; D G D
Your body and Your blood, for auld lang syne. Your body and Your blood, for auld lang syne.
That living bread that heav’nly wine That living bread that heav’nly wine
be our immortal food. And there’s a hand, my trusty frien’ be our immortal food. And there’s a hand, my trusty frien’
and gie’s a hand o’thine; and gie’s a hand o’thine;
Shining in God’s Glory and we’ll tak’ a right guid willy-waught Shining in God’s Glory and we’ll tak’ a right guid willy-waught
for auld lang syne. for auld lang syne.
Kristi Brown 2001 Kristi Brown 2001
For auld lang syne, my dear … For auld lang syne, my dear …
Oh, the whole, wide world’s Oh, the whole, wide world’s
Shining with God’s glory, Sing of Mary Shining with God’s glory, Sing of Mary
And in my neighbor’s eye, D G D A
And in my neighbor’s eye, D G D A
I see my sweet Lord’s face; Sing of Mary, pure and lowly, I see my sweet Lord’s face; Sing of Mary, pure and lowly,
All around me calls a pow’rful beauty, D G A D All around me calls a pow’rful beauty, D G A D
Leading down the path to Love’s embrace. Virgin Mother undefiled Leading down the path to Love’s embrace. Virgin Mother undefiled
D G D A D G D A
I heard a story ’bout a woman, Sing of God’s own Son most Holy, I heard a story ’bout a woman, Sing of God’s own Son most Holy,
D G A D D G A D
Who, walking with her child, Who, walking with her child,
Who be came her little child. Who be came her little child.
Gazed up at the last morning star; D G A Gazed up at the last morning star; D G A
She cried, “Oh, how lovely is this blessed F airest child of fairest mother, She cried, “Oh, how lovely is this blessed F airest child of fairest mother,
world, D G A world, D G A
And how great, my God, You are!” God the Lord, who came to earth, And how great, my God, You are!” God the Lord, who came to earth,
D G D A D G D A
Word made flesh, our very brother, Word made flesh, our very brother,
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D G A D 7. Bruised, derided, cursed, defiled, D G A D 7. Bruised, derided, cursed, defiled,
Takes our nature by His birth. She beheld her tender Child Takes our nature by His birth. She beheld her tender Child
Sing of Jesus, son of Mary, All with bloody scourges rent. Sing of Jesus, son of Mary, All with bloody scourges rent.
In the home of Nazareth. 8. For the sins of His own nation, In the home of Nazareth. 8. For the sins of His own nation,
Toil and labour cannnot weary Saw Him hang in desolation Toil and labour cannnot weary Saw Him hang in desolation
Love enduring unto death. Till His spirit forth He sent. Love enduring unto death. Till His spirit forth He sent.
Constant was the love He gave her, Constant was the love He gave her,
Though He went forth from her side, 9. Let me mingle tears with thee, Though He went forth from her side, 9. Let me mingle tears with thee,
Forth to preach and heal and suffer, Mourning Him who mourned for me, Forth to preach and heal and suffer, Mourning Him who mourned for me,
Till on Calvary He died. All the days that I may live. Till on Calvary He died. All the days that I may live.
Glory be to God the Father; 10. By the Cross with thee to stay; Glory be to God the Father; 10. By the Cross with thee to stay;
Glory be to God the Son; There with thee to weep and pray, Glory be to God the Son; There with thee to weep and pray,
Glory be to God the Spirit; That is all I ask of thee. Glory be to God the Spirit; That is all I ask of thee.
Glory to the Three in One. Glory to the Three in One.
From the heart of blessed Mary, 11. O thou Mother! Font of Love! From the heart of blessed Mary, 11. O thou Mother! Font of Love!
From all Saints the song ascends, Touch my spirit from above; From all Saints the song ascends, Touch my spirit from above;
And the church the strain re-echoes Make my heart with thine accord. And the church the strain re-echoes Make my heart with thine accord.
Unto earth’s remotest ends. 12. Make me feel as thou hast felt; Unto earth’s remotest ends. 12. Make me feel as thou hast felt;
Make my soul to glow and melt Make my soul to glow and melt
Stabat Mater (English) With the love of Christ my Lord. Stabat Mater (English) With the love of Christ my Lord.
Stabat Mater (p. 162) 13. Virgin of all virgins blest, Stabat Mater (p. 162) 13. Virgin of all virgins blest,
1. At the Cross her station keeping Listen to my tard request; 1. At the Cross her station keeping Listen to my tard request;
Stood the mournful mother weeping Let me share thy grief divine. Stood the mournful mother weeping Let me share thy grief divine.
Close to Jesus to the last. 14. Let me, to my latest breath, Close to Jesus to the last. 14. Let me, to my latest breath,
2. Through her heart His sorrow sharing In the body, bear the death 2. Through her heart His sorrow sharing In the body, bear the death
All His bitter anguish bearing Of that dying Son of thine. All His bitter anguish bearing Of that dying Son of thine.
Now at length the sword has passed. 15. Holy Mother! pierce me through, Now at length the sword has passed. 15. Holy Mother! pierce me through,
3. O, how sad and sore distressed In my heart each wound renew 3. O, how sad and sore distressed In my heart each wound renew
Was that mother, highly blessed Of my Savior crucified. Was that mother, highly blessed Of my Savior crucified.
Of the sole begotten One. 16. While my body here decays, Of the sole begotten One. 16. While my body here decays,
4. Christ above in torment hangs, May my soul thy goodness praise, 4. Christ above in torment hangs, May my soul thy goodness praise,
She beneath beholds the pangs Safe in paradise with thee. Amen. She beneath beholds the pangs Safe in paradise with thee. Amen.
Of her dying, glorious Son. Of her dying, glorious Son.
The Day Thou Gavest Lord Is Ended The Day Thou Gavest Lord Is Ended
5. Is there one who would not weep 5. Is there one who would not weep
Whelmed in miseries so deep, John Ellerton Whelmed in miseries so deep, John Ellerton
Christ’s dear mother to behold? G D Em D Christ’s dear mother to behold? G D Em D
The day thou gavest, Lord, is ended‚ The day thou gavest, Lord, is ended‚
6. Can the human heart refrain G Em Am D 6. Can the human heart refrain G Em Am D
From partaking in her pain, the darkness falls at thy behest; From partaking in her pain, the darkness falls at thy behest;
In that mother’s pain untold? G D Em D In that mother’s pain untold? G D Em D
to thee our morning hymns ascended‚ to thee our morning hymns ascended‚

26 26
 G Em Am G The earth was born in time, G Em Am G The earth was born in time,
thy praise shall sanctify our rest. Where nothing had been present before. thy praise shall sanctify our rest. Where nothing had been present before.
We thank thee that thy church, unsleeping, Already You had written … We thank thee that thy church, unsleeping, Already You had written …
while earth rolls onward into light, while earth rolls onward into light,
through all the world her watch is keeping, And then when You had stretched through all the world her watch is keeping, And then when You had stretched
and rests not now by day or night. The vastness of the sky, and rests not now by day or night. The vastness of the sky,
And on it You had painted And on it You had painted
As over each continent and island The rainbows and the clouds, As over each continent and island The rainbows and the clouds,
the dawn leads on another day, Where nothing had been present before. the dawn leads on another day, Where nothing had been present before.
the voice of prayer is never silent, the voice of prayer is never silent,
nor dies the strain of praise away. Already You had written … nor dies the strain of praise away. Already You had written …
The sun that bids us rest is waking And then when You had carved The sun that bids us rest is waking And then when You had carved
our brethren ’neath the western sky, The valleys and the hills, our brethren ’neath the western sky, The valleys and the hills,
and hour by hour fresh lips are making And then when You had drawn and hour by hour fresh lips are making And then when You had drawn
thy wondrous doings heard on high. The path of every man; thy wondrous doings heard on high. The path of every man;
I know You did it also for me. I know You did it also for me.
So be it, Lord; thy throne shall never So be it, Lord; thy throne shall never
like earth’s proud empires, pass away: I did not know my longing, like earth’s proud empires, pass away: I did not know my longing,
thy kingdom stands, and grows forever, Till I encountered You, thy kingdom stands, and grows forever, Till I encountered You,
till all thy creatures own thy sway. I see what freedom is; till all thy creatures own thy sway. I see what freedom is;
Your plan prepared for me. Your plan prepared for me.
The Design I will not search for more because The Design I will not search for more because
Am Am
Il disegno (p. 184) You will save me now. Il disegno (p. 184) You will save me now.
Am Dm Am Dm
In the deepest sea of silence The Forgotten In the deepest sea of silence The Forgotten
G C E G C E
Just a single voice was heard‚ Richard Veras – Riro Maniscalco Just a single voice was heard‚ Richard Veras – Riro Maniscalco
Am Dm Am Dm
In a night without an end All alone In a night without an end All alone
G C E Searching for a human face G C E Searching for a human face
There was only a spark of light Losing hope There was only a spark of light Losing hope
F E E7 Forgetting what they mean by “grace” F E E7 Forgetting what they mean by “grace”
Where nothing had been present before. Walking through another day Where nothing had been present before. Walking through another day
Am Dm Forgetful feet forget the way Am Dm Forgetful feet forget the way
Already You had written Are you my destiny? Already You had written Are you my destiny?
G C E G C E
And are you really here with me? And are you really here with me?
My name among the stars‚ My name among the stars‚
Am Dm Am Dm
I remember seeing you with clarity I remember seeing you with clarity
Already You had planned Already You had planned
G C E I forget as much again, and more G C E I forget as much again, and more
My life entwined with Yours‚ Can you throw this dog a scrap of charity? My life entwined with Yours‚ Can you throw this dog a scrap of charity?
F E E7 … as he tries to remember. F E E7 … as he tries to remember.
You had al ready written of me. You had al ready written of me.
You approach, You approach,
And then when from Your mind wearing a suspicious mask And then when from Your mind wearing a suspicious mask
The stars began to shine, I pass by, The stars began to shine, I pass by,
And then when from Your hands And then when from Your hands
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too afraid to even ask The Morn Dawns Refulgent with Glory too afraid to even ask The Morn Dawns Refulgent with Glory
Pretending I can walk alone Pretending I can walk alone
while mem’ry cuts me to the bone The morn dawns refulgent with glory, while mem’ry cuts me to the bone The morn dawns refulgent with glory,
I wish I could forget, the heavens are vested in song, I wish I could forget, the heavens are vested in song,
and hope you keep reminding me. the earth echoes forth hymns of gladness and hope you keep reminding me. the earth echoes forth hymns of gladness
to Christ, who has risen from dèath. to Christ, who has risen from dèath.
Do I ignore the need and let it be? Do I ignore the need and let it be?
… but my heart won’t go away Death’s power is vanquished by life, … but my heart won’t go away Death’s power is vanquished by life,
Can you jog a former leper’s memory? and sin has been washed clean by love, Can you jog a former leper’s memory? and sin has been washed clean by love,
… ’cause I need to remember and Christ in His glorious splendor … ’cause I need to remember and Christ in His glorious splendor
illumines the advent of morning. illumines the advent of morning.
Will you be a stumbling block along my way? Will you be a stumbling block along my way?
Or will I walk into myself? The darkness of night has now broken, Or will I walk into myself? The darkness of night has now broken,
Can you teach a dumb apostle how to pray? the morn comes resplendent with light; Can you teach a dumb apostle how to pray? the morn comes resplendent with light;
… I’m trying to remember Our souls overflowing with joy … I’m trying to remember Our souls overflowing with joy
rejoice that in Him we are brothers. rejoice that in Him we are brothers.
Help me to remember who I am Help me to remember who I am
Help me to remember that You Are. May Christ show Himself in his glory Help me to remember that You Are. May Christ show Himself in his glory
to us, as unto Mary Magdalen, to us, as unto Mary Magdalen,
The Mystery He’ll come and call each one by name, The Mystery He’ll come and call each one by name,
the Lord who was dead, but is risen. the Lord who was dead, but is risen.
Il mistero (p. 185) Il mistero (p. 185)
Retùrn, O Lord, to our path, Retùrn, O Lord, to our path,
He who welcomes in his heart Your words set ablaze in our hearts; He who welcomes in his heart Your words set ablaze in our hearts;
The will of my Father Once more in the bread that is broken The will of my Father Once more in the bread that is broken
Will be to me a brother Your risen face will be revèaled. Will be to me a brother Your risen face will be revèaled.
A brother, a sister, and mother. A brother, a sister, and mother.
When into one body we gather, When into one body we gather,
With all simplicity I long to witness a new Guest appears in our midst; With all simplicity I long to witness a new Guest appears in our midst;
The Myst’ry showing itself in my life, our faith, may He strengthen anew, The Myst’ry showing itself in my life, our faith, may He strengthen anew,
There where a new dawn is born in the depth revealing his glorious woùnds. There where a new dawn is born in the depth revealing his glorious woùnds.
Of an existence called forth by Your love. Of an existence called forth by Your love.
This day of our Easter rejoicing, This day of our Easter rejoicing,
You knew me even before I existed our innocence he will renew. You knew me even before I existed our innocence he will renew.
You shaped my flesh in the womb of a woman All glory to Christ, our Redeemer, You shaped my flesh in the womb of a woman All glory to Christ, our Redeemer,
Talked to my heart since ages eternal To Father and Spirit forever. Amen. Talked to my heart since ages eternal To Father and Spirit forever. Amen.
To teach me how to hearken Your voice. To teach me how to hearken Your voice.
The Strife is o’er, the Battle Done The Strife is o’er, the Battle Done
Looking at fields and observing the heavens, Looking at fields and observing the heavens,
I see a seed that has fallen to earth. G. P. da Palestrina, adapted by W. H. I see a seed that has fallen to earth. G. P. da Palestrina, adapted by W. H.
I hear creation quiver and tremble Monk; 1 st q: F # I hear creation quiver and tremble Monk; 1 st q: F #
Meanwhile Your kingdom is already here. Meanwhile Your kingdom is already here.
Alleluia! Alleluia! Alleluia! Alleluia! Alleluia! Alleluia!
If I can still see a person who suffers If I can still see a person who suffers
While the whole world is erupting in strife, 1. The strife is o’er, the battle done; While the whole world is erupting in strife, 1. The strife is o’er, the battle done;
I will know this suffering is only a labor, Now is the Victor’s triumph won; I will know this suffering is only a labor, Now is the Victor’s triumph won;
Birth of a new man created for life. Now be the song of praise begun: Birth of a new man created for life. Now be the song of praise begun:
Alleluia! Alleluia!

28 28
2. Death’s mightiest powers have done their C G 2. Death’s mightiest powers have done their C G
worst, he’s crazy and he’s hopeless worst, he’s crazy and he’s hopeless
C D C D
And Jesus has his foes dispersed; til a splash washed the darkness a way! And Jesus has his foes dispersed; til a splash washed the darkness a way!
Let shouts of praise and joy outburst: Let shouts of praise and joy outburst:
Alleluia! The things that I see … Alleluia! The things that I see …
3. He closed the yawning gates of hell; Makin’ me explain 3. He closed the yawning gates of hell; Makin’ me explain
The bars from heaven’s high portals fell; to a lot of angry faces The bars from heaven’s high portals fell; to a lot of angry faces
Let hymns of praise his triumph tell: Talkin’ to ’em plain Let hymns of praise his triumph tell: Talkin’ to ’em plain
Alleluia! they don’t hear what I say Alleluia! they don’t hear what I say
tellin’ me again tellin’ me again
4. On the third morn he rose again “He’s a sinner and He’s reckless” 4. On the third morn he rose again “He’s a sinner and He’s reckless”
Glorious in majesty to reign; but there’s only one thing I can say … Glorious in majesty to reign; but there’s only one thing I can say …
O let us swell the joyful strain: O let us swell the joyful strain:
Alleluia! The things that I see … Alleluia! The things that I see …
5. Lord, by the stripes that wounded thee He came to me again 5. Lord, by the stripes that wounded thee He came to me again
From death’s dread sting thy servants free and this time I could see Him From death’s dread sting thy servants free and this time I could see Him
That we may live and sing to thee: Told me how he’d been That we may live and sing to thee: Told me how he’d been
Alleluia! out lookin’ for me Alleluia! out lookin’ for me
He told me to believe He told me to believe
The Things that I See I said “what should I believe in?” The Things that I See I said “what should I believe in?”
He said “keep on believin’ in me!” He said “keep on believin’ in me!”
Richard Veras – Riro Maniscalco Richard Veras – Riro Maniscalco
G
The things that I see … G
The things that I see …
The things that I see The things that I see
C The Wind in the Willows C The Wind in the Willows
got me laughin’ like a baby got me laughin’ like a baby
G (b 252) G (b 252)
The things that I see C F
The things that I see C F
D D
got me cryin’ like a m a n As I went awalking got me cryin’ like a m a n As I went awalking
G C G C
C G C G
The things that I see one morning in Spring, The things that I see one morning in Spring,
Am F Am F
C C
I can look at what He gave me! I met with some trav’lers I can look at what He gave me! I met with some trav’lers
G C G C
C7 G C7 G
and He’s gonna show me in an old country lane. and He’s gonna show me in an old country lane.
D C G Em D C G Em
even more than I see. One was an old man, even more than I see. One was an old man,
the second a maid. the second a maid.
Bm An the third was a young boy Bm An the third was a young boy
Just the other day who smiled as he said: Just the other day who smiled as he said:
C D Em C D Em
I heard a new voice in the darkness F C I heard a new voice in the darkness F C
G With the wind in the willows G With the wind in the willows
Sendin’ me a way F C Sendin’ me a way F C
D Em and the birds in the sky, D Em and the birds in the sky,
with mud on my face F C with mud on my face F C
G we have bright sun to w arm us G we have bright sun to w arm us
I heard the people say I heard the people say
29 29
 Dm G There’s a long long night of waiting Dm G There’s a long long night of waiting
wherever we lie. until my dreams all come true wherever we lie. until my dreams all come true
C F C F
We have bread and fishes ’til the day when I’ll be going down We have bread and fishes ’til the day when I’ll be going down
G C that long long trail with you. G C that long long trail with you.
and a jug of red wine and a jug of red wine
Am F Turn to Me Am F Turn to Me
to share on your journey to share on your journey
G C Turn to me, O man and be saved, G C Turn to me, O man and be saved,
with all of man kind. says the Lord, for I am God, with all of man kind. says the Lord, for I am God,
I sat down beside them, there is no other, I sat down beside them, there is no other,
the flow’rs all around, none beside me, I call your name. the flow’rs all around, none beside me, I call your name.
and we ate on a mantle I am here that comforts you, and we ate on a mantle I am here that comforts you,
spread out on the ground. who are you to be afraid, spread out on the ground. who are you to be afraid,
They told me of prophets of man who dies is made They told me of prophets of man who dies is made
and princes and kings, like the grass of the field, soon to wither. and princes and kings, like the grass of the field, soon to wither.
and they spoke of the one God and they spoke of the one God
who knows everything. Listen to me my people, who knows everything. Listen to me my people,
give ear to me my nation, give ear to me my nation,
With the wind in the willows … a law will go forth from me, With the wind in the willows … a law will go forth from me,
I asked them to tell me and my justice for a light to the people. I asked them to tell me and my justice for a light to the people.
their name and their race, Lift up your eyes to the heavens, their name and their race, Lift up your eyes to the heavens,
so I might remember and look at the earth down below. so I might remember and look at the earth down below.
their kindness and grace. The heavens will vanish like smoke, their kindness and grace. The heavens will vanish like smoke,
My name is Joseph, and the earth will wear out like a garment. My name is Joseph, and the earth will wear out like a garment.
this is Mary my wife this is Mary my wife
Virgin Great and Glorious Virgin Great and Glorious
and this is our young son, and this is our young son,
our pride and delight. Virgin great and glorious, our pride and delight. Virgin great and glorious,
Bearing God’s own Son for us, Bearing God’s own Son for us,
With the wind in the willows … With the wind in the willows …
Far above all things of earth Far above all things of earth
We travelled the whole world Shine your purity and worth We travelled the whole world Shine your purity and worth
by land and by sea, by land and by sea,
Ave, Mater Domini! Ave, Mater Domini!
to tell all the people to tell all the people
Filium laudemus Dei! Filium laudemus Dei!
how they can be free. how they can be free.
How can human voices raise How can human voices raise
There’s a Long, Long Trail Honor worthy of your praise? There’s a Long, Long Trail Honor worthy of your praise?
D Em F#m Bm Through your Son, O maiden queen, D Em F#m Bm Through your Son, O maiden queen,
There’s a long long trail a winding We are given gifts supreme There’s a long long trail a winding We are given gifts supreme
Em A D A Em A D A
into the land of my dreams God has graced you vermore into the land of my dreams God has graced you vermore
D Em F#m Bm Through his Son, Whom hosts adore: D Em F#m Bm Through his Son, Whom hosts adore:
where the nightingales are singing God Himself has shown the way. where the nightingales are singing God Himself has shown the way.
Em A D Em A D
and a white moon beams. Therefore we due homage pay. and a white moon beams. Therefore we due homage pay.

30 30
Blessed Virgin, full of grace. Now there was a man of the Pharisees, Blessed Virgin, full of grace. Now there was a man of the Pharisees,
Noblest of the human race. his name was Nicodemus and he didn’t believe. Noblest of the human race. his name was Nicodemus and he didn’t believe.
Far above angelic state, Far above angelic state,
None more fair did God create. The same came to Christ by night, None more fair did God create. The same came to Christ by night,
wanted to be taught out of human sight. wanted to be taught out of human sight.
Where Charity and Love Prevail Nicodemus was a man who desired to know Where Charity and Love Prevail Nicodemus was a man who desired to know
Em Am Em how a man can be born when he is old. Em Am Em how a man can be born when he is old.
Where charity and love pre vail, Where charity and love pre vail,
C G Christ told Nicodemus, as a friend: C G Christ told Nicodemus, as a friend:
There God is ever found; “Man, you must be born again.” There God is ever found; “Man, you must be born again.”
Bm Em Am Em Bm Em Am Em
Brought heretogether by Christ’s love‚ He said: “Marvel not, man, if you wanna be Brought heretogether by Christ’s love‚ He said: “Marvel not, man, if you wanna be
Am Bm Em wise, Am Bm Em wise,
By love are we thus bound. repent, believe, and be baptized. By love are we thus bound. repent, believe, and be baptized.
With grateful joy and holy fear Then you’ll be a witness for my Lord, With grateful joy and holy fear Then you’ll be a witness for my Lord,
His charity we learn; you’ll be a witness for my Lord, His charity we learn; you’ll be a witness for my Lord,
Let us with heart and mind and soul you’ll be a witness for my Lord. Let us with heart and mind and soul you’ll be a witness for my Lord.
Now love Him in return. My soul is a witness for the Lord. Now love Him in return. My soul is a witness for the Lord.
Forgive we now each other’s faults Well, you read about Samson, from his birth, Forgive we now each other’s faults Well, you read about Samson, from his birth,
As we our faults confess; the strongest man that ever lived on earth. As we our faults confess; the strongest man that ever lived on earth.
And let us love each other well And let us love each other well
In Christian holiness. Way back yonder in the ancient times In Christian holiness. Way back yonder in the ancient times
he killed ten thousand of the Philistines. he killed ten thousand of the Philistines.
Let strife among us be unknown, Let strife among us be unknown,
Let all contention cease; Then old Samson went wanderin’ about Let all contention cease; Then old Samson went wanderin’ about
Be His the glory that we seek, Samson’s strength was never found out. Be His the glory that we seek, Samson’s strength was never found out.
Be ours His holy peace. Be ours His holy peace.
Till his wife sat upon his knees, Till his wife sat upon his knees,
Let us recall that in our midst she said: “Tell me where your strength lies, if Let us recall that in our midst she said: “Tell me where your strength lies, if
Dwells God’s begotten Son; you please”. Dwells God’s begotten Son; you please”.
As members of His body joined, As members of His body joined,
We are in Him made one. Now Samson’s wife, she talked so fair, We are in Him made one. Now Samson’s wife, she talked so fair,
Samson said: “Cut off my hair.” Samson said: “Cut off my hair.”
Witness “Shave my head just as a clean as your hand Witness “Shave my head just as a clean as your hand
Oh Lord, what manner of man is this? and my strength will become like a natural Oh Lord, what manner of man is this? and my strength will become like a natural
All nations in him are blessed, man”. All nations in him are blessed, man”.
all things are done by his will, Old Samson was a witness for my Lord, all things are done by his will, Old Samson was a witness for my Lord,
he spoke to the sea and the sea stood still. Samson was a witness for my Lord, he spoke to the sea and the sea stood still. Samson was a witness for my Lord,
Now ain’t that a witness for my Lord? Samson was a witness for my Lord. Now ain’t that a witness for my Lord? Samson was a witness for my Lord.
Ain’t that a witness for my Lord? My soul is a witness for my Lord. Ain’t that a witness for my Lord? My soul is a witness for my Lord.
Ain’t that a witness for my Lord? There’s another witness, Ain’t that a witness for my Lord? There’s another witness,
My soul is a witness for the Lord. now there’s another witness, My soul is a witness for the Lord. now there’s another witness,
there’s another witness: there’s another witness:

31 31
my soul is a witness for my Lord, 2. That Easter morn, at break of day, my soul is a witness for my Lord, 2. That Easter morn, at break of day,
my soul is a witness for my Lord. The faithful women went their way my soul is a witness for my Lord. The faithful women went their way
To seek the tomb where Jesus lay. Alleluia! To seek the tomb where Jesus lay. Alleluia!
Wondrous Love Wondrous Love
3. An angel clad in white they see, 3. An angel clad in white they see,
Dm C F Dm C F
Who sat, and spake unto the three, Who sat, and spake unto the three,
What wondrous love is this, What wondrous love is this,
C Dm G Am “Your Lord doth go to Galilee.” Alleluia! C Dm G Am “Your Lord doth go to Galilee.” Alleluia!
O my soul, O mysoul? O my soul, O mysoul?
F G Am Dm G Dm 4. That night the apostles met in fear; F G Am Dm G Dm 4. That night the apostles met in fear;
What wondrous love isthis, O my soul? Amidst them came their Lord most dear, What wondrous love isthis, O my soul? Amidst them came their Lord most dear,
F Am Dm G And said, “My peace be on all here.” Alleluia! F Am Dm G And said, “My peace be on all here.” Alleluia!
What wondrous love is this What wondrous love is this
Am G 5. When Thomas first the tidings heard, Am G 5. When Thomas first the tidings heard,
That caused the Lord of Bliss How they had seen the risen Lord, That caused the Lord of Bliss How they had seen the risen Lord,
Dm C F Dm C F
To bear the dreadful curse He doubted the disciples’ word. Alleluia! To bear the dreadful curse He doubted the disciples’ word. Alleluia!
C Dm G Am C Dm G Am
For my soul, for mysoul, 6. “My pierced side, O Thomas, see; For my soul, for mysoul, 6. “My pierced side, O Thomas, see;
F G Am Dm G Dm My hands, my feet, I show to thee; F G Am Dm G Dm My hands, my feet, I show to thee;
To bear the dreadful curse for my soul? Not faithless, but believing be.” Alleluia! To bear the dreadful curse for my soul? Not faithless, but believing be.” Alleluia!
To God and to the Lamb 7. No longer Thomas then denied, To God and to the Lamb 7. No longer Thomas then denied,
I will sing, I will sing. He saw the feet, the hands, the side; I will sing, I will sing. He saw the feet, the hands, the side;
To God and to the Lamb I will sing. “Thou are my Lord and God,” he cried. To God and to the Lamb I will sing. “Thou are my Lord and God,” he cried.
To God and to the Lamb Alleluia! To God and to the Lamb Alleluia!
Who is the great “I am”. Who is the great “I am”.
While millions join the theme 8. How blest are they who have not seen, While millions join the theme 8. How blest are they who have not seen,
I will sing, I will sing, And yet whose faith has constant been, I will sing, I will sing, And yet whose faith has constant been,
While millions join the theme I will sing. For they eternal life shall win. Alleluia! While millions join the theme I will sing. For they eternal life shall win. Alleluia!

And when from death I’m free, 9. On this most holy day of days, And when from death I’m free, 9. On this most holy day of days,
I’ll sing on, I’ll sing on. To God your hearts and voices raise, I’ll sing on, I’ll sing on. To God your hearts and voices raise,
And when from death I’m free, I’ll sing on. In laud, and jubilee and praise. Alleluia! And when from death I’m free, I’ll sing on. In laud, and jubilee and praise. Alleluia!
And when from death I’m free, You And when from death I’m free, You
I’ll sing and joyful be, I’ll sing and joyful be,
And through eternity, Richard Veras – Riro Maniscalco And through eternity, Richard Veras – Riro Maniscalco
I’ll sing on, I’ll sing on, I’ll sing on, I’ll sing on,
C G Am C G Am
And through eternity, I’ll sing on. In the bush there’s a fire‚ And through eternity, I’ll sing on. In the bush there’s a fire‚
F G C F G C
Ye Sons and Daughters a fire that I call You, Ye Sons and Daughters a fire that I call You,
G Am G Am
Jean Tisserand, O.F.M. († 1494) in the Red Sea there is water, Jean Tisserand, O.F.M. († 1494) in the Red Sea there is water,
1st q: F F G C 1st q: F F G C
water that I walk through. water that I walk through.
Alleluia, alleluia, alleluia. Alleluia, alleluia, alleluia.
C G C G
1. Ye sons and daughters let us sing! Where are you bringing me, 1. Ye sons and daughters let us sing! Where are you bringing me,
The King of heav’n, the glorious King, Am F The King of heav’n, the glorious King, Am F
O’er death today rose triumphing. Alleluia! where do you lead, O’er death today rose triumphing. Alleluia! where do you lead,

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 C G Am F A C G Am F A
what is the promise that embraces my need, land. what is the promise that embraces my need, land.
C G C G
how high the mountain, I got wings … how high the mountain, I got wings …
Am F When I get … Am F When I get …
how fearsome the view, gonna put on my wings, how fearsome the view, gonna put on my wings,
C G Am F C G Am F
how can I follow unless I call You. I’m gonna fly all over … how can I follow unless I call You. I’m gonna fly all over …

In the tent there is an ark I got a harp, … In the tent there is an ark I got a harp, …
an ark that I call You. When I get … an ark that I call You. When I get …
My heart has hoped a temple, gonna take up my harp, My heart has hoped a temple, gonna take up my harp,
but build my son must do. I’m gonna play all over … but build my son must do. I’m gonna play all over …

Where are you bringing me … I got shoes … Where are you bringing me … I got shoes …
When I get … When I get …
In the manger there’s a baby, gonna put on my shoes, In the manger there’s a baby, gonna put on my shoes,
a baby that I call You. I’m gonna walk all over … a baby that I call You. I’m gonna walk all over …
God’s grace has filled my soul, God’s grace has filled my soul,
and a sword will pierce it through. (Ending) and a sword will pierce it through. (Ending)
… I’m gonna walk all over that, play all over … I’m gonna walk all over that, play all over
Where are you bringing me … that, Where are you bringing me … that,
fly all over that, shout all over that land. fly all over that, shout all over that land.
On the cross there was a man, On the cross there was a man,
a man that I called him, All my Trials a man that I called him, All my Trials
on the shore he cooked my breakfast on the shore he cooked my breakfast
nd
and I call him You again. (Capo: 2 Fret) and I call him You again. (Capo: 2nd Fret)
A F #m7 Bm E A A F #m7 Bm E A
Where are you bringing me … Where are you bringing me …
| : All my trials Lord, soon be over. :| | : All my trials Lord, soon be over. :|
A Em 7 A Em 7
SPIRITUALS I had a little book was given to me‚ SPIRITUALS I had a little book was given to me‚
A C# m D9 A C# m D9
All God’s Children Got Wings And every pa ge spelled Liber ty. All God’s Children Got Wings And every pa ge spelled Liber ty.
A All my trials Lord, soon be over. A All my trials Lord, soon be over.
I got a robe, I got a robe,
A If religion were a thing that money could buy, A If religion were a thing that money could buy,
you got a robe. The rich would live and the poor would die. you got a robe. The rich would live and the poor would die.
All God’s children got a robe. All my trials Lord, soon be over. All God’s children got a robe. All my trials Lord, soon be over.
A A7 D A A7 D
When I get to heaven, gonna put on my robe A #
C m When I get to heaven, gonna put on my robe A C# m
A E A E Too late my brothe rs‚ too late, A E A E Too late my brothe rs‚ too late,
I’m gonna shout all over that heaven, heaven‚ D I’m gonna shout all over that heaven, heaven‚ D
A but never mind. A but never mind.
heaven. heaven.
A7 D D7 All my trials Lord, soon be over. A7 D D7 All my trials Lord, soon be over.
Everybody talkin’ ’bout heaven ain’t goin’ there Everybody talkin’ ’bout heaven ain’t goin’ there
A E A E There is a tree in Paradise A E A E There is a tree in Paradise
Heaven, heaven, I’m gonna shout all over that The Pilgrims call it “The Tree Of Life” Heaven, heaven, I’m gonna shout all over that The Pilgrims call it “The Tree Of Life”

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All my trials Lord, soon be over. Am D C G All my trials Lord, soon be over. Am D C G
to heal the sin-sick soul. to heal the sin-sick soul.
Too late my brothers, too late, G C/D
Too late my brothers, too late, G C/D
but never mind. Some times I feel dis couraged but never mind. Some times I feel dis couraged
G C/D G C/D
|: All my trials Lord, soon be over. :| and think my work’s in vain‚ |: All my trials Lord, soon be over. :| and think my work’s in vain‚
G C/D G C/D
D9 D9
xxo23o But then the Holy Spirit xxo23o But then the Holy Spirit
========= Am D Em C ========= Am D Em C
|||||| ||||||
-------------- --------------
||| || •
--------------
revives my soul again. ||| || •
--------------
revives my soul again.
|||| | •
--------------
|||| | •
--------------
|||||| There is a balm in Gilead … |||||| There is a balm in Gilead …
All Night All Day If you cannot preach like Peter, All Night All Day If you cannot preach like Peter,
E if you cannot pray like Paul, E if you cannot pray like Paul,
All night, all day, You can tell the love of Jesus All night, all day, You can tell the love of Jesus
A E and say “He died for all”. A E and say “He died for all”.
O Lordy angels watching over me, my Lord‚ O Lordy angels watching over me, my Lord‚
C# m There is a balm in Gilead … C# m There is a balm in Gilead …
all night, all day‚ all night, all day‚
B7 E Climbin’ up the Mountain B7 E Climbin’ up the Mountain
angels watching over me. angels watching over me.
F F
E Climbin’ up the mountain, children, E Climbin’ up the mountain, children,
Now I lay me down to sleep, C Now I lay me down to sleep, C
A E didn’t come here for to stay , A E didn’t come here for to stay ,
O Lordy angels watching over me, my Lord‚ F F7 Bf O Lordy angels watching over me, my Lord‚ F F7 Bf
if I nevermore see you again, if I nevermore see you again,
I pray the Lord my soul to keep. F C F I pray the Lord my soul to keep. F C F
B7 E goin’ to meet you at the judgment day! B7 E goin’ to meet you at the judgment day!
angels watching over me. angels watching over me.
F F
All night, all day … Moses went down into Egypt land, All night, all day … Moses went down into Egypt land,
C C
If I die before I wake, – he told ole Pharaoh, If I die before I wake, – he told ole Pharaoh,
I pray the Lord my soul to take. – F F7 Bf I pray the Lord my soul to take. – F F7 Bf
that the good Lord sittin’ on His heav’nly that the good Lord sittin’ on His heav’nly
All night, all day … (Gm) All night, all day … (Gm)
throne throne
If I should live another day, – F C F If I should live another day, – F C F
I pray the Lord to guide my way. – said “ let my people go”, I pray the Lord to guide my way. – said “ let my people go”,
D7 G C F D7 G C F
All night, all day … Good Lord, “ let my people go”. All night, all day … Good Lord, “ let my people go”.
Climbin’ up … Climbin’ up …
Balm in Gilead Balm in Gilead
G Am Bm C Daniel in the den of lions, G Am Bm C Daniel in the den of lions,
There is a balm in Gilead he did begin to pray, There is a balm in Gilead he did begin to pray,
G Em Am C and the angel of the Lord locked the lion’s jaw, G Em Am C and the angel of the Lord locked the lion’s jaw,
to m ake the wounded whole that sure was a mighty day, to m ake the wounded whole that sure was a mighty day,
G Am Bm Em G Am Bm Em
There is a balm in Gilead Good Lord, sure was a mighty day. There is a balm in Gilead Good Lord, sure was a mighty day.

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Climbin’ up … Didn’t my Lord … Climbin’ up … Didn’t my Lord …
Children in the fiery furnace, The moon run down in a purple stream, Children in the fiery furnace, The moon run down in a purple stream,
they did begin to pray, the sun forebear to shine they did begin to pray, the sun forebear to shine
and the angel of the Lord put the fire out, And every star will disappear. and the angel of the Lord put the fire out, And every star will disappear.
that sure was a mighty day, King Jesus shall be mine. that sure was a mighty day, King Jesus shall be mine.
Good Lord, sure was a mighty day. Good Lord, sure was a mighty day.
Didn’t my Lord … Didn’t my Lord …
Climbin’ up … Climbin’ up …
I set my foot on the gospel ship I set my foot on the gospel ship
Come and Go with Me and the ship began to sail Come and Go with Me and the ship began to sail
It landed me over on Canaan shore It landed me over on Canaan shore
C C7 C C7
and I’ll never come back no more. and I’ll never come back no more.
1. Come and go with me to that land 1. Come and go with me to that land
F C F C
Didn’t my Lord … Didn’t my Lord …
Come and go with me to that land Come and go with me to that land
Am F Am F
Come and go with me to that land Day-O Come and go with me to that land Day-O
G G
A D A A D A
Where I’m bound |: D ay-o, day-ay-ay-ay- oh‚ Where I’m bound |: D ay-o, day-ay-ay-ay- oh‚
7
C C C C7
A E A A E A
Come and go with me to that land D aylight come and me w anna go home :| Come and go with me to that land D aylight come and me w anna go home :|
F D F D
Come and go with me to that land A Come and go with me to that land A
C G C Work all night till the mornin’ come C G C Work all night till the mornin’ come
With me to that land where I’m bound. A E A With me to that land where I’m bound. A E A
D aylight come and me w anna go home D aylight come and me w anna go home
2. There ain’t no kneelin’ in that land … 2. There ain’t no kneelin’ in that land …
Stack banana till the mornin’ come Stack banana till the mornin’ come
3. There’ll be singin’ in that land … Daylight … 3. There’ll be singin’ in that land … Daylight …
Daniel Come, Mr. Tallyman, tally me banana Daniel Come, Mr. Tallyman, tally me banana
Em Daylight … Em Daylight …
Didn’t my Lord deliver Daniel, Didn’t my Lord deliver Daniel,
Am 7 Em Me say, come, Mr. Tallyman, tally me Am 7 Em Me say, come, Mr. Tallyman, tally me
deliver Daniel, deliver Daniel? banana deliver Daniel, deliver Daniel? banana
Em Daylight … Em Daylight …
Didn’t my Lord deliver Daniel, Didn’t my Lord deliver Daniel,
Am 7 D Em Lift 6 hand, 7 hand, 8 hand bunch Am 7 D Em Lift 6 hand, 7 hand, 8 hand bunch
then why not every man? Daylight … then why not every man? Daylight …
Am 7 Am 7
He de livered Daniel from the lion’s den, A beautiful bunch of ripe banana He de livered Daniel from the lion’s den, A beautiful bunch of ripe banana
Em Daylight … Em Daylight …
Jonah from the belly of the whale, Jonah from the belly of the whale,
Am 7 (Em7 ) Down by the Riverside Am 7 (Em7 ) Down by the Riverside
And the Hebrew children from the fiery And the Hebrew children from the fiery
C D (b 243) C D (b 243)
furnace – furnace –
Am 7 D Em G C D7 Am 7 D Em G C D7
then, why not every man? I’m gonna lay down my bur dens then, why not every man? I’m gonna lay down my bur dens
G G
down by the riverside, down by the riverside,
35 35
D7 Give Me Jesus D7 Give Me Jesus
down by the riverside, down by the riverside,
# #7
G A C m C D G A C# m C#7 D
down by the riverside, In the morning when I rise, (3x) down by the riverside, In the morning when I rise, (3x)
C D7 F#m G A C D7 F#m G A
I’m gonna lay down my bur dens give me Je - sus. I’m gonna lay down my bur dens give me Je - sus.
G C# m E G C# m E
down by the riverside, Give me Je- sus. down by the riverside, Give me Je- sus.
Am D7 G G7 D C#7 F # m Am D7 G G7 D C#7 F # m
to study war no more. Give me Je - sus . to study war no more. Give me Je - sus .
A7 D D#° A (F# m) A7 D D#° A (F# m)
C You can have all the world C You can have all the world
|: I ain’t gonna study war no more, D G A |: I ain’t gonna study war no more, D G A
G Em but give me Je - sus. G Em but give me Je - sus.
study war no more, study war no more,
Am D7 G G7 ’Twixt the cradle and the grave (3x) Am D7 G G7 ’Twixt the cradle and the grave (3x)
study war no more. : | give me Jesus. (3x) study war no more. : | give me Jesus. (3x)
I’m gonna lay down my swo’d an’ shield … You can have all the world, I’m gonna lay down my swo’d an’ shield … You can have all the world,
but give me Jesus. but give me Jesus.
I’m gonna put on my long white robe … I’m gonna put on my long white robe …
Dark midnight was my cry, (3x) Dark midnight was my cry, (3x)
I’m gonna lay down my heavy load … oh, give me Jesus. (3x) I’m gonna lay down my heavy load … oh, give me Jesus. (3x)
And when I come to die, And when I come to die,
I’m gonna lay down my cares and woes … then give me Jesus. I’m gonna lay down my cares and woes … then give me Jesus.
Freedom D#° Freedom D#°
xx1324 xx1324
========= =========
E B7 E • •
|| | | E B7 E • •
|| | |
-------------- --------------
Oh, freedom, oh freedom, ||| | • •
-------------- Oh, freedom, oh freedom, ||| | • •
--------------
E7
B 7 |||||| E7
B 7 ||||||
-------------- --------------
|||||| ||||||
oh, freedom over me‚ over me! oh, freedom over me‚ over me!
E E7 Glory Hallelujah to the Newborn King E E7 Glory Hallelujah to the Newborn King
And before I’ll be a slave, And before I’ll be a slave,
A Am A A Am A
I’ll be buried in my grave Tell me who do you call the Wonderful I’ll be buried in my grave Tell me who do you call the Wonderful
E B7 E B7
and go home to my Lord Counselor? and go home to my Lord Counselor?
A E D A A E D A
and be free, and be free. Oh, glory hallelujah! Oh, glory hallelujah! and be free, and be free. Oh, glory hallelujah! Oh, glory hallelujah!
E A E A
No more moaning … Glory Hallelujah to the new born King! No more moaning … Glory Hallelujah to the new born King!
A A
No more crying … Well I call Jesus the Wonderful Counselor! No more crying … Well I call Jesus the Wonderful Counselor!
D D
There’ll be singing … Oh, glory … There’ll be singing … Oh, glory …
D A D A
Oh, freedom … Just follow the star and you’ll find the baby, Oh, freedom … Just follow the star and you’ll find the baby,
Oh, glory … Oh, glory …
D A D A
You’ll find Him in Bethlehem wrapped in a You’ll find Him in Bethlehem wrapped in a
manger, manger,
Oh, glory … Oh, glory …
36 36
Cryin’ “Peace on earth, goodwill to your 2. He’s got a tiny little baby … Cryin’ “Peace on earth, goodwill to your 2. He’s got a tiny little baby …
neighbor”. neighbor”.
Oh, glory … 3. He’s got you and me brother … Oh, glory … 3. He’s got you and me brother …
Didn’t Jesus say every man is your neighbor, 4. He’s got the son and his father … Didn’t Jesus say every man is your neighbor, 4. He’s got the son and his father …
Oh, glory … Oh, glory …
5. He’s got the mother and her daughter … 5. He’s got the mother and her daughter …
Go Tell it on the Mountains Go Tell it on the Mountains
6. He’s got everybody here … 6. He’s got everybody here …
D D
Go, tell it on the mountains, 7. He’s got the sund and the moon … Go, tell it on the mountains, 7. He’s got the sund and the moon …
A7 D G A7 D G
over the hills and ev’rywhere, 8. He’s got the whole world … over the hills and ev’rywhere, 8. He’s got the whole world …
D Bm D Bm
go, tell it on the mountains, Here Comes Jesus go, tell it on the mountains, Here Comes Jesus
G A7 D G A7 D
that Jesus Christ is born. C C 7
that Jesus Christ is born. C C7
Here comes Jesus Here comes Jesus
D F D F
When I was a seeker He’s a-walkin’ on the water When I was a seeker He’s a-walkin’ on the water
A7 D C A7 D C
I sought both night and day. He’ll lift you up I sought both night and day. He’ll lift you up
Bm G Bm G
I asked my Lord to help me And help you to stand. I asked my Lord to help me And help you to stand.
7 7 7 7
Em E A A C C7 Em E A A C C7
and he showed me the way. Here comes Jesus and he showed me the way. Here comes Jesus
F F
Go, tell it to the mountains … He’s the maker of the waves that roll Go, tell it to the mountains … He’s the maker of the waves that roll
C G C G
When I was a sinner, Here comes Jesus When I was a sinner, Here comes Jesus
I prayed both night and day, C I prayed both night and day, C
I asked the Lord to help me, He’ll make you whole. I asked the Lord to help me, He’ll make you whole.
and he showed me the way. and he showed me the way.
|: Jesus, He’s the way-maker :| |: Jesus, He’s the way-maker :|
Go, tell it to the mountains … And He made a way for me. Go, tell it to the mountains … And He made a way for me.
When the sun refused to shine When the sun refused to shine
He made me a watchman In that sinful heart of mine He made me a watchman In that sinful heart of mine
upon the city wall; Jesus, He made a way for me. upon the city wall; Jesus, He made a way for me.
and if I am a Christian, and if I am a Christian,
I am the least of all. I Want Jesus to Walk with Me I am the least of all. I Want Jesus to Walk with Me
Go, tell it to the mountains … Am Dm Em Am Go, tell it to the mountains … Am Dm Em Am
I want Jesus to walk with me I want Jesus to walk with me
He’s Got the whole World in his Hands C F E E7 He’s Got the whole World in his Hands C F E E7
I want Jesus to walk with me I want Jesus to walk with me
D Am C F Dm D Am C F Dm
1. He’s got the whole world in his hands. All a long th e pilgrim journey 1. He’s got the whole world in his hands. All a long th e pilgrim journey
A7 Am Em Am Em A7 Am Em Am Em
He’s got the whole world in his hands. Lord, I want Jesus towalk with me. He’s got the whole world in his hands. Lord, I want Jesus towalk with me.
D D
He’s got the whole world in his hands. |: In my trials, Lord, walk with me :| He’s got the whole world in his hands. |: In my trials, Lord, walk with me :|
A7 D When my hear is almost breaking, A7 D When my hear is almost breaking,
He’s got the whole world in his hands. Lord I want Jesus to walk with me He’s got the whole world in his hands. Lord I want Jesus to walk with me

37 37
|: When I’m in trouble, Lord, walk with It’s me … |: When I’m in trouble, Lord, walk with It’s me …
me :| me :|
When my head is bowed in sorrow |: It’s not my brother, not my sister, but it’s When my head is bowed in sorrow |: It’s not my brother, not my sister, but it’s
Lord, I want Jesus to walk with me. me, O Lord, Lord, I want Jesus to walk with me. me, O Lord,
standing in the need of prayer. :| standing in the need of prayer. :|
I Want to Be a Christian It’s me … I Want to Be a Christian It’s me …
C F C F
Lord, I want to be a Christian |: It’s not my teacher, not my preacher, but Lord, I want to be a Christian |: It’s not my teacher, not my preacher, but
C Em F it’s me, O Lord, C Em F it’s me, O Lord,
In my heart, in my heart standing in the need of prayer. :| In my heart, in my heart standing in the need of prayer. :|
C F C F
Lord, want to be a Christian It’s me … Lord, want to be a Christian It’s me …
C FC C FC
In my heart. Jesus Met the Woman In my heart. Jesus Met the Woman
F C F G F C F G
In my heart, in my heart Jesus met the woman at the well In my heart, in my heart Jesus met the woman at the well
Fm C F C G Fm C F C G
Lord, I w ant to be a Christian Jesus met the woman at the well Lord, I w ant to be a Christian Jesus met the woman at the well
C FC G B Em C FC G B Em
In my heart. Jesus met the woman at the well In my heart. Jesus met the woman at the well
A7 D A7 D
I don’t want to be like Judas And he told her everything she’d ever done I don’t want to be like Judas And he told her everything she’d ever done
In my heart, in my heart In my heart, in my heart
I don’t want to be like Judas He said, “Woman (woman), Woman I don’t want to be like Judas He said, “Woman (woman), Woman
In my heart. (woman), In my heart. (woman),
Where is your husband (3x) Where is your husband (3x)
In my heart, in my heart … And I know everything you’ve ever done In my heart, in my heart … And I know everything you’ve ever done
Lord, I want to be like Jesus She said, Jesus (Jesus), Jesus (Jesus), Lord, I want to be like Jesus She said, Jesus (Jesus), Jesus (Jesus),
In my heart, in my heart. I have no husband (3x) In my heart, in my heart. I have no husband (3x)
Lord, I want to be like Jesus And you don’t know everything I’ve ever done. Lord, I want to be like Jesus And you don’t know everything I’ve ever done.
In my heart. In my heart.
He said, Woman (woman), Woman (woman), He said, Woman (woman), Woman (woman),
In my heart, in my heart … You’ve got five husbands (3x) In my heart, in my heart … You’ve got five husbands (3x)
And the one you’ve got now, is not your own And the one you’ve got now, is not your own
It’s Me It’s Me
D A F #7
Bm
She said, this man (this man), this man (this D A F #7 Bm
She said, this man (this man), this man (this
|: It’s me, it’s me, it’s me O Lord, man), |: It’s me, it’s me, it’s me O Lord, man),
G A D Must be a prophet (3x) G A D Must be a prophet (3x)
standing in the need of prayer. :| For he told me everything I’ve ever done standing in the need of prayer. :| For he told me everything I’ve ever done
D A D A
Jesus met the woman at the well (3x) Jesus met the woman at the well (3x)
|: It’s not my mother, not my elder, but it’s |: It’s not my mother, not my elder, but it’s
F #7
Bm And he told her everything she’d ever done F #7
Bm And he told her everything she’d ever done
me, O Lord, me, O Lord,
G A D G A D
standing in the need of prayer. :| standing in the need of prayer. :|

38 38
Joshua Fit the Battle of Jericho F #m A B7 E A Joshua Fit the Battle of Jericho F #m A B7 E A
Let us bre ak bread to gether on our knees. Let us bre ak bread to gether on our knees.
Dm Gm Dm A7 Dm Gm Dm A7
Joshua fit the battle of Jericho, Jericho‚ Jericho‚ G A D Joshua fit the battle of Jericho, Jericho‚ Jericho‚ G A D
Dm When I fall down on my knees Dm When I fall down on my knees
Joshua fit the battle of Jericho, Bm A F#m Joshua fit the battle of Jericho, Bm A F#m
A7 Dm with my face to the rising sun‚ A7 Dm with my face to the rising sun‚
and the w a lls came tumbling down. G D G D A D and the w a lls came tumbling down. G D G D A D
oh Lord have mer cy on me. oh Lord have mer cy on me.
Dm A7 Dm Dm A7 Dm
You may talk about your king of Gideon‚ |: Let us drink wine together on our knees. :| You may talk about your king of Gideon‚ |: Let us drink wine together on our knees. :|
A7 Dm A7 Dm
you may talk about your men of Saul‚ |: Let us praise God together on our knees. :| you may talk about your men of Saul‚ |: Let us praise God together on our knees. :|
but there’s none like good old Joshua Man Come into Egypt but there’s none like good old Joshua Man Come into Egypt
A7 Dm A7 Dm
at the battle of Jericho. (Capo: 3 Fret) rd at the battle of Jericho. (Capo: 3rd Fret)
Joshua fit the battle … Am D Joshua fit the battle … Am D
There is a man come into Egypt, There is a man come into Egypt,
Right up to the walls of Jericho F G Am A Right up to the walls of Jericho F G Am A
he marched with the spear in hand. and Moses is his name he marched with the spear in hand. and Moses is his name
Dm Dm
Old Joshua commanded the children to shout, Old Joshua commanded the children to shout,
When he saw the grief upon us, When he saw the grief upon us,
and the walls came a tumbling down. G C E and the walls came a tumbling down. G C E
in his heart there burned a flame. in his heart there burned a flame.
Joshua fit the battle … Am C D G C Joshua fit the battle … Am C D G C
In his heart there burned a flame Oh Lord, In his heart there burned a flame Oh Lord,
Kumbaya F B7 E Kumbaya F B7 E
In his heart there burned a flame, In his heart there burned a flame,
C F C Am D C F C Am D
Kumbaya, my Lord, kumbaya‚ When he saw the grief u pon us, Kumbaya, my Lord, kumbaya‚ When he saw the grief u pon us,
Em Dm G F G Am Em Dm G F G Am
Kumbaya‚ my Lord, kumbaya‚ in his heart there burned a flame. Kumbaya‚ my Lord, kumbaya‚ in his heart there burned a flame.
C F C C F C
Kumbaya, my Lord, kumbaya‚ There is a man come into Egypt, Kumbaya, my Lord, kumbaya‚ There is a man come into Egypt,
G Am G7 C G Am G7 C
oh, Lord, kumbaya. his eyes are full of light oh, Lord, kumbaya. his eyes are full of light
Like the sun come up in Egypt, Like the sun come up in Egypt,
Someone’s singing Lord, kumbaya, (3x) come to drive away the night Someone’s singing Lord, kumbaya, (3x) come to drive away the night
oh, Lord, kumbaya. Come to drive away the night Oh Lord, oh, Lord, kumbaya. Come to drive away the night Oh Lord,
Come to drive away the night. Come to drive away the night.
Someone’s laughing, Lord … Like the sun come up in Egypt, Someone’s laughing, Lord … Like the sun come up in Egypt,
Someone’s praying, Lord … come to drive away the night. Someone’s praying, Lord … come to drive away the night.

Someone’s sleeping, Lord … There is a man come into Egypt, Someone’s sleeping, Lord … There is a man come into Egypt,
he’s come for you and me. he’s come for you and me.
Someone’s dying, Lord … On his lips a word is singing, Someone’s dying, Lord … On his lips a word is singing,
and the word is Liberty. and the word is Liberty.
Let Us Break Bread Together And the word is Liberty, Oh, Lord; Let Us Break Bread Together And the word is Liberty, Oh, Lord;
A7
D Bm G A 7
D and the word is Liberty. A7 D Bm G A7 D and the word is Liberty.
Let us break bread together on our knees. On his lips a word is singing, Let us break bread together on our knees. On his lips a word is singing,
and the word is Liberty. and the word is Liberty.
39 39
There is a man come into Egypt C G F C There is a man come into Egypt C G F C
to stir the souls of men when the stars begin to fall! to stir the souls of men when the stars begin to fall!
We will follow him to freedom, You will hear the sinner cry We will follow him to freedom, You will hear the sinner cry
never wear those chains again to wake the nation under ground never wear those chains again to wake the nation under ground
Never wear those chains again oh Lord, looking to my God’s right hand Never wear those chains again oh Lord, looking to my God’s right hand
never wear those chains again. when the stars begin to fall. never wear those chains again. when the stars begin to fall.
We will follow him to freedom, We will follow him to freedom,
never wear those chains again! You will hear the Christians shout never wear those chains again! You will hear the Christians shout
to wake the nation … to wake the nation …
Michael Row the Boat Ashore Michael Row the Boat Ashore
You will hear the trumpets’ sound You will hear the trumpets’ sound
D GD to wake the nation … D GD to wake the nation …
Michael, row the boat ashore, hallelujah. Michael, row the boat ashore, hallelujah.
F #m G A G D A7 D My Lord, what a morning … F #m G A G D A7 D My Lord, what a morning …
Michael, row the boat ashore, hallelu-u-jah. Michael, row the boat ashore, hallelu-u-jah.
D GD Nobody Knows the Trouble D GD Nobody Knows the Trouble
Michael’s boat is a music boat, halle lujah. G C G D
Michael’s boat is a music boat, halle lujah. G C G D
F#m G A G D A7 D F#m G A G D A7 D
Michael’s boat is a music boat, hallelu-u-jah. Nobody knows the trouble I’ve seen‚ Michael’s boat is a music boat, hallelu-u-jah. Nobody knows the trouble I’ve seen‚
7 7 7 7
G C A D G C A D
Michael, row … nobody knows but Jesus. Michael, row … nobody knows but Jesus.
G C G E7 G C G E7
|: Sister, help to trim the sail, hallelujah. :| Nobody knows the trouble I’ve seen‚ |: Sister, help to trim the sail, hallelujah. :| Nobody knows the trouble I’ve seen‚
A7 D7 G A7 D7 G
Michael, row … glory, halleluja! Michael, row … glory, halleluja!
G C G G C G
River Jordan is chilly and cold, hallelujah, Some times I’m up, some times I’m down‚ River Jordan is chilly and cold, hallelujah, Some times I’m up, some times I’m down‚
chills the body, but not the soul, hallelujah. D chills the body, but not the soul, hallelujah. D
oh yes, Lord, oh yes, Lord,
Michael, row … G G7 C E7 Michael, row … G G7 C E7
sometimes I’m almost to the ground, sometimes I’m almost to the ground,
The river is deep and the river is wide, A7 D 7 G The river is deep and the river is wide, A7 D 7 G
hallelujah. oh yes, Lord! hallelujah. oh yes, Lord!
milk and honey on the other side, hallelujah. milk and honey on the other side, hallelujah.
Nobody knows … Nobody knows …
Michael, row … Michael, row …
I never shall forget that day I never shall forget that day
Going to the city, that I adore, hallelujah, oh yes, Lord, Going to the city, that I adore, hallelujah, oh yes, Lord,
to my Lord on the other side, hallelujah. when Jesus washed my sins away, to my Lord on the other side, hallelujah. when Jesus washed my sins away,
oh yes, Lord! oh yes, Lord!
Michael, row … Michael, row …
Nobody knows … Nobody knows …
My Lord What a Morning My Lord What a Morning
Although you see me goin’ so, Although you see me goin’ so,
C G C oh yes, Lord, C G C oh yes, Lord,
My Lord, what a morning, I have my trials here below, My Lord, what a morning, I have my trials here below,
Em A7 Dm G Em A7 Dm G
my Lord, what a morning, oh yes, Lord! my Lord, what a morning, oh yes, Lord!
C C7 F Fm C C7 F Fm
my Lord, what a morning, Nobody knows … my Lord, what a morning, Nobody knows …

40 40
Oh Happy Day Old Time Religion Oh Happy Day Old Time Religion
7 7
D G C G D G C G
Oh happy day, Give me that old-time religion, Oh happy day, Give me that old-time religion,
G E D G G E D G
oh happy day, give me that old-time religion; oh happy day, give me that old-time religion;
Am D G7 C Am D G7 C
when Jesus washed, give me that old-time re ligion, when Jesus washed, give me that old-time re ligion,
D7 Am D G D7 G D7 Am D G D7 G
oh when he washed, it’s good e nough for me. oh when he washed, it’s good e nough for me.
Am D Am D
when Jesus washed, It was good for our mothers, (3x) when Jesus washed, It was good for our mothers, (3x)
G C and it’s good enough for me. G C and it’s good enough for me.
he washed my sins a way. he washed my sins a way.
G C It has served our fathers … G C It has served our fathers …
Oh happy day, Oh happy day,
G D Makes me love everybody … G D Makes me love everybody …
oh happy day. oh happy day.
G C G
It will do when I’m dying … G C G
It will do when I’m dying …
He taught me how to w atch, fight and pray‚ It will take us all to heaven … He taught me how to w atch, fight and pray‚ It will take us all to heaven …
C G D C G D
fight and pray fight and pray
G C G C G D7 Pick a Bale o’ Cotton G C G C G D7 Pick a Bale o’ Cotton
and live en joying and live ev’ryday, ev’ryday. and live en joying and live ev’ryday, ev’ryday.
|: Gonna jump down, turn around, |: Gonna jump down, turn around,
O Mary Don’ t You Weep Pick a bale o’ cotton O Mary Don’ t You Weep Pick a bale o’ cotton
Gonna jump down, turn around, Gonna jump down, turn around,
O Mary, don’t you weep, don’t you mourn Pick a bale a day :| O Mary, don’t you weep, don’t you mourn Pick a bale a day :|
O Mary, don’t you weep, don’t you mourn |: O Lordy, pick a bale o’ cotton O Mary, don’t you weep, don’t you mourn |: O Lordy, pick a bale o’ cotton
Pharaoh’s army got drowned O Lordy, pick a bale a day :| Pharaoh’s army got drowned O Lordy, pick a bale a day :|
O Mary, don’t you weep O Mary, don’t you weep
Gonna get on my knees and pick a bale of Gonna get on my knees and pick a bale of
Some of these mornings bright and fair cotton … Some of these mornings bright and fair cotton …
Take my wings and cleave the air Take my wings and cleave the air
Pharaoh’s army got drowned I b’lieve to my soul I can … Pharaoh’s army got drowned I b’lieve to my soul I can …
O Mary, don’t you weep O Mary, don’t you weep
Rock-a-my Soul Rock-a-my Soul
When I get to heaven goin’ to sing and shout D
When I get to heaven goin’ to sing and shout D
Nobody there for turn me out Rock-a-my soul in the bosom of Abraham Nobody there for turn me out Rock-a-my soul in the bosom of Abraham
Pharaoh’s army got drowned A7 Pharaoh’s army got drowned A7
O Mary don’t you weep Rock-a-my soul in the bosom of Abraham O Mary don’t you weep Rock-a-my soul in the bosom of Abraham
D D
When I get to Heaven goin’ to put on my shoes Rock-a-my soul in the bosom of Abraham When I get to Heaven goin’ to put on my shoes Rock-a-my soul in the bosom of Abraham
A7 D A7 D
Run about glory and tell all the news Run about glory and tell all the news
O rock my soul! O rock my soul!
Pharaoh’s army got drowned Pharaoh’s army got drowned
O Mary don’t you weep F D F D O Mary don’t you weep F D F D
When I went down in the valley to pray When I went down in the valley to pray
G D G D
O rock my soul! O rock my soul!

41 41
 A Em 7 A E B7 E A Em 7 A E B7 E
My soul got happy and stayed all day comin’ for to c a rry me home. My soul got happy and stayed all day comin’ for to c a rry me home.
A7 D A7 D
O rock my soul! E A B7 O rock my soul! E A B7
I looked over Jordan, an’ what did I see I looked over Jordan, an’ what did I see
When I was a mourner just like you (3x) E B7 When I was a mourner just like you (3x) E B7
O rock my soul! comin’ for to carry me home O rock my soul! comin’ for to carry me home
E A B7 E A B7
I mourned and mourned till I come through (3x) A band of angels, comin’ after me I mourned and mourned till I come through (3x) A band of angels, comin’ after me
E B7 E E B7 E
O rock my soul! comin’ for to c a rry me home. O rock my soul! comin’ for to c a rry me home.
D D
So high, can’t go over it Swing low … So high, can’t go over it Swing low …
A A
so low, can’t get under it Sometimes I’m up, an’ sometimes down … so low, can’t get under it Sometimes I’m up, an’ sometimes down …
D But still my soul is glory-bound … D But still my soul is glory-bound …
so wide, can’t get ’round it so wide, can’t get ’round it
A D Swing low … A D Swing low …
O rock my soul! O rock my soul!
If you get to heaven, before I do … If you get to heaven, before I do …
Sometimes I Feel Tell old St. Peter, I’m comin’ there too … Sometimes I Feel Tell old St. Peter, I’m comin’ there too …

(Capo: 3rd Fret) Swing low … (Capo: 3rd Fret) Swing low …
Am Dm Am Very Last Day Am Dm Am Very Last Day
Sometimes I feel like a motherless child. Sometimes I feel like a motherless child.
D7 Am Dm Dm C Dm D7 Am Dm Dm C Dm
Sometimes I feel like a motherless child. Everybody gonna pray Sometimes I feel like a motherless child. Everybody gonna pray
Am Dm6 Am Dm C Dm Am Dm6 Am Dm C Dm
Sometimes I feel like a motherless child. On the very last day Sometimes I feel like a motherless child. On the very last day
F C Bf F C Bf
D Am E7 Am Oh when they hear that bell D Am E7 Am Oh when they hear that bell
A long ways from home. A E7 A A long ways from home. A E7 A
E7 Am A-ring the world away E7 Am A-ring the world away
A long ways from home. Dm C Bf A long ways from home. Dm C Bf
E7 Am Everybody gonna pray to the heavens E7 Am Everybody gonna pray to the heavens
True believer, a long ways from home‚ A Dm C Dm True believer, a long ways from home‚ A Dm C Dm
E7 Am On the judgement day. E7 Am On the judgement day.
a long ways ways from home. a long ways ways from home.
F C Dm F C Dm
Sometimes I feel like I’m almost gone; (3x) Well you can sing about the great king David Sometimes I feel like I’m almost gone; (3x) Well you can sing about the great king David
F C F F C F
|: way up in the heavenly land. :| And you can preach about the wisdom of Saul |: way up in the heavenly land. :| And you can preach about the wisdom of Saul
f f
True believer; way up in the heavenly land, Dm C B C True believer; way up in the heavenly land, Dm C B C
way up in the heavenly land. But the judgment falls on all mankind way up in the heavenly land. But the judgment falls on all mankind
F A Dm F A Dm
When the trumpet sounds the call. When the trumpet sounds the call.
Swing Low F G A Dm Swing Low F G A Dm
E A B7
All equal and the same E A B7
All equal and the same
F G A Dm F G A Dm
Swing low, sweet char iot‚ When the Lord He calls your name Swing low, sweet char iot‚ When the Lord He calls your name
E B7 E B7
F G A F G A
comin’ for to carry me home Get ready, brother, for that day. comin’ for to carry me home Get ready, brother, for that day.
7 7
E E A Am E E A Am
swing low, sweet char iot‚ swing low, sweet char iot‚

42 42
Everybody gonna pray … F G C Dm G Am Everybody gonna pray … F G C Dm G Am
Oh, deep in my heart I do be lieve Oh, deep in my heart I do be lieve
Well one day soon all men will stand C F G G7 C Well one day soon all men will stand C F G G7 C
His word will be heeded in all the land that we shall overcome some day. His word will be heeded in all the land that we shall overcome some day.
Men shall know and men shall seek, |: We’ll walk hand in hand, :| Men shall know and men shall seek, |: We’ll walk hand in hand, :|
We all are brothers and we all are free we’ll walk hand in hand, some day. We all are brothers and we all are free we’ll walk hand in hand, some day.
Mankind was made of clay Mankind was made of clay
Each of us in the very same way Oh, deep in my heart … Each of us in the very same way Oh, deep in my heart …
Get ready, brother, for that day Get ready, brother, for that day
|: We are not afraid, :| |: We are not afraid, :|
Everybody gonna pray … we are not afraid today. Everybody gonna pray … we are not afraid today.
Oh well the law is given and the law is known, Oh, deep in my heart … Oh well the law is given and the law is known, Oh, deep in my heart …
A tale is told and the seed is sown, A tale is told and the seed is sown,
From dust we came into dust we’ll go, |: We shall live in peace, :| From dust we came into dust we’ll go, |: We shall live in peace, :|
You the know the Lord once told us so. we shall live in peace some day. You the know the Lord once told us so. we shall live in peace some day.
Each brother takes His hand, Truth shall make us free some day, Each brother takes His hand, Truth shall make us free some day,
Heed the meaning of the Lord’s command we shall brothers be some day. Heed the meaning of the Lord’s command we shall brothers be some day.
Get ready, brother, for that day. Get ready, brother, for that day.
Were You there Were You there
Everybody gonna pray … Everybody gonna pray …
7
D A D A7
Walk together, Children Were you there when they crucified my Walk together, Children Were you there when they crucified my
D GD D GD
D G D D Lord‚ D G D D Lord‚
Walk together, chil dren, don’t you get weary‚ F#m G Walk together, chil dren, don’t you get weary‚ F#m G
D G D A D G Were you there when they crucified my D G D A D G Were you there when they crucified my
w alk together chil dren, don’t you get weary‚ A EA w alk together chil dren, don’t you get weary‚ A EA
G D Lord‚ G D Lord‚
walk together chil dren, don’t you get weary, DGDA D D7 G walk together chil dren, don’t you get weary, DGDA D D7 G
G D G D A7 Oh‚ sometimes it causes me to tremble, G D G D A7 Oh‚ sometimes it causes me to tremble,
there’s a great camp meetin’ in the Pro mised D Em A there’s a great camp meetin’ in the Pro mised D Em A
D tremble‚ tremble‚ D tremble‚ tremble‚
land. Gm D A land. Gm D A
Were you there when they crucified my Were you there when they crucified my
D G D… D GD D G D… D GD
Goin’ to walk and never tire … Lord. Goin’ to walk and never tire … Lord.
Goin’ to sing and never tire … Were you there when they nailed him to the Goin’ to sing and never tire … Were you there when they nailed him to the
Goin’ to shout and never tire … tree … Goin’ to shout and never tire … tree …
Were you there when they pierced him in the Were you there when they pierced him in the
We Shall Overcome side … We Shall Overcome side …
C F C C F C
|: We shall overcome, :| Were you there when the sun refused to shine … |: We shall overcome, :| Were you there when the sun refused to shine …
C Am F Dm G D7 G C Am F Dm G D7 G
we shall overcome some day. Were you there when they laid him in the we shall overcome some day. Were you there when they laid him in the
tomb … tomb …
Were you there when they rolled the stone Were you there when they rolled the stone
away … away …
43 43
When Israel Was in Egypt’s Land Go down … When Israel Was in Egypt’s Land Go down …
7 7
Em B Em C Em B Em C
When Israel was in Egypt’s land – When the Saints Go Marching in When Israel was in Egypt’s land – When the Saints Go Marching in
7 7
B Em E B Em E
let my people go. Oh when the saints go marchin’ in, let my people go. Oh when the saints go marchin’ in,
B7 Em C B7 B7 Em C B7
Oppressed so hard they could not stand – oh when the saints go marchin’ in: Oppressed so hard they could not stand – oh when the saints go marchin’ in:
B7 Em E E7 A Am B7 Em E E7 A Am
let my people go. oh, Lord, I want to be in that number, let my people go. oh, Lord, I want to be in that number,
E B7 E E B7 E
Em Am Em Am
Go down, Moses, when the saints go marchin’ in! Go down, Moses, when the saints go marchin’ in!
B7 Em B7 Em
way down in Egypt’s land, And when the stars begin to shine … way down in Egypt’s land, And when the stars begin to shine …
C Em C Em
tell old Pharaoh: When Gabriel blows in his horn … tell old Pharaoh: When Gabriel blows in his horn …
7 7
B Em B Em
let my people go. And when the sun refuses to shine … let my people go. And when the sun refuses to shine …

“Thus spoke the Lord”, bold Moses said, And when the moos has turned to blood … “Thus spoke the Lord”, bold Moses said, And when the moos has turned to blood …
“let my people go! And when they gather round the throne … “let my people go! And when they gather round the throne …
If not I’ll smite your first-born dead. If not I’ll smite your first-born dead.
Let my people go.” And when they crown him King of kings … Let my people go.” And when they crown him King of kings …
Go down … And on that Halleluja day … Go down … And on that Halleluja day …
“Your foes shall not before you stand, “Your foes shall not before you stand,
let my people go. IRISH AND SCOTTISH SONGS let my people go. IRISH AND SCOTTISH SONGS
And you’ll possess fair Canaan’s land, And you’ll possess fair Canaan’s land,
let my people go.” An Irish Blessing let my people go.” An Irish Blessing
Go down … James Boore Go down … James Boore
“You’ll not get lost in the wilderness, May the road rise to meet you. “You’ll not get lost in the wilderness, May the road rise to meet you.
let my people go. May the wind be always at your back. let my people go. May the wind be always at your back.
With a lighted candle in your breast, May the sun shine warm upon your face, With a lighted candle in your breast, May the sun shine warm upon your face,
let my people go.” the rains fall soft upon your fields, let my people go.” the rains fall soft upon your fields,
and until we meet again, until we meet again, and until we meet again, until we meet again,
Go down … may God, may God hold you Go down … may God, may God hold you
in the palm of his hand. in the palm of his hand.
“No more shall they in bondage toil, “No more shall they in bondage toil,
let my people go. Both Sides the Tweed let my people go. Both Sides the Tweed
Let them come out with Egypt’s spoil, Let them come out with Egypt’s spoil,
let my people go.” Dick Gaughan 1981 let my people go.” Dick Gaughan 1981
(Capo: 4th Fret) (Capo: 4th Fret)
Go down … Go down …
Am Am 7 F Am Am 7 F
Oh, let us all from bondage flee, – What’s the spring breathing jasmine and rose? Oh, let us all from bondage flee, – What’s the spring breathing jasmine and rose?
let my people go. Em C G let my people go. Em C G
And let us all in Christ be free, – What’s the summer with all its gay train? And let us all in Christ be free, – What’s the summer with all its gay train?
let my people go. let my people go.
44 44
 Am Am 7 F My childhood days bring back sweet reflections Am Am 7 F My childhood days bring back sweet reflections
Or the splendour of autumn to those of happy times I spent so long ago. Or the splendour of autumn to those of happy times I spent so long ago.
Em G Am Em G Am
who’ve bartered their freedom for gain? My boyhood friends and my own relations who’ve bartered their freedom for gain? My boyhood friends and my own relations
have all passed on now like melting snow. have all passed on now like melting snow.
F C But I’ll spend my days in endless roaming, F C But I’ll spend my days in endless roaming,
Let the love of our land’s sacred rights soft is the grass, my bed is free. Let the love of our land’s sacred rights soft is the grass, my bed is free.
Am G Am G
Ah! to be back now in Carrickfergus, Ah! to be back now in Carrickfergus,
to the love of our people suc ceed, to the love of our people suc ceed,
D 7/9 C F on that long road down to the sea. D 7/9 C F on that long road down to the sea.
let friendship and honour unite And in Kilkenny, it is reported, let friendship and honour unite And in Kilkenny, it is reported,
Em G Am Em G Am
and flourish on both sides the Tweed. there are marble stones black as ink. and flourish on both sides the Tweed. there are marble stones black as ink.
With gold and silver I would support her, With gold and silver I would support her,
No sweetness the senses can cheer but I’ll sing no more now till I get a drink. No sweetness the senses can cheer but I’ll sing no more now till I get a drink.
which corruption and bribery bind; I’m drunk today, and I’m seldom sober, which corruption and bribery bind; I’m drunk today, and I’m seldom sober,
no brightness that gloom can e’er clear a handsome rover from town to town. no brightness that gloom can e’er clear a handsome rover from town to town.
for honour’s the sum of the mind. Ah! but I’m sick now, my days are numbered, for honour’s the sum of the mind. Ah! but I’m sick now, my days are numbered,
so come all ye young men and lay me down. so come all ye young men and lay me down.
Let the love … Let the love …
Let virtue distinguish the brave, Cockles and Mussels Let virtue distinguish the brave, Cockles and Mussels
place riches in lowest degree; (b 242) place riches in lowest degree; (b 242)
think them poorest who can be a slave, think them poorest who can be a slave,
them richest who dare to be free. E them richest who dare to be free. E
In Dublin’s fair city, In Dublin’s fair city,
Let the love … B7 Let the love … B7
where the girls are so pretty, where the girls are so pretty,
Am 7 D 7/9 C# m F#m A B7 Am 7 D 7/9 C# m F#m A B7
3o2o1o xxo21o 3o2o1o xxo21o
========= ========= I first set my eyes on sweet Molly Malone. ========= ========= I first set my eyes on sweet Molly Malone.
|||| |
-------------- • |||| | •
-------------- E
|||| |
-------------- • |||| | •
-------------- E
|| ||| •
--------------
||| || •
-------------- As she wheels her wheel barrow
|| ||| •
--------------
||| || •
-------------- As she wheels her wheel barrow
• |||||
--------------
||||||
-------------- • |||||
--------------
||||||
--------------
|||||| |||||| B7 |||||| |||||| B7
through the streets broad and narrow through the streets broad and narrow
Carrickfergus C# m G #m A B7 E Carrickfergus C# m G #m A B7 E
crying: “Cockles and mussels al ive, alive oh!” crying: “Cockles and mussels al ive, alive oh!”
D E E7 A D E E7 A
I wish I was in Carrick fergus E B7 I wish I was in Carrick fergus E B7
F # m Bm E7 A |: Alive, alive oh! A live, alive, oh! F # m Bm E7 A |: Alive, alive oh! A live, alive, oh!
only for nights in Ballygran. C# m G #m A B7 only for nights in Ballygran. C# m G #m A B7
7 7
D E E A Crying: “ Cockles and mussels al ive, alive D E E A Crying: “ Cockles and mussels al ive, alive
I would swim over the deepest ocean, E I would swim over the deepest ocean, E
F#m Bm E7 A oh!” :| F#m Bm E7 A oh!” :|
the deepest ocean for my love to find. the deepest ocean for my love to find.
C# m E She was a fishmonger, C# m E She was a fishmonger,
But the sea is wide and I cannot cross over but sure’t was no wonder But the sea is wide and I cannot cross over but sure’t was no wonder
# 7 # 7
F m Bm E F m Bm E
and neither have I the wings to fly. for so were her father and mother before; and neither have I the wings to fly. for so were her father and mother before;
D E D A and they both wheeled their barrow D E D A and they both wheeled their barrow
If I could find m e a handsome boat man through the streets broad and narrow If I could find m e a handsome boat man through the streets broad and narrow
F#m Bm E7 ADA F#m Bm E7 ADA
crying: “Cockles and mussels alive, alive oh!” crying: “Cockles and mussels alive, alive oh!”
to f erry me over‚ to my love and die. to f erry me over‚ to my love and die.

45 45
Alive … I’ll tell me ma … Alive … I’ll tell me ma …
She died of a fever, Nora She died of a fever, Nora
and no one could save her. and no one could save her.
And that was the end of sweet Molly Malone. T: G. W. Johnson – M: J. A. Butterfield And that was the end of sweet Molly Malone. T: G. W. Johnson – M: J. A. Butterfield
But her ghost wheels her barrow D D 7
G But her ghost wheels her barrow D D7 G
through the streets broad and narrow The violets were scenting the woods‚ Nora‚ through the streets broad and narrow The violets were scenting the woods‚ Nora‚
crying: “Cockles and mussels alive, alive oh!” D E7 A A7 crying: “Cockles and mussels alive, alive oh!” D E7 A A7
dis playing their charms to the bees. dis playing their charms to the bees.
Alive … D D7 G E7 Alive … D D7 G E7
When I first said I loved only you, Nora‚ When I first said I loved only you, Nora‚
I’ll Tell Me Ma D A D I’ll Tell Me Ma D A D
and you said you loved only me. and you said you loved only me.
D D
I’ll tell me ma, when I go home, G Em D I’ll tell me ma, when I go home, G Em D
A7 D The chestnut’s bloom gleams through the glade‚ A7 D The chestnut’s bloom gleams through the glade‚
the boys won’t leave the girls alone. the boys won’t leave the girls alone.
D Nora‚ D Nora‚
They pull my hair, they stole my comb, A E7 A A7 They pull my hair, they stole my comb, A E7 A A7
A7 D the robin sang out from ev’ry tree. A7 D the robin sang out from ev’ry tree.
and that’s alright till I go home. D D7 G E7 and that’s alright till I go home. D D7 G E7
D G When I first said I loved only you, Nora‚ D G When I first said I loved only you, Nora‚
She is handsome, she is pretty, D A D She is handsome, she is pretty, D A D
D A7 and you said you loved only me. D A7 and you said you loved only me.
she’s the belle of Belfast city, she’s the belle of Belfast city,
D G The golden-dewed daffodils shone, Nora, D G The golden-dewed daffodils shone, Nora,
she is courtin’, one, two, three, and danced in the breeze on the lea. she is courtin’, one, two, three, and danced in the breeze on the lea.
D A7 D When I first said I loved only you, Nora, D A7 D When I first said I loved only you, Nora,
please won’t you tell me who is she? and you said you loved only me. please won’t you tell me who is she? and you said you loved only me.
Albert Mooney says he loves her, The chestnut’s bloom … Albert Mooney says he loves her, The chestnut’s bloom …
all the boys are fighting for her. all the boys are fighting for her.
They rap at the door and they ring at the bell, The birds in the trees sang their songs, Nora, They rap at the door and they ring at the bell, The birds in the trees sang their songs, Nora,
saying “Oh, my true-love are you well?” of happier transports to be. saying “Oh, my true-love are you well?” of happier transports to be.
Out she comes as white as snow, When I first said I loved only you, Nora, Out she comes as white as snow, When I first said I loved only you, Nora,
rings on her fingers, bells on her toes, and you said you loved only me. rings on her fingers, bells on her toes, and you said you loved only me.
old Jenny Murphy says she’ll die, old Jenny Murphy says she’ll die,
if she doesn’t get the fellow with the roving eye. The chestnut’s bloom … if she doesn’t get the fellow with the roving eye. The chestnut’s bloom …

I’ll tell me ma … Our hopes they have never come true, Nora, I’ll tell me ma … Our hopes they have never come true, Nora,
our dreams they were never to be. our dreams they were never to be.
Let the wind and the rain and the hail blow Since I first said I loved only you, Nora, Let the wind and the rain and the hail blow Since I first said I loved only you, Nora,
high and you said you loved only me. high and you said you loved only me.
and the snow come tumblin’ from the sky and the snow come tumblin’ from the sky
she’s as sweet as apple pie The chestnut’s bloom … she’s as sweet as apple pie The chestnut’s bloom …
and she’ll get her own lad by and by. and she’ll get her own lad by and by.
When she gets a lad of her own When she gets a lad of her own
she won’t tell her ma when she gets home she won’t tell her ma when she gets home
let them all come as they will, let them all come as they will,
for it’s Albert Mooney she loves still. for it’s Albert Mooney she loves still.

46 46
Only Our Rivers Shady Grove Only Our Rivers Shady Grove
M. MacConnell (b 249) Em D M. MacConnell (b 249) Em D
Went to see my Shady Grove, Went to see my Shady Grove,
C C4 C Em D G C C4 C Em D G
When apples still grow in November standing at the door, When apples still grow in November standing at the door,
F C G D F C G D
when blossoms still bloom from each tree Shoes and stockings in her hand, when blossoms still bloom from each tree Shoes and stockings in her hand,
F G C Em D Em F G C Em D Em
when leaves are still green in De cember little bare feet on the floor. when leaves are still green in De cember little bare feet on the floor.
G Am G Am
it’s then that our land will be free. Em D it’s then that our land will be free. Em D
F G C Shady Grove, m y true love, F G C Shady Grove, m y true love,
I’ve wandered her hills and her valleys Em D G I’ve wandered her hills and her valleys Em D G
F E Shady G rove I know F E Shady G rove I know
and still through my sorrow I see D and still through my sorrow I see D
F G C Shady Grove m y true love, F G C Shady Grove m y true love,
a land that has never known freedom Em D Em a land that has never known freedom Em D Em
G Am G I’m bound for Shady Grove. G Am G I’m bound for Shady Grove.
and only our rivers run free. and only our rivers run free.
Where the cheeks are red as the blooming rose Where the cheeks are red as the blooming rose
F G C and eyes of the prettiest brown F G C and eyes of the prettiest brown
I drink to the death of her manhood She’s the darling of my heart, I drink to the death of her manhood She’s the darling of my heart,
those men who’d rather have died prettiest girl in town. those men who’d rather have died prettiest girl in town.
than to live in the cold chains of bondage than to live in the cold chains of bondage
to bring back their rights where denied. Shady Grove … to bring back their rights where denied. Shady Grove …
Oh, where are you now when we need you? Oh, where are you now when we need you?
What burns where the flame used to be? Peaches in the summertime, What burns where the flame used to be? Peaches in the summertime,
Are ye gone like the snows of last winter apples in the fall Are ye gone like the snows of last winter apples in the fall
and will only our rivers run free? If I can’t have the one I love, and will only our rivers run free? If I can’t have the one I love,
I won’t have none at all. I won’t have none at all.
F G C F G C
How sweet is life, but we’re crying, Shady Grove … How sweet is life, but we’re crying, Shady Grove …
how mellow the wine, but it’s dry, how mellow the wine, but it’s dry,
how flagrant the rose, but it’s dying, Wish I had a needle and thread, how flagrant the rose, but it’s dying, Wish I had a needle and thread,
how gentle the wind, but it sighs. fine as I could sew, how gentle the wind, but it sighs. fine as I could sew,
What good is in youth when it’s ageing? I’d sew my gal to my coat-tails What good is in youth when it’s ageing? I’d sew my gal to my coat-tails
What joy is in eyes that can’t see, and down the road I’d go. What joy is in eyes that can’t see, and down the road I’d go.
when there’s sorrow in sunshine and flowers Shady Grove … when there’s sorrow in sunshine and flowers Shady Grove …
and still only our rivers run free. and still only our rivers run free.
Some come here to fiddle and dance, Some come here to fiddle and dance,
C4 C4
x34o1o some come here to tarry, x34o1o some come here to tarry,
========= =========
|||| | •
--------------
Some come here to fiddle and dance, |||| | •
--------------
Some come here to fiddle and dance,
|||||| but I come here to marry. |||||| but I come here to marry.
-------------- --------------
| •• |||
--------------
| •• |||
--------------
|||||| ||||||
Shady Grove … Shady Grove …
Fly around my blue-eyed girl, Fly around my blue-eyed girl,
fly around my daisy, fly around my daisy,
Fly around my blue-eyed girl, Fly around my blue-eyed girl,
almost drive me crazy. almost drive me crazy.
47 47
Shady Grove … Seven long years transportation, Shady Grove … Seven long years transportation,
right down to “Van Dieman’s Land”. right down to “Van Dieman’s Land”.
Wish I had a banjo string, Far away from my friends and companions, Wish I had a banjo string, Far away from my friends and companions,
made of golden twine, betrayed by the black velvet band. made of golden twine, betrayed by the black velvet band.
Ev’ry tune I’d pick on it, Ev’ry tune I’d pick on it,
is “I wish that girl were mine.” The Foggy Dew is “I wish that girl were mine.” The Foggy Dew
Shady Grove … Peadar O’Donnell 1916 Shady Grove … Peadar O’Donnell 1916
Wish I had a great, fine horse, (Capo: 2nd Fret) Wish I had a great, fine horse, (Capo: 2nd Fret)
and corn to feed him on, Am Am 6 Em 7 and corn to feed him on, Am Am 6 Em 7
A pretty little girl to stay at home As down the glen one Easter morn, A pretty little girl to stay at home As down the glen one Easter morn,
and feed him when I’m gone. Am 7 F 7+ Am and feed him when I’m gone. Am 7 F 7+ Am
to a city fair rode I‚ to a city fair rode I‚
Shady Grove … Am 6 Em 7 Shady Grove … Am 6 Em 7
there armed lines of marching men there armed lines of marching men
Shady Grove, my true love, Am 7 F 7+ Am Shady Grove, my true love, Am 7 F 7+ Am
Shady Grove my darlin’ in squadrons passed me by. Shady Grove my darlin’ in squadrons passed me by.
C D 7/9 C C D 7/9 C
Shady Grove, my true love, Shady Grove, my true love,
No pipes did hum, no battle drum No pipes did hum, no battle drum
I’m goin’ back to Ireland. Am F 7+ Am I’m goin’ back to Ireland. Am F 7+ Am

… Well, I’m bound for Shady Grove. did sound its dread tat too … Well, I’m bound for Shady Grove. did sound its dread tat too
Am 6 Em 7 Am 6 Em 7
but the Angelus bell o’er the Liffey swell but the Angelus bell o’er the Liffey swell
The Black Velvet Band Am 7 F 7+ Am The Black Velvet Band Am 7 F 7+ Am
E rang out through the foggy dew. E rang out through the foggy dew.
Her eyes they shone like diamonds, Her eyes they shone like diamonds,
B7 Right proudly high over Dublin town B7 Right proudly high over Dublin town
you’d think she was queen of the land they flung out the flag of war. you’d think she was queen of the land they flung out the flag of war.
E ’Twas better to die ’neath an Irish sky E ’Twas better to die ’neath an Irish sky
with her hair thrown over her shoulders, than at Suvla or Sud el Bar. with her hair thrown over her shoulders, than at Suvla or Sud el Bar.
B E B E
tied up with a black velvet band. And from the plains of Royal Meath tied up with a black velvet band. And from the plains of Royal Meath
strong men came hurrying through; strong men came hurrying through;
As I went walking down Broadway; while Brittania’s huns with their long range As I went walking down Broadway; while Brittania’s huns with their long range
not intending to stay very long guns not intending to stay very long guns
I met with a frolicsome damsel, sailed in through the foggy dew. I met with a frolicsome damsel, sailed in through the foggy dew.
as she came tripping along. as she came tripping along.
Oh, the night fell black and the rifles’ crack Oh, the night fell black and the rifles’ crack
A watch she pulled out of her pocket, made “Perfidious Abion” reel. A watch she pulled out of her pocket, made “Perfidious Abion” reel.
and slipped it right into my hand. ’Mid the leaden rail, seven tongues of flame and slipped it right into my hand. ’Mid the leaden rail, seven tongues of flame
On the very first day that I met her, did shine o’er the lines of steel. On the very first day that I met her, did shine o’er the lines of steel.
bad luck to the black velvet band. By each shining blade, a prayer was said bad luck to the black velvet band. By each shining blade, a prayer was said
that to Ireland her sons be true. that to Ireland her sons be true.
Before judge and jury next morning, And when morning broke still the war flag Before judge and jury next morning, And when morning broke still the war flag
both of us did appear, shook both of us did appear, shook
a gentleman claimed his jewellery, out its fold in the foggy dew. a gentleman claimed his jewellery, out its fold in the foggy dew.
and the case against us was clear. and the case against us was clear.
’Twas England bade our Wild Gees go ’Twas England bade our Wild Gees go
that small nations might be free. that small nations might be free.

48 48
But their lonely graves are by Suvla’s waves But their lonely graves are by Suvla’s waves
on the fringe of the Great North Sea. Fine girl you are! on the fringe of the Great North Sea. Fine girl you are!
Oh, had they died by Pearse’s side And now the storm is coming, Oh, had they died by Pearse’s side And now the storm is coming,
or had fought with Cathal Brugha. I see it rising soon, or had fought with Cathal Brugha. I see it rising soon,
Their names we’d keep where the Fenians for the night is dark and dreary, Their names we’d keep where the Fenians for the night is dark and dreary,
sleep, you can scarcely see the moon. sleep, you can scarcely see the moon.
’neath the shroud of the foggy dew. And the good old ship is tossing about, ’neath the shroud of the foggy dew. And the good old ship is tossing about,
But the bravest fell, and the requiem bell and the rigging is all torn. But the bravest fell, and the requiem bell and the rigging is all torn.
rang mournfully and clear, But still I live in hope to see rang mournfully and clear, But still I live in hope to see
for those who died that Eastertide the Holy Ground once more. for those who died that Eastertide the Holy Ground once more.
in the springtime of the year; Fine girl you are! in the springtime of the year; Fine girl you are!
while the world did gaze in deep amaze And now the storm is over, while the world did gaze in deep amaze And now the storm is over,
at those fearless men, but few, and we are safe on shore at those fearless men, but few, and we are safe on shore
who bore the fight that freedom’s light and we’ll go into a public house who bore the fight that freedom’s light and we’ll go into a public house
might shine through the foggy dew. to the girls we do adore might shine through the foggy dew. to the girls we do adore
And back to the glen I rode again and we’ll drink strong ale and porter And back to the glen I rode again and we’ll drink strong ale and porter
and my heart with grief was sore, and we’ll make the rafters roar. and my heart with grief was sore, and we’ll make the rafters roar.
for I parted then with valiant men And when our money is all spent, for I parted then with valiant men And when our money is all spent,
whom I never shall see more. we’ll go to sea once more. whom I never shall see more. we’ll go to sea once more.
But to and fro in my dreams I go, Fine girl you are! But to and fro in my dreams I go, Fine girl you are!
and I’d kneel and pray for you, and I’d kneel and pray for you,
The Rose of Tralee The Rose of Tralee
for slavery fled, oh glorious dead, for slavery fled, oh glorious dead,
when you fell in the foggy dew. G G 7
C when you fell in the foggy dew. G G7 C
6 7 7+ 7/9
The pale moon was rising above the green 6 7 7+ 7/9
The pale moon was rising above the green
Am Em F D G Am Em F D G
xo421o o2oooo xx321o xxo21o xo421o o2oooo xx321o xxo21o
========= ========= ========= ========= mountains‚ ========= ========= ========= ========= mountains‚
|||| | •
--------------
||||||
--------------
|||| |
-------------- • |||| |
--------------• D7 Em Am D7
|||| | •
--------------
||||||
--------------
|||| |
-------------- • |||| |
--------------• D7 Em Am D7
||| || •
-------------- •
| ||||
--------------
||| || •
--------------
||| || •
-------------- the sun was declining be neath the blue sea‚
||| || •
-------------- •
| ||||
--------------
||| || •
--------------
||| || •
-------------- the sun was declining be neath the blue sea‚
||||||
--------------
||||||
--------------
|| ||| •
--------------
||||||
-------------- G G7 C
||||||
--------------
||||||
--------------
|| ||| •
--------------
||||||
-------------- G G7 C
•
|| ||| |||||| |||||| |||||| •
|| ||| |||||| |||||| ||||||
when I strayed with my love by the pure crystal when I strayed with my love by the pure crystal
The Holy Ground G The Holy Ground G
fountain‚ fountain‚
C G7 C G7 C D7 G D7 G C G7 C G7 C D7 G D7 G
Fare thee well my lovely darling that stands in the beautiful Vale of Tralee. Fare thee well my lovely darling that stands in the beautiful Vale of Tralee.
G7 C G7 C
a thousand times adieu. Em C a thousand times adieu. Em C
Em F G Am G She was lovely and fair as the rose of the Em F G Am G She was lovely and fair as the rose of the
We are saying good- bye to the Holy Ground B We are saying good- bye to the Holy Ground B
F C G summer‚ F C G summer‚
and the girls we all love true. Em G Am Em and the girls we all love true. Em G Am Em
C G7 C yet ’twas not her beauty a lone that won me‚ C G7 C yet ’twas not her beauty a lone that won me‚
We will sail the salt seas over D7 G G7 C G We will sail the salt seas over D7 G G7 C G
Em F G C G7 oh no, ’twas the truth in her eyes ever dawning‚ Em F G C G7 oh no, ’twas the truth in her eyes ever dawning‚
and then return to shore D7 G D7 G and then return to shore D7 G D7 G
F G Am C F C Am that m ade me love M ary, the Rose of Tralee. F G Am C F C Am that m ade me love M ary, the Rose of Tralee.
and still I live in hopes to see and still I live in hopes to see
C G7 C C G7 C
the Holy Ground once more. the Holy Ground once more.

49 49
The cool shades of evening their mantle were Whack for the tooraloloora laddy … The cool shades of evening their mantle were Whack for the tooraloloora laddy …
spreading, spreading,
and Mary all smiling was listening to me; As I went back through Dublin City, and Mary all smiling was listening to me; As I went back through Dublin City,
the moon through the valley her pale rays was as the sun began to set the moon through the valley her pale rays was as the sun began to set
shedding, who should I spy but the Spanish Lady, shedding, who should I spy but the Spanish Lady,
when I won the heart of the Rose of Tralee. catching a moth in a golden net. when I won the heart of the Rose of Tralee. catching a moth in a golden net.
When she saw me, then she fled me; When she saw me, then she fled me;
Though lovely and fair as the rose … lifting her petticoat over her knee. Though lovely and fair as the rose … lifting her petticoat over her knee.
In all my life I ne’er did see In all my life I ne’er did see
In the far fields of India, ’mid war’s dreadful a maid so shy as the Spanish Lady. In the far fields of India, ’mid war’s dreadful a maid so shy as the Spanish Lady.
thunders, thunders,
her voice was a solace and comfort to me, Whack for the tooraloloora laddy … her voice was a solace and comfort to me, Whack for the tooraloloora laddy …
but the chill hand of death has now rent us but the chill hand of death has now rent us
asunder, I’ve wandered north and I’ve wandered south, asunder, I’ve wandered north and I’ve wandered south,
I’m lonely tonight for the Rose of Tralee. through Stonybatter and Patrick’s Close. I’m lonely tonight for the Rose of Tralee. through Stonybatter and Patrick’s Close.
Up and around by the Glouster Diamond, Up and around by the Glouster Diamond,
She was lovely and fair as the rose … and back by Napper Tandy’s house. She was lovely and fair as the rose … and back by Napper Tandy’s house.
Old age has laid her hand on me, Old age has laid her hand on me,
The Spanish Lady cold as a fire of ashy coals. The Spanish Lady cold as a fire of ashy coals.
G In all my life I ne’er did see G In all my life I ne’er did see
As I come down through Dublin City a maid so sweet as the Spanish Lady. As I come down through Dublin City a maid so sweet as the Spanish Lady.
C G Am D C G Am D
at the hour of twelve at night, Whack for the tooraloloora laddy … at the hour of twelve at night, Whack for the tooraloloora laddy …
G G
who should I see but a Spanish lady The Star of County Down who should I see but a Spanish lady The Star of County Down
Am G Am D7 Am G Am D7
washing her feet by the candlelight. Em C G D washing her feet by the candlelight. Em C G D
Em A Near to Banbridge town in the County Down Em A Near to Banbridge town in the County Down
First she washed them then she dried them Em Bm First she washed them then she dried them Em Bm
Em A D one morning last Ju ly Em A D one morning last Ju ly
o’er a fire of amber coal Em C G D o’er a fire of amber coal Em C G D
G C down a boreen green came a sweet colleen G C down a boreen green came a sweet colleen
in all my life I ne’er did see Em A Em in all my life I ne’er did see Em A Em
D7 G C D7 and she smiled as she passed me by. D7 G C D7 and she smiled as she passed me by.
a maid so sweet about the soul . G D a maid so sweet about the soul . G D
She looked so sweet from her two white feet She looked so sweet from her two white feet
G Em Bm G Em Bm
|: Whack for the tooraloloora laddy, to the sheen of her nutbrown hair. |: Whack for the tooraloloora laddy, to the sheen of her nutbrown hair.
C G C D Em C G D C G C D Em C G D
whack for the toor aloor alay. :| Such the coaxing elf, I’d to shake myself, whack for the toor aloor alay. :| Such the coaxing elf, I’d to shake myself,
Em A Em Em A Em
As I come back through Dublin City to make sure I was standing there. As I come back through Dublin City to make sure I was standing there.
at the hour of past eight, at the hour of past eight,
G D G D
who should I spy but the Spanish Lady, |: From B antry Bay up to Derry Quay, who should I spy but the Spanish Lady, |: From B antry Bay up to Derry Quay,
brushing her hair in the broad daylight. Em Bm brushing her hair in the broad daylight. Em Bm
First she tossed it, then she brushed it, and from Galway to Dublin town, First she tossed it, then she brushed it, and from Galway to Dublin town,
on her lap was a silver comb. Em C G D on her lap was a silver comb. Em C G D
In all my life I ne’er did see no maid I’ve seen like the sweet colleen, In all my life I ne’er did see no maid I’ve seen like the sweet colleen,
Em A Em Em A Em
a maid so fair since I did roam. that I met in the County Down. :| a maid so fair since I did roam. that I met in the County Down. :|

50 50
As she onward sped I shook my head The Town I Loved so Well As she onward sped I shook my head The Town I Loved so Well
and I gazed with a feeling quare, G Am C G
and I gazed with a feeling quare, G Am C G
“and I said”, says I, to a passer-by, In my memory I will always see, “and I said”, says I, to a passer-by, In my memory I will always see,
“who’s the maid with the nut-brown hair?” C G D “who’s the maid with the nut-brown hair?” C G D
He smiled at me, and with pride says he: the town that I loved so well He smiled at me, and with pride says he: the town that I loved so well
“That’s the gem of Ireland’s crown, G D C “That’s the gem of Ireland’s crown, G D C
she’s young Rosie McCann, from the banks of where our school played ball by the gasyard she’s young Rosie McCann, from the banks of where our school played ball by the gasyard
G G
the Bann wall the Bann wall
she’s the star of the County Down.” C G D G she’s the star of the County Down.” C G D G
and we laughed through the smoke and smell. and we laughed through the smoke and smell.
From Bantry Bay … Em D From Bantry Bay … Em D
Going home in the rain Going home in the rain
She’d a soft brown eye and a look so sly, C G She’d a soft brown eye and a look so sly, C G
and a smile like the rose in June, running up the dark lane and a smile like the rose in June, running up the dark lane
C Am 7 D C Am 7 D
and you hung on each note from her lily-white and you hung on each note from her lily-white
past the jail and down behind the fountain. past the jail and down behind the fountain.
throat, G D C G throat, G D C G
as she lilted an Irish tune. Those were happy days in so many ways as she lilted an Irish tune. Those were happy days in so many ways
At the pattern dance you were held in trance C G D G At the pattern dance you were held in trance C G D G
as she tripped through a reel or a jig, in the town I loved so well. as she tripped through a reel or a jig, in the town I loved so well.
and when her eyes she’d roll, she’d coax upon In the early morning the shirt factory horn and when her eyes she’d roll, she’d coax upon In the early morning the shirt factory horn
my soul called women from Creggan, The Moor and my soul called women from Creggan, The Moor and
a spud from a hungry pig. The Bog, a spud from a hungry pig. The Bog,
From Bantry Bay … while the men on the dole played a mothers From Bantry Bay … while the men on the dole played a mothers
role, role,
I’ve traveled a bit, but never was hit, fed the children and then walked the dog. I’ve traveled a bit, but never was hit, fed the children and then walked the dog.
since my roving career began; And when times got tough there was just about since my roving career began; And when times got tough there was just about
but fair and square I surrendered thee enough, but fair and square I surrendered thee enough,
to the charm of young Rosie McCann. but they saw it through without complaining, to the charm of young Rosie McCann. but they saw it through without complaining,
With a heart to let and no tenant yet, for deep inside was a burning pride With a heart to let and no tenant yet, for deep inside was a burning pride
did I meet within shawl or gown, for the town I loved so well. did I meet within shawl or gown, for the town I loved so well.
but in she sent and I asked no rent but in she sent and I asked no rent
from the star of the County Down. In my memory … from the star of the County Down. In my memory …
From Bantry Bay … There was music there in the Derry air From Bantry Bay … There was music there in the Derry air
like a language that we all could understand. like a language that we all could understand.
At the Crossroads fair I’ll be surely there I remember the day that I earned my first pay At the Crossroads fair I’ll be surely there I remember the day that I earned my first pay
and I’ll dress in my Sunday clothes, when I played in a small pick up band. and I’ll dress in my Sunday clothes, when I played in a small pick up band.
and I’ll try sheep’s eyes and deludhering lies There I spent my youth and to tell the truth and I’ll try sheep’s eyes and deludhering lies There I spent my youth and to tell the truth
on the heart of the nut-brown Rose. I was sad to leave it all behind me, on the heart of the nut-brown Rose. I was sad to leave it all behind me,
No pipe I’ll smoke, no horse I’ll yoke for I’d learned about life and I’d found a wife No pipe I’ll smoke, no horse I’ll yoke for I’d learned about life and I’d found a wife
though my plough with rust turns brown, in the town I loved so well. though my plough with rust turns brown, in the town I loved so well.
till a smiling bride by my own fireside till a smiling bride by my own fireside
sits the star of the County Down. sits the star of the County Down.
From Bantry Bay … From Bantry Bay …

51 51
In my memory … I went into an ale house I used to frequent In my memory … I went into an ale house I used to frequent
and I told the landlady my money was spent. and I told the landlady my money was spent.
But when I’ve returned how my eyes have I asked her for credit, she answered me “Nay, But when I’ve returned how my eyes have I asked her for credit, she answered me “Nay,
burned such a customer like you I can have every burned such a customer like you I can have every
to see how a town could be brought to its knees day.” to see how a town could be brought to its knees day.”
by the armoured cars and the bombed out bars by the armoured cars and the bombed out bars
and the gas that hangs on to every breeze. And it’s no, nay, never … and the gas that hangs on to every breeze. And it’s no, nay, never …
Now the army’s installed by that old gas yard Now the army’s installed by that old gas yard
wall I drew from my pocket ten sovereigns bright wall I drew from my pocket ten sovereigns bright
and the damned barbed wire gets higher and and the landlady’s eyes opened wide with and the damned barbed wire gets higher and and the landlady’s eyes opened wide with
higher delight. higher delight.
with their tanks and their guns oh my God She said, “you’ll have whiskeys and wines of with their tanks and their guns oh my God She said, “you’ll have whiskeys and wines of
what have they done the best what have they done the best
to the town I loved so well. and the words that I told you were only in to the town I loved so well. and the words that I told you were only in
jest.” jest.”
In my memory … In my memory …
And it’s no, nay, never … And it’s no, nay, never …
Now the music’s gone but they carry on, Now the music’s gone but they carry on,
for their spirit’s been bruised never broken. I’ll go home to my parents and confess what for their spirit’s been bruised never broken. I’ll go home to my parents and confess what
They will not forget but their hearts are set I’ve done They will not forget but their hearts are set I’ve done
on tomorrow and peace once again; and I’ll ask them to pardon their prodigal son. on tomorrow and peace once again; and I’ll ask them to pardon their prodigal son.
for what’s done is done And when they forgive me, as oft’times before for what’s done is done And when they forgive me, as oft’times before
and what’s lost is lost and gone forever. sure I will never play the wild rover no more. and what’s lost is lost and gone forever. sure I will never play the wild rover no more.
I can only pray for a bright grand new day And it’s no, nay, never … I can only pray for a bright grand new day And it’s no, nay, never …
in the town I love so well. in the town I love so well.

The Wild Rover ROCK – POP – FOLK The Wild Rover ROCK – POP – FOLK
(b 250) A Hard Day’s Night (b 250) A Hard Day’s Night
E A E A
I’ve been a wild rover for so many a year Beatles 1964 I’ve been a wild rover for so many a year Beatles 1964
E B7 G C G E B7 G C G
and I’ve spent all my money in whiskey and It’s been a hard day’s night and I’ve spent all my money in whiskey and It’s been a hard day’s night
E F G C E F G C
beer. And I’ve been working like a dog beer. And I’ve been working like a dog
A G C G A G C G
But now I’m returning with gold in great store It’s been a hard day’s night But now I’m returning with gold in great store It’s been a hard day’s night
7 7
E B E F G E B E F G
and I will never play the wild rover no more. I should be sleeping like a log and I will never play the wild rover no more. I should be sleeping like a log
B7 E C B7 E C
And it’s no‚ nay, never! But when I get home to you And it’s no‚ nay, never! But when I get home to you
A D7 A D7
no, nay, never, no more I find the things that you do no, nay, never, no more I find the things that you do
E A G F G C E A G F G C
will I play the wild rover, Will make me feel all right will I play the wild rover, Will make me feel all right
B7 E B7 E
no, never, no more! You know I work all day no, never, no more! You know I work all day
To get you money to buy you things To get you money to buy you things

52 52
And it’s worth it just to hear you say A Heart in New York And it’s worth it just to hear you say A Heart in New York
You’re gonna give me everything rd
You’re gonna give me everything
Art Garfunkel (Capo 3 Fret) Art Garfunkel (Capo 3rd Fret)
So why on earth should I moan C
So why on earth should I moan C
’Cause when I get you alone New York, ’Cause when I get you alone New York,
You know I feel okay F C Dm C G You know I feel okay F C Dm C G
To that tall skyline I come‚ To that tall skyline I come‚
Bm Bm
Am Am7 F Dm Am Am7 F Dm
When I’m home Flyn’ in from London to your door. When I’m home Flyn’ in from London to your door.
Em Bm Em Bm
Everything seems to be alright C Everything seems to be alright C
C New York, C New York,
When I’m home F C Dm C G When I’m home F C Dm C G
Am D D7 Lookin’ down on Central P ark Am D D7 Lookin’ down on Central P ark
Feeling you holding me tight‚ tight Am Am 7 F G C Feeling you holding me tight‚ tight Am Am 7 F G C
Where they say you should not wander after Where they say you should not wander after
Yeah, it’s been a hard day’s night Yeah, it’s been a hard day’s night
And I’ve been working like a dog dark. And I’ve been working like a dog dark.
It’s been a hard day’s night C
It’s been a hard day’s night C
I should be sleeping like a log New York, I should be sleeping like a log New York,
F C Dm C G F C Dm C G
But when I get home to you Like a scene from all tho se movies But when I get home to you Like a scene from all tho se movies
I find the things that you do Am Am 7
F I find the things that you do Am Am 7
F
Will make me feel all right, Oh! But you’re real enough to me, but there’s a Will make me feel all right, Oh! But you’re real enough to me, but there’s a
Dm Dm
So why on earth should I moan heart So why on earth should I moan heart
’Cause when I get you alone G C ’Cause when I get you alone G C
You know I feel okay A heart that lives in New York. You know I feel okay A heart that lives in New York.
Em F Em F
When I’m home A heart in New York, a rose on the street When I’m home A heart in New York, a rose on the street
Everything seems to be all right E4 Everything seems to be all right E4
when I’m home I write my song to that city heartbeat when I’m home I write my song to that city heartbeat
Em F Em F
feeling you holding me tight, all through the feeling you holding me tight, all through the
A heart in New York, love in her eye‚ A heart in New York, love in her eye‚
night Dm E4 G night Dm E4 G
An open door at a friend for the night An open door at a friend for the night
Yeah, it’s been a hard day’s night Yeah, it’s been a hard day’s night
And I’ve been working like a dog C And I’ve been working like a dog C
It’s been a hard day’s night New York, It’s been a hard day’s night New York,
F C Dm C G F C Dm C G
I should be sleeping like a log You got money on your mind I should be sleeping like a log You got money on your mind
Am Am 7 F Am Am 7 F
But when I get home to you And my words won’t make a dime’s worth a But when I get home to you And my words won’t make a dime’s worth a
I find the things that you do Dm I find the things that you do Dm
Will make me feel all right difference‚ Will make me feel all right difference‚
7
You know I feel all right G D F Em G C You know I feel all right G7 D F Em G C
You know I feel all right So here’s to you New York. You know I feel all right So here’s to you New York.

53 53
Alive in the World |: To open my eyes Alive in the World |: To open my eyes
and wake up alive in the world. and wake up alive in the world.
Jackson Browne 1996 To open my eyes Jackson Browne 1996 To open my eyes
#
F m Bm and finally arrive in the world. :| F#m Bm and finally arrive in the world. :|
I want to live in the world, #4
I want to live in the world,
A D F A D F# 4
113411 113411
not in side my head. =========
|||||| not in side my head. =========
||||||
#
F m Bm -------------- #
F m Bm --------------
••••••
-------------- ••••••
--------------
I want to live in the world, ||||||
--------------
I want to live in the world, ||||||
--------------
A || ••|| A || •• ||
I want to stand and be counted I want to stand and be counted
G A All of Me G A All of Me
with the hopeful and willing, with the hopeful and willing,
G A All of me, why not take all of me G A All of me, why not take all of me
with the open and the strong, Can’t you see I’m no good without you with the open and the strong, Can’t you see I’m no good without you
G A G A
with the voices in the darkness Take my arms, I want to lose them with the voices in the darkness Take my arms, I want to lose them
F# 4 F# Take my lips, I’ll never use them F# 4 F# Take my lips, I’ll never use them
fashioning daylight out of song Your goodbye left me with eyes that cry fashioning daylight out of song Your goodbye left me with eyes that cry
G A how can I get along without you G A how can I get along without you
and the millions of lovers You took the part that once was my heart and the millions of lovers You took the part that once was my heart
D |: F# 4 F # m D :| D |: F# 4 F # m D :|
alive in the world. So why not take all of me. alive in the world. So why not take all of me.

I want to live in the world, America I want to live in the world, America
not behind some wall. not behind some wall.
Paul Simon 1968 Paul Simon 1968
I want to live in the world, I want to live in the world,
where I will hear if another voice should call C Em where I will hear if another voice should call C Em
to the prisoner inside me, “ Let us be lovers, to the prisoner inside me, “ Let us be lovers,
Am C F Am C F
to the captive of my doubt; we’ll marry our fortunes together‚ to the captive of my doubt; we’ll marry our fortunes together‚
who among his fantasies C Em Am who among his fantasies C Em Am
harbors the dream of breaking out; I’ve got some real estate here in my bag”. harbors the dream of breaking out; I’ve got some real estate here in my bag”.
7
and taking his chances Em A and taking his chances Em A7
alive in the world. So we bought a pack of cigarettes alive in the world. So we bought a pack of cigarettes
Em A7 Em A7
G A and Mrs. Wagner’s pies , G A and Mrs. Wagner’s pies ,
To open my eyes D C G C Em Am C F To open my eyes D C G C Em Am C F
G A and we walked off, to look for America. G A and we walked off, to look for America.
and wake up alive in the world. and wake up alive in the world.
G A “Kathy,” I said, G A “Kathy,” I said,
To open my eyes as we boarded the Greyhound in Pittsburgh, To open my eyes as we boarded the Greyhound in Pittsburgh,
G D “Michigan seems like a dream to me now. G D “Michigan seems like a dream to me now.
and finally ar rive in the world. G and finally ar rive in the world. G
It took me four days to hitchhike from It took me four days to hitchhike from
With its beauty and its cruelty, CG With its beauty and its cruelty, CG
with its heartbreak and its joy, Saginaw with its heartbreak and its joy, Saginaw
with its constantly giving birth D G D C7+ with its constantly giving birth D G D C7+
to life and to forces that destroy; I’ve come to look for A merica.” to life and to forces that destroy; I’ve come to look for A merica.”
and infinite power of change, and infinite power of change,
alive in the world. alive in the world.

54 54
F 7+ So … F 7+ So …
Laughing on the bus, playing games with the Laughing on the bus, playing games with the
7+ 7+
C Bye, bye miss American Pie C Bye, bye miss American Pie
faces. Drove my Chevy to the levee but the levee was faces. Drove my Chevy to the levee but the levee was
7+ 7+
F F
She said the man in the gabardine suit was a dry She said the man in the gabardine suit was a dry
C7+ And good ol’ boys were drinking whisky and C7+ And good ol’ boys were drinking whisky and
spy‚ rye? spy‚ rye?
F 7+ Singing this will be the day that I die F 7+ Singing this will be the day that I die
I said, “Be careful, his bowtie is really a this will be the day that I die I said, “Be careful, his bowtie is really a this will be the day that I die
C Em Am C F C Em Am C F
cam’ra”. Did you write the book of love cam’ra”. Did you write the book of love
“Toss me a cigarette, And do you have faith in God above “Toss me a cigarette, And do you have faith in God above
I think there’s one in my raincoat” If the Bible tells you so I think there’s one in my raincoat” If the Bible tells you so
“We smoked the last one an hour ago”. Do you believe in rock ’n’ roll “We smoked the last one an hour ago”. Do you believe in rock ’n’ roll
So I looked at the scenery, Can music save your mortal soul So I looked at the scenery, Can music save your mortal soul
she read her magazine; Then you can teach me to dance real slow she read her magazine; Then you can teach me to dance real slow
and the moon rose over an open field. Well I know that you’re in love with him and the moon rose over an open field. Well I know that you’re in love with him
“Kathy, I’m lost” I said, ’Cause I saw you dancing in the gym “Kathy, I’m lost” I said, ’Cause I saw you dancing in the gym
though I knew she was sleeping, You both kicked off your shoes though I knew she was sleeping, You both kicked off your shoes
“I’m empty and aching and I don’t know Then I dig those rhythm and blues “I’m empty and aching and I don’t know Then I dig those rhythm and blues
why”. I was a lonely teenage broncin’ buck why”. I was a lonely teenage broncin’ buck
Counting the cars on the New Jersey With a pink carnation and a pickup truck Counting the cars on the New Jersey With a pink carnation and a pickup truck
Turnpike, but I knew that I was out of luck Turnpike, but I knew that I was out of luck
they’ve all come to look for America, The day the music died they’ve all come to look for America, The day the music died
all come to look for America. all come to look for America.
I started singin’ … I started singin’ …
American Pie American Pie
Bye, bye miss American Pie Bye, bye miss American Pie
Don McLean Drove my Chevy to the levee but the levee was Don McLean Drove my Chevy to the levee but the levee was
A long, long time ago … dry A long, long time ago … dry
I can still remember how And good ol’ boys were drinking whisky and I can still remember how And good ol’ boys were drinking whisky and
That music used to make me smile. rye? That music used to make me smile. rye?
And I knew if I had my chance, Singing this will be the day that I die And I knew if I had my chance, Singing this will be the day that I die
That I could make those people dance, this will be the day that I die That I could make those people dance, this will be the day that I die
And maybe they’d be happy for a while. Now for ten years we’ve been on our own And maybe they’d be happy for a while. Now for ten years we’ve been on our own
But February made me shiver, And moss grows fat on a rolling stone But February made me shiver, And moss grows fat on a rolling stone
With every paper I’d deliver, But that’s not how it used to be With every paper I’d deliver, But that’s not how it used to be
Bad news on the doorstep … When the jester sang for the king and queen Bad news on the doorstep … When the jester sang for the king and queen
I couldn’t take one more step. In a coat he borrowed from James Dean I couldn’t take one more step. In a coat he borrowed from James Dean
In a voice that came from you and me In a voice that came from you and me
I can’t remember if I cried I can’t remember if I cried
When I read about his widowed bride And while the King was looking down When I read about his widowed bride And while the King was looking down
But something touched me deep inside, The jester stole his thorny crown But something touched me deep inside, The jester stole his thorny crown
The day the music died. The courtroom was adjourned The day the music died. The courtroom was adjourned
No verdict was returned No verdict was returned
55 55
While Lennon read the book of Marx As I watched him on the stage While Lennon read the book of Marx As I watched him on the stage
The quartet kept practice in the park My hands were clenched in fists of rage The quartet kept practice in the park My hands were clenched in fists of rage
And we sang dirges in the dark No angel born in hell And we sang dirges in the dark No angel born in hell
The day the music died Could break that satan’s spell The day the music died Could break that satan’s spell
We were singin’ And as flames climbed high into the night We were singin’ And as flames climbed high into the night
To light the sacrificial rite To light the sacrificial rite
Bye, bye miss American Pie I saw satan laughing with delight Bye, bye miss American Pie I saw satan laughing with delight
Drove my Chevy to the levee but the levee was the day the music died. Drove my Chevy to the levee but the levee was the day the music died.
dry dry
And good ol’ boys were drinking whisky and I met a girl who sang the blues And good ol’ boys were drinking whisky and I met a girl who sang the blues
rye? And I asked her for some happy news rye? And I asked her for some happy news
Singing this will be the day that I die But she just smiled and turned away Singing this will be the day that I die But she just smiled and turned away
this will be the day that I die I went down to the sacred store this will be the day that I die I went down to the sacred store
Where I’d heard the music years before Where I’d heard the music years before
Helter Skelter in a summer swelter But the man there said the music wouldn’t play Helter Skelter in a summer swelter But the man there said the music wouldn’t play
The birds flew off with the fallout shelter The birds flew off with the fallout shelter
Eight miles high and falling fast And in the streets the children screamed Eight miles high and falling fast And in the streets the children screamed
It landed foul on the grass The lovers cried and the poets dreamed It landed foul on the grass The lovers cried and the poets dreamed
The players tried for a forward pass But not a word was spoken The players tried for a forward pass But not a word was spoken
With the jester on the sidelines in a cast The church bells all were broken With the jester on the sidelines in a cast The church bells all were broken
Now the halftime air was sweet perfume And the three men I admire most Now the halftime air was sweet perfume And the three men I admire most
While sergeants played a marching tune The Father Son and Holy Ghost While sergeants played a marching tune The Father Son and Holy Ghost
We all got up to dance They caught the last train for the coast We all got up to dance They caught the last train for the coast
Oh, but we never got the chance The day the music died Oh, but we never got the chance The day the music died
’Cause the players tried to take the field, They were singin’ ’Cause the players tried to take the field, They were singin’
The marching band refused to yield. The marching band refused to yield.
Do you recall what was revealed, Bye, bye miss American Pie Do you recall what was revealed, Bye, bye miss American Pie
The day the music died? Drove my Chevy to the levee but the levee was The day the music died? Drove my Chevy to the levee but the levee was
dry dry
We started singing And good ol’ boys were drinking whisky and We started singing And good ol’ boys were drinking whisky and
rye? rye?
Bye, bye miss American Pie Singing this will be the day that I die Bye, bye miss American Pie Singing this will be the day that I die
Drove my Chevy to the levee but the levee was this will be the day that I die Drove my Chevy to the levee but the levee was this will be the day that I die
dry dry
And good ol’ boys were drinking whisky and American Tune And good ol’ boys were drinking whisky and American Tune
rye? rye?
Singing this will be the day that I die Paul Simon 1973 Singing this will be the day that I die Paul Simon 1973
this will be the day that I die C F C G C G E this will be the day that I die C F C G C G E
Many’s the time I’ve been mistaken Many’s the time I’ve been mistaken
There we were all in one place Am E7 Am There we were all in one place Am E7 Am
A generation lost in space and many times con fused A generation lost in space and many times con fused
With no time left to start again C FC G C GC E7 With no time left to start again C FC G C GC E7
So come on Jack be nimble, Jack be quick Yes, and I’ve often felt forsaken‚ So come on Jack be nimble, Jack be quick Yes, and I’ve often felt forsaken‚
Am E7 Am Am E7 Am
Jack Flash sat on a candle stick and certain ly mis used. Jack Flash sat on a candle stick and certain ly mis used.
’Cause fire is the devil’s only friend. ’Cause fire is the devil’s only friend.
56 56
C7/9 F G F C You can’t be forever blessed. C7/9 F G F C You can’t be forever blessed.
Ah‚ but I’m alright‚ I’m alright. Still tomorrow’s gonna be another working day Ah‚ but I’m alright‚ I’m alright. Still tomorrow’s gonna be another working day
7 7 7 7 7 7
F C G E Am A D F C G E Am A D
I’m just weary to my bones. and I’m tryin’ to get some rest; I’m just weary to my bones. and I’m tryin’ to get some rest;
G C G D that’s all – I’m trying to get some rest. G C G D that’s all – I’m trying to get some rest.
Still you don’t expect to be bright and bon f
Still you don’t expect to be bright and bon
G C 7/9
E° G C7/9 E f°
x2134o xo1324 x2134o xo1324
vivant‚ =========
||||||
=========
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=========
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C F C G E Am -------------- -------------- C F C G E Am -------------- --------------
|| |||•
--------------
||| | • •
-------------- •
|| |||
--------------
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--------------
so far away from home‚ • ••
| |
--------------
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--------------
so far away from home‚ • ••
| |
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F C G C |||||| |||||| F C G C |||||| ||||||
so far away from home. so far away from home.
An Austrian Went Yodeling An Austrian Went Yodeling
And I don’t know a soul who’s not been And I don’t know a soul who’s not been
battered. Oh an Austrian went yodeling battered. Oh an Austrian went yodeling
I don’t have a friend who feels at ease. On a mountain so high, I don’t have a friend who feels at ease. On a mountain so high,
I don’t know a dream that’s not been shattered, When along came a cuckoo bird, I don’t know a dream that’s not been shattered, When along came a cuckoo bird,
or driven to its knees. Interrupting his cry: or driven to its knees. Interrupting his cry:
Ah, but it’s all right. It’s all right. Ah, but it’s all right. It’s all right.
O-lay-rah … O-lay-rah …
For we’ve lived so well so long. For we’ve lived so well so long.
O-lay-rah-kee-kee-ah O-lay-rah-kee-kee-ah
Still, when I think of the road we’re travelin’ Still, when I think of the road we’re travelin’
O-lay-rah-cuckoo, cuckoo! (3x) O-lay-rah-cuckoo, cuckoo! (3x)
on, on,
O-lay-rah-kee-kee-ah-o! O-lay-rah-kee-kee-ah-o!
I wonder what’s gone wrong. I wonder what’s gone wrong.
I can’t help but wonder what’s gone wrong. Oh an Austrian went yodeling I can’t help but wonder what’s gone wrong. Oh an Austrian went yodeling
C On a mountain so high, C On a mountain so high,
And I dreamed I was dying. When along came a … And I dreamed I was dying. When along came a …
G7 Am E f° 2. skier G7 Am E f° 2. skier
I dreamed that my soul rose unexpectedly‚ 3. grizzly bear I dreamed that my soul rose unexpectedly‚ 3. grizzly bear
G7 G7
and looking back down at me, 4. (Make up the rest as desired) and looking back down at me, 4. (Make up the rest as desired)
F CGC G G7 Interrupting his cry: F CGC G G7 Interrupting his cry:
S miled reassuringly. S miled reassuringly.
C O-lay-rah … C O-lay-rah …
And I dreamed I was flying, And I dreamed I was flying,
G G7 Am Ef ° And I Love Her G G7 Am Ef ° And I Love Her
And high up above m y eyes could clearly see And high up above m y eyes could clearly see
G7 Beatles 1964 G7 Beatles 1964
The Statue of Liberty # # #
The Statue of Liberty
F C GC G G7 F m C m F m F C GC G G7 F#m C# m F #m
Sai ling a w a y to sea. I give her all my love Sai ling a w a y to sea. I give her all my love
C C# m F #m C C# m F #m
And I dreamed I was flying. That’s all I do And I dreamed I was flying. That’s all I do
C# m A C# m A
And we come on the ship they call the And if you saw my love And we come on the ship they call the And if you saw my love
B B
Mayflower. Mayflower.
You’d love her too You’d love her too
We come on the ship that sailed the moon. E We come on the ship that sailed the moon. E
We come in the age’s most uncertain hours, I love her We come in the age’s most uncertain hours, I love her
and sing an American tune. and sing an American tune.
Oh, and it’s all right, it’s all right, She gives me everything Oh, and it’s all right, it’s all right, She gives me everything
it’s all right. And tenderly it’s all right. And tenderly

57 57
The kiss my lover brings Angie, I still love you The kiss my lover brings Angie, I still love you
She brings to me Remember all those nights we cried She brings to me Remember all those nights we cried
And I love her And I love her
All the dreams we held so close All the dreams we held so close
C# m B C# m Seem to all go up in smoke C# m B C# m Seem to all go up in smoke
A love like ours Oh let me whisper in your ear A love like ours Oh let me whisper in your ear
G # m C# m G # m C# m
Could never die Angie, Angie Could never die Angie, Angie
G #m B G #m B
As long as I have you near me Where will it lead us from here? As long as I have you near me Where will it lead us from here?

Bright are the stars that shine Oh Angie don’t you weep Bright are the stars that shine Oh Angie don’t you weep
Dark is the sky All your kisses still taste sweet Dark is the sky All your kisses still taste sweet
I know this love of mine I hate that sadness in your eyes I know this love of mine I hate that sadness in your eyes
Will never die But Angie, Angie Will never die But Angie, Angie
And I love her Ain’t it time we said goodbye … And I love her Ain’t it time we said goodbye …
Gm Dm Gm Gm Dm Gm
Bright are the stars that shine With no loving in our souls Bright are the stars that shine With no loving in our souls
Dm Gm and no money in our coats Dm Gm and no money in our coats
Dark is the sky Oh you can’t say we’re satisfied Dark is the sky Oh you can’t say we’re satisfied
Dm Bf Dm Bf
I know this love of mine Dm Am Dm I know this love of mine Dm Am Dm
C But Angie, I still love you baby C But Angie, I still love you baby
Will never die Am Dm Will never die Am Dm
F Every where I look I see your eyes F Every where I look I see your eyes
And I love her Am And I love her Am
There ain’t a woman that comes close to There ain’t a woman that comes close to
C C
Angie you Angie you
F9 F G F9 F G
Rolling Stones 1973 Come on baby dry your eyes Rolling Stones 1973 Come on baby dry your eyes
Am E7 Am E7
Angie, Angie Angie, Angie Angie, Angie Angie, Angie
G4 G F4 F C Ain’t it good to be alive G4 G F4 F C Ain’t it good to be alive
When will those clouds all disap pear When will those clouds all disap pear
Angie, Angie Angie, Angie
Angie, Angie You can’t say we never tried Angie, Angie You can’t say we never tried
Where were the ladies from here Where were the ladies from here
G9 G
Another Saturday Night G9 G
Another Saturday Night
With no loving in our souls Sam Cooke With no loving in our souls Sam Cooke
Dm Am C Dm Am C
and no money in our coats E A and no money in our coats E A
F9 F G Another Saturday night and I ain’t got F9 F G Another Saturday night and I ain’t got
You can’t say we’re satisfied. E You can’t say we’re satisfied. E
nobody, nobody,
Angie, Angie B7 Angie, Angie B7
You can’t say we never tried I got some money cause I just got paid, You can’t say we never tried I got some money cause I just got paid,
E A E E A E
Angie, you’re beautiful (yeah) Oh, how I wish I had someone to talk to, Angie, you’re beautiful (yeah) Oh, how I wish I had someone to talk to,
But ain’t it time we said goodbye B7 E But ain’t it time we said goodbye B7 E
I’m in an a w ful w ay . I’m in an a w ful w ay .

58 58
E A Am 7 Am+ D9 E A Am 7 Am+ D9
I got in town a month ago, 3x2o1o
=========
Tx231o
=========
xxo23o
========= I got in town a month ago, 3x2o1o
=========
Tx231o
=========
xxo23o
=========
E7 B7 |||| | •
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T • ||| | •
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T • ||| | •
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And I seen a lot ’o girls since then, || •• ||
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-------------- And I seen a lot ’o girls since then, || •• ||
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E E7 • |||||
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If I could meet ’em, I could get ’em, If I could meet ’em, I could get ’em,
B7 E B7 E
As Tears Go By As Tears Go By
But as yet I haven’t met ’em, But as yet I haven’t met ’em,
7 7 7 7
B E B B E B
Rolling Stones Rolling Stones
That’s how I’m in the state I’m in. That’s how I’m in the state I’m in.
G A C D G A C D
Another Saturday night … It is the evening of the day Another Saturday night … It is the evening of the day
G A C DC G A C DC
Another fella told me, I sit and watch the children play Another fella told me, I sit and watch the children play
He had a sister who looked just fine, D G Em C He had a sister who looked just fine, D G Em C
Instead of bein’ my deliverance, Smiling faces I can see, but not for me Instead of bein’ my deliverance, Smiling faces I can see, but not for me
Am D Am D
She had a strange resemblance, She had a strange resemblance,
I sit and watch as tears go by I sit and watch as tears go by
To a cat name of Frankenstein, Oh No-oh! To a cat name of Frankenstein, Oh No-oh!
My riches can’t buy ev’rything My riches can’t buy ev’rything
Another Saturday night … Another Saturday night …
I want to hear the children sing I want to hear the children sing
It’s hard on a fella, All I hear is the sound of rain falling on the It’s hard on a fella, All I hear is the sound of rain falling on the
When he don’t know his way around, ground When he don’t know his way around, ground
If I don’t find me a honey, I sit and watch as tears go by If I don’t find me a honey, I sit and watch as tears go by
To help me spend my money, To help me spend my money,
It is the evening of the day It is the evening of the day
I’m gonna have to blow this town. I’m gonna have to blow this town.
I sit and watch the children play I sit and watch the children play
Another Saturday night … Doin’ things I used to do, they think are new Another Saturday night … Doin’ things I used to do, they think are new
I sit and watch as tears go by I sit and watch as tears go by
April Come She Will April Come She Will
Back in the USSR Back in the USSR
Paul Simon 1965 (Capo: 3th Fret) Paul Simon 1965 (Capo: 3th Fret)
Flew in from Miami Beach BOAC Flew in from Miami Beach BOAC
GC C G C G Am GC C G C G Am
A-pril come she will Didn’t get to bed last night A-pril come she will Didn’t get to bed last night
Am 7 Am+ Em On the way the paper bag was on my knee Am 7 Am+ Em On the way the paper bag was on my knee
When streams are ripe and swelled with rain‚ Man, I had a dreadful flight When streams are ripe and swelled with rain‚ Man, I had a dreadful flight
C D9 G Em I’m back in the USSR C D9 G Em I’m back in the USSR
May‚ she will stay‚ You don’t know how lucky you are, boy May‚ she will stay‚ You don’t know how lucky you are, boy
Am Em Am Em G C G C Am Em Am Em G C G C
Resting in my arms again. Back in the USSR, yeah Resting in my arms again. Back in the USSR, yeah

June, she’ll change her tune, Been away so long I hardly knew the place June, she’ll change her tune, Been away so long I hardly knew the place
In restless walks she’ll prowl the night; Gee, it’s good to be back home In restless walks she’ll prowl the night; Gee, it’s good to be back home
July, she will fly Leave it till tomorrow to unpack my case July, she will fly Leave it till tomorrow to unpack my case
And give no warning to her flight. Honey disconnect the phone And give no warning to her flight. Honey disconnect the phone
I’m back in the USSR I’m back in the USSR
August, die she must, You don’t know how lucky you are, boy August, die she must, You don’t know how lucky you are, boy
The autumn winds blow chilly and cold; Back in the US The autumn winds blow chilly and cold; Back in the US
September I’ll remember. Back in the US September I’ll remember. Back in the US
Am Em D G Back in the USSR Am Em D G Back in the USSR
A love once new has now grown old. A love once new has now grown old.
59 59
Well the Ukraine girls really knock me out One eye is taken for an eye Well the Ukraine girls really knock me out One eye is taken for an eye
They leave the west behind They leave the west behind
And Moscow girls make me sing and shout Don’t go ’round tonight … And Moscow girls make me sing and shout Don’t go ’round tonight …
That Georgia’s always on my my my my my That Georgia’s always on my my my my my
Ballad of Spring Hill Ballad of Spring Hill
my my my my mind my my my my mind
Dm C Dm C Dm C Dm C
Yeah I’m back in the USSR In the town of Spring Hill, Nova Scotia Yeah I’m back in the USSR In the town of Spring Hill, Nova Scotia
You don’t know how lucky you are, boys Dm F G A You don’t know how lucky you are, boys Dm F G A
Back in the USSR Down in the dark of the Cumberland Mine‚ Back in the USSR Down in the dark of the Cumberland Mine‚
Dm G C A Dm G C A
Well the Ukraine girls … There’s blood on the coal and the miners lie Well the Ukraine girls … There’s blood on the coal and the miners lie
Dm C Dm Am Dm C Dm Am
Oh, show me round your snow peaked In the roads that never saw sun nor sky‚ Oh, show me round your snow peaked In the roads that never saw sun nor sky‚
Dm C Dm C A Dm C Dm C A
mountain way down south Roads that never saw sun nor sky. mountain way down south Roads that never saw sun nor sky.
Take me to you daddy’s farm Take me to you daddy’s farm
Let me hear you balalaika’s ringing out In the town of Springhill, you don’t sleep easy Let me hear you balalaika’s ringing out In the town of Springhill, you don’t sleep easy
Come and keep your comrade warm Often the earth will tremble and roll Come and keep your comrade warm Often the earth will tremble and roll
I’m back in the USSR When the earth is restless, miners die I’m back in the USSR When the earth is restless, miners die
You don’t know how lucky you are, boy Bone and blood is the price of coal You don’t know how lucky you are, boy Bone and blood is the price of coal
Back in the USSR Bone and blood is the price of coal. Back in the USSR Bone and blood is the price of coal.
Bad Moon Rising In the town of Springhill, Nova Scotia, Bad Moon Rising In the town of Springhill, Nova Scotia,
Late in the year of fifty-eight, Late in the year of fifty-eight,
Creedence Clearwater Revival Day still comes and the sun still shines, Creedence Clearwater Revival Day still comes and the sun still shines,
G C D G But it’s dark as the grave in the Cumberland G C D G But it’s dark as the grave in the Cumberland
I see a bad moon rising mine. I see a bad moon rising mine.
G C D G Dark as the grave in the Cumberland mine. G C D G Dark as the grave in the Cumberland mine.
I see trouble on the way I see trouble on the way
G C D G Down at the coal face, miners working, G C D G Down at the coal face, miners working,
I see earthquakes and lightnin’ Rattle of the belt and the cutter’s blade I see earthquakes and lightnin’ Rattle of the belt and the cutter’s blade
G C D G G C D G
I see bad times today Rumble of rock and the walls close round I see bad times today Rumble of rock and the walls close round
The living and the dead men two miles down. The living and the dead men two miles down.
C Living and dead men two miles down. C Living and dead men two miles down.
Don’t go ’round tonight Don’t go ’round tonight
G Twelve men lay two miles from the pitshaft, G Twelve men lay two miles from the pitshaft,
For it’s bound to take your life Twelve men lay in the dark and sang, For it’s bound to take your life Twelve men lay in the dark and sang,
D C G D C G
There’s a bad moon on the rise Long hot days in the miner’s tomb, There’s a bad moon on the rise Long hot days in the miner’s tomb,
It was three feet high and a hundred long, It was three feet high and a hundred long,
I hear hurricanes a blowin’ Three feet high and a hundred long. I hear hurricanes a blowin’ Three feet high and a hundred long.
I know the end is comin’ soon I know the end is comin’ soon
I fear rivers over flowing Bamboo I fear rivers over flowing Bamboo
I hear the voice of rage and ruin D
I hear the voice of rage and ruin D
Don’t go ’round tonight … You take a stick of bamboo Don’t go ’round tonight … You take a stick of bamboo
C C
Hope you got your things together You take a stick of bamboo Hope you got your things together You take a stick of bamboo
D D
Hope you are quite prepared to die You take a stick of bamboo Hope you are quite prepared to die You take a stick of bamboo
Looks like we’re in for nasty weather Looks like we’re in for nasty weather
60 60
 C D Barbara Ann, come take my hand C D Barbara Ann, come take my hand
You throw it in the water. You got me rockin’ and a-rollin’ You throw it in the water. You got me rockin’ and a-rollin’
D C D C Rockin’ and a-reelin’, Barbara Ann D C D C Rockin’ and a-reelin’, Barbara Ann
Oh, oh H anna. Ba-ba-ba-Barbara Ann Oh, oh H anna. Ba-ba-ba-Barbara Ann
D C D C D C D C
The River‚ she come down. Ba-ba-ba-ba-Barbara Ann … The River‚ she come down. Ba-ba-ba-ba-Barbara Ann …
D C D C D C D C
The River‚ she come down. Battle Cry of Freedom The River‚ she come down. Battle Cry of Freedom
You travel on the river (3x) D D 7
You travel on the river (3x) D D7
You travel on the water. Yes, we’ll rally ’round the flag, boys, You travel on the water. Yes, we’ll rally ’round the flag, boys,
G G
Oh, oh Hanna … We’ll rally once again, Oh, oh Hanna … We’ll rally once again,
D A D A
My home’s across the river (3x) shouting the battle cry of freedom‚ My home’s across the river (3x) shouting the battle cry of freedom‚
My home’s across the water. D D7 My home’s across the water. D D7
we will rally from the hillside, we will rally from the hillside,
Oh, oh Hanna … G Oh, oh Hanna … G
we’ll gather from the plain, we’ll gather from the plain,
You take a stick of bamboo (3x) D A D You take a stick of bamboo (3x) D A D
You throw it in the water. shouting the battle cry of freedom. You throw it in the water. shouting the battle cry of freedom.
D D
Barbara Ann The Union forever, hurrah! boys hurrah! Barbara Ann The Union forever, hurrah! boys hurrah!
G A G A
Beach Boys Down with the traitor, up with the star‚ Beach Boys Down with the traitor, up with the star‚
D D7 D D7
D While we rally ’round the flag, boys, D While we rally ’round the flag, boys,
B a-ba-ba-ba-Barbara Ann G B a-ba-ba-ba-Barbara Ann G
D7 rally once again, D7 rally once again,
Ba-ba-ba-ba-Barbara Ann D A D Ba-ba-ba-ba-Barbara Ann D A D
D G D shouting the battle cry of freedom. D G D shouting the battle cry of freedom.
Barbara Ann, take my hand, Barbara Ann Barbara Ann, take my hand, Barbara Ann
A We are springing to the call A We are springing to the call
You got me rockin’ and a-rollin’ of our brothers gone before, You got me rockin’ and a-rollin’ of our brothers gone before,
G7 D G7 D
Rockin’ and a-reelin’ , Barbara Ann‚ shouting the battle cry of freedom; Rockin’ and a-reelin’ , Barbara Ann‚ shouting the battle cry of freedom;
and we’ll fill the vacant ranks and we’ll fill the vacant ranks
Ba-ba-ba-Barbara Ann with a million free-men more … Ba-ba-ba-Barbara Ann with a million free-men more …
Went to a dance lookin’ for romance We will welcome to our numbers Went to a dance lookin’ for romance We will welcome to our numbers
Saw Barbara Ann, so I thought I’d take a the loyal, true and brave … Saw Barbara Ann, so I thought I’d take a the loyal, true and brave …
chance and although they may be poor chance and although they may be poor
Barbara Ann, come take my hand nor a man shall be a slave … Barbara Ann, come take my hand nor a man shall be a slave …
You got me rockin’ and a-rollin’ You got me rockin’ and a-rollin’
Rockin’ and a-reelin’, Barbara Ann Beautiful day Rockin’ and a-reelin’, Barbara Ann Beautiful day
Ba-ba-ba-Barbara Ann Ba-ba-ba-Barbara Ann
The heart is a bloom The heart is a bloom
Ba-ba-ba-ba-Barbara Ann … Shoots up through the stony ground Ba-ba-ba-ba-Barbara Ann … Shoots up through the stony ground
There’s no room There’s no room
Tried Peggy Sue, tried Peggy Sue No space to rent in this town Tried Peggy Sue, tried Peggy Sue No space to rent in this town
Tried Peggy Sue, but I knew she wouldn’t do Tried Peggy Sue, but I knew she wouldn’t do

61 61
You’re out of luck Touch me You’re out of luck Touch me
And the reason that you had to care Take me to that other place And the reason that you had to care Take me to that other place
The traffic is stuck Reach me The traffic is stuck Reach me
And you’re not moving anywhere I know I’m not a hopeless case And you’re not moving anywhere I know I’m not a hopeless case
You thought you’d found a friend What you don’t have you don’t need it now You thought you’d found a friend What you don’t have you don’t need it now
To take you out of this place What you don’t know you can feel it somehow To take you out of this place What you don’t know you can feel it somehow
Someone you could lend a hand What you don’t have you don’t need it now Someone you could lend a hand What you don’t have you don’t need it now
In return for grace Don’t need it now In return for grace Don’t need it now
Was a beautiful day Was a beautiful day
It’s a beautiful day It’s a beautiful day
Sky falls, you feel like Blackbird Sky falls, you feel like Blackbird
It’s a beautiful day It’s a beautiful day
Don’t let it get away Beatles 1968 Don’t let it get away Beatles 1968
You’re on the road Blackbird singing in the dead of night, You’re on the road Blackbird singing in the dead of night,
But you’ve got no destination Take these broken wings and learn to fly But you’ve got no destination Take these broken wings and learn to fly
You’re in the mud All your life, You’re in the mud All your life,
In the maze of her imagination You were only waiting for this moment to arise In the maze of her imagination You were only waiting for this moment to arise
You love this town Blackbird singing in the dead of night, You love this town Blackbird singing in the dead of night,
Even if that doesn’t ring true Take these sunken eyes and learn to see Even if that doesn’t ring true Take these sunken eyes and learn to see
You’ve been all over All your life, You’ve been all over All your life,
And it’s been all over you You were only waiting for this moment to be And it’s been all over you You were only waiting for this moment to be
free free
It’s a beautiful day It’s a beautiful day
Don’t let it get away Blackbird fly, Don’t let it get away Blackbird fly,
… Into the light of a dark, black night … Into the light of a dark, black night
It’s a beautiful day Blackbird fly, blackbird fly, It’s a beautiful day Blackbird fly, blackbird fly,
Into the light of a dark, black night Into the light of a dark, black night
Touch me Touch me
Take me to that other place Blackbird singing in the dead of night, Take me to that other place Blackbird singing in the dead of night,
Teach me Take these broken wings and learn to fly Teach me Take these broken wings and learn to fly
I know I’m not a hopeless case All your life, I know I’m not a hopeless case All your life,
You were only waiting for this moment to arise You were only waiting for this moment to arise
See the world in green and blue You were only waiting for this moment to arise See the world in green and blue You were only waiting for this moment to arise
See China right in front of you You were only waiting for this moment to arise See China right in front of you You were only waiting for this moment to arise
See the canyons broken by cloud See the canyons broken by cloud
See the tuna fleets clearing the sea out Blowin’ in the Wind See the tuna fleets clearing the sea out Blowin’ in the Wind
See the Bedouin fires at night See the Bedouin fires at night
See the oil fields at first light Bob Dylan 1962 See the oil fields at first light Bob Dylan 1962
And see the bird with a leaf in her mouth C F C Am And see the bird with a leaf in her mouth C F C Am
After the flood all the colors came out How many roads must a man walk down, After the flood all the colors came out How many roads must a man walk down,
C F G G7 C F G G7
It was a beautiful day before you call him a man? It was a beautiful day before you call him a man?
Don’t let it get away C F C Am Don’t let it get away C F C Am
Beautiful day How many seas must the white dove sail‚ Beautiful day How many seas must the white dove sail‚

62 62
 C F G G7 F D G C F G G7 F D G
before she sleeps in the sand? And friends just can’ t be found before she sleeps in the sand? And friends just can’ t be found
C F C C F C
Yes, ’n’ how many times must the cannonballs C7 F C Am F Yes, ’n’ how many times must the cannonballs C7 F C Am F
Am Like a bridge over troubled water Am Like a bridge over troubled water
fly‚ E Am fly‚ E Am
C Dm G I will lay me down C Dm G I will lay me down
before they are fo rever banned? C7 F C Am F before they are fo rever banned? C7 F C Am F
Like a bridge over troubled water Like a bridge over troubled water
F G7 C Am G C F G7 C Am G C
The answer, my friend, is blowin’ in the wind‚ I will lay me down The answer, my friend, is blowin’ in the wind‚ I will lay me down
F G7 C F G7 C
the answer is blowin’ in the wind. When you’re down and out, the answer is blowin’ in the wind. When you’re down and out,
When you’ re on the street When you’ re on the street
Yes, ’n’ how many years can a mountain When evening falls so hard, Yes, ’n’ how many years can a mountain When evening falls so hard,
exist, I will comfort you exist, I will comfort you
before it is washed to the sea? I’ ll take your part, oh before it is washed to the sea? I’ ll take your part, oh
Yes, ’n’ how many years can some people When darkness comes Yes, ’n’ how many years can some people When darkness comes
exist, And pain is all around exist, And pain is all around
before they’re allowed to be free? before they’re allowed to be free?
Yes, ’n’ how many times can a man turn his Like a bridge over troubled water … Yes, ’n’ how many times can a man turn his Like a bridge over troubled water …
head, head,
and pretend that he just doesn’t see? Sail on silver girl, and pretend that he just doesn’t see? Sail on silver girl,
Sail on by Sail on by
The answer, my friend … Your time has come to shine The answer, my friend … Your time has come to shine
All your dreams are on their way All your dreams are on their way
Yes, ’n’ how many times must a man look up, See how they shine, oh Yes, ’n’ how many times must a man look up, See how they shine, oh
before he can see the sky? If you need a friend before he can see the sky? If you need a friend
Yes, ’n’ how many ears must one man have, I’ m sailing right behind Yes, ’n’ how many ears must one man have, I’ m sailing right behind
before he can hear people cry? before he can hear people cry?
Yes, ’n’ how many deaths will it take till he Like a bridge over troubled water Yes, ’n’ how many deaths will it take till he Like a bridge over troubled water
knows, I will ease your mind knows, I will ease your mind
that too many people have died? Like a bridge over troubled water that too many people have died? Like a bridge over troubled water
I will ease your mind I will ease your mind
The answer, my friend … The answer, my friend …
Bring it on Home to Me Bring it on Home to Me
Bridge Over Troubled Waters Bridge Over Troubled Waters
S. Cooke S. Cooke
Simon and Garfunkel Simon and Garfunkel
C F
If you ever change your mind about leaving C F
If you ever change your mind about leaving
When you’re weary Leaving me behind When you’re weary Leaving me behind
C F Oh, oh, bring it to me C F Oh, oh, bring it to me
And feeling small Bring your sweet loving And feeling small Bring your sweet loving
C Dm Bring it on home to me C Dm Bring it on home to me
When tears are in your eyes‚ Yeah, yeah When tears are in your eyes‚ Yeah, yeah
C FCFC C FCFC
I will dry them all You know I laughed when you left I will dry them all You know I laughed when you left
G G
I’ m on your side, oh But you know I only hurt myself I’ m on your side, oh But you know I only hurt myself
C C7 Bring it to me C C7 Bring it to me
When times get rough Bring your sweet loving When times get rough Bring your sweet loving
63 63
Bring it on home to me G Bring it on home to me G
Hello emptiness Hello emptiness
I’ll give you jewelry and money too D7 G I’ll give you jewelry and money too D7 G
But that’s not all I’d do for you I feel like I could die But that’s not all I’d do for you I feel like I could die
D7 G D7 G
Bring it to me Bye, bye, my love, bye, bye. Bring it to me Bye, bye, my love, bye, bye.
Bring your sweet loving Bring your sweet loving
Bring it on home to me D7 Bring it on home to me D7
There goes my baby There goes my baby
I know I’ll always be your slave G I know I’ll always be your slave G
’Til I’m buried, buried in my grave With someone new ’Til I’m buried, buried in my grave With someone new
D7 D7
Oh bring, bring your sweet loving She sure looks happy: Oh bring, bring your sweet loving She sure looks happy:
Bring it on home to me G Bring it on home to me G
Yeah, yeah I sure am blue. Yeah, yeah I sure am blue.
C C
She was my baby She was my baby
D7 D7
By the Light of the Silvery Moon Till he stepped in By the Light of the Silvery Moon Till he stepped in
A D B7 C A D B7 C
By the light of the silvery moon Good-bye to romance By the light of the silvery moon Good-bye to romance
E7 G E7 G
I want to spoon. That might have been I want to spoon. That might have been
A A# ° Bm E A A# ° Bm E
To my honey I’ll croon love’s tune. Bye, bye love … To my honey I’ll croon love’s tune. Bye, bye love …
A D Bm A D Bm
Honey moon, keep a-shining in June; I’m through with romance, Honey moon, keep a-shining in June; I’m through with romance,
A Dm A I’m through with love A Dm A I’m through with love
Your silv’ry beams will bring love’s dreams‚ I’m through with counting Your silv’ry beams will bring love’s dreams‚ I’m through with counting
B7 E7 A DA The stars above B7 E7 A DA The stars above
We’ll be cuddling soon by the silvery moon. And here’s the reason We’ll be cuddling soon by the silvery moon. And here’s the reason
A# ° That I’m so free A# ° That I’m so free
xx1324 xx1324
=========
||||||
My lovin’ baby =========
||||||
My lovin’ baby
--------------
• •
|| | | Is through with me --------------
• •
|| | | Is through with me
-------------- --------------
||| | • •
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|||||| California Dreaming |||||| California Dreaming
Bye, Bye, Love The Mamas and the Papas Bye, Bye, Love The Mamas and the Papas
Everly Brothers 1957 Am GF Everly Brothers 1957 Am GF
All the leaves are brown All the leaves are brown
C G C E7 C G C E7
B ye, bye love and the sky is gray . B ye, bye love and the sky is gray .
G C F C E7 Am G C F C E7 Am
Bye, bye happiness I’ve been for a walk Bye, bye happiness I’ve been for a walk
G F E E7 G F E E7
Hello, loneliness on a winter’s day. Hello, loneliness on a winter’s day.
D7 G C Am GF D7 G C Am GF
I think I’m gonna cry I’d been safe and warm I think I’m gonna cry I’d been safe and warm
G C E7 G C E7
Bye, bye love if I was in L. A. Bye, bye love if I was in L. A.
G C Am GF G C Am GF
Bye, bye, sweet caress Oh California dreamin’ Bye, bye, sweet caress Oh California dreamin’

64 64
 E7 Oh doo-dah, doo-dah day. E7 Oh doo-dah, doo-dah day.
on such a winter’s day! The blind horse stickin’ in a big mud hole, on such a winter’s day! The blind horse stickin’ in a big mud hole,
Stopped into a church Doo-dah, doo-dah! Stopped into a church Doo-dah, doo-dah!
I passed along the way. Can’t touch the bottom with a ten foot pole, I passed along the way. Can’t touch the bottom with a ten foot pole,
Oh, I got down on my knees Oh doo-dah, doo-dah day. Oh, I got down on my knees Oh doo-dah, doo-dah day.
and I pretended to pray. Goin’ to run all night … and I pretended to pray. Goin’ to run all night …
You know the preachers like it cold You know the preachers like it cold
he knows I’m gonna stay. Can’t Buy Me Love he knows I’m gonna stay. Can’t Buy Me Love
Oh California dreamin’ Oh California dreamin’
on such a winter’s day! Beatles 1964 on such a winter’s day! Beatles 1964
Em Am Em Am Em Am Em Am
All the leaves are brown All the leaves are brown
Can’t buy me love‚ love Can’t buy me love‚ love
and the sky is gray. Dm G 7 and the sky is gray. Dm G 7
I’ve been for a walk Can’t buy me love I’ve been for a walk Can’t buy me love
on a winter’s day. 7
on a winter’s day.
C C7
If I didn’t tell her I’ll buy you a diamond ring my friend If I didn’t tell her I’ll buy you a diamond ring my friend
I could leave today. I could leave today.
Oh California dreamin’ If it makes you feel all right Oh California dreamin’ If it makes you feel all right
Am G F F7 Am G F F7
on such a winter’s day! I’ll get you anything my friend on such a winter’s day! I’ll get you anything my friend
F 7+ Am C7 F 7+ Am C7
On such a winter’s day! If it makes you feel all right On such a winter’s day! If it makes you feel all right
G F7 G F7
Camptown Races ’Cause I don’t care too much for money Camptown Races ’Cause I don’t care too much for money
C7 C7
C For money can’t buy me love C For money can’t buy me love
C amptown ladies sing their song, C amptown ladies sing their song,
G7 I’ll give you all I’ve got to give G7 I’ll give you all I’ve got to give
Doo-dah, doo-dah! If you say you love me too Doo-dah, doo-dah! If you say you love me too
C C
The camptown race track’s five miles long, I may not have a lot to give The camptown race track’s five miles long, I may not have a lot to give
G7 C but what I’ve got I’ll give to you G7 C but what I’ve got I’ll give to you
Oh doo-dah, doo-dah day For I don’t care too much for money Oh doo-dah, doo-dah day For I don’t care too much for money
I come down there with my hat caved in, For money can’t buy me love I come down there with my hat caved in, For money can’t buy me love
Doo-dah, doo-dah! Em Am
Doo-dah, doo-dah! Em Am
I go back home with a pocket full of tin, Can’t buy me love I go back home with a pocket full of tin, Can’t buy me love
Oh doo-dah, doo-dah day! C Oh doo-dah, doo-dah day! C
7
Everybody tells me so 7
Everybody tells me so
C C Em Am C C Em Am
Goin’ to run all night, Can’t buy me love Goin’ to run all night, Can’t buy me love
F C Dm7 G7 F C Dm7 G7
Goin’ to run all day. No‚ no, no, no Goin’ to run all day. No‚ no, no, no
C C
I’ll bet my money on a bobtail nag; Say you don’t need no diamond ring I’ll bet my money on a bobtail nag; Say you don’t need no diamond ring
G C G C
Somebody bet on the bay. And I’ll be satisfied Somebody bet on the bay. And I’ll be satisfied
Tell me that you want those kind of things Tell me that you want those kind of things
The long tail filly and the big black horse, That money just can’t buy The long tail filly and the big black horse, That money just can’t buy
Doo-dah, doo-dah! For I don’t care too much for money Doo-dah, doo-dah! For I don’t care too much for money
They fly the track and they both cut across, For money can’t buy me love They fly the track and they both cut across, For money can’t buy me love
65 65
Can’t buy me love Em Can’t buy me love Em
Freight yards full of old Black men Freight yards full of old Black men
Say you don’t need no diamond ring … G G7 C Say you don’t need no diamond ring … G G7 C
And the graveyards of rusted automobiles And the graveyards of rusted automobiles
Em Am Em Am Em Am Em Am
Can’t buy me love‚ love F G C Can’t buy me love‚ love F G C
Dm G 7 C Good mornin’, America, how are you? Dm G 7 C Good mornin’, America, how are you?
Can’t buy me love‚ no Am F C G Can’t buy me love‚ no Am F C G
Don’t you know me, I’m your native son? Don’t you know me, I’m your native son?
C G C G
I’m the train they call the City of New I’m the train they call the City of New
Can’t Help Falling in Love Am Am7 D 7 Can’t Help Falling in Love Am Am7 D 7
Orleans Orleans
George Weiss / Hugo Peretti / Luigi Creatore Bf F G George Weiss / Hugo Peretti / Luigi Creatore Bf F G
(Elvis Presley) I’ll be gone five hundred miles when the day is (Elvis Presley) I’ll be gone five hundred miles when the day is
C C
D A Bm D G D A done. D A Bm D G D A done.
Wise men say only fools rush in Wise men say only fools rush in
G F#m Bm G D A D Dealin’ ca rd games with the old men in the G F#m Bm G D A D Dealin’ ca rd games with the old men in the
But I can’t help falling in love with you club car But I can’t help falling in love with you club car
Shall I stay, would it be a sin? P enny a point, ain’t no one keepin’ score. Shall I stay, would it be a sin? P enny a point, ain’t no one keepin’ score.
If I can’t help falling in love with you P a ss the paper b a g that holds the bottle If I can’t help falling in love with you P a ss the paper b a g that holds the bottle
And f eel the wheels r umblin’ ’neath the floor. And f eel the wheels r umblin’ ’neath the floor.
F#m Bm F#m Bm And the sons of pullman porters, F#m Bm F#m Bm And the sons of pullman porters,
Like a river flows surely to the sea And the sons of engineers Like a river flows surely to the sea And the sons of engineers
F#m Bm F#m Bm
Darling so it goes‚ Ride their f a thers’ magic carpet made of steel Darling so it goes‚ Ride their f a thers’ magic carpet made of steel
F#m E A Mothers with their babes asleep, F#m E A Mothers with their babes asleep,
Some things are meant to be. Rockin’ to the gentle beat Some things are meant to be. Rockin’ to the gentle beat
And the rh y thm of the ra ils is all they f eel . And the rh y thm of the ra ils is all they f eel .
Take my hand, take my whole life too Take my hand, take my whole life too
For I can’t help falling in love with you Good mornin’, America … For I can’t help falling in love with you Good mornin’, America …
Like a river flows … Ni ghttime on the Ci ty of New Orleans, Like a river flows … Ni ghttime on the Ci ty of New Orleans,
Ch a ngin’ cars in M emphis, Tenness ee. Ch a ngin’ cars in M emphis, Tenness ee.
City of New Orleans H a lfway home, and we’ll be there by m ornin’ City of New Orleans H a lfway home, and we’ll be there by m ornin’
C G C Through the Mi ssissipi darkness rollin’ down to C G C Through the Mi ssissipi darkness rollin’ down to
Ridin’ on the City of New Orleans the sea. Ridin’ on the City of New Orleans the sea.
Am F C But a ll the towns and people seem Am F C But a ll the towns and people seem
Illinois Central, Monday mornin’ rail To fa de into a bad dream Illinois Central, Monday mornin’ rail To fa de into a bad dream
C G C C G C
Fifteen cars and fifteen restless riders‚ And the steel rails still ain’t heard the news. Fifteen cars and fifteen restless riders‚ And the steel rails still ain’t heard the news.
Am G C The conductor sings his song again, Am G C The conductor sings his song again,
Three conductors, twenty-five sacks of mail. “The pa ssengers will please refrain …” Three conductors, twenty-five sacks of mail. “The pa ssengers will please refrain …”
Am This tra in has got the disappearin’ railroad Am This tra in has got the disappearin’ railroad
All a long the southbound odyssey blues . All a long the southbound odyssey blues .
Em Em
The train pulls out of Kankakee Good night, America … The train pulls out of Kankakee Good night, America …
G D G D
Rolls along past houses, farms, and fields‚ Rolls along past houses, farms, and fields‚
Am Am
Passin’ towns that have no name Passin’ towns that have no name

66 66
Am 7 D7 Oh, my darling … Am 7 D7 Oh, my darling …
3x2o1o Txo213 3x2o1o Txo213
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|||||| |||||| Pink Floyd |||||| |||||| Pink Floyd
Clementine Bm Clementine Bm
Hello (hello – hello) Hello (hello – hello)
E A E A
In a cavern, in a canyon, Is there anybody in there In a cavern, in a canyon, Is there anybody in there
7 7
B G Em B G Em
excavating for a mine, Just nod if you can hear me excavating for a mine, Just nod if you can hear me
A E Bm A E Bm
dwelt a miner, forty- niner, Is there anyone home dwelt a miner, forty- niner, Is there anyone home
B7 E B7 E
and his daughter Clementine. Come on, now and his daughter Clementine. Come on, now
E
I hear you’ re feeling down E
I hear you’ re feeling down
Oh, my darling. Oh, my darling. Well I can ease your pain Oh, my darling. Oh, my darling. Well I can ease your pain
B7 Get you on your feet again B7 Get you on your feet again
Oh, my darling Clementine. Oh, my darling Clementine.
A E Relax (relax – relax) A E Relax (relax – relax)
Thou are lost and gone for ever, I need some information first Thou are lost and gone for ever, I need some information first
B7 E B7 E
Just the basic facts Just the basic facts
dreadful sorry, Clemen tine. dreadful sorry, Clemen tine.
Can you show me where it hurts Can you show me where it hurts
Light she was, and like a fairy D A Light she was, and like a fairy D A
and her shoes were number nine, There is no pain, you are receding and her shoes were number nine, There is no pain, you are receding
herring boxes without topses D A herring boxes without topses D A
sandals were for Clementine. A distant ship’s smoke on the horizon sandals were for Clementine. A distant ship’s smoke on the horizon
C G C G
Oh, my darling … You are only coming through in waves Oh, my darling … You are only coming through in waves
C C
Drove the ducklings to the water Your lips move but I can’t hear what you’re Drove the ducklings to the water Your lips move but I can’t hear what you’re
G G
every morning just at nine, sayin’ every morning just at nine, sayin’
struck her foot against a splinter, D A struck her foot against a splinter, D A
fell into the foaming brine. When I was a child I had a fever fell into the foaming brine. When I was a child I had a fever
D A D A
Oh, my darling … My hands felt just like two balloons Oh, my darling … My hands felt just like two balloons
C G C G
Rosy lips above the water, Now I’ve got that feeling once again Rosy lips above the water, Now I’ve got that feeling once again
blowing bubbles mighty fine, C blowing bubbles mighty fine, C
but, alas, I was no swimmer, I can’t explain, you would not understand but, alas, I was no swimmer, I can’t explain, you would not understand
G G
so I lost my Clementine. This is not how I a m so I lost my Clementine. This is not how I a m
A4 A G 4 G D A4 A G 4 G D
Oh, my darling … I have become comfortably numb Oh, my darling … I have become comfortably numb
How I missed her. How I missed her. Ok (ok – ok) How I missed her. How I missed her. Ok (ok – ok)
How I missed my Clementine. Just a little pinprick How I missed my Clementine. Just a little pinprick
But I kissed her little sister, There’ ll be no more Aaahh! But I kissed her little sister, There’ ll be no more Aaahh!
and forgot my Clementine. But you may feel a little sick and forgot my Clementine. But you may feel a little sick

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Can you stand up (stand up – stand up) Bm E A7 Can you stand up (stand up – stand up) Bm E A7
I do believe it’ s working, good a -washing of her linen oh I do believe it’ s working, good a -washing of her linen oh
D G A D G A
That’ll keep you going for the show dashing away with the smoothing iron, That’ll keep you going for the show dashing away with the smoothing iron,
Come on it’ s time to go D G A Come on it’ s time to go D G A
dashing away with the smoothing iron, dashing away with the smoothing iron,
There is no pain, you are receding D G D G There is no pain, you are receding D G D G
A distant ship’s smoke on the horizon dashing away with the smoothing iron A distant ship’s smoke on the horizon dashing away with the smoothing iron
You are only coming through in waves D A D You are only coming through in waves D A D
Your lips move but I can’t hear what you’re she stole my heart aw ay. Your lips move but I can’t hear what you’re she stole my heart aw ay.
sayin’ ’Twas on a Tuesday morning … sayin’ ’Twas on a Tuesday morning …
When I was a child I caught a fleeting glimpse … A-hanging out her linen oh … When I was a child I caught a fleeting glimpse … A-hanging out her linen oh …
Out of the corner of my eye Out of the corner of my eye
I turned to look but it was gone ’Twas on a Wednesday morning … I turned to look but it was gone ’Twas on a Wednesday morning …
I cannot put my finger on it now … A-starching of her linen oh … I cannot put my finger on it now … A-starching of her linen oh …
The child is grown, the dream is gone The child is grown, the dream is gone
’Twas on a Thursday morning … ’Twas on a Thursday morning …
Cotton Fields … A-ironing of her linen oh … Cotton Fields … A-ironing of her linen oh …
D D 7 ’Twas on a Friday morning … D D7 ’Twas on a Friday morning …
When I was a little bitty baby … A-folding of her linen oh … When I was a little bitty baby … A-folding of her linen oh …
G D G D
My mama would rock me in the cradle ’Twas on a Saturday morning … My mama would rock me in the cradle ’Twas on a Saturday morning …
D A … A-airing of her linen oh … D A … A-airing of her linen oh …
In them old cotton fields back home. In them old cotton fields back home.
D D7 ’Twas on a Sunday morning … D D7 ’Twas on a Sunday morning …
When I was a little bitty baby … A-wearing of her linen oh … When I was a little bitty baby … A-wearing of her linen oh …
G D G D
My mama would rock me in the cradle My mama would rock me in the cradle
D A7 D Dixie D A7 D Dixie
In them old cotton fields back home. A A 7 In them old cotton fields back home. A A7
Oh when them cotton balls get rotten, I wish I were in the land of cotton, Oh when them cotton balls get rotten, I wish I were in the land of cotton,
D D
You can’t pick very much cotton Old times there are not forgotten You can’t pick very much cotton Old times there are not forgotten
In them old cotton fields back home A In them old cotton fields back home A
It was down in Louisiana Look away! Look away! It was down in Louisiana Look away! Look away!
E7 A E7 A
Just about a mile from Texarcana Just about a mile from Texarcana
Look away, Dixie L and. Look away, Dixie L and.
In them old cotton fields back home. In them old cotton fields back home.
A D A D
Dashing away with the Smoothing Iron I wish I was in Dixie. Dashing away with the Smoothing Iron I wish I was in Dixie.
B E B E
D G A Hooray! Hoo ray! D G A Hooray! Hoo ray!
’Twas on a Monday morning A D ’Twas on a Monday morning A D
D G A In Dixie land, I’ll take my stand D G A In Dixie land, I’ll take my stand
and there I saw my darling A E and there I saw my darling A E
D G D To live and die in Dixie D G D To live and die in Dixie
she looked so neat and charming A E A she looked so neat and charming A E A
D E A Aw ay, away, away, D E A Aw ay, away, away,
in ev’ry high degree. E A in ev’ry high degree. E A
G D A7 Down south in Di xie G D A7 Down south in Di xie
She looked so neat and nimble oh She looked so neat and nimble oh

68 68
In Dixie Land where I was born G D Em In Dixie Land where I was born G D Em
Early on one frosty mornin’ It ain’t no use to sit and wonder why‚ babe Early on one frosty mornin’ It ain’t no use to sit and wonder why‚ babe
A D A D
Look away! Look away! It don’t matter anyhow Look away! Look away! It don’t matter anyhow
Look away Dixie Land. G G7 Look away Dixie Land. G G7
When the rooster crows at the break of dawn When the rooster crows at the break of dawn
I wish I was in Dixie … C A7 I wish I was in Dixie … C A7
Look out your window and I’ll be gone Look out your window and I’ll be gone
Don’t Let Me down G D Em C Don’t Let Me down G D Em C
You are the reason I’m travelin’ on You are the reason I’m travelin’ on
Beatles 1969 G D G Beatles 1969 G D G
Don’t think twice, it’s alright. Don’t think twice, it’s alright.
C Dm G C C Dm G C
|: Don’t let me down, don’t let me down. :| There ain’t no use in turning on your light, |: Don’t let me down, don’t let me down. :| There ain’t no use in turning on your light,
Dm
babe Dm
babe
Nobody ever loved me like she does, It’s a light I’ve never known Nobody ever loved me like she does, It’s a light I’ve never known
G C7+ FC There ain’t no use in turning on your light, G C7+ FC There ain’t no use in turning on your light,
Ooh, she does, yeh, she does. baby Ooh, she does, yeh, she does. baby
Dm Dm
I’m on the dark side of the road I’m on the dark side of the road
And if somebody loves me like she do me, And if somebody loves me like she do me,
G C7+ FC
Wish there was something you could do or say G C7+ FC
Wish there was something you could do or say
Ooh, she do me, yeh, she does. to try and make me change my mind and stay Ooh, she do me, yeh, she does. to try and make me change my mind and stay
We never did too much talking anyway We never did too much talking anyway
Don’t let me down … Don’t think twice, it’s alright. Don’t let me down … Don’t think twice, it’s alright.
C C
Ain’t no use in callin’ out my name now Ain’t no use in callin’ out my name now
I’m in love for the first time. I’m in love for the first time.
G like you never done before G like you never done before
Don’t you know it’s gonna last. Ain’t no use in callin’ out my name now Don’t you know it’s gonna last. Ain’t no use in callin’ out my name now
G7 I can’t hear you any more G7 I can’t hear you any more
It’s a love that lasts forever, Thinkin’ and wonderin’ all the way down the It’s a love that lasts forever, Thinkin’ and wonderin’ all the way down the
C FC C FC
It’s a love that has no past. road It’s a love that has no past. road
I once loved a woman, a child I’m told I once loved a woman, a child I’m told
Don’t let me down … I gave her my heart, she wanted my soul Don’t let me down … I gave her my heart, she wanted my soul
Don’t think twice, it’s alright. Don’t think twice, it’s alright.
And from the first time that she really done me, And from the first time that she really done me,
ooh, she done me, she done me good. I’m goin’ down that long, lonesome road, babe ooh, she done me, she done me good. I’m goin’ down that long, lonesome road, babe
I guess nobody ever really done me, where I’m gone, I can’t tell I guess nobody ever really done me, where I’m gone, I can’t tell
ooh, she done me, she done me good. Good-bye is too good a word, babe, ooh, she done me, she done me good. Good-bye is too good a word, babe,
So I’ll just say “Fare thee well.” So I’ll just say “Fare thee well.”
Don’t let me down … I ain’t saying you treated me unkind Don’t let me down … I ain’t saying you treated me unkind
Could’ve done better, but I don’t mind Could’ve done better, but I don’t mind
Don’t Think Twice, It’s Alright You just kind of wasted my precious time Don’t Think Twice, It’s Alright You just kind of wasted my precious time
Bob Dylan 1963 Don’t think twice, it’s alright. Bob Dylan 1963 Don’t think twice, it’s alright.
G D Em G D Em
Well it ain’t no use to sit and wonder why‚ Well it ain’t no use to sit and wonder why‚
babe babe
C G D C G D
If you don’t know by now If you don’t know by now

69 69
Dona Dona B A E Dona Dona B A E
Good Lord, show me the w ay ! Good Lord, show me the w ay !
Sekunda 1946 B E
Sekunda 1946 B E
Em B 7
Em B 7
Em Oh, sisters, let’s go down, Em B7 Em B7 Em Oh, sisters, let’s go down,
On a wagon bound for market A E On a wagon bound for market A E
Am C B7 Let’s go down, a-come on down! Am C B7 Let’s go down, a-come on down!
there’s a calf with a mournful eye. B E there’s a calf with a mournful eye. B E
Em B7 Em B7 Em Oh, sisters, let’s go down, Em B7 Em B7 Em Oh, sisters, let’s go down,
High above him there’s a swallow B A E High above him there’s a swallow B A E
Am Em B7 Em D Down in the river to pray ! Am Em B7 Em D Down in the river to pray !
winging swiftly through the sky. winging swiftly through the sky.
As I went down in the river to pray, As I went down in the river to pray,
G Em Studying about that Good ol’ Way G Em Studying about that Good ol’ Way
How the winds are laug hing‚ And who shall wear the robe and crown: How the winds are laug hing‚ And who shall wear the robe and crown:
Am D G Am Am D G Am
they laugh with all their might, Good Lord, show me the way! they laugh with all their might, Good Lord, show me the way!
D G Em D G Em
laugh and laugh the whole day through‚ Oh, brothers, let’s go down, laugh and laugh the whole day through‚ Oh, brothers, let’s go down,
B B7 Em Let’s go down, a-come on down! B B7 Em Let’s go down, a-come on down!
and half the summer’s night. Come on, brothers, let’s go down, and half the summer’s night. Come on, brothers, let’s go down,
B B7 Em Down in the river to pray! B B7 Em Down in the river to pray!
Dona, Dona, Dona, Dona, Dona, Dona, Dona, Dona,
Am D G As I went down in the river to pray … Am D G As I went down in the river to pray …
Dona, Dona, Dona, don. And who shall wear the starry crown … Dona, Dona, Dona, don. And who shall wear the starry crown …
7 7
B B Em B B Em
Dona, Dona, Dona, Dona, Oh, fathers, let’s go down, Dona, Dona, Dona, Dona, Oh, fathers, let’s go down,
B B7 Em B B7 Em
Dona, Dona, Dona, don. Let’s go down, a-come on down! Dona, Dona, Dona, don. Let’s go down, a-come on down!
Oh, fathers, let’s go down, Oh, fathers, let’s go down,
“Stop complaining!” said the farmer, Down in the river to pray! “Stop complaining!” said the farmer, Down in the river to pray!
“Who told you a calf to be? “Who told you a calf to be?
Why don’t you have wings to fly with As I went down in the river to pray … Why don’t you have wings to fly with As I went down in the river to pray …
like the swallow so proud and free?” And who shall wear the robe and crown … like the swallow so proud and free?” And who shall wear the robe and crown …

How the winds are laughing … Oh, mothers, let’s go down, How the winds are laughing … Oh, mothers, let’s go down,
Let’s go down, a-come on down! Let’s go down, a-come on down!
Calves are easily bound and slaughtered, Come on, mothers, let’s go down, Calves are easily bound and slaughtered, Come on, mothers, let’s go down,
never knowing the reason why, Down in the river to pray! never knowing the reason why, Down in the river to pray!
but whoever treasures freedom, but whoever treasures freedom,
like the swallow has learned to fly. As I went down in the river to pray … like the swallow has learned to fly. As I went down in the river to pray …
And who shall wear the starry crown … And who shall wear the starry crown …
How the winds are laughing … How the winds are laughing …
Down on the Corner Down on the Corner
Down in the River to Pray Down in the River to Pray
C C
E E arly in the evening, E E arly in the evening,
As I went down in the river to pray G C As I went down in the river to pray G C
B E Just about suppertime B E Just about suppertime
Studying about that Good ol’ Way Studying about that Good ol’ Way
E Over by the courthouse E Over by the courthouse
And who shall wear the starry crown: G C And who shall wear the starry crown: G C
They’re startin’ to un wind They’re startin’ to un wind

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F Dream a little dream of me … F Dream a little dream of me …
Four kids on the corner, Four kids on the corner,
C Stars fading, but I linger on, dear, C Stars fading, but I linger on, dear,
Tryin’ to bring you up Still craving your kiss; Tryin’ to bring you up Still craving your kiss;
Willie picks a tune out I’m longing to linger till dawn, dear, Willie picks a tune out I’m longing to linger till dawn, dear,
G C Just saying this: G C Just saying this:
And he blows it on the harp And he blows it on the harp
Sweet dreams till sun beams find you, Sweet dreams till sun beams find you,
F C Sweet dreams that leave our worries behind F C Sweet dreams that leave our worries behind
Down on the corner, you; Down on the corner, you;
G C G C
Out in the street But in your dreams, whatever they be, Out in the street But in your dreams, whatever they be,
F C Dream a little dream of me F C Dream a little dream of me
Willie and the Poorboys are playin’ Willie and the Poorboys are playin’
G C Stars fading, but I linger on, dear, G C Stars fading, but I linger on, dear,
Bring a nickel, tap your feet Still craving your kiss; Bring a nickel, tap your feet Still craving your kiss;
I’m longing to linger till dawn dear, I’m longing to linger till dawn dear,
Rooster hits the wash board, Rooster hits the wash board,
Just saying this: Just saying this:
And people just got to smile And people just got to smile
Blinky thumps the gut-bass Sweet dreams till sun beams find you, Blinky thumps the gut-bass Sweet dreams till sun beams find you,
And solos for a while Sweet dreams that leave our worries far behind And solos for a while Sweet dreams that leave our worries far behind
Poorboy twangs the rhythm out, you; Poorboy twangs the rhythm out, you;
On his kalamazoo But in your dreams, whatever they be, On his kalamazoo But in your dreams, whatever they be,
Willie goes into a dance Dream a little dream of me. Willie goes into a dance Dream a little dream of me.
And doubles on kazoo. And doubles on kazoo.
Early in the Morning Early in the Morning
Down on the corner … Down on the corner …
Peter, Paul and Mary 1962 Peter, Paul and Mary 1962
You don’t need a penny, You don’t need a penny,
Just to hang around DGDG Just to hang around DGDG
But if you got a nickel D GD But if you got a nickel D GD
Won’t you lay your money down Well early in the morning, Won’t you lay your money down Well early in the morning,
Over on the corner, GD Over on the corner, GD
There’s a happy noise About the break of day, There’s a happy noise About the break of day,
Bm Em A Bm Em A
People come from all around I ask the Lord, “help me find my way”! People come from all around I ask the Lord, “help me find my way”!
To watch the magic boy. D GD To watch the magic boy. D GD
Help me find my way Help me find my way
Down on the corner … D GD Down on the corner … D GD
To the promised land To the promised land
Dream a Little Dream of Me Bm E Dream a Little Dream of Me Bm E
This lonely body needs a helping hand This lonely body needs a helping hand
Stars shining bright above you, D A Stars shining bright above you, D A
Night breezes seem to whisper, “I love you”; I ask the Lord to help me Night breezes seem to whisper, “I love you”; I ask the Lord to help me
D GDGDGD D GDGDGD
Birds singin’ in the sycamore tree; Please find my way. Birds singin’ in the sycamore tree; Please find my way.
Dream a little dream of me … Dream a little dream of me …
When the new day’s a dawning, When the new day’s a dawning,
Say “nighty-night” and kiss me, I bow my head in prayer. Say “nighty-night” and kiss me, I bow my head in prayer.
Just hold me tight and tell me you’ll miss me; I pray the Lord, “won’t you lead me there?” Just hold me tight and tell me you’ll miss me; I pray the Lord, “won’t you lead me there?”
While I’m alone and blue as can be, Won’t you guide me safely While I’m alone and blue as can be, Won’t you guide me safely

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To the Golden Stair? C To the Golden Stair? C
Won’t you let the body your burden share? Aw ay, I’d rather sail away Won’t you let the body your burden share? Aw ay, I’d rather sail away
G G
I pray the Lord, “won’t you lead me like a swan that’s here and gone. I pray the Lord, “won’t you lead me like a swan that’s here and gone.
Please, lead me there?” C Please, lead me there?” C
A m an gets tied up to the ground, A m an gets tied up to the ground,
When the judgment comes G When the judgment comes G
To find the world in shame he gives the world its saddest sound, To find the world in shame he gives the world its saddest sound,
When the trumpet blows won’t you call my Em When the trumpet blows won’t you call my Em
name? its saddest sound. name? its saddest sound.
When the thunder rolls I’d rather be a forest than a street, When the thunder rolls I’d rather be a forest than a street,
And the heavens ring yes I would, if I could, And the heavens ring yes I would, if I could,
When the sun turns black, never shout again I surely would. When the sun turns black, never shout again I surely would.
When the trumpet blows, won’t you call me When the trumpet blows, won’t you call me
Please, call my name! I’d rather feel the earth beneath my feet, Please, call my name! I’d rather feel the earth beneath my feet,
yes I would, if I only could, yes I would, if I only could,
Edelweis I surely would. Edelweis I surely would.
7
C G C F C G7 C F
Edelweis, edelweis, Erie Canal Edelweis, edelweis, Erie Canal
C Am Dm G C Am Dm G
Every morning you greet me W. S. Allen Every morning you greet me W. S. Allen
7 7
C G C F Dm C C G C F Dm C
Small and white, clean and bright, I’ve got an old mule, Small and white, clean and bright, I’ve got an old mule,
7 7
C G C Bf A C G C Bf A
You look happy to meet me. Her name is S al , You look happy to meet me. Her name is S al ,
G C Dm A Dm G C Dm A Dm
Blossom of snow, may you bloom and grow, Fifteen years on the E rie Canal. Blossom of snow, may you bloom and grow, Fifteen years on the E rie Canal.
F D7 G Dm C F D7 G Dm C
Bloom and grow forever, She’s a good old worker Bloom and grow forever, She’s a good old worker
7 7
C C F Fm Bf A C C F Fm Bf A
Edelweis, edelweis, And a good old pal‚ Edelweis, edelweis, And a good old pal‚
7 7
C G F C Dm A Dm C G F C Dm A Dm
Bless my homeland fo rev er. Fifteen years on the E rie Canal. Bless my homeland fo rev er. Fifteen years on the E rie Canal.
F A7 F A7
El condor pasa We’ve hauled some barges in our day El condor pasa We’ve hauled some barges in our day
Dm A7 Dm A7
Paul Simon 1963 Full of lumber, coal and hay Paul Simon 1963 Full of lumber, coal and hay
Dm C Bf A Dm C Bf A
G And we know ev’ry inch of the way G And we know ev’ry inch of the way
I’d rather be a sparrow than a snail, Dm A Dm I’d rather be a sparrow than a snail, Dm A Dm
From Albany to Buffalo. From Albany to Buffalo.
yes I would, if I could, yes I would, if I could,
Em F (B f) C Em F (B f) C
I surely would, hm-m. Low Bridge, ev’rybody down‚ I surely would, hm-m. Low Bridge, ev’rybody down‚
F A7 Dm F A7 Dm
I’d rather be a hammer than a nail, Low Bridge, for we’re coming to a town! I’d rather be a hammer than a nail, Low Bridge, for we’re coming to a town!
yes I would, if I only could, F F7 yes I would, if I only could, F F7
I surely would, hm-m. And you’ll a l ways know your neighbor, I surely would, hm-m. And you’ll a l ways know your neighbor,
Bf B fm Bf B fm
You’ll a l ways know your pal‚ You’ll a l ways know your pal‚
F Bf F Bf
If you’ve ever navi gated If you’ve ever navi gated
72 72
 F C F You know people when you do find somebody, F C F You know people when you do find somebody,
On the E rie Ca nal. hold that woman, hold that man, On the E rie Ca nal. hold that woman, hold that man,
We better get along love him, please him, squeeze her, please her, We better get along love him, please him, squeeze her, please her,
On our way, old gal, hold, squeeze and please that person, On our way, old gal, hold, squeeze and please that person,
Fifteen miles on the Erie Canal. give ’em all your love, Fifteen miles on the Erie Canal. give ’em all your love,
Cause you bet your life signify your feelings with very gentle caress, Cause you bet your life signify your feelings with very gentle caress,
I’d never part with Sal, because it’s so important to have the special I’d never part with Sal, because it’s so important to have the special
Fifteen miles on the Erie Canal. somebody to hold, kiss, miss, squeeze, and Fifteen miles on the Erie Canal. somebody to hold, kiss, miss, squeeze, and
Git up there, mule, here comes a lock, please. Git up there, mule, here comes a lock, please.
We’ll make Rome ’bout six o’clock. Everybody needs somebody We’ll make Rome ’bout six o’clock. Everybody needs somebody
One more trip and back we’ll go Everybody needs somebody to love One more trip and back we’ll go Everybody needs somebody to love
Right back home to Buffalo. Someone to love, someone to love Right back home to Buffalo. Someone to love, someone to love
Low Bridge, ev’rybody down … Sweetheart to miss, sweetheart to miss Low Bridge, ev’rybody down … Sweetheart to miss, sweetheart to miss
f f
Sugar to kiss, sugar to kiss Sugar to kiss, sugar to kiss
Dm C B A Dm C B A Dm C Bf A Dm C B f A
(Tow that barge! Lift that bale! … ) I need you, you, you, (Tow that barge! Lift that bale! … ) I need you, you, you,
I need you, you, you I need you, you, you
Everybody Needs Somebody In the morning – I need you, you, you Everybody Needs Somebody In the morning – I need you, you, you
Everybody needs somebody When my soul’s on fire – I need you, you, you Everybody needs somebody When my soul’s on fire – I need you, you, you
Everybody needs somebody to love Father and Son Everybody needs somebody to love Father and Son
Someone to love, someone to love Someone to love, someone to love
Sweetheart to miss, sweetheart to miss Cat Stevens 1970 Sweetheart to miss, sweetheart to miss Cat Stevens 1970
Sugar to kiss, sugar to kiss Sugar to kiss, sugar to kiss
Father: Father:
I need you, you, you, G Bm
I need you, you, you, G Bm
I need you, you, you It’s not time to make a change, I need you, you, you It’s not time to make a change,
In the morning – I need you, you, you C Am 7 In the morning – I need you, you, you C Am 7
When my soul’s on fire – I need you, you, you just re lax, take it easy When my soul’s on fire – I need you, you, you just re lax, take it easy
G Em G Em
Sometimes I feel, you’re still young, that’s your fault, Sometimes I feel, you’re still young, that’s your fault,
I feel a little sad inside Am D7 I feel a little sad inside Am D7
When my baby mistreats me there’s so much you have to know. When my baby mistreats me there’s so much you have to know.
I never never have no place to hide, I never never have no place to hide,
Find a girl, settle down. Find a girl, settle down.
Sometimes I feel, If you want you can marry Sometimes I feel, If you want you can marry
I feel a little sad inside look at me, I am old, I feel a little sad inside look at me, I am old,
When my baby mistreats me but I’m happy. When my baby mistreats me but I’m happy.
I never never have no place to hide, I never never have no place to hide,
I was once like you are now I was once like you are now
I need you, you, you, and I know that it’s not easy I need you, you, you, and I know that it’s not easy
I need you, you, you to be calm, when you’ve found I need you, you, you to be calm, when you’ve found
I need you, you, you, something going on. I need you, you, you, something going on.
I need you, you, you I need you, you, you
But take your time, think a lot, But take your time, think a lot,
I need you I need you
think of everything you got think of everything you got
for you will still be here tomorrow for you will still be here tomorrow

73 73
 D G D7 D G D7
but your dreams may not. You can hear the whistle blow but your dreams may not. You can hear the whistle blow
G G
Son: one hundred miles. Son: one hundred miles.
G Em G Em
How can I try to explain One hundred miles, one hundred miles‚ How can I try to explain One hundred miles, one hundred miles‚
’cause when I do he turns away again C Am 7 ’cause when I do he turns away again C Am 7
it’s always been the same, one hundred miles, one hundred miles. it’s always been the same, one hundred miles, one hundred miles.
D7 D7
same old story. You can hear the whistle blow same old story. You can hear the whistle blow
G G
From the moment I could talk one hundred miles. From the moment I could talk one hundred miles.
I was ordered to listen I was ordered to listen
now there’s a way, and I know Lord, I’m one, Lord, I’m two, Lord, now there’s a way, and I know Lord, I’m one, Lord, I’m two, Lord,
that I have to go away. I’m three, Lord, I’m four, that I have to go away. I’m three, Lord, I’m four,
D C G Lord, I’m five hundred miles D C G Lord, I’m five hundred miles
I know I have to go. away from home. I know I have to go. away from home.
Father: |: Five hundred miles, five hundred miles, :| Father: |: Five hundred miles, five hundred miles, :|
You can hear the whistle blow You can hear the whistle blow
It’s not time to make a change, five hundred miles. It’s not time to make a change, five hundred miles.
just sit down, take it slowly just sit down, take it slowly
you’re still young, that’s your fault, Not a shirt on my back, you’re still young, that’s your fault, Not a shirt on my back,
there’s so much you have to go through. not a penny to my name. there’s so much you have to go through. not a penny to my name.
Lord, I can’t go back home Lord, I can’t go back home
Find a girl, settle down. this away. Find a girl, settle down. this away.
If you want you can marry |: This away, this away, :| If you want you can marry |: This away, this away, :|
look at me, I am old, Lord, I can’t go back home look at me, I am old, Lord, I can’t go back home
but I’m happy. this away. but I’m happy. this away.
Son: If you miss the train, I’m on … Son: If you miss the train, I’m on …
C D7 C D7
All the times that I’ve cried You can hear the whistle blow All the times that I’ve cried You can hear the whistle blow
keeping all the things I knew inside G keeping all the things I knew inside G
it’s hard, but it’s harder one hundred miles. it’s hard, but it’s harder one hundred miles.
to ignore it. to ignore it.
Forever Young Forever Young
If they were right, I’d agree, If they were right, I’d agree,
but it’s them they know not me Bob Dylan 1974 (b 244) but it’s them they know not me Bob Dylan 1974 (b 244)
now there’s a way, and I know D now there’s a way, and I know D
that I have to go away. May God bless and keep you always that I have to go away. May God bless and keep you always
F#m7 F#m7
I know, I have to go. I know, I have to go.
may your wishes all come true, may your wishes all come true,
G G
Five Hundred Miles may you always do for others Five Hundred Miles may you always do for others
D D
Hedy West 1962 and let others do for you. Hedy West 1962 and let others do for you.
G Em G Em
If you miss the train I’m on‚ May you build a ladder to the stars If you miss the train I’m on‚ May you build a ladder to the stars
# 7
F m F#m7
C Am 7 C Am 7
you will know that I am gone. and climb on every rung, you will know that I am gone. and climb on every rung,

74 74
 G A D Sweet Loretta Martin thought she was a G A D Sweet Loretta Martin thought she was a
may you stay forever young. woman may you stay forever young. woman
A Bm G But she was another man A Bm G But she was another man
Forever young, forever young, All the girls around her say she’s got it coming Forever young, forever young, All the girls around her say she’s got it coming
DA G D But she gets it while she can DA G D But she gets it while she can
may you stay forever young. may you stay forever young.
Get back, get back Get back, get back
May you grow up to be righteous Get back to where you once belonged May you grow up to be righteous Get back to where you once belonged
may you grow up to be true, Get back, get back may you grow up to be true, Get back, get back
may you always know the truth Get back to where you once belonged may you always know the truth Get back to where you once belonged
and see the lights surrounding you. Get back Loretta and see the lights surrounding you. Get back Loretta
May you always be courageous Ah, get back May you always be courageous Ah, get back
stand up right and be strong, Yeah, get back stand up right and be strong, Yeah, get back
may you stay forever young. Get back to where you once belonged may you stay forever young. Get back to where you once belonged
Forever young … Yeah get back Forever young … Yeah get back
Get back to where you once belonged Get back to where you once belonged
May your hands always be busy Get back, Ooo May your hands always be busy Get back, Ooo
may your feet always be swift, may your feet always be swift,
may you have a strong foundation (Get back, Loretta, may you have a strong foundation (Get back, Loretta,
when the winds of changes shift. Your mommy’s waiting for you, when the winds of changes shift. Your mommy’s waiting for you,
May your heart always be joyful Wearin’ her high heel shoes and her low neck May your heart always be joyful Wearin’ her high heel shoes and her low neck
may your song always be sung, sweater, may your song always be sung, sweater,
may you stay forever young. Get back home, Loretta may you stay forever young. Get back home, Loretta
Get back, get back, get back to where you once Get back, get back, get back to where you once
Forever young … belonged. Forever young … belonged.
Get back, get back, get back …) Get back, get back, get back …)
Get back Get back
Gimme Some Lovin’ Gimme Some Lovin’
Beatles 1969 Beatles 1969
Hey! Hey!
Jo Jo was a man who thought he was a loner E A Jo Jo was a man who thought he was a loner E A
But he knew it couldn’t last Well my temperature’s rising But he knew it couldn’t last Well my temperature’s rising
Jo Jo left his home in Tucson, Arizona E A Jo Jo left his home in Tucson, Arizona E A
for some California grass And my feet left the floor for some California grass And my feet left the floor
E A E A
Get back, get back Crazy people knocking, Get back, get back Crazy people knocking,
E A E A
Get back to where you once belonged ’Cause they want some more. Get back to where you once belonged ’Cause they want some more.
Get back, get back E A Get back, get back E A
Get back to where you once belonged Let me in baby, Get back to where you once belonged Let me in baby,
Get back Jo Jo E A Get back Jo Jo E A
Go home I don’t know what you got Go home I don’t know what you got
E A E A
Get back, get back You better take it easy. Get back, get back You better take it easy.
Back to where you once belonged E A Back to where you once belonged E A
Get back, get back This place is hot. Get back, get back This place is hot.
Back to where you once belonged E Back to where you once belonged E
Get back Jo And I’m Get back Jo And I’m
G A G A
So glad you made it So glad you made it
75 75
 C Gimme some lovin’ C Gimme some lovin’
So glad you made it Gimme some lovin’ everyday. So glad you made it Gimme some lovin’ everyday.
E E
You gotta You gotta
A E God Bless them Moonshiners A E God Bless them Moonshiners
Gimme some lovin’ Gimme some lovin’
A E God bless them moonshiners, A E God bless them moonshiners,
Gimme some lovin’ I wish they was mine! Gimme some lovin’ I wish they was mine!
A E Their breath is as sweet A E Their breath is as sweet
Gimme some lovin’ every day. As the dew on the vine. Gimme some lovin’ every day. As the dew on the vine.
Hey! I’ll go up some holler, Hey! I’ll go up some holler,
My head’s a-spinning I’ll build me a still, My head’s a-spinning I’ll build me a still,
And I’m floating to sound And I’ll still you a gallon And I’m floating to sound And I’ll still you a gallon
Too much is happening For a two-dollar bill. Too much is happening For a two-dollar bill.
’Cause you’re not around ’Cause you’re not around
It’s been a hard day God bless them moonshiners … It’s been a hard day God bless them moonshiners …
And nothing went too good And nothing went too good
I’m gonna relax I’ve been a moonshiner I’m gonna relax I’ve been a moonshiner
Like everybody should For seventeen long years, Like everybody should For seventeen long years,
And I’m I’ve spent all my money And I’m I’ve spent all my money
So glad you made it On whiskey and beer. So glad you made it On whiskey and beer.
So glad you made it God bless them moonshiners … So glad you made it God bless them moonshiners …
You gotta You gotta
Gimme some lovin’ I’ll go to the alehouse, Gimme some lovin’ I’ll go to the alehouse,
Gimme some lovin’ I’ll drink with my friends. Gimme some lovin’ I’ll drink with my friends.
Gimme some lovin’ everyday No woman to follow Gimme some lovin’ everyday No woman to follow
To see what I spend. To see what I spend.
Hey! Hey!
I feel so good God bless them moonshiners … I feel so good God bless them moonshiners …
Everything is gettin’ higher. Everything is gettin’ higher.
I’ll eat when I’m hungry, I’ll eat when I’m hungry,
You better take some time out You better take some time out
I’ll drink when I’m dry; I’ll drink when I’m dry;
’Cause the place is on fire. ’Cause the place is on fire.
Pretty women (men) when I’m lonesome, Pretty women (men) when I’m lonesome,
Better stop baby Better stop baby
Sweet Heaven when I die. Sweet Heaven when I die.
I have so much to do. I have so much to do.
We made it, baby. God bless them moonshiners … We made it, baby. God bless them moonshiners …
And it happened to you. And it happened to you.
So glad you made it Going to Boston So glad you made it Going to Boston
So glad you made it So glad you made it
You gotta Men: You gotta Men:
Gimme some lovin’ Goodbye girls, I’m goin’ to Boston (3x) Gimme some lovin’ Goodbye girls, I’m goin’ to Boston (3x)
Gimme some lovin’ Earlye in the morning. (Repeat all) Gimme some lovin’ Earlye in the morning. (Repeat all)
Gimme some lovin’ everyday. Gimme some lovin’ everyday.
So glad you made it Won’t we look pretty in the ballroom (3x) So glad you made it Won’t we look pretty in the ballroom (3x)
So glad you made it Earlye in the morning. So glad you made it Earlye in the morning.
You gotta You gotta
Gimme some lovin’ Gimme some lovin’

76 76
Women: Em Women: Em
rang‚ rang‚
Saddle up girls and let’s go get them (3x) Am D G CD Saddle up girls and let’s go get them (3x) Am D G CD
Earlye in the morning. And he won the heart of the lady Earlye in the morning. And he won the heart of the lady

Won’t we look pretty … She left her father’s castle gate, Won’t we look pretty … She left her father’s castle gate,
She left her own true lover, She left her own true lover,
Men: She left her servants and estate, Men: She left her servants and estate,
To follow the gypsy rover To follow the gypsy rover
Out of the way, you’ll get run over (3x) Out of the way, you’ll get run over (3x)
Earlye in the morning. Ah-dee-do-ah-dee-do-die-day … Earlye in the morning. Ah-dee-do-ah-dee-do-die-day …
Won’t we look pretty … Her father saddled up his fastest steed, Won’t we look pretty … Her father saddled up his fastest steed,
Alternate:
Roamed the valleys all over, Alternate:
Roamed the valleys all over,
Sought his daughter at great speed, Sought his daughter at great speed,
Rights and lefts will make it better (3x) And the whistlin’ gypsy rover. Rights and lefts will make it better (3x) And the whistlin’ gypsy rover.
Earlye in the morning. Earlye in the morning.
Ah-dee-do-ah-dee-do-die-day … Ah-dee-do-ah-dee-do-die-day …
Won’t we look pretty … Won’t we look pretty …
He came at last to a mansion fine, He came at last to a mansion fine,
Men: Down by the river Clady Men: Down by the river Clady
And there was music and there was wine, And there was music and there was wine,
Swing your partner all the way to Boston (3x) For the gypsy and his lady. Swing your partner all the way to Boston (3x) For the gypsy and his lady.
Earlye in the morning. Earlye in the morning.
Ah-dee-do-ah-dee-do-die-day … Ah-dee-do-ah-dee-do-die-day …
Won’t we look pretty … Won’t we look pretty …
He is no gypsy, my father, said she, He is no gypsy, my father, said she,
Women: But lord of these lands all over, Women: But lord of these lands all over,
Johnny, Johnny, gonna tell your Pappy (3x) And I shall stay till my dying day, Johnny, Johnny, gonna tell your Pappy (3x) And I shall stay till my dying day,
Earlye in the morning. With my whistlin’ gypsy rover. Earlye in the morning. With my whistlin’ gypsy rover.

Won’t we look pretty … Ah-dee-do-ah-dee-do-die-day … Won’t we look pretty … Ah-dee-do-ah-dee-do-die-day …

Gypsy Rover Happy Together Gypsy Rover Happy Together

G D G D The Turtles G D G D The Turtles
The gypsy rover came over the hill‚ The gypsy rover came over the hill‚
G D G D Em G D G D Em
Down through the valley so shady Imagine me and you, I do Down through the valley so shady Imagine me and you, I do
G D Bm D G D Bm D
He whistled and he sang till the green woods I think about you day and night, He whistled and he sang till the green woods I think about you day and night,
Em Em
rang‚ it’s only right rang‚ it’s only right
Am D G CD C Am D G CD C
And he won the heart of the lady To think about the girl you love And he won the heart of the lady To think about the girl you love
G D G D and hold her tight G D G D and hold her tight
Ah-dee-do-ah-dee- do-die-day‚ B7 Ah-dee-do-ah-dee- do-die-day‚ B7
G D G D So happy together G D G D So happy together
Ah-dee-do-ah-dee- day-oh Ah-dee-do-ah-dee- day-oh
G D Bm If I should call you up, invest a dime G D Bm If I should call you up, invest a dime
He whistled and he sang till the green woods And you say you belong to me He whistled and he sang till the green woods And you say you belong to me
77 77
and ease my mind I love to wander by the stream and ease my mind I love to wander by the stream
Imagine how the world could be, That dances in the sun Imagine how the world could be, That dances in the sun
so very fine So joyously it calls to me so very fine So joyously it calls to me
So happy together “Come join my happy song.” So happy together “Come join my happy song.”
E D E Valderi, valdera … E D E Valderi, valdera …
I can’t see me lovin’ nobody but you “Come join my happy song.” I can’t see me lovin’ nobody but you “Come join my happy song.”
G G
For all my life I wave my hat to all I meet For all my life I wave my hat to all I meet
E D E E D E
When you’re with me, baby the skies’ll be blue And they wave back to me When you’re with me, baby the skies’ll be blue And they wave back to me
G And blackbirds call so loud and sweet G And blackbirds call so loud and sweet
For all my life From every greenwood tree. For all my life From every greenwood tree.
Me and you and you and me Valderi, valdera … Me and you and you and me Valderi, valdera …
No matter how they toss the dice, From every greenwood tree. No matter how they toss the dice, From every greenwood tree.
it has to be it has to be
The only one for me is you, High overhead the skylark wing, The only one for me is you, High overhead the skylark wing,
and you for me They never rest at home and you for me They never rest at home
So happy together But just like me they love to sing So happy together But just like me they love to sing
As o’er the world we roam. As o’er the world we roam.
I can’t see me lovin’ nobody but you … I can’t see me lovin’ nobody but you …
Valderi, valdera … Valderi, valdera …
So happy together As o’er the world we roam. So happy together As o’er the world we roam.
How is the weather How is the weather
So happy together O may I go a-wandering So happy together O may I go a-wandering
We’re happy together Until the day I die We’re happy together Until the day I die
So happy together And may I always laugh and sing So happy together And may I always laugh and sing
Happy together Beneath God’s clear blue sky. Happy together Beneath God’s clear blue sky.
So happy together Valderi, valdera … So happy together Valderi, valdera …
So happy together Beneath God’s clear blue sky. So happy together Beneath God’s clear blue sky.
Happy Wanderer Help Happy Wanderer Help
C C
I love to go a-wandering Beatles 1965 I love to go a-wandering Beatles 1965
G G
Am Am
Along the mountain track, Help! I need somebody Along the mountain track, Help! I need somebody
C C
F F
And as I go I love to sing, Help! Not just anybody And as I go I love to sing, Help! Not just anybody
7 7
F G F G
D7 D7
My knapsack on my back Help! You know I need someone My knapsack on my back Help! You know I need someone
G C G G C G
Valde ri‚ valde ra‚ Help! Valde ri‚ valde ra‚ Help!
G C G C
G G
Valde ri‚ valde ra‚ hahaha hahaha, When I was younger, Valde ri‚ valde ra‚ hahaha hahaha, When I was younger,
G C G C
Bm Em Bm Em
Valde ri‚ valde ra‚ So much younger than today Valde ri‚ valde ra‚ So much younger than today
7 7
F G F G
C F G C F G
My knapsack on my back I never needed anybody’s help in any way My knapsack on my back I never needed anybody’s help in any way

78 78
 Here comes the sun … Here comes the sun …
But now these days are gone But now these days are gone
Bm Em Little darling Bm Em Little darling
I’m not so self assured The smiles returning to the faces I’m not so self assured The smiles returning to the faces
C C
Now I find I’ve changed my mind, I’ve op Little darling Now I find I’ve changed my mind, I’ve op Little darling
F G I seems like years since it’s been here F G I seems like years since it’s been here
ened up the doors ened up the doors
Here comes the sun … Here comes the sun …
Am Am
Help me if you can, I’m feeling down Sun, sun, sun, here it comes Help me if you can, I’m feeling down Sun, sun, sun, here it comes
F Sun, sun, sun, here it comes F Sun, sun, sun, here it comes
And I do appreciate you being ’round Sun, sun, sun, here it comes And I do appreciate you being ’round Sun, sun, sun, here it comes
D7 D7
Help me get my feet back on the ground Sun, sun, sun, here it comes Help me get my feet back on the ground Sun, sun, sun, here it comes
G Sun, sun, sun, here it comes G Sun, sun, sun, here it comes
Won’t you please, please help me Won’t you please, please help me
Little darling Little darling
And now my life has changed I feel that ice is slowly melting And now my life has changed I feel that ice is slowly melting
In oh, so many ways Little darling In oh, so many ways Little darling
My independence seems to vanish in the haze It seems like years since it’s been clear My independence seems to vanish in the haze It seems like years since it’s been clear
But every now and then But every now and then
I feel so insecure Here comes the sun … I feel so insecure Here comes the sun …
I know that I just need you like I’ve never done I know that I just need you like I’ve never done
before Hey Jude before Hey Jude

Help me if you can, I’m feeling down … Beatles 1968 Help me if you can, I’m feeling down … Beatles 1968
C G C G
When I was younger … Hey Jude, don’t make it bad; When I was younger … Hey Jude, don’t make it bad;
C C
Help me if you can, I’m feeling down … take a sad song, and make it better. Help me if you can, I’m feeling down … take a sad song, and make it better.
G F C G F C
Won’t you please, please help me, Re member to let her into your heart, Won’t you please, please help me, Re member to let her into your heart,
Em G G G7 C (C 7 ) Em G G G7 C (C 7 )
Help me, help, me, Ooh then you can start to make it better. Help me, help, me, Ooh then you can start to make it better.
Here comes the sun Hey Jude, don’t be afraid, Here comes the sun Hey Jude, don’t be afraid,
you were made to go out and get her. you were made to go out and get her.
Beatles 1969 The minute you let her under your skin, Beatles 1969 The minute you let her under your skin,
Here comes the sun, do do do do then you begin to make it better. Here comes the sun, do do do do then you begin to make it better.
Here comes the sun, and I say F Here comes the sun, and I say F
It’s all right And any time you feel the pain, It’s all right And any time you feel the pain,
Am Dm7 Am Dm7
Little darling hey Jude, re frain, Little darling hey Jude, re frain,
It’s been a long cold lonely winter C G G7 C C7 It’s been a long cold lonely winter C G G7 C C7
Little darling don’t c a rry the world upon your shoulders. Little darling don’t c a rry the world upon your shoulders.
F F
It feels like years since it’s been here For well you know that it’s a fool It feels like years since it’s been here For well you know that it’s a fool
Am Dm7 Am Dm7
who plays it cool who plays it cool
C G C C G C
by m aking his world a little colder. by m aking his world a little colder.
79 79
 C7 G7 Keep your eyes on the prize … C7 G7 Keep your eyes on the prize …
Da da da da da, da da da da Da da da da da, da da da da
Got my hands on the Gospel plough, Got my hands on the Gospel plough,
Hey Jude, don’t let me down, Wouldn’t take nothin’ for my journey now Hey Jude, don’t let me down, Wouldn’t take nothin’ for my journey now
you have found her, now go and get her. you have found her, now go and get her.
Remember to let her into your heart, Keep your eyes on the prize … Remember to let her into your heart, Keep your eyes on the prize …
then you can start to make it better then you can start to make it better
Homeward Bound Homeward Bound
So let it out and let it in, So let it out and let it in,
hey Jude, begin, Paul Simon 1966 hey Jude, begin, Paul Simon 1966
you’re waiting for someone to perform with. G you’re waiting for someone to perform with. G
And don’t you know that it’s just you I’m sittin’ in the railway station, And don’t you know that it’s just you I’m sittin’ in the railway station,
hey Jude, you’ll do, Bm Dm E7 hey Jude, you’ll do, Bm Dm E7
the movement you need is on your shoulder. got a ticket for my destination, hm … the movement you need is on your shoulder. got a ticket for my destination, hm …
Am Am
Na na na na na, na na na na. On a tour of one night stands Na na na na na, na na na na. On a tour of one night stands
F F
Hey Jude, don’t make it bad, my suitcase and guitar in hand Hey Jude, don’t make it bad, my suitcase and guitar in hand
take a sad song and make it better. G take a sad song and make it better. G
Remember, to let her under your skin, and every stop is neatly planned Remember, to let her under your skin, and every stop is neatly planned
then you’ll begin to make it better, D G then you’ll begin to make it better, D G
better, better, better, better, better, oh! for a poet and a one man band. better, better, better, better, better, oh! for a poet and a one man band.
C Bf G C C Bf G C
D a da da, da da da da, Homeward bound, D a da da, da da da da, Homeward bound,
F C G F C G
da da da da, hey Jude. I wish I w as, da da da da, hey Jude. I wish I w as,
C C
homeward bound. homeward bound.
Hold On G F C Hold On G F C
Dm Home, where my thought’s e scaping, Dm Home, where my thought’s e scaping,
G F C G F C
Mary wore three lengths of chain Mary wore three lengths of chain
home, where my music’s playing, home, where my music’s playing,
G F C G F C
Every link was Jesus’ name Every link was Jesus’ name
home, where my love lies w aiting home, where my love lies w aiting
Dm D G Dm D G
Keep your eyes on the prize, silently for me. Keep your eyes on the prize, silently for me.
A7 Dm F Dm A7 Dm F Dm
Hold on! Hold on! Hold on! Everyday’s an endless stream Hold on! Hold on! Hold on! Everyday’s an endless stream
Dm A7 Dm of cigarettes and magazines. Dm A7 Dm of cigarettes and magazines.
Keep your eyes on the prize, hold on! And each town looks the same to me Keep your eyes on the prize, hold on! And each town looks the same to me
Paul and Silas went to jail the movies and the factories Paul and Silas went to jail the movies and the factories
’Cause they could not pay the bail and every stranger’s face I see ’Cause they could not pay the bail and every stranger’s face I see
reminds me that I long to be. reminds me that I long to be.
Keep your eyes on the prize … Keep your eyes on the prize …
Homeward bound … Homeward bound …
Peter was so nice and neat, Peter was so nice and neat,
Wouldn’t let Jesus wash his feet Tonight I’ll sing my songs again Wouldn’t let Jesus wash his feet Tonight I’ll sing my songs again
I’ll play the game and pretend. I’ll play the game and pretend.
But all my words come back to me But all my words come back to me
in shades of mediocrity in shades of mediocrity

80 80
like emptyness in harmony E Am G F Em Am like emptyness in harmony E Am G F Em Am
I need someone to comfort me. Done took that train and gone, gone‚ gone. I need someone to comfort me. Done took that train and gone, gone‚ gone.
Am G F Am G F
Homeward bound … Took that train and gone, Homeward bound … Took that train and gone,
F C F C F C F C
Won’t be back until Judgment Day. Won’t be back until Judgment Day.
House of the Rising Sun House of the Rising Sun
E Am E Am
7+
Am C D F Oh, how long train-a been gone? Am C D F 7+ Oh, how long train-a been gone?
There is a house in New Orleans Dm E F There is a house in New Orleans Dm E F
Am C E4 E How long train-a been gone. Am C E4 E How long train-a been gone.
they call the “ Rising Sun ” . Am F C they call the “ Rising Sun ” . Am F C
Am C D F 7+ How long train-a been gone? Am C D F 7+ How long train-a been gone?
It’s bee n a ruin of many a poor girl , F C F C It’s bee n a ruin of many a poor girl , F C F C
Am E7 Am E W on’t be back until Judgment Day. Am E7 Am E W on’t be back until Judgment Day.
and me‚ oh Lord, I’m one. and me‚ oh Lord, I’m one.
2. Oh, the old class leader’s gone, gone gone. 2. Oh, the old class leader’s gone, gone gone.
My mother is a tailor, The old class leader’s gone. My mother is a tailor, The old class leader’s gone.
she sews those new blue jeans. Won’t be back until Judgment Day. she sews those new blue jeans. Won’t be back until Judgment Day.
My husband, he’s a gambling man, Done took that train and gone, gone, gone. My husband, he’s a gambling man, Done took that train and gone, gone, gone.
drinks down in New Orleans. Took that train and gone. drinks down in New Orleans. Took that train and gone.
Won’t be back until Judgment Day. Won’t be back until Judgment Day.
My husband is a gambler, My husband is a gambler,
he goes from town to town. Oh, how long train-a been gone … he goes from town to town. Oh, how long train-a been gone …
The only time he’s satisfied The only time he’s satisfied
is when he drinks his liquor down. 3. Oh, all them disciples gone … is when he drinks his liquor down. 3. Oh, all them disciples gone …
Go tell my baby sister, Oh, how long train-a been gone … Go tell my baby sister, Oh, how long train-a been gone …
never do like I’ve done. never do like I’ve done.
Shun that house in New Orleans Hymn Shun that house in New Orleans Hymn
they call the Rising Sun. John Lees / Barclay James Harvest 1977 they call the Rising Sun. John Lees / Barclay James Harvest 1977
One foot on the platform, E A E One foot on the platform, E A E
the other’s on the train, Valley’s deep and the mountain’s so high‚ the other’s on the train, Valley’s deep and the mountain’s so high‚
I’m going back to New Orleans, A I’m going back to New Orleans, A
to wear that ball and chain. if you want to see God you’ve got to move on to wear that ball and chain. if you want to see God you’ve got to move on
E E4 E E4
Going back to New Orleans, the other side. Going back to New Orleans, the other side.
E A E A
my race is almost run. You stand up there with your head in the my race is almost run. You stand up there with your head in the
I’m going to spend the rest of my life E I’m going to spend the rest of my life E
beneath the Rising Sun. clouds‚ beneath the Rising Sun. clouds‚
A A
How Long Train Been Gone don’t try to fly you know you might not come How Long Train Been Gone don’t try to fly you know you might not come
E E4 E E4
Am G F Em Am down. Am G F Em Am down.
1. Oh, how many members gone? Gone‚ gone. A 1. Oh, how many members gone? Gone‚ gone. A
Am G F Don’t try to fly, dear God, you might not come Am G F Don’t try to fly, dear God, you might not come
How many members gone? E E4 E E4 How many members gone? E E4 E E4
F C F C down. F C F C down.
Won’t be back until Judgment Day. Won’t be back until Judgment Day.

81 81
Jesus came down from Heaven to earth, Bf F Jesus came down from Heaven to earth, Bf F
the people said it was a virgin birth. Look all around, there’s nothing but blue sky‚ the people said it was a virgin birth. Look all around, there’s nothing but blue sky‚
Bf G Bf G
Jesus came down from Heaven to earth, Look straight ahead, there’s nothing but blue Jesus came down from Heaven to earth, Look straight ahead, there’s nothing but blue
|: the people said it was a virgin birth. :| |: the people said it was a virgin birth. :|
sky … sky …
He told great stories of the Lord He told great stories of the Lord
and said he was the saviour of us all. I can see clearly now the rain is gone, and said he was the saviour of us all. I can see clearly now the rain is gone,
He told great stories of the Lord I can see all the obstacles in my way, He told great stories of the Lord I can see all the obstacles in my way,
|: and said he was the saviour of us all. :| Gone are the dark clouds that had me blind, |: and said he was the saviour of us all. :| Gone are the dark clouds that had me blind,
|: It’ gonna be a bright (bright), bright (bright), |: It’ gonna be a bright (bright), bright (bright),
For this we killed him, nailed him up high, sunshiny day. :| For this we killed him, nailed him up high, sunshiny day. :|
he rose again as if to ask us why. he rose again as if to ask us why.
Then he ascended into the sky, I Feel Fine Then he ascended into the sky, I Feel Fine
as if to say in God alone you soar, as if to say in God alone you soar,
as if to say in God alone we fly. Beatles 1964 as if to say in God alone we fly. Beatles 1964
DCG DCG
Valley’s deep and the mountain’s so high, Valley’s deep and the mountain’s so high,
if you want to see God you’ve got to move on G if you want to see God you’ve got to move on G
the other side. B aby’s good to me you know the other side. B aby’s good to me you know
You stand up there with your head in the She’s happy as can be, you know You stand up there with your head in the She’s happy as can be, you know
clouds, D clouds, D
don’t try to fly you know you might not come She said so don’t try to fly you know you might not come She said so
down, C G down, C G
don’t try to fly, dear God, you might not come I’m in love with her and I feel fine don’t try to fly, dear God, you might not come I’m in love with her and I feel fine
down. Baby says she’s mine, you know down. Baby says she’s mine, you know
E4 she tells me all the time, you now E4 she tells me all the time, you now
o234oo She said so o234oo She said so
========= =========
|||||| ||||||
--------------
| ••• || I’m in love with her and I feel fine --------------
| ••• || I’m in love with her and I feel fine
-------------- --------------
|||||| ||||||
-------------- G Bm -------------- G Bm
|||||| ||||||
I’m so glad I’m so glad
I Can See Clearly Now C D I Can See Clearly Now C D
That she’s my little girl That she’s my little girl
C F C FCFC G Bm C F C FCFC G Bm
I can see clearly now the rain is gone, She’s so glad I can see clearly now the rain is gone, She’s so glad
C F G F C D C F G F C D
I can see all the obstacles in my way, She’s telling all the world I can see all the obstacles in my way, She’s telling all the world
C F C FC C F C FC
Gone are the dark clouds that had me gone, That her baby buys her things you know Gone are the dark clouds that had me gone, That her baby buys her things you know
Bf F He buys her diamond rings, you know Bf F He buys her diamond rings, you know
It’ gonna be a bright (bright), bright (bright), She said so It’ gonna be a bright (bright), bright (bright), She said so
C C
sunshiny day. She’s in love with me and I feel fine, mm sunshiny day. She’s in love with me and I feel fine, mm

I think I can make it now the rain is gone, Baby says she’s mine, you know I think I can make it now the rain is gone, Baby says she’s mine, you know
All of the bad feelings have disappeared, she tells me all the time, you now All of the bad feelings have disappeared, she tells me all the time, you now
Here’s the rainbow I’ve been waiting for, She said so Here’s the rainbow I’ve been waiting for, She said so
It’ gonna be a bright (bright), bright (bright), I’m in love with her and I feel fine It’ gonna be a bright (bright), bright (bright), I’m in love with her and I feel fine
sunshiny day. sunshiny day.
82 82
I’m so glad … I Should Have Known Better I’m so glad … I Should Have Known Better
That her baby buys her things you know … Beatles That her baby buys her things you know … Beatles
GDGD G D GDGD G D
I Saw Her Standing there I should have known better with a girl like I Saw Her Standing there I should have known better with a girl like
G D G D
Beatles you‚ Beatles you‚
E G D Em E G D Em
Well, she was just seventeen That I would love every thing that you do‚ Well, she was just seventeen That I would love every thing that you do‚
A E C D GDG A E C D GDG
You know what I mean And I do, hey hey hey, and I do. You know what I mean And I do, hey hey hey, and I do.
D GDG D G D D GDG D G D
And the way she looked was way beyond Whoa, whoa, I never realized what I kiss And the way she looked was way beyond Whoa, whoa, I never realized what I kiss
G G
compare could be‚ compare could be‚
7 7
E E A C E E A C
G D Em G D Em
So how could I dance with an other (ooh) This could only happen to me‚ So how could I dance with an other (ooh) This could only happen to me‚
E B7 E E B7 E
C B7 E C B7 E
When I saw her standing there Can’t you see, can’ t you see. When I saw her standing there Can’t you see, can’ t you see.
Well she looked at me, E C G B 7 Em Well she looked at me, E C G B 7 Em
And I, I could see That when I tell you that I love you‚ oh And I, I could see That when I tell you that I love you‚ oh
That before too long I’d fall in love with her C G That before too long I’d fall in love with her C G
She wouldn’t dance with another (whooh) You’re gonna say you love me too‚ hoo, hoo, She wouldn’t dance with another (whooh) You’re gonna say you love me too‚ hoo, hoo,
G7 C G7 C
When I saw her standing there hoo‚ oh When I saw her standing there hoo‚ oh
A D G Em C A D G Em C
Well, my heart went “boom” And when I ask you to be mine Well, my heart went “boom” And when I ask you to be mine
D G DG D G DG
W hen I crossed that room You’re gonna say you love me too. W hen I crossed that room You’re gonna say you love me too.
B A7 B A7
And I held her hand in mine So, I should have realized a lot of things before, And I held her hand in mine So, I should have realized a lot of things before,
If this is love you gotta give me more, If this is love you gotta give me more,
Whoah, we danced through the night Give me more, hey hey hey, give me more! Whoah, we danced through the night Give me more, hey hey hey, give me more!
And we held each other tight And we held each other tight
And before too long I fell in love with her Whoa, whoa, I never realized what I kiss could And before too long I fell in love with her Whoa, whoa, I never realized what I kiss could
Now I’ll never dance with another (whooh) be Now I’ll never dance with another (whooh) be
Since I saw her standing there (Ahh!) this could only happen to me, Since I saw her standing there (Ahh!) this could only happen to me,
Can’t you see, can’ t you see? Can’t you see, can’ t you see?
Well, my heart went “boom” … Well, my heart went “boom” …
That when I tell you that I love you, oh That when I tell you that I love you, oh
Oh, we danced through the night You’re gonna say you love me too, hoo, hoo, Oh, we danced through the night You’re gonna say you love me too, hoo, hoo,
And we held each other tight hoo, oh And we held each other tight hoo, oh
And before too long I fell in love with her And when I ask you to be mine And before too long I fell in love with her And when I ask you to be mine
Now I’ll never dance with another (whooh) You’re gonna say you love me too Now I’ll never dance with another (whooh) You’re gonna say you love me too
Since I saw her standing there You love me too Since I saw her standing there You love me too
Whoah since I saw her standing there you love me too. Whoah since I saw her standing there you love me too.
Yeah well since I saw her standing there Yeah well since I saw her standing there

83 83
I Still Haven’t Found what I’m Looking for E4 I Still Haven’t Found what I’m Looking for E4
oo34oo oo34oo
========= =========
|||||| ||||||
U2 1987 --------------
|| •• ||
U2 1987 --------------
|| •• ||
-------------- --------------
|||||| ||||||
E -------------- E --------------
|||||| ||||||
I’ve climbed highest mountains. I’ve climbed highest mountains.
I Want To Hold Your Hand I Want To Hold Your Hand
I’ve run through the fields I’ve run through the fields
4 4
E E
Beatles Beatles
only to be with you, only to be with you,
E E
Oh yeah, I’ll tell you something, Oh yeah, I’ll tell you something,
only to be with you. only to be with you.
I think you’ll understand I think you’ll understand
I have run, I have crawled. When I say that something, I have run, I have crawled. When I say that something,
I have scaled these city walls, I want to hold your hand I have scaled these city walls, I want to hold your hand
E4 I want to hold your hand, E4 I want to hold your hand,
these city walls, I want to hold your hand. these city walls, I want to hold your hand.
E E
only to be with you. Oh please, say to me, only to be with you. Oh please, say to me,
B E4 You’ll let me be your man B E4 You’ll let me be your man
|: But I still haven’t found And please, say to me, |: But I still haven’t found And please, say to me,
E E
what I’m looking for. :| You’ll let me hold your hand what I’m looking for. :| You’ll let me hold your hand
Now let me hold your hand, Now let me hold your hand,
I have kissed honey lips, I want to hold your hand. I have kissed honey lips, I want to hold your hand.
felt the healing finger tips. felt the healing finger tips.
It burned like fire, And when I touch you, I feel happy inside, It burned like fire, And when I touch you, I feel happy inside,
this burning desire. It’s such a feeling that my love, this burning desire. It’s such a feeling that my love,
I have spoken with the tongue of angels. I can’t hide, I can’t hide, I can’t hide I have spoken with the tongue of angels. I can’t hide, I can’t hide, I can’t hide
I have held the hand of a devil. I have held the hand of a devil.
It was warm in the night. Yeah, you got that something, It was warm in the night. Yeah, you got that something,
I was cold as a stone. I think you’ll understand, I was cold as a stone. I think you’ll understand,
When I say that something, When I say that something,
But I still haven’t found … But I still haven’t found …
I want to hold your hand I want to hold your hand
I believe in the kingdom come I want to hold your hand, I believe in the kingdom come I want to hold your hand,
when all the colours will bleed into one, I want to hold your hand when all the colours will bleed into one, I want to hold your hand
bleed into one. bleed into one.
But yes, I’m still running. Yeah, you got that something, But yes, I’m still running. Yeah, you got that something,
You broke the bonds, you loosed the chains, I think you’ll understand, You broke the bonds, you loosed the chains, I think you’ll understand,
you carried the cross and all my shame, When I feel that something, you carried the cross and all my shame, When I feel that something,
all my shame. I want to hold your hand, all my shame. I want to hold your hand,
You know I believe it. I want to hold your hand, You know I believe it. I want to hold your hand,
But I still haven’t found … I want to hold your hand. But I still haven’t found … I want to hold your hand.

84 84
I Will C Em I Will C Em
And I’ll be there some day And I’ll be there some day
Beatles 1968 F G Beatles 1968 F G
If you will hold my hand If you will hold my hand
F Dm Gm7 C7 Am F F Dm Gm7 C7 Am F
Who knows how long I’ve loved you I still need you there beside me Who knows how long I’ve loved you I still need you there beside me
F Dm Am G F C F Dm Am G F C
You know I love you still No matter what I do You know I love you still No matter what I do
F7 Bf C Dm F G7 C Am Dm G7 C F7 Bf C Dm F G7 C Am Dm G7 C
Will I wait a lonely lifetime For I know I’ll never find another you. Will I wait a lonely lifetime For I know I’ll never find another you.
Bf C F Dm Gm 7 C7 Bf C F Dm Gm 7 C7
If you want me to I will. There is always someone If you want me to I will. There is always someone
For each of us they say For each of us they say
For if I ever saw you And you’ll be my someone For if I ever saw you And you’ll be my someone
I didn’t catch your name For ever and a day I didn’t catch your name For ever and a day
But it never really mattered I could search the whole world over But it never really mattered I could search the whole world over
Bf C F F7 Bf C F F7
I will always feel the same. Until my life is through I will always feel the same. Until my life is through
f
But I know I’ll never find another you. But I know I’ll never find another you.
B Am Dm Bf Am Dm
Love you for ever and forever Am F Love you for ever and forever Am F
Gm7 C7 F F7 It’s a long, long journey Gm7 C7 F F7 It’s a long, long journey
Love you with all my heart G C Love you with all my heart G C
Bf Am Dm So stay by my side Bf Am Dm So stay by my side
Love you when ever we’re together Am F Love you when ever we’re together Am F
G C7 When I walk through the stor m G C7 When I walk through the stor m
Love you when we’re apart. C G7 Love you when we’re apart. C G7
You’ll be my guide, be my guide. You’ll be my guide, be my guide.
F Dm Gm7 C7 F Dm Gm7 C7
And when at last I find you If they gave me a fortune And when at last I find you If they gave me a fortune
F Dm Am My treasure would be small F Dm Am My treasure would be small
Your song will fill the air I could lose it all tomorrow Your song will fill the air I could lose it all tomorrow
F7 Bf C7 Dm (F7 ) F7 Bf C7 Dm (F7 )
Sing it loud so I can hear you And never mind at all Sing it loud so I can hear you And never mind at all
Bf C7 Dm (F7 ) But if I should lose your love, dear Bf C7 Dm (F7 ) But if I should lose your love, dear
Make it easy to be near you I don’t know what I’ll do Make it easy to be near you I don’t know what I’ll do
Bf C7 Dm (F7 ) For I know I’ll never find another you. Bf C7 Dm (F7 ) For I know I’ll never find another you.
For the things you do endear you to me For the things you do endear you to me
Gm C7 Df But if I should lose your love, dear Gm C7 Df But if I should lose your love, dear
Ah‚ you know I will . I don’t know what I’ll do Ah‚ you know I will . I don’t know what I’ll do
F For I know I’ll never find another you F For I know I’ll never find another you
I will. Another you, another you. I will. Another you, another you.
B f Am Dm B f Am Dm
Mm I’m a Believer Mm I’m a Believer
Gm7 C7 F 7+ Gm7 C7 F 7+
Da da da da da da da E B A E A E Da da da da da da da E B A E A E
I thought love was only true in fairy tales I thought love was only true in fairy tales
I’ll Never Find Another You B A E A I’ll Never Find Another You B A E A
Meant for someone else but not for me Meant for someone else but not for me
C Em E A C Em E A
There’s a new world somew here Ah, love was out to get to me Di-di-di, di di There’s a new world somew here Ah, love was out to get to me Di-di-di, di di
F G E A F G E A
They call The Promised L and That’s the way it seemed Di-di-di, di di They call The Promised L and That’s the way it seemed Di-di-di, di di

85 85
 E B7 The only difference is you’re down there E B7 The only difference is you’re down there
Disappointment haunted all my dreams I’m looking through you, any other way Disappointment haunted all my dreams I’m looking through you, any other way
EAE A E AE EAE A E AE
Then I saw her face, now I’m a believer I’m looking through you, where did you go? Then I saw her face, now I’m a believer I’m looking through you, where did you go?
A EAE A E AE I thought I knew you, what did I know? A EAE A E AE I thought I knew you, what did I know?
Not a trace of doubt in my mind You don’t look different, but you have changed Not a trace of doubt in my mind You don’t look different, but you have changed
E A E D I’m looking through you, you’re not the same E A E D I’m looking through you, you’re not the same
I’m in love, hmm I’m a believer I couldn’t lea I’m in love, hmm I’m a believer I couldn’t lea
B7 Why, tell me why … B7 Why, tell me why …
ve her if I tried ve her if I tried
Yeah!, Well, baby you’ve changed, Yeah!, Well, baby you’ve changed,
I thought love was more or less a givin’ thing ah, I’m looking through you I thought love was more or less a givin’ thing ah, I’m looking through you
Seems the more I gave the less I got Seems the more I gave the less I got
What’s the use in trying Di-di-di, di di I’ ve Been Working on the Railroad What’s the use in trying Di-di-di, di di I’ ve Been Working on the Railroad
All you get is pain Di-di-di, di di All you get is pain Di-di-di, di di
When I needed sunshine I got rain. Bill Basham When I needed sunshine I got rain. Bill Basham
Then I saw her face … G Then I saw her face … G
I’ve been working on the railroad I’ve been working on the railroad
Ah, love was out to get to me Di-di-di, di di C G Ah, love was out to get to me Di-di-di, di di C G
Now, that’s the way it seemed Di-di-di, di di All the livelong day Now, that’s the way it seemed Di-di-di, di di All the livelong day
G G
Disappointment haunted all my dreams I’ve been working on the railroad Disappointment haunted all my dreams I’ve been working on the railroad
A7 D A7 D
Yes, I saw her face, now I’m a believer Just to pass the time a way Yes, I saw her face, now I’m a believer Just to pass the time a way
Not a trace of doubt in my mind Not a trace of doubt in my mind
D7 G D7 G
Yes, I’m a believer, yeah … Yes, I’m a believer, yeah …
Can’t you hear the whistle blowing Can’t you hear the whistle blowing
I’m a believer. Said I’m a believer, yeah C B I’m a believer. Said I’m a believer, yeah C B
I’m a believer. Said I’m a believer, yeah Rise up so early in the morn I’m a believer. Said I’m a believer, yeah Rise up so early in the morn
I’m a believer. C G I’m a believer. C G
C an’t you hear the captain shouting C an’t you hear the captain shouting
I’m Looking Through You D G I’m Looking Through You D G
Dinah, blow your horn Dinah, blow your horn
I’m looking through you, where did you go? G
I’m looking through you, where did you go? G
I thought I knew you, what did I know? Dinah, won’t you blow I thought I knew you, what did I know? Dinah, won’t you blow
You don’t look different, but you have changed C You don’t look different, but you have changed C
I’m looking through you, you’re not the same Dinah, won’t you blow I’m looking through you, you’re not the same Dinah, won’t you blow
D G D G
Your lips are moving, I cannot hear Dinah, won’t you blow your horn Your lips are moving, I cannot hear Dinah, won’t you blow your horn
G G
Your voice is soothing, but the words aren’t Your voice is soothing, but the words aren’t
Dinah, won’t you blow Dinah, won’t you blow
clear C clear C
You don’t sound different, I’ve learned the game Dinah, won’t you blow You don’t sound different, I’ve learned the game Dinah, won’t you blow
I’m looking through you, you’re not the same D C I’m looking through you, you’re not the same D C
Dinah, won’t you blow your horn Dinah, won’t you blow your horn
Why, tell me why, did you not treat me right? Why, tell me why, did you not treat me right?
G G
Love has a nasty habit of disappearing Someone’s in the kitchen with Dinah Love has a nasty habit of disappearing Someone’s in the kitchen with Dinah
overnight D overnight D
Someone’s in the kitchen I know Someone’s in the kitchen I know
You’re thinking of me, the same old way G C You’re thinking of me, the same old way G C
You were above me, but not today Someone’s in the kitchen with Dinah You were above me, but not today Someone’s in the kitchen with Dinah
86 86
G D7 G If I Had a Hammer G D7 G If I Had a Hammer
Strumming on the old banjo, and singing Strumming on the old banjo, and singing
G
L. Hays – P. Seeger G
L. Hays – P. Seeger
Fie, fi, fiddly i o C Am F Fie, fi, fiddly i o C Am F
D If I had a hammer‚ D If I had a hammer‚
Fie, fi, fiddly i o G C Am F Fie, fi, fiddly i o G C Am F
G C I’d hammer in the mor ning, G C I’d hammer in the mor ning,
Fie, fi, fiddly i o G C Am F Fie, fi, fiddly i o G C Am F
G D G I’d hammer in the eve ning, G D G I’d hammer in the eve ning,
Strumming on the old banjo G Strumming on the old banjo G
all over this land. all over this land.
If I fell C If I fell C
I’d hammer out danger, I’d hammer out danger,
Beatles 1964 Am Beatles 1964 Am
I’d hammer out warning, I’d hammer out warning,
If I fell in love with you F C If I fell in love with you F C
Could you promise to be true I’d hammer out love bet ween Could you promise to be true I’d hammer out love bet ween
F C F F C F
And help me understand my brothers and my sisters And help me understand my brothers and my sisters
’Cause I’ve been in love before CG C Am F G ’Cause I’ve been in love before CG C Am F G
And I’ve found that love is more all over this land. And I’ve found that love is more all over this land.
That just holding hands C Am F G That just holding hands C Am F G
Hu- u- u- u … Hu- u- u- u …
If I gave my heart to you If I gave my heart to you
I must be sure from the very start If I had a bell, I must be sure from the very start If I had a bell,
That you would love me more than her I’d ring it in the morning, That you would love me more than her I’d ring it in the morning,
I’d ring it in evening, I’d ring it in evening,
If I trust in you, oh please all over this land. If I trust in you, oh please all over this land.
Don’t run and hide, I’d ring out danger, Don’t run and hide, I’d ring out danger,
If I love you too, oh please I’d ring out warning, If I love you too, oh please I’d ring out warning,
Don’t hurt my pride like her I’d ring out love between Don’t hurt my pride like her I’d ring out love between
my brothers and my sisters my brothers and my sisters
’Cause I couldn’t stand the pain all over this land … ’Cause I couldn’t stand the pain all over this land …
And I would be sad And I would be sad
If our new love was in vain If I had a song, If our new love was in vain If I had a song,
I’d sing it in the morning, I’d sing it in the morning,
So I hope you see that I I’d sing it in evening, So I hope you see that I I’d sing it in evening,
Would love to love you all over this land. Would love to love you all over this land.
And that she will cry I’d sing out danger, And that she will cry I’d sing out danger,
When she learns we are two I’d sing out warning, When she learns we are two I’d sing out warning,
’Cause I couldn’t stand the pain I’d sing out love between ’Cause I couldn’t stand the pain I’d sing out love between
And I would be sad my brothers and my sisters And I would be sad my brothers and my sisters
If our new love was in vain all over this land … If our new love was in vain all over this land …
So I hope you see that I If I had a hammer, So I hope you see that I If I had a hammer,
Would love to love you and I got a bell, Would love to love you and I got a bell,
And that see will cry and I got a song to sing And that see will cry and I got a song to sing
When she learns we are two all over this land. When she learns we are two all over this land.
If I fell in love with you It’s a hammer of justice, If I fell in love with you It’s a hammer of justice,

87 87
it’s a bell of freedom, You can do what you want … it’s a bell of freedom, You can do what you want …
it’s a song about love between it’s a song about love between
my brothers and my sisters Well if you want to sing out, sing out my brothers and my sisters Well if you want to sing out, sing out
all over this land … And if you want to be free, be free all over this land … And if you want to be free, be free
Cause there’s a million things to be Cause there’s a million things to be
If You Want to Sing out, Sing out You know that there are If You Want to Sing out, Sing out You know that there are
You know that there are. You know that there are.
Cat Stevens You know that there are Cat Stevens You know that there are
(G) C G F You know that there are (G) C G F You know that there are
Well if you want to sing out, sing out. You know that there are Well if you want to sing out, sing out. You know that there are
C G Am C G Am
And if you want to be free, be free. If You’re Happy and You Know it And if you want to be free, be free. If You’re Happy and You Know it
Dm Am G Dm Am G
Cause there’s a million things to be. G Cause there’s a million things to be. G
C G If you’re happy and you know it C G If you’re happy and you know it
You know that there are. D You know that there are. D
Clap your hands Clap your hands
And if you want to live high, live high. And if you want to live high, live high.
D D
And if you want to live low, live low. If you’re happy and you know it And if you want to live low, live low. If you’re happy and you know it
Cause there’s a million ways to go. G Cause there’s a million ways to go. G
You know that there are. Clap your hands You know that there are. Clap your hands
C C
C F If you’re happy and you know it C F If you’re happy and you know it
You can do what you w ant … G You can do what you w ant … G
G C And you really want to show it G C And you really want to show it
The opportunity’ s on D The opportunity’ s on D
F If you’re happy and you know it F If you’re happy and you know it
And if you find a new w ay , G And if you find a new w ay , G
G C Clap your hands G C Clap your hands
You can do it to day You can do it to day
F If you’re happy and you know it nod your F If you’re happy and you know it nod your
You can make it all true head … You can make it all true head …
G C Am Em G C Am Em
And you can make it un do, You see … stamp your feet … And you can make it un do, You see … stamp your feet …
Em Em
Ah it’ s easy, … shout hello … Ah it’ s easy, … shout hello …
Am Em G Am Em G
Ah‚ you only need to know … do all four … Ah‚ you only need to know … do all four …
Well if you want to say yes, say yes. Well if you want to say yes, say yes.
And if you want to say no, say no Jailhouse Rock And if you want to say no, say no Jailhouse Rock
Cause there’s a million ways to go. Jerry Leiber / Mike Stoller (Elvis Presley) Cause there’s a million ways to go. Jerry Leiber / Mike Stoller (Elvis Presley)
You know that there are You know that there are
The warden threw a party in the county jail. The warden threw a party in the county jail.
And if you want to be me, be me The prison band was there and they began to And if you want to be me, be me The prison band was there and they began to
And if you want to be you, be you wail. And if you want to be you, be you wail.
Cause there’s a million things to do The band was jumpin’ and the joint began to Cause there’s a million things to do The band was jumpin’ and the joint began to
You know that there are swing. You know that there are swing.
You should’ ve heard those knocked out jailbirds You should’ ve heard those knocked out jailbirds
sing. sing.

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Let’s rock, everybody, let’s rock. But I’m sad to say I’m on my way, Let’s rock, everybody, let’s rock. But I’m sad to say I’m on my way,
Everybody in the whole cell block Won’t be back for many a day. Everybody in the whole cell block Won’t be back for many a day.
Was a dancin’ to the Jailhouse Rock. My heart is down, my head is turning around Was a dancin’ to the Jailhouse Rock. My heart is down, my head is turning around
I had to leave a little girl in Kingston town. I had to leave a little girl in Kingston town.
Spider Murphy played the tenor saxophone, Spider Murphy played the tenor saxophone,
Little Joe was blowin’ on the slide trombone. Sounds of laughter everywhere Little Joe was blowin’ on the slide trombone. Sounds of laughter everywhere
The drummer boy from Illinois went crash, And the dancing ladies swing to and fro. The drummer boy from Illinois went crash, And the dancing ladies swing to and fro.
boom, bang, I must declare my heart is there, boom, bang, I must declare my heart is there,
the whole rhythm section was the Purple Gang. Though I’ve been from Maine to Mexico. the whole rhythm section was the Purple Gang. Though I’ve been from Maine to Mexico.
Let’s rock … But I’m sad to say … Let’s rock … But I’m sad to say …
Number forty-seven said to number three: Down at the market you can hear Number forty-seven said to number three: Down at the market you can hear
“You’re the cutest jailbird I ever did see. Ladies cry while on there heads they bear. “You’re the cutest jailbird I ever did see. Ladies cry while on there heads they bear.
I sure would be delighted with your company, “Akey” rice, salt fish are nice, I sure would be delighted with your company, “Akey” rice, salt fish are nice,
come on and do the Jailhouse Rock with me.” And the rum is fine any time of the year. come on and do the Jailhouse Rock with me.” And the rum is fine any time of the year.
Let’s rock … But I’m sad to say … Let’s rock … But I’m sad to say …
The sad sack was a sittin’ on a block of stone Johnny B. Goode The sad sack was a sittin’ on a block of stone Johnny B. Goode
way over in the corner weepin’ all alone. way over in the corner weepin’ all alone.
The warden said, “Hey, buddy, don’t you be Berry The warden said, “Hey, buddy, don’t you be Berry
no square. no square.
Deep down in Louisiana Deep down in Louisiana
If you can’t find a partner use a wooden If you can’t find a partner use a wooden
close to New Orleans, close to New Orleans,
chair.” chair.”
way back up in the woods way back up in the woods
Let’s rock … among the evergreens, Let’s rock … among the evergreens,
there stand a country cabin there stand a country cabin
Shifty Henry said to Bugs, “For Heaven’s made of clay and wood, Shifty Henry said to Bugs, “For Heaven’s made of clay and wood,
sake, where lives a young country boy sake, where lives a young country boy
no one’ s lookin’ , now’ s our chance to make a named Johnny B. Goode, no one’ s lookin’ , now’ s our chance to make a named Johnny B. Goode,
break.” he never ever learned break.” he never ever learned
Bugsy turned to Shifty and he said, “Nix nix, to read or write a book so well, Bugsy turned to Shifty and he said, “Nix nix, to read or write a book so well,
I wanna stick around a while and get my but he could play his guitar I wanna stick around a while and get my but he could play his guitar
kicks.” just like a-ringing a bell. kicks.” just like a-ringing a bell.
Let’s rock … Go go, go Johnny go go go! Let’s rock … Go go, go Johnny go go go!
Go Johnny go go go! Go Johnny go go go!
Jamaica Farewell Go Johnny go go go! Jamaica Farewell Go Johnny go go go!
C F Go Johnny go go go! C F Go Johnny go go go!
Down the way where the nights are gay aah Johnny B. Goode! Down the way where the nights are gay aah Johnny B. Goode!
G C G C
And the sun shines daily on the mountaintop‚ He used to carry his guitar And the sun shines daily on the mountaintop‚ He used to carry his guitar
F in a gunny sack, F in a gunny sack,
I took a trip on a sailing ship sit beneath the trees I took a trip on a sailing ship sit beneath the trees
G F C G F C
And when I reached Ja maica I made a stop. by the railroad track. And when I reached Ja maica I made a stop. by the railroad track.
Oh sitting and a-playing Oh sitting and a-playing
in the shade, in the shade,
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drumming to the rhythm He’ll keep us everyone in His care. drumming to the rhythm He’ll keep us everyone in His care.
that the drivers made. that the drivers made.
People passing by Keep on the sunny side … People passing by Keep on the sunny side …
used to stop and say: used to stop and say:
Knockin’ on Heaven’s Door Knockin’ on Heaven’s Door
my oh my, my oh my,
that country boy can play. Bob Dylan that country boy can play. Bob Dylan
Go go, go Johnny go go go! G D Am G Go go, go Johnny go go go! G D Am G
Mama, take this badge off me Mama, take this badge off me
Well his mama told him: D C G Well his mama told him: D C G
someday you will be a man. I can’t use it anymore. someday you will be a man. I can’t use it anymore.
D Am G D Am G
And you will be the leader It’s getting dark, too dark to see And you will be the leader It’s getting dark, too dark to see
of a big old band. D C of a big old band. D C
Many people coming feel like I’m knockin’ on heaven’s door. Many people coming feel like I’m knockin’ on heaven’s door.
from miles around, from miles around,
G D Am G G D Am G
to hear you play your music Knock, knock, knockin’ on heaven’s door. to hear you play your music Knock, knock, knockin’ on heaven’s door.
till the sun goes down. D C G till the sun goes down. D C G
Maybe some day Knock, knock, knockin’ on heaven’s door. Maybe some day Knock, knock, knockin’ on heaven’s door.
your name will be in light, D Am G your name will be in light, D Am G
saying: Johnny Knock, knock, knockin’ on heaven’s door. saying: Johnny Knock, knock, knockin’ on heaven’s door.
D C D C
B. Goode tonight! Knock, knock, knockin’ on heaven’s door. B. Goode tonight! Knock, knock, knockin’ on heaven’s door.
Go go, go Johnny go go go! Mama, put my guns in the ground Go go, go Johnny go go go! Mama, put my guns in the ground
I can’t shoot them anymore. I can’t shoot them anymore.
Keep on the Sunny Side That long black cloud is comin’ down Keep on the Sunny Side That long black cloud is comin’ down
There’s a dark and a troubled side of life, I feel like I’m knockin’ on heaven’s door. There’s a dark and a troubled side of life, I feel like I’m knockin’ on heaven’s door.
There’s a bright and a sunny side, too; Knock, knock … There’s a bright and a sunny side, too; Knock, knock …
Though you meet with the darkness and strife, Though you meet with the darkness and strife,
The sunny side you also may view. Kodachrome The sunny side you also may view. Kodachrome
Keep on the sunny side, Paul Simon 1973 Keep on the sunny side, Paul Simon 1973
Always on the sunny side: Always on the sunny side:
Keep on the sunny side of life! E Keep on the sunny side of life! E
It will help us every day, When I think back on all the crap It will help us every day, When I think back on all the crap
A F #m A F #m
It will brighten all the way, I learned in high school It will brighten all the way, I learned in high school
If we’ll keep on the sunny side of life! E AB If we’ll keep on the sunny side of life! E AB
It’s a wonder I can think at all It’s a wonder I can think at all
Though the storm and its furies rage today, E Though the storm and its furies rage today, E
Crushing hope that we cherish so dear, And though my lack of education Crushing hope that we cherish so dear, And though my lack of education
A F #m A F #m
The cloud and storm will in time pass away, The cloud and storm will in time pass away,
Hasn’t hurt me none Hasn’t hurt me none
And the sun again will shine bright and clear. B E And the sun again will shine bright and clear. B E
I can read the writing on the wall I can read the writing on the wall
Keep on the sunny side … Keep on the sunny side …
A C# F # A C# F #
Let us greet with a song of hope each day, Kodachro-o-ome Let us greet with a song of hope each day, Kodachro-o-ome
Though the moment be cloudy or fair, Bm E Though the moment be cloudy or fair, Bm E
And let us trust in our Savior always: They give us those nice bright colors And let us trust in our Savior always: They give us those nice bright colors

90 90
 A D A D
They give us the greens of summers bed They give us the greens of summers bed
B E C B E C
Makes you think all the world’s I couldn’t’ve been no more than one or two Makes you think all the world’s I couldn’t’ve been no more than one or two
A C# F # F A C# F # F
A sunny day, oh yeah And I re member there’s a radio, coming from A sunny day, oh yeah And I re member there’s a radio, coming from
Bm E Bm E
I got a Nikon camera the room next door I got a Nikon camera the room next door
A D A D
I love to take a photog raph My mother laughed the way some ladies’ do I love to take a photog raph My mother laughed the way some ladies’ do
B E G B E G
So Mama don’t take my Kodachrome Well it’s late in the evening, and all the music So Mama don’t take my Kodachrome Well it’s late in the evening, and all the music
A C# m F# m B C A C# m F# m B C
away sees me through away sees me through
If you took all the girls I knew The next thing I remember, I am walking down If you took all the girls I knew The next thing I remember, I am walking down
When I was single a street When I was single a street
And brought them all together for one night I’m feeling alright with my boys and with my And brought them all together for one night I’m feeling alright with my boys and with my
I know they’d never match troops, yeah I know they’d never match troops, yeah
My sweet imagination Down along the avenue some guys are shootin’ My sweet imagination Down along the avenue some guys are shootin’
Everything looks worse in black and white pool Everything looks worse in black and white pool
And I heard the sound of acapella groups, yeah And I heard the sound of acapella groups, yeah
Kodachrome … Singin’ late in the evening, and all the girls out Kodachrome … Singin’ late in the evening, and all the girls out
B E B E
So Mama don’t take my Kodachrome on the stoops, yeah So Mama don’t take my Kodachrome on the stoops, yeah
A C# m F# m A C# m F# m
away Then I remember playin’ some lead guitar, I away Then I remember playin’ some lead guitar, I
was underage in this funky bar was underage in this funky bar
A C# m F #m And I stepped outside to smoke myself a J A C# m F #m And I stepped outside to smoke myself a J
Mama, don’t take my Kodachrome away (3x) When I come back to the room, everybody just Mama, don’t take my Kodachrome away (3x) When I come back to the room, everybody just
A seemed to move A seemed to move
Mama, don’t take my Kodachrome And I turned my amp up louder to get away Mama, don’t take my Kodachrome And I turned my amp up louder to get away
C# m C# m
It was late in the evening, and I blew that room It was late in the evening, and I blew that room
Mama, don’t take my Kodachrome Mama, don’t take my Kodachrome
F#m away F#m away
Mama, don’t take my Kodachrome away Mama, don’t take my Kodachrome away
First thing I remember when you came into my First thing I remember when you came into my
Mama, don’t take my Kodachrome life Mama, don’t take my Kodachrome life
And leave your boy so far from home I said I wanna get that girl, no matter what I And leave your boy so far from home I said I wanna get that girl, no matter what I
Mama, don’t take my Kodachrome away do Mama, don’t take my Kodachrome away do
Well I guess I’ve been in love before and once or Well I guess I’ve been in love before and once or
Mama, don’t take my Kodachrome twice have been on the floor Mama, don’t take my Kodachrome twice have been on the floor
oh, oh But I’ve never loved no-one the way that I love oh, oh But I’ve never loved no-one the way that I love
Mama, don’t take my Kodachrome away. you Mama, don’t take my Kodachrome away. you
And it was late in the evening, and all the And it was late in the evening, and all the
Late in the Evening music sees me through Late in the Evening music sees me through
Paul Simon Paul Simon
F F
The first thing I remember, I was lying in my The first thing I remember, I was lying in my

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Lean on Me We all need somebody to lean on. Lean on Me We all need somebody to lean on.
Bill Withers If there is a load you have to bear Bill Withers If there is a load you have to bear
C F
that you can’t carry. C F
that you can’t carry.
Sometimes in our lives, I’m right up the road, Sometimes in our lives, I’m right up the road,
C G I’ll share your load if you just call me. C G I’ll share your load if you just call me.
we all have pain, we all have sorrow. we all have pain, we all have sorrow.
C F Leaving on a Jet Plane C F Leaving on a Jet Plane
But if we are wise, But if we are wise,
C G G John Denver 1967 C G G John Denver 1967
we know that there’s always to mor row. we know that there’s always to mor row.
D7 G C D7 G C
C All my bags are packed, I’m ready to go, C All my bags are packed, I’m ready to go,
Lean on me, G C Lean on me, G C
F I’m standing here out side your door, F I’m standing here out side your door,
when you’re not strong G Am 7 D 4/7 D 7 when you’re not strong G Am 7 D 4/7 D 7
C I hate to wake you up to say good- bye. C I hate to wake you up to say good- bye.
and I’ll be your friend. G C and I’ll be your friend. G C
G But the dawn is breakin’, it’s early morn’, G But the dawn is breakin’, it’s early morn’,
I’ll help you c a rry on, G C I’ll help you c a rry on, G C
C F the taxi’s waitin’, he’s blowin’ his horn. C F the taxi’s waitin’, he’s blowin’ his horn.
for it won’t be long G Am 7 D 4/7 D 7 for it won’t be long G Am 7 D 4/7 D 7
C Already I’m so lonesome I could die. C Already I’m so lonesome I could die.
’til I’m gonna need somebody ’til I’m gonna need somebody
G C G C G C G C
to lean on. So kiss me and smile for me, to lean on. So kiss me and smile for me,
G C G C
Please swallow your pride, tell me that you’ll w ait for me, Please swallow your pride, tell me that you’ll w ait for me,
7 4/7 7
if have things you need to borrow. G Am D D if have things you need to borrow. G Am 7 D 4/7 D 7
For no one can fill those hold me like you’ll never let me go. For no one can fill those hold me like you’ll never let me go.
G C G G C G
needs that you won’t let show. ’Cause I’m leavin’ on a jet plane, needs that you won’t let show. ’Cause I’m leavin’ on a jet plane,
C G C G
C C
You just call on me brother when you need don’t know when I’ll be back again. You just call on me brother when you need don’t know when I’ll be back again.
Am 7 D 4/7 D 7 Am 7 D 4/7 D 7
a hand. Oh, babe‚ I hate to go. a hand. Oh, babe‚ I hate to go.
G C G C
We all need somebody to lean on. There’s so many times I’ve let you down, We all need somebody to lean on. There’s so many times I’ve let you down,
so many times I’ve played around, so many times I’ve played around,
I just might have a problem that you’ll I tell you now, they don’t mean a thing. I just might have a problem that you’ll I tell you now, they don’t mean a thing.
Ev’ry place I go, I’ll think of you, Ev’ry place I go, I’ll think of you,
understand. ev’ry song I sing, I’ll sing for you. understand. ev’ry song I sing, I’ll sing for you.
G C G C
We all need somebody to lean on. When I come back, I’ll bring your wedding We all need somebody to lean on. When I come back, I’ll bring your wedding
ring. ring.
Lean on me … Lean on me …
So kiss me and smile for me … So kiss me and smile for me …
You just call on me brother if you need a You just call on me brother if you need a
friend. Now the time has come to leave you, friend. Now the time has come to leave you,
We all need somebody to lean on. one more time let me kiss you. We all need somebody to lean on. one more time let me kiss you.
I just might have a problem that you’ll Then close your eyes, I’ll be on my way. I just might have a problem that you’ll Then close your eyes, I’ll be on my way.
understand. Dream about the days to come, understand. Dream about the days to come,
when I won’t have to leave alone, when I won’t have to leave alone,
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about the times I won’t have to say, I sing these words to you: about the times I won’t have to say, I sing these words to you:
So kiss me and smile for me … Lemon Tree very pretty … So kiss me and smile for me … Lemon Tree very pretty …
4/7 4/7
D D
xxo214 Let it Be xxo214 Let it Be
========= =========
|||| |
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--------------
Beatles 1970 ||| || •
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Beatles 1970
|||||
-------------- • |||||
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|||||| C G Am |||||| C G Am
When I find myself in times of trouble When I find myself in times of trouble
Lemon Tree F Lemon Tree F
Mother Mary comes to me Mother Mary comes to me
7
When I was just a lad of ten, C G F C Dm C When I was just a lad of ten, C G F C Dm 7 C
my father said to me, speaking words of wisdom, let it be. my father said to me, speaking words of wisdom, let it be.
“Come here and take a lesson And in my hour of darkness “Come here and take a lesson And in my hour of darkness
from the lovely Lemon Tree.” she is standing right in front of me from the lovely Lemon Tree.” she is standing right in front of me
“Don’t put your faith in love, my boy,” speaking words of wisdom, let it be. “Don’t put your faith in love, my boy,” speaking words of wisdom, let it be.
my father said to me, my father said to me,
“I fear you'll find that love is like Am G “I fear you'll find that love is like Am G
the lovely Lemon Tree.” Let it be‚ let it be‚ the lovely Lemon Tree.” Let it be‚ let it be‚
F C F C
Lemon Tree very pretty let it be‚ let it be‚ Lemon Tree very pretty let it be‚ let it be‚
G F C Dm 7 C G F C Dm 7 C
and the lemon flower is sweet, whisper words of wisdom, let it be. and the lemon flower is sweet, whisper words of wisdom, let it be.
but the fruit of the poor lemon but the fruit of the poor lemon
is impossible to eat. And when the broken hearted people is impossible to eat. And when the broken hearted people
Lemon Tree very pretty living in the world agree Lemon Tree very pretty living in the world agree
and the lemon flower is sweet, there will be an answer, let it be. and the lemon flower is sweet, there will be an answer, let it be.
but the fruit of the poor lemon but the fruit of the poor lemon
is impossible to eat. For though they may be parted is impossible to eat. For though they may be parted
there is still a chance that they will see there is still a chance that they will see
One day beneath the Lemon Tree, there will be an answer, let it be. One day beneath the Lemon Tree, there will be an answer, let it be.
my love and I did lie my love and I did lie
A girl so sweet that when she smiled Let it be (4x) A girl so sweet that when she smiled Let it be (4x)
the stars rose in the sky. there will be an answer, let it be. the stars rose in the sky. there will be an answer, let it be.
We passed that summer lost in love Let it be (4x) We passed that summer lost in love Let it be (4x)
beneath the lemon tree whisper words of wisdom, let it be. beneath the lemon tree whisper words of wisdom, let it be.
the music of her laughter the music of her laughter
hid my father’s words from me: And when the night is cloudy hid my father’s words from me: And when the night is cloudy
there is still a light that shines on me there is still a light that shines on me
Lemon Tree very pretty … shine until tomorrow, let it be. Lemon Tree very pretty … shine until tomorrow, let it be.
One day she left without a word. I wake up to the sound of music One day she left without a word. I wake up to the sound of music
She took away the sun. Mother Mary comes to me She took away the sun. Mother Mary comes to me
And in the dark she left behind, speaking words of wisdom, let it be. And in the dark she left behind, speaking words of wisdom, let it be.
I knew what she had done. I knew what she had done.
She’d left me for another, Let it be (4x) She’d left me for another, Let it be (4x)
it’s a common tale but true. there will be an answer, let it be. it’s a common tale but true. there will be an answer, let it be.
A sadder man but wiser now A sadder man but wiser now

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Let it be (4x) Dance, then, wherever … Let it be (4x) Dance, then, wherever …
whisper words of wisdom, let it be. whisper words of wisdom, let it be.
I danced on a Friday I danced on a Friday
F C Dm 7 C B f F G F C when the sky turned black, F C Dm 7 C B f F G F C when the sky turned black,
it’s hard to dance it’s hard to dance
Lord of the Dance with the world on your back, Lord of the Dance with the world on your back,
Sidney Carter 1963 they buried my body Sidney Carter 1963 they buried my body
and they thought I’d gone and they thought I’d gone
G G
but I am the dance but I am the dance
I danced in the morning I danced in the morning
and I still go on. and I still go on.
when the world was begun, when the world was begun,
Am Dance, then, wherever … Am Dance, then, wherever …
and I danced in the moon and I danced in the moon
D They cut me down D They cut me down
and the stars and the sun, and I leapt up high: and the stars and the sun, and I leapt up high:
G I am the life G I am the life
and I came down from heaven that’ll never, never die, and I came down from heaven that’ll never, never die,
a nd I danced on the earth: I’ll live in you a nd I danced on the earth: I’ll live in you
Am D7 C G if you live in me, Am D7 C G if you live in me,
at Bethle hem I had my birth. I am the Lord at Bethle hem I had my birth. I am the Lord
of the dance, said he. of the dance, said he.
G Em G Em
D ance, then, wherever you may be, Dance, then, wherever … D ance, then, wherever you may be, Dance, then, wherever …
G Am D7 G Am D7
I am the Lord of the dance, said he. I am the Lord of the dance, said he.
G C Em B7 Love Me Do G C Em B7 Love Me Do
And I’ll lead you all wher ever you may be‚ And I’ll lead you all wher ever you may be‚
Am D7 G C G Beatles 1962 Am D7 G C G Beatles 1962
and I’ll lead you all in the dance said he. and I’ll lead you all in the dance said he.
Love, love me do, Love, love me do,
I danced for the scribe You know I love you I danced for the scribe You know I love you
and the pharisee I’ll always be true and the pharisee I’ll always be true
but they would not dance So please love me do but they would not dance So please love me do
and they wouldn’t follow me. Whoa, ho, love me do and they wouldn’t follow me. Whoa, ho, love me do
I danced for the fishermen I danced for the fishermen
Love, love me do, Love, love me do,
for James and John, for James and John,
You know I love you You know I love you
they came with me they came with me
I’ll always be true I’ll always be true
and the dance went on. and the dance went on.
So please love me do So please love me do
Dance, then, wherever … Whoa, ho, love me do Dance, then, wherever … Whoa, ho, love me do
I danced on the Sabbath Someone to love, I danced on the Sabbath Someone to love,
and I cured the lame, Somebody new and I cured the lame, Somebody new
the holy people said Someone to love, the holy people said Someone to love,
it was a shame, Someone like you. it was a shame, Someone like you.
they whipped and they stripped they whipped and they stripped
Love, love me do, Love, love me do,
and they hung me high and they hung me high
You know I love you You know I love you
and they left me there and they left me there
I’ll always be true I’ll always be true
on a Cross to die. on a Cross to die.
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So please love me do ’Cause with fifteen kids So please love me do ’Cause with fifteen kids
Whoa, ho, love me do And a fam’ly on the skids, Whoa, ho, love me do And a fam’ly on the skids,
I got to go for a Sunday drive. I got to go for a Sunday drive.
Love Me Tender Fifteen kids and a fam’ly on the skids, Love Me Tender Fifteen kids and a fam’ly on the skids,
I got to go for a Sunday drive. I got to go for a Sunday drive.
Elvis Presley Elvis Presley
G 7
A That’s how they are, so I grabbed out the car, G A7 That’s how they are, so I grabbed out the car,
Love me tender, love me sweet, Convertible fifty-nine. Love me tender, love me sweet, Convertible fifty-nine.
D7 G Headed for the freeway; D7 G Headed for the freeway;
Never let me go. Tried to find the Pasadena sign. Never let me go. Tried to find the Pasadena sign.
A7 A7
You have made my life complete Ten miles and three quarters more You have made my life complete Ten miles and three quarters more
D7 G I wasn’t feeling any more alive. D7 G I wasn’t feeling any more alive.
And I love you so. And I love you so.
G B7 Em G7 ’Cause with fifteen kids … G B7 Em G7 ’Cause with fifteen kids …
Love me tender, love me true, Love me tender, love me true,
C Cm G I used to be a minstrel free C Cm G I used to be a minstrel free
All my dreams ful fill. With a whole lot of bread in my bag. All my dreams ful fill. With a whole lot of bread in my bag.
E7 A7 I used to feel that my life was real, E7 A7 I used to feel that my life was real,
For, my darlin’, I love you But the good Lord threw me a snag. For, my darlin’, I love you But the good Lord threw me a snag.
D7 G D7 G
And I always will. Now I’m gonna be the same as me, And I always will. Now I’m gonna be the same as me,
No matter how I try. No matter how I try.
Love me tender, love me long, Love me tender, love me long,
Take me to your heart. ’Cause with fifteen kids … Take me to your heart. ’Cause with fifteen kids …
For it’s there that I belong Turned ’round the car and headed for home; For it’s there that I belong Turned ’round the car and headed for home;
And we’ll never part. I guess I realized my fate. And we’ll never part. I guess I realized my fate.
Love me tender, love me true, Ten miles and three quarters more Love me tender, love me true, Ten miles and three quarters more
All my dreams fulfill. I pulled up outside the gate. All my dreams fulfill. I pulled up outside the gate.
For, my darlin’, I love you Twenty more kids were stood inside For, my darlin’, I love you Twenty more kids were stood inside
And I always will. And that made thirty-five. And I always will. And that made thirty-five.
Love me tender, love me dear, ’Cause with an orphanage Love me tender, love me dear, ’Cause with an orphanage
Tell me you are mine. Full of thirty-five kids, Tell me you are mine. Full of thirty-five kids,
I’ll be yours through all the years I got to go for a Sunday drive. I’ll be yours through all the years I got to go for a Sunday drive.
Till the end of time. An orphanage full of thirty-five kids, Till the end of time. An orphanage full of thirty-five kids,
Love me tender, love me true, I got to go for a Sunday drive. Love me tender, love me true, I got to go for a Sunday drive.
All my dreams fulfill. All my dreams fulfill.
For, my darlin’, I love you Sunday morning woke up yawning; For, my darlin’, I love you Sunday morning woke up yawning;
And I always will. Filled the pool for a swim. And I always will. Filled the pool for a swim.
Pulled down the glass and looked in Pulled down the glass and looked in
Marly Purt Drive The mirror just to see if I was in. Marly Purt Drive The mirror just to see if I was in.
Went up the stairs and kissed my women Went up the stairs and kissed my women
Sunday morning woke up yawning; To make her come alive. Sunday morning woke up yawning; To make her come alive.
Filled the pool for a swim. Filled the pool for a swim.
Pulled down the head and looked in Pulled down the head and looked in
The glass just to see if I was in. The glass just to see if I was in.
Went up the stairs and kissed my women Went up the stairs and kissed my women
To make her come alive. To make her come alive.
95 95
’Cause with an orphanage … Well I’m on my way … ’Cause with an orphanage … Well I’m on my way …

Me and Julio Down By the Schoolyard Minnie the Moocher Me and Julio Down By the Schoolyard Minnie the Moocher
7 7 7 7 7 7 7 7
Paul Simon |: Em B Em :| B Em C B Em C B Em C B Paul Simon |: Em B 7 Em :| B 7 Em C 7 B 7 Em C 7 B 7 Em C 7 B 7

ADAE/ADAE Em ADAE/ADAE Em
Hey folks, here’s a story ’bout Minnie, the Hey folks, here’s a story ’bout Minnie, the
A C7 A C7
Mama Pajama rolled outta bed Moocher. Mama Pajama rolled outta bed Moocher.
D B7 Em D B7 Em
And she ran to the police station She was a low down hoochie coocher. And she ran to the police station She was a low down hoochie coocher.
E E
When the P apa found out, he began to shout She was the roughest, toughest frail, When the P apa found out, he began to shout She was the roughest, toughest frail,
A C7 B7 Em A C7 B7 Em
And he started the investigation but Minnie had a heart as big as a whale. And he started the investigation but Minnie had a heart as big as a whale.
E Em E Em
It’s against the law‚ Hi-di -hi-di-hi-di-ho, It’s against the law‚ Hi-di -hi-di-hi-di-ho,
A ho-di-ho-di-ho-di-ho, A ho-di-ho-di-ho-di-ho,
It was against the law he-de-he-de-he-de-he, It was against the law he-de-he-de-he-de-he,
E E
What the Mama saw‚ hi-di-hi-di-hi-di-ho. What the Mama saw‚ hi-di-hi-di-hi-di-ho.
A A
It was against the law She messed around with a bloke named Smokie, It was against the law She messed around with a bloke named Smokie,
she loved him though he was Cokey. she loved him though he was Cokey.
The Mama looked down and spit on the ground He took her down, to Chinatown The Mama looked down and spit on the ground He took her down, to Chinatown
Every time my name gets mentioned and he showed her how to kick the gong around. Every time my name gets mentioned and he showed her how to kick the gong around.
The Papa says, oy, if I get that boy The Papa says, oy, if I get that boy
I’ m gonna stick him in the house of detention Hi-di-hi-di-hi-di-ho, I’ m gonna stick him in the house of detention Hi-di-hi-di-hi-di-ho,
whoah! whoah!
D he-de-he-de-he-de-he, D he-de-he-de-he-de-he,
Well I’m on my w ay , hi-di-hi-di-hi-di-ho. Well I’m on my w ay , hi-di-hi-di-hi-di-ho.
A A7 A A7
I don’t know where I’m goin’ She had a dream about the King of Sweden, I don’t know where I’m goin’ She had a dream about the King of Sweden,
D D
I’m on my w ay , he gave her things that she was needin’. I’m on my w ay , he gave her things that she was needin’.
A B E He gave her a home built of gold and steel, A B E He gave her a home built of gold and steel,
Takin’ my time, but I don’t know where a diamond car with a platinum wheels. Takin’ my time, but I don’t know where a diamond car with a platinum wheels.
D A D A
Goodbye to Rosie, the queen of Corona Hi-di-hi-di-hi-di-hi, Goodbye to Rosie, the queen of Corona Hi-di-hi-di-hi-di-hi,
A G D A G D
ho-di-ho-di-ho-di-ho, ho-di-ho-di-ho-di-ho,
Singin’ me and Julio down by the Singin’ me and Julio down by the
E A DAE skudelewoo, skudelewoo, skudele-woodele- E A DAE skudelewoo, skudelewoo, skudele-woodele-
schoolyard woodele-woo, schoolyard woodele-woo,
A G D zidi-dididudeloo-wudududeloo Skidi-dudeloo A G D zidi-dididudeloo-wudududeloo Skidi-dudeloo
Singin’ me and Julio down by the Bouzadoy. Singin’ me and Julio down by the Bouzadoy.
E A DAE E A DAE
schoolyard He gave her his town house and his racing schoolyard He gave her his town house and his racing
In a couple of days they’re gonna take me away horses, In a couple of days they’re gonna take me away horses,
But the press let the story leak each meal she ate was a dozen courses. But the press let the story leak each meal she ate was a dozen courses.
When the radical priest comes to get me released Had a million dollars worth of nickels and When the radical priest comes to get me released Had a million dollars worth of nickels and
We’ re all on the cover of Newsweek dimes, We’ re all on the cover of Newsweek dimes,

96 96
she sat around and counted them all a million He shook his head and as he shook his head, I she sat around and counted them all a million He shook his head and as he shook his head, I
times. heard someone ask please … times. heard someone ask please …
Hi-di-hi-di-hi-di-ho, Mo Ghile Mear “Our Hero” Hi-di-hi-di-hi-di-ho, Mo Ghile Mear “Our Hero”
ho-di-ho-di-ho-di-ho, ho-di-ho-di-ho-di-ho,
he-de-he-de-he-de-he, Grief and pain are all I know he-de-he-de-he-de-he, Grief and pain are all I know
hi-di-hi-di-hi-di-ho. My heart is sore, my tears will flow. hi-di-hi-di-hi-di-ho. My heart is sore, my tears will flow.
We saw him go … our buachaile. We saw him go … our buachaile.
Em C7 B7 Em Em C7 B7 Em
Poor Min, poor Min, poor Min. No word we know of him, woe on. Poor Min, poor Min, poor Min. No word we know of him, woe on.
Sé mo lacch, mo ghiolla mear Sé mo lacch, mo ghiolla mear
Mister Bojangles Sé mo Cheasar, ghiolla mear. Mister Bojangles Sé mo Cheasar, ghiolla mear.
I knew a man Bojangles and he danced for you, Suan né sean ni bhfueircae féin I knew a man Bojangles and he danced for you, Suan né sean ni bhfueircae féin
in worn out shoes O chuaig I goein mo ghiolla mear. in worn out shoes O chuaig I goein mo ghiolla mear.
With silver hair, a rageed shirt and baggy A ghiolla mear, ghiolla mear. With silver hair, a rageed shirt and baggy A ghiolla mear, ghiolla mear.
pants, the old soft shoe A proud and gallant chevalier pants, the old soft shoe A proud and gallant chevalier
He jumped so high, jumped so high, then he A high-born scion of gentle mien, He jumped so high, jumped so high, then he A high-born scion of gentle mien,
lightly touched down A fiery blade engaged to lead lightly touched down A fiery blade engaged to lead
Mister Bojangles, Mister Bojangles, He’d break the bravest in the field. Mister Bojangles, Mister Bojangles, He’d break the bravest in the field.
Mister Bojangles, dance Sé mo lacch … Mister Bojangles, dance Sé mo lacch …
I met him in a cell in New Orleans I was, Then we’ll sing his praise as sweet harps play, I met him in a cell in New Orleans I was, Then we’ll sing his praise as sweet harps play,
down and out And proudly toast his noble fame. down and out And proudly toast his noble fame.
He looked at me to be the eyes of age, as spoke With spirit and mind aflame, He looked at me to be the eyes of age, as spoke With spirit and mind aflame,
right out To wash him strength and length of days. right out To wash him strength and length of days.
He talked of life, talked of life, he laughed and He talked of life, talked of life, he laughed and
slapped his leg a step Sé mo lacch … slapped his leg a step Sé mo lacch …
He said his name, Bojangles, then he danced a Mr. Tambourine Man He said his name, Bojangles, then he danced a Mr. Tambourine Man
lick, across the cell lick, across the cell
He grabbed his pants a better stance, oh, he Bob Dylan He grabbed his pants a better stance, oh, he Bob Dylan
jumped up high, he clicked his heels G A D jumped up high, he clicked his heels G A D
He let go a laugh, let go a laugh, shook back Hey, Mr. Tambourine Man, play a song for He let go a laugh, let go a laugh, shook back Hey, Mr. Tambourine Man, play a song for
his clothes all around G his clothes all around G
me‚ me‚
He danced for those at minstrel shows and D G He danced for those at minstrel shows and D G
county fairs, throughout the South I’m not sleepy and there ain’t no place I’m county fairs, throughout the South I’m not sleepy and there ain’t no place I’m
A A
He spoke with tears of fifteen years how his dog going to. He spoke with tears of fifteen years how his dog going to.
and he, traveled about G A D and he, traveled about G A D
His dog up and died, he up and died, after Hey, Mr. Tambourine Man, play a song for His dog up and died, he up and died, after Hey, Mr. Tambourine Man, play a song for
twenty years, he still grieves G twenty years, he still grieves G
me‚ me‚
He said, “I dance now at every chance in D G He said, “I dance now at every chance in D G
honkytonks, for drinks and tips in the jingle jangle morning honkytonks, for drinks and tips in the jingle jangle morning
A D A D
But most of the time I spend behind these county I’ll come following you. But most of the time I spend behind these county I’ll come following you.
bars, he said, “I drinks a bit.” bars, he said, “I drinks a bit.”

97 97
G A D Hide it in a hiding place where no one ever G A D Hide it in a hiding place where no one ever
Take me on a trip upon your magic swirling goes, Take me on a trip upon your magic swirling goes,
G G
ship‚ put it in your pantry with your cupcakes. ship‚ put it in your pantry with your cupcakes.
D G It’s a little secret, just the Robinson’s affair, D G It’s a little secret, just the Robinson’s affair,
my senses have been stripped, most of all you’ve got to hide it from the kids. my senses have been stripped, most of all you’ve got to hide it from the kids.
D G D G
my hands can’t feel to grip, Coo coo cachoo, Mrs. Robinson, my hands can’t feel to grip, Coo coo cachoo, Mrs. Robinson,
D G Jesus loves you more than you will know, D G Jesus loves you more than you will know,
my toes too numb to step, woo woo woo. my toes too numb to step, woo woo woo.
D G A D G A
wait only for my boot heels to be wandering‚ God bless you, please, Mrs. Robinson, wait only for my boot heels to be wandering‚ God bless you, please, Mrs. Robinson,
G A D heaven holds a place for those who pray, G A D heaven holds a place for those who pray,
I’m ready to go anywhere, I’m ready for to hey hey hey, hey hey hey. I’m ready to go anywhere, I’m ready for to hey hey hey, hey hey hey.
G G
fade‚ Sitting on a sofa on a Sunday afternoon, fade‚ Sitting on a sofa on a Sunday afternoon,
D G D G
going to the candidates’ debate, yeah. going to the candidates’ debate, yeah.
into my own parade, into my own parade,
D G Laugh about it, shout about it, when you’ve got D G Laugh about it, shout about it, when you’ve got
cast your dancing spell my way , to choose, cast your dancing spell my way , to choose,
A every way you look at it you lose. A every way you look at it you lose.
I promise to go under it. I promise to go under it.
Where have you gone, Joe Dimaggio? Where have you gone, Joe Dimaggio?
Hey, Mr. Tambourine Man … a nation turns its lonely eyes to you, Hey, Mr. Tambourine Man … a nation turns its lonely eyes to you,
woo woo woo. woo woo woo.
Mrs. Robinson What’s that you say, Mrs. Robinson, Mrs. Robinson What’s that you say, Mrs. Robinson,
Paul Simon 1968 “Joltin’ Joe” has left and gone away, Paul Simon 1968 “Joltin’ Joe” has left and gone away,
hey hey hey, hey hey hey. hey hey hey, hey hey hey.
E E
We’d like to know a little bit about you for our MTA Song We’d like to know a little bit about you for our MTA Song
files, files,
A A7 D Now let me tell you of a story A A7 D Now let me tell you of a story
we’d like to help you learn to help yourself. ’Bout a man named Charlie we’d like to help you learn to help yourself. ’Bout a man named Charlie
G C Em G C Em
Look around you, all you see are sympa thetic On that tragic and fateful day; Look around you, all you see are sympa thetic On that tragic and fateful day;
Am E He put ten cents in his pocket, Am E He put ten cents in his pocket,
eyes. Kissed his wife and family, eyes. Kissed his wife and family,
D Went to ride on the MTA. D Went to ride on the MTA.
Stroll around the grounds un til you feel at Stroll around the grounds un til you feel at
But did he ever return? But did he ever return?
home. No, he never returned, home. No, he never returned,
G Em And his fate is still unlearned, G Em And his fate is still unlearned,
And here’s to you, Mrs. Robinson, He may ride forever And here’s to you, Mrs. Robinson, He may ride forever
G Em C ’neath the streets of Boston – G Em C ’neath the streets of Boston –
Jesus loves you more than you will know‚ He’s the man who never returned. Jesus loves you more than you will know‚ He’s the man who never returned.
D D
woo woo woo. Charlie handed in his dime woo woo woo. Charlie handed in his dime
G Em G Em
God bless you, please, Mrs. Robinson, At the Kendall Square Station God bless you, please, Mrs. Robinson, At the Kendall Square Station
G Em C And he changed Jamaica Plain; G Em C And he changed Jamaica Plain;
heaven holds a place for those who pray‚ When he got there the conductor told him heaven holds a place for those who pray‚ When he got there the conductor told him
Em Am E Em Am E
“one more nickel!” “one more nickel!”
hey hey hey‚ hey hey hey. hey hey hey‚ hey hey hey.
98 98
Charlie couldn’t get off that train. D E A Charlie couldn’t get off that train. D E A
as he carries me home to the Mull of Kintyre. as he carries me home to the Mull of Kintyre.
But did he ever return … But did he ever return …
Mull of Kintyre … Mull of Kintyre …
Now all night long Charlie DGDGD
Now all night long Charlie DGDGD
Rides through the tunnel Rides through the tunnel
Crying, “What will become of me? D Crying, “What will become of me? D
How can I afford to see Sweep through the heather like deer in the How can I afford to see Sweep through the heather like deer in the
My sister in Chelsea glen‚ My sister in Chelsea glen‚
Or my cousin in Roxbury?” G D Or my cousin in Roxbury?” G D
carry me back to the days I knew then. carry me back to the days I knew then.
But did he ever return … But did he ever return …
Nights when we sang like a heavenly choir Nights when we sang like a heavenly choir
Charlie’s wife goes down to the G A D Charlie’s wife goes down to the G A D
Scollay Square Station of the life an the times of the Mull of Kintyre. Scollay Square Station of the life an the times of the Mull of Kintyre.
Everyday at a quarter past two D
Everyday at a quarter past two D
And through the open window Mull of Kintyre, And through the open window Mull of Kintyre,
She hands Charlie a sandwich G D She hands Charlie a sandwich G D
As the train comes rumblin’ through! oh, mist rolling in from the sea‚ As the train comes rumblin’ through! oh, mist rolling in from the sea‚
G G
But did he ever return … my desire is a l ways to be here, But did he ever return … my desire is a l ways to be here,
D D
Now you citizens of Boston, oh, Mull of Kintyre. Now you citizens of Boston, oh, Mull of Kintyre.
Don’t you think that it’s a scandal A Don’t you think that it’s a scandal A
The way people have to pay and pay; Smiles in the sunshine and tears in the rain, The way people have to pay and pay; Smiles in the sunshine and tears in the rain,
Fight the fare increase, still take me back where my mem’ries remain. Fight the fare increase, still take me back where my mem’ries remain.
Vote for George O’Brien Flickering embers grow higher and high’r Vote for George O’Brien Flickering embers grow higher and high’r
And get Charlie off the MTA! as they carry me back to the Mull of Kintyre. And get Charlie off the MTA! as they carry me back to the Mull of Kintyre.
But did he ever return … A But did he ever return … A
Mull of Kintyre … Mull of Kintyre …
Mull of Kintyre D
Mull of Kintyre D
Paul und Linda McCartney 1977 Mull of Kintyre … Paul und Linda McCartney 1977 Mull of Kintyre …

A My Bonnie A My Bonnie
Mull of Kintyre, Mull of Kintyre,
D A A D A D A A D A
oh, mist rolling in from the sea‚ My Bonnie lies over the ocean, oh, mist rolling in from the sea‚ My Bonnie lies over the ocean,
D B7 E E7 D B7 E E7
my desire is a l ways to be here, my Bonnie lies over the sea, my desire is a l ways to be here, my Bonnie lies over the sea,
A A D A F#m A A D A F#m
oh, Mull of Kintyre. my Bonnie lies over the ocean, oh, Mull of Kintyre. my Bonnie lies over the ocean,
D E7 A D E7 A
A oh bring back my Bonnie to me. A oh bring back my Bonnie to me.
F ar have I travelled and much have I seen, F ar have I travelled and much have I seen,
D A A A7 D B7 D A A A7 D B7
dark distant mountains with valleys of green. Bring back, bring back, dark distant mountains with valleys of green. Bring back, bring back,
E E7 A E E7 A
Past painted deserts, the sunset’s on fire oh bring back my Bonnie to me, to me, Past painted deserts, the sunset’s on fire oh bring back my Bonnie to me, to me,
A7 D B7 A7 D B7
bring back, bring back, bring back, bring back,
99 99
 E7 A there was nothing you could do. E7 A there was nothing you could do.
oh bring back my Bonnie to me. Two cars at a light oh bring back my Bonnie to me. Two cars at a light
The winds have blown over the ocean, on a Saturday night The winds have blown over the ocean, on a Saturday night
The winds have blown over the sea. in the back seat there was a gun; The winds have blown over the sea. in the back seat there was a gun;
The winds have blown over the ocean words were passed The winds have blown over the ocean words were passed
And brought back my Bonnie to me. in a shotgun blast: And brought back my Bonnie to me. in a shotgun blast:
troubled times had come, troubled times had come,
Bring back … to my hometown. Bring back … to my hometown.
My Hometown To my hometown. (3x) My Hometown To my hometown. (3x)
#
F m F#m
Bruce Springsteen 1984 Bruce Springsteen 1984
Now Main Street’s whitewashed windows Now Main Street’s whitewashed windows
A7+/9 A A A7+/9 A A
I was eight years old and vacant stores, I was eight years old and vacant stores,
A7+/9 A F#m A7+/9 A F#m
and running with seems like there ain’t nobody and running with seems like there ain’t nobody
A4 A E A A4 A E A
a dime in my hand wants to come down here no more. a dime in my hand wants to come down here no more.
B4 E D B4 E D
into the bus stop to pick They’re closing down the textile mill into the bus stop to pick They’re closing down the textile mill
B4 E A B4 E A
up a paper ’cross the railroad tracks. up a paper ’cross the railroad tracks.
A E6 D D A E6 D D
for my old man. Foreman says these jobs are going boys for my old man. Foreman says these jobs are going boys
A7+/9 A A E A7+/9 A A E
I’d sit on his lap and they ain’t coming back I’d sit on his lap and they ain’t coming back
A7+/9 A A A7+/9 A A7+/9 A A A7+/9 A
in that big old Buick to your hometown. in that big old Buick to your hometown.
A4 A E A4 A E
and steer as we drove through town. To your hometown. (3x) and steer as we drove through town. To your hometown. (3x)
B4 E B4 E
He’d tousle my hair Last night me and Kate He’d tousle my hair Last night me and Kate
B4 E we laid in bed B4 E we laid in bed
and say: “Son take talking about getting out; and say: “Son take talking about getting out;
A E6 D A E6 D
a good look a round, packing up a good look a round, packing up
A A7+/9 A our bags, maybe A A7+/9 A our bags, maybe
this is your hometown.” heading south. this is your hometown.” heading south.
4
I’m thirty five, I’m thirty five,
A A E A4 A E
This is your home town, we got a boy This is your home town, we got a boy
B4 E B4 E of our own now. B4 E B4 E of our own now.
this is your hometown, Last night I sat him up, this is your hometown, Last night I sat him up,
A E6 D A 7+/9 A behind the wheel, A E6 D A 7+/9 A behind the wheel,
this is your home town. said “Son take a good look around, this is your home town. said “Son take a good look around,
In sixty five this is your hometown.” In sixty five this is your hometown.”
tension was running high This is your hometown. (3x) tension was running high This is your hometown. (3x)
at my high school. at my high school.
There were a lot of fights There were a lot of fights
between the black and white, between the black and white,

100 100
A7+/9 A4 B4 E6 Regrets, I’ve had a few A7+/9 A4 B4 E6 Regrets, I’ve had a few
xo21oo xoo34o x24xoo o421oo xo21oo xoo34o x24xoo o421oo
=========
||| || •
=========
||||||
=========
||||||
=========
||| || • But then again too few to mention. =========
||| || •
=========
||||||
=========
||||||
=========
||| || • But then again too few to mention.
-------------- -------------- -------------- -------------- -------------- -------------- -------------- --------------
•
|| |||
--------------
||| || •
-------------- •
| ||||
--------------
|| |||•
--------------
I did what I had to do •
|| |||
--------------
||| || •
-------------- •
| ||||
--------------
|| |||•
--------------
I did what I had to do
||||||
--------------
|||| | •
--------------
||||||
--------------
||||||
-------------- And saw it through, without exemption. ||||||
--------------
|||| | •
--------------
||||||
--------------
||||||
-------------- And saw it through, without exemption.
|||||| |||||| || ||| • •
| |||| |||||| |||||| || |||• •
| ||||
I planned each charted course I planned each charted course
My Own Worst Enemy Each careful step, along the byway My Own Worst Enemy Each careful step, along the byway
And more, much more than this, And more, much more than this,
Can we forget about the things I said When I I did it my way. Can we forget about the things I said When I I did it my way.
was drunk was drunk
Didn’t mean to call you that Cm 7 Didn’t mean to call you that Cm 7
I can’t remember what was said and what you Yes there were times, I’m sure you knew‚ I can’t remember what was said and what you Yes there were times, I’m sure you knew‚
Bf Bf
threw at me When I bit off more than I could chew threw at me When I bit off more than I could chew
please tell me, Gm7 C7 please tell me, Gm7 C7
But through it all‚ when there was doubt But through it all‚ when there was doubt
Please tell me why Am 7 Dm Gm7 Please tell me why Am 7 Dm Gm7
The car is in the front yard and I’m I ate it up‚ and spit it out‚ I faced it all‚ The car is in the front yard and I’m I ate it up‚ and spit it out‚ I faced it all‚
C7 C7
sleeping with my clothes on sleeping with my clothes on
And I stood tall‚ And I stood tall‚
came in through the window last night, and Gm F came in through the window last night, and Gm F
you’re gone. And did it my w ay . you’re gone. And did it my w ay .
It’s no surprise to me I am my own worst I’ve loved, I’ve laughed and cried It’s no surprise to me I am my own worst I’ve loved, I’ve laughed and cried
enemy I’ve had my fill, my share of losing. enemy I’ve had my fill, my share of losing.
cause every now and then I beat the living shit And now, as tears subside, cause every now and then I beat the living shit And now, as tears subside,
out of me I find it all so amusing. out of me I find it all so amusing.
a smoke alarm is going off and there’s a To think, I did all that, a smoke alarm is going off and there’s a To think, I did all that,
cigarette And may I say, “not in a shy way”, cigarette And may I say, “not in a shy way”,
still burning Oh no, oh no not me, I did it my way. still burning Oh no, oh no not me, I did it my way.
Please tell me why … For what is a man, what has he got, Please tell me why … For what is a man, what has he got,
If not himself, then he has not, If not himself, then he has not,
My Way To say the things, he truly feels, My Way To say the things, he truly feels,
Frank Sinatra And not the words of one who kneels. Frank Sinatra And not the words of one who kneels.
The record shows, I took the blows, The record shows, I took the blows,
7
F F And did my way. F F7 And did my way.
And now, the end is near And now, the end is near
Cm 6 D7 Cm 6 D7
And so I face the final curtain. New Morning And so I face the final curtain. New Morning
7 7
Gm Gm Gm Gm
My friend, I’ll say it clear Bob Dylan My friend, I’ll say it clear Bob Dylan
7 7
C F C F
I’ll state my case of which I’m certain. Can’t you hear that rooster crowin’ I’ll state my case of which I’m certain. Can’t you hear that rooster crowin’
F7 Rabbit runnin’ down across the road F7 Rabbit runnin’ down across the road
I’ve lived a life that’s full Underneath the bridge where the water flowed I’ve lived a life that’s full Underneath the bridge where the water flowed
Bf B fm through Bf B fm through
I traveled each and every highwa y So happy just to see you smile I traveled each and every highwa y So happy just to see you smile
F C7 F C7
And more, much more than this‚ Underneath the sky of blue And more, much more than this‚ Underneath the sky of blue
Gm On this new morning, new morning Gm On this new morning, new morning
I did it my way. On this new morning with you. I did it my way. On this new morning with you.
101 101
Can’t you hear that motor turnin’? G Gm D 7+ Can’t you hear that motor turnin’? G Gm D 7+
Automobile comin’ into style I w ant to wake up in a city that doesn’t sleep Automobile comin’ into style I w ant to wake up in a city that doesn’t sleep
F#m7 B7 Em 7 F#m7 B7 Em 7
Comin’ down the road for a country mile or and find I’m king of the hill – top of the heap. Comin’ down the road for a country mile or and find I’m king of the hill – top of the heap.
two two
So happy just to see you smile A D So happy just to see you smile A D
Underneath the sky of blue These little town blues, Underneath the sky of blue These little town blues,
A4/7 A4/7
On this new morning, new morning are melting a way On this new morning, new morning are melting a way
On this new morning with you. A Em 7 A D D 7+ On this new morning with you. A Em 7 A D D 7+
I’ll make a brand new start of it – I’ll make a brand new start of it –
The night passed away so quickly D7 The night passed away so quickly D7
It always does when you’re with me. in old New York … It always does when you’re with me. in old New York …
G Gm G Gm
Can’t you feel that sun a-shinin’? If I can make it there, Can’t you feel that sun a-shinin’? If I can make it there,
D B7 D B7
Ground hog runnin’ by the country stream Ground hog runnin’ by the country stream
I’ll make it any where, I’ll make it any where,
This must be the day that all of my dreams Em This must be the day that all of my dreams Em
come true it’s up to you – come true it’s up to you –
So happy just to be alive A F#m A D A4/7 B f E f So happy just to be alive A F#m A D A4/7 B f E f
Underneath the sky of blue New York, New York. Underneath the sky of blue New York, New York.
Ef 7 Ef 7
On this new morning, new morning New York, New York. On this new morning, new morning New York, New York.
On this new morning with you. On this new morning with you.
G# G #m Ef G# G #m Ef
So happy just to be alive I want to wake up in a city that never sleeps So happy just to be alive I want to wake up in a city that never sleeps
Underneath the sky of blue G #m C7 Underneath the sky of blue G #m C7
On this new morning, new morning and find I’m king of the hill, head of the list On this new morning, new morning and find I’m king of the hill, head of the list
B B
On this new morning with you. Cream of the crop. On this new morning with you. Cream of the crop.
New morning … New morning …
E E
New York These little town blues, New York These little town blues,
B7 B7
Frank Sinatra are melting a way Frank Sinatra are melting a way
E E
D I’ll gonna make a brand new start of it – D I’ll gonna make a brand new start of it –
Start spreading the news, E7 Start spreading the news, E7
A4/7 in old New York … A4/7 in old New York …
I’m leaving to day‚ A Am I’m leaving to day‚ A Am
A Em 7 A D If I can make it there, A Em 7 A D If I can make it there,
I want to be a part of it: E C#7 I want to be a part of it: E C#7
A4/7 I’ll make it any where, A4/7 I’ll make it any where,
New York, New York … F#m New York, New York … F#m
D it’s up to you – D it’s up to you –
These vagabond shoes, B F#m B E These vagabond shoes, B F#m B E
A4/7 New York, New York. A4/7 New York, New York.
are longing to stray are longing to stray
A Em 7 A D D 7+ A4/7 D 7+ E f7 A Em 7 A D D 7+ A4/7 D 7+ E f7
xo1234 xxo123 x3241x xo1234 xxo123 x3241x
right through the very heart of it – =========
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right through the very heart of it – =========
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D7 -------------- -------------- -------------- D7 -------------- -------------- --------------
New York, New York.
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102 102
No Woman no Cry Norwegian Wood No Woman no Cry Norwegian Wood
th
Bob Marley Beatles 1965 (Capo: 4 Fret) Bob Marley Beatles 1965 (Capo: 4th Fret)
No woman no cry C No woman no cry C
No woman no cry I once had a girl No woman no cry I once had a girl
No woman no cry Or should I say she once had me No woman no cry Or should I say she once had me
No woman no cry – (said, said,) C No woman no cry – (said, said,) C
She showed me her room She showed me her room
Said I remember when we used to sit Said I remember when we used to sit
In the government yard in Trenchtown Isn’t it good Norwegian wood? In the government yard in Trenchtown Isn’t it good Norwegian wood?
Oba-, oba-serving the hypocrites, as they Cm
Oba-, oba-serving the hypocrites, as they Cm
would She asked me to stay and she told me would She asked me to stay and she told me
Mingle with the good people we meet F Mingle with the good people we meet F
Good friends we have, oh, good friends we have To sit any where Good friends we have, oh, good friends we have To sit any where
Cm Cm
lost lost
So I looked around and I noticed So I looked around and I noticed
Along the way (hey!) Dm7 G
Along the way (hey!) Dm7 G
In this great future, you can’t forget your past There wasn’t a chair In this great future, you can’t forget your past There wasn’t a chair
So dry your tears, I say, and: So dry your tears, I say, and:
I sat on a rug biding my time I sat on a rug biding my time
No woman no cry drinking her wine No woman no cry drinking her wine
No woman no cry We talked until two and then she said No woman no cry We talked until two and then she said
Eeh, Little darling, don’t shed no tears “it’s time for bed” Eeh, Little darling, don’t shed no tears “it’s time for bed”
No woman no cry – said, said, No woman no cry – said, said,
She told me she worked in the morning She told me she worked in the morning
Said I remember when we use to sit And started to laugh Said I remember when we use to sit And started to laugh
In the government yard in Trenchtown I told her I didn’t and crawled off In the government yard in Trenchtown I told her I didn’t and crawled off
And then Georgie would make the fire light, as To sleep in the bath And then Georgie would make the fire light, as To sleep in the bath
it was it was
log would burnin’ through the nights And when I awoke I was alone log would burnin’ through the nights And when I awoke I was alone
Then we would cook cornmeal porridge This bird had flown Then we would cook cornmeal porridge This bird had flown
Of which I’ll share with you (uuh!) So I lit a fire Of which I’ll share with you (uuh!) So I lit a fire
My feet is my only carriage Isn’t it good Norwegian wood? My feet is my only carriage Isn’t it good Norwegian wood?
And so I’ve got to push on through, Oh, while And so I’ve got to push on through, Oh, while
I’m gone Nowhere Man I’m gone Nowhere Man

Everything ’s gonna be alright (8x) Beatles Everything ’s gonna be alright (8x) Beatles
E B E B
No woman no cry He’s a real nowhere man, No woman no cry He’s a real nowhere man,
No, no woman, no woman no cry A E No, no woman, no woman no cry A E
Eeh, Little darling, don’t shed no tears Sitting in his nowhere land, Eeh, Little darling, don’t shed no tears Sitting in his nowhere land,
No woman no cry. A Am E No woman no cry. A Am E
Making all his nowhere plans for nobody. Making all his nowhere plans for nobody.
Doesn’t have a point of view, Doesn’t have a point of view,
Knows not where he’s going to. Knows not where he’s going to.
Isn’t he a bit like you and me? Isn’t he a bit like you and me?

103 103
 G #m A Ob la di ob la da … G #m A Ob la di ob la da …
Nowhere man‚ please listen, Nowhere man‚ please listen,
# #
G m A In a couple of years they have built a home G m A In a couple of years they have built a home
You don’t know what you’re missing sweet home You don’t know what you’re missing sweet home
# #
G m A G m A
Nowhere man‚ the world is at your With a couple of kids running in the yard Nowhere man‚ the world is at your With a couple of kids running in the yard
B Of Desmond and Molly Jones B Of Desmond and Molly Jones
command. command.
Happy ever after in the marketplace Happy ever after in the marketplace
He’s as blind as he can be, Desmond lets the children lend a hand He’s as blind as he can be, Desmond lets the children lend a hand
Just sees what he wants to see, Molly stays at home and does her pretty face Just sees what he wants to see, Molly stays at home and does her pretty face
Nowhere man, can you see me at all And in the evening she still sings it with the Nowhere man, can you see me at all And in the evening she still sings it with the
band band
Nowhere man, don’t worry, Nowhere man, don’t worry,
Take your time, don’t hurry Ob la di ob la da … Take your time, don’t hurry Ob la di ob la da …
Leave it all till sonebody else lands you a hand Leave it all till sonebody else lands you a hand
In a couple of years they have built … In a couple of years they have built …
Doesn’t have a point of view, Doesn’t have a point of view,
Knows not where he’s going to Happy ever after in the marketplace Knows not where he’s going to Happy ever after in the marketplace
Isn’t he a bit like you and me? Molly lets the children lend a hand Isn’t he a bit like you and me? Molly lets the children lend a hand
Desmond stays at home and does his pretty face Desmond stays at home and does his pretty face
Nowhere man, please listen, And in the evening she’s a singer with the band Nowhere man, please listen, And in the evening she’s a singer with the band
You don’t know what you’re missing You don’t know what you’re missing
Nowhere man, the world is at your command. Ob la di ob la da … Nowhere man, the world is at your command. Ob la di ob la da …

He’s a real nowhere man, And if you want some fun – He’s a real nowhere man, And if you want some fun –
Sitting in his nowhere land, take ob la di bla da Sitting in his nowhere land, take ob la di bla da
Making all his nowhere plans for nobody. Making all his nowhere plans for nobody.
Octopus’ Garden Octopus’ Garden
Ob-La-Di Ob-La-Da I’d like to be under the sea, Ob-La-Di Ob-La-Da I’d like to be under the sea,
The Beatles In an octopus’ garden in the shade, The Beatles In an octopus’ garden in the shade,

Desmond has a barrow in the marketplace He’d let us in, knows where we’ve been, Desmond has a barrow in the marketplace He’d let us in, knows where we’ve been,
Molly is the singer in a band In his octopus’ garden in the shade. Molly is the singer in a band In his octopus’ garden in the shade.
Desmond says to Molly, girl I like your face I’d ask my friends to come and see, Desmond says to Molly, girl I like your face I’d ask my friends to come and see,
And Molly says this as she takes him by the An octopus’ garden with me And Molly says this as she takes him by the An octopus’ garden with me
hand hand
I’d like to be under the sea, I’d like to be under the sea,
Ob la di ob la da, life goes on bra In an octopus’ garden in the shade. Ob la di ob la da, life goes on bra In an octopus’ garden in the shade.
La la how the life goes on La la how the life goes on
Ob la di ob la da, life goes on bra We would be warm, below the storm, Ob la di ob la da, life goes on bra We would be warm, below the storm,
La la how the life goes on In our little hideaway beneath the waves, La la how the life goes on In our little hideaway beneath the waves,
Desmond takes a trolley to the jeweller’s store Resting our head, on the seabed, Desmond takes a trolley to the jeweller’s store Resting our head, on the seabed,
Buys a twenty carat golden ring In an octopus’ garden near a cave. Buys a twenty carat golden ring In an octopus’ garden near a cave.
Takes it back to Molly waiting at the door Takes it back to Molly waiting at the door
And as he gives it to her she begins to sing We would sing and dance around And as he gives it to her she begins to sing We would sing and dance around
Because we know we can’t be found Because we know we can’t be found

104 104
I’d like to be under the sea, Oh! Susanna … I’d like to be under the sea, Oh! Susanna …
In an octopus’ garden in the shade. In an octopus’ garden in the shade.
But if I do not find her, But if I do not find her,
Oh Susanna then I’m surely bound to die, Oh Susanna then I’m surely bound to die,
and when I’m dead and buried, and when I’m dead and buried,
Stephen C. Foster oh, Susanna don’t you cry. Stephen C. Foster oh, Susanna don’t you cry.
C C
Oh! Susanna … Oh! Susanna …
I come from Alabama, I come from Alabama,
7 7
G G
with my banjo on my knees, Old Black Joe with my banjo on my knees, Old Black Joe
C C
C F C F
I’m goin’ to Louisiana Gone are the days, when my heart was young I’m goin’ to Louisiana Gone are the days, when my heart was young
7 7 7 7
G C C G C C
C C
my true love for to see. and gay‚ my true love for to see. and gay‚
F F F F
|: Oh! Susanna, gone are my friends, from the cotton field |: Oh! Susanna, gone are my friends, from the cotton field
C G7 G C G7 G
oh don’t you cry for me‚ away‚ oh don’t you cry for me‚ away‚
C C F C C C F C
for I’m goin’ to Lousiana gone from the earth to a better land I know‚ for I’m goin’ to Lousiana gone from the earth to a better land I know‚
G7 C G C F C G G7 C G C F C G
with my banjo on my knee. :| I hear their gentle voices calling: “Old black with my banjo on my knee. :| I hear their gentle voices calling: “Old black
C C
It rained all night the day I left, Joe!” It rained all night the day I left, Joe!”
the weather it was dry, C the weather it was dry, C
the sun so hot, I froze to death, I’m coming, I’m coming, the sun so hot, I froze to death, I’m coming, I’m coming,
Susanna don’t you cry. F C Susanna don’t you cry. F C
for my head is bending low‚ for my head is bending low‚
Oh! Susanna … G C F C G Oh! Susanna … G C F C G
I hear their gentle voices calling: “Old black I hear their gentle voices calling: “Old black
I had a dream the other night C I had a dream the other night C
when ev’rything was still: Joe!” when ev’rything was still: Joe!”
I thought I saw Susanna dear Why do I weep, when my heart should feel no I thought I saw Susanna dear Why do I weep, when my heart should feel no
a-comin’ down the hill. pain, a-comin’ down the hill. pain,
Oh! Susanna … why do I sigh that my friends come not again? Oh! Susanna … why do I sigh that my friends come not again?
Grieving for forms now departed long ago, Grieving for forms now departed long ago,
The buckwheat cake was in her mouth, I hear their gentle voices calling: “Old black The buckwheat cake was in her mouth, I hear their gentle voices calling: “Old black
the tear was in her eye; Joe!” the tear was in her eye; Joe!”
I said, I’m coming from the South, I said, I’m coming from the South,
Susanna, don’t you cry. I’m coming, … Susanna, don’t you cry. I’m coming, …

Oh! Susanna … Where are the hearts once so happy and so free? Oh! Susanna … Where are the hearts once so happy and so free?
The children so dear that I held upon my knees? The children so dear that I held upon my knees?
I soon will be in New Orleans, Gone to the shore where my soul has longed to I soon will be in New Orleans, Gone to the shore where my soul has longed to
and then I’ll look around, go, and then I’ll look around, go,
and when I find Susanna I hear their gentle voices calling: “Old black and when I find Susanna I hear their gentle voices calling: “Old black
I’ll fall upon the ground. Joe!” I’ll fall upon the ground. Joe!”
I’m coming … I’m coming …
105 105
One One
Carry each other Carry each other
U2 C U2 C
Carry each other Carry each other
Am D F 7+ G / Am Am D F7+ G / Am Am D F 7+ G / Am Am D F7+ G / Am
One … One …
D F 7+ D F 7+
Is it getting better D F 7+ Is it getting better D F 7+
G Am Have you come here for for giveness G Am Have you come here for for giveness
Or do you feel the same G Am Or do you feel the same G Am
7+ 7+
D F Have you come to raise the dead D F Have you come to raise the dead
Will it make it easier on you now D F 7+ Will it make it easier on you now D F 7+
G Have you come here to play Jesus G Have you come here to play Jesus
You got someone to blame G C You got someone to blame G C
C To the lepers in your head C To the lepers in your head
You say … You say …
Am Am
Am Did I ask too much Am Did I ask too much
One love F 7+ One love F 7+
F 7+ More than a lot F 7+ More than a lot
One life One life
C You gave me nothing C You gave me nothing
When it’s one need C When it’s one need C
Now it’ s all I got Now it’ s all I got
In the night In the night
Am W e’re one Am W e’re one
One love Am One love Am
7+ 7+
F But we’re not the same F But we’re not the same
We get to share it F 7+ We get to share it F 7+
C Well we C Well we
Leaves you baby if you Leaves you baby if you
Am D F 7+ G / Am Hurt each other Am D F 7+ G / Am Hurt each other
Don’t care for it C Don’t care for it C
7+
Then we do it again 7+
Then we do it again
D F D F
Did I disap point you You say Did I disap point you You say
G Am G Am
Or leave a bad taste in your mouth C Or leave a bad taste in your mouth C
D F 7+ Love is a temple D F 7+ Love is a temple
You act like you never had love Am You act like you never had love Am
G Love a higher law G Love a higher law
And you want me to go with out C And you want me to go with out C
C Love is a temple C Love is a temple
Well it’s … Am Well it’s … Am
Love the higher law Love the higher law
Am C Am C
Too late You ask me to enter Too late You ask me to enter
F 7+ G F 7+ G
Tonight But then you make me crawl Tonight But then you make me crawl
C F 7+ C F 7+
To drag the past out into the light And I can’t be holding on To drag the past out into the light And I can’t be holding on
Am Am
We’re one, but we’re not the same To what you got We’re one, but we’re not the same To what you got
F 7+ C F 7+ C
We get to When all you got is hurt We get to When all you got is hurt

106 106
 Am the facts, Am the facts,
One love It’s not easy facing up when your whole world One love It’s not easy facing up when your whole world
7+ 7+
F F
One blood is black. One blood is black.

One life No more will my green sea go turn a deeper One life No more will my green sea go turn a deeper
C blue, C blue,
You got to do what you should I could not foresee this thing happening to you. You got to do what you should I could not foresee this thing happening to you.
Am If I look hard enough into the setting sun, Am If I look hard enough into the setting sun,
One life My love will laugh with me before the morning One life My love will laugh with me before the morning
F 7+ F 7+
With each other comes. With each other comes.
C C
Sisters I see a red door and I want it painted black, Sisters I see a red door and I want it painted black,
No colors anymore I want them to turn black. No colors anymore I want them to turn black.
Brothers I see the girls walk by dressed in their summer Brothers I see the girls walk by dressed in their summer
clothes, clothes,
One life One life
Am I have to turn my head until my darkness goes. Am I have to turn my head until my darkness goes.
But we’re not the same But we’re not the same
F 7+ I wanna see your face painted black, black as F 7+ I wanna see your face painted black, black as
We get to night. We get to night.
Don’t wanna see the sun flyin’ high in the sky. Don’t wanna see the sun flyin’ high in the sky.
Carry each other I wanna see it painted, painted, Carry each other I wanna see it painted, painted,
C C
Carry each other painted, painted black, yeah! Carry each other painted, painted black, yeah!
Am F 7+ C / C Am F7+ C … Am F 7+ C / C Am F7+ C …
One … one Pat on the Railway One … one Pat on the Railway
Em Em
Paint it Black In eighteen hundred and forty one Paint it Black In eighteen hundred and forty one
G G
Rolling Stones I put my cord’roy britches on, Rolling Stones I put my cord’roy britches on,
Em Em
I see a red door and I want it painted black, I put my cord’roy britches on I see a red door and I want it painted black, I put my cord’roy britches on
No colors anymore I want them to turn black. C B7 Em No colors anymore I want them to turn black. C B7 Em
I see the girls walk by dressed in their summer To work upon the railway. I see the girls walk by dressed in their summer To work upon the railway.
clothes, Em clothes, Em
I have to turn my head until my darkness goes. Fil-i-me-or-y-or-y-ay I have to turn my head until my darkness goes. Fil-i-me-or-y-or-y-ay
G G
I see a line of cars and they’re all painted Fil-i-me-or-y-or-y-ay I see a line of cars and they’re all painted Fil-i-me-or-y-or-y-ay
black, Em black, Em
With flowers and my love, both never to come Fil-i-me-or-y-or-y-ay With flowers and my love, both never to come Fil-i-me-or-y-or-y-ay
C B7 Em C B7 Em
back. To work upon the railway. back. To work upon the railway.
I see people turn their heads and quickly look I see people turn their heads and quickly look
away, In eighteen hundred and forty-two away, In eighteen hundred and forty-two
Like a new born baby it just happens ev’ry I left the old world for the new, Like a new born baby it just happens ev’ry I left the old world for the new,
day. Bad cess to the luck that brought me through day. Bad cess to the luck that brought me through
To work upon the railway. To work upon the railway.
I look inside myself and see my heart is black, I look inside myself and see my heart is black,
I see my red door and I want it painted black. Fil-i-me-or-y-or-y-ay (3x) I see my red door and I want it painted black. Fil-i-me-or-y-or-y-ay (3x)
Maybe then I’ll fade away and not have to face To work upon the railway. Maybe then I’ll fade away and not have to face To work upon the railway.

107 107
Our contractor’s name it was Tom King, you don’t have to worry ’cause you have no Our contractor’s name it was Tom King, you don’t have to worry ’cause you have no
He kept a store to rob the men, money, He kept a store to rob the men, money,
A Yankee clerk with ink and pen, people on the river are happy to give. A Yankee clerk with ink and pen, people on the river are happy to give.
To cheat Pat on the railway. To cheat Pat on the railway.
Big wheel keep on turnin’ … Big wheel keep on turnin’ …
Fil-i-me-or-y-or-y-ay (3x) Fil-i-me-or-y-or-y-ay (3x)
To cheat Pat on the railway. Puff the Magic Dragon To cheat Pat on the railway. Puff the Magic Dragon
#
A C m A C# m
It’s “Pat, do this,” and “Pat, do that!” It’s “Pat, do this,” and “Pat, do that!”
Puff, the magic dragon, Puff, the magic dragon,
Without a stocking or a hat, D A Without a stocking or a hat, D A
And nothing but an old cravat, lived by the sea And nothing but an old cravat, lived by the sea
While Pat works on the railway. D A #
F m While Pat works on the railway. D A F#m
And frolicked in the autumn mist And frolicked in the autumn mist
Fil-i-me-or-y-or-y-ay (3x) D E Fil-i-me-or-y-or-y-ay (3x) D E
While Pat works on the railway. in a land called Hona lee. While Pat works on the railway. in a land called Hona lee.
A C# m A C# m
One Monday morning to our surprise, Little Jackie Paper One Monday morning to our surprise, Little Jackie Paper
D A D A
Just half an hour before sunrise, loved that rascal Puff Just half an hour before sunrise, loved that rascal Puff
The dirty devil went to the skies, D A #
F m The dirty devil went to the skies, D A F#m
And Pat worked on the railway. And brought him strings and sealing wax And Pat worked on the railway. And brought him strings and sealing wax
D E A D E A
Fil-i-me-or-y-or-y-ay (3x) and other fancy stuff. Fil-i-me-or-y-or-y-ay (3x) and other fancy stuff.
And Pat worked on the railway. And Pat worked on the railway.
A C# m A C# m
Puff, the magic dragon, Puff, the magic dragon,
Proud Mary D A Proud Mary D A
D lived by the sea D lived by the sea
D A F#m D A F#m
Left a good job in the city, Left a good job in the city,
And frolicked in the autumn mist And frolicked in the autumn mist
D E D E
workin’ for the man ev’ry night and day, workin’ for the man ev’ry night and day,
in a land called Hona lee. in a land called Hona lee.
A C# m A C# m
a nd she never lost one minute of sleepin’, a nd she never lost one minute of sleepin’,
F #
G G # Puff, the magic dragon … F #
G G # Puff, the magic dragon …
D E A D E A
worryin’ about the way things might have been. worryin’ about the way things might have been.
in a land called Hon alee. in a land called Hon alee.
A A
Big wheel keep on turnin’, Together they would travel, Big wheel keep on turnin’, Together they would travel,
Bm G on a boat with billowed sail Bm G on a boat with billowed sail
proud Mary keep on burnin’, Jackie kept a lookout perched proud Mary keep on burnin’, Jackie kept a lookout perched
D D
rollin’, rollin’, rollin’ on the river. on Puff’s gigantic tail rollin’, rollin’, rollin’ on the river. on Puff’s gigantic tail
Noble kings and princes Noble kings and princes
Cleaned a lot of plates in Memphis, would bow whene’er they came; Cleaned a lot of plates in Memphis, would bow whene’er they came;
pumped a lot of pain in New Orleans, Pirate ships would low’r their flag pumped a lot of pain in New Orleans, Pirate ships would low’r their flag
but she never saw the good side of the city, when Puff roared out his name. but she never saw the good side of the city, when Puff roared out his name.
until she hitched a ride on a river boat queen. until she hitched a ride on a river boat queen.
Puff, the magic dragon … Puff, the magic dragon …
Big wheel keep on turnin’ … Big wheel keep on turnin’ …
A dragon lives forever, A dragon lives forever,
If you come down to the river, but not so little boys If you come down to the river, but not so little boys
bet you gonna find some people who live, Painted wings and giant rings bet you gonna find some people who live, Painted wings and giant rings

108 108
make way for other toys Que será, será … make way for other toys Que será, será …
One grey night it happened, One grey night it happened,
Jackie Paper came no more, When I have children of my own, Jackie Paper came no more, When I have children of my own,
And Puff that mighty dragon, they ask their mother: What will I be? And Puff that mighty dragon, they ask their mother: What will I be?
he ceased his fearless roar. Will I be pretty, will I be rich? he ceased his fearless roar. Will I be pretty, will I be rich?
I tell them tenderly: I tell them tenderly:
Puff, the magic dragon … Puff, the magic dragon …
Que será, será … Que será, será …
His head was bent in sorrow; His head was bent in sorrow;
green scales fell like rain. Red River Valley green scales fell like rain. Red River Valley
Puff no longer went to play G C Puff no longer went to play G C
along the cherry lane From this valley they say you are going‚ along the cherry lane From this valley they say you are going‚
Without his lifelong friend, G D7 Without his lifelong friend, G D7
Puff could not be brave We will miss your bright eyes and sweet smile‚ Puff could not be brave We will miss your bright eyes and sweet smile‚
G7 C G7 C
So Puff that mighty dragon For they say you are taking the sunshine, So Puff that mighty dragon For they say you are taking the sunshine,
sadly slipped into his cave. G D7 G sadly slipped into his cave. G D7 G
Which has brightened our pathway a while. Which has brightened our pathway a while.
Puff, the magic dragon … Puff, the magic dragon …
Come and sit by my side if you love me, Come and sit by my side if you love me,
Que será será Do not hasten to bid me adieu Que será será Do not hasten to bid me adieu
J. Livingston – R. Evans 1985 But remember the Red River Valley J. Livingston – R. Evans 1985 But remember the Red River Valley
And the one who has loved you so true And the one who has loved you so true
C C
When I was just a little girl Won’t you think of the valley you’re leaving, When I was just a little girl Won’t you think of the valley you’re leaving,
Dm7 G 7 O how lonely, how sad it will be? Dm7 G 7 O how lonely, how sad it will be?
I a sked my mother, what will I be? O think of the fond heart you’re breaking I a sked my mother, what will I be? O think of the fond heart you’re breaking
Dm7 G7 Dm7 G7 And the grief you are causing to me. Dm7 G7 Dm7 G7 And the grief you are causing to me.
Will I be pretty, will I be rich? Will I be pretty, will I be rich?
Dm7 G7 C C7 Come and sit by my side … Dm7 G7 C C7 Come and sit by my side …
Here’s what she said to me: Here’s what she said to me:
As you go to your home by the ocean, As you go to your home by the ocean,
F May you never forget those sweet hours F May you never forget those sweet hours
Que será, será, That we spent in the Red River Valley Que será, será, That we spent in the Red River Valley
C C
whatever will be‚ will be; And the love we exchanged ’mid the flowers whatever will be‚ will be; And the love we exchanged ’mid the flowers
7
G G7
the future’s not ours to see. Come and sit by my side … the future’s not ours to see. Come and sit by my side …
C Dm7 C Dm7
Que será, será! Riders Que será, será! Riders
G7 C G7 C
What will be, will be! Em What will be, will be! Em
An old cowpoke went riding An old cowpoke went riding
When I was just a child in school, G When I was just a child in school, G
I asked my teacher: What should I try? On one hot and windy day I asked my teacher: What should I try? On one hot and windy day
Em Em
Should I paint pictures, should I sing songs? Upon a ridge he rested Should I paint pictures, should I sing songs? Upon a ridge he rested
This was her wise reply: G B7 This was her wise reply: G B7
As he went along his way As he went along his way
Em Em
When all at once a mighty herd When all at once a mighty herd

109 109
 Yipie-i-yay, yip-i-oh-oh … Yipie-i-yay, yip-i-oh-oh …
Of red-eyed cows he saw, Of red-eyed cows he saw,
Am Am
A- plowin’ through the ragged skies Rock Around the Clock A- plowin’ through the ragged skies Rock Around the Clock
Em Em
And up the cloudy draw. Bill Haley and the Comets And up the cloudy draw. Bill Haley and the Comets
G G
G Em G Em
Yipie-i- yay, yip-i-oh -oh‚ One, two, three o’ clock , four o’ clock, rock Yipie-i- yay, yip-i-oh -oh‚ One, two, three o’ clock , four o’ clock, rock
Am Em Am Em
Ghost riders in the sky. Five, six, seven o’ clock, eight o’ clock, rock Ghost riders in the sky. Five, six, seven o’ clock, eight o’ clock, rock

Their brands were still on fire Nine, ten, eleven o’ clock, twelve o’ clock, rock Their brands were still on fire Nine, ten, eleven o’ clock, twelve o’ clock, rock
D7 D7
And their hoofs were made of steel We’ re gonna rock around the clock tonight And their hoofs were made of steel We’ re gonna rock around the clock tonight
Their horns were black and shiny Their horns were black and shiny
G G
And their hot breath he could feel And their hot breath he could feel
Put your glad rags on and join me, hon’ Put your glad rags on and join me, hon’
A bolt of fear went through him A bolt of fear went through him
As they thundered through the sky We’ ll have some fun when the clock strikes one As they thundered through the sky We’ ll have some fun when the clock strikes one
For as he saw the riders coming hard, 7
For as he saw the riders coming hard,
C C7
He could hear their mournful cry. We’re gonna rock around the clock tonight He could hear their mournful cry. We’re gonna rock around the clock tonight
G G
Yipie-i-yay, yip-i-oh-oh … We’re gonna rock, rock, rock, ’til broad day Yipie-i-yay, yip-i-oh-oh … We’re gonna rock, rock, rock, ’til broad day
Their face was gaunt, their eyes were blurred, light Their face was gaunt, their eyes were blurred, light
Their shirts all soaked with sweat, D C Their shirts all soaked with sweat, D C
They’re riding hard to catch that herd, We’re gonna rock, gonna rock a round the clock They’re riding hard to catch that herd, We’re gonna rock, gonna rock a round the clock
But they ain’t caught him yet G But they ain’t caught him yet G
They’ve got to ride for evermore tonight They’ve got to ride for evermore tonight
On the range up in the sky When the clock strikes two, and three, and four On the range up in the sky When the clock strikes two, and three, and four
On horses snorting fire If the band slows down we’ ll yell for more On horses snorting fire If the band slows down we’ ll yell for more
As they ride, I hear them cry. As they ride, I hear them cry.
We’re gonna rock around the clock … We’re gonna rock around the clock …
Yipie-i-yay, yip-i-oh-oh … Yipie-i-yay, yip-i-oh-oh …
When the chimes ring five, and six, and seven When the chimes ring five, and six, and seven
And as the riders loped on by We’ ll be rockin’ up in seventh heav’ n And as the riders loped on by We’ ll be rockin’ up in seventh heav’ n
He heard one call his name He heard one call his name
If you want to save your soul from hell We’re gonna rock around the clock … If you want to save your soul from hell We’re gonna rock around the clock …
A-ridin’ on the range A-ridin’ on the range
Then cowboy better change your ways When it’s eight, nine, ten, eleven too Then cowboy better change your ways When it’s eight, nine, ten, eleven too
Or with us you will ride I’ ll be going strong and so will you Or with us you will ride I’ ll be going strong and so will you
Trying to catch the devil’s herd We’re gonna rock around the clock … Trying to catch the devil’s herd We’re gonna rock around the clock …
Across the endless sky. Across the endless sky.
When the clock strikes twelve we’ll cool off then When the clock strikes twelve we’ll cool off then
Start a-rockin’ round the clock again Start a-rockin’ round the clock again
We’re gonna rock around the clock … We’re gonna rock around the clock …

110 110
Rocky Raccoon But Daniel was hot, Rocky Raccoon But Daniel was hot,
He drew first and shot He drew first and shot
Beatles 1968 And Rocky collapsed in the corner. Beatles 1968 And Rocky collapsed in the corner.
7
Am Am 7
Now somewhere in the Black Mountain hills of Dodo dodo dododo do doo … Now somewhere in the Black Mountain hills of Dodo dodo dododo do doo …

Dakota Now the doctor came in Dakota Now the doctor came in
D 4/7 D7 Stinking of gin D 4/7 D7 Stinking of gin
There lived a young boy named Rocky Rac coon And proceeded to lie on the table. There lived a young boy named Rocky Rac coon And proceeded to lie on the table.
G7 G7
n – ah He said Rocky you met your match n – ah He said Rocky you met your match
C And Rocky said, “Doc it’s only a scratch C And Rocky said, “Doc it’s only a scratch
And one day his woman ran off with another And I’ll be better, I’ll be better doc as soon as I And one day his woman ran off with another And I’ll be better, I’ll be better doc as soon as I
guy am able.” guy am able.”
C7+ Am 7 C7+ Am 7
Hit young Rocky in the eye Now Rocky Raccoon Hit young Rocky in the eye Now Rocky Raccoon
Rocky didn’t like that He fell back in his room Rocky didn’t like that He fell back in his room
D 4/7 D7 Only to find Gideon’s Bible. D 4/7 D7 Only to find Gideon’s Bible.
He said I’m gonna get that boy He said I’m gonna get that boy
G7 Gideon checked out G7 Gideon checked out
So one day he walked into town And he left it no doubt So one day he walked into town And he left it no doubt
7+ 7+
C C C C
To help with good Rocky’s revival. To help with good Rocky’s revival.
Booked himself a room in the local saloon. Booked himself a room in the local saloon.
Am 7 Dodo dodo dododo do doo … Am 7 Dodo dodo dododo do doo …
Rocky Raccoon Am 7
D 4/7
C C 7+ Rocky Raccoon Am 7 D 4/7 C C7+
D 4/7 D7 xo2314 xxo213 x32o14 x32o14 D 4/7 D7 xo2314 xxo213 x32o14 x32o14
Checked into his room ========= ========= ========= ========= Checked into his room ========= ========= ========= =========
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G7 C C7+ || •• || ||| || • || |||• | •• ||| G7 C C7+ || •• || ||| || • || |||• | •• |||
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Only to find Gideon’s Bible. |||||
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Rocky had come Rocky had come
Equipped with a gun Ruby Tuesday Equipped with a gun Ruby Tuesday
To shoot off the legs of his rival. Rolling Stones To shoot off the legs of his rival. Rolling Stones
His rival it seems Am G F G C His rival it seems Am G F G C
Had broken his dreams She would never say where she came from. Had broken his dreams She would never say where she came from.
By stealing the girl of his fancy. Am C F C G By stealing the girl of his fancy. Am C F C G
Yesterday don’t matter if it’s gone. Yesterday don’t matter if it’s gone.
Her name was Magil Am D G Her name was Magil Am D G
And she called herself Lil While the sun is bright And she called herself Lil While the sun is bright
Am D G Am D G
But everyone knew her as Nancy. Or in the darkest night, But everyone knew her as Nancy. Or in the darkest night,
C G C G
Now she and her man No one knows she comes and goes. Now she and her man No one knows she comes and goes.
Who called himself Dan Who called himself Dan
C G C C G C
Were in the next room at the hoe down. Were in the next room at the hoe down.
Good- bye, Ruby Tuesday, Good- bye, Ruby Tuesday,
C G C C G C
Rocky burst in Rocky burst in
who could hang a name on you? who could hang a name on you?
And grinning a grin C G Bf F And grinning a grin C G Bf F
He said “Danny boy this is a showdown”. When you change with ev’ry new day. He said “Danny boy this is a showdown”. When you change with ev’ry new day.

111 111
Dm F G I’ll do what I can to show her the way, Dm F G I’ll do what I can to show her the way,
Still I’m gonna miss you. and maybe one day I will free her, Still I’m gonna miss you. and maybe one day I will free her,
Don’t question why she needs to be so free. though I know no one can see her. Don’t question why she needs to be so free. though I know no one can see her.
She’ll tell you it’s the only way to be. Lisa … She’ll tell you it’s the only way to be. Lisa …
She just can’t be chained She just can’t be chained
To a life where nothing’s gained Sailing To a life where nothing’s gained Sailing
And nothing’s lost at such a cost. And nothing’s lost at such a cost.
Rod Steward 1972 Rod Steward 1972
Good-bye, Ruby Tuesday … Good-bye, Ruby Tuesday …
D Bm D Bm
“There’s no time to lose,” I need her say. I am sailing, I am sailing, “There’s no time to lose,” I need her say. I am sailing, I am sailing,
G D G D
Cash your dreams before they slip away. Cash your dreams before they slip away.
home again, cross the sea. home again, cross the sea.
Dying all the time; E Bm Dying all the time; E Bm
Lose your dreams and you I am sailing, stormy waters, Lose your dreams and you I am sailing, stormy waters,
Will lose your mind; ain’t life unkind. Em A7 D Will lose your mind; ain’t life unkind. Em A7 D
to be near you‚ to be free. to be near you‚ to be free.
Good-bye, Ruby Tuesday … Good-bye, Ruby Tuesday …
I am flying, I am flying, I am flying, I am flying,
Sad Lisa like a bird, cross the sky. Sad Lisa like a bird, cross the sky.
I am flying, passing high clouds, I am flying, passing high clouds,
Cat Stevens 1970 to be with you, to be free. Cat Stevens 1970 to be with you, to be free.
Em D C Em D C
She hangs her head and cries on my shirt‚ Can you hear me, can you hear me, She hangs her head and cries on my shirt‚ Can you hear me, can you hear me,
D Em DG through the dark night, far away. D Em DG through the dark night, far away.
she must be hurt very badly. I am dying, forever crying, she must be hurt very badly. I am dying, forever crying,
D Em A to be with you, who can say. D Em A to be with you, who can say.
Tell me what’s m aking you sadly? Tell me what’s m aking you sadly?
Em A D C We are sailing, we are sailing, Em A D C We are sailing, we are sailing,
Open your door, don’t hide in the dark‚ home again, cross the sea. Open your door, don’t hide in the dark‚ home again, cross the sea.
D Em D G D Em D G
you’re lost in the da rk‚ you can trust me‚ We are sailing, stormy waters, you’re lost in the da rk‚ you can trust me‚ We are sailing, stormy waters,
D Em A to be near you, to be free. D Em A to be near you, to be free.
’cause you know tha t’s how it must be. ’cause you know tha t’s how it must be.
San Francisco Bay Blues San Francisco Bay Blues
Em A Bm Em Em A Bm Em
Lisa Lisa‚ sad Lisa Li sa. Jesse Fuller 1958 / Eric Clapton 1992 Lisa Lisa‚ sad Lisa Li sa. Jesse Fuller 1958 / Eric Clapton 1992
Her eyes like windows, trickle in rain C Her eyes like windows, trickle in rain C
upon the pain getting deeper. I got the blues from my baby upon the pain getting deeper. I got the blues from my baby
Though my love wants to relieve her. F C C7 Though my love wants to relieve her. F C C7
She walks alone from wall to wall; left me by the San Francisco Bay‚ She walks alone from wall to wall; left me by the San Francisco Bay‚
F C C7 F C C7
lost in her hall, she can’t hear me, the ocean liner’s not so far away. lost in her hall, she can’t hear me, the ocean liner’s not so far away.
though I know she likes to be near me. F though I know she likes to be near me. F
Didn’t mean to treat her so bad, Didn’t mean to treat her so bad,
Lisa … C E7 A7 Lisa … C E7 A7
she was the best girl I ever have had‚ she was the best girl I ever have had‚
She sits in a corner by the door. D7 G She sits in a corner by the door. D7 G
There must be more I can tell her, she said goodbye, I can take a cry, There must be more I can tell her, she said goodbye, I can take a cry,
7 7
G G
if she really wants me to help her. if she really wants me to help her.
I want to lay down and die. I want to lay down and die.
112 112
 C Satisfaction C Satisfaction
I ain’t got a nickel I ain’t got a nickel
7 7
F C C Rolling Stones F C C Rolling Stones
and I ain’t got a lousy dime. and I ain’t got a lousy dime.
F E A F E A
She don’t come back, I can’t get no satisfaction She don’t come back, I can’t get no satisfaction
E E7 E A E E7 E A
ain’t gonna lose my mind. I can’t get no satisfaction ain’t gonna lose my mind. I can’t get no satisfaction
F E B7 E A7 F E B7 E A7
Ya ever get back to stay, ’ Cause I try, and I try, and I try, and I try Ya ever get back to stay, ’ Cause I try, and I try, and I try, and I try
C E7 A7 E D E D C E7 A7 E D E D
it’s gonna be another brand new day‚ I can’t get no‚ I can’t get no it’s gonna be another brand new day‚ I can’t get no‚ I can’t get no
D7 D7
walkin’ with my baby down E D walkin’ with my baby down E D
G7 C G When I’m driving in my car G7 C G When I’m driving in my car
by the San Francisco B ay. E D by the San Francisco B ay. E D
And that man comes on the radio And that man comes on the radio
C F C E D C F C E D
Sittin’ down lookin’ from my back door, And he’s tellin’ me more and more Sittin’ down lookin’ from my back door, And he’s tellin’ me more and more
F C C7 F E D F C C7 F E D
wond’rin’ which w ay to go, About some useless infor mation wond’rin’ which w ay to go, About some useless infor mation
E D E D
the woman I’m so crazy ’bou t, Supposed to fire my imagi nation the woman I’m so crazy ’bou t, Supposed to fire my imagi nation
C E D E C E D E
she don’t love me no more. I can’t get n o‚ oh no no no she don’t love me no more. I can’t get n o‚ oh no no no
F C E D E D F C E D E D
Think I’ll catch me a freight train, Hey hey hey‚ that’s what I say Think I’ll catch me a freight train, Hey hey hey‚ that’s what I say
E7 A7 E7 A7
’cause I’m feelin’ blue, I can’t get no satisfaction … ’cause I’m feelin’ blue, I can’t get no satisfaction …
D7 G D7 G
ride all the way to the end of the line, When I’m watchin’ my TV ride all the way to the end of the line, When I’m watchin’ my TV
G7 And that man comes on to tell me G7 And that man comes on to tell me
thinkin’ only of you. How white my shirt can be thinkin’ only of you. How white my shirt can be
C F C Well he can’t be a man ’cause he doesn’t smoke C F C Well he can’t be a man ’cause he doesn’t smoke
Meanwhile, livin’ in the city, The same cigarettes as me Meanwhile, livin’ in the city, The same cigarettes as me
F C C7 F I can’t get no. oh no no no F C C7 F I can’t get no. oh no no no
just about to go in sane, Hey hey hey, that’s what I say just about to go in sane, Hey hey hey, that’s what I say
thought I heard my baby, Lord, I can’t get no satisfaction, thought I heard my baby, Lord, I can’t get no satisfaction,
E7 E7
the way she used to call my name. I can’t get no girly action. the way she used to call my name. I can’t get no girly action.
F ’Cause I try, and I try, and I try, and I try F ’Cause I try, and I try, and I try, and I try
If I ever get her back to stay, I can’t get no, I can’t get no If I ever get her back to stay, I can’t get no, I can’t get no
C E7 A7 C E7 A7
it’s gonna be another brand new day‚ When I’m riding ’round the world it’s gonna be another brand new day‚ When I’m riding ’round the world
D7 D7
And I’m doin’ this and I’m singing that And I’m doin’ this and I’m singing that
|: w a lking with my baby down |: w a lking with my baby down
G7 C E7 A7 And I’m tryin’ to make some girl G7 C E7 A7 And I’m tryin’ to make some girl
by the San Francisco Bay‚ : | Who tells me baby better come back later next by the San Francisco Bay‚ : | Who tells me baby better come back later next
D7 week D7 week
w a lking with my baby down ’Cause you see I’m on losing streak w a lking with my baby down ’Cause you see I’m on losing streak
G7 C G C G7 C G C
by the San Francisco B ay. I can’t get no. oh no no no by the San Francisco B ay. I can’t get no. oh no no no
Hey hey hey, that’s what I say Hey hey hey, that’s what I say

113 113
I can’t get no, I can’t get no C G I can’t get no, I can’t get no C G
I can’t get no satisfaction remember me to one who lives there: I can’t get no satisfaction remember me to one who lives there:
Am G Am Am G Am
No satisfaction, no satisfaction, she once was a true love of mine. No satisfaction, no satisfaction, she once was a true love of mine.
no satisfaction no satisfaction
Tell her to make me a cambric shirt, Tell her to make me a cambric shirt,
Save Tonight parsley, sage, rosemary and thyme, Save Tonight parsley, sage, rosemary and thyme,
Am F C G
without no seams nor needle work, Am F C G
without no seams nor needle work,
Come and close the curtains then she’ll be a true love of mine. Come and close the curtains then she’ll be a true love of mine.
’Cause all we need is candle light Tell her to find me an acre of land, ’Cause all we need is candle light Tell her to find me an acre of land,
You and me and a bottle of wine parsley, sage, rosemary and thyme, You and me and a bottle of wine parsley, sage, rosemary and thyme,
And I’ll hold you tonight between the salt water and the sea strands, And I’ll hold you tonight between the salt water and the sea strands,
Well we know I’m going away then she’ll be a true love of mine. Well we know I’m going away then she’ll be a true love of mine.
And how I wish, I wish it weren’t so Tell her to reap it with a sickle of leather, And how I wish, I wish it weren’t so Tell her to reap it with a sickle of leather,
So take this wine and drink with me parsley, sage, rosemary and thyme, So take this wine and drink with me parsley, sage, rosemary and thyme,
Let’s delay our misery and gather it all in a bunch of heather, Let’s delay our misery and gather it all in a bunch of heather,
Save tonight and fight the break of dawn then she’ll be a true love of mine. Save tonight and fight the break of dawn then she’ll be a true love of mine.
Come tomorrow, tomorrow I’ll be gone Are you going to Scarborough Fair … Come tomorrow, tomorrow I’ll be gone Are you going to Scarborough Fair …
Save tonight and fight the break of dawn Save tonight and fight the break of dawn
Come tomorrow, tomorrow I’ll be gone Settle Down Come tomorrow, tomorrow I’ll be gone Settle Down
There’s a log on the fire Mike Settle There’s a log on the fire Mike Settle
And it burns like me for you And it burns like me for you
Tomorrow comes with one desire C E A7 Tomorrow comes with one desire C E A7
To take me away I’m goin’ down that highway, To take me away I’m goin’ down that highway,
F A7 Dm F A7 Dm
It ain’t easy to say goodbye goin’ to another town. It ain’t easy to say goodbye goin’ to another town.
F C A7 F C A7
Darling please don’t start to cry Baby when I find what I’m looking for‚ Darling please don’t start to cry Baby when I find what I’m looking for‚
’Cause girl you know I got to go Dm G C ’Cause girl you know I got to go Dm G C
Oh, and lord, I wish it wasn’t so then maybe I’ll settle down. Oh, and lord, I wish it wasn’t so then maybe I’ll settle down.
C F C C F C
Save tonight … Save tonight …
|: Why don’t you help me brother, |: Why don’t you help me brother,
F C F C
Tomorrow comes to take me away Tomorrow comes to take me away
I’m a stranger in your town‚ I’m a stranger in your town‚
I wish that I that I could stay F C A7 I wish that I that I could stay F C A7
Girl you know I got to go why don’t yo u help me sister‚ Girl you know I got to go why don’t yo u help me sister‚
And lord I wish it wasn’t so Dm G C And lord I wish it wasn’t so Dm G C
and then maybe I’ll settle down. :| and then maybe I’ll settle down. :|
Save tonight … Save tonight …
I worked my way from Boston I worked my way from Boston
Scarborough Fair to the San Francisco Bay, Scarborough Fair to the San Francisco Bay,
baby what I was looking for, baby what I was looking for,
(Capo: 5th Fret) I couldn’t find along the way. (Capo: 5th Fret) I couldn’t find along the way.
Am G Am Am G Am
Are you going to Scarborough Fair‚ Are you going to Scarborough Fair‚
C Am C D Am C Am C D Am
parsley, sage, rose ma ry and thyme‚ parsley, sage, rose ma ry and thyme‚
114 114
Why don’t you help me brother … B A E Why don’t you help me brother … B A E
And left me a mule to ride And left me a mule to ride
I’ve never been contented I’ve never been contented
no matter where I roamed. My baby caught the Katy, no matter where I roamed. My baby caught the Katy,
7
E A E7 A
It ain’t no fun ’just sittin’ in the sun Left me a mule to ride It ain’t no fun ’just sittin’ in the sun Left me a mule to ride
when you’re far away from home. when you’re far away from home.
The train polled out, The train polled out,
Why don’t you help me brother … C7 Why don’t you help me brother … C7
And I swung on behind And I swung on behind
I’ve worked in the mills of Pittsburgh, E B I’ve worked in the mills of Pittsburgh, E B
and the hills of Tennessee, I’m crazy ’bout her, and the hills of Tennessee, I’m crazy ’bout her,
baby, all I want is to find a job A E B7 baby, all I want is to find a job A E B7
that will set my mind at ease. That hardheaded woman of mine that will set my mind at ease. That hardheaded woman of mine

Why don’t you help me brother … Man my baby’s long, Why don’t you help me brother … Man my baby’s long,
Great god she’s mighty she’s tall Great god she’s mighty she’s tall
She Came in through the Bathroom Window You know my baby’s long, She Came in through the Bathroom Window You know my baby’s long,
Great god she’s mighty my baby she’s tall Great god she’s mighty my baby she’s tall
Beatles 1969 Well my baby she’s long, Beatles 1969 Well my baby she’s long,
My baby she’s tall My baby she’s tall
She came in through the bathroom window She sleeps with her head in the kitchen She came in through the bathroom window She sleeps with her head in the kitchen
protected by a silver spoon And her big feet out in the hall protected by a silver spoon And her big feet out in the hall
But now she sucks her thumb and wonders And I’m still crazy ’bout her, But now she sucks her thumb and wonders And I’m still crazy ’bout her,
By the banks of her own lagoon That hardheaded woman of mine By the banks of her own lagoon That hardheaded woman of mine
Didn’t anybody tell her Well I love my baby, she’s so fine Didn’t anybody tell her Well I love my baby, she’s so fine
Didn’t anybody see I wish she’d come and see me some time Didn’t anybody see I wish she’d come and see me some time
Sunday’s on the phone to Monday If you don’t believe I love her, Sunday’s on the phone to Monday If you don’t believe I love her,
Tuesday’s on the phone to me Look what a hole I’m in Tuesday’s on the phone to me Look what a hole I’m in
She said she’s always been a dancer If you don’t believe I’m sinking, She said she’s always been a dancer If you don’t believe I’m sinking,
She worked at fifteen clubs a day Look what a shape I’m in She worked at fifteen clubs a day Look what a shape I’m in
And though she thought I knew the answer She caught the Katy … And though she thought I knew the answer She caught the Katy …
Well I knew what I could not say Well I knew what I could not say
And so I quit the Police Department Shenandoah And so I quit the Police Department Shenandoah
And got myself a steady job C Em And got myself a steady job C Em
And though she tried her best to help me Oh Shenandoah I long to hear you And though she tried her best to help me Oh Shenandoah I long to hear you
She could steal, but she could not rob F C She could steal, but she could not rob F C
Away you rolling river. Away you rolling river.
Didn’t anybody tell her … C7 F Didn’t anybody tell her … C7 F
Oh Shenandoah‚ I long to hear you Oh Shenandoah‚ I long to hear you
C Em C Em
She Caught the Katy Away, we’re bound a way, She Caught the Katy Away, we’re bound a way,
7 7
E D G C E D G C
She caught the Katy, Across the wide Mis sou ri. She caught the Katy, Across the wide Mis sou ri.
B A E B A E
And left me a mule to ride This white man loves your Indian maiden And left me a mule to ride This white man loves your Indian maiden
Away you rolling river Away you rolling river
She caught the Katy, With notions his canoe was laden She caught the Katy, With notions his canoe was laden

115 115
Away I’m bound away Away I’m bound away
Across the wide Missouri. Let the stormy clouds chase ev’ryone from the Across the wide Missouri. Let the stormy clouds chase ev’ryone from the

Oh, Shenandoah, I love your daughter place‚ Oh, Shenandoah, I love your daughter place‚
D7 D7
Away you rolling river come on with the rain,I’ve a smile in my face. Away you rolling river come on with the rain,I’ve a smile in my face.
I’ll take her ’cross the rolling water I’ll take her ’cross the rolling water
Away I’m bound away I’ll walk down the lane with a happy refrain, Away I’m bound away I’ll walk down the lane with a happy refrain,
Across the wide Missouri. G Across the wide Missouri. G
and singin’, just singin’ in the rain. – and singin’, just singin’ in the rain. –
Oh Shenandoah, I’m bound to leave you E f7 G
Oh Shenandoah, I’m bound to leave you E f7 G
Away you rolling river Why am I smilin’ and why do I sing? Away you rolling river Why am I smilin’ and why do I sing?
Oh, Shenandoah, I’ll not deceive you E f7 G D7 Oh, Shenandoah, I’ll not deceive you E f7 G D7
Away, we’re bound away Why does December seem sunny as spring? Away, we’re bound away Why does December seem sunny as spring?
G E7 G E7
Across the wide Missouri. Across the wide Missouri.
Why do I get up each morning to start Why do I get up each morning to start
A7 A7
Shine on Harvest Moon happy and het up with joy in my heart? Shine on Harvest Moon happy and het up with joy in my heart?
B f7 Ef B f7 Ef
E7 E7
Shine on, shine on, Why is each new task a trifle to do? Shine on, shine on, Why is each new task a trifle to do?
F7 Ef D7 F7 Ef D7
A7 A7
Harvest moon, up in the sky Be cause I am living a life full of you. Harvest moon, up in the sky Be cause I am living a life full of you.
D7 D7
I ain’t had no lovin’ I’m singin’ in the rain … I ain’t had no lovin’ I’m singin’ in the rain …
G Am A# ° G/B G Am A# ° G/B
Since January, February, June or July. Sixteen Tons Since January, February, June or July. Sixteen Tons
E7 E7
No time, ain’t no time Now some people say a man’s made out of No time, ain’t no time Now some people say a man’s made out of
A7 mud, A7 mud,
To sit around and croon. but a poor man’s made out of muscle & blood, To sit around and croon. but a poor man’s made out of muscle & blood,
D7 D7
So shine on, shine on, muscle & blood, skin & bone So shine on, shine on, muscle & blood, skin & bone
G C7 G (they say) a mind that’s week and a back that’s G C7 G (they say) a mind that’s week and a back that’s
Harvest moon for me and my gal. strong Harvest moon for me and my gal. strong
A# ° You load 16 tons & what do you get A# ° You load 16 tons & what do you get
xx1324 xx1324
=========
||||||
another day older and deeper in debt =========
||||||
another day older and deeper in debt
-------------- --------------
|| | |• •
--------------
St. Peter don’t you call me ’cause I can’t go || | |• •
--------------
St. Peter don’t you call me ’cause I can’t go
||| | • •
-------------- I owe my soul to the company store ||| | • •
-------------- I owe my soul to the company store
|||||| ||||||

I was born one morning when the sun didn’t I was born one morning when the sun didn’t
Singin’ in the Rain Singin’ in the Rain
shine, shine,
Arthur Freed I picked up my shovel and I walked to the Arthur Freed I picked up my shovel and I walked to the
mine, mine,
G G
I’m singin’ in the rain, just singin’ in the rain. I loaded 16 tons of number one coal, I’m singin’ in the rain, just singin’ in the rain. I loaded 16 tons of number one coal,
D7 and the straw boss hollered “Well bless my D7 and the straw boss hollered “Well bless my
What a glorious feeling, I’m happy again, soul!” What a glorious feeling, I’m happy again, soul!”
I’m laughing at clouds so dark up above, I’m laughing at clouds so dark up above,
G G
the sun’s in my heart and I’m ready for love. the sun’s in my heart and I’m ready for love.

116 116
You load … Slip sliding away … You load … Slip sliding away …
I was born one morning in the drizzling rain, C D G I was born one morning in the drizzling rain, C D G
fighting and trouble is my middle name, And I know a fat her who had a son‚ fighting and trouble is my middle name, And I know a fat her who had a son‚
C D C D
I was raised in the bottoms by a mama hound, he longed to tell him all the reasons for the I was raised in the bottoms by a mama hound, he longed to tell him all the reasons for the
I’m mean as a dog but I’m as gentle as a lamb. C7 I’m mean as a dog but I’m as gentle as a lamb. C7
things he’d done. things he’d done.
You load … G Em You load … G Em
He came a long way just to explain, He came a long way just to explain,
Slip Sliding Away G D Slip Sliding Away G D
he kissed his boy as he lay sleeping, he kissed his boy as he lay sleeping,
Paul Simon 1977 C D Paul Simon 1977 C D
then he turned around and he headed home then he turned around and he headed home
G C G C G G G C G C G G
Slip sliding a w ay, again. Slip sliding a w ay, again.
C G C Em C G C Em
slip sliding a w a y; Slip sliding away … slip sliding a w a y; Slip sliding away …
G D G D
you know the nearer your destination, Oh, God only knows, you know the nearer your destination, Oh, God only knows,
C D G C G C G God makes his plan; C D G C G C G God makes his plan;
the more you slip sliding away. the information is unavailable to the mortal the more you slip sliding away. the information is unavailable to the mortal
Em man. Em man.
Oh, I know a man‚ We’re workin’ our jobs, Oh, I know a man‚ We’re workin’ our jobs,
G C G CGCG G C G CGCG
collect our pay, collect our pay,
he came from my home town, he came from my home town,
C D believe we’re gliding down the highway C D believe we’re gliding down the highway
he wore his passion for his woman like a when in fact we’re slip sliding away. he wore his passion for his woman like a when in fact we’re slip sliding away.
7 7
C C
thorny crown. Slip sliding away … thorny crown. Slip sliding away …
GC GCGC G D GC GCGC G D
He said: “Do lores, you know the nearer your destination, He said: “Do lores, you know the nearer your destination,
G C Em C D C7 G G C Em C D C7 G
I live in fear, the more you slip sliding away. I live in fear, the more you slip sliding away.
G D G D
my love for you’s so over powering Sloop John B my love for you’s so over powering Sloop John B
C D G C G C G C D G C G C G
I’m a fraid that I will disap pear.” E I’m a fraid that I will disap pear.” E
We come on the Sloop John B, We come on the Sloop John B,
Slip sliding away … Slip sliding away …
My grandfather and me My grandfather and me
I know a woman, B I know a woman, B
who became a wife. Around Nassau town we did roam‚ who became a wife. Around Nassau town we did roam‚
E E7 E E7
These are the very words she uses to describe her Drinking all night These are the very words she uses to describe her Drinking all night
life: A life: A
She said, a good day Got into a fight, She said, a good day Got into a fight,
ain’t got no rain. E B E ain’t got no rain. E B E
She said a bad day is when I lie in the bed Well, I feel so broke up, I want to go home. She said a bad day is when I lie in the bed Well, I feel so broke up, I want to go home.
and I think of things that might have been. So hoist up the John B sails, and I think of things that might have been. So hoist up the John B sails,
See how the main sail sets See how the main sail sets
Call for the Captain ashore and let me go Call for the Captain ashore and let me go

117 117
 home, D Em home, D Em
Let me go home, I wanna go home, A solitary man Let me go home, I wanna go home, A solitary man
D Em D Em
Well, I feel so broke up, I wanna go home. Solitary man Well, I feel so broke up, I wanna go home. Solitary man
The first mate he got drunk, I’ve had it to here The first mate he got drunk, I’ve had it to here
Broke in the Cap’n’s trunk, Bein’ where Broke in the Cap’n’s trunk, Bein’ where
Constable had to come and take him away, Love’s a small word Constable had to come and take him away, Love’s a small word
Sheriff Johnstone, Part-time thing Sheriff Johnstone, Part-time thing
hy don’t you leave me alone, Paper ring hy don’t you leave me alone, Paper ring
Well, I feel so broke up, I wanna go home. Well, I feel so broke up, I wanna go home.
I know it’s been done I know it’s been done
So hoist up the John B sails … Havin’ one So hoist up the John B sails … Havin’ one
The poor cook he caught the fits Girl who’ll love me The poor cook he caught the fits Girl who’ll love me
and threw away all my grits, Right or wrong and threw away all my grits, Right or wrong
And then he took and he ate up all of my corn, Weak or strong And then he took and he ate up all of my corn, Weak or strong
Let me go home … Don’t know that I will … Let me go home … Don’t know that I will …
Why don’t they let me go home? Why don’t they let me go home?
This is the worst trip I’ve ever been on. Something This is the worst trip I’ve ever been on. Something
So hoist up the John B sails … Beatles 1969 So hoist up the John B sails … Beatles 1969
7+ 7
Solitary Man C C C Solitary Man C C7+ C7
Something in the way she moves Something in the way she moves
Em Am F Em Am F
Melinda was mine Attracts me like no other lover Melinda was mine Attracts me like no other lover
D D D7 G D D D7 G
’Til the time Something in the way she woos me ’Til the time Something in the way she woos me
Em C Am C+ Em C Am C+
That I found her I don’t want to leave her now That I found her I don’t want to leave her now
Am Bm Am 7 D 7/9 Am Bm Am 7 D 7/9
Holding Jim You know I believe her now Holding Jim You know I believe her now
Am Em f
Am Em
Loving him FE G C 7
Loving him F Ef G7 C

Then Sue came along Somewhere in her smile she knows Then Sue came along Somewhere in her smile she knows
Loved me strong That I don’t need no other lover Loved me strong That I don’t need no other lover
That’s what I thought Something in her style that shows me That’s what I thought Something in her style that shows me
Me and Sue I don’t want to leave her now Me and Sue I don’t want to leave her now
But that died too You know I believe her now But that died too You know I believe her now
F Ef G7 A F Ef G7 A
G C G C
Don’t know that I will A A7+ F#m A Don’t know that I will A A7+ F#m A
G D You’re asking me will my love grow G D You’re asking me will my love grow
But until I can find me D G A But until I can find me D G A
C I don’t know, I don’t know C I don’t know, I don’t know
The girl who’ll stay A7+ F#m A The girl who’ll stay A7+ F#m A
G D You stick a round now it may show G D You stick a round now it may show
And won’t play games be hind me D G C And won’t play games be hind me D G C
Em I don’t know, I don’t know Em I don’t know, I don’t know
I’ll be what I am I’ll be what I am

118 118
Something in the way she knows And all the more I want Something in the way she knows And all the more I want
And all I have to do is think of her All the more I need And all I have to do is think of her All the more I need
Something in the things she shows me All the while you want something more Something in the things she shows me All the while you want something more
I don’t want to leave her now All the more I want I don’t want to leave her now All the more I want
You know I believe her now All the more I need You know I believe her now All the more I need
F Ef G7 A / F Ef G7 C
All the while you want something F Ef G7 A / F Ef G7 C
All the while you want something
C+ Am 7 D 7/9 A7+ There’s nothing left for me to say C+ Am 7 D 7/9 A7+ There’s nothing left for me to say
xo321o
=========
xo2o1o
=========
x2134o
=========
xo213o
========= Wanting what I need this way xo321o
=========
xo2o1o
=========
x2134o
=========
xo213o
========= Wanting what I need this way
||| ••
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-------------- And when I’m feeling low I know ||| ••
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-------------- And when I’m feeling low I know
•
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I need to stop ||||||
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I need to stop
|||||| |||||| •
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• ••
| | | And someday you will see • ••
| | | And someday you will see
All the more you want All the more you want
Something More Something More
All the more you’ll need me All the more you’ll need me
I just opened up my eyes All the while I’ll be on to something more I just opened up my eyes All the while I’ll be on to something more
And let the world come climbing in And all the more you want And let the world come climbing in And all the more you want
It’s all better now, things are gonna work All the more you’ll need me It’s all better now, things are gonna work All the more you’ll need me
somehow All the while I want something more somehow All the while I want something more
If I just sleep another hour I want something more If I just sleep another hour I want something more
Tried to reach you at your mom’s I want something more than this Tried to reach you at your mom’s I want something more than this
Hey baby why you trying to keep away for so Hey baby why you trying to keep away for so
long Stand by Me long Stand by Me
I stopped feeling good, somehow I just knew I Ben E. King I stopped feeling good, somehow I just knew I Ben E. King
would would
I guess I’ll sleep another hour C I guess I’ll sleep another hour C
Feels like I’m wasting my time When the night has come Feels like I’m wasting my time When the night has come
Am Am
Hanging on this same old line and the land is dark Hanging on this same old line and the land is dark
Got to get you off of my mind F G C Got to get you off of my mind F G C
There’s nothing left for me to find and the moon is the only light we’ll see. There’s nothing left for me to find and the moon is the only light we’ll see.
And all the more I want No I won’t be afraid, And all the more I want No I won’t be afraid,
All the more I need oh I won’t be afraid, All the more I need oh I won’t be afraid,
All the while you want something more just as long as you stand, stand by me. All the while you want something more just as long as you stand, stand by me.
All the more I want C
All the more I want C
All the more I need So darlin’, darlin’ stand by me, All the more I need So darlin’, darlin’ stand by me,
All the while you want something more Am All the while you want something more Am
oh stand by me, oh stand by me,
Thought I found the words to say F G C Thought I found the words to say F G C
Just to get you feeling fine over heels my way oh stand, stand by me, stand by me. Just to get you feeling fine over heels my way oh stand, stand by me, stand by me.
But it don’t matter how But it don’t matter how
If the sky that we look upon If the sky that we look upon
I lost the word and nerve and now I lost the word and nerve and now
should tumble and fall should tumble and fall
There’s nothing more for me to say There’s nothing more for me to say
or the mountain should crumble to the sea. or the mountain should crumble to the sea.
Feels like I’m wasting my time Feels like I’m wasting my time
Hanging on this same old line I won’t cry, I won’t cry, Hanging on this same old line I won’t cry, I won’t cry,
There’s nothing left for me to find no I won’t shed a tear, There’s nothing left for me to find no I won’t shed a tear,

119 119
just as long as you stand, stand by me. wrong. just as long as you stand, stand by me. wrong.
And darlin’, darlin’ stand by me, Streets of London And darlin’, darlin’ stand by me, Streets of London
oh stand by me, oh stand by me,
oh stand now, stand by me, stand by me. Ralph McTell 1968 oh stand now, stand by me, stand by me. Ralph McTell 1968
(Capo: 2nd Fret) (Capo: 2nd Fret)
Darlin’, darlin’ stand by me, Darlin’, darlin’ stand by me,
C G C G
oh stand by me, oh stand by me,
H ave you seen the old man H ave you seen the old man
oh stand now, stand by me, stand by me. Am Em oh stand now, stand by me, stand by me. Am Em
in the closed down market, in the closed down market,
Whenever you’re in trouble just stand by me, F C Whenever you’re in trouble just stand by me, F C
oh stand by me, kicking up the papers oh stand by me, kicking up the papers
oh stand now, oh stand, stand by me. D7 G7 oh stand now, oh stand, stand by me. D7 G7
with his worn out shoes? with his worn out shoes?
Streets of Laredo C G Streets of Laredo C G
In his eyes you see no pride, In his eyes you see no pride,
As I walked out in the streets of Laredo, Am Em F As I walked out in the streets of Laredo, Am Em F
As I walked out in Laredo one day, hand held loosely by his side, As I walked out in Laredo one day, hand held loosely by his side,
C C
I spied a poor cowboy all wrapped in white yesterday’s paper telling I spied a poor cowboy all wrapped in white yesterday’s paper telling
linen, G7 C linen, G7 C
All wrapped in white linen, as cold as the clay. yesterday’s news. All wrapped in white linen, as cold as the clay. yesterday’s news.
F Em C Am D7 F Em C Am D7
“I see by your outfit that you are a cowboy”. “I see by your outfit that you are a cowboy”.
So how can you tell me you’re lonely‚ So how can you tell me you’re lonely‚
These words he did say as I boldly stepped by, G G7 These words he did say as I boldly stepped by, G G7
“Come sit down beside me and hear my sad and say for you that the sun don’t shine? “Come sit down beside me and hear my sad and say for you that the sun don’t shine?
story, C G story, C G
I was shot in the breast and I know I must Let me take you by the hand, I was shot in the breast and I know I must Let me take you by the hand,
Am Em F Am Em F
die”. and lead you through the streets of London: die”. and lead you through the streets of London:
C G7 C G7
“Get six jolly cowboys to carry my coffin, I’ll show you something to make you change “Get six jolly cowboys to carry my coffin, I’ll show you something to make you change
Get six pretty maidens to carry my pall; C Get six pretty maidens to carry my pall; C
Put bunches of roses all over my coffin’ your mind. Put bunches of roses all over my coffin’ your mind.
Roses to deaden the clods as they fall”. Roses to deaden the clods as they fall”.
Have you seen the old girl Have you seen the old girl
“Oh, beat the drum slowly and play the fife who walks the streets of London, “Oh, beat the drum slowly and play the fife who walks the streets of London,
lowly dirt in her hair lowly dirt in her hair
Play the dead march as you carry me along; and her clothes in rags? Play the dead march as you carry me along; and her clothes in rags?
Take me to the green valley and lay the sod o’er She ’s no time for talkin’, Take me to the green valley and lay the sod o’er She ’s no time for talkin’,
me, she just keeps right on walkin’, me, she just keeps right on walkin’,
For I’m a young cowboy and I know I’ve done Carrying her home in two For I’m a young cowboy and I know I’ve done Carrying her home in two
wrong”. carrier bags. wrong”. carrier bags.
We beat the drum slowly and played the fife So how can you tell me … We beat the drum slowly and played the fife So how can you tell me …
lowly lowly
and bitterly wept as we bore him along; In the all-night cafe and bitterly wept as we bore him along; In the all-night cafe
For we all loved our comrade, so brave, young at a quarter past eleven, For we all loved our comrade, so brave, young at a quarter past eleven,
and handsome, same old man sitting and handsome, same old man sitting
We all loved our comrade, although he’d done there on his own, We all loved our comrade, although he’d done there on his own,

120 120
looking at the world over And you are such a fool looking at the world over And you are such a fool
the rim of his tea cup, To worry like you do the rim of his tea cup, To worry like you do
and each tea last an hour, I know it’s tough, and you can never get enough and each tea last an hour, I know it’s tough, and you can never get enough
and he wanders home alone. Of what you don’t really need now … my oh and he wanders home alone. Of what you don’t really need now … my oh
my my
So how can you tell me … So how can you tell me …
You’ve got to get yourself together … You’ve got to get yourself together …
Have you seen the old man Have you seen the old man
outside the seaman’s mission, I was unconscious, half asleep outside the seaman’s mission, I was unconscious, half asleep
memory fading with the medal The water is warm till you discover how deep memory fading with the medal The water is warm till you discover how deep
ribbons that he wears? I wasn’t jumping for me it was a fall ribbons that he wears? I wasn’t jumping for me it was a fall
And in our winter city It’s a long way down to nothing at all And in our winter city It’s a long way down to nothing at all
the rain cries a little pity the rain cries a little pity
For one more forgotten hero You’ve got to get yourself together … For one more forgotten hero You’ve got to get yourself together …
and a world that doesn’t care. And if the night runs over and a world that doesn’t care. And if the night runs over
So how can you tell me … And if the day won’t last So how can you tell me … And if the day won’t last
And if our way should falter And if our way should falter
Stuck in a Moment Along the stony pass Stuck in a Moment Along the stony pass

I’m not afraid of anything in this world And if the night runs over I’m not afraid of anything in this world And if the night runs over
There’s nothing you can throw at me that I And if the day won’t last There’s nothing you can throw at me that I And if the day won’t last
haven’t already heard And if your way should falter haven’t already heard And if your way should falter
I’m just trying to find a decent melody Along the stony pass I’m just trying to find a decent melody Along the stony pass
A song that I can sing in my own company It’s just a moment A song that I can sing in my own company It’s just a moment
This time will pass This time will pass
I never thought you were a fool I never thought you were a fool
But darling, look at you Summertime But darling, look at you Summertime
You gotta stand up straight, carry your own You gotta stand up straight, carry your own
weight G. Gershwin 1935 weight G. Gershwin 1935
These tears are going nowhere, baby Em Am These tears are going nowhere, baby Em Am
Summer time Summer time
You’ve got to get yourself together B7 Em You’ve got to get yourself together B7 Em
You’ve got stuck in a moment and now you and the living is easy‚ You’ve got stuck in a moment and now you and the living is easy‚
can’t get out of it Am E° can’t get out of it Am E°
Don’t say that later will be better now you’re fish are jumpin’ Don’t say that later will be better now you’re fish are jumpin’
B7 B7
stuck in a moment and the cotton is high. stuck in a moment and the cotton is high.
And you can’t get out of it Em Am And you can’t get out of it Em Am
Oh yo’ daddy’s rich, Oh yo’ daddy’s rich,
I will not forsake, the colors that you bring B7 Em I will not forsake, the colors that you bring B7 Em
But the nights you filled with fireworks an’ yo’ ma is good- lookin’, But the nights you filled with fireworks an’ yo’ ma is good- lookin’,
G Em G Em
They left you with nothing They left you with nothing
so hush, little baby , so hush, little baby ,
I am still enchanted by the light you brought to Am B7 Em I am still enchanted by the light you brought to Am B7 Em
me don’ you cry. me don’ you cry.
I listen through your ears, and through your I listen through your ears, and through your
eyes I can see One of these mornin’s eyes I can see One of these mornin’s
you goin’ to rise up singin’, you goin’ to rise up singin’,
then you’ll spread yo’ wings then you’ll spread yo’ wings
121 121
an’ you’ll take the sky. Sweet Home Alabama an’ you’ll take the sky. Sweet Home Alabama
But till that mornin’, D C G
But till that mornin’, D C G
there’s a nothin’ can harm you Big wheels keep on turning there’s a nothin’ can harm you Big wheels keep on turning
with Daddy an’ Mammy Carry me home to see my kin with Daddy an’ Mammy Carry me home to see my kin
standin’ by. Singing songs about the South land standin’ by. Singing songs about the South land
E° I miss ole ’Bamy once again, and I think it’s a E° I miss ole ’Bamy once again, and I think it’s a
xx1324
========= sin, yeah xx1324
========= sin, yeah
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Well, I heard Mister Young sing about her --------------
• •
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Well, I heard Mister Young sing about her
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Well, I heard old Neil put her down ||| | • •
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Well, I heard old Neil put her down
|||||| Well, I hope Neil Young will remember |||||| Well, I hope Neil Young will remember
Sweet Baby James A southern man don’t need him around anyhow Sweet Baby James A southern man don’t need him around anyhow

James Taylor Sweet home Alabama, where the skies are so James Taylor Sweet home Alabama, where the skies are so
blue blue
There is a young cowboy, he lives on the range Sweet home Alabama, Lord, I’m coming home There is a young cowboy, he lives on the range Sweet home Alabama, Lord, I’m coming home
His horse and his cattle are his only to you His horse and his cattle are his only to you
companions companions
He works in the saddle and he sleeps in the In Birmingham they love the Gov’nor, hoo hoo He works in the saddle and he sleeps in the In Birmingham they love the Gov’nor, hoo hoo
canyons hoo canyons hoo
Waiting for summer his pastures to change. Now we all did what we could do Waiting for summer his pastures to change. Now we all did what we could do
Now Watergate does not bother me Now Watergate does not bother me
As the moon rises he sits by the fire Does your conscience bother you, tell the truth As the moon rises he sits by the fire Does your conscience bother you, tell the truth
Thinkin’ about women and glasses of beer Thinkin’ about women and glasses of beer
And closing his eyes as the doggies retire Sweet home Alabama … And closing his eyes as the doggies retire Sweet home Alabama …
Sings out a song which is soft but it’s clear Now Mussel Shoals has got the Swampers Sings out a song which is soft but it’s clear Now Mussel Shoals has got the Swampers
As if maybe someone could hear: And they’ve been known to pick a song or two, As if maybe someone could hear: And they’ve been known to pick a song or two,
Goodnight you moonlight ladies yes they do Lord, they get me off so much Goodnight you moonlight ladies yes they do Lord, they get me off so much
Rockabye Sweet Baby James They pick me up when I’m feeling blue, now Rockabye Sweet Baby James They pick me up when I’m feeling blue, now
Deep greens and blues are the colors I choose how about you Deep greens and blues are the colors I choose how about you
Won’t you let me go down in my dreams Sweet Home Chicago Won’t you let me go down in my dreams Sweet Home Chicago
And rockabye Sweet Baby James. And rockabye Sweet Baby James.
E E
The first of December was covered with snow Come on, The first of December was covered with snow Come on,
And so was the turnpike from Stockbridge to A E And so was the turnpike from Stockbridge to A E
Boston B aba don’t you want to go Boston B aba don’t you want to go
A A
The Berkshires seemed dreamlike on account of Oh come on, The Berkshires seemed dreamlike on account of Oh come on,
that frosting E that frosting E
10 miles behind and 10,000 more to go. Oh baba don’t you want to go 10 miles behind and 10,000 more to go. Oh baba don’t you want to go
B A B A
There’s a song that they sing when they take to Back to that same old place There’s a song that they sing when they take to Back to that same old place
the highway E B the highway E B
A song that they sing when they take to the sea Sweet home Chi cago A song that they sing when they take to the sea Sweet home Chi cago
A song that they sing of their home in the sky Come on, A song that they sing of their home in the sky Come on,
Maybe you can believe it if it helps you to sleep Baba don’t you want to go Maybe you can believe it if it helps you to sleep Baba don’t you want to go
But singing works just fine for me. Ref. Hida-hey, But singing works just fine for me. Ref. Hida-hey,

122 122
Baba don’t you want to go C G Baba don’t you want to go C G
Back to that same old place take me home country roads. Back to that same old place take me home country roads.
Oh sweet home Chicago All my mem’ries Oh sweet home Chicago All my mem’ries
E7 gather ’round her, E7 gather ’round her,
Well one and one is two miner’s lady Well one and one is two miner’s lady
Six and two is eight stranger to blue water, Six and two is eight stranger to blue water,
Come on baba don’t you make me late dark and dusty Come on baba don’t you make me late dark and dusty
painted on the sky, painted on the sky,
Hida-hey, misty taste of moonshine, Hida-hey, misty taste of moonshine,
Baba don’t you want to go teardrop in my eye. Baba don’t you want to go teardrop in my eye.
Back to that same old place Back to that same old place
Oh sweet home Chicago Country roads … Oh sweet home Chicago Country roads …
Come on … Em D Come on … Em D
I hear her voice I hear her voice
Six and three is nine G G7 Six and three is nine G G7
Nine and nine is eighteen in the morning hour she calls me, Nine and nine is eighteen in the morning hour she calls me,
C G D C G D
Look there brother baby and you’ll see what the radio re minds me of my home far away. Look there brother baby and you’ll see what the radio re minds me of my home far away.
I’ve seen. Em F C I’ve seen. Em F C
And drivin’ down the road I get a feelin’ And drivin’ down the road I get a feelin’
Hida-hey … G D Hida-hey … G D
that I should have been home yesterday, that I should have been home yesterday,
Come on … D7 Come on … D7
yester day. yester day.
Take Me Home Country Roads Take Me Home Country Roads
Country roads … Country roads …
John Denver 1971 John Denver 1971
Tears in Heaven Tears in Heaven
G Em G Em
Almost heaven, Eric Clapton 1991 Almost heaven, Eric Clapton 1991
D D
West Virginia, #
AEF mF m DE # 7 4/7
EA West Virginia, A E F # m F# m 7 D E 4/7 E A

Blue Ridge Mountains A E F#m F #m7 Blue Ridge Mountains A E F#m F #m7
C G Would you know my name C G Would you know my name
Shenandoah River. D A E E6 E7 A Shenandoah River. D A E E6 E7 A
if I saw you in hea ven? if I saw you in hea ven?
Life is old there E F#m F #m7 Life is old there E F#m F #m7
Em Would it be the same Em Would it be the same
older than the trees, D A E E6 E7 F # m older than the trees, D A E E6 E7 F # m
D if I saw you in hea ven? D if I saw you in hea ven?
younger than the mountains, C# Em
younger than the mountains, C# Em
C G C G
growin’ like a breeze. I must be strong growin’ like a breeze. I must be strong
F# F#
G D and carry on‚ G D and carry on‚
Country roads, take me home Bm7 E4/7 Country roads, take me home Bm7 E4/7
Em C ’cause I know I don’t belong Em C ’cause I know I don’t belong
to the place I be long . A E F # m F # m 7 D E 4/7 E A to the place I be long . A E F # m F # m 7 D E 4/7 E A
G D here in heaven … G D here in heaven …
West Virginia mountain mom m a , West Virginia mountain mom m a ,

123 123
Would you hold my hand G C A7 D7 Would you hold my hand G C A7 D7
if I saw you in heaven? Wishing for the war to cease. if I saw you in heaven? Wishing for the war to cease.
G C G C
Would you help me stand Many are the hearts that are looking for the Would you help me stand Many are the hearts that are looking for the
if I saw you in heaven? right if I saw you in heaven? right
G D7 G G D7 G
I’ll find my way To see the dawn of peace. I’ll find my way To see the dawn of peace.
through night and day through night and day
’cause I know I just can’t stay G C ’cause I know I just can’t stay G C
here in heaven … |: Tenting tonight :| here in heaven … |: Tenting tonight :|
G D7 G G D7 G
C G Am tenting on the old campground C G Am tenting on the old campground
Time can bring you down, Time can bring you down,
D G D Em7 D G C We’ve been tenting tonight on the old D G D Em7 D G C We’ve been tenting tonight on the old
time can bend your knees. campground time can bend your knees. campground
G Am thinking of days gone by, G Am thinking of days gone by,
Time can break your heart, of the loved ones at home that gave us the hand, Time can break your heart, of the loved ones at home that gave us the hand,
D G D E E6 E7 D G D E E6 E7
have you begging please ‚ begging please … and the tear that said goodbye. have you begging please ‚ begging please … and the tear that said goodbye.
|: A F# m F # m 7 D A E6 E7 :| |: A F# m F # m 7 D A E6 E7 :|
Tenting tonight … Tenting tonight …
Beyond the door We are tired of war on the old campground, Beyond the door We are tired of war on the old campground,
there’s peace I’m sure, many are dead and gone, there’s peace I’m sure, many are dead and gone,
and I know there’ll be no more of the brave and true who’ve left their homes, and I know there’ll be no more of the brave and true who’ve left their homes,
tears in heaven … others been wounded long. tears in heaven … others been wounded long.
Would you know my name Tenting tonight … Would you know my name Tenting tonight …
if I saw you in heaven? if I saw you in heaven?
Would it be the same The 59th Street Bridge Song Would it be the same The 59th Street Bridge Song
if I saw you in heaven? (Feelin’ Groovy) if I saw you in heaven? (Feelin’ Groovy)

I must be strong Paul Simon 1966 (Capo: 5th Fret) I must be strong Paul Simon 1966 (Capo: 5th Fret)
and carry on C G Am 7 C and carry on C G Am 7 C
|: ’cause I know I don’t belong Slow down, you move too fast. |: ’cause I know I don’t belong Slow down, you move too fast.
here in heaven … :| You got to make the morning last. here in heaven … :| You got to make the morning last.
F#m7 E4/7 E6 C#
Just kicking down the cobble stones. F#m7 E4/7 E6 C#
Just kicking down the cobble stones.
o34111 ox123o o2314o xx4132 Looking for fun and feelin’ groovy. o34111 ox123o o2314o xx4132 Looking for fun and feelin’ groovy.
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Hello lamppost, what’cha knowing?
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Ain’t cha got no rhymes for me? Ain’t cha got no rhymes for me?
Tenting Tonight Doot-in’ doo-doo, feelin’ groovy. Tenting Tonight Doot-in’ doo-doo, feelin’ groovy.
G C G Got no deeds to do, no promises to keep. G C G Got no deeds to do, no promises to keep.
We’re tenting tonight on the old camp ground. I’m dappled and drowsy and ready to sleep. We’re tenting tonight on the old camp ground. I’m dappled and drowsy and ready to sleep.
D G D G
Give us a song to cheer our weary hearts. Let the morning time drop all its petals on me. Give us a song to cheer our weary hearts. Let the morning time drop all its petals on me.
C G D7 G Life, I love you, all is groovy. C G D7 G Life, I love you, all is groovy.
A song of home and friends we love so dear. A song of home and friends we love so dear.
C C
Many are the hearts that are weary tonight Many are the hearts that are weary tonight
124 124
The Boxer now I’m older than I once was The Boxer now I’m older than I once was
and younger than I’ll be that’s not unusual and younger than I’ll be that’s not unusual
Paul Simon 1968 nor is it strange, Paul Simon 1968 nor is it strange,
C after changes upon changes C after changes upon changes
I am just a poor boy we are more or less the same, I am just a poor boy we are more or less the same,
Am G F C Am G F C
though my story’s seldom told. after changes we are more or less the same. though my story’s seldom told. after changes we are more or less the same.
G G
I have squandered my resistance Lie la lie … (2x) I have squandered my resistance Lie la lie … (2x)
G7 C G7 C
for a pocketful of mumbles, such are promises. Then I’m laying out my winter clothes for a pocketful of mumbles, such are promises. Then I’m laying out my winter clothes
Am and wishing I was gone Am and wishing I was gone
All lies and jest‚ going home All lies and jest‚ going home
G F G F
still a man hears what he wants to hear where the New York City winters aren’t still a man hears what he wants to hear where the New York City winters aren’t
C bleeding me C bleeding me
and disregards the rest. Em Am and disregards the rest. Em Am
G C leading me G C leading me
Mh mh mh, mh mh mh, mh mh mh mh‚ mh. G C Mh mh mh, mh mh mh, mh mh mh mh‚ mh. G C
to going home. to going home.
When I left my home and my family When I left my home and my family
I was no more than boy In the clearing stands a boxer I was no more than boy In the clearing stands a boxer
in the company of strangers and a fighter by his trade in the company of strangers and a fighter by his trade
in the quiet of a railway station running scared and he carries the reminders in the quiet of a railway station running scared and he carries the reminders
laying low of ev’ry glove that laid him down laying low of ev’ry glove that laid him down
F C F C F C F C
seeking out the poorer quarters or cut him – till he cried out seeking out the poorer quarters or cut him – till he cried out
where the ragged people go in his anger and his shame: where the ragged people go in his anger and his shame:
looking for the places only they would know. “I am leaving, I am leaving”, looking for the places only they would know. “I am leaving, I am leaving”,
Am but the fighter still remains Am but the fighter still remains
Lie la lie G FC Lie la lie G FC
Em yes, he still re mains. Em yes, he still re mains.
lie la lala lie la lie lie la lala lie la lie
Am Lie la lie … (3x) Am Lie la lie … (3x)
lie la lie lie la lie
G G7 C The Drunken Sailor G G7 C The Drunken Sailor
lie la lala lie la lie lala lie la lie. lie la lala lie la lie lala lie la lie.
Dm Dm
Asking only workman’s wages What shall we do with the drunken sailor, Asking only workman’s wages What shall we do with the drunken sailor,
I come looking for a job C I come looking for a job C
but I get no offers what shall we do with the drunken sailor, but I get no offers what shall we do with the drunken sailor,
Dm Dm
just a comeon from the whores of Seventh what shall we do with the drunken sailor just a comeon from the whores of Seventh what shall we do with the drunken sailor
Avenue. C Dm Avenue. C Dm
I do declare early in the morning? I do declare early in the morning?
there were times when I was so lonesome Dm
there were times when I was so lonesome Dm
I took some comfort there, Hurray and up she rises, I took some comfort there, Hurray and up she rises,
G C C G C C
oh lala lala lalala. hurray and up she rises, oh lala lala lalala. hurray and up she rises,
Dm Dm
Now the years are rolling by me, hurray and up she rises, Now the years are rolling by me, hurray and up she rises,
they are rocking evenly, they are rocking evenly,
125 125
C Dm By the way she wears her apron, C Dm By the way she wears her apron,
early in the morning! And the clothes she wore. early in the morning! And the clothes she wore.
Put him in the longboat ’til he’s sober! … Umbrella on her shoulder, Put him in the longboat ’til he’s sober! … Umbrella on her shoulder,
Piece of paper in her hand; Piece of paper in her hand;
Pull out the plug and wet him all over! She come to see the gov’nor, Pull out the plug and wet him all over! She come to see the gov’nor,
She wants to free her man. She wants to free her man.
Put him in the scuppers with a hose pipe on Put him in the scuppers with a hose pipe on
him! Let the Midnight Special … him! Let the Midnight Special …
Heave him by the leg in a running bowlin’! If you’re ever in Houston, Heave him by the leg in a running bowlin’! If you’re ever in Houston,
Well, you better do the right; Well, you better do the right;
That’s what we do with the drunken sailor! You better not gamble, there, That’s what we do with the drunken sailor! You better not gamble, there,
The Midnight Special You better not fight, at all The Midnight Special You better not fight, at all
Or the sheriff will grab ya Or the sheriff will grab ya
Traditional And the boys will bring you down. Traditional And the boys will bring you down.
The next thing you know, boy, The next thing you know, boy,
G C G C
Well, you wake up in the mornin’, Oh! You’re prison bound. Well, you wake up in the mornin’, Oh! You’re prison bound.
G G
You hear the work bell ring, Let the Midnight Special … You hear the work bell ring, Let the Midnight Special …
D D
And they march you to the table The Night they Drove Old Dixie down And they march you to the table The Night they Drove Old Dixie down
G G
Em G Em G
To see the same old thing. To see the same old thing.
C Virgil C aine is the name, C Virgil C aine is the name,
C Am Em C Am Em
Ain’t no food upon the table, Ain’t no food upon the table,
G and I served on the Danville train‚ G and I served on the Danville train‚
G G
And no pork up in the pan. And no pork up in the pan.
D ’Til Stoneman’s C alvery came D ’Til Stoneman’s C alvery came
C Am Em C Am Em
But you better not complain, boy, But you better not complain, boy,
G and tore up the tracks again. G and tore up the tracks again.
C C
You get in trouble with the man. You get in trouble with the man.
In the winter of sixty-five, In the winter of sixty-five,
G C G Am Em G C G Am Em
Let the Midnight Special We were hungry, just barely alive. Let the Midnight Special We were hungry, just barely alive.
G C G C
Shine a light on me By May the tenth, Richmond had fell, Shine a light on me By May the tenth, Richmond had fell,
D G C A D G C A
Let the Midnight Special it’s a time I remember, oh so well, Let the Midnight Special it’s a time I remember, oh so well,
G G
G C G G C G
Shine a light on me Shine a light on me
C The night they drove old Dixie down‚ C The night they drove old Dixie down‚
C C
Let the Midnight Special Let the Midnight Special
G and the bells were ringing, G and the bells were ringing,
G C G G C G
Shine a light on me Shine a light on me
D The night they drove old Dixie down‚ D The night they drove old Dixie down‚
C C
Let the Midnight Special Let the Midnight Special
G and the people were singin’. G and the people were singin’.
C Em A C G / Em C Em A C G / Em
Shine a everlovin’ light on me. Shine a everlovin’ light on me.
They went na na na … They went na na na …
Yonder come miss Rosie, Yonder come miss Rosie,
Back with my wife in Tennessee, Back with my wife in Tennessee,
how in the world did you know? how in the world did you know?
When one day she called to me, When one day she called to me,
126 126
“Virgil, quick, come see, G Am “Virgil, quick, come see, G Am
there goes Robert E. Lee!” within the sounds of silence. there goes Robert E. Lee!” within the sounds of silence.
Now I don’t mind choppin’ wood, In restless dreams I walked alone Now I don’t mind choppin’ wood, In restless dreams I walked alone
and I don’t care if the money’s no good. narrow streets of cobblestone and I don’t care if the money’s no good. narrow streets of cobblestone
Ya take what ya need and ya leave the rest, ’neath the halo of a streetlamp, Ya take what ya need and ya leave the rest, ’neath the halo of a streetlamp,
But they never should have taken the very best. I turned my collar to the cold and damp But they never should have taken the very best. I turned my collar to the cold and damp
The night they drove … when my eyes where stabbed by the flash of a The night they drove … when my eyes where stabbed by the flash of a
neon light neon light
Like my father before me, that split the night Like my father before me, that split the night
I will work the land, and touched the sounds of silence. I will work the land, and touched the sounds of silence.
Like my brother above me, Like my brother above me,
who took a rebel stand. And in the naked light I saw who took a rebel stand. And in the naked light I saw
He was just eighteen, proud and brave, ten thousand people, maybe more He was just eighteen, proud and brave, ten thousand people, maybe more
But a Yankee laid him in his grave, people talking without speaking, But a Yankee laid him in his grave, people talking without speaking,
I swear by the mud below my feet, people hearing without listening, I swear by the mud below my feet, people hearing without listening,
You can’t raise a Caine back up when he’s in people writing songs that voices never share You can’t raise a Caine back up when he’s in people writing songs that voices never share
defeat. and no one dare defeat. and no one dare
disturb the sounds of silence. disturb the sounds of silence.
The night they drove … The night they drove …
“Fools!”, said I, “you do not know “Fools!”, said I, “you do not know
The River is Here silence like a cancer grows The River is Here silence like a cancer grows
hear my words that I might teach you hear my words that I might teach you
E A E E A E
take my arms that I might reach you” take my arms that I might reach you”
The river of God sets our feet a-dancing. The river of God sets our feet a-dancing.
B E but my words like silent rain-drops fell B E but my words like silent rain-drops fell
The river of God fills our hearts with cheer. … The river of God fills our hearts with cheer. …
A and echoed in the wells of silence. A and echoed in the wells of silence.
The river of God fills our mouths with The river of God fills our mouths with
E And the people bowed and prayed E And the people bowed and prayed
laughter‚ to the neon god they made laughter‚ to the neon god they made
A E B E A E B E
and we rejoice for the river is here. and the sigh flashed its warning and we rejoice for the river is here. and the sigh flashed its warning
in the words that it was forming in the words that it was forming
The Sounds of Silence and the signs said “The words of the prophets The Sounds of Silence and the signs said “The words of the prophets
are written on the subway walls are written on the subway walls
Paul Simon 1964 and tenement halls” Paul Simon 1964 and tenement halls”
(Capo: 3rd Fret) and whispered in the sounds of silence. (Capo: 3rd Fret) and whispered in the sounds of silence.
Am G Am G
Hello, darkness, my old friend‚ The Times They Are A-Changing Hello, darkness, my old friend‚ The Times They Are A-Changing
Am Am
I’ve come to talk to you again Bob Dylan 1964 I’ve come to talk to you again Bob Dylan 1964
C F C C F C
because a vision softly creeping Come gather round people where ever you roam because a vision softly creeping Come gather round people where ever you roam
F C And admit that the waters around you have F C And admit that the waters around you have
left its seeds while I was sleeping grown. left its seeds while I was sleeping grown.
F C And accept it that soon you’ll be drenched to the F C And accept it that soon you’ll be drenched to the
and the vision that was planted in my brain bone. and the vision that was planted in my brain bone.
Am C Am C
still remains If your time to you is worth saving than you’d still remains If your time to you is worth saving than you’d

127 127
 better E B7 E better E B7 E
Start swimming or you’ll sink like a stone, And both shall row, my love and I. Start swimming or you’ll sink like a stone, And both shall row, my love and I.
For the times they are a-changin’. I leaned my back up against an oak, For the times they are a-changin’. I leaned my back up against an oak,
Come writers and critics who prophesize with I thought it was a trusty tree, Come writers and critics who prophesize with I thought it was a trusty tree,
your pen But first, it swayed and then it broke, your pen But first, it swayed and then it broke,
And keep your eyes wide, the chance won’t And so my false love did unto me. And keep your eyes wide, the chance won’t And so my false love did unto me.
come again. O love is handsome, and love is fine, come again. O love is handsome, and love is fine,
And don’t speak too soon for the wheel’s still in And love’s a jewel when it is new, And don’t speak too soon for the wheel’s still in And love’s a jewel when it is new,
spin But love grows old and waxes cold, spin But love grows old and waxes cold,
And there’s no telling who that it’s naming And fades away like morning dew. And there’s no telling who that it’s naming And fades away like morning dew.
For the loser now will be later to win For the loser now will be later to win
For the times they are a-changin’. There Must Be more to Life than this For the times they are a-changin’. There Must Be more to Life than this
Come senators, congressmen, please heed the Freddy Mercury (Capo: 2nd Fret) Come senators, congressmen, please heed the Freddy Mercury (Capo: 2nd Fret)
call, call,
G Am Bm B 7 C G Am Bm B 7 C
Don’t stand in the doorway, don’t block up the There must be more to life than this Don’t stand in the doorway, don’t block up the There must be more to life than this
hall. D7 G G7 C hall. D7 G G7 C
For he that gets hurt will be he who has stalled. There must be more to life than this. For he that gets hurt will be he who has stalled. There must be more to life than this.
There’s a battle outside, it’s raging. D G Em There’s a battle outside, it’s raging. D G Em
It’ll soon shake your windows and rattle your How do we cope in a world without love? It’ll soon shake your windows and rattle your How do we cope in a world without love?
Am Am
walls Mending all those broken hearts, walls Mending all those broken hearts,
For the times they are a-changin’. F D7 For the times they are a-changin’. F D7
tending all those crying faces. tending all those crying faces.
Come mothers and fathers throughout the land Come mothers and fathers throughout the land
And don’t criticize what you can’t understand. There must be more to life than living. And don’t criticize what you can’t understand. There must be more to life than living.
Your sons and your daughters are beyond your There must be more than meets the eyes. Your sons and your daughters are beyond your There must be more than meets the eyes.
command. Why should it be just a case of black or white? command. Why should it be just a case of black or white?
Your old road is rapidly aging. Am D G Your old road is rapidly aging. Am D G
Please get out of the new one if you can’t lend There must be more to life than this . Please get out of the new one if you can’t lend There must be more to life than this .
your hand Bm your hand Bm
For the times they are a-changin’. Why is this world so full of hate, For the times they are a-changin’. Why is this world so full of hate,
D D
The line it is drawn, the curse it is cast. people dying everywhere The line it is drawn, the curse it is cast. people dying everywhere
The slow one now will later be fast G Bm The slow one now will later be fast G Bm
As the present now will later be past. and we des troy what we cre ate‚ As the present now will later be past. and we des troy what we cre ate‚
D D
The order is rapidly fading. people fighting for their human rights The order is rapidly fading. people fighting for their human rights
And the first one now will later be last Am F And the first one now will later be last Am F
For the times they are a-changin’. and we just keep on saying “C’est la vie” – For the times they are a-changin’. and we just keep on saying “C’est la vie” –
D7 D7
The Water is Wide “So this is life”. The Water is Wide “So this is life”.
E A E B There must be more to life than killing E A E B There must be more to life than killing
The water is wid e‚ I cannot get o’er a better way for us to survive. The water is wid e‚ I cannot get o’er a better way for us to survive.
C# m A B What good is life, if in the end we all must die? C# m A B What good is life, if in the end we all must die?
And neither hav e I wings to fly‚ There must be more to life than this. And neither hav e I wings to fly‚ There must be more to life than this.
G #m A C# m A G #m A C# m A
Give me a boat that can carry two‚ Give me a boat that can carry two‚
128 128
There must be more to life than this. holy. There must be more to life than this. holy.
There must be more to life than this. This train is bound for glory, this train. There must be more to life than this. This train is bound for glory, this train.
I live and hope for a world filled with love, I live and hope for a world filled with love,
then we can all just live in peace. |: This train don’t carry no gamblers, This then we can all just live in peace. |: This train don’t carry no gamblers, This
train. :| train. :|
Am This train don’t carry no gamblers. Am This train don’t carry no gamblers.
There must be more to life, No crap shooters, no midnight ramblers. There must be more to life, No crap shooters, no midnight ramblers.
Cm Cm
much more to life. This train don’t carry no gamblers, This train. much more to life. This train don’t carry no gamblers, This train.
Ef C Ef C
There must be more to life, |: This train is leavin’ in the morning, This There must be more to life, |: This train is leavin’ in the morning, This
G train. :| G train. :|
more to life than this . This train is leavin’ in the morning. more to life than this . This train is leavin’ in the morning.
Great God a new day dawnin’! Great God a new day dawnin’!
This Land Is Your Land This train is leavin’ in the morning, This This Land Is Your Land This train is leavin’ in the morning, This
C G train. C G train.
This land is your land, this land is my land, This land is your land, this land is my land,
D G Those Were the Days D G Those Were the Days
From Cali fornia to the New York Island nd
From Cali fornia to the New York Island
C Gene Raskin (Capo: 2 Fret) C Gene Raskin (Capo: 2nd Fret)
From the redwood forest to the Gulf Stream From the redwood forest to the Gulf Stream
G Em Em G Em Em
waters‚ Once upon a time there was a tavern, waters‚ Once upon a time there was a tavern,
Am D G E Am Am D G E Am
This land was made for you and me. where we used to raise a glass or two. This land was made for you and me. where we used to raise a glass or two.
Em Em
As I was walking that ribbon of highway, Remember how we laughed away the hours‚ As I was walking that ribbon of highway, Remember how we laughed away the hours‚
F# B7 F# B7
I saw above me that endless skyway we’d think of all the great things we would do. I saw above me that endless skyway we’d think of all the great things we would do.
I saw below me that golden valley, I saw below me that golden valley,
This land was made for you and me. Em This land was made for you and me. Em
Those were the days, my friend. Those were the days, my friend.
I roamed and rambled and I followed my E Am I roamed and rambled and I followed my E Am
footsteps, We thought they’d never end, footsteps, We thought they’d never end,
D7 G D7 G
To the sparkling sands of her diamond deserts we’d sing and dance forever and a day. To the sparkling sands of her diamond deserts we’d sing and dance forever and a day.
And all around me a voice was sounding, Am Em And all around me a voice was sounding, Am Em
This land was made for you and me. We’d live the life we chose, we’d fight and never This land was made for you and me. We’d live the life we chose, we’d fight and never
lose lose
When the sun came shining and I was B7 Em When the sun came shining and I was B7 Em
strolling, for we were young and sure to have our way. strolling, for we were young and sure to have our way.
And the wheat fields waving and the dust clouds And the wheat fields waving and the dust clouds
rolling, Lalala la lala … rolling, Lalala la lala …
As the fog was lifting a voice was chanting Then the busy years went rushin’ by us, As the fog was lifting a voice was chanting Then the busy years went rushin’ by us,
This land was made for you and me. we lost our starry motions on the way. This land was made for you and me. we lost our starry motions on the way.
If by chance I would see you in the tavern, If by chance I would see you in the tavern,
This Train is bound for glory we’d smile at one another and we’d say: This Train is bound for glory we’d smile at one another and we’d say:
|: This train is bound for glory, this train. :| |: This train is bound for glory, this train. :|
This train is bound for glory, This train is bound for glory,
Don’t carry nothin’ but the righteous and the Don’t carry nothin’ but the righteous and the

129 129
Those were the days, my friend … B7 Those were the days, my friend … B7
She ought to do right by me She ought to do right by me
Just tonight I stood before the tavern, Just tonight I stood before the tavern,
nothing seemed the way it used to be. I think I’m gonna be sad … nothing seemed the way it used to be. I think I’m gonna be sad …
In the glass I saw a strange reflection. She’s got a ticket to ride … In the glass I saw a strange reflection. She’s got a ticket to ride …
Was that lonely fellow really me? Was that lonely fellow really me?
I don’t know why she’s ridin’ so high … I don’t know why she’s ridin’ so high …
Those were the days, my friend … Those were the days, my friend …
She said that living … She said that living …
Through the door there came familiar laughter Through the door there came familiar laughter
I saw your face and heard you call my name. She’s got a ticket to ride … I saw your face and heard you call my name. She’s got a ticket to ride …
Oh, my friend, we’re older but no wiser, Oh, my friend, we’re older but no wiser,
for in our hearts the dreams are still the same. Tom Dooley for in our hearts the dreams are still the same. Tom Dooley
G G
Those were the days, my friend … H ang down your head, Tom Dooley, Those were the days, my friend … H ang down your head, Tom Dooley,
D7 D7
Ticket to Ride hang down your head and cry‚ Ticket to Ride hang down your head and cry‚
E E
I think I’m gonna be sad hang down your head, Tom Dooley‚ I think I’m gonna be sad hang down your head, Tom Dooley‚
G G
I think it’s today, yeah poor boy, you’re bound to die. I think it’s today, yeah poor boy, you’re bound to die.
G G
The girl that’s driving me mad I met her on the mountain, The girl that’s driving me mad I met her on the mountain,
# #
F m B D7 F m B D7
Is going away there I took her life‚ Is going away there I took her life‚
G #m A G #m A
She’s got a ticket to ride I met her on the mountain, She’s got a ticket to ride I met her on the mountain,
G G
G #m A G #m A
She’s got a ticket to ride stabbed her with my knife. She’s got a ticket to ride stabbed her with my knife.
G #m B G #m B
She’s got a ticket to ride Hang down your head, Tom Dooley … She’s got a ticket to ride Hang down your head, Tom Dooley …
E E
But she don’t c a re This time tomorrow, But she don’t c a re This time tomorrow,
reckon where I’ll be, reckon where I’ll be,
She said that living with me down in some lonesome valley, She said that living with me down in some lonesome valley,
Is bringing her down yeah hanging from a white oak tree. Is bringing her down yeah hanging from a white oak tree.
For she would never be free For she would never be free
When I was around Hang down your head, Tom Dooley … When I was around Hang down your head, Tom Dooley …

She’s got a ticket to ride … Tum-Balalaika She’s got a ticket to ride … Tum-Balalaika
A7 Maiden mine, I would like to know, A7 Maiden mine, I would like to know,
I don’t know why she’s ridin’ so high What can grow without rain or snow I don’t know why she’s ridin’ so high What can grow without rain or snow
What can flame and ever flow, What can flame and ever flow,
She ought to think twice She ought to think twice
B7 What can weep with no tears to show. B7 What can weep with no tears to show.
She ought to do right by me She ought to do right by me
A7 Tum-ba-la, tum-ba-la, tum-ba-la-lai-ka, A7 Tum-ba-la, tum-ba-la, tum-ba-la-lai-ka,
Be fore she gets to saying goodbye Tum-ba-la, tum-ba-la, tum-ba-la-lai-ka Be fore she gets to saying goodbye Tum-ba-la, tum-ba-la, tum-ba-la-lai-ka
Tum-ba-la-lai-ka, play ba-la-lai-ka, Tum-ba-la-lai-ka, play ba-la-lai-ka,
She ought to think twice Tum-ba-la-lai-ka, play ba-la-lai-ka She ought to think twice Tum-ba-la-lai-ka, play ba-la-lai-ka
130 130
Foolish lad, if you want to know, G A Foolish lad, if you want to know, G A
Stones can grow without rain or snow, (work it on out, ooh!) Stones can grow without rain or snow, (work it on out, ooh!)
Love can flame and ever glow, Well, work it on out, Love can flame and ever glow, Well, work it on out,
Hearts can weep with no tears to show. (work it on out) Hearts can weep with no tears to show. (work it on out)
Tum-ba-la … You know you look so good. Tum-ba-la … You know you look so good.
(look so good) (look so good)
Twilight A-Stealing You know you got me goin’, now, Twilight A-Stealing You know you got me goin’, now,
(got me goin’) (got me goin’)
Twilight a-stealing over the sea, Just like I knew you would. Twilight a-stealing over the sea, Just like I knew you would.
Shadows a-falling dark on the lea, (like I knew you would, ooh!) Shadows a-falling dark on the lea, (like I knew you would, ooh!)
Borne on the night wind, voices of yore, Borne on the night wind, voices of yore,
Come from a far-off shore. Well, shake it up, baby, now, Come from a far-off shore. Well, shake it up, baby, now,
(shake it up, baby) (shake it up, baby)
Far away, beyond the starry sky, Twist and shout. Far away, beyond the starry sky, Twist and shout.
Where the lovelight never, never dies, (twist and shout) Where the lovelight never, never dies, (twist and shout)
Gleameth a mansion filled with delight, C’mon, c’mon, c’mon, c’mon, baby, now, Gleameth a mansion filled with delight, C’mon, c’mon, c’mon, c’mon, baby, now,
Sweet, happy home so bright. (come on baby) Sweet, happy home so bright. (come on baby)
Come on and work it on out. Come on and work it on out.
Voices of loved ones, songs of the past, Voices of loved ones, songs of the past,
(work it on out, ooh!) (work it on out, ooh!)
Still linger round me, while life shall last, Still linger round me, while life shall last,
Cheering my pathway, while here I roam, You know you twist your little girl, Cheering my pathway, while here I roam, You know you twist your little girl,
Seeking my far-off home. (twist, little girl) Seeking my far-off home. (twist, little girl)
You know you twist so fine. You know you twist so fine.
Far away … Far away …
(twist so fine) (twist so fine)
Come in the twilight, come, come to me, Come on and twist a little closer, now, Come in the twilight, come, come to me, Come on and twist a little closer, now,
Bringing sweet message over the sea; (twist a little closer) Bringing sweet message over the sea; (twist a little closer)
Lonely I wander, sadly I roam, And let me know that you’re mine. Lonely I wander, sadly I roam, And let me know that you’re mine.
Seeking my far-off home. (let me know you’re mine) Seeking my far-off home. (let me know you’re mine)
A A7 A7/9 A A7 A7/9
Far away … Far away …
Ah – ah – ah – ah – ah‚ yeah! Ah – ah – ah – ah – ah‚ yeah!
Well, shake it up, baby, now, Well, shake it up, baby, now,
Twist and Shout (shake it up, baby) Twist and Shout (shake it up, baby)
D Twist and shout. D Twist and shout.
Well, shake it up, baby, now, (twist and shout) Well, shake it up, baby, now, (twist and shout)
G A C’mon, c’mon, c’mon, c’mon, baby, now, G A C’mon, c’mon, c’mon, c’mon, baby, now,
(shake it up, baby ) (come on baby) (shake it up, baby ) (come on baby)
D D
Twist and shout. Come on and work it on out. Twist and shout. Come on and work it on out.
G A (work it on out) G A (work it on out)
(twist and shout) (twist and shout)
D You know you twist your little girl, D You know you twist your little girl,
C’mon c’mon, c’mon, c’mon, baby, now, (twist, little girl) C’mon c’mon, c’mon, c’mon, baby, now, (twist, little girl)
G A You know you twist so fine. G A You know you twist so fine.
(come on baby ) (twist so fine) (come on baby ) (twist so fine)
D D
Come on and work it on out. Come on and twist a little closer, now, Come on and work it on out. Come on and twist a little closer, now,
(twist a little closer) (twist a little closer)
131 131
And let me know that you’re mine. Where the eyes are glowing And let me know that you’re mine. Where the eyes are glowing
(let me know you’re mine) And lips are made to kiss (let me know you’re mine) And lips are made to kiss
To see somebody in the moonlight, To see somebody in the moonlight,
Well, shake it, shake it, shake it, baby, now. And hear the song I miss. Well, shake it, shake it, shake it, baby, now. And hear the song I miss.
(shake it up baby) (shake it up baby)
Well, shake it, shake it, shake it, baby, now. If you like Ukulele lady … Well, shake it, shake it, shake it, baby, now. If you like Ukulele lady …
(shake it up baby) (shake it up baby)
Well, shake it, shake it, shake it, baby, now. Van Dieman’s Land Well, shake it, shake it, shake it, baby, now. Van Dieman’s Land
(shake it up baby) (shake it up baby)
U2 U2
A A7 D 7/9 A A7 D 7/9
G C G CG G C G CG
Ah – ah – ah – ah Ah – ah – ah – ah
Hold me now‚ oh, hold me now, Hold me now‚ oh, hold me now,
Em Am D Em Am D
Ukulele Lady till this hour has gone around Ukulele Lady till this hour has gone around
Bm Em C Bm Em C
I saw the splendor of the moonlight and I’m gone on the rising tide‚ I saw the splendor of the moonlight and I’m gone on the rising tide‚
On Honolulu Bay G D G CG On Honolulu Bay G D G CG
There’s something tender in the moonlight for to face Van Dieman’s land. There’s something tender in the moonlight for to face Van Dieman’s land.
On Honolulu Bay On Honolulu Bay
It’s a bitter pill I swallow here It’s a bitter pill I swallow here
And all the beaches, And all the beaches,
to be rent from one so dear; to be rent from one so dear;
Are filled with peaches, Are filled with peaches,
we fought for justice not for gain, we fought for justice not for gain,
Who bring their ukes along Who bring their ukes along
but the magistrate sent me away. but the magistrate sent me away.
And in the glimmer of the moonlight, And in the glimmer of the moonlight,
They love to sing this song Now kings will rule and the poor will toil They love to sing this song Now kings will rule and the poor will toil
and tear their hands as they tear the soil. and tear their hands as they tear the soil.
If you like Ukulele lady, If you like Ukulele lady,
But a day will come in the dawning age But a day will come in the dawning age
Ukulele lady like a’you Ukulele lady like a’you
when an honest man sees an honest wage. when an honest man sees an honest wage.
If you like to linger where it’s shady, If you like to linger where it’s shady,
Ukulele lady linger too Hold me now … Ukulele lady linger too Hold me now …
If you kiss Ukulele lady, If you kiss Ukulele lady,
While you promise ever to be true Still the gunman rules and the widows pay While you promise ever to be true Still the gunman rules and the widows pay
And she sees another Ukulele, a scarlet coat and a black beret. And she sees another Ukulele, a scarlet coat and a black beret.
Lady foolin’ round with you They thought that blood and sacrifice Lady foolin’ round with you They thought that blood and sacrifice
Maybe she’ll sigh (an awful lot), could out of death bring forth a life. Maybe she’ll sigh (an awful lot), could out of death bring forth a life.
Maybe she’ll cry (and maybe not) Hold me now … Maybe she’ll cry (and maybe not) Hold me now …
Maybe she’ll find someone else, Maybe she’ll find someone else,
By and by Wabash Cannonball By and by Wabash Cannonball
To sing to when it’s cool and shady To sing to when it’s cool and shady
Where the tricky wicky wacky woo From the great Atlantic Ocean Where the tricky wicky wacky woo From the great Atlantic Ocean
If you like the Ukulele lady, To the wide Pacific shore, If you like the Ukulele lady, To the wide Pacific shore,
Ukulele lady like a you From sunny California Ukulele lady like a you From sunny California
To ice-bound Labrador, To ice-bound Labrador,
She used to sing to me by moonlight, She’s mighty tall and handsome, She used to sing to me by moonlight, She’s mighty tall and handsome,
On Honolulu Bay She’s known quite well by all, On Honolulu Bay She’s known quite well by all,
Fond memories cling to me by moonlight, She’s the ’boes’ accommodation Fond memories cling to me by moonlight, She’s the ’boes’ accommodation
Although I’m far away On the Wabash Cannonball Although I’m far away On the Wabash Cannonball
Someday I’m going, Someday I’m going,

132 132
Listen to the jingle, Wake up Little Susie Listen to the jingle, Wake up Little Susie
The rumble and the roar, The rumble and the roar,
As she glides along the woodlands, Everly Brothers 1957 As she glides along the woodlands, Everly Brothers 1957
Through hills and by the shore D F G F D Through hills and by the shore D F G F D
Hear the mighty rush of the engine, W ake up little Susie, wake up Hear the mighty rush of the engine, W ake up little Susie, wake up
Hear those lonesome hoboes squawl, D F G F D Hear those lonesome hoboes squawl, D F G F D
While traveling through the jungle W ake up little Susie, wake up While traveling through the jungle W ake up little Susie, wake up
On the Wabash Cannonball G D G On the Wabash Cannonball G D G
We’ve both been sound a sleep We’ve both been sound a sleep
From the great Atlantic Ocean … D G From the great Atlantic Ocean … D G
Wake up little Susie and weep Wake up little Susie and weep
This train, she runs to Memphis, D G D This train, she runs to Memphis, D G D
Mattoon, and Mexico, The movie’s over it’s four o’clock Mattoon, and Mexico, The movie’s over it’s four o’clock
G D G G D G
She rolls through East St. Louis She rolls through East St. Louis
And we’re in trouble deep And we’re in trouble deep
And she never does it slow, A G And she never does it slow, A G
As she flies through Colorado, Wakeup a little Susie As she flies through Colorado, Wakeup a little Susie
She gives an awful squawl, A She gives an awful squawl, A
They tell her by her whistle – Wakeup a little Susie They tell her by her whistle – Wakeup a little Susie
The Wabash Cannonball A G A The Wabash Cannonball A G A
W ell what are we going to tell your m a m a W ell what are we going to tell your m a m a
From the great Atlantic Ocean … G A From the great Atlantic Ocean … G A
What are we going to tell your p a What are we going to tell your p a
Our eastern states are dandy, G A Our eastern states are dandy, G A
So the people always say, What are we going to tell our friends So the people always say, What are we going to tell our friends
From New York to St. Louis From New York to St. Louis
And Chicago by the way, W hen they say ooh-la-la And Chicago by the way, W hen they say ooh-la-la
D A D A
From the hills of Minnesota Wake up a little Susie From the hills of Minnesota Wake up a little Susie
Where the rippling waters fall, D Where the rippling waters fall, D
No changes can be taken Wake up a little Susie No changes can be taken Wake up a little Susie
On the Wabash Cannonball D D7
On the Wabash Cannonball D D7
From the great Atlantic Ocean … Well I told your mama that you’d be in by From the great Atlantic Ocean … Well I told your mama that you’d be in by
ten ten
Now here’s to Boston Blackey, G Now here’s to Boston Blackey, G
May his name forever stand, Well Susie baby looks like we goofed again May his name forever stand, Well Susie baby looks like we goofed again
A G A G
And always be remembered Wakeup a little Susie And always be remembered Wakeup a little Susie
By the ’boes throughout the land, A By the ’boes throughout the land, A
His earthly days are over Wakeup a little Susie His earthly days are over Wakeup a little Susie
And the curtains ’round him fall, D FGFD/FGFD And the curtains ’round him fall, D FGFD/FGFD
We’ll carry him home to victory We’ve gotta go home We’ll carry him home to victory We’ve gotta go home
On the Wabash Cannonball Wake up a little Susie, wake up On the Wabash Cannonball Wake up a little Susie, wake up
From the great Atlantic Ocean … Wake up a little Susie, wake up From the great Atlantic Ocean … Wake up a little Susie, wake up
The movie wasn’t so hot The movie wasn’t so hot
It didn’t have much of a plot It didn’t have much of a plot
We fell asleep, our goose is cooked We fell asleep, our goose is cooked
Our reputation is shot Our reputation is shot

133 133
Wakeup a little Susie He was a navy man Wakeup a little Susie He was a navy man
Wakeup a little Susie Stationed in Newport News Wakeup a little Susie Stationed in Newport News
|: She was a highschool queen |: She was a highschool queen
Well what are we going to tell your mama … With nothing left to lose. :| Well what are we going to tell your mama … With nothing left to lose. :|
Walkin’ after Midnight Was a sunny day … Walkin’ after Midnight Was a sunny day …
I go out walkin’, after midnight Her name was Lorelei I go out walkin’, after midnight Her name was Lorelei
Out in the moonlight, just like we used to do She was his only girl Out in the moonlight, just like we used to do She was his only girl
I’m always walkin’, after midnight |: She called him “Speedoo” I’m always walkin’, after midnight |: She called him “Speedoo”
Searching for you. But his Christian name was Mister Earl :| Searching for you. But his Christian name was Mister Earl :|
I walk for miles, along the highway I walk for miles, along the highway
Well that’s just my way of saying I love you We Can Work It out Well that’s just my way of saying I love you We Can Work It out
I’m always walkin’, after midnight I’m always walkin’, after midnight
Searching for you. Beatles Searching for you. Beatles
I stop to see a weeping willow D G D I stop to see a weeping willow D G D
Cryin’ on his pillow … Try to see it my way , Cryin’ on his pillow … Try to see it my way ,
C G D C G D
Maybe he’s cryin’ for me? Do I have to keep on talking till I can’t go on? Maybe he’s cryin’ for me? Do I have to keep on talking till I can’t go on?
And as the skies turn gloomy, G D And as the skies turn gloomy, G D
Night winds whisper to me While you see it your way , Night winds whisper to me While you see it your way ,
I’m lonesome as I can be. C G I’m lonesome as I can be. C G
Run the risk of knowing that our love may soon Run the risk of knowing that our love may soon
I go out walkin’, after midnight D I go out walkin’, after midnight D
Out in the moonlight, just hopin’ you may be be gone. Out in the moonlight, just hopin’ you may be be gone.
G D G D
Somewhere a-walkin’, after midnight We can work it out. Somewhere a-walkin’, after midnight We can work it out.
Searching for me. G A Searching for me. G A
We can work it out. We can work it out.
I stop to see … I stop to see …
Think of what you’re saying. Think of what you’re saying.
I go out walkin’, after midnight You can get it wrong and still you think that I go out walkin’, after midnight You can get it wrong and still you think that
Out in the moonlight, just hopin’ you may be it’s alright. Out in the moonlight, just hopin’ you may be it’s alright.
Somewhere a-walkin’, after midnight Think of what I’m saying, Somewhere a-walkin’, after midnight Think of what I’m saying,
Searching for me. We can work it out and get it straight, or say Searching for me. We can work it out and get it straight, or say
good night. good night.
Was a Sunny Day |: We can work it out. :| Was a Sunny Day |: We can work it out. :|
Paul Simon Bm Em F# Paul Simon Bm Em F#
Life is very short, and there’s no time Life is very short, and there’s no time
Was a sunny day Bm Was a sunny day Bm
Not a cloud was in the sky For fussing and fighting, my friend. Not a cloud was in the sky For fussing and fighting, my friend.
Not a negative word was heard Em F# Not a negative word was heard Em F#
From the people passing by I have always thought that it’s a crime‚ , From the people passing by I have always thought that it’s a crime‚ ,
Bm Bm
Was a sunny day So I will ask you once again. Was a sunny day So I will ask you once again.
All the birdies in the trees All the birdies in the trees
And the radio’s singing song Try to see it my way, And the radio’s singing song Try to see it my way,
All the favorite melodies Only time will tell if I am right or I am All the favorite melodies Only time will tell if I am right or I am

134 134
 wrong. B7 Em wrong. B7 Em
While you see it your way We shall scrimp and save. While you see it your way We shall scrimp and save.
Am Am
There’s a chance that we may fall apart before grandchildren on your knee There’s a chance that we may fall apart before grandchildren on your knee
too long. C D7 G D7 too long. C D7 G D7
|: We can work it out. :| Vera, Chuck and D ave. |: We can work it out. :| Vera, Chuck and D ave.

When I’m sixty-four Send me a postcard, drop me a line When I’m sixty-four Send me a postcard, drop me a line
stating point of view. stating point of view.
Beatles 1967 Indicate precisely what you mean to say, Beatles 1967 Indicate precisely what you mean to say,
G
yours sincerely, wasting away. G
yours sincerely, wasting away.
When I get older, losing my hair, Give me your answer, fill in a form When I get older, losing my hair, Give me your answer, fill in a form
D 7
mine for evermore. D7 mine for evermore.
many years from now‚ Will you still need me, many years from now‚ Will you still need me,
will you still feed me will you still feed me
will you still be sending me a Valentine, will you still be sending me a Valentine,
G when I’m sixty-four? G when I’m sixty-four?
birthday greetings, bottle of wine? birthday greetings, bottle of wine?
When the Ship Comes in When the Ship Comes in
If I’d been out till quarter to three, If I’d been out till quarter to three,
G7 C Bob Dylan G7 C Bob Dylan
would you lock the door? would you lock the door?
E f7 E A E f7 E A
Will you still need me, Oh the time will come up when the wind will Will you still need me, Oh the time will come up when the wind will
G E7 E G E7 E
will you still feed me, stop will you still feed me, stop
A7 D7 G C# m A E A7 D7 G C# m A E
when I’m sixty- four? And the breeze will cease to be brea thin’ when I’m sixty- four? And the breeze will cease to be brea thin’
A A
Em D Em Like the stillness in the wind ’fore the hurricane Em D Em Like the stillness in the wind ’fore the hurricane
Hm. E Hm. E
B7 Em begins B7 Em begins
You’ll be older too, A E You’ll be older too, A E
Am The hour that the ship comes in. Am The hour that the ship comes in.
and if you say the word, G #m A E and if you say the word, G #m A E
C D7 G Oh the seas will split and the ship will hit C D7 G Oh the seas will split and the ship will hit
I could stay with you. G #m A E I could stay with you. G #m A E
And the sand on the shoreline will be shakin’ And the sand on the shoreline will be shakin’
I could be handy, mending a fuse E A I could be handy, mending a fuse E A
when your lights have gone. And the tide will sound and the waves will when your lights have gone. And the tide will sound and the waves will
E E
You can knit a sweater by the fireside, pound You can knit a sweater by the fireside, pound
Sunday morning go for a ride. E A B E Sunday morning go for a ride. E A B E
Doing the garden, digging the weeds, And the mornin’ will be brea kin’ ! Doing the garden, digging the weeds, And the mornin’ will be brea kin’ !
who could ask for more? who could ask for more?
Will you still need me, Oh the fishes will laugh as they swim out of Will you still need me, Oh the fishes will laugh as they swim out of
will you still feed me the path will you still feed me the path
when I’m sixty-four? And the seagulls, they’ll be smilin’ when I’m sixty-four? And the seagulls, they’ll be smilin’
And the rocks on the sand will proudly stand And the rocks on the sand will proudly stand
Em The hour that the ship comes in. Em The hour that the ship comes in.
Every summer we can rent a cottage, And the words that are used for to get the ship Every summer we can rent a cottage, And the words that are used for to get the ship
D Em D Em
in the Isle of W ight, if it’s not too dear. confused in the Isle of W ight, if it’s not too dear. confused

135 135
Will not be understood as they’re spoken’ Where have all the young girls gone? … Will not be understood as they’re spoken’ Where have all the young girls gone? …
For the chains of the sea will have busted in the Gone to young men everyone. … For the chains of the sea will have busted in the Gone to young men everyone. …
night night
And be buried on the bottom of the ocean. Where have all the young men gone? … And be buried on the bottom of the ocean. Where have all the young men gone? …
Oh a song will lift as the mainsail shifts Gone to soldiers everyone. … Oh a song will lift as the mainsail shifts Gone to soldiers everyone. …
And the boat drifts onto the shoreline Where have all the soldiers gone? … And the boat drifts onto the shoreline Where have all the soldiers gone? …
And the sun will respect every face on the deck Gone to graveyards everyone. … And the sun will respect every face on the deck Gone to graveyards everyone. …
The hour that the ship comes in. The hour that the ship comes in.
And the sands will roll out a carpet of gold Where have all the graveyards gone? … And the sands will roll out a carpet of gold Where have all the graveyards gone? …
For your weary toes to be a touchin’ Gone to flowers everyone. … For your weary toes to be a touchin’ Gone to flowers everyone. …
And the ship’s wise men will remind you once And the ship’s wise men will remind you once
again Where the Streets Have no Name again Where the Streets Have no Name
That the whole wide world is watchin’! U2 That the whole wide world is watchin’! U2
Oh the foes will rise with the sleep still in their D Oh the foes will rise with the sleep still in their D
eyes I want torun, eyes I want torun,
And they’ll jerk from their beds and think And they’ll jerk from their beds and think
they’re dreamin’ I want to hide they’re dreamin’ I want to hide
But they’ll pinch themselves and squeal and I want to tear down the walls But they’ll pinch themselves and squeal and I want to tear down the walls
they’ll know that it’s for real G they’ll know that it’s for real G
The hour that the ship comes in. that hold me inside The hour that the ship comes in. that hold me inside
And they’ll raise their hands sayin’ “We’ll Bm And they’ll raise their hands sayin’ “We’ll Bm
meet all your demands” I want to reach out meet all your demands” I want to reach out
A A
But we’ll shout from the bow “you’re days are and touch the flame But we’ll shout from the bow “you’re days are and touch the flame
numbered!” C4/9
numbered!” C4/9
And like Pharoah’s tribe they’ll be drowned in Where the streets have no name And like Pharoah’s tribe they’ll be drowned in Where the streets have no name
the tide the tide
And like Goliath they’ll be conquered! I want to feel, And like Goliath they’ll be conquered! I want to feel,
sunlight on my face sunlight on my face
Where Have All the Flowers Gone See that dust cloud disappear Where Have All the Flowers Gone See that dust cloud disappear
without a trace without a trace
Pete Seeger 1955 I want to take shelter Pete Seeger 1955 I want to take shelter
C Am F
from the poison rain C Am F
from the poison rain
Where have all the flowers gone, Where the streets have no name Where have all the flowers gone, Where the streets have no name
G G
long time passing. Where the streets have no name long time passing. Where the streets have no name
C Am Dm Where the streets have no name C Am Dm Where the streets have no name
Where have all the flowers gone, We’re still building then burning down love Where have all the flowers gone, We’re still building then burning down love
G G
Burning down love Burning down love
long time a go. long time a go.
C Am F And when I go there, I go there with you C Am F And when I go there, I go there with you
Where have all the flowers gone, It’s all I can do Where have all the flowers gone, It’s all I can do
G F G F
young girls picked them everyone. The city’s a flood young girls picked them everyone. The city’s a flood
C F And our love turns to rust C F And our love turns to rust
When will they ever learn, We’re beaten and blown by the wind When will they ever learn, We’re beaten and blown by the wind
G C G C
when will they ever learn? trampled in dust when will they ever learn? trampled in dust

136 136
I’ll show you a place Still my guitar gently weeps I’ll show you a place Still my guitar gently weeps
high on the desert plain high on the desert plain
Where the streets have no name I don’t know how Where the streets have no name I don’t know how
You were diverted You were diverted
Where the streets have no name … You were perverted too Where the streets have no name … You were perverted too
I don’t know how I don’t know how
Our love turns to rust You were inverted Our love turns to rust You were inverted
And we’re beaten and blown by the wind No one alerted you. And we’re beaten and blown by the wind No one alerted you.
Blown by the wind Blown by the wind
Oh and I see love I look at you all Oh and I see love I look at you all
See our love turn to rust See the love there that’s sleeping See our love turn to rust See the love there that’s sleeping
And we’re beaten and blown by the wind While my guitar gently weeps And we’re beaten and blown by the wind While my guitar gently weeps
Blown by the wind Look at you all … Blown by the wind Look at you all …
Oh when I go there I go there with you … Oh when I go there I go there with you …
It’s all I can do Still my guitar gently weeps. It’s all I can do Still my guitar gently weeps.

While My Guitar Gently Weeps Wild Mountain Thyme While My Guitar Gently Weeps Wild Mountain Thyme
Beatles 1968 E A E Beatles 1968 E A E
Oh, the summer time is coming Oh, the summer time is coming
Am Am 7 A E Am Am 7 A E
I look at you all And the trees are sweetly blooming I look at you all And the trees are sweetly blooming
D Dm Am A G #m C# m D Dm Am A G #m C# m
See the love there that’s sleeping And the wild mountain thyme See the love there that’s sleeping And the wild mountain thyme
G D E A F#m G D E A F#m
While my gui tar gently weeps Grows a round the blooming heather While my gui tar gently weeps Grows a round the blooming heather
Am Am 7 B7 E A E Am Am 7 B7 E A E
I look at you floor Will you go, lassie, go? I look at you floor Will you go, lassie, go?
D Dm Am D Dm Am
And I see it needs sweeping A E And I see it needs sweeping A E
G C EA And we all go together G C EA And we all go together
Still my guitar gently weeps A G #m C# m Still my guitar gently weeps A G #m C# m
To pluck wild mountain thyme To pluck wild mountain thyme
A C# m F # m A F#m A C# m F # m A F#m
I don’t know why All a round the blooming heather I don’t know why All a round the blooming heather
C# m Bm B7 E A E C# m Bm B7 E A E
Nobody told you W ill you go, lassie, go? Nobody told you W ill you go, lassie, go?
7 7
E E A E E A
How to unfold your love I will build my love a tower How to unfold your love I will build my love a tower
C# m F # m Near a pure and crystal fountain C# m F # m Near a pure and crystal fountain
I don’t know how And on it I will pile I don’t know how And on it I will pile
C# m Bm C# m Bm
Someone controlled you All the flowers of the mountain Someone controlled you All the flowers of the mountain
E E7 Will you go, lassie, go? E E7 Will you go, lassie, go?
They bought and sold you. They bought and sold you.
And we all go together … And we all go together …
I look at the world I look at the world
And I notice it’s turning If my true-love she were gone And I notice it’s turning If my true-love she were gone
While my guitar gently weeps I will surely find another While my guitar gently weeps I will surely find another
With every mistake Where wild mountain thyme With every mistake Where wild mountain thyme
We must surely be learning Grows around the blooming heather We must surely be learning Grows around the blooming heather
Will you go, lassie, go? Will you go, lassie, go?
137 137
And we all go together … Lalalala lalala lala lala la. Baby I love you, And we all go together … Lalalala lalala lala lala la. Baby I love you,
but if you wanna leave take good care, but if you wanna leave take good care,
Wild World hope you make a lot of nice friends out there, Wild World hope you make a lot of nice friends out there,
but just remember there’s a lot of bad, but just remember there’s a lot of bad,
Cat Stevens 1970 Cat Stevens 1970
and beware, beware, and beware, beware,
7
Am D G Am D7 G
Lalalala lalala lala l a Oh baby baby it’s a wild world … Lalalala lalala lala l a Oh baby baby it’s a wild world …
C7+ F C7+ F
Lalalala lalala lala l a Wish You Were Here Lalalala lalala lala l a Wish You Were Here
Dm E E 4 E Am Dm E E 4 E Am
Lalalala lalala lala lala lalala l ala. Pink Floyd 1975 Lalalala lalala lala lala lalala l ala. Pink Floyd 1975
7 7
Am D G C Am D G C
Now that I’ve lost everything to you‚ So, Now that I’ve lost everything to you‚ So,
C F D C F D
you say you want to start something new‚ so you think you can tell you say you want to start something new‚ so you think you can tell
Dm E Am Dm E Am
and it’s breaking my heart you’re leaving, heaven from hell, and it’s breaking my heart you’re leaving, heaven from hell,
E4 E Am G E4 E Am G
baby I’m grieving. blue skies from pain, baby I’m grieving. blue skies from pain,
7 7
D G D G
D D
But if you wanna leave take good care‚ can you tell a green field But if you wanna leave take good care‚ can you tell a green field
C F C F
C C
hope you have a lot of nice things to wear‚ hope you have a lot of nice things to wear‚
Dm E G from a cold steel rail Dm E G from a cold steel rail
Am Am
but then a lot of nice things turn bad out there. but then a lot of nice things turn bad out there.
C a smile from a veil C a smile from a veil
G G
do you think you can tell? do you think you can tell?
C G F G C G F G
Oh baby baby it’s a wild world, And did they get you to trade Oh baby baby it’s a wild world, And did they get you to trade
F C GC your heroes for ghosts, F C GC your heroes for ghosts,
it’s hard to get by just upon a smile. hot ashes for trees, it’s hard to get by just upon a smile. hot ashes for trees,
G F G G F G
Oh baby baby it’s a wild world. hot air for a cool breeze, Oh baby baby it’s a wild world. hot air for a cool breeze,
F C D9 E Am cold comfort for change, F C D9 E Am cold comfort for change,
I’ ll a lwa ys re membe r yo u l ik e a ch i ld, g ir l. did you exchange I’ ll a lwa ys re membe r yo u l ik e a ch i ld, g ir l. did you exchange
to walk in a part of the war to walk in a part of the war
You know I’ve seen a lot of what the world can for a lead role in a cage. You know I’ve seen a lot of what the world can for a lead role in a cage.
do, do,
and it’s breaking my heart in two, How I wish and it’s breaking my heart in two, How I wish
’cause I never want to see you sad girl, how I wish you were here, ’cause I never want to see you sad girl, how I wish you were here,
don’t be a bad girl, we’re just two lost souls swimming in a fish don’t be a bad girl, we’re just two lost souls swimming in a fish
but if you want to leave take good care, bowl but if you want to leave take good care, bowl
hope you make a lot of nice friends out there, year after year hope you make a lot of nice friends out there, year after year
but just remember there’s a lot of bad and running over that same old ground, but just remember there’s a lot of bad and running over that same old ground,
beware, beware, what have we found beware, beware, what have we found
same old fears same old fears
Oh baby baby it’s a wild world … wish you were here. Oh baby baby it’s a wild world … wish you were here.
Lalalala lalala lala la Lalalala lalala lala la
Lalalala lalala lala la Lalalala lalala lala la
138 138
With a Little Help from My Friends oh, I’m gonna try with a little help from my With a Little Help from My Friends oh, I’m gonna try with a little help from my
friends, friends,
Beatles 1967 Beatles 1967
E B #
F m #
F m 7 Do you need anybody … E B F#m F#m7
Do you need anybody …
What would you think if I sang out of tune‚ Oh, I get by with a little help from my friends, What would you think if I sang out of tune‚ Oh, I get by with a little help from my friends,
F#m B7 E F#m B7 E
would you stand up and walk out on me? mm, gonna try with a little help from my would you stand up and walk out on me? mm, gonna try with a little help from my
B F#m F#m7 friends, B F#m F#m7 friends,
Lend me your ears and I’ll sing you a song‚ oh, I get high with a little help from my Lend me your ears and I’ll sing you a song‚ oh, I get high with a little help from my
F#m B7 E friends, F#m B7 E friends,
and I’ll try not to sing out of key. D 9
A and I’ll try not to sing out of key. D9 A
D9 A E
yes, I get by with a little help from my friends‚ D9 A E
yes, I get by with a little help from my friends‚
C Am 6 E C Am 6 E
Oh, I get by with a little help from my friends‚ with a little help from my friends! Oh, I get by with a little help from my friends‚ with a little help from my friends!
9 9
D A D A
mm, I get high with a little help from my D9 Am 6 mm, I get high with a little help from my D9 Am 6
E xxo23o xo2314 E xxo23o xo2314
========= ========= ========= =========
friends‚ ||||||
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friends‚ ||||||
--------------
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--------------
A ||| || •
--------------
|| •• •
|
-------------- A ||| || •
--------------
|| •• • |
--------------
mm, gonna try with a little help from my |||| | •
--------------
||||||
-------------- mm, gonna try with a little help from my |||| | •
--------------
||||||
--------------
E (B) |||||| |||||| E (B) |||||| ||||||
friends. friends.
With or Without You With or Without You
What do I do when my love is away? What do I do when my love is away?
Does it worry you to be alone? U2 1987 Does it worry you to be alone? U2 1987
How do I feel by the end of the day? C G Am F C How do I feel by the end of the day? C G Am F C
are you sad because you’re on your own? G Am
are you sad because you’re on your own? G Am
No, I get by with a little help from my friends, See the stone set in your eyes‚ No, I get by with a little help from my friends, See the stone set in your eyes‚
F C F C
mm, get high with a little help from my see the thorns twist in your side mm, get high with a little help from my see the thorns twist in your side
friends, G Am F C friends, G Am F C
mm, gonna try with a little help from my I wait for you. mm, gonna try with a little help from my I wait for you.
friends. friends.
Sleight of hand and twist of fate Sleight of hand and twist of fate
C# m 7 F #7 on a bed of nails she makes me wait, C# m 7 F #7 on a bed of nails she makes me wait,
Do you need anybody? and I wait … without you. Do you need anybody? and I wait … without you.
E D A E D A
I need somebody to love. C G I need somebody to love. C G
C# m 7 F #7 With or with out you, C# m 7 F #7 With or with out you,
Could it be anybody? Am F C Could it be anybody? Am F C
E D A with or without you. E D A with or without you.
I want somebody to love. I want somebody to love.
Through the storm we reach the shore Through the storm we reach the shore
Would you believe in a love at first sight? you give it all but I want more Would you believe in a love at first sight? you give it all but I want more
Yes, I’m certain that it happens all the time. and I’m waiting for you. Yes, I’m certain that it happens all the time. and I’m waiting for you.
What do you see when you turn out the light? What do you see when you turn out the light?
C G C G
I can’t tell you but I know it’s mine. I can’t tell you but I know it’s mine.
With or with out you, With or with out you,
Am F Am F
Oh, I get by with a little help from my friends, Oh, I get by with a little help from my friends,
with or without you ah ah, with or without you ah ah,
mm, get high with a little help from my C G mm, get high with a little help from my C G
friends, I can’t live, friends, I can’t live,

139 139
 Am F C G Am F C Am F C G Am F C
with or without you. I feel wonderful with or without you. I feel wonderful
D G D Em D G D Em
C G Be cause I see the love light in your eyes C G Be cause I see the love light in your eyes
And you give yourself away , Bm C D And you give yourself away , Bm C D
Am F And the wonder of it all Am F And the wonder of it all
and you give yourself a way , C D and you give yourself a way , C D
C G Is that you just don’t rea lize C G Is that you just don’t rea lize
and you give, and you give, G (D C D) and you give, and you give, G (D C D)
Am F C How much I love you Am F C How much I love you
and you give yourself a way. and you give yourself a way.
It’s time to go home now It’s time to go home now
My hands are tied, And I’ve got an aching head My hands are tied, And I’ve got an aching head
my body bruised, she’s got me with So I give her the car keys my body bruised, she’s got me with So I give her the car keys
nothing to win and nothing left to lose. She helps me to bed nothing to win and nothing left to lose. She helps me to bed
And you give yourself away … And then I tell her And you give yourself away … And then I tell her
As I turn out the light As I turn out the light
With or without you … I say my darling, With or without you … I say my darling,
you were wonderful tonight you were wonderful tonight
Wonderful Tonight Oh my darling, Wonderful Tonight Oh my darling,
Eric Clapton you were wonderful tonight Eric Clapton you were wonderful tonight

G D C Yellow Submarine G D C Yellow Submarine

It’s late in the evening It’s late in the evening
D G Beatles 1966 D G Beatles 1966
She’s wondering what clothes to wear She’s wondering what clothes to wear
D C G D C G D C G D C G
She puts on her make up In the town where I was born She puts on her make up In the town where I was born
D C Em Am C D7 D C Em Am C D7
And brushes her long blonde hair Lived a man who sailed to sea And brushes her long blonde hair Lived a man who sailed to sea
D G G D C G D G G D C G
And then she asks me And he told us of his life And then she asks me And he told us of his life
D Em Em Am C D7 D Em Em Am C D7
Do I look alright In the land of submarines Do I look alright In the land of submarines
Bm C Bm C
An d I say yes, So we sailed unto the sun An d I say yes, So we sailed unto the sun
D G (D C D) till we found the sea of green D G (D C D) till we found the sea of green
you look wonderful tonight and we lived beneath the waves you look wonderful tonight and we lived beneath the waves
in our yellow submarine. in our yellow submarine.
We go a party We go a party
And everyone turns to see G D And everyone turns to see G D
This beautiful lady |: We all live in a yellow submarine, This beautiful lady |: We all live in a yellow submarine,
G G
That’s walking around with me yellow submarine, yellow submarine : | That’s walking around with me yellow submarine, yellow submarine : |
And then she asks me And then she asks me
Do you feel alright And our friends are all aboard Do you feel alright And our friends are all aboard
And I say yes, many more of them live next door, And I say yes, many more of them live next door,
I feel wonderful tonight and the band begins to play … I feel wonderful tonight and the band begins to play …
— —

140 140
We all live … Em 7 B f 7+ We all live … Em 7 B f 7+
o2oooo x13241 o2oooo x13241
========= ========= ========= =========
As we live a life of ease ||||||
--------------
| •••••
-------------- As we live a life of ease ||||||
--------------
| •••••
--------------
•
| ||||
-------------- •
||| ||
-------------- •
| ||||
-------------- •
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ev’ry one of us has all we need ||||||
-------------- • •
|| | |
--------------
ev’ry one of us has all we need ||||||
-------------- • •
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sky of blue and sea of green |||||| |||||| sky of blue and sea of green |||||| ||||||

in our yellow submarine. You Can’t Do that in our yellow submarine. You Can’t Do that
We all live … Beatles We all live … Beatles
Yesterday I got something to say that might cause you Yesterday I got something to say that might cause you
Beatles 1965 pain, Beatles 1965 pain,
If I catch you talking to that boy again, If I catch you talking to that boy again,
7
F Em I’m gonna let you down, F Em 7 I’m gonna let you down,
Yesterday And leave you flat, Yesterday And leave you flat,
A7 Dm B f 7+ A7 Dm B f 7+
all my troubles seemed so far away, Because I told you before, oh, all my troubles seemed so far away, Because I told you before, oh,
C7 F You can’t do that. C7 F You can’t do that.
now it looks as though they’re here to stay‚ now it looks as though they’re here to stay‚
C Dm7 G 7 Bf F Well, it’s the second time, I’ve caught you C Dm7 G 7 Bf F Well, it’s the second time, I’ve caught you
oh, I b elieve in yes terday. talking to him, oh, I b elieve in yes terday. talking to him,
Do I have to tell you one more time, I think it’s Do I have to tell you one more time, I think it’s
Suddenly, a sin, Suddenly, a sin,
I’m not half the man I used to be, I think I’ll let you down. I’m not half the man I used to be, I think I’ll let you down.
there’s a shadow hanging over me, (Let you down) there’s a shadow hanging over me, (Let you down)
oh yesterday came suddenly. And leave you flat, oh yesterday came suddenly. And leave you flat,
Em 7 A7 Dm C B f 7+ C C7 (Gonna let you down and leave you flat) Em 7 A7 Dm C B f 7+ C C7 (Gonna let you down and leave you flat)
Why she had to go I don’t know, she wouldn’t Because I’ve told you before, oh, Why she had to go I don’t know, she wouldn’t Because I’ve told you before, oh,
F You can’t do that. F You can’t do that.
say. say.
Em 7 A7 Dm C B f 7+ C Ev’rybody’s green, Em 7 A7 Dm C B f 7+ C Ev’rybody’s green,
I said something wrong‚ now I long for ’cause I’m the one, who won your love, I said something wrong‚ now I long for ’cause I’m the one, who won your love,
7 7
C F C F
yesterday. But if it’s seen, yesterday. But if it’s seen,
You’re talking that way they’d laugh in my You’re talking that way they’d laugh in my
Yesterday face. Yesterday face.
love was such an easy game to play, love was such an easy game to play,
now I need a place to hide away, So please listen to me, if you wanna stay mine, now I need a place to hide away, So please listen to me, if you wanna stay mine,
oh I believe in yesterday. I can’t help my feelings, I’ll go out of my oh I believe in yesterday. I can’t help my feelings, I’ll go out of my
mind. mind.
Why she … I know I’ll let you down, Why she … I know I’ll let you down,
(Let you down) (Let you down)
Yesterday Yesterday
And leave you flat, And leave you flat,
love was such an easy game to play, love was such an easy game to play,
(Gonna let you down and leave you flat) (Gonna let you down and leave you flat)
now I need a place to hide away, now I need a place to hide away,
Because I’ve told you before, oh, Because I’ve told you before, oh,
oh I believe in yesterday. oh I believe in yesterday.
You can’t do that. You can’t do that.
Dm7 G7 Bf F Dm7 G7 Bf F
Mm mm mm mm mm mm mm. Mm mm mm mm mm mm mm.

141 141
You Take my Breath away I don’t know why you should want to hide You Take my Breath away I don’t know why you should want to hide
A Bm E
But I can’t get through, my hands are tied. A Bm E
But I can’t get through, my hands are tied.
Sometimes it amazes me I won’t want to stay, I don’t have much to say, Sometimes it amazes me I won’t want to stay, I don’t have much to say,
D But I can turn away, and you won’t see me. D But I can turn away, and you won’t see me.
how strong the power of love can be, (You won’t see me) how strong the power of love can be, (You won’t see me)
E7 A You won’t see me. (You won’t see me) E7 A You won’t see me. (You won’t see me)
sometimes you just take my breath a way . sometimes you just take my breath a way .
D6 Dm6 A D6 Dm6 A
You watch my love grow like a child Time after time you refuse to even listen‚ You watch my love grow like a child Time after time you refuse to even listen‚
sometimes gentle and sometimes wild, B7 E4/7 E7 sometimes gentle and sometimes wild, B7 E4/7 E7
sometimes you just take my breath away. I wouldn’t mind if I knew what I was missing. sometimes you just take my breath away. I wouldn’t mind if I knew what I was missing.
E Though the days are few they’re filled with E Though the days are few they’re filled with
And it’s too good to sleep by, tears, And it’s too good to sleep by, tears,
A Bm A And since I lost you it feels like years. A Bm A And since I lost you it feels like years.
it’s too good to lose, Yes, it seems so long, girl since you’ve been it’s too good to lose, Yes, it seems so long, girl since you’ve been
E E7 A E E7 A
too good to be there just to use. gone, too good to be there just to use. gone,
E And I just can’t go on if you won’t see me. E And I just can’t go on if you won’t see me.
I’m going to stand on a mountain top (You won’t see me) I’m going to stand on a mountain top (You won’t see me)
F #m D7 F #m D7
You won’t see me. (You won’t see me) You won’t see me. (You won’t see me)
and tell the news and tell the news
E E7 A E E7 A
Time after time … Time after time …
that you take m y breath away. that you take m y breath away.
Though the days are few they’re filled with Though the days are few they’re filled with
Your beauty is there in all I see Your beauty is there in all I see
tears tears
and when I feel your eyes on me, and when I feel your eyes on me,
And since I lost you it feels like years And since I lost you it feels like years
oh, don’t you know you just take my breath oh, don’t you know you just take my breath
Yes, it seems so long, girl since you’ve been Yes, it seems so long, girl since you’ve been
away. away.
gone, gone,
My life is yours, my heart will be And I just can’t go on if you won’t see me. My life is yours, my heart will be And I just can’t go on if you won’t see me.
singing for you eternally, (You won’t see me) singing for you eternally, (You won’t see me)
oh, don’t you know you just take my breath You won’t see me. (You won’t see me) oh, don’t you know you just take my breath You won’t see me. (You won’t see me)
A B7 D A A B7 D A
away. away.
Ooh ooh la la la ooh ooh la la la … Ooh ooh la la la ooh ooh la la la …
And it’s too good to sleep by … And it’s too good to sleep by …
You Won’t See Me You Won’t See Me
A B 7
D A
You’ve Got to Hide Your Love away A B7 D A
You’ve Got to Hide Your Love away
When I call you up‚ your line’s engaged. Beatles 1965 When I call you up‚ your line’s engaged. Beatles 1965
A B7 D A A B7 D A
I have had enough, so act your age! G D 4
F 9
C G I have had enough, so act your age! G D4 F9 C G
A7 D Dm A Here I stand head in hand A7 D Dm A Here I stand head in hand
We have lost the time that was so hard to find‚ C F9 C We have lost the time that was so hard to find‚ C F9 C
B7 D A Turn my face to the wall B7 D A Turn my face to the wall
And I will lose my mind if you won’t see me G D4 F9 C G And I will lose my mind if you won’t see me G D4 F9 C G
If she’s gone I can’t go on If she’s gone I can’t go on
(you won’t see me) C F 9 C D (D 4 D) (you won’t see me) C F 9 C D (D 4 D)
D A Feelin’ two-foot small D A Feelin’ two-foot small
You won’t see me (you won’t see me) You won’t see me (you won’t see me)

142 142
Everywhere people stare How could she say to me Everywhere people stare How could she say to me
Each and every day Love will find a way Each and every day Love will find a way
I can see them laugh at me Gather round all you clowns I can see them laugh at me Gather round all you clowns
And I hear them say Let me hear you say And I hear them say Let me hear you say
G C Hey you’ve got to hide your love away. G C Hey you’ve got to hide your love away.
|: Hey you’ve got to hide your love Hey you’ve got to hide your love away. |: Hey you’ve got to hide your love Hey you’ve got to hide your love away.
4 9 4 9
D DD D D DD D
a w a y :| D4 F9 D9 a w a y :| D4 F9 D9
xxo134 xx3214 xxo23o xxo134 xx3214 xxo23o
========= ========= ========= ========= ========= =========
How can I even try ||||||
--------------
|||| | •
--------------
||||||
--------------
How can I even try ||||||
--------------
|||| | •
--------------
||||||
--------------
I can never win ||| || •
--------------
||| || •
--------------
||| || •
-------------- I can never win ||| || •
--------------
||| || •
--------------
||| || •
--------------
|||| ••
--------------
|| ||•
-------------- • |||| | •
--------------
|||| ••
--------------
|| ||•
-------------- • |||| | •
--------------
Hearing them, seeing them |||||| |||||| |||||| Hearing them, seeing them |||||| |||||| ||||||
In the state I’m in In the state I’m in

HYMNS in hac lacrimarum valle. HYMNS in hac lacrimarum valle.

Eia ergo, advocata nostra, Eia ergo, advocata nostra,
Regina Caeli illos tuos misericordes oculos ad nos converte. Regina Caeli illos tuos misericordes oculos ad nos converte.
Et Jesum, benedictum fructum ventris tui, Et Jesum, benedictum fructum ventris tui,
(Translation p. 271) (Translation p. 271)
nobis post hoc exilium ostende. nobis post hoc exilium ostende.
V. Regina caeli, laetare, alleluia. O clemens, o pia, o dulcis virgo Maria. V. Regina caeli, laetare, alleluia. O clemens, o pia, o dulcis virgo Maria.
A. Quia quem meruisti portare, alleluia. A. Quia quem meruisti portare, alleluia.
Non nobis Non nobis
V. Resurrexit sicut dixit, alleluia. V. Resurrexit sicut dixit, alleluia.
A. Ora pro nobis Deum, alleluia. Psalm 115 (113B) A. Ora pro nobis Deum, alleluia. Psalm 115 (113B)

V. Gaude et laetare, Virgo Maria, alleluia. Non nobis Domine Domine, V. Gaude et laetare, Virgo Maria, alleluia. Non nobis Domine Domine,
A. Quia surrexit Dominus vere, alleluia. non nobis Domine; A. Quia surrexit Dominus vere, alleluia. non nobis Domine;
Sed nomini, sed nomini Sed nomini, sed nomini
V. Oremus: Tuo da gloriam. V. Oremus: Tuo da gloriam.
Deus, qui per resurrectionem Filii tui Domini Not to us, Lord, not tu us, Deus, qui per resurrectionem Filii tui Domini Not to us, Lord, not tu us,
nostri Jesu Christi mundum universum But to your name give the glory. nostri Jesu Christi mundum universum But to your name give the glory.
laetificare dignatus es, praesta, quaesumus, ut laetificare dignatus es, praesta, quaesumus, ut
per eius Genitricem Virginem Mariam Parce Domine per eius Genitricem Virginem Mariam Parce Domine
perpetuae capiamus gaudia vitae. Per (Translation p. 270) perpetuae capiamus gaudia vitae. Per (Translation p. 270)
Christum Dominum nostrum. Amen. Christum Dominum nostrum. Amen.
Parce Domine, parce populo tuo Parce Domine, parce populo tuo
Salve Regina ne in aeternum irascaris nobis. Salve Regina ne in aeternum irascaris nobis.

(b 54) Before the Break of Daylight (b 54) Before the Break of Daylight
Salve, Regina, Before the break of daylight Salve, Regina, Before the break of daylight
mater misericordiae, We fervently keep vigil mater misericordiae, We fervently keep vigil
vita, dulcedo et spes nostra, salve. A hush befalls creation vita, dulcedo et spes nostra, salve. A hush befalls creation
Ad te clamamus, exules filii Evae. In silence sings the myst’ry. Ad te clamamus, exules filii Evae. In silence sings the myst’ry.
Ad te suspiramus, gementes et flentes Ad te suspiramus, gementes et flentes
143 143
Our watchful eyes are seeking illumini la notte che s’avanza. Our watchful eyes are seeking illumini la notte che s’avanza.
A Face within the darkness A Face within the darkness
Our hearts pour forth desires Fa che la nostra morte sia assorbita Our hearts pour forth desires Fa che la nostra morte sia assorbita
Now cleansed and raised to God. dalla luce gloriosa della Pasqua; Now cleansed and raised to God. dalla luce gloriosa della Pasqua;
e, morti ormai della tua stessa morte, e, morti ormai della tua stessa morte,
The shadows round dispersing, viviamo in te, che sei la nostra vita. The shadows round dispersing, viviamo in te, che sei la nostra vita.
The light of day transcending, The light of day transcending,
Our hope for days unending O Padre di bontà, te lo chiediamo Our hope for days unending O Padre di bontà, te lo chiediamo
Now blossoms with the dawn. per mezzo di tuo Figlio, che è risorto, Now blossoms with the dawn. per mezzo di tuo Figlio, che è risorto,
e per l’Amore eterno che ci guida e per l’Amore eterno che ci guida
And soon, the swell of morning verso la dolce luce del tuo volto. Amen. And soon, the swell of morning verso la dolce luce del tuo volto. Amen.
Will drench us in its sunlight. Will drench us in its sunlight.
O Father, in your mercy, Del giorno giunti al termine O Father, in your mercy, Del giorno giunti al termine
Bestow unto us life. Bestow unto us life.
Hymn of Night Prayer Hymn of Night Prayer
We ask that on this new day We ask that on this new day
Del giorno giunti al termine Del giorno giunti al termine
Which dawn has set in motion, Which dawn has set in motion,
o Creator degli esseri, o Creator degli esseri,
The kingdom of Christ Jesus The kingdom of Christ Jesus
la nostra attesa illumina, la nostra attesa illumina,
Be spread throughout the earth. Be spread throughout the earth.
la luce eterna svelaci. la luce eterna svelaci.
To You, O blessed Father, To You, O blessed Father,
Il nostro sonno vigili Il nostro sonno vigili
Your Word made flesh, our Savior, Your Word made flesh, our Savior,
la tua pietà dolcissima, la tua pietà dolcissima,
Your endless Love, the Spirit Your endless Love, the Spirit
dal male che ci affascina dal male che ci affascina
May praise be Yours forever. Amen. May praise be Yours forever. Amen.
il corpo stanco libera. il corpo stanco libera.
Dal sangue dell’Agnello riscattati Onnipotente ascoltaci, Dal sangue dell’Agnello riscattati Onnipotente ascoltaci,
(b 144) per noi Cristo ti supplica, (b 144) per noi Cristo ti supplica,
Hymn of Evening Prayer (Eastertide) 1 st q: F che regna in tutti i secoli Hymn of Evening Prayer (Eastertide) 1 st q: F che regna in tutti i secoli
con te e il Santo Spirito. Amen. con te e il Santo Spirito. Amen.
Dal sangue dell’Agnello riscattati, Dal sangue dell’Agnello riscattati,
purificate in lui le nostre vesti, Dio che di chiara luce purificate in lui le nostre vesti, Dio che di chiara luce
salvati e resi nuovi dall’Amore, salvati e resi nuovi dall’Amore,
(b 145) (b 145)
a te, Cristo Signor, diciamo lode. a te, Cristo Signor, diciamo lode.
Hymn of Evening Prayer (Tuesdays) Hymn of Evening Prayer (Tuesdays)
Con te, siamo saliti sulla Croce, Con te, siamo saliti sulla Croce,
Dio, che di chiara luce Dio, che di chiara luce
con te, nella tua morte, battezzati; con te, nella tua morte, battezzati;
tessi la trama al giorno, tessi la trama al giorno,
in te noi siamo, Cristo, ormai risorti in te noi siamo, Cristo, ormai risorti
accogli il nostro canto accogli il nostro canto
e in seno al Padre ritroviamo vita. e in seno al Padre ritroviamo vita.
nella quiete del vespro. nella quiete del vespro.
O Cristo, è la tua vita immensa fonte O Cristo, è la tua vita immensa fonte
Ecco, il sole scompare Ecco, il sole scompare
di gioia che zampilla eternamente: di gioia che zampilla eternamente:
all’estremo orizzonte, all’estremo orizzonte,
splendore senza fine, in te s’immerge splendore senza fine, in te s’immerge
scende l’ombra e il silenzio scende l’ombra e il silenzio
l’umana piccolezza dei redenti. l’umana piccolezza dei redenti.
sulle fatiche umane. sulle fatiche umane.
Il nostro giorno scorre declinando: Il nostro giorno scorre declinando:
Non si offuschi la mente Non si offuschi la mente
resta con noi, Signore, in questa sera, resta con noi, Signore, in questa sera,
nella notte del male, nella notte del male,
e la certezza della nostra fede e la certezza della nostra fede
ma rispecchi serena ma rispecchi serena
144 144
il tuo volto di luce. Rendiamo gloria unanimi il tuo volto di luce. Rendiamo gloria unanimi
al Padre e all’Unigenito; al Padre e all’Unigenito;
Te la voce proclami, e gloria al Santo Spirito, Te la voce proclami, e gloria al Santo Spirito,
te canti il nostro cuore, nei secoli dei secoli. Amen. te canti il nostro cuore, nei secoli dei secoli. Amen.
o Dio uno e trino, o Dio uno e trino,
te adori il nostro spirito. Amen. Fu luce la prima parola te adori il nostro spirito. Amen. Fu luce la prima parola
Eterno Creatore del mondo Hymn of Evening Prayer (Mondays) 1 st q: E Eterno Creatore del mondo Hymn of Evening Prayer (Mondays) 1 st q: E
Hymn of Morning Prayer (Tuesdays) 1 st q: C Fu luce la prima parola, Hymn of Morning Prayer (Tuesdays) 1 st q: C Fu luce la prima parola,
artefice sommo e sublime, artefice sommo e sublime,
Eterno Creatore del mondo, e fu con la luce il creato, Eterno Creatore del mondo, e fu con la luce il creato,
la notte col giorno tu alterni, inizio ebbe il corso del tempo. la notte col giorno tu alterni, inizio ebbe il corso del tempo.
e all’uomo tu doni riposo, e all’uomo tu doni riposo,
nel lento mutare dei tempi. Ai primi bagliori dell’alba, nel lento mutare dei tempi. Ai primi bagliori dell’alba,
risponde il chiarore del vespro, risponde il chiarore del vespro,
È quasi trascorsa la notte, e il cielo, che tingi di fuoco, È quasi trascorsa la notte, e il cielo, che tingi di fuoco,
avvolge il silenzio le cose: proclama la grande tua gloria. avvolge il silenzio le cose: proclama la grande tua gloria.
ci alziamo a cantar le tue lodi, ci alziamo a cantar le tue lodi,
solerti, in preghiera vegliamo. Anelito nuovo alla vita solerti, in preghiera vegliamo. Anelito nuovo alla vita
inturgida tutte le cose, inturgida tutte le cose,
Son queste le ore più grevi: si ergono in cerca del sole Son queste le ore più grevi: si ergono in cerca del sole
chi soffre ritrovi speranza, e poi si riposano in pace. chi soffre ritrovi speranza, e poi si riposano in pace.
si mondi ogni male, ogni colpa, si mondi ogni male, ogni colpa,
la luce ci faccia più puri. La pace più vera per noi la luce ci faccia più puri. La pace più vera per noi
è solo nel Cristo, tuo Figlio, è solo nel Cristo, tuo Figlio,
L’attesa ci trovi fratelli, che in alto levato da terra, L’attesa ci trovi fratelli, che in alto levato da terra,
uniti e redenti da Cristo; attira a sé tutte le cose. uniti e redenti da Cristo; attira a sé tutte le cose.
più forti ci renda la fede più forti ci renda la fede
e canti nel cuor la speranza. Eterno pastore dell’uomo, e canti nel cuor la speranza. Eterno pastore dell’uomo,
ei guida i suoi passi, sicuro, ei guida i suoi passi, sicuro,
Al Padre cantiamo la lode, nel buio che incombe sul mondo, Al Padre cantiamo la lode, nel buio che incombe sul mondo,
al Figlio, che è Luce da Luce, ai pascoli veri di vita. al Figlio, che è Luce da Luce, ai pascoli veri di vita.
e lode allo Spirito Santo, e lode allo Spirito Santo,
che è fonte eterna di vita. Amen. Con canti sinceri, inni nuovi, che è fonte eterna di vita. Amen. Con canti sinceri, inni nuovi,
per sempre sia gloria a te, Padre, per sempre sia gloria a te, Padre,
Eterno Dio immutabile al Figlio che tu ci hai donato Eterno Dio immutabile al Figlio che tu ci hai donato
e gloria allo Spirito Santo. Amen. e gloria allo Spirito Santo. Amen.
Hymn of Prayer During the Day Hymn of Prayer During the Day
Eterno Dio, immutabile, Immersi nel grande mistero Eterno Dio, immutabile, Immersi nel grande mistero
la fonte è in te dell’essere; Hymn of Morning Prayer (Wednesdays) la fonte è in te dell’essere; Hymn of Morning Prayer (Wednesdays)
nella tua pace immobile nella tua pace immobile
tu segni ai tempi il volgere. Immersi nel grande mistero tu segni ai tempi il volgere. Immersi nel grande mistero
che anima tutto il creato, che anima tutto il creato,
La vera luce donaci, cantiamo, nel giorno che nasce, La vera luce donaci, cantiamo, nel giorno che nasce,
le nostre vite vigila; l’immenso splendore del Padre. le nostre vite vigila; l’immenso splendore del Padre.
e nel tramonto fulgido e nel tramonto fulgido
i cuori in te si immergano. i cuori in te si immergano.
145 145
La luce che già trasfigura con il Padre e lo Spirito Santo. Amen. La luce che già trasfigura con il Padre e lo Spirito Santo. Amen.
le tenebre opache del male, le tenebre opache del male,
risvegli per noi la speranza L’aurora risplende di luce risvegli per noi la speranza L’aurora risplende di luce
del giorno di luce immortale. del giorno di luce immortale.
(b 143) (b 143)
La luce riveste le cose Hymn of Morning Prayer (Sundays, La luce riveste le cose Hymn of Morning Prayer (Sundays,
e svela la vita che nasce, Eastertide) 1st q: E e svela la vita che nasce, Eastertide) 1st q: E
sigillo d’eterna vittoria sigillo d’eterna vittoria
L’aurora risplende di luce, L’aurora risplende di luce,
nel Cristo risorto da morte. nel Cristo risorto da morte.
il cielo si veste di canti, il cielo si veste di canti,
A te, Dio, datore di luce, la terra inneggia gioiosa A te, Dio, datore di luce, la terra inneggia gioiosa
al Figlio, che è luce da luce, a Cristo risorto dai morti. al Figlio, che è luce da luce, a Cristo risorto dai morti.
sia lode e allo Spirito Santo sia lode e allo Spirito Santo
La vita ha distrutto la morte, La vita ha distrutto la morte,
che accende di luce la vita. Amen. che accende di luce la vita. Amen.
l’amore ha lavato il peccato; l’amore ha lavato il peccato;
Innalzate nei cieli lo sguardo e Cristo, splendore di gloria, Innalzate nei cieli lo sguardo e Cristo, splendore di gloria,
illumina il nostro mattino. illumina il nostro mattino.
(b 146) (b 146)
Hymn of Morning Prayer (Advent) 1 st q: E La notte è ormai tutta trascorsa Hymn of Morning Prayer (Advent) 1 st q: E La notte è ormai tutta trascorsa
nel nuovo fulgore del giorno, nel nuovo fulgore del giorno,
Innalzate nei cieli lo sguardo: con l’anima piena di gioia, Innalzate nei cieli lo sguardo: con l’anima piena di gioia,
la salvezza di Dio è vicina; in lui ci scopriamo fratelli. la salvezza di Dio è vicina; in lui ci scopriamo fratelli.
risvegliate nel cuore l’attesa, risvegliate nel cuore l’attesa,
per accogliere il Re della gloria. A noi, come già a Maddalena, per accogliere il Re della gloria. A noi, come già a Maddalena,
il Cristo risorto si sveli, il Cristo risorto si sveli,
Sorgerà dalla casa di David c’incontri e ci chiami per nome Sorgerà dalla casa di David c’incontri e ci chiami per nome
il Messia da tutti invocato; colui ch’era morto ed è vivo. il Messia da tutti invocato; colui ch’era morto ed è vivo.
prenderà da una vergine il corpo prenderà da una vergine il corpo
per potenza di Spirito Santo. Ritorni sul nostro cammino per potenza di Spirito Santo. Ritorni sul nostro cammino
e la sua parola c’infiammi: e la sua parola c’infiammi:
Vieni, o Re messaggero di pace, di nuovo, nel pane spezzato, Vieni, o Re messaggero di pace, di nuovo, nel pane spezzato,
reca al mondo il sorriso di Dio! vedremo il suo volto risorto. reca al mondo il sorriso di Dio! vedremo il suo volto risorto.
Nessun uomo ha mai visto il suo volto, Nessun uomo ha mai visto il suo volto,
solo tu puoi svelarci il mistero. Al nostro raduno concorde solo tu puoi svelarci il mistero. Al nostro raduno concorde
un ospite nuovo s’aggiunga: un ospite nuovo s’aggiunga:
Ora visita noi nella fede, confermi la debole fede Ora visita noi nella fede, confermi la debole fede
per donarci la vita di Dio: mostrando le piaghe gloriose. per donarci la vita di Dio: mostrando le piaghe gloriose.
tu ci offri il tuo corpo e il tuo sangue, tu ci offri il tuo corpo e il tuo sangue,
a salvezza del nostro peccato. In questa letizia pasquale, a salvezza del nostro peccato. In questa letizia pasquale,
rifatti di nuovo innocenti, rifatti di nuovo innocenti,
Noi crediamo che all’ultimo giorno a Cristo cantiamo la lode, Noi crediamo che all’ultimo giorno a Cristo cantiamo la lode,
tornerai con potenza e splendore, al Padre e allo Spirito Santo. Amen. tornerai con potenza e splendore, al Padre e allo Spirito Santo. Amen.
per premiare in eterno gli eletti per premiare in eterno gli eletti
e punire col fuoco i cattivi. e punire col fuoco i cattivi.
Fa’ che allora guardiamo sereni Fa’ che allora guardiamo sereni
il tuo volto raggiante di gloria, il tuo volto raggiante di gloria,
per seguirti lassù dove regni per seguirti lassù dove regni

146 146
Liberati dal giogo del male viviamo di gioia e d’amore. Liberati dal giogo del male viviamo di gioia e d’amore.
(b 147) Al Padre cantiamo la lode, (b 147) Al Padre cantiamo la lode,
Hymn of Evening Prayer (Lent) 1 st q: A al Figlio che è luce da luce; Hymn of Evening Prayer (Lent) 1 st q: A al Figlio che è luce da luce;
e gloria allo Spirito Santo, e gloria allo Spirito Santo,
Liberati dal giogo del male, che regna nei secoli. Amen. Liberati dal giogo del male, che regna nei secoli. Amen.
battezzati nell’acqua profonda, battezzati nell’acqua profonda,
noi giungiamo alla terra di prova O Cristo splendore divino noi giungiamo alla terra di prova O Cristo splendore divino
dove i cuori saran resi puri. dove i cuori saran resi puri.
Hymn of Morning Prayer (Fridays) 1 q: C
st
Hymn of Morning Prayer (Fridays) 1st q: C
Dal paese d’Egitto ci hai tratti Dal paese d’Egitto ci hai tratti
e cammini con noi nel deserto, O Cristo, splendore divino, e cammini con noi nel deserto, O Cristo, splendore divino,
per condurci alla santa montagna tu avvolgi con doni di luce per condurci alla santa montagna tu avvolgi con doni di luce
sulla quale s’innalza la Croce. il mondo che a vita si desta, sulla quale s’innalza la Croce. il mondo che a vita si desta,
levandolo al Padre in offerta. levandolo al Padre in offerta.
Tu sei l’acqua che sgorga dal sasso, Tu sei l’acqua che sgorga dal sasso,
sei la manna che sazia la fame, La grazia di questo mattino sei la manna che sazia la fame, La grazia di questo mattino
sei la nube che guida il cammino trasformi la terra in altare sei la nube che guida il cammino trasformi la terra in altare
e sei legge che illumina i cuori. e l’opera tutta dell’uomo e sei legge che illumina i cuori. e l’opera tutta dell’uomo
diventi oblazione di lode. diventi oblazione di lode.
Su te, roccia che t’alzi fra noi, Su te, roccia che t’alzi fra noi,
troveremo difesa ed appoggio Tra poco saremo saziati troveremo difesa ed appoggio Tra poco saremo saziati
e berremo alla fonte di vita dal tuo Sacramento vitale, e berremo alla fonte di vita dal tuo Sacramento vitale,
che ci lava dai nostri peccati. che fonde le nostre esistenze che ci lava dai nostri peccati. che fonde le nostre esistenze
nel mistico Corpo, tua Chiesa. nel mistico Corpo, tua Chiesa.
Tu ci guidi nell’Esodo nuovo Tu ci guidi nell’Esodo nuovo
alla gioia profonda di Pasqua: Davanti al tuo volto di luce, alla gioia profonda di Pasqua: Davanti al tuo volto di luce,
dalla morte passando alla vita dirigi il fluire del tempo, dalla morte passando alla vita dirigi il fluire del tempo,
giungeremo alla terra promessa. Amen. e al giorno che è senza tramonto giungeremo alla terra promessa. Amen. e al giorno che è senza tramonto
conduci il tuo popolo, o Cristo. conduci il tuo popolo, o Cristo.
Nel primo chiarore del giorno Nel primo chiarore del giorno
A te, luce vera del mondo, A te, luce vera del mondo,
(b 148) al Padre sorgente di luce, (b 148) al Padre sorgente di luce,
Hymn of Morning Prayer (Mondays) 1 st q: D al Fuoco, che è luce d’amore, Hymn of Morning Prayer (Mondays) 1 st q: D al Fuoco, che è luce d’amore,
in questo mattino sia gloria. Amen. in questo mattino sia gloria. Amen.
Nel primo chiarore del giorno, Nel primo chiarore del giorno,
vestite di luce e silenzio, O Trinità infinita vestite di luce e silenzio, O Trinità infinita
le cose si destan dal buio, le cose si destan dal buio,
com’era al principio del mondo. (b 148) com’era al principio del mondo. (b 148)
Hymn of Evening Prayer (Sundays) 1st q: B Hymn of Evening Prayer (Sundays) 1st q: B
E noi che di notte vegliammo, E noi che di notte vegliammo,
attenti alla fede del mondo, O Trinità infinita, attenti alla fede del mondo, O Trinità infinita,
protesi al ritorno di Cristo, cantiamo la tua gloria in questo vespro, protesi al ritorno di Cristo, cantiamo la tua gloria in questo vespro,
or verso la luce guardiamo. perché nel Cristo tu ci hai resi figli or verso la luce guardiamo. perché nel Cristo tu ci hai resi figli
e i nostri cuori sono tua dimora. e i nostri cuori sono tua dimora.
O Cristo, splendore del Padre, O Cristo, splendore del Padre,
vivissima luce divina, Eterno senza tempo, vivissima luce divina, Eterno senza tempo,
in te ci vestiam di speranza, sorgente della vita che non muore, in te ci vestiam di speranza, sorgente della vita che non muore,
a te la creazione fa ritorno a te la creazione fa ritorno
147 147
nell’incessante flusso dell’Amore. Prima che sorga l’alba nell’incessante flusso dell’Amore. Prima che sorga l’alba
Noi ti cantiamo, Immenso, (b 150) Noi ti cantiamo, Immenso, (b 150)
in questo breve sabato del tempo Hymn of Morning Prayer (Thursdays, in questo breve sabato del tempo Hymn of Morning Prayer (Thursdays,
che annuncia il grande giorno senza sera Saturdays, Lent) 1 st q: A che annuncia il grande giorno senza sera Saturdays, Lent) 1 st q: A
in cui vedremo te, vivente luce. in cui vedremo te, vivente luce.
Prima che sorga l’alba, Prima che sorga l’alba,
A te la nostra lode, vegliamo nell’attesa; A te la nostra lode, vegliamo nell’attesa;
o Trinità dolcissima e beata tace il creato e canta o Trinità dolcissima e beata tace il creato e canta
che sempre sgorghi e sempre rifluisci nel silenzio il mistero. che sempre sgorghi e sempre rifluisci nel silenzio il mistero.
nel quieto mare del tuo stesso Amore. nel quieto mare del tuo stesso Amore.
Amen. Il nostro sguardo cerca Amen. Il nostro sguardo cerca
un volto nella notte; un volto nella notte;
Per te solo è chiara la notte in cuore a Dio s’innalza Per te solo è chiara la notte in cuore a Dio s’innalza
più puro il desiderio. più puro il desiderio.
(b 149) (b 149)
Hymn of Evening Prayer (Christmastide) E mentre, lieve, l’ombra Hymn of Evening Prayer (Christmastide) E mentre, lieve, l’ombra
1st q: E cede al chiaror nascente, 1st q: E cede al chiaror nascente,
fiorisce la speranza fiorisce la speranza
Per te solo è chiara la notte, del giorno che non muore. Per te solo è chiara la notte, del giorno che non muore.
e le tenebre son come luce, e le tenebre son come luce,
generato dal seno del Padre Presto l’aurora in cielo generato dal seno del Padre Presto l’aurora in cielo
nell’eterno splendore dei cieli. ci inonderà di luce; nell’eterno splendore dei cieli. ci inonderà di luce;
la tua misericordia, la tua misericordia,
O Parola possente di Dio, o Padre, ci dia vita. O Parola possente di Dio, o Padre, ci dia vita.
tuo è il tempo, riempi ogni spazio, tuo è il tempo, riempi ogni spazio,
per te il mondo è stato creato, E questo nuovo giorno, per te il mondo è stato creato, E questo nuovo giorno,
tu sei l’alfa e l’omega di tutto. che l’alba per noi schiude, tu sei l’alfa e l’omega di tutto. che l’alba per noi schiude,
dilati in tutto il mondo dilati in tutto il mondo
Ineffabile grande mistero! il regno del tuo Figlio. Ineffabile grande mistero! il regno del tuo Figlio.
Canti il cielo ed esulti la terra: Canti il cielo ed esulti la terra:
oggi nasci da Vergine intatta, A te, o Padre santo, oggi nasci da Vergine intatta, A te, o Padre santo,
rivestito di carne mortale. all’unico tuo Verbo, rivestito di carne mortale. all’unico tuo Verbo,
all’infinito Amore, all’infinito Amore,
Come un povero vieni tra noi, sia lode in ogni tempo. Amen. Come un povero vieni tra noi, sia lode in ogni tempo. Amen.
ed il regno dei cieli ci annunci; ed il regno dei cieli ci annunci;
doni al mondo la vita di Dio, Raggiante fra tenebre dense doni al mondo la vita di Dio, Raggiante fra tenebre dense
ci redimi col prezzo del sangue. ci redimi col prezzo del sangue.
(b 151) (b 151)
Benedetta per sempre la terra! Hymn of Evening Prayer (Advent ) 1st q: F # Benedetta per sempre la terra! Hymn of Evening Prayer (Advent ) 1st q: F #
Qual rugiada disceso è il perdono, Qual rugiada disceso è il perdono,
nuovo amore si effonde su noi: Raggiante fra tenebre dense nuovo amore si effonde su noi: Raggiante fra tenebre dense
adoriamo in silenzio il mistero! viene tra noi Gesù, la luce vera; adoriamo in silenzio il mistero! viene tra noi Gesù, la luce vera;
cammineran le genti al suo fulgore, cammineran le genti al suo fulgore,
Per il Figlio che tu ci hai donato, a lui si volgeranno con amore. Per il Figlio che tu ci hai donato, a lui si volgeranno con amore.
nello Spirito, fonte di vita, nello Spirito, fonte di vita,
a te, Padre, sia gloria nei cieli, La via prepariamo per lui, a te, Padre, sia gloria nei cieli, La via prepariamo per lui,
e sia pace agli uomini in terra. Amen. esulteremo innanzi al nostro Dio e sia pace agli uomini in terra. Amen. esulteremo innanzi al nostro Dio

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che viene a noi qual fonte di salvezza, Sempre cantiam al rifiorir del giorno che viene a noi qual fonte di salvezza, Sempre cantiam al rifiorir del giorno
che viene a noi con equità ed amore. che viene a noi con equità ed amore.
Hymn of Morning Prayer (Lent) 1 q: G st
Hymn of Morning Prayer (Lent) 1st q: G
Venuto a redimere l’uomo, Venuto a redimere l’uomo,
l’attira a sé con umiltà e mitezza; Sempre cantiam al rifiorir del giorno, l’attira a sé con umiltà e mitezza; Sempre cantiam al rifiorir del giorno,
la fedeltà e la grazia manifesta, onnipotente Dio, le tue lodi: la fedeltà e la grazia manifesta, onnipotente Dio, le tue lodi:
presente in mezzo a noi sarà per sempre. sei fonte di bontà, tu sommo bene, presente in mezzo a noi sarà per sempre. sei fonte di bontà, tu sommo bene,
e misericordioso nel perdono. e misericordioso nel perdono.
Ai poveri porta l’annunzio: Ai poveri porta l’annunzio:
saranno i primi nel regno dei cieli; Con cuore aperto e colmo di fiducia, saranno i primi nel regno dei cieli; Con cuore aperto e colmo di fiducia,
saran chiamati popolo di Dio, dinanzi a te, Signore, ci prostriamo: saran chiamati popolo di Dio, dinanzi a te, Signore, ci prostriamo:
farà con loro un’alleanza eterna. allora l’umiltà diviene luce, farà con loro un’alleanza eterna. allora l’umiltà diviene luce,
la via alla verità a noi dischiude. la via alla verità a noi dischiude.
Un giorno avrà fine l’attesa: Un giorno avrà fine l’attesa:
saranno cieli nuovi e terra nuova! Nel nostro nulla solo in te speriamo, saranno cieli nuovi e terra nuova! Nel nostro nulla solo in te speriamo,
Dice il Signore: “Ecco, vengo presto!” in te la vita è nella sua pienezza: Dice il Signore: “Ecco, vengo presto!” in te la vita è nella sua pienezza:
Dice la sposa: “Sì, vieni, Signore!” Amen. la doni a noi per sempre nel tuo figlio, Dice la sposa: “Sì, vieni, Signore!” Amen. la doni a noi per sempre nel tuo figlio,
che nel suo grande amore s’è immolato. che nel suo grande amore s’è immolato.
Risplenda nella notte una gran luce Rifioriranno in lui tutte le cose Risplenda nella notte una gran luce Rifioriranno in lui tutte le cose
Hymn of Morning Prayer (Advent) nel giorno della luce e della gloria; Hymn of Morning Prayer (Advent) nel giorno della luce e della gloria;
verrà quel giorno, lo celebreremo, verrà quel giorno, lo celebreremo,
Risplenda nella notte una gran luce un canto nuovo allora canteremo. Risplenda nella notte una gran luce un canto nuovo allora canteremo.
discenda nel deserto la rugiada, discenda nel deserto la rugiada,
getti virgulti il ceppo inaridito O Trinità, nel gaudio ti adoriamo getti virgulti il ceppo inaridito O Trinità, nel gaudio ti adoriamo
e germini la terra il salvatore. o luce indefettibile ed eterna, e germini la terra il salvatore. o luce indefettibile ed eterna,
con il perdono dona nuova vita con il perdono dona nuova vita
Esulta d’allegrezza, o tu che piangi, e canteremo sempre le tue lodi. Amen. Esulta d’allegrezza, o tu che piangi, e canteremo sempre le tue lodi. Amen.
perché il tuo Dio sta per venirti incontro, perché il tuo Dio sta per venirti incontro,
alto risuoni un grido nel deserto: Sole che t’alzi alto risuoni un grido nel deserto: Sole che t’alzi
“La strada preparate al Dio che viene.” “La strada preparate al Dio che viene.”
Hymn of Morning Prayer (Christmastide) Hymn of Morning Prayer (Christmastide)
Al lungo desiderio delle genti Al lungo desiderio delle genti
risponderà un Dio fatto bambino, Sole che t’alzi nell’ombra di morte, risponderà un Dio fatto bambino, Sole che t’alzi nell’ombra di morte,
ed uscirà dal grembo di una donna oggi tu splendi alto sul creato, ed uscirà dal grembo di una donna oggi tu splendi alto sul creato,
colui che regge tutto l’universo. e fai brillare su tutti i nostri volti colui che regge tutto l’universo. e fai brillare su tutti i nostri volti
la primitiva immagine divina. la primitiva immagine divina.
Il mondo intero è vigile, in attesa Il mondo intero è vigile, in attesa
che l’ombra della notte si diradi; Parola eterna che rifletti il Padre, che l’ombra della notte si diradi; Parola eterna che rifletti il Padre,
alzate il vostro capo e contemplate: sei l’uomo nuovo in una carne santa, alzate il vostro capo e contemplate: sei l’uomo nuovo in una carne santa,
all’orizzonte già si leva Cristo. il compimento di promesse antiche, all’orizzonte già si leva Cristo. il compimento di promesse antiche,
la gioia e la salvezza della terra. la gioia e la salvezza della terra.
A lui, ch’è il vero sole di giustizia A lui, ch’è il vero sole di giustizia
cantiamo nell’avvento della vita, Agnello mite, nato da Maria, cantiamo nell’avvento della vita, Agnello mite, nato da Maria,
desiderando l’ultimo ritorno in te la creazione è liberata: desiderando l’ultimo ritorno in te la creazione è liberata:
che tutti ci consumi nell’amore. Amen. il cielo ha fatto pace con la terra che tutti ci consumi nell’amore. Amen. il cielo ha fatto pace con la terra
e l’universo canta la tua gloria. e l’universo canta la tua gloria.

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Per te segnati con sigillo eterno, Rorate … Per te segnati con sigillo eterno, Rorate …
siamo rinati ormai a nuova vita siamo rinati ormai a nuova vita
e nella gioia d’esser resi figli 4. Consolamini, consolamini, popule meus: e nella gioia d’esser resi figli 4. Consolamini, consolamini, popule meus:
possiam chiamare Dio col nome: “Padre”. cito veniet salus tua! possiam chiamare Dio col nome: “Padre”. cito veniet salus tua!
Quare moerore consumeris, Quare moerore consumeris,
Emmanuele, dolce Dio vicino, quia innovavit te dolor? Emmanuele, dolce Dio vicino, quia innovavit te dolor?
che hai posto la tua tenda in mezzo a noi, Salvabo te, noli timere; che hai posto la tua tenda in mezzo a noi, Salvabo te, noli timere;
in te, che sei il “sì” senza riserva, ego enim sum Dominus Deus tuus, in te, che sei il “sì” senza riserva, ego enim sum Dominus Deus tuus,
noi rispondiamo a Dio il nostro “Amen”. Sanctus Israel, Redemptor tuus. noi rispondiamo a Dio il nostro “Amen”. Sanctus Israel, Redemptor tuus.
Rorate … Rorate …
LATIN SONGS LATIN SONGS
Veni redemptor gentium Veni redemptor gentium
Rorate caeli desuper Rorate caeli desuper
Saint Ambrose Saint Ambrose
(b 50) 1 st q: F (b 50) 1 st q: F
1. Intende qui regis Israel 1. Intende qui regis Israel
Rorate, caeli, desuper, super cherubin qui sedes Rorate, caeli, desuper, super cherubin qui sedes
et nubes pluant justum. appare Ephrem coram excita et nubes pluant justum. appare Ephrem coram excita
potentiam tuam et veni. potentiam tuam et veni.
1. Ne irascaris Domine, 1. Ne irascaris Domine,
ne ultra memineris iniquitatis, 2. Veni redemptor gentium ne ultra memineris iniquitatis, 2. Veni redemptor gentium
ecce civitas Sancti facta est deserta, ostende partum virginis ecce civitas Sancti facta est deserta, ostende partum virginis
Sion deserta facta est, miretur omne saeculum Sion deserta facta est, miretur omne saeculum
Jerusalem desolata est, talis decet partum Deum. Jerusalem desolata est, talis decet partum Deum.
domus sanctificationis tuae et gloriae tuae, domus sanctificationis tuae et gloriae tuae,
ubi laudaverunt te, patres nostri. 3. Non ex virili semine ubi laudaverunt te, patres nostri. 3. Non ex virili semine
sed mystico spiramine sed mystico spiramine
Rorate … Verbum Dei factum est caro Rorate … Verbum Dei factum est caro
fructusque ventris floruit. fructusque ventris floruit.
2. Peccavimus, et facti sumus tamquam 2. Peccavimus, et facti sumus tamquam
immundus nos, 4. Alvus tumescit virginis immundus nos, 4. Alvus tumescit virginis
et cecidimus quasi folium universi: claustrum pudoris permanet et cecidimus quasi folium universi: claustrum pudoris permanet
et iniquitates nostrae quasi ventus abstulerunt vexilla virtutum micant et iniquitates nostrae quasi ventus abstulerunt vexilla virtutum micant
nos: versatur in templo Deus. nos: versatur in templo Deus.
abscondisti faciem tuam a nobis, abscondisti faciem tuam a nobis,
et allisisti nos in manu iniquitatis nostrae. 5. Procedit e talamo suo et allisisti nos in manu iniquitatis nostrae. 5. Procedit e talamo suo
pudoris aula regia pudoris aula regia
Rorate … geminae gigas substantiae Rorate … geminae gigas substantiae
alacris ut currat viam. alacris ut currat viam.
3. Vide Domine afflictionem populi tui, 3. Vide Domine afflictionem populi tui,
et mitte quem missurus es: 6. Egressus eius a Patre, et mitte quem missurus es: 6. Egressus eius a Patre,
emitte Agnum dominatorem terrae, regressus eius ad Patrem, emitte Agnum dominatorem terrae, regressus eius ad Patrem,
de petra deserti ad montem filiae Sion, excursus usque ad inferos de petra deserti ad montem filiae Sion, excursus usque ad inferos
ut auferat ipse jugum captivitatis nostrae. recursus ad sedem Dei. ut auferat ipse jugum captivitatis nostrae. recursus ad sedem Dei.
7. Aequalis aeterno Patri 7. Aequalis aeterno Patri
carnis tropaeo cingere carnis tropaeo cingere

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infirma nostri corporis Gaude … infirma nostri corporis Gaude …
virtute firmans perpeti. virtute firmans perpeti.
Attende Domine Attende Domine
8. Praesepe iam fulget tuum 8. Praesepe iam fulget tuum
lumenque nox spirat suum (b 20) 1 st q: D lumenque nox spirat suum (b 20) 1 st q: D
quod nulla nox interpolet quod nulla nox interpolet
Attende Domine et miserere, Attende Domine et miserere,
fideque iugi luceat. fideque iugi luceat.
quia peccavimus tibi. quia peccavimus tibi.
9. Deo Patri sit gloria 9. Deo Patri sit gloria
1. Ad te Rex summe, omnium Redemptor 1. Ad te Rex summe, omnium Redemptor
cuiusque soli Filio cuiusque soli Filio
oculos nostros sublevamus flentes: oculos nostros sublevamus flentes:
cum Spiritu Paraclito cum Spiritu Paraclito
exaudi, Christe, supplicantum preces. exaudi, Christe, supplicantum preces.
in sempiterna saecula. in sempiterna saecula.
Amen. Attende … Amen. Attende …
Veni veni Emmanuel 2. Dextera Patris, lapis angularis, Veni veni Emmanuel 2. Dextera Patris, lapis angularis,
via salutis, ianua caelestis, via salutis, ianua caelestis,
1. Veni, veni Emmanuel: ablue nostri maculas delicti. 1. Veni, veni Emmanuel: ablue nostri maculas delicti.
captivum solve Israel, captivum solve Israel,
qui gemit in exilio, Attende … qui gemit in exilio, Attende …
privatus Dei Filio. privatus Dei Filio.
3. Rogamus, Deus, tuam maiestatem: 3. Rogamus, Deus, tuam maiestatem:
Gaude, gaude! Emmanuel auribus sacris gemitus exaudi: Gaude, gaude! Emmanuel auribus sacris gemitus exaudi:
nascetur pro te, Israel. crimina nostra placidus indulge. nascetur pro te, Israel. crimina nostra placidus indulge.
2. Veni, o Iesse Virgula; Attende … 2. Veni, o Iesse Virgula; Attende …
ex hostis tuos ungula, ex hostis tuos ungula,
de spectu tuos tartari, 4. Tibi fatemur crimina admissa; de spectu tuos tartari, 4. Tibi fatemur crimina admissa;
educ, et antro barathri. contrito corde pandimus occulta; educ, et antro barathri. contrito corde pandimus occulta;
tua, Redemptor, pietas ignoscat. tua, Redemptor, pietas ignoscat.
Gaude … Gaude …
Attende … Attende …
3. Veni, veni, o Oriens; 3. Veni, veni, o Oriens;
solare nos adveniens; 5. Innocens captus, nec repugnans ductus, solare nos adveniens; 5. Innocens captus, nec repugnans ductus,
noctis depelle nebulas, testibus falsis pro impiis damnatus: noctis depelle nebulas, testibus falsis pro impiis damnatus:
dirasque noctis tenebras. quos redemisti, tu conserva, Christe! dirasque noctis tenebras. quos redemisti, tu conserva, Christe!

Gaude … Crux fidelis Gaude … Crux fidelis

4. Veni, Clavis Davidica; (b 29 [1, 7-10]; English version p. 15) 4. Veni, Clavis Davidica; (b 29 [1, 7-10]; English version p. 15)
regna reclude caelica; Crux fidelis, inter omnes regna reclude caelica; Crux fidelis, inter omnes
fac iter tutum superum, arbor una nobilis: fac iter tutum superum, arbor una nobilis:
et claude vias inferum. nulla silva talem profert, et claude vias inferum. nulla silva talem profert,
Gaude … fronde, flore, germine. Gaude … fronde, flore, germine.
Dulce lignum, dulces clavos, Dulce lignum, dulces clavos,
5. Veni, veni, Adonai, dulce pondus sustinet. 5. Veni, veni, Adonai, dulce pondus sustinet.
qui populo in Sinai, qui populo in Sinai,
legem dedisti vertice, 1. Pange, lingua, gloriosi legem dedisti vertice, 1. Pange, lingua, gloriosi
in maiestate gloriae. lauream certaminis, in maiestate gloriae. lauream certaminis,

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et super crucis trophaeo immolandus stipite. et super crucis trophaeo immolandus stipite.
dic triumphum nobilem: dic triumphum nobilem:
qualiter redemptor orbis Crux fidelis … qualiter redemptor orbis Crux fidelis …
immolatus vicerit. 7. Felle potus ecce languet, immolatus vicerit. 7. Felle potus ecce languet,
Crux fidelis … spina, clavi, lancea, Crux fidelis … spina, clavi, lancea,
mite corpus perforarunt, mite corpus perforarunt,
2. De parentis protoplasti unda manat et cruor: 2. De parentis protoplasti unda manat et cruor:
fraude factor condolens, terra, pontus, astra, mundus, fraude factor condolens, terra, pontus, astra, mundus,
quando pomi noxialis quo lavantur flumine. quando pomi noxialis quo lavantur flumine.
in necem morsu rui, in necem morsu rui,
ipse lignum tunc notavit, Crux fidelis … ipse lignum tunc notavit, Crux fidelis …
damna ligni ut solveret. 8. Flecte ramos, arbor alta, damna ligni ut solveret. 8. Flecte ramos, arbor alta,
Crux fidelis … tensa laxa viscera, Crux fidelis … tensa laxa viscera,
et rigor lentescat ille, et rigor lentescat ille,
3. Hoc opus nostrae salutis quem dedit nativitas: 3. Hoc opus nostrae salutis quem dedit nativitas:
ordo depoposcerat: et superni membra Regis ordo depoposcerat: et superni membra Regis
multiformis proditoris tende miti stipite. multiformis proditoris tende miti stipite.
ars ut artem falleret ars ut artem falleret
et medelam ferret inde, Crux fidelis … et medelam ferret inde, Crux fidelis …
hostis unde laeserat. 9. Sola digna tu fuisti hostis unde laeserat. 9. Sola digna tu fuisti
Crux fidelis … ferre mundi victimam: Crux fidelis … ferre mundi victimam:
atque portum praeparare atque portum praeparare
4. Quando venit ergo sacri arca mundo naufrago: 4. Quando venit ergo sacri arca mundo naufrago:
plenitudo temporis, quam sacer cruor perunxit, plenitudo temporis, quam sacer cruor perunxit,
missus est ab arce Patris fusus agni corpore. missus est ab arce Patris fusus agni corpore.
natus, orbis Conditor natus, orbis Conditor
atque ventre virginali Crux fidelis … atque ventre virginali Crux fidelis …
carne amictus prodiit. 10. Sempiterna sit beatae carne amictus prodiit. 10. Sempiterna sit beatae
Crux fidelis … Trinitati gloria: Crux fidelis … Trinitati gloria:
aequa Patri Filioque, aequa Patri Filioque,
5. Vagit infans inter arcta par decus Paraclito: 5. Vagit infans inter arcta par decus Paraclito:
conditus praesepia, unius Trinique nomen conditus praesepia, unius Trinique nomen
membra pannis involuta laudet universitas. Amen. membra pannis involuta laudet universitas. Amen.
Virga Mater alligat: Virga Mater alligat:
et Dei manus pedesque Crux fidelis … et Dei manus pedesque Crux fidelis …
stricta cingit fascia. stricta cingit fascia.
O filii et filiae O filii et filiae
Crux fidelis … Crux fidelis …
Jean Tisserand, O.F.M. († 1494) Jean Tisserand, O.F.M. († 1494)
6. Lustra sex qui iam peregit (b 38 [1-4, 11-12] 1st q: F # 6. Lustra sex qui iam peregit (b 38 [1-4, 11-12] 1st q: F #
tempus implens corporis, tempus implens corporis,
Alleluia, alleluia, alleluia. Alleluia, alleluia, alleluia.
sponte libera Redemptor sponte libera Redemptor
passioni deditus, 1. O filii et filiae, passioni deditus, 1. O filii et filiae,
agnus in Crucis levatur Rex coelestis, Rex gloria agnus in Crucis levatur Rex coelestis, Rex gloria

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morte surrexit hodie. Victimae paschali laudes morte surrexit hodie. Victimae paschali laudes
2. Et mane prima Sabbati T: Wipo of Bourgogne before 1050 – 2. Et mane prima Sabbati T: Wipo of Bourgogne before 1050 –
ad ostium monumenti M: 11 th century – 1st q: D ad ostium monumenti M: 11 th century – 1st q: D
accesserunt discipuli. accesserunt discipuli.
1. Victimae paschali laudes 1. Victimae paschali laudes
3. Et Maria Magdalene, immolent Christiani. 3. Et Maria Magdalene, immolent Christiani.
et Iacobi, et Salome et Iacobi, et Salome
Venerunt corpus ungere. 2. Agnus redemit oves: Venerunt corpus ungere. 2. Agnus redemit oves:
Christus innocens Patri Christus innocens Patri
4. In albis sedens angelus reconciliavit peccatores. 4. In albis sedens angelus reconciliavit peccatores.
praedixit mulieribus: praedixit mulieribus:
in Galilaea est Dominus. 3. Mors et vita duello in Galilaea est Dominus. 3. Mors et vita duello
conflixere mirando: conflixere mirando:
5. Et Ioannes apostolus dux vitae mortuus, regnat vivus. 5. Et Ioannes apostolus dux vitae mortuus, regnat vivus.
cucurrit Petro citius, cucurrit Petro citius,
monumento venit prius. 4. Dic nobis Maria, monumento venit prius. 4. Dic nobis Maria,
quid vidisti in via? quid vidisti in via?
6. Discipulis astantibus, Sepulcrum Christi viventis, 6. Discipulis astantibus, Sepulcrum Christi viventis,
in medio stetit Christus, et gloriam vidi resurgentis. in medio stetit Christus, et gloriam vidi resurgentis.
dicens: Pax vobis omnibus. dicens: Pax vobis omnibus.
5. Angelicos testes, 5. Angelicos testes,
7. Ut intellexit Didymus sudarium et vestes. 7. Ut intellexit Didymus sudarium et vestes.
quia surrexerat Iesus, Surrexit Christus spes mea, quia surrexerat Iesus, Surrexit Christus spes mea,
remansit fere dubius. praecedet suos in Galilaeam. remansit fere dubius. praecedet suos in Galilaeam.
8. “Vide Thoma, vide latus, 6. Scimus Christum surrexisse 8. “Vide Thoma, vide latus, 6. Scimus Christum surrexisse
vide pedes, vide manus, a mortuis vere vide pedes, vide manus, a mortuis vere
noli esse incredulus.” tu nobis victor Rex, noli esse incredulus.” tu nobis victor Rex,
miserere. miserere.
9. Quando Thomas vidit Christum, Amen. Halleluia. 9. Quando Thomas vidit Christum, Amen. Halleluia.
pedes, manus, latus suum, pedes, manus, latus suum,
dixit: “Tu es Deus meus.” O ignis Spiritus dixit: “Tu es Deus meus.” O ignis Spiritus
10. Beati qui non viderunt Hildegard of Bingen 10. Beati qui non viderunt Hildegard of Bingen
et firmiter crediderunt; et firmiter crediderunt;
vitam aeternam habebunt. 1. O ignis Spiritus Paracliti, vitam aeternam habebunt. 1. O ignis Spiritus Paracliti,
vita vitae omnis creature, vita vitae omnis creature,
11. In hoc festo sanctissimo sanctus es vivificando formas. 11. In hoc festo sanctissimo sanctus es vivificando formas.
sit laus et iubilatio: sit laus et iubilatio:
benedicamus Domino. 2. Sanctus es ungendo benedicamus Domino. 2. Sanctus es ungendo
periculose fractos; periculose fractos;
12. Ex quibus nos humillimas sanctus es tergendo 12. Ex quibus nos humillimas sanctus es tergendo
devotas atque debitas fetida vulnero. devotas atque debitas fetida vulnero.
Deo dicamus gratias. Deo dicamus gratias.
3. O spiraculum sanctitatis, 3. O spiraculum sanctitatis,
o ignis caritatis, o ignis caritatis,
o dulcis gustus in pectoribus o dulcis gustus in pectoribus
et infusio cordium et infusio cordium
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in bono odore virtutum. 2. Qui diceris Paraclitus, in bono odore virtutum. 2. Qui diceris Paraclitus,
altissimi donum Dei, altissimi donum Dei,
4. O fons purissimus, fons vivus, ignis, caritas, 4. O fons purissimus, fons vivus, ignis, caritas,
in quo consideratur et spiritalis unctio. in quo consideratur et spiritalis unctio.
quod Deus allenos colligit quod Deus allenos colligit
et perditos requirit. 3. Tu septiformis munere, et perditos requirit. 3. Tu septiformis munere,
digitus paternae dexterae, digitus paternae dexterae,
5. O lorica vitae et spes compaginis tu rite promissum Patris, 5. O lorica vitae et spes compaginis tu rite promissum Patris,
membrorum omnium, sermone ditans guttura. membrorum omnium, sermone ditans guttura.
et o cingulum honestatis, et o cingulum honestatis,
salva beatos. 4. Accende lumen sensibus, salva beatos. 4. Accende lumen sensibus,
infunde amorem cordibus, infunde amorem cordibus,
6. Custodi eos infirma nostri corporis 6. Custodi eos infirma nostri corporis
qui carcerati sunt ab inimico, virtute firmans perpeti. qui carcerati sunt ab inimico, virtute firmans perpeti.
et solve ligatos et solve ligatos
quos divina vis salvare vult. 5. Hostem repellas longius, quos divina vis salvare vult. 5. Hostem repellas longius,
pacemque dones protinus: pacemque dones protinus:
7. O iter fortissimum ductore sic te praevio, 7. O iter fortissimum ductore sic te praevio,
quod penetravit omnia; vitemus omne noxium. quod penetravit omnia; vitemus omne noxium.
in altissimis et in terrenis in altissimis et in terrenis
et in omnibus abyssis 6. Per te sciamus da Patrem, et in omnibus abyssis 6. Per te sciamus da Patrem,
tu omnes componis et colligis. noscamus atque Filium, tu omnes componis et colligis. noscamus atque Filium,
teque utriusque Spiritum teque utriusque Spiritum
8. De te nubes fluunt, credamus omni tempore. 8. De te nubes fluunt, credamus omni tempore.
aether volat, aether volat,
lapides humorem habent, 7. Deo Patri sit gloria, lapides humorem habent, 7. Deo Patri sit gloria,
aquae rivulos educunt, et Filio, qui a mortuis aquae rivulos educunt, et Filio, qui a mortuis
et terra viriditatem sudat. surrexit, ac Paraclito, et terra viriditatem sudat. surrexit, ac Paraclito,
in saeculorum saecula. Amen. in saeculorum saecula. Amen.
9. Tu etiam semper educis doctos 9. Tu etiam semper educis doctos
per inspirationem sapientis Veni Sancte Spiritus per inspirationem sapientis Veni Sancte Spiritus
laetificatos. laetificatos.
T: Stephen Langton ca. 1200 – M: Paris ca. T: Stephen Langton ca. 1200 – M: Paris ca.
10. Unde laus tibi sit, 1200 (b 63) 1st q: C 10. Unde laus tibi sit, 1200 (b 63) 1st q: C
qui es sonus laudis, Hymn of Evening Prayer (Wednesdays) qui es sonus laudis, Hymn of Evening Prayer (Wednesdays)
et gaudium vitae, et gaudium vitae,
spes et honor fortissimus 1. Veni Sancte Spiritus, spes et honor fortissimus 1. Veni Sancte Spiritus,
dans praemia lucis. et emitte caelitus dans praemia lucis. et emitte caelitus
lucis tuae radium. lucis tuae radium.
Veni Creator Spiritus Veni Creator Spiritus
2. Veni pater pauperum, 2. Veni pater pauperum,
T: attributed to Hrabanus Maurus, 9th century veni dator munerum, T: attributed to Hrabanus Maurus, 9th century veni dator munerum,
– M: Kempten ca. 1000 – 1 st q: F veni lumen cordium. – M: Kempten ca. 1000 – 1 st q: F veni lumen cordium.
1. Veni Creator Spiritus, 3. Consolator optime, 1. Veni Creator Spiritus, 3. Consolator optime,
mentes tuorum visita: dulcis hospes animae, mentes tuorum visita: dulcis hospes animae,
imple superna gratia dulce refrigerium. imple superna gratia dulce refrigerium.
quae tu creasti pectora. quae tu creasti pectora.

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4. In labore requies, Fac me tibi semper magis credere, 4. In labore requies, Fac me tibi semper magis credere,
in aestu temperies, in te spem habere, te diligere. in aestu temperies, in te spem habere, te diligere.
in fletu solatium. in fletu solatium.
5. O memoriale mortis Domini! 5. O memoriale mortis Domini!
5. O lux beatissima, Panis vivus, vitam praestans homini! 5. O lux beatissima, Panis vivus, vitam praestans homini!
reple cordis intima Praesta meae menti de te vivere reple cordis intima Praesta meae menti de te vivere
tuorum fidelium. et te illi semper dulce sapere. tuorum fidelium. et te illi semper dulce sapere.
6. Sine tuo numine, 6. Pie pellicane, Iesu Domine, 6. Sine tuo numine, 6. Pie pellicane, Iesu Domine,
nihil est in homine, me immundum munda tuo sanguine. nihil est in homine, me immundum munda tuo sanguine.
nihil est innoxium. Cuius una stilla salvum facere nihil est innoxium. Cuius una stilla salvum facere
totum mundum quit ab omni scelere. totum mundum quit ab omni scelere.
7. Lava quod est sordidum, 7. Lava quod est sordidum,
riga quod est aridum, 7. Iesu, quem velatum nunc aspicio, riga quod est aridum, 7. Iesu, quem velatum nunc aspicio,
sana quod est saucium. oro fiat illud quod tam sitio; sana quod est saucium. oro fiat illud quod tam sitio;
ut te revelata cernens facie, ut te revelata cernens facie,
8. Flecte quod est rigidum, visu sim beatus tuae gloriae. Amen. 8. Flecte quod est rigidum, visu sim beatus tuae gloriae. Amen.
fove quod est frigidum, fove quod est frigidum,
rege quod est devium. Ave verum rege quod est devium. Ave verum
9. Da tuis fidelibus (b 25) 9. Da tuis fidelibus (b 25)
in te confidentibus, in te confidentibus,
sacrum septenarium. Ave verum Corpus natum sacrum septenarium. Ave verum Corpus natum
de Maria virgine. de Maria virgine.
10. Da virtutis meritum, Vere passum, immolatum 10. Da virtutis meritum, Vere passum, immolatum
da salutis exitum, in cruce pro homine. da salutis exitum, in cruce pro homine.
da perenne gaudium. Amen. Cuius latus perforatum da perenne gaudium. Amen. Cuius latus perforatum
fluxit aqua et sanguine. fluxit aqua et sanguine.
Adoro te devote Esto nobis praegustatum Adoro te devote Esto nobis praegustatum
Thomas Aquinas (b 18) 1st q: C mortis in examine. Thomas Aquinas (b 18) 1st q: C mortis in examine.
O Iesu dulcis! O Iesu pie! O Iesu dulcis! O Iesu pie!
1. Adoro te devote, latens Deitas, O Iesu, Fili Mariae! 1. Adoro te devote, latens Deitas, O Iesu, Fili Mariae!
quae sub his figuris vere latitas: quae sub his figuris vere latitas:
tibi se cor meum totum subiicit, Lauda Sion Salvatorem tibi se cor meum totum subiicit, Lauda Sion Salvatorem
quia te contemplans totum deficit. quia te contemplans totum deficit.
Thomas Aquinas (cf. b 34 [4–6, 10–11, 15, Thomas Aquinas (cf. b 34 [4–6, 10–11, 15,
2. Visus, tactus, gustus in te fallitur, 20, 22–23]) 1st q: D 2. Visus, tactus, gustus in te fallitur, 20, 22–23]) 1st q: D
sed auditu solo tuto creditur. sed auditu solo tuto creditur.
credo quidquid dixit Dei Filius: Lauda Sion Salvatorem, credo quidquid dixit Dei Filius: Lauda Sion Salvatorem,
nil hoc verbo Veritatis verius. lauda ducem et pastorem, nil hoc verbo Veritatis verius. lauda ducem et pastorem,
in hymnis et canticis. in hymnis et canticis.
3. In cruce latebat sola Deitas, 3. In cruce latebat sola Deitas,
at hic latet simul et humanitas; 1. Quantum potes, tantum aude: at hic latet simul et humanitas; 1. Quantum potes, tantum aude:
ambo tamen credens atque confitens, quia maior omni laude, ambo tamen credens atque confitens, quia maior omni laude,
peto quod petivit latro paenitens. nec laudare sufficis. peto quod petivit latro paenitens. nec laudare sufficis.

4. Plagas, sicut Thomas, non intueor; 2. Laudis thema specialis, 4. Plagas, sicut Thomas, non intueor; 2. Laudis thema specialis,
Deum tamen meum te confiteor. panis vivus et vitalis Deum tamen meum te confiteor. panis vivus et vitalis

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hodie proponitur. 15. Sumit unus, sumunt mille: hodie proponitur. 15. Sumit unus, sumunt mille:
quantum isti, tantum ille: quantum isti, tantum ille:
3. Quem in sacrae mensae coenae, nec sumptus consumitur. 3. Quem in sacrae mensae coenae, nec sumptus consumitur.
turbae fratrum duodenae turbae fratrum duodenae
datum non ambigitur. 16. Sumunt boni, sumunt mali: datum non ambigitur. 16. Sumunt boni, sumunt mali:
sorte tamen inaequali, sorte tamen inaequali,
4. Sit laus plena, sit sonora, vitae vel interitus. 4. Sit laus plena, sit sonora, vitae vel interitus.
sit iucunda, sit decora sit iucunda, sit decora
mentis iubilatio. 17. Mors est malis, vita bonis: mentis iubilatio. 17. Mors est malis, vita bonis:
vide paris sumptionis vide paris sumptionis
5. Dies enim solemnis agitur, quam sit dispar exitus. 5. Dies enim solemnis agitur, quam sit dispar exitus.
in qua mensae prima recolitur in qua mensae prima recolitur
huius institutio. 18. Fracto demum sacramento, huius institutio. 18. Fracto demum sacramento,
ne vacilles, sed memento ne vacilles, sed memento
6. In hac mensa novi Regis, tantum esse sub fragmento, 6. In hac mensa novi Regis, tantum esse sub fragmento,
novum Pascha novae legis, quantum tot tegitur. novum Pascha novae legis, quantum tot tegitur.
phase vetus terminat. phase vetus terminat.
19. Nulla rei fit scissura: 19. Nulla rei fit scissura:
7. Vetustatem novitas, signi tantum fit fractura, 7. Vetustatem novitas, signi tantum fit fractura,
umbram fugat veritas, qua nec status, nec statura umbram fugat veritas, qua nec status, nec statura
noctem lux eliminat. signati minuitur. noctem lux eliminat. signati minuitur.
8. Quod in coena Christus gessit, 20. Ecce Panis Angelorum, 8. Quod in coena Christus gessit, 20. Ecce Panis Angelorum,
faciendum hoc expressit factus cibus viatorum: faciendum hoc expressit factus cibus viatorum:
in sui memoriam. vere panis filiorum, in sui memoriam. vere panis filiorum,
9. Docti sacris institutis, non mittendus canibus. 9. Docti sacris institutis, non mittendus canibus.
panem, vinum in salutis 21. In figuris praesignatur, panem, vinum in salutis 21. In figuris praesignatur,
consecramus hostiam. cum Isaac immolatur, consecramus hostiam. cum Isaac immolatur,
10. Dogma datur christianis, agnus Paschae deputatur, 10. Dogma datur christianis, agnus Paschae deputatur,
quod in carnem transit panis, datur manna patribus. quod in carnem transit panis, datur manna patribus.
et vinum in sanguinem. 22. Bone pastor, panis vere, et vinum in sanguinem. 22. Bone pastor, panis vere,
11. Quod non capis, quod non vides, Iesu, nostri miserere: 11. Quod non capis, quod non vides, Iesu, nostri miserere:
animosa firmat fides, tu nos pasce, nos tuere, animosa firmat fides, tu nos pasce, nos tuere,
praeter rerum ordinem. tu nos bona fac videre praeter rerum ordinem. tu nos bona fac videre
in terra viventium. in terra viventium.
12. Sub diversis speciebus, 12. Sub diversis speciebus,
signis tantum, et non rebus, 23. Tu qui cuncta scis et vales, signis tantum, et non rebus, 23. Tu qui cuncta scis et vales,
latent res eximiae. qui nos pascis hic mortales: latent res eximiae. qui nos pascis hic mortales:
tuos ibi commensales, tuos ibi commensales,
13. Caro cibus, sanguis potus: coheredes et sodales 13. Caro cibus, sanguis potus: coheredes et sodales
manet tamen Christus totus fac sanctorum civium. Amen. manet tamen Christus totus fac sanctorum civium. Amen.
sub utraque specie. sub utraque specie.
14. A sumente non concisus, 14. A sumente non concisus,
non confractus, non divisus: non confractus, non divisus:
integer accipitur. integer accipitur.

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Pange lingua gloriosi Aeterne rerum conditor (Ad galli cantum) Pange lingua gloriosi Aeterne rerum conditor (Ad galli cantum)
Thomas Aquinas (b 58 [5–6]) 1 q: E
st
Saint Ambrose (b 15) 1 q: G
st
Thomas Aquinas (b 58 [5–6]) 1 q: E
st
Saint Ambrose (b 15) 1st q: G
1. Pange lingua gloriosi 1. Aeterne rerum conditor, 1. Pange lingua gloriosi 1. Aeterne rerum conditor,
corporis mysterium, noctem diemque qui regis, corporis mysterium, noctem diemque qui regis,
sanguinisque pretiosi, et temporum das tempora sanguinisque pretiosi, et temporum das tempora
quem in mundi pretium ut alleves fastidium. quem in mundi pretium ut alleves fastidium.
fructus ventris generosi fructus ventris generosi
rex effudit gentium. 2. Praeco diei iam sonat, rex effudit gentium. 2. Praeco diei iam sonat,
noctis profundae pervigil, noctis profundae pervigil,
2. Nobis datus, nobis natus nocturna lux viantibus 2. Nobis datus, nobis natus nocturna lux viantibus
ex intacta Virgine, a nocte noctem segregans. ex intacta Virgine, a nocte noctem segregans.
et in mundo conversatus, et in mundo conversatus,
sparso verbi semine, 3. Hoc excitatus lucifer sparso verbi semine, 3. Hoc excitatus lucifer
sui moras incolatus solvit polum caligine; sui moras incolatus solvit polum caligine;
miro clausit ordine. hoc omnis erronum chorus miro clausit ordine. hoc omnis erronum chorus
vias nocendi deserit. vias nocendi deserit.
3. In suprema nocte coenae 3. In suprema nocte coenae
recumbus cum fratribus 4. Hoc nauta vires colligit recumbus cum fratribus 4. Hoc nauta vires colligit
observata lege plene pontique mitescunt freta; observata lege plene pontique mitescunt freta;
cibis in legalibus, hoc, ipse Petra Ecclesiae, cibis in legalibus, hoc, ipse Petra Ecclesiae,
cibum turbae duodenae canente, culpam diluit. cibum turbae duodenae canente, culpam diluit.
se dat suis manibus. 5. Surgamus ergo strenue: se dat suis manibus. 5. Surgamus ergo strenue:
4. Verbum caro, panem verum gallus iacentes excitat 4. Verbum caro, panem verum gallus iacentes excitat
Verbo carnem efficit: et somnolentes increpat, Verbo carnem efficit: et somnolentes increpat,
fitque sanguis Christi merum, gallus negantes arguit. fitque sanguis Christi merum, gallus negantes arguit.
et si sensus deficit, 6. Gallo canente spes redit, et si sensus deficit, 6. Gallo canente spes redit,
ad firmandum cor sincerum aegris salus refunditur, ad firmandum cor sincerum aegris salus refunditur,
sola fides sufficit. mucro latronis conditur, sola fides sufficit. mucro latronis conditur,
5. Tantum ergo Sacramentum lapsis fides revertitur. 5. Tantum ergo Sacramentum lapsis fides revertitur.
veneremur cernui: 7. Iesu, labantes respice veneremur cernui: 7. Iesu, labantes respice
et antiquum documentum et nos videndo corrige; et antiquum documentum et nos videndo corrige;
novo cedat ritui: si respicis, lapsus cadunt novo cedat ritui: si respicis, lapsus cadunt
praestet fides supplementum fletuque culpa solvitur. praestet fides supplementum fletuque culpa solvitur.
sensuum defectui. sensuum defectui.
8. Tu, lux, refulge sensibus 8. Tu, lux, refulge sensibus
6. Genitori, Genitoque mentisque somnum discute, 6. Genitori, Genitoque mentisque somnum discute,
laus et iubilatio, te nostra vox primum sonet laus et iubilatio, te nostra vox primum sonet
salus, honor, virtus quoque et vota solvamus tibi. salus, honor, virtus quoque et vota solvamus tibi.
sit et benedictio: sit et benedictio:
Procedenti ab utroque Procedenti ab utroque
compar sit laudatio. Amen. compar sit laudatio. Amen.

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Pater mi Iesu dulcis memoria Pater mi Iesu dulcis memoria
(b 46) Gregorian Hymn (b 33; translation p. 267) (b 46) Gregorian Hymn (b 33; translation p. 267)
1st q: A 1st q: A
Pater mi praecor te: ut tu vis fac de me. Hymn of Evening Prayer (Thursdays) Pater mi praecor te: ut tu vis fac de me. Hymn of Evening Prayer (Thursdays)
Miser sum, Deus scis, salvum fac sicut vis. Miser sum, Deus scis, salvum fac sicut vis.
1. Iesu dulcis memoria, 1. Iesu dulcis memoria,
Nemo tunc nocet me, cum ex corde credo te. dans vera cordis gaudia Nemo tunc nocet me, cum ex corde credo te. dans vera cordis gaudia
Virtus mea fugit me: salus mea apud te. sed super mel et omnia Virtus mea fugit me: salus mea apud te. sed super mel et omnia
Caecus sum quaero te, lapsus sum leva me. eius dulcis praesentia. Caecus sum quaero te, lapsus sum leva me. eius dulcis praesentia.
Manus tua fecit me: nullum praecor praeter te. 2. Nil canitur suavius, Manus tua fecit me: nullum praecor praeter te. 2. Nil canitur suavius,
Pater mi praecor te, ut tu vis fac de me. nil auditur iucundius, Pater mi praecor te, ut tu vis fac de me. nil auditur iucundius,
Nihil sum sine te: ut tu vis fac de me. nil cogitatur dulcius, Nihil sum sine te: ut tu vis fac de me. nil cogitatur dulcius,
quam Iesus Dei Filius. quam Iesus Dei Filius.
Conditor alme siderum Conditor alme siderum
3. Iesu spes paenitentibus, 3. Iesu spes paenitentibus,
1st q: G quam pius es petentibus! 1st q: G quam pius es petentibus!
Quam bonus te quaerentibus! Quam bonus te quaerentibus!
1. Conditor alme siderum, Sed quid invenientibus? 1. Conditor alme siderum, Sed quid invenientibus?
aeterna lux credentium, aeterna lux credentium,
Christe, redemptor omnium, 4. Nec lingua valet dicere, Christe, redemptor omnium, 4. Nec lingua valet dicere,
exaudi preces supplicum. nec littera exprimere: exaudi preces supplicum. nec littera exprimere:
expertus potest credere, expertus potest credere,
2. Qui condolens interitu quid sit Iesum diligere. 2. Qui condolens interitu quid sit Iesum diligere.
mortis perire saeculum, mortis perire saeculum,
salvasti mundum languidum, 5. Sis Iesu nostrum gaudium, salvasti mundum languidum, 5. Sis Iesu nostrum gaudium,
donans reis remedium. qui es futurum praemium: donans reis remedium. qui es futurum praemium:
sit nostra in te gloria, sit nostra in te gloria,
3. Vergente mundi vespere, per cuncta semper saecula. Amen. 3. Vergente mundi vespere, per cuncta semper saecula. Amen.
uti sponsus de thalamo, uti sponsus de thalamo,
egressus honestissima Iesu tibi vivo egressus honestissima Iesu tibi vivo
Virginis matris clausula. Virginis matris clausula.
(b 34) (b 34)
4. Cuius forti potentiae 4. Cuius forti potentiae
genu curvantur omnia; Iesu tibi vivo; genu curvantur omnia; Iesu tibi vivo;
caelestia, terrestia Iesu tibi morior caelestia, terrestia Iesu tibi morior
nutu fatentur subdita. Iesu sive vivo, sive morior nutu fatentur subdita. Iesu sive vivo, sive morior
tuus sum. tuus sum.
5. Te, Sancte, fide quaesumus, 5. Te, Sancte, fide quaesumus,
venture iudex saeculi, O quam amabilis venture iudex saeculi, O quam amabilis
conserva nos in tempore conserva nos in tempore
hostis a telo perfidi. (b 41; translation p. 270) hostis a telo perfidi. (b 41; translation p. 270)

6. Sit, Christe, rex piissime, 1. O quam amabilis es, bone Iesu, 6. Sit, Christe, rex piissime, 1. O quam amabilis es, bone Iesu,
tibi Patrique gloria quam delectabilis es, pie Iesu; tibi Patrique gloria quam delectabilis es, pie Iesu;
cum Spiritu Paraclito, o cordis iubilum, mentis solatium. cum Spiritu Paraclito, o cordis iubilum, mentis solatium.
in sempiterna saecula. Amen. O bone Iesu, o bone Iesu! in sempiterna saecula. Amen. O bone Iesu, o bone Iesu!

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2. Quam admirabilis es, bone Iesu, 4. Hic sacrosancti latices nocentum, 2. Quam admirabilis es, bone Iesu, 4. Hic sacrosancti latices nocentum,
quam honorabilis es, pie Iesu; diluunt culpas, perimuntque noxas: quam honorabilis es, pie Iesu; diluunt culpas, perimuntque noxas:
o cordis iubilum, mentis solatium. chrismate invictum genus et creatur o cordis iubilum, mentis solatium. chrismate invictum genus et creatur
O bone Iesu, o bone Iesu! christicolarum. O bone Iesu, o bone Iesu! christicolarum.
3. Quam venerabilis es, bone Iesu, 5. Hic salus aegris, medicina fessis, 3. Quam venerabilis es, bone Iesu, 5. Hic salus aegris, medicina fessis,
semper laudabilis es, pie Iesu; lumen et caecis datur: hic reatu, semper laudabilis es, pie Iesu; lumen et caecis datur: hic reatu,
o cordis iubilum, mentis solatium. Christe, nos solvis; timor atque moeror o cordis iubilum, mentis solatium. Christe, nos solvis; timor atque moeror
O bone Iesu, o bone Iesu! pellitur omnis. O bone Iesu, o bone Iesu! pellitur omnis.
4. Gregi fidelium da, bone Iesu, 6. Daemonis saevi perit hic rapina: 4. Gregi fidelium da, bone Iesu, 6. Daemonis saevi perit hic rapina:
salutis exitum da, pie Iesu; pervicax monstrum pavet, et retentos salutis exitum da, pie Iesu; pervicax monstrum pavet, et retentos
post vitae terminum perenne gaudium. deserens artus, fugit in remotas post vitae terminum perenne gaudium. deserens artus, fugit in remotas
O bone Iesu, o bone Iesu! ocyus auras. O bone Iesu, o bone Iesu! ocyus auras.

Jesu rex admirabilis 7. Hic locus Regis vocitatur aula Jesu rex admirabilis 7. Hic locus Regis vocitatur aula
nempe caelestis, rutilansque caeli nempe caelestis, rutilansque caeli
G. P. da Palestrina (translation p. 267) porta, quae vitae patriam petentes G. P. da Palestrina (translation p. 267) porta, quae vitae patriam petentes
accipit omnes. accipit omnes.
Jesu rex admirabilis Jesu rex admirabilis
Et triumphator nobilis, 8. Turbo quem nullus quatit, aut vagantes Et triumphator nobilis, 8. Turbo quem nullus quatit, aut vagantes
Duleedo ineffabilis, diruunt venti, penetrantque nimbi, Duleedo ineffabilis, diruunt venti, penetrantque nimbi,
|: Totus desiderabilis. :| hanc domum tetris piceus tenebris |: Totus desiderabilis. :| hanc domum tetris piceus tenebris
tartarus horret. tartarus horret.
Mane nobiscum Domine Mane nobiscum Domine
Et nos illustra lumine, 9. Ergo te votis petimus sereno Et nos illustra lumine, 9. Ergo te votis petimus sereno
Pulsa mentis caligine, annuas vultu; famulos gubernes, Pulsa mentis caligine, annuas vultu; famulos gubernes,
|: Mundum reple dulcedine. :| qui tui summo celebrant amore |: Mundum reple dulcedine. :| qui tui summo celebrant amore
gaudia templi. gaudia templi.
Christe cunctorum Christe cunctorum
10. Nulla nos vitae cruciet procella: 10. Nulla nos vitae cruciet procella:
(b 25) sint dies laeti placidaeque noctes (b 25) sint dies laeti placidaeque noctes
1. Christe, cunctorum dominator alme, nullus ex nobis, pereunte mundo, 1. Christe, cunctorum dominator alme, nullus ex nobis, pereunte mundo,
mente Supremi generate Patris, sentiat ignem. mente Supremi generate Patris, sentiat ignem.
supplicum voces pariterque carmen 11. Hic dies, in quo tibi consecratum, supplicum voces pariterque carmen 11. Hic dies, in quo tibi consecratum,
cerne benignus. conspicis Templum, tribuat perenne cerne benignus. conspicis Templum, tribuat perenne
2. Cerne, quod Templi, Deus, ad decorem gaudium nobis, vigeatque longo 2. Cerne, quod Templi, Deus, ad decorem gaudium nobis, vigeatque longo
plebs Tua supplex resonet per Aedem, temporis usu. plebs Tua supplex resonet per Aedem, temporis usu.
annuo cuius redeunt colenda 12. Laus poli summum resonet Parentem annuo cuius redeunt colenda 12. Laus poli summum resonet Parentem
tempore festa. laus, Patris Natum pariterque Sanctum tempore festa. laus, Patris Natum pariterque Sanctum
3. Haec Domus surgit tibi dedicata Spiritum dulci moduletur hymno 3. Haec Domus surgit tibi dedicata Spiritum dulci moduletur hymno
rito, ubi sumit populus sacratum omne per aevum. Amen. rito, ubi sumit populus sacratum omne per aevum. Amen.
corpus ex aris, bibit et beati corpus ex aris, bibit et beati
sanguinis haustum. sanguinis haustum.

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Dulcis Christe quae Deo placuit. Dulcis Christe quae Deo placuit.
M. Grancini (1605–1669) Nam haec superna infusio M. Grancini (1605–1669) Nam haec superna infusio
(b 30; translation p. 263) in te fuit, (b 30; translation p. 263) in te fuit,
quod supernum verbum quod supernum verbum
Dulcis Christe, o bone Deus, in te carnem induit. Dulcis Christe, o bone Deus, in te carnem induit.
o amor meus, o vita mea, o amor meus, o vita mea,
o salus mea, o gloria mea. Tu candidum lilium, o salus mea, o gloria mea. Tu candidum lilium,
quod Deus ante omnem creaturam quod Deus ante omnem creaturam
Tu es Creator, inspexit. Tu es Creator, inspexit.
tu es Salvator mundi. tu es Salvator mundi.
O pulcherrima O pulcherrima
Te volo, te quaero, et dulcissima; Te volo, te quaero, et dulcissima;
te adoro, o dulcis Amor quam valde Deus in te delectabatur! te adoro, o dulcis Amor quam valde Deus in te delectabatur!
te adoro, o care Iesu. Cum amplexione caloris sui te adoro, o care Iesu. Cum amplexione caloris sui
in te posuit ita quod filius eius in te posuit ita quod filius eius
Ubi caritas Ubi caritas
de te lactatus est. de te lactatus est.
(b 62) 1st q: F (b 62) 1st q: F
Venter enim tuus Venter enim tuus
Ubi caritas et amor, Deus ibi est. gaudium habuit, Ubi caritas et amor, Deus ibi est. gaudium habuit,
cum omnis caelestis symphonia cum omnis caelestis symphonia
Congregavit nos in unum Christi amor, de te sonuit. Congregavit nos in unum Christi amor, de te sonuit.
exultemus, et in ipso iucundemur! Quia, virgo, filium Dei portasti exultemus, et in ipso iucundemur! Quia, virgo, filium Dei portasti
Timeamus, et amemus Deum vivum. ubi castitas tua in Deo claruit. Timeamus, et amemus Deum vivum. ubi castitas tua in Deo claruit.
Et ex corde diligamus nos sincero. Viscera tua gaudium habuerunt, Et ex corde diligamus nos sincero. Viscera tua gaudium habuerunt,
Ubi caritas … sicut gramen super quod ros cadit Ubi caritas … sicut gramen super quod ros cadit
cum ei viriditatem infundit; cum ei viriditatem infundit;
Simul ergo cum in unum congregamur ut et in te factum est, Simul ergo cum in unum congregamur ut et in te factum est,
ne nos mente dividamur caveamus; o mater omnis gaudii. ne nos mente dividamur caveamus; o mater omnis gaudii.
cessent iurgia maligna, cessent lites cessent iurgia maligna, cessent lites
et in medio nostri sit Christus Deus. Nunc omnis Ecclesia et in medio nostri sit Christus Deus. Nunc omnis Ecclesia
in gaudio rutilet in gaudio rutilet
Ubi caritas … ac in symphonia sonet Ubi caritas … ac in symphonia sonet
propter dulcissimam virginem propter dulcissimam virginem
Simul quoque cum beatis videamus et laudabilem Mariam Simul quoque cum beatis videamus et laudabilem Mariam
glorianter vultum tuum, Christe Deus; Dei genitricem. Amen. glorianter vultum tuum, Christe Deus; Dei genitricem. Amen.
gaudium, quod est immensum, atque probum, gaudium, quod est immensum, atque probum,
saecula per infinita saeculorum. Amen. Ave maris stella saecula per infinita saeculorum. Amen. Ave maris stella
Ave generosa (b 23) Ave generosa (b 23)
Hymn of Evening Prayer (Saturdays) Hymn of Evening Prayer (Saturdays)
Hildegard of Bingen (b 21) Hildegard of Bingen (b 21)
1. Ave, maris stella, 1. Ave, maris stella,
Ave, generosa, Dei mater alma Ave, generosa, Dei mater alma
gloriosa atque semper virgo, gloriosa atque semper virgo,
et intacta puella, felix caeli porta. et intacta puella, felix caeli porta.
tu pupilla castitatis, tu pupilla castitatis,
tu materia sanctitatis, tu materia sanctitatis,
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2. Sumens illud Ave, Isti sunt agni novelli 2. Sumens illud Ave, Isti sunt agni novelli
Gabrielis ore, Gabrielis ore,
funda nos in pace, (b 31) funda nos in pace, (b 31)
mutans Evae nomen. Isti sunt agni novelli, mutans Evae nomen. Isti sunt agni novelli,
3. Solve vincla reis, qui annuntiaverunt, alleluia: 3. Solve vincla reis, qui annuntiaverunt, alleluia:
profer lumen caecis, modo venerunt ad fontes, profer lumen caecis, modo venerunt ad fontes,
mala nostra pelle, repleti sunt claritate, alleluia, alleluia. mala nostra pelle, repleti sunt claritate, alleluia, alleluia.
bona cuncta posce. 1. O Regina, quam divina bona cuncta posce. 1. O Regina, quam divina
4. Monstra te esse matrem, praeelegit gratia, 4. Monstra te esse matrem, praeelegit gratia,
sumat per te precem cuius partus sacrosanctus sumat per te precem cuius partus sacrosanctus
qui, pro nobis natus, instauravit omnia. qui, pro nobis natus, instauravit omnia.
tulit esse tuus. 2. O Maria, Mater pia, tulit esse tuus. 2. O Maria, Mater pia,
5. Virgo singularis, tuum da subsidium, 5. Virgo singularis, tuum da subsidium,
inter omnes mitis, quo vincamus et vivamus inter omnes mitis, quo vincamus et vivamus
nos, culpis solutos, in terra viventium. nos, culpis solutos, in terra viventium.
mites fac et castos. 3. Christianis vitae panis mites fac et castos. 3. Christianis vitae panis
6. Vitam praesta puram, datur in edulium: 6. Vitam praesta puram, datur in edulium:
iter para tutum, datur tristi sanguis Christi iter para tutum, datur tristi sanguis Christi
ut videntes Iesum, dulce refrigerium. ut videntes Iesum, dulce refrigerium.
semper collaetemur. 4. Primum quidem nobis fidem semper collaetemur. 4. Primum quidem nobis fidem
7. Sit laus Deo Patri, tuis auge precibus, 7. Sit laus Deo Patri, tuis auge precibus,
summo Christo decus, et da nobis ut te probis summo Christo decus, et da nobis ut te probis
Spiritui Sancto imitemur actibus. Spiritui Sancto imitemur actibus.
honor, tribus unus. Amen. 5. Spe labentes firma mentes honor, tribus unus. Amen. 5. Spe labentes firma mentes
caritate robora; caritate robora;
Ave Regina caelorum fac concordes pelle sordes, Ave Regina caelorum fac concordes pelle sordes,
(Translation p. 261) excusa facinora. (Translation p. 261) excusa facinora.

Ave Regina caelorum, 6. Mater bona nobis dona Ave Regina caelorum, 6. Mater bona nobis dona
Ave Domina Angelorum: tuum patrocinium, Ave Domina Angelorum: tuum patrocinium,
Salve radix, salve porta, ut regnemus et laudemus Salve radix, salve porta, ut regnemus et laudemus
Ex qua mundo lux est orta, tuum semper Filium. Ex qua mundo lux est orta, tuum semper Filium.
Gaude Virgo gloriosa, Gaude Virgo gloriosa,
Super omnes speciosa: Nitida stella Super omnes speciosa: Nitida stella
Vale, o valde decora, Anonimo / Marco Gemmani (b 36) Vale, o valde decora, Anonimo / Marco Gemmani (b 36)
Et pro nobis Christum exora. Et pro nobis Christum exora.
1. Nitida stella, alma puella, 1. Nitida stella, alma puella,
tu es florum flos: tu es florum flos:
o mater pia, Virgo Maria, o mater pia, Virgo Maria,
ora pro nobis! ora pro nobis!

161 161
2. Iesu Salvator, mundi amator, Esto tutrix et adiutrix christiani populi; 2. Iesu Salvator, mundi amator, Esto tutrix et adiutrix christiani populi;
tu es florum flos: pacem praesta, ne molesta nos perturbent tu es florum flos: pacem praesta, ne molesta nos perturbent
o Iesu pie, fili Mariae, saecula. Amen. o Iesu pie, fili Mariae, saecula. Amen.
eia audi nos! eia audi nos!
O spes mea cara O spes mea cara
3. Mater benigna, honore digna, 3. Mater benigna, honore digna,
tu es florum flos: (b 42; translation p. 270) 1st q: D tu es florum flos: (b 42; translation p. 270) 1st q: D
o mater pia, Virgo Maria, o mater pia, Virgo Maria,
O spes mea cara, Maria praeclara, O spes mea cara, Maria praeclara,
ora pro nobis. ora pro nobis.
e valle amara imploro te. e valle amara imploro te.
4. Alme Rex regum, conditor Legum, Exaudi praecantem, solare clamantem, 4. Alme Rex regum, conditor Legum, Exaudi praecantem, solare clamantem,
tu es florum flos: confirma labantem, et serva me. tu es florum flos: confirma labantem, et serva me.
o Iesu pie, fili Marie, o Iesu pie, fili Marie,
Per blanda per dura, ad non peritura Per blanda per dura, ad non peritura
eia audi nos! eia audi nos!
o fortis, o pura duc debilem. o fortis, o pura duc debilem.
5. O gratiosa, o coeli rosa, Dum turget procella et suscitat bella 5. O gratiosa, o coeli rosa, Dum turget procella et suscitat bella
tu es florum flos: ad portum, o stella, duc exulem. tu es florum flos: ad portum, o stella, duc exulem.
o mater pia, Virgo Maria, o mater pia, Virgo Maria,
Patrona decora, in exitus hora Patrona decora, in exitus hora
ora pro nobis! ora pro nobis!
pro me, Mater, ora tuum Filium pro me, Mater, ora tuum Filium
6. Sit tibi, Christe, modulus iste, ut inserar gratis, remissis peccatis, 6. Sit tibi, Christe, modulus iste, ut inserar gratis, remissis peccatis,
tu es florum flos: catervis beatis coelestium. tu es florum flos: catervis beatis coelestium.
o Iesu pie, fili Mariae, o Iesu pie, fili Mariae,
eia audi nos! Stabat Mater eia audi nos! Stabat Mater

7. Coeli regina, Virgo divina, Jacopone da Todi (ca. 1230–1306) 7. Coeli regina, Virgo divina, Jacopone da Todi (ca. 1230–1306)
tu es florum flos: (b 55; English version p. 26) tu es florum flos: (b 55; English version p. 26)
o mater pia, Virgo Maria, 1. Stabat Mater dolorosa o mater pia, Virgo Maria, 1. Stabat Mater dolorosa
ora pro nobis! iuxta crucem lacrimosa ora pro nobis! iuxta crucem lacrimosa
dum pendebat Filius. dum pendebat Filius.
Omni die Omni die
2. Cuius animam gementem 2. Cuius animam gementem
(b 43) (b 43)
contristatem et dolentem contristatem et dolentem
Omni die, dic Mariae mea laudes anima; pertransivit gladius. Omni die, dic Mariae mea laudes anima; pertransivit gladius.
eius festa, eius gesta cole splendidissima. eius festa, eius gesta cole splendidissima.
3. O quam tristis et afflicta 3. O quam tristis et afflicta
Pulchra tota, sine nota cuiuscumque maculae, fuit illa benedicta Pulchra tota, sine nota cuiuscumque maculae, fuit illa benedicta
fac me mundum et iucundum te laudare sedule. Mater unigeniti! fac me mundum et iucundum te laudare sedule. Mater unigeniti!
Ut sim castus et modestus, dulcis, blandus, 4. Quae moerebat et dolebat, Ut sim castus et modestus, dulcis, blandus, 4. Quae moerebat et dolebat,
sobrius, et tremebat cum videbat sobrius, et tremebat cum videbat
pius, rectus, circumspectus, simultatim nescius. nati poenas incliti. pius, rectus, circumspectus, simultatim nescius. nati poenas incliti.
Eruditus et munitus divinis eloquiis, 5. Quis est homo qui non fleret, Eruditus et munitus divinis eloquiis, 5. Quis est homo qui non fleret,
timoratus et ornatus sacris exercitiis. Christi Matrem si videret timoratus et ornatus sacris exercitiis. Christi Matrem si videret
in tanto supplicio? in tanto supplicio?
Virgo sancta, cerne quanta perferamus iugiter Virgo sancta, cerne quanta perferamus iugiter
tentamenta et sustenta nos ut stemus fortiter. tentamenta et sustenta nos ut stemus fortiter.
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6. Quis non posset contristari, 18. Inflammatus et accensus 6. Quis non posset contristari, 18. Inflammatus et accensus
piam Matrem contemplari per te, Virgo, sim defensus piam Matrem contemplari per te, Virgo, sim defensus
dolentem cum Filio? in die iudicii. dolentem cum Filio? in die iudicii.
7. Pro peccatis suae gentis 19. Fac me cruce custodiri 7. Pro peccatis suae gentis 19. Fac me cruce custodiri
vidit Iesum in tormentis, morte Christi praemuniri vidit Iesum in tormentis, morte Christi praemuniri
et flagellis subditum. confoveri gratia. et flagellis subditum. confoveri gratia.
8. Vidit suum dulcem natum 20. Quando corpus morietur, 8. Vidit suum dulcem natum 20. Quando corpus morietur,
moriendo desolatum fac, ut animae donetur moriendo desolatum fac, ut animae donetur
dum emisit spiritum. paradisi gloria. Amen. dum emisit spiritum. paradisi gloria. Amen.
9. Eia Mater, fons amoris 9. Eia Mater, fons amoris
me sentire vim doloris LAUDE AND TROUBADOUR-SONGS me sentire vim doloris LAUDE AND TROUBADOUR-SONGS
fac, ut tecum lugeam. fac, ut tecum lugeam.
A la clarté A la clarté
10. Fac, ut ardeat cor meum 10. Fac, ut ardeat cor meum
in amando Christum Deum 13 th century (b 73) in amando Christum Deum 13 th century (b 73)
ut sibi complaceam. ut sibi complaceam.
A la clarté qui tout enlumina A la clarté qui tout enlumina
11. Sancta Mater, istud agas, nostre gran tenebrour, 11. Sancta Mater, istud agas, nostre gran tenebrour,
crucifixi fige plagas a la dame qui si grant mecine a crucifixi fige plagas a la dame qui si grant mecine a
cordi meo valide. contre toute dolour, cordi meo valide. contre toute dolour,
doivent venir trestuit li pecheour doivent venir trestuit li pecheour
12. Tui nati vulnerati, et devenir si serjant nuit et jour; 12. Tui nati vulnerati, et devenir si serjant nuit et jour;
tam dignati pro me pati, n’autrui ne doit nus doner tam dignati pro me pati, n’autrui ne doit nus doner
poenas mecum divide. son cuer, son cors ne s’amour poenas mecum divide. son cuer, son cors ne s’amour
13. Fac me vere tecum flere, fors a la douce mere au Creatour, 13. Fac me vere tecum flere, fors a la douce mere au Creatour,
crucifixo condolere, Vierge pucele et de si saint atour crucifixo condolere, Vierge pucele et de si saint atour
donec ego vixero. rose est novelle et des dames la flour. donec ego vixero. rose est novelle et des dames la flour.

14. Iuxta crucem tecum stare, Amor dolçe senza pare 14. Iuxta crucem tecum stare, Amor dolçe senza pare
te libenter sociare th te libenter sociare
Lauda, 14 century (b 74) Lauda, 14 th century (b 74)
in planctu desidero. in planctu desidero.
Amor dolze senza pare, Amor dolze senza pare,
15. Virgo virginum praeclara, 15. Virgo virginum praeclara,
se’ tu Cristo per amare. se’ tu Cristo per amare.
mihi iam non sis amara mihi iam non sis amara
fac me tecum plangere. Amor, senza comincianza, fac me tecum plangere. Amor, senza comincianza,
se’ tu Padre in substanza. se’ tu Padre in substanza.
16. Fac, ut portem Christi mortem 16. Fac, ut portem Christi mortem
In Trinità per amanza. In Trinità per amanza.
passionis eius sortem, passionis eius sortem,
Filio e Spiritu regnare. Filio e Spiritu regnare.
et plagas recolere. et plagas recolere.
Tu, amore che congiungi Tu, amore che congiungi
17. Fac me plagis vulnerari, 17. Fac me plagis vulnerari,
cui più ami spesso pungi; cui più ami spesso pungi;
cruce hac inebriari, cruce hac inebriari,
omni piaga poi che l’ungi omni piaga poi che l’ungi
ob amorem Filii. ob amorem Filii.
senza unguento fai saldare. senza unguento fai saldare.

163 163
Anime affaticate et sitibonde nei cieli beatissima. Anime affaticate et sitibonde nei cieli beatissima.
Lauda Chanson de mai Lauda Chanson de mai
Anime affaticate et sitibonde, Song of the Troubadours, 13 th century, Anime affaticate et sitibonde, Song of the Troubadours, 13 th century,
venite all’onde vive ove v’invita attributed to St. Louis IX venite all’onde vive ove v’invita attributed to St. Louis IX
la vera vita; ove la lunga sete la vera vita; ove la lunga sete
spegner potrete. L’autre hier m’apparaît le mois de mai spegner potrete. L’autre hier m’apparaît le mois de mai
Regis aeterni munere; Regis aeterni munere;
La lunga sete natural che sempre, La lunga sete natural che sempre,
con dure tempre, il cor arde e tormenta et par un matin je me levais con dure tempre, il cor arde e tormenta et par un matin je me levais
ne il foco allenta; ne mai se ne arriva mundum proponens fugere. ne il foco allenta; ne mai se ne arriva mundum proponens fugere.
all’acqua viva. all’acqua viva.
En un plaisant pré m’enoutrais En un plaisant pré m’enoutrais
All’acqua viva che, con voglie accese, psalmos intendens psallere: All’acqua viva che, con voglie accese, psalmos intendens psallere:
donna humil chiese alla fontana eterna, donna humil chiese alla fontana eterna,
La Mère au Dieu vint me trouver, La Mère au Dieu vint me trouver,
ch’in sua cisterna, il mondo si suave, ch’in sua cisterna, il mondo si suave,
iam lucis orto sidere. iam lucis orto sidere.
acqua non ave. acqua non ave.
Mère de Dieu vrai, sans reproche, Mère de Dieu vrai, sans reproche,
Alle cisterne, ai morti stagni, ai laghi Alle cisterne, ai morti stagni, ai laghi
fons pietatis maximae, fons pietatis maximae,
vanno i cuor vaghi pur del sommo bene, vanno i cuor vaghi pur del sommo bene,
ma di tai vene il ber sempre maggiore de Celui m’envoyez confort ma di tai vene il ber sempre maggiore de Celui m’envoyez confort
fa il nostro ardore. salutem praestans animae; fa il nostro ardore. salutem praestans animae;
Venite dunque all’acque dolci e chiare, gardez-moi dans les mêmes infâmes, Venite dunque all’acque dolci e chiare, gardez-moi dans les mêmes infâmes,
torbide e amare son l’acque d’Egitto; qui me tentant saepissime; torbide e amare son l’acque d’Egitto; qui me tentant saepissime;
il cammin dritto hor prenda e saglia il monte il cammin dritto hor prenda e saglia il monte
chi brama il fonte. Paradis montre à la mort, chi brama il fonte. Paradis montre à la mort,
rerum Creator optime. rerum Creator optime.
Ave donna santissima Ave donna santissima
Da mi conforto Dio Da mi conforto Dio
Lauda, 13 th century (b 75) Lauda, 13 th century (b 75)
Lauda (b 78) Lauda (b 78)
Ave donna santissima, Ave donna santissima,
Regina potentissima. Da mi conforto, Dio et allegranza, Regina potentissima. Da mi conforto, Dio et allegranza,
et carità perfecta et amoranza. et carità perfecta et amoranza.
La virtù celestïale La virtù celestïale
con la grazia supernale Da mi conforto, Dio et ardore, con la grazia supernale Da mi conforto, Dio et ardore,
en te virgo virginale, a caritade lega lo mio core; en te virgo virginale, a caritade lega lo mio core;
discese benignissima. che non mi sia vietato lo tuo amore, discese benignissima. che non mi sia vietato lo tuo amore,
La nostra redenzïone in me non possa nulla ria indignanza. La nostra redenzïone in me non possa nulla ria indignanza.
prese incarnazïone Da mi letitia, gaudio e diporto, prese incarnazïone Da mi letitia, gaudio e diporto,
in te santa concezïone e nel mio cor da’ pianto di conforto; in te santa concezïone e nel mio cor da’ pianto di conforto;
da te Madre purïssima. da te Madre purïssima.
ch’io suspiri e canti e stia sì dotto, ch’io suspiri e canti e stia sì dotto,
Altresì per tuo candore ch’io non perda la tua fin amanza. Altresì per tuo candore ch’io non perda la tua fin amanza.
sovra il mondo del dolore sovra il mondo del dolore
venne il sole dell’amore venne il sole dell’amore
164 164
De la crudel morte Egli è Jesù, sì, egli è Jesù, De la crudel morte Egli è Jesù, sì, egli è Jesù,
th
egli è il tuo bon Jesù. th
egli è il tuo bon Jesù.
Lauda, 13 century (b 78) Che ti darà il suo amor. Lauda, 13 century (b 78) Che ti darà il suo amor.
De la crudel morte del Cristo De la crudel morte del Cristo
ogn’hom pianga amaramente. Laude novella ogn’hom pianga amaramente. Laude novella

Quando Juderi Cristo pilïaro, Lauda (b 81) Quando Juderi Cristo pilïaro, Lauda (b 81)
d’ogne parte lo circumdaro, Laude novella sia cantata d’ogne parte lo circumdaro, Laude novella sia cantata
le sue mane strecto legaro, a l’alta donna encoronata. le sue mane strecto legaro, a l’alta donna encoronata.
commo ladro, villanamente. commo ladro, villanamente.
1. Fresca vergene donzella, 1. Fresca vergene donzella,
Trenta denar fo lo mercato primo fior, rosa novella, Trenta denar fo lo mercato primo fior, rosa novella,
che fece Juda, et fo pagato: tutto ’l mondo a te s’appella; che fece Juda, et fo pagato: tutto ’l mondo a te s’appella;
mellio li fora non esser nato nella bonor fosti nata. mellio li fora non esser nato nella bonor fosti nata.
ch’aver peccato sì duramente. ch’aver peccato sì duramente.
2. Fonte se’ d’acqua surgente, 2. Fonte se’ d’acqua surgente,
De la crudel morte … madre de Dio vivente; De la crudel morte … madre de Dio vivente;
A la colonna fu spolïato, tu se’ luce de la gente, A la colonna fu spolïato, tu se’ luce de la gente,
per tutto ’l corpo flagellato; sovra li angeli esaltata. per tutto ’l corpo flagellato; sovra li angeli esaltata.
d’ogne parte fo ’nsanguinato 3. Tu se’ verga, tu se’ fiore, d’ogne parte fo ’nsanguinato 3. Tu se’ verga, tu se’ fiore,
commo falso, amaramente. tu se’ luna de splendore; commo falso, amaramente. tu se’ luna de splendore;
Tutti gridaro ad alta voce: voluntà avemo e core Tutti gridaro ad alta voce: voluntà avemo e core
“Moia ’l falso, moia veloce; de venir a te, ornata! “Moia ’l falso, moia veloce; de venir a te, ornata!
sbrigatamente sia posto en croce, 4. Archa se’ d’umilitade, sbrigatamente sia posto en croce, 4. Archa se’ d’umilitade,
che non turbi tutta la gente”. vaso d’ogne sanctitade: che non turbi tutta la gente”. vaso d’ogne sanctitade:
De la crudel morte … en te venne deitade; De la crudel morte … en te venne deitade;
d’angel foste salutata. d’angel foste salutata.
Li soi compagni l’abbandonaro, Li soi compagni l’abbandonaro,
tutti fugiero e lui lassaro, 5. Pregot’, avocata mia, tutti fugiero e lui lassaro, 5. Pregot’, avocata mia,
stando tormento forte ed amaro che ne metti en bona via: stando tormento forte ed amaro che ne metti en bona via:
de lo suo corpo, per la gente. questa nostra compania de lo suo corpo, per la gente. questa nostra compania
siate sempre commendata. siate sempre commendata.
Molt’era trista Santa Maria Molt’era trista Santa Maria
quando ’l suo figlio en croce vedea; Ma vïele quando ’l suo figlio en croce vedea; Ma vïele
cum gran dolore forte piangea Gautier de Coincy (1178–ca. 1236) cum gran dolore forte piangea Gautier de Coincy (1178–ca. 1236)
dicendo: “Trista, lassa, dolente”. (b 82) dicendo: “Trista, lassa, dolente”. (b 82)
De la crudel morte … Ma vïele, vïeler vieut un biau son De la crudel morte … Ma vïele, vïeler vieut un biau son
Egli è il tuo bon Jesù de la bele qui seur toutes a biau nom. Egli è il tuo bon Jesù de la bele qui seur toutes a biau nom.
En qui Dieux devenir hom voult jadis, En qui Dieux devenir hom voult jadis,
Lauda dont chantent en Paradis Lauda dont chantent en Paradis
anges et archanges a haut ton. anges et archanges a haut ton.
Egli è il tuo bon Jesù Egli è il tuo bon Jesù
che ti darà il suo amor. Porte dou ciel, du Paradis planche et ponz, che ti darà il suo amor. Porte dou ciel, du Paradis planche et ponz,
sourse de miel, de doucer pecine et fonz; sourse de miel, de doucer pecine et fonz;
165 165
d’enfer qui tant est parfonz, nous desfen, souverain rosier éclos, d’enfer qui tant est parfonz, nous desfen, souverain rosier éclos,
qui en doute a pauvre sens vous apportâtes la fleur, qui en doute a pauvre sens vous apportâtes la fleur,
car enfer n’a rive ni fond! l’odeur par qui Paradis car enfer n’a rive ni fond! l’odeur par qui Paradis
nous fut ouvert et promis. nous fut ouvert et promis.
Douce Dame, par mout vraie entencïon Douce Dame, par mout vraie entencïon
cors et ame, met je en ta protecïon Ognun m’entenda cors et ame, met je en ta protecïon Ognun m’entenda
prie sanz delatïon ten fil douz prie sanz delatïon ten fil douz
qu’il nos face vivre touz 15 th century (b 85) qu’il nos face vivre touz 15 th century (b 85)
in terra viventium. (Amen.) in terra viventium. (Amen.)
Ognun m’entenda divotamente Ognun m’entenda divotamente
Magdalena degna de laudare lo pianto che fece Maria dolente Magdalena degna de laudare lo pianto che fece Maria dolente
del suo figliol tanto dilicato. del suo figliol tanto dilicato.
Magdalena degna de laudari Magdalena degna de laudari
sempre degge Dio per noi pregare! O Jesu Christo, bello mio figlio, sempre degge Dio per noi pregare! O Jesu Christo, bello mio figlio,
o Jesu bello, bianco e vermeglio, o Jesu bello, bianco e vermeglio,
Ben è degna d’esser laudata, o de la trista Madre el conseglio Ben è degna d’esser laudata, o de la trista Madre el conseglio
Che foe peccatrice nominata: su ne la croce già conficato. Che foe peccatrice nominata: su ne la croce già conficato.
Per servire fo ben meritata. Per servire fo ben meritata.
Jesu Cristo volse seguitare. O côr soave Jesu Cristo volse seguitare. O côr soave
Con molta umilitade lo seguìo 16 th century (b 107) Con molta umilitade lo seguìo 16 th century (b 107)
Et cum perfetta fede senza rio: Et cum perfetta fede senza rio:
O côr soave, côr del mio Signore, O côr soave, côr del mio Signore,
Quando Cristo predicar audio, Quando Cristo predicar audio,
ferito gravemente, non da coltel pungente, ferito gravemente, non da coltel pungente,
Del suo amore prese ad inflammare. Del suo amore prese ad inflammare.
ma dallo stral che fabbricò l’amore, ma dallo stral che fabbricò l’amore,
A li piedi de Cristo s’inchinòe che fabbricò l’amore. A li piedi de Cristo s’inchinòe che fabbricò l’amore.
Et molto dolcemente li bascioe: Et molto dolcemente li bascioe:
O côr soave, quand’io ti rimiro O côr soave, quand’io ti rimiro
E di lagrime tutti li bagnoe, E di lagrime tutti li bagnoe,
post’in tant’agonia, manca l’anima mia, post’in tant’agonia, manca l’anima mia,
Co’ capelli presele asciugare. Co’ capelli presele asciugare.
né voce s’ode più, né mai sospiro, né voce s’ode più, né mai sospiro,
Mère au Sauveur né più né mai sospiro. Mère au Sauveur né più né mai sospiro.

Troubadour, 13 th century (b 84) Troppo perde il tempo Troubadour, 13 th century (b 84) Troppo perde il tempo
Vierge, Pulcelle royale, Jacopone da Todi (b 93) Vierge, Pulcelle royale, Jacopone da Todi (b 93)
en qui le doux Jésus Christ, en qui le doux Jésus Christ,
Troppo perde il tempo chi ben non t’ama, Troppo perde il tempo chi ben non t’ama,
le doux glorieux joyau, le doux glorieux joyau,
dolc’amor Jesù, sovr’ogni amore. dolc’amor Jesù, sovr’ogni amore.
fut, et conçu et nourri; fut, et conçu et nourri;
1. Amor, chi t’ama non sta ozïoso, 1. Amor, chi t’ama non sta ozïoso,
bien fut votre cœur empli bien fut votre cœur empli
tanto li par dolze de te gustare tanto li par dolze de te gustare
de sa grâce et son amour, de sa grâce et son amour,
ma tutto sor vive desideroso ma tutto sor vive desideroso
jusqu’à ce que Saint-Esprit jusqu’à ce que Saint-Esprit
come te possa stretto più amare; come te possa stretto più amare;
y eut le Fils-Dieu assis. y eut le Fils-Dieu assis.
chè tanto sta per te lo cor gioioso: chè tanto sta per te lo cor gioioso:
Douce Dame impériale, chi non sentisse nol saprie parlare Douce Dame impériale, chi non sentisse nol saprie parlare
merveilleuse fleur de lis, quant’è dolc’a gustare lo tuo savore. merveilleuse fleur de lis, quant’è dolc’a gustare lo tuo savore.
verger de toute beauté, verger de toute beauté,
2. Dulcior che tolli forza ad ogni amaro 2. Dulcior che tolli forza ad ogni amaro
où le saint Fruit fut cueilli, où le saint Fruit fut cueilli,
et ogne cosa muti in tua dulcezza; et ogne cosa muti in tua dulcezza;
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questo sanno li sancti che’l provaro 8. Servire a te, Jesù, mi’ amoroso, questo sanno li sancti che’l provaro 8. Servire a te, Jesù, mi’ amoroso,
che feciar dolze morte in amarezza più soav’è che nul altro delecto; che feciar dolze morte in amarezza più soav’è che nul altro delecto;
ma confortolli el dolze latovare non può saper chi di te sta otïoso ma confortolli el dolze latovare non può saper chi di te sta otïoso
di te Jesù che vensar ogni asprezza, quant’è dolze ad amar te con affecto: di te Jesù che vensar ogni asprezza, quant’è dolze ad amar te con affecto:
tanto fosti suave in li lor cori. gemai el cor non trova altro riposo tanto fosti suave in li lor cori. gemai el cor non trova altro riposo
si non se en te, Jesù, amor perfecto, si non se en te, Jesù, amor perfecto,
3. Savor cui non si trova simillianza; che de li tuoi servi se’ consolatore. 3. Savor cui non si trova simillianza; che de li tuoi servi se’ consolatore.
o lasso! Lo mio cor poco t’asaggia; o lasso! Lo mio cor poco t’asaggia;
null’altra cosa non m’è consolanza, Tutor dicendo null’altra cosa non m’è consolanza, Tutor dicendo
se tutto ’l mondo avesse e te non agio. se tutto ’l mondo avesse e te non agio.
O dolc’amor, Jesù in cui ho speranza Lauda, 13 th century (b 96; translation p. 272) O dolc’amor, Jesù in cui ho speranza Lauda, 13 th century (b 96; translation p. 272)
Tu regi mio cor che da te non caggia, Tu regi mio cor che da te non caggia,
1. Tutor dicendo, di lui non tacendo, 1. Tutor dicendo, di lui non tacendo,
ma sempre più restringa ’l tuo dolzore. ma sempre più restringa ’l tuo dolzore.
laudandol cum cantare laudandol cum cantare
4. Cor che te non sente ben pò star tristo, 4. Cor che te non sente ben pò star tristo,
Jesù, Jesù, Jesù, Jesù,
Jesù, letitia e gaudio de la gente; Jesù, letitia e gaudio de la gente;
Jesù dolce ad amare. Jesù dolce ad amare.
solazo non pot’essar senza Cristo; solazo non pot’essar senza Cristo;
tanpino ch’eo non t’amo ben fervente! 2. Sempre l’atendo, col mio cor gaudendo, tanpino ch’eo non t’amo ben fervente! 2. Sempre l’atendo, col mio cor gaudendo,
Chi far potesse totto ogni altro acquisto fa mi rallegrare, Chi far potesse totto ogni altro acquisto fa mi rallegrare,
e te non aggia di tutt’è perdente; e te non aggia di tutt’è perdente;
e senza te sirebbe in amarore. 3. Non mi ritegno, da mi’ gran sostegno, e senza te sirebbe in amarore. 3. Non mi ritegno, da mi’ gran sostegno,
e vogliol pur chiamare. e vogliol pur chiamare.
5. Amaro in nullo coro pote stare 5. Amaro in nullo coro pote stare
cui tua dolcezza dona condimento: 4. Vo’ che mi dica la mia dolce vita, cui tua dolcezza dona condimento: 4. Vo’ che mi dica la mia dolce vita,
ma tuo savor, Jesù, non pò gustare che mi farà salvare. ma tuo savor, Jesù, non pò gustare che mi farà salvare.
chi lassa te per altro intendimento. 5. L’anima mia cattiva, et mendica, chi lassa te per altro intendimento. 5. L’anima mia cattiva, et mendica,
Non sa né può lo cor terreno amare degna è d’amor dare. Non sa né può lo cor terreno amare degna è d’amor dare.
sì gran celestïal delectamento: sì gran celestïal delectamento:
non vede lume, Cristo, in tuo splendore. 6. Ch’i’ son dolente, con molta fatica; non vede lume, Cristo, in tuo splendore. 6. Ch’i’ son dolente, con molta fatica;
fa mi consolare! fa mi consolare!
6. Splendor che doni a tutto ’l mondo luce 6. Splendor che doni a tutto ’l mondo luce
amor, Jesù, de li angeli bellezza, 7. Amor diletto, del mio cor se’ vita, amor, Jesù, de li angeli bellezza, 7. Amor diletto, del mio cor se’ vita,
cielo e terra per te se conduce or damit’a trovare! cielo e terra per te se conduce or damit’a trovare!
e splende in tutte cose tua fortezza: e splende in tutte cose tua fortezza:
ognumque creatura a te s’aduce 8. Tra’ mi a te di questo gran tormento, ognumque creatura a te s’aduce 8. Tra’ mi a te di questo gran tormento,
ma solo ’l peccator el tuo amor sprezza, chè vivo in dolorare! ma solo ’l peccator el tuo amor sprezza, chè vivo in dolorare!
e pàrtise da te, suo Creatore. 9. Ch’io non ti perda per mio fallimento, e pàrtise da te, suo Creatore. 9. Ch’io non ti perda per mio fallimento,
7. Scripti sul sancto libro de la vita, cum falso tentare. 7. Scripti sul sancto libro de la vita, cum falso tentare.
per tua pietà, Jesù, ne rappresenta: 10. Vivo in paura di te mia dolzura; per tua pietà, Jesù, ne rappresenta: 10. Vivo in paura di te mia dolzura;
la tua scriptura già non sia fallita, come ne posso fare? la tua scriptura già non sia fallita, come ne posso fare?
el nome che portam de te non menta. el nome che portam de te non menta.
La mente nostra fa’ di te condita, 11. Tu se’ il mio áire, io son tua creatura; La mente nostra fa’ di te condita, 11. Tu se’ il mio áire, io son tua creatura;
dulcissimo Jesù, si che te senta non m’abandonare! dulcissimo Jesù, si che te senta non m’abandonare!
et strittamente t’ami con ardore. et strittamente t’ami con ardore.
12. Tu sì m’ài detto [amor mio diletto], 12. Tu sì m’ài detto [amor mio diletto],
Ch’i’ chegia faràimi dare. Ch’i’ chegia faràimi dare.

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13. Et io adimando Jesu benedetto, Voi ch’amate lo Criatore 13. Et io adimando Jesu benedetto, Voi ch’amate lo Criatore
di lui vo’ pagare! di lui vo’ pagare!
Lauda (b 98) Lauda (b 98)
14. Non averò povertà, né difetto, 14. Non averò povertà, né difetto,
e vo’ con teco stare! Voi ch’amate lo Criatore, e vo’ con teco stare! Voi ch’amate lo Criatore,
ponete mente a lo meo dolore. ponete mente a lo meo dolore.
Vero amor è Gesù Ch’io son Maria co’ lo cor tristo, Vero amor è Gesù Ch’io son Maria co’ lo cor tristo,
th
17 century (b 113) la quale avea per figliuol Cristo: 17 th century (b 113) la quale avea per figliuol Cristo:
la speme mia e dolce acquisto la speme mia e dolce acquisto
Vero amor è Gesù, fue crocifixo per li peccatori. Vero amor è Gesù, fue crocifixo per li peccatori.
che salute ne dà che salute ne dà
a chi segue virtù. Capo bello e delicato, a chi segue virtù. Capo bello e delicato,
Egli moriva in croce per me. come ti veggio stare enchinato; Egli moriva in croce per me. come ti veggio stare enchinato;
Mio buon Gesù, mio buon Gesù, li tuoi capelli di sangue intrecciati, Mio buon Gesù, mio buon Gesù, li tuoi capelli di sangue intrecciati,
non ti partir da me. fin a la barba ne va i’rrigore. non ti partir da me. fin a la barba ne va i’rrigore.
Bocca bella e delicata, Bocca bella e delicata,
come ti veggio stare asserrata; come ti veggio stare asserrata;
di fiele e aceto fosti abbeverata, di fiele e aceto fosti abbeverata,
trista e dolente, dentr’al mio core trista e dolente, dentr’al mio core

E A E E A E
“Un popolo, la terra e la pro mes s a ” , “Un popolo, la terra e la pro mes s a ” ,
ITALIAN SONGS B E ITALIAN SONGS B E
parola di Iahvè. parola di Iahvè.
Abramo Esci dalla tua terra … Abramo Esci dalla tua terra …
Gigi Cocquio (b 157) La rete sulla spiaggia abbandonata Gigi Cocquio (b 157) La rete sulla spiaggia abbandonata
E A l’han lasciata i pescatori: E A l’han lasciata i pescatori:
|: Esci dalla tua terra e va’ son partiti con Gesù. |: Esci dalla tua terra e va’ son partiti con Gesù.
B E La folla che osannava se n’è andata, B E La folla che osannava se n’è andata,
dove ti mostrerò. :| ma il silenzio una domanda dove ti mostrerò. :| ma il silenzio una domanda
Em Am sembra ai dodici portar: Em Am sembra ai dodici portar:
“Abramo, non andare, non partire‚ “Quello che lasci tu Io conosci, “Abramo, non andare, non partire‚ “Quello che lasci tu Io conosci,
Em Em
il tuo Signore cosa ti dà?”. il tuo Signore cosa ti dà?”.
non lasciare la tua casa: non lasciare la tua casa:
B Em “Il centuplo quaggiù e l’eternità” B Em “Il centuplo quaggiù e l’eternità”
cosa speri di trovar? parola di Gesù. cosa speri di trovar? parola di Gesù.
La strada è sempre quella, Esci dalla tua terra … La strada è sempre quella, Esci dalla tua terra …
Am Em Am Em
ma la gente è differente, ti è nemica: Partire non è tutto, ma la gente è differente, ti è nemica: Partire non è tutto,
B Em certamente c’è chi parte e non dà niente, B Em certamente c’è chi parte e non dà niente,
dove speri di arrivar? cerca solo libertà. dove speri di arrivar? cerca solo libertà.
E A E A
Quello che lasci tu lo conosci, Partire con la fede nel Signore, Quello che lasci tu lo conosci, Partire con la fede nel Signore,
B E con l’amore aperto a tutti B E con l’amore aperto a tutti
il tuo Signore cosa ti dà?”. può cambiar l’umanità. il tuo Signore cosa ti dà?”. può cambiar l’umanità.
168 168
Quello che lasci tu lo conosci, Cm 7 Cm 6/7 G Quello che lasci tu lo conosci, Cm 7 Cm 6/7 G
quello che porti vale di più. so che puoi farmi grande, Signore. quello che porti vale di più. so che puoi farmi grande, Signore.
“Andate e predicate il mio Vangelo”, La lala … “Andate e predicate il mio Vangelo”, La lala …
parola di Gesù. parola di Gesù.
E le ore del giorno, al mattino E le ore del giorno, al mattino
Esci dalla tua terra e va’ di tua gloria son tenera argilla. Esci dalla tua terra e va’ di tua gloria son tenera argilla.
dove ti mostrerò. Uno è l’alveo del mio desiderio: dove ti mostrerò. Uno è l’alveo del mio desiderio:
Esci dalla tua terra e va’, ch’io ti veda, ed è questo il mattino. Esci dalla tua terra e va’, ch’io ti veda, ed è questo il mattino.
sempre con te sarò. sempre con te sarò.
La lala … La lala …
A noi Signore 9 4 7 6/7
A noi Signore
C D Em Cm C9 D4 Em 7 Cm 6/7
x21o34 xxo134 o12o34 x13124 x21o34 xxo134 o12o34 x13124
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da’ il tuo amor, la tua verità. • •
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da’ il tuo amor, la tua verità. • •
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Pronto è il mio cuore, o Dio, Alleluia della forza Pronto è il mio cuore, o Dio, Alleluia della forza
pronto è il mio cuore C. Chieffo 1963 (b 159) pronto è il mio cuore C. Chieffo 1963 (b 159)
e trabocca di canti per te. e trabocca di canti per te.
Dm G Dm Dm G Dm
Sorgi, armonia; Sorgi, armonia;
Viva l’ anima m i a Viva l’ anima m i a
svegliati, arpa, sorgi, mia cetra: G Dm A7 Dm svegliati, arpa, sorgi, mia cetra: G Dm A7 Dm
che io desti l’aurora. per cantare le tue lodi. che io desti l’aurora. per cantare le tue lodi.
A noi, Signore … Dm G Dm A noi, Signore … Dm G Dm
Sig nore, sulla mia cetra io ti canto Sig nore, sulla mia cetra io ti canto
Andrò fra tutte le genti, G Dm Andrò fra tutte le genti, G Dm
canterò loro le tue lodi; e lodo il tuo nome; canterò loro le tue lodi; e lodo il tuo nome;
G Dm G Dm
giunge alle stelle il tuo amore del fiume scorre l’acqua a me d’ac canto giunge alle stelle il tuo amore del fiume scorre l’acqua a me d’ac canto
e la tua verità. A7 Dm e la tua verità. A7 Dm
Sopra i cieli levati, o Dio; e io vivo la tua immensa pace. Sopra i cieli levati, o Dio; e io vivo la tua immensa pace.
sulla terra sia gloria a te. sulla terra sia gloria a te.
Viva l’anima mia … Viva l’anima mia …
A noi, Signore … A noi, Signore …
Nella tua mano io sono sicuro Nella tua mano io sono sicuro
Al mattino come roccia alla furia del vento, Al mattino come roccia alla furia del vento,
la spada e lo scudo che mi hai dato la spada e lo scudo che mi hai dato
A. Mascagni (b 158) sono forti e non temono ferro. A. Mascagni (b 158) sono forti e non temono ferro.
9 4
G C D D G G C9 D4 D G
|: La lala lalala la la lalala. :| Viva l’anima mia … |: La lala lalala la la lalala. :| Viva l’anima mia …

G C9 G La mia gente non vuole G C9 G La mia gente non vuole

Al mattino, Signore, al mattino che io beva alla tua fonte, Al mattino, Signore, al mattino che io beva alla tua fonte,
Em7 C9 G ma la gente non sa che chi beve Em7 C9 G ma la gente non sa che chi beve
la mia anfora è vuota alla fonte alla fonte non avrà più sete. la mia anfora è vuota alla fonte alla fonte non avrà più sete.
Cm Cm 7 G Cm Cm 7 G
e nell’ aria che vibra e traspare e nell’ aria che vibra e traspare

169 169
Viva l’anima mia … Amare Ancora Viva l’anima mia … Amare Ancora
La tua pace è immensa come il mare C. Chieffo 1973 La tua pace è immensa come il mare C. Chieffo 1973
che rispecchia il cielo infinito; (Capo: 2nd Fret) che rispecchia il cielo infinito; (Capo: 2nd Fret)
il Tuo amore è rosso come il sole, G C C9 C G
il Tuo amore è rosso come il sole, G C C9 C G
che fa rosso il cielo e il mare. Ma che amarezza, che fa rosso il cielo e il mare. Ma che amarezza,
C C9 C G C C9 C G
Viva l’anima mia … amore mio, Viva l’anima mia … amore mio,
G4 G Am G4 G Am
Allora saprete che esisto veder le cose Allora saprete che esisto veder le cose
Am 7 G Am 7 G
Voialtri sulla terra come le vedo io Voialtri sulla terra come le vedo io
la Croce drizzerete, D7 G Am la Croce drizzerete, D7 G Am
del legno del Calvario e a ver per fino del legno del Calvario e a ver per fino
Bm Am Bm Am
il frutto voi vedrete. dimenticato il frutto voi vedrete. dimenticato
G Am G Am
“Allora saprete che esisto che non son nato “Allora saprete che esisto che non son nato
dice il Signor – che in me Bm Am dice il Signor – che in me Bm Am
l’amore fedele dimora, come voglio io l’amore fedele dimora, come voglio io
come in quest’ora.” G come in quest’ora.” G
come voglio io. come voglio io.
Voialtri sulla terra … Voialtri sulla terra …
Che delusione Che delusione
Si stenderà il lenzuolo povero amore, Si stenderà il lenzuolo povero amore,
nella caverna tetra, vivere la vita nella caverna tetra, vivere la vita
si schiuderà il sepolcro con questo cuore si schiuderà il sepolcro con questo cuore
col peso della pietra. e non volere col peso della pietra. e non volere
perdere niente perdere niente
Voialtri sulla terra … e amare ancora Voialtri sulla terra … e amare ancora
Quando verrete all’alba come l’altra gente Quando verrete all’alba come l’altra gente
G FGFG G FGFG
il corpo a imbalsamare, come l’altra gente. il corpo a imbalsamare, come l’altra gente.
quando vedrete l’alba quando vedrete l’alba
degli angeli esultare … G F G degli angeli esultare … G F G
B asterebbe sol tanto B asterebbe sol tanto
Voialtri sulla terra … F C C9 C G Voialtri sulla terra … F C C9 C G
ritornare bam bini e ricordare … ritornare bam bini e ricordare …
Se ascendo sopra i cieli D7 G Am
Se ascendo sopra i cieli D7 G Am
di gloria risplendente, E ricordare di gloria risplendente, E ricordare
sarò sul tuo cammino Bm Am sarò sul tuo cammino Bm Am
la nube incandescente. che tutto è dato la nube incandescente. che tutto è dato
G Am G Am
Voialtri sulla terra … che tutto è nuovo Voialtri sulla terra … che tutto è nuovo
Bm Am Bm Am
e liberato e liberato
G G
e liberato. e liberato.

170 170
C9 G4 Lo annunciamo … C9 G4 Lo annunciamo …
x32o4o 32oo14 x32o4o 32oo14
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Annuncio e la vita è tra noi. Annuncio e la vita è tra noi.

Vittorio Toscani (b 162) Lo annunciamo … Vittorio Toscani (b 162) Lo annunciamo …

Em G E noi vi diciamo queste cose Em G E noi vi diciamo queste cose

Quel che era fin da principio, affinché il vostro gaudio Quel che era fin da principio, affinché il vostro gaudio
A Em A e il nostro gaudio sia perfetto. A Em A e il nostro gaudio sia perfetto.
quello che abbiamo udito, quello che abbiamo udito,
Em D A Em D A
Apparirà Apparirà
quello che abbi amo ve duto quello che abbi amo ve duto
Em D A Em D A Em D A Em D A
A. M. Cocagnac – P. Houdy (b 163; A. M. Cocagnac – P. Houdy (b 163;
con i nostri occhi: lo annunciamo a voi. con i nostri occhi: lo annunciamo a voi.
translation p. 261) translation p. 261)
Em D A Em D A
Am C Am C
Lo annun ciamo a voi, Lo annun ciamo a voi,
Em D Em D Em D Em D Ap parirà nel suo splendore Em D Em D Em D Em D Ap parirà nel suo splendore
Dm F E Dm F E
la la la la la la la la la la la la la la la la
Em D Em D Em D A il Signor dell’u m anità: Em D Em D Em D A il Signor dell’u m anità:
Am C Am C
la la la la la la la. la la la la la la la.
ed ecco l’alba che aspet tate ed ecco l’alba che aspet tate
Dm F E Dm F E
Quel che abbiamo contemplato Quel che abbiamo contemplato
là in mezzo all’oscurità. là in mezzo all’oscurità.
e le nostre mani hanno toccato Dm e le nostre mani hanno toccato Dm
a riguardo della Parola, È come un bimbo a riguardo della Parola, È come un bimbo
della Vita: lo annunciamo a voi. F E della Vita: lo annunciamo a voi. F E
nel deserto del la cit t à nel deserto del la cit t à
Lo annunciamo … Am Lo annunciamo … Am
è il Dio di ogni bontà. è il Dio di ogni bontà.
E la vita si è manifestata E la vita si è manifestata
Am Am
e noi abbiamo veduto A Isr aele‚ fuggito dal male, e noi abbiamo veduto A Isr aele‚ fuggito dal male,
e rendiamo testimonianza Dm e rendiamo testimonianza Dm
e lo annunciamo a voi. nel deserto la legge do nò‚ e lo annunciamo a voi. nel deserto la legge do nò‚
G G
Lo annunciamo … ma Israele era ancora bam bino Lo annunciamo … ma Israele era ancora bam bino
Am Am
E vi annunciamo la vita eterna per restare fedele al suo amor. E vi annunciamo la vita eterna per restare fedele al suo amor.
che era presso il Padre che era presso il Padre
e che si è a noi manifestata. A Mosè solitario e fedele, e che si è a noi manifestata. A Mosè solitario e fedele,
Dm Dm
E lo annunciamo a voi. che la pietra in sorgente mutò‚ E lo annunciamo a voi. che la pietra in sorgente mutò‚
G G
Lo annunciamo … egli pose Aronne vi cino Lo annunciamo … egli pose Aronne vi cino
Dm E Am Dm E Am
Quel che abbiamo visto e udito come una fonte d’eterno perdono. Quel che abbiamo visto e udito come una fonte d’eterno perdono.
lo annunciamo a voi, lo annunciamo a voi,
affinché pure voi Ma Israele, avuta la legge, affinché pure voi Ma Israele, avuta la legge,
siate in comunione con noi. chiese un re al Signore Iahvè siate in comunione con noi. chiese un re al Signore Iahvè
perché il popolo ancora bambino perché il popolo ancora bambino
171 171
non sapeva ordinarsi da sé. Ave Maria splendore del mattino non sapeva ordinarsi da sé. Ave Maria splendore del mattino
Ebbe Davide il valoroso, Ebbe Davide il valoroso,
lo splendore di Salomone, C. Chieffo (b 164; translation p. 261) lo splendore di Salomone, C. Chieffo (b 164; translation p. 261)
poi tutti i re che tradiron D G D poi tutti i re che tradiron D G D
l’antica alleanza di Iahvè. Ave Maria, splen dore del mattino l’antica alleanza di Iahvè. Ave Maria, splen dore del mattino
G D G D
Lungo i fiumi di Babilonia puro è il tuo s gua rdo ed umi le il tuo cuor e‚ Lungo i fiumi di Babilonia puro è il tuo s gua rdo ed umi le il tuo cuor e‚
un popolo versa il suo pianto, G D un popolo versa il suo pianto, G D
da primavera all’autunno protegga il nostro popolo in cammino da primavera all’autunno protegga il nostro popolo in cammino
Bm G A D Bm G A D
sugli anni del suo dolor. sugli anni del suo dolor.
la tenerezza del tuo vero amore. la tenerezza del tuo vero amore.
Per lui non più canti né feste, Per lui non più canti né feste,
poiché non si sente un profeta A D poiché non si sente un profeta A D
che porti una nuova speranza Madre non sono degno di guardarti! che porti una nuova speranza Madre non sono degno di guardarti!
A D A D
di ritornare a vedere Sion. di ritornare a vedere Sion.
Però fammi sentire la tua voce; Però fammi sentire la tua voce;
G D G D
Avanti forza fa’ che io porti a tutti la tua pace Avanti forza fa’ che io porti a tutti la tua pace
Bm G A D Bm G A D
(b 193) (b 193)
e possano co noscerti ed am arti. e possano co noscerti ed am arti.
C C
Avanti, forza, dammi la mano e corri, Madre tu che soccorri i figli tuoi, Avanti, forza, dammi la mano e corri, Madre tu che soccorri i figli tuoi,
Dm fa in modo che nessuno se ne vada; Dm fa in modo che nessuno se ne vada;
corri con noi verso l’eternità! sostieni la sua croce e la sua strada, corri con noi verso l’eternità! sostieni la sua croce e la sua strada,
È un girotondo che abbraccia tutto il mondo; fa’ che cammini sempre in mezzo a noi. È un girotondo che abbraccia tutto il mondo; fa’ che cammini sempre in mezzo a noi.
F G C F G C
ora tu non puoi mancar. Madre non sono degno … ora tu non puoi mancar. Madre non sono degno …

Lasciati andare, allarga il tuo cuore, Ave Maria, splendore del mattino, Lasciati andare, allarga il tuo cuore, Ave Maria, splendore del mattino,
volgilo verso il cielo; puro è il tuo s gua rdo ed umi le i l tuo cuor e, volgilo verso il cielo; puro è il tuo s gua rdo ed umi le i l tuo cuor e,
fatti piccino come un bambino |: protegga il nostro popolo in cammino fatti piccino come un bambino |: protegga il nostro popolo in cammino
che vuole far l’eroe; la tenerezza del tuo vero amore. :| che vuole far l’eroe; la tenerezza del tuo vero amore. :|
dovrai lottare, dovrai soffrire, Ave Maria stella del mattino dovrai lottare, dovrai soffrire, Ave Maria stella del mattino
potrai anche cadere: tutti noi ti aiuterem. potrai anche cadere: tutti noi ti aiuterem.
Guido Clericetti – A. Mascagni Guido Clericetti – A. Mascagni
Avanti … (b 165; English version p. 13) Avanti … (b 165; English version p. 13)
Tutto risplende, tutto è più bello, G G° G Tutto risplende, tutto è più bello, G G° G
dimentica ogni affanno; Ave Ma ria‚ dimentica ogni affanno; Ave Ma ria‚
questa è la vita e questo è l’amor. G° Am questa è la vita e questo è l’amor. G° Am
Ora lo sai anche tu. stella del mat tino, Ora lo sai anche tu. stella del mat tino,
D C G D C G
Con un sorriso ti scopri nell’eterno, Con un sorriso ti scopri nell’eterno,
trovi la felicità. tu che hai vegliato questa notte per noi trovi la felicità. tu che hai vegliato questa notte per noi
B7 C B7 C
Avanti, forza, dammi la mano e corri, prega per noi Avanti, forza, dammi la mano e corri, prega per noi
B7 B7
corri con noi verso l’eternità! che cominciamo questo giorno, corri con noi verso l’eternità! che cominciamo questo giorno,
E un girotondo che abbraccia tutto il mondo: C Am E un girotondo che abbraccia tutto il mondo: C Am
ora devi farlo tu. prega per noi ora devi farlo tu. prega per noi

172 172
 Ef D Ef D
per tutti i giorni della vita. E noi altri a lavorare per tutti i giorni della vita. E noi altri a lavorare
Ef D Dm Am Ef D Dm Am
Ave Ma ria. sempre lì nell’officina, Ave Ma ria. sempre lì nell’officina,
Ave Maria, senza tempo per pensare, Ave Maria, senza tempo per pensare,
Dm Am Dm Am
Madre di tutti, Madre di tutti,
dalla sera alla mattina. dalla sera alla mattina.
mostraci tuo figlio mostraci tuo figlio
che tu hai portato nel tuo seno per noi, Am che tu hai portato nel tuo seno per noi, Am
nato per noi Forza compagni, nato per noi Forza compagni,
E E
per liberarci dalla morte, rovesciamo tutto per liberarci dalla morte, rovesciamo tutto
morto per noi morto per noi
per ricondurci nella vita. e costruiamo per ricondurci nella vita. e costruiamo
Ave Maria. Am Ave Maria. Am
un mondo meno brutto! un mondo meno brutto!
Piena di grazia Piena di grazia
segnaci la via, Per un mondo meno brutto segnaci la via, Per un mondo meno brutto
dov’è la vita preparata per noi quanti giorni e quanti mesi, dov’è la vita preparata per noi quanti giorni e quanti mesi,
chiedi per noi per cacciare alla malora chiedi per noi per cacciare alla malora
misericordia dal Signore, le carogne dei borghesi! misericordia dal Signore, le carogne dei borghesi!
chiedi per noi Ma i compagni furon forti chiedi per noi Ma i compagni furon forti
che ci sia data la sua pace. e si presero il potere; che ci sia data la sua pace. e si presero il potere;
Amen. e i miei amici furon morti Amen. e i miei amici furon morti
e li vidi io cadere. e li vidi io cadere.
G° Ef G° Ef
xx1324 xxx132 Ora tu dimmi xx1324 xxx132 Ora tu dimmi
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che ha in mano tutto, ||| | • •
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che ha in mano tutto,
|||||| |||| | • ma non ha il perdono? |||||| |||| | • ma non ha il perdono?
Ballata del potere Come può sperare un uomo Ballata del potere Come può sperare un uomo
C. Chieffo 1968 (b 195; translation p. 261) quando il sangue è già versato, C. Chieffo 1968 (b 195; translation p. 261) quando il sangue è già versato,
quando l’odio in tutto il mondo quando l’odio in tutto il mondo
Am nuovamente ha trionfato? Am nuovamente ha trionfato?
Lo dicevo tutto il giorno: C’è bisogno di Qualcuno, Lo dicevo tutto il giorno: C’è bisogno di Qualcuno,
Dm Am Dm Am
questo mondo non è giusto! che ci liberi dal male, questo mondo non è giusto! che ci liberi dal male,
perché il mondo tutto intero perché il mondo tutto intero
E pensavo anche di notte: è rimasto tale e quale. E pensavo anche di notte: è rimasto tale e quale.
Dm Am Dm Am
questa vita non dà gusto! Am E Am questa vita non dà gusto! Am E Am
F La la la la … F La la la la …
E dicevo: è colpa vostra, E dicevo: è colpa vostra,
G Am G Am
o borg hesi maledetti, o borg hesi maledetti,
E E
tutta colpa dei pad roni tutta colpa dei pad roni
Am Am
e noi altri poveretti! e noi altri poveretti!

173 173
Ballata del tempo perduto Am A7 Dm Dm7 Ballata del tempo perduto Am A7 Dm Dm7
Mentre l’a more mio Mentre l’a more mio
C. Chieffo (b 197) G C E C. Chieffo (b 197) G C E
è piccolo come un bam bino, è piccolo come un bam bino,
B7 F# Am Am 7 Dm B7 F# Am Am 7 Dm
Essere felici nel mondo che ci circonda |: solo sen za la madre, Essere felici nel mondo che ci circonda |: solo sen za la madre,
B7 G Em Am B7 G Em Am
vivere la vita tra risa false, sperduto in un giardino. :| vivere la vita tra risa false, sperduto in un giardino. :|
7 7
Em B Em B
senza alcun pensiero, con il ghi accio nel cuore Io vorrei volerti bene senza alcun pensiero, con il ghi accio nel cuore Io vorrei volerti bene
F #7 B7 F #7 B7
è questa la ballata di un uomo che si stanca. come ti ama Dio è questa la ballata di un uomo che si stanca. come ti ama Dio
|: con la stessa tenerezza, |: con la stessa tenerezza,
Em B7 con la stessa fede, Em B7 con la stessa fede,
|: Il tempo perduto non si ritrova m a i con la stessa libertà che non ho io. :| |: Il tempo perduto non si ritrova m a i con la stessa libertà che non ho io. :|
F #7 F #7
ed io che ho perso tempo, ho perso la mia Mentre l’amore mio ed io che ho perso tempo, ho perso la mia Mentre l’amore mio
B7 B7
vita. :| è fragile come un fiore, vita. :| è fragile come un fiore,
|: ha sete della pioggia, |: ha sete della pioggia,
Guadagnare quattrini, farsi una posizione muore se non c’è il sole. :| Guadagnare quattrini, farsi una posizione muore se non c’è il sole. :|
stare bene in salute, non avere pensieri: stare bene in salute, non avere pensieri:
è questo tutto il senso della mia povera vita Io ti voglio bene è questo tutto il senso della mia povera vita Io ti voglio bene
ed or che so che è nulla è ormai troppo tardi. e ne ringrazio Dio ed or che so che è nulla è ormai troppo tardi. e ne ringrazio Dio
|: che mi dà la tenerezza, |: che mi dà la tenerezza,
Il tempo perduto non si ritrova mai … che mi dà la forza, Il tempo perduto non si ritrova mai … che mi dà la forza,
che mi dà la libertà che non ho io. :| che mi dà la libertà che non ho io. :|
Io sono un vecchio stanco in un mondo banale Io sono un vecchio stanco in un mondo banale
un mondo che mi ha reso banale come lui Ballata dell’uomo vecchio un mondo che mi ha reso banale come lui Ballata dell’uomo vecchio
si, sono ricco è vero, ma i soldi non contano si, sono ricco è vero, ma i soldi non contano
nulla C. Chieffo 1964 (b 194; nulla C. Chieffo 1964 (b 194;
e per saperlo ho speso tutta la mia vita. English version p. 14; Capo: 3rd Fret) e per saperlo ho speso tutta la mia vita. English version p. 14; Capo: 3rd Fret)
Il tempo perduto non si ritrova mai … Em Am Em Il tempo perduto non si ritrova mai … Em Am Em
La tristezza che c’è in me‚ La tristezza che c’è in me‚
Am Em Am Em
Ballata dell’amore vero Ballata dell’amore vero
l’a more che non c’è l’a more che non c’è
B7 Em B7 Em
C. Chieffo 1969 (b 193; translation p. 262) C. Chieffo 1969 (b 193; translation p. 262)
(Capo: 2nd Fret) hanno mille secoli. (Capo: 2nd Fret) hanno mille secoli.
Am Em Am Em
Am E Am Il dolore che ti do‚ Am E Am Il dolore che ti do‚
Io vo rrei volerti bene Am G Io vo rrei volerti bene Am G
Dm Am la fede che non ho Dm Am la fede che non ho
come ti ama Dio, B7 Em come ti ama Dio, B7 Em
E Am hanno mille secoli. E Am hanno mille secoli.
|: con la stessa passione‚ Am Em Am D Em |: con la stessa passione‚ Am Em Am D Em
E Am Sono vecchio or mai, sono vecchio, sì E Am Sono vecchio or mai, sono vecchio, sì
con la stessa forza, Am G B7 con la stessa forza, Am G B7
Dm C E Am questo tu lo sai, ma resti qui. Dm C E Am questo tu lo sai, ma resti qui.
con la stessa fedel tà che non ho io. :| con la stessa fedel tà che non ho io. :|
Io vorrei vedere Dio, Io vorrei vedere Dio,
vorrei vedere Dio vorrei vedere Dio

174 174
ma non è possibile. Dm A7 ma non è possibile. Dm A7
Ha la faccia che tu hai, Ma l’amaro, l’amaro che c’è in me‚ Ha la faccia che tu hai, Ma l’amaro, l’amaro che c’è in me‚
Em A 7 Dm Em A 7 Dm
il volto che tu hai sarà mu tato in alle gria. il volto che tu hai sarà mu tato in alle gria.
e per me è terribile. A7 e per me è terribile. A7
Sono vecchio ormai, sono vecchio, sì; Ma l’amaro, l’amaro che c’è in me‚ Sono vecchio ormai, sono vecchio, sì; Ma l’amaro, l’amaro che c’è in me‚
questo tu lo sai, ma resti qui. Em A 7 D questo tu lo sai, ma resti qui. Em A 7 D
sarà mu tato in alle gria. sarà mu tato in alle gria.
Em Am Em Em Am Em
D D
As coltami, ri mani ancora qui‚ As coltami, ri mani ancora qui‚
Am Em B7 Em Quel giorno si farà una grande festa Am Em B7 Em Quel giorno si farà una grande festa
A7 A7
r ipeti ancora a me la tua pa rola. e allora canteremo insieme; r ipeti ancora a me la tua pa rola. e allora canteremo insieme;
Am Em Am Em
G G
Ripetimi quel la parola che s arà il bel giorno di una grande festa Ripetimi quel la parola che s arà il bel giorno di una grande festa
Am G Am G
A7 D A7 D
un giorno hai detto a me e al lora balleremo insieme. un giorno hai detto a me e al lora balleremo insieme.
B7 Em B7 Em
e che mi libe rò. L a la lala … e che mi libe rò. L a la lala …
Io vorrei vedere Dio … Camminerò Io vorrei vedere Dio … Camminerò
La paura che c’è in me, Alberto Marani (b 166) La paura che c’è in me, Alberto Marani (b 166)
l’amore che non c’è l’amore che non c’è
hanno mille secoli. D Bm hanno mille secoli. D Bm
Tutto il male che io so, Camminerò, c a m minerò Tutto il male che io so, Camminerò, c a m minerò
Em A Em A
la fede che non ho nella tua strada, Signor. la fede che non ho nella tua strada, Signor.
hanno mille secoli. D Bm hanno mille secoli. D Bm
Sono vecchio ormai, sono vecchio, sì; D ammi la mano, voglio restar Sono vecchio ormai, sono vecchio, sì; D ammi la mano, voglio restar
me se tu vorrai mi salverai. G A D me se tu vorrai mi salverai. G A D
per sempre in sieme a te. per sempre in sieme a te.
Ascoltami … D Bm
Ascoltami … D Bm
Quando ero solo, solo e stanco nel mondo‚ Quando ero solo, solo e stanco nel mondo‚
Ballata della società (L’opera) Em A Ballata della società (L’opera) Em A
quando non c’era l’A mor, quando non c’era l’A mor,
C. Chieffo 1965 (b 211; translation p. 262) D Bm C. Chieffo 1965 (b 211; translation p. 262) D Bm
D
tante persone vidi intorno a me, D
tante persone vidi intorno a me,
G A D G A D
Beati i furbi, beati i ricchi, sen tivo can tare co sì: Beati i furbi, beati i ricchi, sen tivo can tare co sì:
A7 A7
beati quelli che han denaro in tasca, Camminerò … beati quelli che han denaro in tasca, Camminerò …
beati i forti ed i violenti, Io non capivo, ma rimasi a sentire beati i forti ed i violenti, Io non capivo, ma rimasi a sentire
D D
beati quelli che sono potenti. quando il Signor mi parlò: beati quelli che sono potenti. quando il Signor mi parlò:
lui mi chiamava, chiamava anche me lui mi chiamava, chiamava anche me
Beati quelli che a questo mondo e la mia risposta s’alzò: Beati quelli che a questo mondo e la mia risposta s’alzò:
giocano sempre al girotondo, giocano sempre al girotondo,
beati quelli che sulla terra Camminerò … beati quelli che sulla terra Camminerò …
Dm Dm
vincono sempre la loro g uerra. Or non m’importa se uno ride di me, vincono sempre la loro g uerra. Or non m’importa se uno ride di me,
lui certamente non sa lui certamente non sa
del gran regalo che ebbi quel dì del gran regalo che ebbi quel dì
175 175
che dissi al Signore così: abitante di Sion, perché grande con te è il che dissi al Signore così: abitante di Sion, perché grande con te è il
Signore. Signore.
Camminerò … Camminerò …
Il Signore è la mia salvezza … Il Signore è la mia salvezza …
A volte sono triste, ma mi guardo intorno, A volte sono triste, ma mi guardo intorno,
scopro il mondo e l’amor; Canzone degli occhi e del cuore scopro il mondo e l’amor; Canzone degli occhi e del cuore
son questi i doni che lui fa a me; son questi i doni che lui fa a me;
felice ritorno a cantar: C. Chieffo felice ritorno a cantar: C. Chieffo
D C D C
Camminerò … Camminerò …
Anche se un giorno, amico mio‚ Anche se un giorno, amico mio‚
A D A D
Cantico dei redenti dimenticassi le pa role, Cantico dei redenti dimenticassi le pa role,
C C
Alberto Marani (b 166; translation p. 262) dimenticassi il posto e l’ ora, Alberto Marani (b 166; translation p. 262) dimenticassi il posto e l’ ora,
A D A D
Em D Em Em D Em
Il Signore è la mia salvezza o s’era notte o c’era il sole, Il Signore è la mia salvezza o s’era notte o c’era il sole,
G G
C D G C D G
e con lui non temo più, non potrò mai dimenticare e con lui non temo più, non potrò mai dimenticare
Em A Em A
Am Em Am Em
perché ho nel cuore la certezza: cosa dicevano i tuoi occhi. perché ho nel cuore la certezza: cosa dicevano i tuoi occhi.
C D Em D C D Em D
la sal vezza è qui con me. E così‚ volando volando la sal vezza è qui con me. E così‚ volando volando
Bm Bm
Em D Em Em D Em
Ti lodo Signore perché anche un piccolo cu ore se ne andava Ti lodo Signore perché anche un piccolo cu ore se ne andava
D A D A
C D G DG C D G DG
un giorno eri lontano da me, attravers ando il cielo verso il grande cuore un giorno eri lontano da me, attravers ando il cielo verso il grande cuore
D D
D Em D Em
ora in vece sei tor nato un cuore piccolo e meschino ora in vece sei tor nato un cuore piccolo e meschino
Bm Bm
C D Em C D Em
e mi hai pre so con te. come un pa ese inospitale e mi hai pre so con te. come un pa ese inospitale
D A D A
Il Signore è la mia salvezza … volava dritto in alto verso il suo destino; Il Signore è la mia salvezza … volava dritto in alto verso il suo destino;
G G
Berrete con gioia alle fonti, e non riu scirono a fermarlo Berrete con gioia alle fonti, e non riu scirono a fermarlo
F#m F#m
alle fonti della salvezza neanche i bilanci della vita alle fonti della salvezza neanche i bilanci della vita
e quel giorno voi direte: G Em A e quel giorno voi direte: G Em A
lodate il Signore, invocate il suo nome. quegli inventari fatti sempre senza amore. lodate il Signore, invocate il suo nome. quegli inventari fatti sempre senza amore.
Il Signore è la mia salvezza … Così parlavo in fretta io Il Signore è la mia salvezza … Così parlavo in fretta io
per non lasciare indietro niente per non lasciare indietro niente
Fate conoscere ai popoli per non lasciare indietro il male Fate conoscere ai popoli per non lasciare indietro il male
tutto quello che lui ha compiuto e i meccanismi della mente; tutto quello che lui ha compiuto e i meccanismi della mente;
e ricordino per sempre, e mi dicevano i tuoi occhi e ricordino per sempre, e mi dicevano i tuoi occhi
ricordino sempre che il suo nome è grande. ch’ero già stato perdonato. ricordino sempre che il suo nome è grande. ch’ero già stato perdonato.
Il Signore è la mia salvezza … E così, volando volando … Il Signore è la mia salvezza … E così, volando volando …
Cantate a chi ha fatto grandezze E adesso torna da chi sai Cantate a chi ha fatto grandezze E adesso torna da chi sai
e sia fatto sapere nel mondo; da chi divide con te tutto, e sia fatto sapere nel mondo; da chi divide con te tutto,
grida forte la tua gioia, abbraccia forte i figli tuoi grida forte la tua gioia, abbraccia forte i figli tuoi
176 176
e non nascondere il tuo volto Se non ritornerete … e non nascondere il tuo volto Se non ritornerete …
perché dagli occhi si capisce perché dagli occhi si capisce
quando la vita ricomincia. Che siano una sola cosa quando la vita ricomincia. Che siano una sola cosa
E così, volando volando … Roberto Grotti (b 168) E così, volando volando … Roberto Grotti (b 168)
(Capo: 2nd Fret) (Capo: 2nd Fret)
Canzone di Maria Chiara C Am
Canzone di Maria Chiara C Am
C. Chieffo 1970 (b 167; translation p. 262) Che siano una sola cosa C. Chieffo 1970 (b 167; translation p. 262) Che siano una sola cosa
F G F G
Dm C Dm perché il mondo veda , Dm C Dm perché il mondo veda ,
La mia porta sarà ch iusa C Am La mia porta sarà ch iusa C Am
C F che siano un solo amore C F che siano un solo amore
F G C F G C
per il ricco e per il forte per il ricco e per il forte
Gm Bf Dm perché il mondo creda. Gm Bf Dm perché il mondo creda.
per tutti quelli che non hanno amato C Am per tutti quelli che non hanno amato C Am
C Am Dm La macchina del mondo, C Am Dm La macchina del mondo,
per chi ha gio cato con la morte. Dm G per chi ha gio cato con la morte. Dm G
l’eg oismo della gente l’eg oismo della gente
Per gli uomini per bene, C Am Per gli uomini per bene, C Am
per chi cerca la sua gloria schiacciano e condannano per chi cerca la sua gloria schiacciano e condannano
per tutti quelli che non hanno amato Dm G per tutti quelli che non hanno amato Dm G
e per i grandi della storia. chi non vale niente; e per i grandi della storia. chi non vale niente;
C Am C Am
Dm C Dm davanti a queste cose Dm C Dm davanti a queste cose
|: Se non ritornerete come bambini Dm G |: Se non ritornerete come bambini Dm G
f
Gm B Dm c’è chi male dice, f
Gm B Dm c’è chi male dice,
F Dm F Dm
non entre-re-te mai. :| non entre-re-te mai. :|
ma il Figlio del Po tente, ma il Figlio del Po tente,
F G C F G C
Non c’è posto per quell’uomo Non c’è posto per quell’uomo
Cristo, cosa chiede? Cristo, cosa chiede?
che non vende la sua casa che non vende la sua casa
per acquistare il campo Che siano una sola cosa … per acquistare il campo Che siano una sola cosa …
dove ho nascosto il mio tesoro. dove ho nascosto il mio tesoro.
Tutto il nostro male Tutto il nostro male
Ma per tutti gli affamati, non ci porti delusione, Ma per tutti gli affamati, non ci porti delusione,
gli assetati di giustizia abbiamo la promessa gli assetati di giustizia abbiamo la promessa
ho spalancato le mie porte che tutto salverà, ho spalancato le mie porte che tutto salverà,
ho preparato la mia gioia. ed anche se il tuo sforzo ho preparato la mia gioia. ed anche se il tuo sforzo
non sembra cambiar niente, non sembra cambiar niente,
Se non ritornerete … Se non ritornerete …
no, non ti fermare, no, non ti fermare,
Per chi fu perseguitato, ma come Cristo prega: Per chi fu perseguitato, ma come Cristo prega:
per chi ha pianto nella notte per chi ha pianto nella notte
Che siano una sola cosa … Che siano una sola cosa …
per tutti quelli che hanno amato per tutti quelli che hanno amato
per chi ha perduto la sua vita per chi ha perduto la sua vita
la mia casa sarà aperta, la mia casa sarà aperta,
la mia tavola imbandita la mia tavola imbandita
per tutti quelli che hanno amato per tutti quelli che hanno amato
per chi ha perduto la sua vita. per chi ha perduto la sua vita.

177 177
Com’è bello com’è dolce La forza del tuo braccio mi ha voluto qui con Com’è bello com’è dolce La forza del tuo braccio mi ha voluto qui con
sé. sé.
Psalm 133 (132) Psalm 133 (132)
(b 139) Come è chiara l’acqua alla tua fonte (b 139) Come è chiara l’acqua alla tua fonte
Am Dm Am E
per chi ha sete ed è stanco di cercare: Am Dm Am E
per chi ha sete ed è stanco di cercare:
Com’è bello, com’è dolce sicuro ha ritrovato i segni del tuo amore Com’è bello, com’è dolce sicuro ha ritrovato i segni del tuo amore
Am D m Am E Am che si erano perduti nell’ora del dolore. Am D m Am E Am che si erano perduti nell’ora del dolore.
che i fra telli stia no insieme. che i fra telli stia no insieme.
Come un fiore nato fra le pietre Come un fiore nato fra le pietre
G F E va a cercare il cielo su di lui, G F E va a cercare il cielo su di lui,
È come un guento che dal capo discende così la tua Grazia, il tuo Spirito per noi, È come un guento che dal capo discende così la tua Grazia, il tuo Spirito per noi,
Am E Am E
nasce per vedere il mondo che tu vuoi. nasce per vedere il mondo che tu vuoi.
sulla barba di Aronne. sulla barba di Aronne.
Dm G C Dm G C
È come un guento che dal capo discende Crocifisso, mio Signor È come un guento che dal capo discende Crocifisso, mio Signor
Dm E Dm E
sulla barba di Aronne. Crocifisso mio Signor, sulla barba di Aronne. Crocifisso mio Signor,
speranza del mio cuor, speranza del mio cuor,
Com’è bello … Frutto sia del tuo patir Com’è bello … Frutto sia del tuo patir
Il perdono al mio fallir. Il perdono al mio fallir.
|: È come unguento che dal capo discende |: È come unguento che dal capo discende
sugli orli del manto. :| |: Vedi, vedi sugli orli del manto. :| |: Vedi, vedi
qual provo tormento e dolor qual provo tormento e dolor
Com’è bello … Al pensar che ti offesi, o Signor. :| Com’è bello … Al pensar che ti offesi, o Signor. :|
|: Come rugiada che dall’Ermon discende Dal tuo fianco aperto in croce |: Come rugiada che dall’Ermon discende Dal tuo fianco aperto in croce
sui monti di Sion. :| La tua Chiesa nascerà. sui monti di Sion. :| La tua Chiesa nascerà.
Com’è bello … Dalla fonte sempre viva Com’è bello … Dalla fonte sempre viva
La tua grazia sgorgherà. La tua grazia sgorgherà.
|: Ci benedice il Signore dall’alto |: Ci benedice il Signore dall’alto
la vita dona in eterno. :| Vedi, vedi … la vita dona in eterno. :| Vedi, vedi …

Come è grande D’amor pane dolcissimo Come è grande D’amor pane dolcissimo

Roberto Grotti (b 170; Stefano Varnavà – Anonym (b 103) Roberto Grotti (b 170; Stefano Varnavà – Anonym (b 103)
translation p. 263) D’amor pane dolcissimo translation p. 263) D’amor pane dolcissimo
Dm Gm Dm A F del cielo eterno gaudio, Dm Gm Dm A F del cielo eterno gaudio,
Come è grande la tua bontà vero sollievo agli umili Come è grande la tua bontà vero sollievo agli umili
Gm C F che in te soltanto sperano. Gm C F che in te soltanto sperano.
che conservi per chi ti teme! che conservi per chi ti teme!
Gm Dm C F Immenso cuor amabile, Gm Dm C F Immenso cuor amabile,
E fai grandi cose per chi ha rifugio in te‚ tu sai guarire i nostri cuor; E fai grandi cose per chi ha rifugio in te‚ tu sai guarire i nostri cuor;
Gm Dm A Dm Gm Dm A Dm
tutte le nostre lacrime tutte le nostre lacrime
e fai grandi cose per chi ama solo te! tu le trasforma in vero amor. e fai grandi cose per chi ama solo te! tu le trasforma in vero amor.
Come un vento silenzioso Quel cuore che per noi s’aprì Come un vento silenzioso Quel cuore che per noi s’aprì
ci hai raccolto dai monti e dal mare; ci accolga nel pericolo ci hai raccolto dai monti e dal mare; ci accolga nel pericolo
come un’alba nuova sei venuto a me, finché un bel giorno, insieme a te, come un’alba nuova sei venuto a me, finché un bel giorno, insieme a te,
vivrem la tua felicità. vivrem la tua felicità.
178 178
Dal profondo La terra s’apre in umile accoglienza, Dal profondo La terra s’apre in umile accoglienza,
dai cieli stilla sul mondo dolcezza: dai cieli stilla sul mondo dolcezza:
Stefano Pianori (b 170; Tu sei il Verbo che era in principio, Stefano Pianori (b 170; Tu sei il Verbo che era in principio,
translation p. 261) sei l’Uomo-Dio, la Luce, la Vita. translation p. 261) sei l’Uomo-Dio, la Luce, la Vita.
Dm F A7 Dm F A7
Tu ci hai amato Sig nore Il tempo dell’attesa è ormai compiuto: Tu ci hai amato Sig nore Il tempo dell’attesa è ormai compiuto:
Dm vergine pura ha generato il Figlio, Dm vergine pura ha generato il Figlio,
dal profondo del tempo, ed ora avvolge, povera, silente, dal profondo del tempo, ed ora avvolge, povera, silente,
F A7 un bimbo, in pochi panni, in un presepe. F A7 un bimbo, in pochi panni, in un presepe.
tu ci hai amato Signore tu ci hai amato Signore
Dm Ai poveri pastori sconosciuti Dm Ai poveri pastori sconosciuti
per ogni momento. l’annuncio è stato dato nella notte: per ogni momento. l’annuncio è stato dato nella notte:
Bf Dm vengono a Te, si prostrano adoranti; Bf Dm vengono a Te, si prostrano adoranti;
Prima che il Padre di cesse: verranno a Te le genti di lontano. Prima che il Padre di cesse: verranno a Te le genti di lontano.
Bf C F A7 Bf C F A7
“ Siano i cieli e la terra”, E anche a noi redenti dal Tuo sangue, “ Siano i cieli e la terra”, E anche a noi redenti dal Tuo sangue,
Dm C Dm C
chiamati all’unità da tutto il mondo, chiamati all’unità da tutto il mondo,
prima che il Padre vo lesse, prima che il Padre vo lesse,
A7 Dm con grande gaudio a Te cantiamo lodi, A7 Dm con grande gaudio a Te cantiamo lodi,
dal profondo del tempo. o Emmanuele, principe di pace. dal profondo del tempo. o Emmanuele, principe di pace.
Tu ci hai amato … Presente in mezzo a noi è ora il Figlio Tu ci hai amato … Presente in mezzo a noi è ora il Figlio
e fa da ponte fra il tempo e l’eterno. e fa da ponte fra il tempo e l’eterno.
“Adamo non peccare, Per Lui sia gloria al Padre dei cieli, “Adamo non peccare, Per Lui sia gloria al Padre dei cieli,
non tradirmi mai, nel Santo Spirito, fonte di vita. Amen. non tradirmi mai, nel Santo Spirito, fonte di vita. Amen.
sono io che ti ho chiamato sono io che ti ho chiamato
dal profondo del tempo.” Dove andrò dal profondo del tempo.” Dove andrò
Tu ci hai amato … Massimo Maioli / Psalm 139 (138) Tu ci hai amato … Massimo Maioli / Psalm 139 (138)
(b 142) (b 142)
La pace è rinata La pace è rinata
dal sangue tuo per noi, Dove andrò lontano dal tuo respiro dal sangue tuo per noi, Dove andrò lontano dal tuo respiro
la strada era segnata e dove fuggirò dal tuo volto? la strada era segnata e dove fuggirò dal tuo volto?
dal profondo del tempo. dal profondo del tempo.
Se dico: la notte diventi la mia luce, Se dico: la notte diventi la mia luce,
Tu ci hai amato … anche le tenebre non son tenebre per te Tu ci hai amato … anche le tenebre non son tenebre per te
|: e la notte fa luce come il giorno |: e la notte fa luce come il giorno
Il mondo finirà e le tenebre sono come il sole. :| Il mondo finirà e le tenebre sono come il sole. :|
e tu ritornerai e tu ritornerai
e mi porterai Dove andrò … e mi porterai Dove andrò …
nel profondo del tempo. nel profondo del tempo.
Prendo le ali dell’aurora, Prendo le ali dell’aurora,
Tu ci hai amato … vado ad abitare al di là del mare: Tu ci hai amato … vado ad abitare al di là del mare:
|: anche là la tua mano mi prende, |: anche là la tua mano mi prende,
Di luce mattutina sorger nuovo là mi afferra la tua destra. :| Di luce mattutina sorger nuovo là mi afferra la tua destra. :|
Di luce mattutina sorger nuovo, Dove andrò … Di luce mattutina sorger nuovo, Dove andrò …
In questo giorno che non ha l’eguale, In questo giorno che non ha l’eguale,
è il nascer Tuo nell’umana carne, è il nascer Tuo nell’umana carne,
o immagine tersissima del Padre. o immagine tersissima del Padre.
179 179
Errore di prospettiva A4 Errore di prospettiva A4
xo234o xo234o
========= =========
|||||| ||||||
C. Chieffo 1972 (b 201; translation p. 263) --------------
|| •• ||
C. Chieffo 1972 (b 201; translation p. 263) --------------
|| •• ||
-------------- --------------
Am A 4
Am A Am4 |||| | •
-------------- Am A4 Am A4 Am
|||| | •
--------------
|||||| ||||||
Quando noi vedremo tutto, Quando noi vedremo tutto,
A4 Am A4 C A4 Am A4 C
Favola Favola
quando tutto sarà chiaro quando tutto sarà chiaro
7 7
E Am E Am
C. Chieffo 1978 (b 202; C. Chieffo 1978 (b 202;
pensa un po’ che ri sate, pensa un po’ che ri sate,
C 7
E translation p. 264) C 7
E translation p. 264)
che pa ure sfatate. Em A Em che pa ure sfatate. Em A Em
Non avere paura Non avere paura
Con la musica dentro, A Em Con la musica dentro, A Em
con il cuore più pieno piccolo figlio mio con il cuore più pieno piccolo figlio mio
della gioia di un tempo, A Em della gioia di un tempo, A Em
di un mattino sereno. ma è la strada più dura di un mattino sereno. ma è la strada più dura
A D A D
F Am F che ti porterà là; F Am F che ti porterà là;
M a di una cosa lo sai G M a di una cosa lo sai G
Am F lascia dunque il senti ero, Am F lascia dunque il senti ero,
non potrò ridere mai: G7 D non potrò ridere mai: G7 D
Am prendi i campi e va’ Am prendi i campi e va’
è di tutto il male che D7 G è di tutto il male che D7 G
E7 A (D A) attraversa quel bosco E7 A (D A) attraversa quel bosco
ho voluto fare a te. G7 D ho voluto fare a te. G7 D
D A non temere perc hé D A non temere perc hé
Se c’è una cosa che voglio, Se c’è una cosa che voglio,
D A Em D A Em
se c’è una cosa che vale c’è qualcuno con te‚ se c’è una cosa che vale c’è qualcuno con te‚
D A A7 Em D A A7 Em
è abitare la tua casa, c’è qualcuno con te‚ è abitare la tua casa, c’è qualcuno con te‚
D A7 D A7
tutto il resto è ba nale. non ti lascerà m ai tutto il resto è ba nale. non ti lascerà m ai
A D Em A D Em
E parlare con te – e parlare con te non avere paura‚ E parlare con te – e parlare con te non avere paura‚
A D A7 A D A7
di quand’ero pic cino – di quand’ero piccino prendi i campi e vai … di quand’ero pic cino – di quand’ero piccino prendi i campi e vai …
A D A D
e vedevo le cose – e vedevo le cose Quando incontrerai il lupo e vedevo le cose – e vedevo le cose Quando incontrerai il lupo
A e la volpe e il leone, A e la volpe e il leone,
con gli occhi di un bambino, non restare impaurito con gli occhi di un bambino, non restare impaurito
Am A4 Am Am A4 Am
e non far confusione: e non far confusione:
con gli occhi di un bambino. con gli occhi di un bambino.
son di un altro racconto son di un altro racconto
Ti ricordi quella volta che finisce male Ti ricordi quella volta che finisce male
e la rabbia che avevo non potranno toccarti; e la rabbia che avevo non potranno toccarti;
e credevo fosse amore, non voltarti perché e credevo fosse amore, non voltarti perché
esser giusto volevo. esser giusto volevo.
|: c’è qualcuno con te, :| |: c’è qualcuno con te, :|
Ma di una cosa … non ti lascerà mai Ma di una cosa … non ti lascerà mai
non avere paura, non avere paura,
non voltarti e vai … non voltarti e vai …

180 180
 Em D Em ovunque andremo, ovunque saremo. Em D Em ovunque andremo, ovunque saremo.
Non arrenderti al buio Non arrenderti al buio
D Em |: La la lala la la :| D Em |: La la lala la la :|
che le cose divora la la lala la. Amen. che le cose divora la la lala la. Amen.
D D
ora è notte, ma il giorno verrà ora è notte, ma il giorno verrà
Em Gs cha cha cha Em Gs cha cha cha
ancora. ancora.
Dino Quartana (b 203) Dino Quartana (b 203)
Così quando sarai A D A
Così quando sarai A D A
a quell’ultimo ponte, |: Eso es gs cha cha cha a quell’ultimo ponte, |: Eso es gs cha cha cha
con il tempo alle spalle E E7 A con il tempo alle spalle E E7 A
e la vita di fronte, l’hanno inven tato fra la Bassa e il m ar. :| e la vita di fronte, l’hanno inven tato fra la Bassa e il m ar. :|
una mano più grande A E una mano più grande A E
ti solleverà, Se te vuede reali zar, ti solleverà, Se te vuede reali zar,
abbandonati a quella, A abbandonati a quella, A
non temere perché se te vué impegnar, non temere perché se te vué impegnar,
E E
|: c’è qualcuno con te, :| se vuoi gli uomini ca pir |: c’è qualcuno con te, :| se vuoi gli uomini ca pir
A A
non ti lascerà mai e la vita amar; non ti lascerà mai e la vita amar;
non avere paura, D A non avere paura, D A
non fermarti e vai … se vuoi sempre con gli uomini res tar non fermarti e vai … se vuoi sempre con gli uomini res tar
E A E A
Grazie Signore vieni a bai lar … gs cha cha cha. Grazie Signore vieni a bai lar … gs cha cha cha.
A. Mascagni (b 173; Eso es gs cha cha cha … A. Mascagni (b 173; Eso es gs cha cha cha …
translation p. 265) A D A translation p. 265) A D A
D Bm Se t’imp uerta degli uomini e del mundo‚ D Bm Se t’imp uerta degli uomini e del mundo‚
E7 A E7 A
Grazie, Signore, Grazie, Signore,
D Bm se ami il tiempo e l’eternità‚ D Bm se ami il tiempo e l’eternità‚
D A D A
che m’hai dato in tuo nome che m’hai dato in tuo nome
G D Em A7 D se vuoi la vita godere nel profondo‚ G D Em A7 D se vuoi la vita godere nel profondo‚
E A E A
tanti fratelli, per ve nire fino a te. tanti fratelli, per ve nire fino a te.
Bm vieni a bai lar … gs cha cha cha. Bm vieni a bai lar … gs cha cha cha.
Grazie, Signore, Grazie, Signore,
D Bm Eso es gs cha cha cha … D Bm Eso es gs cha cha cha …
perché hai dato il sor riso perché hai dato il sor riso
G D Em A7 D Gustate e vedete G D Em A7 D Gustate e vedete
al nostro volto, per par larci del tuo a mor. al nostro volto, per par larci del tuo a mor.
J. Gelineau / Psalm 34 (33) J. Gelineau / Psalm 34 (33)
D Bm A A7 (b 122) D Bm A A7 (b 122)
|: La la lala la la : | |: La la lala la la : |
D F#m G A D Gustate e vedete com’è buono il Signor! D F#m G A D Gustate e vedete com’è buono il Signor!
la la lala la la la. la la lala la la la.
Benedico il Signore ogni momento, Benedico il Signore ogni momento,
Grazie, Signore, il suo nome mi è sempre sul labbro. Grazie, Signore, il suo nome mi è sempre sul labbro.
perché hai fatto del mondo In Jahvè si rallegra il mio cuore: perché hai fatto del mondo In Jahvè si rallegra il mio cuore:
la tua casa, il tuo Regno divino, ascolti l’umile e ne esulti. la tua casa, il tuo Regno divino, ascolti l’umile e ne esulti.
perché potessimo perché potessimo
amarti ed amarci, amarti ed amarci,

181 181
Gustate … Ho abbandonato Gustate … Ho abbandonato
Ringraziate con me il Signore, A. & R. Roscio, A. & G. Agape (b 174) Ringraziate con me il Signore, A. & R. Roscio, A. & G. Agape (b 174)
insieme celebriamo il suo nome. G G 7
C
insieme celebriamo il suo nome. G G7 C
Io lo invoco e lui mi risponde, Ho abbandonat o dietro di me Io lo invoco e lui mi risponde, Ho abbandonat o dietro di me
fa svanire ogni mio spavento. G D G fa svanire ogni mio spavento. G D G
ogni paura, ogni dubbio perc hé ogni paura, ogni dubbio perc hé
Gustate … G7 C Gustate … G7 C
una grande gioia mi sento in c uor, una grande gioia mi sento in c uor,
È raggiante chi a lui si converte, G D G È raggiante chi a lui si converte, G D G
la vergogna non è più sul suo volto. se penso a quanto è buono il mio Sig nor. la vergogna non è più sul suo volto. se penso a quanto è buono il mio Sig nor.
Il povero che grida Dio lo sente, G C G
Il povero che grida Dio lo sente, G C G
e da tutte le sue angosce lo salva. Ha fatto i ciel i sopra di me‚ e da tutte le sue angosce lo salva. Ha fatto i ciel i sopra di me‚
C G D C G D
Gustate … ha fatto il sole, il mare, i fior; Gustate … ha fatto il sole, il mare, i fior;
D7 D7
È accampato l’angelo di Jahvè ma il più bel dono che È accampato l’angelo di Jahvè ma il più bel dono che
vicino ai suoi fedeli e li soccorre. G B7 Em vicino ai suoi fedeli e li soccorre. G B7 Em
Gustate com’è buono il Signore; mi ha fatto il Signor Gustate com’è buono il Signore; mi ha fatto il Signor
Am D G Am D G
felice chi in lui si rifugia. felice chi in lui si rifugia.
è stato la vita ed il suo amor. è stato la vita ed il suo amor.
Gustate … Gustate …
Ho abbandonato dietro di me Ho abbandonato dietro di me
Voi che siete i suoi santi, temetelo: ogni tristezza, ogni dolor; Voi che siete i suoi santi, temetelo: ogni tristezza, ogni dolor;
chi lo teme non manca di nulla. e credo ancora in un mondo che chi lo teme non manca di nulla. e credo ancora in un mondo che
Il ribelle è spoglio, affamato; sarà diverso a causa del suo amor. Il ribelle è spoglio, affamato; sarà diverso a causa del suo amor.
chi lo teme non manca di nulla. chi lo teme non manca di nulla.
Se poi un giorno mi chiamerà Se poi un giorno mi chiamerà
Gustate … un lungo viaggio io farò, Gustate … un lungo viaggio io farò,
per monti e valli allor per monti e valli allor
Per il giusto vi è pena su pena, a tutti io dirò: Per il giusto vi è pena su pena, a tutti io dirò:
da tutte lo libera il Signore; “Sappiate che è buono il mio Signor.” da tutte lo libera il Signore; “Sappiate che è buono il mio Signor.”
Jahvè ne custodisce le ossa, Jahvè ne custodisce le ossa,
non uno gli verrà spezzato. Ho abbandonato dietro di me non uno gli verrà spezzato. Ho abbandonato dietro di me
ogni paura, ogni dubbio perché ogni paura, ogni dubbio perché
Gustate … una grande gioia mi sento in cuor, Gustate … una grande gioia mi sento in cuor,
Sia gloria ora e per sempre se penso a quanto è buono il mio Signor. Sia gloria ora e per sempre se penso a quanto è buono il mio Signor.
al Padre onnipotente, Ho un amico al Padre onnipotente, Ho un amico
al Figlio risorto da morte, al Figlio risorto da morte,
allo Spirito Santo d’amore. C. Chieffo 1965 (b 205; translation p. 265) allo Spirito Santo d’amore. C. Chieffo 1965 (b 205; translation p. 265)
Gustate … E F # m 6/7 G #m+ F # m 6/7 Gustate … E F # m 6/7 G #m+ F # m 6/7
Ho un a mico grande, grande; Ho un a mico grande, grande;
E F # m 6/7 G # m + F # m 6/7 E F # m 6/7 G # m + F # m 6/7
di più giusti non ce n’è: di più giusti non ce n’è:
E F # m 6/7 G #m+ F # m 6/7 E F # m 6/7 G #m+ F # m 6/7
mi ha do nato tutto il mondo, mi ha do nato tutto il mondo,
E F # m 6/7 G # m + F # m 6/7 E F # m 6/7 G # m + F # m 6/7
è più forte anche di un re. è più forte anche di un re.

182 182
 E F # m 6/7 G # m + F # m 6/7 Lui m’ha dato i cieli da guardar, E F # m 6/7 G # m + F # m 6/7 Lui m’ha dato i cieli da guardar,
Se io tremo lui è sicuro lui m’ha dato la bocca per cantar, Se io tremo lui è sicuro lui m’ha dato la bocca per cantar,
# 6/7 # + # 6/7 # 6/7 # + # 6/7
E F m G m F m E F m G m F m
e non ha paura mai‚ lui m’ha dato il mondo per amar e non ha paura mai‚ lui m’ha dato il mondo per amar
E F# m 6/7 G # m + F # m 6/7 e tanta gioia dentro al cuor. E F# m 6/7 G # m + F # m 6/7 e tanta gioia dentro al cuor.
è l’amico più sin cero‚ sai‚ è l’amico più sin cero‚ sai‚
E F # m 6/7 G # m + F # m 6/7 E Si è curvato su di me E F # m 6/7 G # m + F # m 6/7 E Si è curvato su di me
e ti segue ovunque vai. ed è disceso giù dal ciel e ti segue ovunque vai. ed è disceso giù dal ciel
per abitare in mezzo a noi per abitare in mezzo a noi
Ho un amico … e per salvare tutti noi. Ho un amico … e per salvare tutti noi.
F E F F E F
Però talvolta lo sfuggo Lui m’ha dato i cieli … Però talvolta lo sfuggo Lui m’ha dato i cieli …
E F E F
e voglio fare da me, Quando un dì con lui sarò e voglio fare da me, Quando un dì con lui sarò
E nella sua casa abiterò, E nella sua casa abiterò,
ma crolla presto il mio mondo nella sua casa tutta d’or, ma crolla presto il mio mondo nella sua casa tutta d’or,
DF E DF E
con tanta gioia dentro al cuor. con tanta gioia dentro al cuor.
perché Lui è più forte di me. perché Lui è più forte di me.
Lui m’ha dato i cieli … Lui m’ha dato i cieli …
Ho un amico … Ho un amico …
Quando un dì con lui sarem Quando un dì con lui sarem
Una volta io credevo Una volta io credevo
nella sua casa abiterem, nella sua casa abiterem,
di potere amare da me; di potere amare da me;
nella sua casa tutta d’or, nella sua casa tutta d’or,
non pensavo e non sapevo non pensavo e non sapevo
con tanta gioia dentro al cuor. con tanta gioia dentro al cuor.
che non può nemmeno un re. che non può nemmeno un re.
Lui m’ha dato i cieli … Lui m’ha dato i cieli …
Ho un amico … Ho un amico …
Però talvolta lo sfuggo Il cielo è pieno di stelle Però talvolta lo sfuggo Il cielo è pieno di stelle
e voglio fare da me, (b 200) e voglio fare da me, (b 200)
ma crolla presto il mio mondo ma crolla presto il mio mondo
perché Lui è più forte di me. Dm A Dm perché Lui è più forte di me. Dm A Dm
Il cielo è pieno di stelle Il cielo è pieno di stelle
Ho un amico … A Dm Gm Dm Ho un amico … A Dm Gm Dm
che fan sog nare le cose più belle, che fan sog nare le cose più belle,
F # m 6/7 G #m+ A Dm F # m 6/7 G #m+ A Dm
o341oo
=========
o341oo
========= più belle, più belle. o341oo
=========
o341oo
========= più belle, più belle.
|||||| |||||| |||||| ||||||
-------------- -------------- -------------- --------------
•
| | | | | IV
--------------
||| || •
-------------- Tu sogni e guardi lontano, •
| | | | | IV
--------------
||| || •
-------------- Tu sogni e guardi lontano,
|||||| |||||| |||||| ||||||
-------------- -------------- vedi un gran fiume che scorre pian piano, -------------- -------------- vedi un gran fiume che scorre pian piano,
| •• ||| | •• ||| | •• ||| | •• |||
pian piano, pian piano. pian piano, pian piano.
I cieli I cieli
Sul fiume c’è una piroga Sul fiume c’è una piroga
C. Chieffo 1964 (b 169; translation p. 265) e dentro questa c’è un negro che voga, C. Chieffo 1964 (b 169; translation p. 265) e dentro questa c’è un negro che voga,
C Am G7 C che voga, che voga. C Am G7 C che voga, che voga.
Non so proprio come far Non so proprio come far
per ringraziare il mio Signor: Intanto dietro la duna per ringraziare il mio Signor: Intanto dietro la duna
lui m’ha dato i cieli da guardar vedi spuntare pian piano la luna, lui m’ha dato i cieli da guardar vedi spuntare pian piano la luna,
e tanta gioia dentro al cuor. la luna, la luna. e tanta gioia dentro al cuor. la luna, la luna.

183 183
Il negro lascia il vogare, Se ieri non sapevo, oggi ho incontrato te, Il negro lascia il vogare, Se ieri non sapevo, oggi ho incontrato te,
guarda la luna e si mette a cantare, e la mia libertà è il tuo disegno su di me, guarda la luna e si mette a cantare, e la mia libertà è il tuo disegno su di me,
cantare, cantare. non cercherò più niente perché cantare, cantare. non cercherò più niente perché
Am Am
Ti prego, o madre luna, tu mi salve rai. Ti prego, o madre luna, tu mi salve rai.
fammi trovare anche oggi fortuna, fammi trovare anche oggi fortuna,
fortuna, fortuna. Il giovane ricco fortuna, fortuna. Il giovane ricco
Intanto dietro la duna C. Chieffo 1966 (b 172) Intanto dietro la duna C. Chieffo 1966 (b 172)
vedi calare pian piano la luna, Dm vedi calare pian piano la luna, Dm
la luna, la luna. Lui stava parlando, la luna, la luna. Lui stava parlando,
Gm Dm Gm Dm
Il disegno seduto sopra i gradini Il disegno seduto sopra i gradini
Gm Dm Gm Dm
A. Marani (b 171; English version p. 27; di quella casa b ianca, A. Marani (b 171; English version p. 27; di quella casa b ianca,
translation p. 265) Gm Dm translation p. 265) Gm Dm
in mezzo a tanti bam bini. in mezzo a tanti bam bini.
Am Dm G CE Gm Dm Am Dm G CE Gm Dm
Nel mare del silenzio una voce si alzò‚ Erano tutti su dati, Nel mare del silenzio una voce si alzò‚ Erano tutti su dati,
Am Dm G CE Gm Dm Am Dm G CE Gm Dm
da una notte senza con fini una luce brillò‚ Pietro cercava da bere; da una notte senza con fini una luce brillò‚ Pietro cercava da bere;
F E E7 Gm Dm F E E7 Gm Dm
dove non c’era niente quel giorno. c’erano anche i sol dati; dove non c’era niente quel giorno. c’erano anche i sol dati;
Gm Dm Gm Dm
Am Dm G CE io non rius civo a vedere. Am Dm G CE io non rius civo a vedere.
Avevi scritto già il mio nome lassù nel cielo‚ Avevi scritto già il mio nome lassù nel cielo‚
Am Dm Dm Dm4 Gm Am Dm Dm Dm4 Gm
a vevi scritto già |: Va’‚ vendi tutto quello che hai a vevi scritto già |: Va’‚ vendi tutto quello che hai
G C E Dm Gm Dm G C E Dm Gm Dm
la mia vita insieme a te, e vi eni con me. : | la mia vita insieme a te, e vi eni con me. : |
F E E7 F E E7
avevi scritto già di me. Mi feci avanti pian piano avevi scritto già di me. Mi feci avanti pian piano
finché non giunsi tra i primi, finché non giunsi tra i primi,
E quando la tua mente fece splendere le stelle, tenevo la testa bassa E quando la tua mente fece splendere le stelle, tenevo la testa bassa
e quando le tue mani modellarono la terra, e gli occhi fissi ai gradini. e quando le tue mani modellarono la terra, e gli occhi fissi ai gradini.
dove non c’era niente quel giorno. Lui continuava a parlare: dove non c’era niente quel giorno. Lui continuava a parlare:
Avevi scritto già … sembrava dicesse a me. Avevi scritto già … sembrava dicesse a me.
Guardavo fisso la terra Guardavo fisso la terra
E quando hai calcolato la profondità del cielo, e mi chiedevo perché. E quando hai calcolato la profondità del cielo, e mi chiedevo perché.
e quando hai colorato ogni fiore della terra, e quando hai colorato ogni fiore della terra,
dove non c’era niente quel giorno. Va’, vendi tutto … dove non c’era niente quel giorno. Va’, vendi tutto …

Avevi scritto già … Sentivo quelle parole, Avevi scritto già … Sentivo quelle parole,
ma non volevo capire; ma non volevo capire;
E quando hai disegnato le nubi e le montagne, poi mi riprese la folla E quando hai disegnato le nubi e le montagne, poi mi riprese la folla
e quando hai disegnato il cammino di ogni e non lo volli seguire. e quando hai disegnato il cammino di ogni e non lo volli seguire.
uomo Lui stava parlando, uomo Lui stava parlando,
l’avevi fatto anche per me. seduto sopra i gradini l’avevi fatto anche per me. seduto sopra i gradini
di quella casa bianca, di quella casa bianca,
in mezzo a tanti bambini. in mezzo a tanti bambini.

184 184
Va’, vendi tutto … Em Am Em Va’, vendi tutto … Em Am Em
L ’anima mia fai come neve L ’anima mia fai come neve
B7 B7
Il mio volto che si co lora Il mio volto che si co lora
C B7 Em C B7 Em
A. Mascagni (b 182; come le tenere tue cime‚ A. Mascagni (b 182; come le tenere tue cime‚
translation p. 265) B7 Em translation p. 265) B7 Em
Em Am Em
al sole del tuo A mor. Em Am Em
al sole del tuo A mor.
Mio Dio, mi g uardo ed ecco scopro Mio Dio, mi g uardo ed ecco scopro
B7 Il mistero B7 Il mistero
che non ho volto; che non ho volto;
C B7 Em A. Sicari / G. Bracchi (b 183; English version C B7 Em A. Sicari / G. Bracchi (b 183; English version
guardo il mio fondo e vedo il buio p. 28) guardo il mio fondo e vedo il buio p. 28)
B7 (Capo: 3rd Fret) B7 (Capo: 3rd Fret)
senza fine. senza fine.
Am Dm Am Dm
Em D G D G Chi accoglie nel suo cu ore Em D G D G Chi accoglie nel suo cu ore
Solo quando mi accorgo che tu sei, G C E Solo quando mi accorgo che tu sei, G C E
Em G C il volere del Padre mio Em G C il volere del Padre mio
come un’ eco ri sento Am Dm come un’ eco ri sento Am Dm
G C s arà per me fratello, G C s arà per me fratello,
la mia voce G Am la mia voce G Am
Am fra tello, so rella e madre. Am fra tello, so rella e madre.
e ri nasco e ri nasco
Em Am Dm E Am Em Am Dm E Am
come il tempo dal ricordo. Con occhi semplici voglio guar dare come il tempo dal ricordo. Con occhi semplici voglio guar dare
C G C C G C
Em Am Em della mia vita svelarsi il Mis tero Em Am Em della mia vita svelarsi il Mis tero
Perché tremi mio cuor? Tu non sei solo‚ G E Am Perché tremi mio cuor? Tu non sei solo‚ G E Am
B7 là dove nasce profonda l’au rora B7 là dove nasce profonda l’au rora
tu non sei solo; F E Am tu non sei solo; F E Am
Em Am Em d’un’esis tenza chia mata al tuo amore. Em Am Em d’un’esis tenza chia mata al tuo amore.
amar non sai e sei amato, amar non sai e sei amato,
B7 M’hai conosciuto da secoli eterni, B7 M’hai conosciuto da secoli eterni,
e sei a mato; m’hai costruito in un ventre di donna e sei a mato; m’hai costruito in un ventre di donna
C B7 Em C B7 Em
farti non sai e pur sei fatto ed hai parlato da sempre al mio cuore farti non sai e pur sei fatto ed hai parlato da sempre al mio cuore
B7 perché sapessi ascoltar la tua voce. B7 perché sapessi ascoltar la tua voce.
e pur sei fatto. e pur sei fatto.
Chi accoglie … Chi accoglie …
Em D G D Em D G D
Come le stelle su nei cieli, nell’Essere tu fammi Guardo la terra e guardo le stelle Come le stelle su nei cieli, nell’Essere tu fammi Guardo la terra e guardo le stelle
G e guardo il seme caduto nel campo, G e guardo il seme caduto nel campo,
camminare‚ sento che tutto si agita e freme camminare‚ sento che tutto si agita e freme
Em G C Em G C
f a m mi crescere e mutare, mentre il tuo regno Signore già viene. f a m mi crescere e mutare, mentre il tuo regno Signore già viene.
G C G C
c ome la luce Se vedo l’uomo ancora soffrire, c ome la luce Se vedo l’uomo ancora soffrire,
Am se il mondo intero nell’odio si spezza Am se il mondo intero nell’odio si spezza
che cresci e muti io so che è solo il travaglio del parto che cresci e muti io so che è solo il travaglio del parto
Em Am Em Am
d’un uomo nuovo che nasce alla vita. d’un uomo nuovo che nasce alla vita.
nei giorni e nelle notti. nei giorni e nelle notti.
Chi accoglie … Chi accoglie …

185 185
Il monologo di Giuda Non fu … Il monologo di Giuda Non fu …
C. Chieffo 1971 (b 184; translation p. 266) Il nostro cuore C. Chieffo 1971 (b 184; translation p. 266) Il nostro cuore
Dm Dm
Non fu per i trenta denari, Roberto Grotti (b 187; Non fu per i trenta denari, Roberto Grotti (b 187;
translation p. 266) translation p. 266)
ma per la speranza che E D
ma per la speranza che E D
F F
Lui, quel giorno, Il nostro cuore Lui, quel giorno, Il nostro cuore
E E
Dm Am Dm Dm Am Dm
a veva susci tato in me. non si è perduto, a veva susci tato in me. non si è perduto,
Gm C i nostri passi Gm C i nostri passi
Io ero un uomo tranquillo D E Io ero un uomo tranquillo D E
F G non hanno smarrito la tua strada. F G non hanno smarrito la tua strada.
vivevo bene del mio vivevo bene del mio
F Em C F Em C
rendevo anche gli o nori Né l’angosci a‚ né il dolore, rendevo anche gli o nori Né l’angosci a‚ né il dolore,
Am Dm Am B7 Am Dm Am B7
alla casa di Dio. la paura e la spada … alla casa di Dio. la paura e la spada …
G C Em C G G C Em C G
Poi un giorno venne quest’ uomo Mai il tuo sguard o fuggirò, Poi un giorno venne quest’ uomo Mai il tuo sguard o fuggirò,
F G B7 F G B7
parlò di pace e d’a more la tua casa lascerò. parlò di pace e d’a more la tua casa lascerò.
F F
diceva ch’era il Messia Il nostro cuore … diceva ch’era il Messia Il nostro cuore …
Am Dm Am Dm
il mio salva tore. Della morte, della vita, il mio salva tore. Della morte, della vita,
del presente, del futuro del presente, del futuro
Non fu … Non fu …
la tua gente non ha paura, la tua gente non ha paura,
Per terre arate dal sole la tua rocca sta sicura. Per terre arate dal sole la tua rocca sta sicura.
per strade d’ogni paese per strade d’ogni paese
Il nostro cuore … Il nostro cuore …
ci soffocava la folla ci soffocava la folla
con le mani tese. Em Am con le mani tese. Em Am
Ma poi passavano i giorni Col mio canto, la mia gioia, Ma poi passavano i giorni Col mio canto, la mia gioia,
G Am Em G Am Em
e il regno suo non veniva e il regno suo non veniva
gli avevo dato ormai tutto con l’amore e le pa role gli avevo dato ormai tutto con l’amore e le pa role
Em C Em C
e lui mi tradiva. la tua gloria loderò, e lui mi tradiva. la tua gloria loderò,
G B7 G B7
Non fu … la tua forza griderò. Non fu … la tua forza griderò.
Divenne il cuore di pietra Il nostro cuore … Divenne il cuore di pietra Il nostro cuore …
e gli occhi scaltri a fuggire e gli occhi scaltri a fuggire
mi aveva dato l’angoscia Il popolo canta mi aveva dato l’angoscia Il popolo canta
e doveva morire. e doveva morire.
Appeso all’albero un corpo C. Chieffo 1975 (b 214; translation p. 266) Appeso all’albero un corpo C. Chieffo 1975 (b 214; translation p. 266)
che non è certo più il mio A D 7+ che non è certo più il mio A D 7+
ora lo vedo negli occhi: Il cantastorie ora lo vedo negli occhi: Il cantastorie
è il Figlio di Dio. A D 7+ A è il Figlio di Dio. A D 7+ A
ha cominciato a raccontare; ha cominciato a raccontare;
186 186
 D 7+ B7 Em D 7+ B7 Em
il tessitore e vo levo vedere il seme. il tessitore e vo levo vedere il seme.
A D 7+ A A D 7+ A
ha cominciato a dipa nare; Ma il Signore ha messo il seme ha cominciato a dipa nare; Ma il Signore ha messo il seme
D 7+ nella terra del mio giardino. D 7+ nella terra del mio giardino.
porta la calce, Il Signore ha messo il seme porta la calce, Il Signore ha messo il seme
A D 7+ A A D 7+ A
porta i mattoni il mura tore; all’inizio del mio cammino. porta i mattoni il mura tore; all’inizio del mio cammino.
D 7+ D 7+
cammina l’uomo Io vorrei che fiorisse il seme, cammina l’uomo Io vorrei che fiorisse il seme,
A D 7+ io vorrei che nascesse il fiore, A D 7+ io vorrei che nascesse il fiore,
quando sa bene dove andare. ma il tempo del germoglio quando sa bene dove andare. ma il tempo del germoglio
A D
lo conosce il mio Signore. A D
lo conosce il mio Signore.
|: Il popolo canta Il Signore ha messo un seme |: Il popolo canta Il Signore ha messo un seme
A D A D
la sua liberaz ione. : | nella terra del mio giardino. la sua liberaz ione. : | nella terra del mio giardino.
Il Signore ha messo un seme Il Signore ha messo un seme
Il cantastorie nel profondo del mio mattino. Il cantastorie nel profondo del mio mattino.
ha cominciato a raccontare; ha cominciato a raccontare;
il tessitore Il viaggio il tessitore Il viaggio
ha cominciato a dipanare; ha cominciato a dipanare;
sento la vita C. Chieffo 1977 (b 219; translation p. 266) sento la vita C. Chieffo 1977 (b 219; translation p. 266)
che mi scoppia dentro al cuore; Em C Em che mi scoppia dentro al cuore; Em C Em
cammina l’uomo Fammi camminare ancora cammina l’uomo Fammi camminare ancora
quando sa bene dove andare. C G quando sa bene dove andare. C G
ho perso tanto tempo ho perso tanto tempo
Il popolo canta … D Il popolo canta … D
e non credevo che fosse e non credevo che fosse
D 7+ Em A Em D 7+ Em A Em
xxo123 xxo123
=========
||||||
così questo viaggio. =========
||||||
così questo viaggio.
-------------- --------------
||| •••
-------------- Ho incontrato per strada
||| •••
-------------- Ho incontrato per strada
|||||| ||||||
-------------- --------------
|||||| uomini con due facce |||||| uomini con due facce
che volevan rubarmi che volevan rubarmi
Il seme la voglia e il coraggio. Il seme la voglia e il coraggio.
C. Chieffo 1964 (b 192; translation p. 266) A G A C. Chieffo 1964 (b 192; translation p. 266) A G A
Em Am Em Non ho più né padre né m adre Em Am Em Non ho più né padre né m adre
G G
Il Signore ha messo un seme Il Signore ha messo un seme
B7 Em e non son meglio di loro B7 Em e non son meglio di loro
nella terra del mio giardino. Dm nella terra del mio giardino. Dm
Am Em e i bambini già grandi Am Em e i bambini già grandi
Il Signore ha messo un seme Em Il Signore ha messo un seme Em
B7 Em ci guardano e chiedono un segno. B7 Em ci guardano e chiedono un segno.
nel profondo del mio mattino. nel profondo del mio mattino.
G D A Em G D A Em
G Am |: La la lalala lala G Am |: La la lalala lala
Io ap pena me ne sono accorto G D A Em Io ap pena me ne sono accorto G D A Em
B7 Em lalala lala lalala lala. :| B7 Em lalala lala lalala lala. :|
sono sceso dal mio bal cone sono sceso dal mio bal cone
C D C D
e vo levo guardarci dentro, e vo levo guardarci dentro,
187 187
Quando prendemmo il mare continuare il mio viaggio. Quando prendemmo il mare continuare il mio viaggio.
ero felice davvero ero felice davvero
ti svelai tutto quello Io ti cerco in tutte le case ti svelai tutto quello Io ti cerco in tutte le case
che tu già sapevi: a tutti parlo di te che tu già sapevi: a tutti parlo di te
e quel mondo lontano e quel mondo lontano
la mia vita di prima, lontano ora è sempre più vero! la mia vita di prima, lontano ora è sempre più vero!
la voglia di cambiare la voglia di cambiare
e anche il nome di lei La la lalala lala … e anche il nome di lei La la lalala lala …
che tenevo segreto. che tenevo segreto.
In chi In chi
Tu ascoltavi tutti parlare Tu ascoltavi tutti parlare
Stefano Pianori (b 175) Stefano Pianori (b 175)
poi ci parlasti di te poi ci parlasti di te
di quel mondo lontano, Dm G di quel mondo lontano, Dm G
lontano, lontano ma vero. La mia forza sta in chi lontano, lontano ma vero. La mia forza sta in chi
Bf A Dm Bf A Dm
La la lalala lala … mi sap rà liberare. La la lalala lala … mi sap rà liberare.
G G
Em Am 7 Em La mia forza sta in chi Em Am 7 Em La mia forza sta in chi
Poi caddi nel tra nello Bf Dm Poi caddi nel tra nello Bf Dm
Am 7 mi ha salvato dal male. Am 7 mi ha salvato dal male.
dell’odio e del po tere Dm Am Dm
dell’odio e del po tere Dm Am Dm
F E F E
|: e credevo di essere fuori dal gioco. :| |: Lalala lala la lala la. : | |: e credevo di essere fuori dal gioco. :| |: Lalala lala la lala la. : |

Em D Em G D Em La mia fede sta in chi Em D Em G D Em La mia fede sta in chi

Ed ecco la cit tà ha sofferto per me. Ed ecco la cit tà ha sofferto per me.
G D Em G D Em La mia fede sta in chi G D Em G D Em La mia fede sta in chi
con le sue mu ra d’oro, ha pagato per me. con le sue mu ra d’oro, ha pagato per me.
G D Em G D Em G D Em G D Em
le sentinelle sulle torri, Lalala … le sentinelle sulle torri, Lalala …
D Em G D Em D Em G D Em
fiorita d’alberi e giar dini. La mia pace sta in chi fiorita d’alberi e giar dini. La mia pace sta in chi
ha un amore profondo. ha un amore profondo.
Io non l’avevo vista mai, La mia pace sta in chi Io non l’avevo vista mai, La mia pace sta in chi
eppure c’ero nato, è il Signore del mondo. eppure c’ero nato, è il Signore del mondo.
ed era quella la città ed era quella la città
dove sarei tornato. Lalala … dove sarei tornato. Lalala …
Così dentro la notte La mia gloria sta in chi Così dentro la notte La mia gloria sta in chi
lasciai la compagnia è alla destra del Padre. lasciai la compagnia è alla destra del Padre.
|: non potevo più essere uno di loro. :| La mia gloria sta in chi |: non potevo più essere uno di loro. :| La mia gloria sta in chi
presto ritornerà. presto ritornerà.
Il sole del mattino Il sole del mattino
mi trovò sulla strada Lalala … mi trovò sulla strada Lalala …
a rincorrere il tempo a rincorrere il tempo
che avevo perduto. che avevo perduto.
Ho attraversato i monti, Ho attraversato i monti,
ho attraversato il mare ho attraversato il mare
e ora voglio con te e ora voglio con te

188 188
In comunione Inno delle scolte di Assisi In comunione Inno delle scolte di Assisi
(b 176) (b 206) (b 176) (b 206)
Dm C Squilla la tromba che già il giorno finì, Dm C Squilla la tromba che già il giorno finì,
Signore, ti ringrazio perc hé tu hai voluto già del coprifuoco la canzone salì. Signore, ti ringrazio perc hé tu hai voluto già del coprifuoco la canzone salì.
F A F A
che io sedessi a mensa con te, Su, scolte, alle torri, che io sedessi a mensa con te, Su, scolte, alle torri,
Dm C guardie armate, olà! Dm C guardie armate, olà!
e per il tuo corpo che in cibo mi hai dato Attente, in silenzio vigilate! e per il tuo corpo che in cibo mi hai dato Attente, in silenzio vigilate!
F A Attente o scolte, su vigilate! F A Attente o scolte, su vigilate!
e per il tuo sangue che nel calice hai versato. e per il tuo sangue che nel calice hai versato.
O nostri santi che in cielo esultate, O nostri santi che in cielo esultate,
Dm A7 Dm A7 Dm A7 Dm A7
vergini sante gloriose e beate, vergini sante gloriose e beate,
Allora v ieni con me‚ noi v’invochiam, Allora v ieni con me‚ noi v’invochiam,
F C7 F F C7 F
in comuni one con me questa città in comuni one con me questa città
Dm Bf A col vostro amore salvate. Dm Bf A col vostro amore salvate.
sino all’eternit à Contro il nemico che l’anima tiene, sino all’eternit à Contro il nemico che l’anima tiene,
Dm C7 F A7 Dm A7 Dm contro la morte che subita viene, Dm C7 F A7 Dm A7 Dm contro la morte che subita viene,
Lala lalala, lala lalala, lala lalala la. in ogni cuor Lala lalala, lala lalala, lala lalala la. in ogni cuor
Signore, per tutti i dolori che hai sopportato, sia pace e bene, Signore, per tutti i dolori che hai sopportato, sia pace e bene,
per tutte le lacrime che hai versato, sia tregua ad ogni dolor. per tutte le lacrime che hai versato, sia tregua ad ogni dolor.
per tutte le gioie che non mi hai negato, Pace! per tutte le gioie che non mi hai negato, Pace!
per tutto l’amore che mi hai donato. Squilla … per tutto l’amore che mi hai donato. Squilla …
Allora vieni con me … Allora vieni con me …
Io non sono degno Io non sono degno
In questa notte splendida C. Chieffo 1964 (b 176) In questa notte splendida C. Chieffo 1964 (b 176)
C. Chieffo Dm Gm Dm C. Chieffo Dm Gm Dm
4 7
Io non sono degno di ciò che fai per me‚ 4 7
Io non sono degno di ciò che fai per me‚
C C C G Bf A7 C C C G Bf A7
In questa notte splendida di luce e di chiaror tu che ami tanto uno come me. In questa notte splendida di luce e di chiaror tu che ami tanto uno come me.
C C4 Dm C G7 C Dm Gm Dm C C4 Dm C G7 C Dm Gm Dm
il nostro cuore trepida: è nato il Salvator. Vedi non ho nulla da donare a te‚ il nostro cuore trepida: è nato il Salvator. Vedi non ho nulla da donare a te‚
7 7 7 7
G C G C A7 Dm G C G C A7 Dm
Un bimbo picco lissimo le porte ci aprirà ma se tu lo vuoi prendi me. Un bimbo picco lissimo le porte ci aprirà ma se tu lo vuoi prendi me.
7 7
Am Dm G C G C Am Dm G C G C
del cielo dell’Al tissimo nel la sua verità. Dm C Dm del cielo dell’Al tissimo nel la sua verità. Dm C Dm
Sono come la polvere alzata dal vento‚ Sono come la polvere alzata dal vento‚
Svegliatevi dal sonno, correte coi pastor. C Dm Svegliatevi dal sonno, correte coi pastor. C Dm
È notte di miracoli, di grazia e di stupor. sono come la pioggia ca duta dal cielo. È notte di miracoli, di grazia e di stupor. sono come la pioggia ca duta dal cielo.
Asciuga le tue lacrime, non piangere perché F C F Asciuga le tue lacrime, non piangere perché F C F
Gesù nostro carissimo è nato anche per te. Sono come una canna spez zata dall’uragano Gesù nostro carissimo è nato anche per te. Sono come una canna spez zata dall’uragano
Dm A7 Dm Dm A7 Dm
In questa notte limpida di gloria e di splendor se tu, Signore, non sei con me. In questa notte limpida di gloria e di splendor se tu, Signore, non sei con me.
il nostro cuore trepida: è nato il Salvator. Io non sono degno … il nostro cuore trepida: è nato il Salvator. Io non sono degno …
Gesù nostro carissimo le porte ci aprirà, Gesù nostro carissimo le porte ci aprirà,
il Figlio dell’Altissimo con noi sempre sarà. Contro i miei nemici tu mi fai forte, il Figlio dell’Altissimo con noi sempre sarà. Contro i miei nemici tu mi fai forte,
io non temo nulla e aspetto la morte. io non temo nulla e aspetto la morte.

189 189
Sento che sei vicino, che mi aiuterai, La lala lala … Sento che sei vicino, che mi aiuterai, La lala lala …
ma non sono degno di quello che mi dai. ma non sono degno di quello che mi dai.
In Bassa io trovo, io trovo un cuore nuovo, In Bassa io trovo, io trovo un cuore nuovo,
Io non sono degno … e allora verso gli altri leggero spicco il volo; Io non sono degno … e allora verso gli altri leggero spicco il volo;
la mia giornata è tutta una gran festa: la mia giornata è tutta una gran festa:
Io ti offro spalanco sempre più la mia finestra. Io ti offro spalanco sempre più la mia finestra.
M. Giombini (b 177; translation p. 266) La lala lala … M. Giombini (b 177; translation p. 266) La lala lala …
Am G Am Am G Am
Allora in Bassa ritorno allegramente, Allora in Bassa ritorno allegramente,
Io ti offro la mia vita‚ Io ti offro la mia vita‚
G l’umanità rinasce in me più dolcemente G l’umanità rinasce in me più dolcemente
o mio Signore. e posso iniziar a giocar la mia partita: o mio Signore. e posso iniziar a giocar la mia partita:
Am G Am è inutile sfogliar la margherita. Am G Am è inutile sfogliar la margherita.
Io ti offro tutto di me‚ Io ti offro tutto di me‚
G Am La lala lala … G Am La lala lala …
tutto di me, tutto di me. tutto di me, tutto di me.
F C Dm Am
La guerra F C Dm Am
La guerra
Chiunque in te spe ra non resta deluso. C. Chieffo 1971 (b 204; translation p. 267) Chiunque in te spe ra non resta deluso. C. Chieffo 1971 (b 204; translation p. 267)
F C Dm E7 F C Dm E7
Chiunque in te spe ra non resta deluso. Dm C Dm Chiunque in te spe ra non resta deluso. Dm C Dm
Nella mia guerra contro la falsità Nella mia guerra contro la falsità
Io ti offro … C Dm Io ti offro … C Dm

|: Ci hai dato la vita tra i veri viventi. :| contro l’ingiustizia, contro la povertà |: Ci hai dato la vita tra i veri viventi. :| contro l’ingiustizia, contro la povertà
F C Dm F C Dm
Io ti offro … ho impa rato sol tanto ad ingannar me stesso‚ Io ti offro … ho impa rato sol tanto ad ingannar me stesso‚
F C Dm F C Dm
ho impa rato sol tanto la viltà. ho impa rato sol tanto la viltà.
La canzone della Bassa La canzone della Bassa
La mia terra non l’ho difesa mai, La mia terra non l’ho difesa mai,
(b 199; translation p. 267) (b 199; translation p. 267)
sono fuggito ancora, io fuggo sempre sai. sono fuggito ancora, io fuggo sempre sai.
D Bm Em A Ho imparato soltanto ad ingannar me stesso, D Bm Em A Ho imparato soltanto ad ingannar me stesso,
In B assa io vado, io vado allegra mente ho imparato soltanto la viltà. In B assa io vado, io vado allegra mente ho imparato soltanto la viltà.
D Bm Em A D Bm Em A
e sono più fe lice di un grande presidente, F A e sono più fe lice di un grande presidente, F A
D Bm G Em |: A questo mondo D Bm G Em |: A questo mondo
e quando mi trovo insi eme a quei bambini Dm C Dm e quando mi trovo insi eme a quei bambini Dm C Dm
D A D non ci sarà dunque giustizia? :| D A D non ci sarà dunque giustizia? :|
mi sento più grande di Puc cini. mi sento più grande di Puc cini.
A 7 Ho trascinato tutti i pensieri miei A7
Ho trascinato tutti i pensieri miei
La lala lala nell’illusione di quello che vorrei. La lala lala nell’illusione di quello che vorrei.
D Bm Em A I nemici di un tempo tornano vincitori: D Bm Em A I nemici di un tempo tornano vincitori:
lala lalala la lalalala lala … è una guerra perduta per me. lala lalala la lalalala lala … è una guerra perduta per me.
In Bassa io cerco, io cerco qualche cosa; Nelle mie mani non è rimasto che In Bassa io cerco, io cerco qualche cosa; Nelle mie mani non è rimasto che
non bastano i soldi, non basta la morosa. terra bruciata, nomi senza un perché. non bastano i soldi, non basta la morosa. terra bruciata, nomi senza un perché.
Io cerco qualcosa, qualcosa per la vita I nemici di un tempo tornano vincitori: Io cerco qualcosa, qualcosa per la vita I nemici di un tempo tornano vincitori:
che non diventi mai arrugginita. è una guerra perduta per me. che non diventi mai arrugginita. è una guerra perduta per me.
|: Con le mie mani |: Con le mie mani
non potrò mai fare giustizia! :| non potrò mai fare giustizia! :|
190 190
Ora son solo a ricordare che La pietra Ora son solo a ricordare che La pietra
mi son perduto quando ho creduto in me; mi son perduto quando ho creduto in me;
resta solo il rimpianto di un giorno sprecato A. Mascagni / Psalm 118 (117) resta solo il rimpianto di un giorno sprecato A. Mascagni / Psalm 118 (117)
e forse l’attesa di te; (b 133; translation p. 267) e forse l’attesa di te; (b 133; translation p. 267)
resta solo il rimpianto di un giorno sprecato Am D Am resta solo il rimpianto di un giorno sprecato Am D Am
e certo l’attesa di te. La pietra che i costruttori hanno scartato e certo l’attesa di te. La pietra che i costruttori hanno scartato
C D Em C D Em
La nuova Auschwitz ora è pietra ango lare. La nuova Auschwitz ora è pietra ango lare.
D Am D Am
C. Chieffo 1967 (b 210; translation p. 267) ora è pietra angolare. C. Chieffo 1967 (b 210; translation p. 267) ora è pietra angolare.
D Am D Am D Am D Am
Io suo navo il violino ad Auschwitz È meglio rifugiarsi nel Signore Io suo navo il violino ad Auschwitz È meglio rifugiarsi nel Signore
C D D Am C D D Am
mentre mo rivano gli altri ebr ei; che sperare negli uomini. mentre mo rivano gli altri ebr ei; che sperare negli uomini.
D Am D Am
io suona vo il violino ad Auschwitz È meglio rifu giarsi nel Signore io suona vo il violino ad Auschwitz È meglio rifu giarsi nel Signore
C D C D Am C D C D Am
mentre ucci devano i fratelli m iei. (3x) che sperare nei prìncipi. mentre ucci devano i fratelli m iei. (3x) che sperare nei prìncipi.

Ci dicevano di suonare, La pietra … Ci dicevano di suonare, La pietra …

suonare forte e non fermarci mai, Am D G Am suonare forte e non fermarci mai, Am D G Am
per coprire l’urlo della morte, Ti ringrazio perc hé mi hai esa udito: per coprire l’urlo della morte, Ti ringrazio perc hé mi hai esa udito:
suonare forte e non fermarci mai. (3x) D Am suonare forte e non fermarci mai. (3x) D Am
fosti per me la salvezza . fosti per me la salvezza .
F Bf D D G Am F Bf D D G Am
|: Non è possibile essere come loro. :| La pietra sca rtata dai costruttori |: Non è possibile essere come loro. :| La pietra sca rtata dai costruttori
D Am D Am
Nel mondo nuovo ora è pietra ango lare. Nel mondo nuovo ora è pietra ango lare.
che ora abbiamo creato che ora abbiamo creato
c’è la miseria La pietra … c’è la miseria La pietra …
c’è l’odio ed il peccato. (3x) Am C D Am c’è l’odio ed il peccato. (3x) Am C D Am
Bene detto chi viene nel nome del Sig nore. Bene detto chi viene nel nome del Sig nore.
Ora siamo tornati ad Auschwitz D Am D Em Ora siamo tornati ad Auschwitz D Am D Em
dove ci è stato fatto tanto male Vi benediciamo dalla casa del Signore. dove ci è stato fatto tanto male Vi benediciamo dalla casa del Signore.
ma non è morto il male del mondo Am C D Em ma non è morto il male del mondo Am C D Em
e noi tutti lo possiamo fare. (3x) Tu sei il mio Dio, io ti ringrazierò‚ e noi tutti lo possiamo fare. (3x) Tu sei il mio Dio, io ti ringrazierò‚
Bm Em D E(m) Bm Em D E(m)
|: Non è possibile essere come loro. :| mio Dio, ti esalterò. |: Non è possibile essere come loro. :| mio Dio, ti esalterò.

Ora suono il violino al mondo La pietra … Ora suono il violino al mondo La pietra …
mentre muoiono i nuovi ebrei; La strada mentre muoiono i nuovi ebrei; La strada
ora suono il violino al mondo ora suono il violino al mondo
mentre uccidono i fratelli miei. (3x) C. Chieffo (b 216; mentre uccidono i fratelli miei. (3x) C. Chieffo (b 216;
translation p. 268) translation p. 268)
A D A A D A
È bella la strada per chi cam mina. È bella la strada per chi cam mina.
D A D A
È bella la strada per chi va. È bella la strada per chi va.

191 191
 D A D G D A D G
È bella la strada che porta a c a s a Il Signore sa perfino È bella la strada che porta a c a s a Il Signore sa perfino
G A D A G A D A
e dove ti as pettano già. quanti capelli hai sulla testa e dove ti as pettano già. quanti capelli hai sulla testa
D G D G
A D A il Signore sa perfino A D A il Signore sa perfino
E gialla tutta la campagna D A D E gialla tutta la campagna D A D
D E i nomi delle stelle. D E i nomi delle stelle.
ed ho già nostalgia di te ed ho già nostalgia di te
D E Lasciati fare … D E Lasciati fare …
ma dove vado c’è chi as petta ma dove vado c’è chi as petta
D FE Non ti affannare per sapere D FE Non ti affannare per sapere
così vi porto dentro me. cosa mangiare e cosa bere così vi porto dentro me. cosa mangiare e cosa bere
il Signore veste il Signore veste
È bella la strada … anche i gigli del campo. È bella la strada … anche i gigli del campo.
Porto con me le mie canzoni Lasciati fare … Porto con me le mie canzoni Lasciati fare …
ed una storia cominciata ed una storia cominciata
è veramente grande Dio Le ore discendono è veramente grande Dio Le ore discendono
è grande questa nostra vita. è grande questa nostra vita.
T: G. Clericetti – M: A. Mascagni T: G. Clericetti – M: A. Mascagni
È bella la strada … È bella la strada …
Gm Gm
La traccia Le ore discendono La traccia Le ore discendono
Cm Gm Cm Gm
(b 218) come barche lungo i fiumi (b 218) come barche lungo i fiumi
Cm Gm Cm Gm
C Am ver so il mare d’e terno, C Am ver so il mare d’e terno,
C’è una lunga, lunga traccia C G C G C’è una lunga, lunga traccia C G C G
F G C dove tu attendi, Signo re. F G C dove tu attendi, Signo re.
verso la terra del sogno verso la terra del sogno
Dm G Am G C Dm G Am G C
dove canta l’ usi gnolo La tristezza delle cose dove canta l’ usi gnolo La tristezza delle cose
C G C G C C G C G C
nel chia ror lu nar. m’è compagna nell’attesa nel chia ror lu nar. m’è compagna nell’attesa
G C G G C G
C’è una lunga, lunga attesa mi conduce fino a te. C’è una lunga, lunga attesa mi conduce fino a te.
finché ogni sogno s’avveri I giorni discendono finché ogni sogno s’avveri I giorni discendono
ed io possa alfin tornare come barche lungo i fiumi ed io possa alfin tornare come barche lungo i fiumi
sulla lunga traccia con te. verso il mare d’eterno, sulla lunga traccia con te. verso il mare d’eterno,
Lasciati fare dove tu attendi, Signore. Lasciati fare dove tu attendi, Signore.

C. Chieffo (b 178; translation p. 268) La dolcezza delle cose C. Chieffo (b 178; translation p. 268) La dolcezza delle cose
mi richiama dal peccato mi richiama dal peccato
D A D A mi conduce fino a te. D A D A mi conduce fino a te.
Lasciati fare da Chi ti conosce Lasciati fare da Chi ti conosce
D A D A D Gli anni discendono D A D A D Gli anni discendono
lasciati fare da Chi a ma te. come barche lungo i fiumi lasciati fare da Chi a ma te. come barche lungo i fiumi
verso il mare d’eterno, verso il mare d’eterno,
dove tu attendi, Signore. dove tu attendi, Signore.

192 192
La bellezza delle cose di un amore donato? La bellezza delle cose di un amore donato?
mi sorregge nel cammino mi sorregge nel cammino
mi conduce fino a te. Ma tu … mi conduce fino a te. Ma tu …

O vita mia discendi La la la la la … O vita mia discendi La la la la la …

come barche lungo i fiumi come barche lungo i fiumi
Ma non avere paura Ma non avere paura
verso il mare d’eterno, verso il mare d’eterno,
dove tu attendi, Signore. C. Chieffo 1964 (b 180; translation p. 269) dove tu attendi, Signore. C. Chieffo 1964 (b 180; translation p. 269)
Liberazione n. 2 E B7 Liberazione n. 2 E B7
Ma non avere paura, non ti fermare m a i Ma non avere paura, non ti fermare m a i
C. Chieffo 1973 (translation p. 268) E C. Chieffo 1973 (translation p. 268) E
perché il mio amore è fedele perché il mio amore è fedele
G #m D G #m A B7 E G #m D G #m A B7 E
Non mi basta sta sera e non fi nisce m ai. Non mi basta sta sera e non fi nisce m ai.
Gm F # m Gm F # m
un libro una can zone E B7 E un libro una can zone E B7 E
G m #
Am G m # Guardo sempre dentro me G m #
Am G m # Guardo sempre dentro me
o un amore di donna B7 E o un amore di donna B7 E
Gm G #m e non vedo te‚ Gm G #m e non vedo te‚
né può la confusione B7 E né può la confusione B7 E
Gm F m # c’è ru more nel mio cuor Gm F m # c’è ru more nel mio cuor
respingere la noia A B7 E respingere la noia A B7 E
B 7 e non so perché. B 7 e non so perché.
di una vita man cata . di una vita man cata .
Ma non avere paura … Ma non avere paura …
E F#m E F#m
Ma tu, tu solo puoi Non sapere cosa dir Ma tu, tu solo puoi Non sapere cosa dir
E F#m non saper che far. E F#m non saper che far.
riempire il vuoto della mia mente “Fai silenzio dentro te riempire il vuoto della mia mente “Fai silenzio dentro te
G #m7 B7 G #m7 B7
aprire il cuore di chi non sente. ed ascolta me.” aprire il cuore di chi non sente. ed ascolta me.”
E F#m E F#m
E poi giocare coi miei pe nsieri Ma non avere paura … E poi giocare coi miei pe nsieri Ma non avere paura …
# 7 7 # 7 7
G m B G m B
farmi se ntire come nato ieri. “Ogni volta che tu vuoi farmi se ntire come nato ieri. “Ogni volta che tu vuoi
tu mi troverai tu mi troverai
Non darò la mia vita e l’amore mio, lo sai Non darò la mia vita e l’amore mio, lo sai
unica eppure vuota non finisce mai.” unica eppure vuota non finisce mai.”
alla politica idiota alla politica idiota
o ad un falso ideale Ma non avere paura … o ad un falso ideale Ma non avere paura …
inventato da me di cui inventato da me di cui
Ma perché Ma perché
resto padrone e schiavo. resto padrone e schiavo.
C. Chieffo 1964 C. Chieffo 1964
Ma tu … Ma tu …
Dm Dm
Questo amore strano Ma perché‚ perché, perché Questo amore strano Ma perché‚ perché, perché
è nato come un figlio A Dm è nato come un figlio A Dm
che nessuno ha aspettato, tu non ti lasci fare da me? che nessuno ha aspettato, tu non ti lasci fare da me?
ma perché proprio adesso Ma perché, perché, perché ma perché proprio adesso Ma perché, perché, perché
vogliam farci padroni vogliam farci padroni

193 193
 A Dm e gli affamati li sazia d’ogni bene, A Dm e gli affamati li sazia d’ogni bene,
tu non ti lasci amare da me? ma gli avidi rimanda a mani vuote. tu non ti lasci amare da me? ma gli avidi rimanda a mani vuote.
Dm Dm
Tutte le vol te che sono fuggito L’anima … Tutte le vol te che sono fuggito L’anima …
A Dm A Dm
col tuo cavallo mi hai inseguito Ha salvato Israele suo servo col tuo cavallo mi hai inseguito Ha salvato Israele suo servo
perché ricorda il suo patto d’amore perché ricorda il suo patto d’amore
ma il tuo cavallo correva più forte che aveva fatto un tempo ai nostri padri, ma il tuo cavallo correva più forte che aveva fatto un tempo ai nostri padri,
A Dm ad Abramo e ai suoi figli per sempre. A Dm ad Abramo e ai suoi figli per sempre.
e mi hai strap pato dalla morte. e mi hai strap pato dalla morte.
L’anima … L’anima …
Ma perché … Ma perché …
Tutte le volte che ho preso un fiore Marta Marta Tutte le volte che ho preso un fiore Marta Marta
dal tuo giardino l’ho strappato C. Chieffo 1964 (b 181; translation p. 269) dal tuo giardino l’ho strappato C. Chieffo 1964 (b 181; translation p. 269)
il fiore ha perso il suo colore il fiore ha perso il suo colore
nelle mie mani si è seccato. Em nelle mie mani si è seccato. Em
Non so proprio come fare Non so proprio come fare
Ma perché … B7 Em Ma perché … B7 Em
perché non capisco niente perché non capisco niente
Tutte le volte che ho detto “io sono” Tutte le volte che ho detto “io sono”
tu mi hai spezzato le reni di schianto io non sento più le voci tu mi hai spezzato le reni di schianto io non sento più le voci
7
B E B7 E
poi mi hai donato il tuo perdono non vedo la mia gente. poi mi hai donato il tuo perdono non vedo la mia gente.
e mi hai coperto col tuo manto. e mi hai coperto col tuo manto.
E E
Ma perché … Buia era la notte e senza stelle Ma perché … Buia era la notte e senza stelle
G #m B7 G #m B7
Magnificat buia era la notte perché Magnificat buia era la notte perché
E E
Valmaggi buia era la notte e senza stelle, Valmaggi buia era la notte e senza stelle,
A B7 Em A B7 Em
L’anima mia magnifica il Signore vedevi solo te. L’anima mia magnifica il Signore vedevi solo te.
e si allieta il mio spirito in Dio, mio Salvatore. Ma non vedi come sono e si allieta il mio spirito in Dio, mio Salvatore. Ma non vedi come sono
Ha guardato all’umile sua ancella perché non mi vuoi aiutare? Ha guardato all’umile sua ancella perché non mi vuoi aiutare?
e tutti i tempi mi diranno beata, Vedi come sono stanco e tutti i tempi mi diranno beata, Vedi come sono stanco
poiché il Potente mi ha fatto grandi cose nessuno mi sa ascoltare. poiché il Potente mi ha fatto grandi cose nessuno mi sa ascoltare.
e santo, santo è il suo nome. Buia era la notte … e santo, santo è il suo nome. Buia era la notte …
L’anima … Marta, Marta tu t’inquieti L’anima … Marta, Marta tu t’inquieti
E il suo amore è nei secoli dei secoli e ti affanni per mille cose E il suo amore è nei secoli dei secoli e ti affanni per mille cose
su tutti quelli che han creduto in lui. mentre una sola è quella su tutti quelli che han creduto in lui. mentre una sola è quella
Con il suo braccio egli compie meraviglie, è quella che vale. Con il suo braccio egli compie meraviglie, è quella che vale.
I disegni distrugge ai superbi. Buia era la notte … I disegni distrugge ai superbi. Buia era la notte …
L’anima … … vedevo solo me. L’anima … … vedevo solo me.

Ha rovesciato i potenti dai troni Ha rovesciato i potenti dai troni

ed ha innalzato gli umili di cuore, ed ha innalzato gli umili di cuore,

194 194
Martino e l’imperatore A9 A7/9 Martino e l’imperatore A9 A7/9
xo12oo 3o12oo xo12oo 3o12oo
========= ========= ========= =========
|||||| |||||| |||||| ||||||
C. Chieffo 1976 (b 207; translation p. 269) --------------
|| •• ||
--------------
|| •• ||
C. Chieffo 1976 (b 207; translation p. 269) --------------
|| •• ||
--------------
|| •• ||
-------------- -------------- -------------- --------------
A9
A 7/9
||||||
-------------- • |||||
-------------- A9 A7/9
||||||
-------------- • |||||
--------------
|||||| |||||| |||||| ||||||
|: Lala la la la la lala |: Lala la la la la lala
A9 A 7/9 Mattone su mattone A9 A 7/9 Mattone su mattone
lala la la la la la : | lala la la la la la : |
A9 A7/9 A9
(b 209; translation p. 269) A9 A7/9 A9
(b 209; translation p. 269)
1. Ti diranno che tuo padre E 1. Ti diranno che tuo padre E
A7/9 A9 Mattone su mattone A7/9 A9 Mattone su mattone
era un personaggio strano A era un personaggio strano A
A7/9 A9 viene su la grande casa: A7/9 A9 viene su la grande casa:
un poeta fallito, B7 E B7 un poeta fallito, B7 E B7
A7/9 che fatica, che fatica che si fa! Perché? A7/9 che fatica, che fatica che si fa! Perché?
un illuso di un cristiano; E un illuso di un cristiano; E
Mattone su mattone Mattone su mattone
2. ti diranno che tua madre A 2. ti diranno che tua madre A
era una sentimentale viene su la grande casa: era una sentimentale viene su la grande casa:
B7 E B7 E
che pregava ancora Dio è il Signore che ci v uole abi tar con te. che pregava ancora Dio è il Signore che ci v uole abi tar con te.
G Am G Am
mentre si dovrebbe ur lare. E B7 mentre si dovrebbe ur lare. E B7
Ho tante, tante cose, Ho tante, tante cose,
Am Em D E Am Em D E
Tu non credere mai tantissimo da fare; Tu non credere mai tantissimo da fare;
Am Em B7 Am Em B7
all’impera tore ho tutto il giorno p ieno, all’impera tore ho tutto il giorno p ieno,
D E D E
anche se il suo nome è società ho anche da stud iare! anche se il suo nome è società ho anche da stud iare!
Am B7 Am B7
anche se si chiama onore Ma in fondo, in fondo al c uore, anche se si chiama onore Ma in fondo, in fondo al c uore,
D A B7 D A B7
anche se il suo nome è popolo non ti scordare che: anche se il suo nome è popolo non ti scordare che:
Am Am
anche se si chiama a more. Mattone su mattone … anche se si chiama a more. Mattone su mattone …
3. Credi solo in nostro Padre Ma fermati un momento 3. Credi solo in nostro Padre Ma fermati un momento
che è venuto e che verrà e provati a pensare: che è venuto e che verrà e provati a pensare:
a portare la giustizia che cosa c’è che importa a portare la giustizia che cosa c’è che importa
contro la malvagità. di tutto questo fare? contro la malvagità. di tutto questo fare?
E ti dirò un segreto E ti dirò un segreto
No non credere mai … ch’è quel che fa per te: No non credere mai … ch’è quel che fa per te:
4. No non credere alla scimmia Mattone su mattone … 4. No non credere alla scimmia Mattone su mattone …
e alla sua casualità, e alla sua casualità,
tienti stretto alla mia mano Spalanca la tua porta tienti stretto alla mia mano Spalanca la tua porta
anche se non ci sarà. e prova a guardar fuori, anche se non ci sarà. e prova a guardar fuori,
e guarda tutti gli altri e guarda tutti gli altri
Lala la la la la lala … che stanno ad aspettare Lala la la la la lala … che stanno ad aspettare
un poco del tuo tempo un poco del tuo tempo

195 195
da fare a metà. Miserere … da fare a metà. Miserere …
Mattone su mattone … Però non ti scordare ch’io nacqui nel peccato, Mattone su mattone … Però non ti scordare ch’io nacqui nel peccato,
che nelle colpe sono stato concepito. che nelle colpe sono stato concepito.
Metà dei miei mattoni Metà dei miei mattoni
io li regalo a te, Miserere … io li regalo a te, Miserere …
per fare la tua casa, per fare la tua casa,
per far contento te: Signore, per me crea un cuor nuovo ed per far contento te: Signore, per me crea un cuor nuovo ed
e intanto la mia casa innocente, e intanto la mia casa innocente,
vien su tutta da sé. rifa’ indomato e più fermo il mio volere. vien su tutta da sé. rifa’ indomato e più fermo il mio volere.

Mattone su mattone … Miserere … Mattone su mattone … Miserere …

Mi prendi per la mano Narrano i cieli Mi prendi per la mano Narrano i cieli

Mi prendi per la mano o mio Gesù Psalm 19 (18A) Mi prendi per la mano o mio Gesù Psalm 19 (18A)
col Tuo poter sovrano guidami Tu. (b 118) col Tuo poter sovrano guidami Tu. (b 118)
Dirigi i passi miei nel Tuo sentier A D Dirigi i passi miei nel Tuo sentier A D
la luce mia Tu sei, l’eterno ver. Narrano i cieli la gloria di Dio, la luce mia Tu sei, l’eterno ver. Narrano i cieli la gloria di Dio,
A E A A E A
La gioia e il dolore vengon da Te l’opere sue proclama il firmamento. La gioia e il dolore vengon da Te l’opere sue proclama il firmamento.
nel Tuo divino amore trovo mercé. A D
nel Tuo divino amore trovo mercé. A D
A Te mi affido solo, o Salvator Ciascun giorno con l’altro ne parla, A Te mi affido solo, o Salvator Ciascun giorno con l’altro ne parla,
e trovo nel mio duolo conforto ognor. A E e trovo nel mio duolo conforto ognor. A E
l’una notte con l’altra ne ragiona. l’una notte con l’altra ne ragiona.
S’addensi la bufera sul mio cammin A D S’addensi la bufera sul mio cammin A D
sia pur la notte nera Tu sei vicin. Non v’è lingua, non vi sono parole sia pur la notte nera Tu sei vicin. Non v’è lingua, non vi sono parole
A E A E
Con Te non ho timore mi guida Tu Con Te non ho timore mi guida Tu
che comprendano la sua grandezza. che comprendano la sua grandezza.
avvinci questo core a Te Gesù. avvinci questo core a Te Gesù.
Narrano … Narrano …
Miserere Miserere
La sua legge è in tutto perfetta La sua legge è in tutto perfetta
A. Mascagni / Psalm 51 (50) e rallegra l’anima mia: A. Mascagni / Psalm 51 (50) e rallegra l’anima mia:
(b 125) sono veraci i giudizi di Dio, (b 125) sono veraci i giudizi di Dio,
E A E sono preziosi più che l’oro ai miei occhi. E A E sono preziosi più che l’oro ai miei occhi.
Miserere, miserere, misere re. Miserere, miserere, misere re.
Narrano … Narrano …
Em Am Em Em Am Em
Davvero ho peccato solo contro te, mio Dio‚ Per ogni terra ne corre la voce, Davvero ho peccato solo contro te, mio Dio‚ Per ogni terra ne corre la voce,
Am E ne giunge l’eco ai confini del mondo; Am E ne giunge l’eco ai confini del mondo;
ed ho compiuto quello che ai tuoi occhi è male. è per questo che ti seguo con gioia: ed ho compiuto quello che ai tuoi occhi è male. è per questo che ti seguo con gioia:
Miserere … la tua parola è più dolce del miele! Miserere … la tua parola è più dolce del miele!

Giusta è, Signore, la sentenza di condanna; Narrano … Giusta è, Signore, la sentenza di condanna; Narrano …
retto e imparziale è il giudizio tuo divino. Alleluia, alleluia, alleluia. retto e imparziale è il giudizio tuo divino. Alleluia, alleluia, alleluia.

196 196
Nel silenzio della notte Tutto t’offrirò mio Signore, mio Dio Nel silenzio della notte Tutto t’offrirò mio Signore, mio Dio
ed il tuo amore io riscopro nel pianto. ed il tuo amore io riscopro nel pianto.
T: G. Clericetti – M: A. Mascagni Ora canterò? T: G. Clericetti – M: A. Mascagni Ora canterò?
E E
Nel si lenzio della notte La la la … Nel si lenzio della notte La la la …
B 7
E Nel silenzio dei miei giorni B 7
E Nel silenzio dei miei giorni
una voce disse: canta. una voce mi chiamò. una voce disse: canta. una voce mi chiamò.
Nel si lenzio del mio cuore Noi non sappiamo chi era Nel si lenzio del mio cuore Noi non sappiamo chi era
B7 E B7 E
una voce disse: grida. A. Roscio – G. Roscio – A. Agape – una voce disse: grida. A. Roscio – G. Roscio – A. Agape –
G. Agape (b 185; Capo: 2 nd Fret; translation G. Agape (b 185; Capo: 2 nd Fret; translation
Nel silenzio dei miei giorni p. 269) Nel silenzio dei miei giorni p. 269)
una voce mi chiamò. Am una voce mi chiamò. Am
Noi non sappiamo chi era, Noi non sappiamo chi era,
E G #m A B7 C E E G #m A B7 C E
Come canterò mio Sig nore, mio Dio noi non sappiamo chi fu‚ Come canterò mio Sig nore, mio Dio noi non sappiamo chi fu‚
E G #m A B7 Am C D Am Em Am E G #m A B7 Am C D Am Em Am
ora che il do lore mi dis secca la gola. ma si faceva chiamare Ge sù. ora che il do lore mi dis secca la gola. ma si faceva chiamare Ge sù.
E E7 A F #7 E E E7 A F #7 E
Co me cante rò mio Signore, mio Dio Am G Am Co me cante rò mio Signore, mio Dio Am G Am
E7 A F #7 E Pietro lo incontrò sulla riva del mare‚ E7 A F #7 E Pietro lo incontrò sulla riva del mare‚
se la mia voce è spez zata dal pianto. C D E se la mia voce è spez zata dal pianto. C D E
A B7 P aolo lo incontrò sulla via di Damasco. A B7 P aolo lo incontrò sulla via di Damasco.
Am C D C Am C D C
Come canterò? Come canterò?
Vieni, fra tello: ci sarà un posto, Vieni, fra tello: ci sarà un posto,
Am Em Am Am Em Am
Nel silenzio della notte Nel silenzio della notte
posto anche per te. posto anche per te.
una voce disse: guarda. una voce disse: guarda.
Nel silenzio del mio cuore Noi non sappiamo … Nel silenzio del mio cuore Noi non sappiamo …
una voce disse: vedi. una voce disse: vedi.
Nel silenzio dei miei giorni Maria lo incontrò sulla pubblica strada, Nel silenzio dei miei giorni Maria lo incontrò sulla pubblica strada,
una voce mi chiamò. Disma lo incontrò in cima alla croce. una voce mi chiamò. Disma lo incontrò in cima alla croce.
Vieni fratello: ci sarà un posto, Vieni fratello: ci sarà un posto,
Come guarderò mio Signore, mio Dio posto anche per te. Come guarderò mio Signore, mio Dio posto anche per te.
ora che il dolore ha fissato i miei occhi. ora che il dolore ha fissato i miei occhi.
Come guarderò mio Signore, mio Dio Noi non sappiamo … Come guarderò mio Signore, mio Dio Noi non sappiamo …
se la mia vista è velata dal pianto. Noi lo incontrammo all’ultima ora, se la mia vista è velata dal pianto. Noi lo incontrammo all’ultima ora,
Come ti vedrò? io l’ho incontrato all’ultima ora. Come ti vedrò? io l’ho incontrato all’ultima ora.
Nel silenzio della notte Vieni, fratello: ci sarà un posto, Nel silenzio della notte Vieni, fratello: ci sarà un posto,
una voce disse: offri. posto anche per te. una voce disse: offri. posto anche per te.
Nel silenzio del mio cuore Ora sappiamo chi era, Nel silenzio del mio cuore Ora sappiamo chi era,
una voce disse: ama. ora sappiamo chi fu: una voce disse: ama. ora sappiamo chi fu:
Nel silenzio dei miei giorni era colui che cercavi, Nel silenzio dei miei giorni era colui che cercavi,
una voce mi chiamò. si faceva chiamare Gesù. una voce mi chiamò. si faceva chiamare Gesù.
Tutto ti darò mio Signore, mio Dio Tutto ti darò mio Signore, mio Dio
ora che il dolore m’ha chiamato per nome. ora che il dolore m’ha chiamato per nome.

197 197
Non c’è nessuno C+ Am 7 D 7/9 Non c’è nessuno C+ Am 7 D 7/9
Vivo il pre sente‚ non son sin cera. Vivo il pre sente‚ non son sin cera.
Guido Clericetti – A. Mascagni Am C+ Am 7 Dm7 Em Guido Clericetti – A. Mascagni Am C+ Am 7 Dm7 Em
(b 210; translation p. 269) Prego la ser a‚ non son sincera. (b 210; translation p. 269) Prego la ser a‚ non son sincera.
A E A E Il male che faccio … A E A E Il male che faccio …
Non c’è nes suno che a ma la luna Non c’è nes suno che a ma la luna
A B7 E Fammi incontrare chi sa soffrire, A B7 E Fammi incontrare chi sa soffrire,
come le stelle del ciel! chi sa donare fino alla fine, come le stelle del ciel! chi sa donare fino alla fine,
A E A E chi è sincero, chi è reale A E A E chi è sincero, chi è reale
Non c’è nes suno che a ma la riva colui ch’io possa almeno seguire. Non c’è nes suno che a ma la riva colui ch’io possa almeno seguire.
A B7 E A B7 E
come le onde del m ar ! Il male che faccio … come le onde del m ar ! Il male che faccio …
E B7 E B7
C+ Am 7 D 7/9 Dm7 C+ Am 7 D 7/9 Dm7
Anch’io ti amo, lo sai: xo321o xo2o1o x2134o xxo211 Anch’io ti amo, lo sai: xo321o xo2o1o x2134o xxo211
A E ========= ========= ========= ========= A E ========= ========= ========= =========
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vorrei sempre restare con te … •
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vorrei sempre restare con te … •
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B 7
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V • ••
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B 7
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V • ••
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E invece devo partir: |||||| |||||| |||||| |||||| E invece devo partir: |||||| |||||| |||||| ||||||
A B7 E A B7 E
ma l’amore non deve fi nir. O dolce casa mia ma l’amore non deve fi nir. O dolce casa mia
Non c’è nessuno … O dolce casa mia Non c’è nessuno … O dolce casa mia
ver te vorrei volar ver te vorrei volar
Quanto ti amo, lo sai: benché lontan io sia Quanto ti amo, lo sai: benché lontan io sia
vorrei sempre restare con te … vo’ sempre a te pensar. vorrei sempre restare con te … vo’ sempre a te pensar.
Anche se tu partirai, O casa mia diletta Anche se tu partirai, O casa mia diletta
resteremo insieme perché quando ti rivedrò resteremo insieme perché quando ti rivedrò
quando tramonta lontano la luna, il giorno il cuore affretta quando tramonta lontano la luna, il giorno il cuore affretta
resta l’attesa del ciel; che a te ritornerò. resta l’attesa del ciel; che a te ritornerò.
quando scompare lontano la riva, O dolce casa mia quando scompare lontano la riva, O dolce casa mia
resta l’attesa del mar! quel giorno il cuore affretta resta l’attesa del mar! quel giorno il cuore affretta
che a te ritornerò. che a te ritornerò.
Non son sincera Ma assai più dolce ancora Non son sincera Ma assai più dolce ancora
A. Mascagni (b 186; translation p. 269) all’occhio del mio cuor, A. Mascagni (b 186; translation p. 269) all’occhio del mio cuor,
risplende la dimora risplende la dimora
Am Dm Am che mi annunziò il Signor, Am Dm Am che mi annunziò il Signor,
Il male che faccio non è il mio male‚ Lassù l’errore tace Il male che faccio non è il mio male‚ Lassù l’errore tace
Em Am E7 Am Em Am E7 Am
sono più misera di quanto credevo; lassù non v’ha dolor; sono più misera di quanto credevo; lassù non v’ha dolor;
Dm Am lassù purezza e pace, Dm Am lassù purezza e pace,
il male che ho dentro queste mie ossa lassù letizia e amor. il male che ho dentro queste mie ossa lassù letizia e amor.
Em Am E7 Am Em Am E7 Am
O dolce casa mia O dolce casa mia
Padre, mi tiene lontano da te. Padre, mi tiene lontano da te.
lassù purezza e pace lassù purezza e pace
Am Dm Am lassù letizia e amor. Am Dm Am lassù letizia e amor.
Passo il mio temp o‚ non son sin cera. Passo il mio temp o‚ non son sin cera.
Dm Am Dm Am
Amo la gente‚ non son sin cera. Amo la gente‚ non son sin cera.

198 198
Parsifal (Canzone dell’ideale) ad indicarti la via. Parsifal (Canzone dell’ideale) ad indicarti la via.
C. Chieffo (b 212) Sarò con te … C. Chieffo (b 212) Sarò con te …
Am C Am C
Parsifal, Parsifal non ti fermare Perdonami mio Signore Parsifal, Parsifal non ti fermare Perdonami mio Signore
Dm Am Dm Am
e lascia sempre che sia C. Chieffo 1964 (b 188) e lascia sempre che sia C. Chieffo 1964 (b 188)
C E B 7
E C E B7 E
la voce unica dell’ideale Per donami, mio Signore, di tutto il male mio‚ la voce unica dell’ideale Per donami, mio Signore, di tutto il male mio‚
Dm Am B7 E Dm Am B7 E
ad indicarti la via. perdonami, mio Signore, per donami, mio Dio. ad indicarti la via. perdonami, mio Signore, per donami, mio Dio.
G B7 E G B7 E
Sarò con te Senza di te si spacca il cuore mio‚ Sarò con te Senza di te si spacca il cuore mio‚
Dm Am B7 E Dm Am B7 E
io ti ho messo una mano sul cuore. bianco come la morte, ti chiamo, o Dio. io ti ho messo una mano sul cuore. bianco come la morte, ti chiamo, o Dio.
C G C G
Sempre con te‚ Perdonami … Sempre con te‚ Perdonami …
Dm Am E Dm Am E
come un fuoco che dentro non muore. Com’è pesante il male, il male che ti faccio come un fuoco che dentro non muore. Com’è pesante il male, il male che ti faccio
Dm7 Em e com’ è duro il cuore: è freddo più del ghiaccio. Dm7 Em e com’ è duro il cuore: è freddo più del ghiaccio.
Non fermarti alla corte delle anime nane Non fermarti alla corte delle anime nane
Dm7 Em Perdonami … Dm7 Em Perdonami …
che ripetono i gesti e non sanno capire. che ripetono i gesti e non sanno capire.
Dm No, non mi abbandonare e dammi la tua pace; Dm No, non mi abbandonare e dammi la tua pace;
Non salire al castello dei giovani giusti sia tutta la mia vita solo ciò che ti piace. Non salire al castello dei giovani giusti sia tutta la mia vita solo ciò che ti piace.
Am Am
che adorano il sole: Perdonami … che adorano il sole: Perdonami …
F G F G
è quel sole lo specchio di chi non si vuole Pim-pam è quel sole lo specchio di chi non si vuole Pim-pam
Am Am
vedere. Robi Ronza vedere. Robi Ronza
Parsifal, Parsifal devi lottare C F C Parsifal, Parsifal devi lottare C F C
devi cercare dov’è Nella casa là sul la montagna devi cercare dov’è Nella casa là sul la montagna
F C F C
il punto fermo tra le onde del mare un camino grande grande sta, il punto fermo tra le onde del mare un camino grande grande sta,
e quest’isola c’è. F C e quest’isola c’è. F C
nel camino grande grande grande nel camino grande grande grande
Sarò con te … Am G C Sarò con te … Am G C
un gran fuoco fuoco fuoco va. un gran fuoco fuoco fuoco va.
Io sapevo da sempre che avresti tradito Io sapevo da sempre che avresti tradito
mille volte in un giorno e poi mille altre C mille volte in un giorno e poi mille altre C
ancora Perciò “pim p a m ” ancora Perciò “pim p a m ”
Am Am
ma i tuoi occhi che cercano sono quelli di chi le scarpe “pim p a m ” ma i tuoi occhi che cercano sono quelli di chi le scarpe “pim p a m ”
si sorprende ferito Dm si sorprende ferito Dm
e il mio braccio è più forte del male, più di notte, fan sul sentiero e il mio braccio è più forte del male, più di notte, fan sul sentiero
grande dell’ora. G grande dell’ora. G
di pietre grosse; di pietre grosse;
Parsifal, Parsifal non ti fermare C Parsifal, Parsifal non ti fermare C
e lascia dunque che sia “pim p a m ” e lascia dunque che sia “pim p a m ”
la voce unica dell’ideale la voce unica dell’ideale
199 199
 Am Preghiera a Maria Am Preghiera a Maria
le scarpe “pim p a m ” le scarpe “pim p a m ”
Dm G C Daniele Semprini (b 189) Dm G C Daniele Semprini (b 189)
di notte, fan sul sen tiero così. di notte, fan sul sen tiero così.
D G A D G A
Nella casa là sulla montagna Ma ria, tu che hai atteso nel si lenzio Nella casa là sulla montagna Ma ria, tu che hai atteso nel si lenzio
un Signore grande grande sta, D un Signore grande grande sta, D
nella stanza verde viola bianca la tua parola per noi, nella stanza verde viola bianca la tua parola per noi,
tante sedie rosse gialle ha. G A D Bm tante sedie rosse gialle ha. G A D Bm
a iuta ci ad ac coglie re a iuta ci ad ac coglie re
Perciò “pim pam” … G Em A A7 Perciò “pim pam” … G Em A A7

Nella casa là sulla montagna il Figlio tuo che ora vive in noi. Nella casa là sulla montagna il Figlio tuo che ora vive in noi.
una sedia a tutti tutti dà, Maria, tu che sei stata così docile una sedia a tutti tutti dà, Maria, tu che sei stata così docile
a ciascuno toglierà le scarpe, davanti al tuo Signor, a ciascuno toglierà le scarpe, davanti al tuo Signor,
tutti insieme poi si danzerà. tutti insieme poi si danzerà.
aiutaci … aiutaci …
Perciò “pim pam” … Perciò “pim pam” …
Maria, tu che hai portato dolcemente Maria, tu che hai portato dolcemente
Nella casa là sulla montagna l’immenso dono d’amor, Nella casa là sulla montagna l’immenso dono d’amor,
un camino grande grande sta, un camino grande grande sta,
nel camino grande grande grande aiutaci … nel camino grande grande grande aiutaci …
più più fuoco fuoco fuoco va. più più fuoco fuoco fuoco va.
Maria, Madre, umilmente tu hai sofferto Maria, Madre, umilmente tu hai sofferto
Perciò “pim pam” … del suo ingiusto dolor: Perciò “pim pam” … del suo ingiusto dolor:

Povera voce aiutaci … Povera voce aiutaci …

M. Campi, A. Mascagni (b 189; translation Maria, tu che ora vivi nella gloria M. Campi, A. Mascagni (b 189; translation Maria, tu che ora vivi nella gloria
p. 270) insieme al tuo Signor, p. 270) insieme al tuo Signor,
D Bm Em A D aiutaci … D Bm Em A D aiutaci …
Povera voce di un uomo che non c’è Povera voce di un uomo che non c’è
Bm Em A D Quando uno ha il cuore buono Bm Em A D Quando uno ha il cuore buono
la nostra voce, se non ha più un perché: la nostra voce, se non ha più un perché:
Bm Em A C. Chieffo 1964 (b 214; translation p. 270) Bm Em A C. Chieffo 1964 (b 214; translation p. 270)
deve gridare, deve implorare deve gridare, deve implorare
D Bm G Em 7 A C F C D Bm G Em 7 A C F C
che il respiro della vita non abbia fine. Quando uno ha il cuore buono che il respiro della vita non abbia fine. Quando uno ha il cuore buono
G G
Poi deve cantare perché la vita c’è, non ha più paura di niente, Poi deve cantare perché la vita c’è, non ha più paura di niente,
C F C C F C
tutta la vita chiede l’eternità; è fe lice d’ ogni cosa, tutta la vita chiede l’eternità; è fe lice d’ ogni cosa,
non può morire, non può finire G C non può morire, non può finire G C
la nostra voce che la vita chiede all’Amor. vuole amare solamente. la nostra voce che la vita chiede all’Amor. vuole amare solamente.
Non è povera voce di un uomo che non c’è, C G Non è povera voce di un uomo che non c’è, C G
la nostra voce canta con un perché. Quante volte t’ho chiamato per nome‚ la nostra voce canta con un perché. Quante volte t’ho chiamato per nome‚
C G C G
quante volte ho cercato di te, quante volte ho cercato di te,
C G C G
ma tu fuggi e ti nas condi, ma tu fuggi e ti nas condi,

200 200
 C F G Prendi pure la mia vita … C F G Prendi pure la mia vita …
vorrei proprio sapere perché. vorrei proprio sapere perché.
Quando uno … Questo giorno Quando uno … Questo giorno

Poco dopo è calata la notte, A. Mascagni (b 190) Poco dopo è calata la notte, A. Mascagni (b 190)
la tua voce ho sentito gridar; Questo giorno l’ha fatto il Signor. la tua voce ho sentito gridar; Questo giorno l’ha fatto il Signor.
io ti dico: ritorna alla casa, io ti dico: ritorna alla casa,
il mio amore è più grande del mar. Terra, acqua, sole, luna, tenebre e luce, il mio amore è più grande del mar. Terra, acqua, sole, luna, tenebre e luce,
benedite nei secoli il Signor. benedite nei secoli il Signor.
Quando uno … Illumina le tenebre e l’ombra che ci avvolge, Quando uno … Illumina le tenebre e l’ombra che ci avvolge,
Tu hai sentito chiamare il tuo nome: guida i nostri passi all’eterno amor. Tu hai sentito chiamare il tuo nome: guida i nostri passi all’eterno amor.
non puoi certo scordarlo mai più. Questo giorno … non puoi certo scordarlo mai più. Questo giorno …
Su non fingere d’essere sordo, Su non fingere d’essere sordo,
puoi rispondermi solo tu. Correrò sulla via dei tuoi comandi puoi rispondermi solo tu. Correrò sulla via dei tuoi comandi
perché avrai dilatato il mio cuore. perché avrai dilatato il mio cuore.
Quando uno … Tu, Signor, mi hai creato e formato: Quando uno … Tu, Signor, mi hai creato e formato:
non voler abbandonare l’opera delle tue mani. non voler abbandonare l’opera delle tue mani.
Quant’è dolce o Salvatore Quant’è dolce o Salvatore
Questo giorno … Questo giorno …
(b 110; translation p. 270) (b 110; translation p. 270)
D
Aspetta l’anima mia il Signore D
Aspetta l’anima mia il Signore
Quant’è dolce, o Salvatore, più che le scolte l’aurora. Quant’è dolce, o Salvatore, più che le scolte l’aurora.
G A L’anima mia si tiene a te vicina G A L’anima mia si tiene a te vicina
di servire a te! e la tua destra su di me si posa. di servire a te! e la tua destra su di me si posa.
D G D G
Ed offrire con amo re Qui presso a te Ed offrire con amo re Qui presso a te
D A D D A D
questo c uore a te. (b 110) questo c uore a te. (b 110)
D G D D G D
Prendi pure la mia vita, Qui presso a te, Signor, restar vogl’io! Prendi pure la mia vita, Qui presso a te, Signor, restar vogl’io!
Em A È il grido del mio cuor, l’ascolta, o Dio! Em A È il grido del mio cuor, l’ascolta, o Dio!
io la dono a te‚ La sera scende oscura sul cuor che s’impaura; io la dono a te‚ La sera scende oscura sul cuor che s’impaura;
D G D Em mi tenga ognor la fe’, qui presso a te. D G D Em mi tenga ognor la fe’, qui presso a te.
la tua grazia m’hai largita‚ la tua grazia m’hai largita‚
D A D Qui presso a te, Signor, restar vogl’io! D A D Qui presso a te, Signor, restar vogl’io!
vivo della fe’. Niun vede il mio dolor, tu ’l vedi, o Dio! vivo della fe’. Niun vede il mio dolor, tu ’l vedi, o Dio!
La tua vita per salvarmi O vivo pan verace, sol tu puoi darmi pace; La tua vita per salvarmi O vivo pan verace, sol tu puoi darmi pace;
desti con amor! e pace v’ha per me qui presso a te. desti con amor! e pace v’ha per me qui presso a te.
Fa’ ch’io possa consacrarmi Fa’ ch’io possa consacrarmi
tutto a te, Signor. Re Magi tutto a te, Signor. Re Magi

Prendi pure la mia vita … A. Mascagni Prendi pure la mia vita … A. Mascagni

Fa’ ch’io fissi il guardo mio Vanno vanno vanno Fa’ ch’io fissi il guardo mio Vanno vanno vanno
sempre e solo in te! i tre re magi sempre e solo in te! i tre re magi
Ch’io ti serva ognora, o Dio, vanno vanno Ch’io ti serva ognora, o Dio, vanno vanno
con costante fe’. e non si fermeranno con costante fe’. e non si fermeranno

201 201
finché non troveranno Rossi abeti di Lombardia, finché non troveranno Rossi abeti di Lombardia,
non troveranno te rossi frutti delle vallate, non troveranno te rossi frutti delle vallate,
bambino re dei re. terra nostra dimenticata: bambino re dei re. terra nostra dimenticata:
anche questa hai abbandonata. anche questa hai abbandonata.
Giorno e notte i tre cammelli Giorno e notte i tre cammelli
piano piano han camminato “Rossi abeti di Lombardia, piano piano han camminato “Rossi abeti di Lombardia,
posti brutti e posti belli rossi frutti delle vallate posti brutti e posti belli rossi frutti delle vallate
lentamente han traversato. in Brasile con me ho portato, lentamente han traversato. in Brasile con me ho portato,
Il deserto e la foresta terra rossa ne ho seminato.” Il deserto e la foresta terra rossa ne ho seminato.”
i paesi in riva al mare i paesi in riva al mare
gente triste e gente in festa Rossa valle di quel mattino: gente triste e gente in festa Rossa valle di quel mattino:
li vedevano passare. Gesù Cristo ci ha giudicato. li vedevano passare. Gesù Cristo ci ha giudicato.
O fratello, ti ho ritrovato, O fratello, ti ho ritrovato,
Vanno … terra rossa t’ha impolverato. Vanno … terra rossa t’ha impolverato.
Nella notte c’è la stella Rossa sera, Belo Horizonte, Nella notte c’è la stella Rossa sera, Belo Horizonte,
che sicura li conduce i miei occhi mai t’han guardato, che sicura li conduce i miei occhi mai t’han guardato,
com’è dolce, com’è bella ma il mio cuore t’ho regalato com’è dolce, com’è bella ma il mio cuore t’ho regalato
com’è chiara la sua luce. per gli amici che ci han lasciato. com’è chiara la sua luce. per gli amici che ci han lasciato.
Alla fine del cammino Alla fine del cammino
troveranno la capanna Sapete Voi troveranno la capanna Sapete Voi
dove dormi Dio bambino dove dormi Dio bambino
Sapete voi che c’è nel mondo una gran casa (3x) Sapete voi che c’è nel mondo una gran casa (3x)
tra le braccia della mamma. tra le braccia della mamma.
È la dimora di Nostro Signor! È la dimora di Nostro Signor!
Vanno … Vanno …
Pieni di forza, di grazia, di gloria (3x) Pieni di forza, di grazia, di gloria (3x)
Rossa sera Nella dimora di Nostro Signor! Rossa sera Nella dimora di Nostro Signor!

Robi Ronza (b 215; Se il Signore non costruisce la città Robi Ronza (b 215; Se il Signore non costruisce la città
translation p. 271; capo 3rd Fret) translation p. 271; capo 3rd Fret)
G. Maioli / Psalm 127 (126) G. Maioli / Psalm 127 (126)
Am Dm (b 191) Am Dm (b 191)
Rossa sera, Belo Horizonte, Rossa sera, Belo Horizonte,
Am E D A Bm F#m Am E D A Bm F#m
i miei occhi mai t’han guardato, Se il Sig nore non costruisce la città, i miei occhi mai t’han guardato, Se il Sig nore non costruisce la città,
Am G Bm E7 A7 Am G Bm E7 A7
ma il mio cuore t’ho regalato invano noi mettiamo pietra su pietra. ma il mio cuore t’ho regalato invano noi mettiamo pietra su pietra.
D A Bm F#m D A Bm F#m
E E7 Am E E7 Am
per gli amici che ci han lasciato. Se la nostra strada non fosse la sua strada, per gli amici che ci han lasciato. Se la nostra strada non fosse la sua strada,
G Bm A7 D G Bm A7 D
Rosse labbra della tua amata invano camminiamo, camminiamo insieme. Rosse labbra della tua amata invano camminiamo, camminiamo insieme.
o fratello perché hai lasciato? D G D C o fratello perché hai lasciato? D G D C
Lunghe ciglia della tua amata, Cosa serve a noi lavo rare tutto il giorno, Lunghe ciglia della tua amata, Cosa serve a noi lavo rare tutto il giorno,
D G Dm A D G Dm A
bianche lacrime che han bagnato. bianche lacrime che han bagnato.
per costruire cose che non han valore? per costruire cose che non han valore?
D G D C D G D C
“Rosse labbra della mia amata “Rosse labbra della mia amata
Non sono altro che gioie di un momento‚ Non sono altro che gioie di un momento‚
in Brasile con me ho portato, D G Dm A7 D in Brasile con me ho portato, D G Dm A7 D
di quel rosso ne ho colorato ma che poi sva niscono, svaniscono come il ve di quel rosso ne ho colorato ma che poi sva niscono, svaniscono come il ve
bianche labbra di non amato.” nto. bianche labbra di non amato.” nto.
202 202
Se il Signore … Stasera Se il Signore … Stasera
Cosa serve a noi piangere di dolore, T: G. Clericetti – M: A. Mascagni Cosa serve a noi piangere di dolore, T: G. Clericetti – M: A. Mascagni
ridere di gioia, giocare con un fiore, (translation p. 272) ridere di gioia, giocare con un fiore, (translation p. 272)
dare il nostro pane a chi muore sulla strada, D G D
dare il nostro pane a chi muore sulla strada, D G D
se non speriamo solo nel suo amore? Aria di neve sta sera e nessuno se non speriamo solo nel suo amore? Aria di neve sta sera e nessuno
G D G D G D G D
Se il Signore … ha tempo di aprire la porta e il cuore. Se il Signore … ha tempo di aprire la porta e il cuore.
Dm Gm Dm Dm Gm Dm
Signor Signore salvaci tu Aria di neve sta sera e qualcuno Signor Signore salvaci tu Aria di neve sta sera e qualcuno
G° Dm Gm Dm G° Dm Gm Dm
D. Stefani / J Gelineau / Psalm 130 (129) a ncora va in giro, ancora non sa D. Stefani / J Gelineau / Psalm 130 (129) a ncora va in giro, ancora non sa
(b 137) Gm Gm6 (b 137) Gm Gm6
dove and rà dove and rà
Dal profondo io grido a te: Dm Gm D Dal profondo io grido a te: Dm Gm D
ascolta la mia preghiera. questa notte a riposare. ascolta la mia preghiera. questa notte a riposare.
Oh, il tuo orecchio sia ben attento Oh, il tuo orecchio sia ben attento
D G A D D G A D
al grido della mia voce! al grido della mia voce!
Un uomo che batte a tutte le porte Un uomo che batte a tutte le porte
G A D G A D
Signor, Signore, salvaci tu. Signor, Signore, salvaci tu.
un uomo che chiede a tutte le case un uomo che chiede a tutte le case
Se ricordi, o Signore, i miei falli, G D G D Se ricordi, o Signore, i miei falli, G D G D
o Dio, chi può avere pace? se non c’è un posto per lei, o Dio, chi può avere pace? se non c’è un posto per lei,
G G° D G G° D
Ma da te nasce il perdono, per lei, per lei che è con me. Ma da te nasce il perdono, per lei, per lei che è con me.
per questo in te io confido. per questo in te io confido.
Aria di neve … Aria di neve …
Signor, Signore, salvaci tu. Signor, Signore, salvaci tu.
La donna si piega sul suo dolore, La donna si piega sul suo dolore,
L’anima mia confida nel Signore, al figlio che nasce darà il suo calore, L’anima mia confida nel Signore, al figlio che nasce darà il suo calore,
spero nella sua parola; ci sarà un muro, vedrai, spero nella sua parola; ci sarà un muro, vedrai,
come chi veglia e attende l’aurora, vedrai, vedrai basterà. come chi veglia e attende l’aurora, vedrai, vedrai basterà.
così io attendo il Signore. così io attendo il Signore.
Aria di neve stasera e nessuno Aria di neve stasera e nessuno
Signor, Signore, salvaci tu. ha tempo di aprire la porta e il cuore. Signor, Signore, salvaci tu. ha tempo di aprire la porta e il cuore.
Presso il Signore grande è la grazia, Aria di neve stasera e nel cielo Presso il Signore grande è la grazia, Aria di neve stasera e nel cielo
presso di lui copioso il perdono. si muove una stella che si fermerà presso di lui copioso il perdono. si muove una stella che si fermerà
Sì, il Signore riscatta Israele, solo là Sì, il Signore riscatta Israele, solo là
perdona a ciascuno il suo fallo. sulla casa più lontana. perdona a ciascuno il suo fallo. sulla casa più lontana.

Signor, Signore, salvaci tu. Il bimbo che piange in mezzo alla paglia Signor, Signore, salvaci tu. Il bimbo che piange in mezzo alla paglia
la donna che prega e l’uomo che guarda. la donna che prega e l’uomo che guarda.
Regnerà. Il mondo chi sei Regnerà. Il mondo chi sei
chi sei, chi sei non lo sa. chi sei, chi sei non lo sa.
Aria di neve stasera e nessuno Aria di neve stasera e nessuno
ha tempo di aprire la porta e il cuore. ha tempo di aprire la porta e il cuore.
Aria di neve stasera e nel cielo Aria di neve stasera e nel cielo
si muove una stella che si fermerà si muove una stella che si fermerà

203 203
solo là La sola cosa che voglio, la sola cosa che cerca solo là La sola cosa che voglio, la sola cosa che cerca
sulla casa più lontana. il mio cuore è abitar la tua casa sulla casa più lontana. il mio cuore è abitar la tua casa
G°
per lunghissimi anni, per lunghissimi anni … G°
per lunghissimi anni, per lunghissimi anni …
xx1324 xx1324
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Ti adoro Redentore ||||||
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Ti adoro Redentore
• •
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-------------- Antonio Martorell (b 111) ||| | • •
-------------- Antonio Martorell (b 111)
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Hymn of Evening Prayer (Fridays) Hymn of Evening Prayer (Fridays)
Sulla collina Ti adoro, Redentore, Sulla collina Ti adoro, Redentore,
C. Chieffo di spine incoronato, C. Chieffo di spine incoronato,
per ogni peccatore per ogni peccatore
Em D Em Em D Em
a morte condannato. a morte condannato.
E cor reva, correva il ra gazzo sulla collina E cor reva, correva il ra gazzo sulla collina
D Ti adoro, Gesù buono, D Ti adoro, Gesù buono,
nere nuvole dietro le spalle e il sole sui fianchi‚ schernito, schiaffeggiato, nere nuvole dietro le spalle e il sole sui fianchi‚ schernito, schiaffeggiato,
C Em C Em
e correva, correva, correva e voleva vedere. tu doni il tuo perdono e correva, correva, correva e voleva vedere. tu doni il tuo perdono
a chi ti ha flagellato. a chi ti ha flagellato.
Solo il vento rompeva il silenzio e diceva parole Solo il vento rompeva il silenzio e diceva parole
che battevano contro il suo petto e volevano Ti adoro, Gesù pio, che battevano contro il suo petto e volevano Ti adoro, Gesù pio,
entrare in croce immolato; entrare in croce immolato;
e correva, correva, correva e voleva vedere. ripenso nel cuor mio e correva, correva, correva e voleva vedere. ripenso nel cuor mio
che tu mi hai tanto amato. Amen. che tu mi hai tanto amato. Amen.
D C D C
Dove sarà la mia casa e dove il sentiero Tu mi guardi dalla croce Dove sarà la mia casa e dove il sentiero Tu mi guardi dalla croce
E E
che ad essa conduce e quell’albero grande‚ Tu mi guardi dalla croce che ad essa conduce e quell’albero grande‚ Tu mi guardi dalla croce
D A questa sera mio Signor, D A questa sera mio Signor,
e mi o pa dr e e mi a ma dr e , e la fe st a de i c ampi … ed intanto la Tua voce e mi o pa dr e e mi a ma dr e , e la fe st a de i c ampi … ed intanto la Tua voce
E correva, correva il pensiero sulla collina mi sussurra: “Dammi il cuor!” E correva, correva il pensiero sulla collina mi sussurra: “Dammi il cuor!”
e saltava i giocattoli rotti e i tristi rimpianti Questo cuore sempre ingrato e saltava i giocattoli rotti e i tristi rimpianti Questo cuore sempre ingrato
e correva, correva, correva e voleva volare. oh, comprenda il tuo dolor, e correva, correva, correva e voleva volare. oh, comprenda il tuo dolor,
Dove mi sono perduto e come ho potuto e dal sonno del peccato Dove mi sono perduto e come ho potuto e dal sonno del peccato
smarrire lo risvegli, alfin, l’Amor. smarrire lo risvegli, alfin, l’Amor.
il sentiero e quell’albero grande, Madre afflitta, tristi giorni il sentiero e quell’albero grande, Madre afflitta, tristi giorni
e mi o pa dr e e mi a madr e, e l a fes ta n ei ho trascorso nell’error; e mi o pa dr e e mi a madr e, e l a fes ta n ei ho trascorso nell’error;
c ampi … Madre buona fa’ ch’io torni c ampi … Madre buona fa’ ch’io torni
Se il dolore sarà il tuo compagno sulla collina lacrimando, al Salvator! Se il dolore sarà il tuo compagno sulla collina lacrimando, al Salvator!
non cambiarlo coi vuoti cervelli e gli stupidi non cambiarlo coi vuoti cervelli e gli stupidi
inganni, Tu sei un Dio fedele inganni, Tu sei un Dio fedele
non fermarti ragazzo, ma corri, tu devi sapere. (b 112; translation p. 272) non fermarti ragazzo, ma corri, tu devi sapere. (b 112; translation p. 272)
La fatica sarà tua sorella sulla collina, Signore, a te cantiamo La fatica sarà tua sorella sulla collina, Signore, a te cantiamo
meraviglia e stupore daranno la luce ai tuoi un cantico di lode, meraviglia e stupore daranno la luce ai tuoi un cantico di lode,
occhi, o Dio, noi ringraziamo occhi, o Dio, noi ringraziamo
non fermarti ragazzo, ma corri, tu devi sapere. non fermarti ragazzo, ma corri, tu devi sapere.
204 204
l’immensa tua bontà. Viva la companì l’immensa tua bontà. Viva la companì
Tu sei un Dio fedele per l’eternità. E Tu sei un Dio fedele per l’eternità. E
An davo sperduto senz’ombra d’amor – An davo sperduto senz’ombra d’amor –
Signore, la tua luce A B7 E Signore, la tua luce A B7 E
diriga i nostri passi, viva la companì – diriga i nostri passi, viva la companì –
risplenda al nostro volto andavo da solo e non c’era color – risplenda al nostro volto andavo da solo e non c’era color –
l’eterna verità. A B7 E l’eterna verità. A B7 E
viva la companì. – viva la companì. –
Tu sei un Dio fedele per l’eternità. Tu sei un Dio fedele per l’eternità.
E A E A
Il dono del tuo amore |: Viva la viva la viva l’amor, Il dono del tuo amore |: Viva la viva la viva l’amor,
rinnovi, o Dio, la vita, B7 E rinnovi, o Dio, la vita, B7 E
rinfranchi il nostro cuore viva la viva la viva la vi rinfranchi il nostro cuore viva la viva la viva la vi
C# m F#m C# m F#m
la vera libertà. viva l’amor, viva la vi; la vera libertà. viva l’amor, viva la vi;
B7 E B7 E
Tu sei un Dio fedele per l’eternità. viva la compa nì! :| Tu sei un Dio fedele per l’eternità. viva la compa nì! :|
Che sia la nostra vita Quand’ecco che un giorno io vidi il Signor – Che sia la nostra vita Quand’ecco che un giorno io vidi il Signor –
un segno del tuo amore, viva la companì – un segno del tuo amore, viva la companì –
fiorisca in tutto il mondo in un viso d’amico io vidi il suo cuor – fiorisca in tutto il mondo in un viso d’amico io vidi il suo cuor –
l’eterna carità. viva la companì. – l’eterna carità. viva la companì. –
Tu sei un Dio fedele per l’eternità. Viva la viva la … Tu sei un Dio fedele per l’eternità. Viva la viva la …
Vedrò la bontà del Signor Cambiarono i giorni allora per me – Vedrò la bontà del Signor Cambiarono i giorni allora per me –
viva la companì – viva la companì –
E. Bosio / J. Gelineau / Psalm 27 (26) non sono più solo c’è un altro con me – E. Bosio / J. Gelineau / Psalm 27 (26) non sono più solo c’è un altro con me –
(b 121) viva la companì. – (b 121) viva la companì. –
Il Signore è mia luce e mia salvezza: Viva la viva la … Il Signore è mia luce e mia salvezza: Viva la viva la …
di chi avrò timore? di chi avrò timore?
Il Signore è difesa della mia vita: Domani il mio cuore con mille sarà – Il Signore è difesa della mia vita: Domani il mio cuore con mille sarà –
di chi avrò paura? viva la companì – di chi avrò paura? viva la companì –
e Cristo in mezzo a la comunità – e Cristo in mezzo a la comunità –
Vedrò la bontà del Signor nella terra dei vivi. viva la companì. – Vedrò la bontà del Signor nella terra dei vivi. viva la companì. –
Una cosa al Signore domando, Viva la viva la … Una cosa al Signore domando, Viva la viva la …
questa sola io cerco: questa sola io cerco:
abitare nella casa del Signore abitare nella casa del Signore
ogni giorno di vita. ITALIAN FOLK SONGS ogni giorno di vita. ITALIAN FOLK SONGS
Vedrò la bontà del Signor … Ai preât le biele stele Vedrò la bontà del Signor … Ai preât le biele stele
Mi nasconde nella Sua tenda From Friuli Mi nasconde nella Sua tenda From Friuli
nel giorno di dolore; nel giorno di dolore;
se mi abbandonano mio padre e mia madre Ai preât le biele stele, se mi abbandonano mio padre e mia madre Ai preât le biele stele,
il Signore mi accoglie. duçh i sants del paradis, il Signore mi accoglie. duçh i sants del paradis,
che ’l Signûr fermi la guère, che ’l Signûr fermi la guère,
Vedrò la bontà del Signor … che il mio ben torni al pais. Vedrò la bontà del Signor … che il mio ben torni al pais.
205 205
Ma tu stele, biele stele, Bella ciao Ma tu stele, biele stele, Bella ciao
fa’ palese ’l mio destin; Em
fa’ palese ’l mio destin; Em
va daûr di che’ montagne Una mattina mi son alzato, va daûr di che’ montagne Una mattina mi son alzato,
là ch’a l’è ’l mio curisin. là ch’a l’è ’l mio curisin.
o bella ciao, bella ciao, bella ciao, ciao, ciao. o bella ciao, bella ciao, bella ciao, ciao, ciao.
Alla mattina Am Em Alla mattina Am Em
Una mattina mi son alzato‚ Una mattina mi son alzato‚
Alla mattina quando il sole B7 Em Alla mattina quando il sole B7 Em
s’alza e scominzia a levarse – e ho trovato l’inva sor. s’alza e scominzia a levarse – e ho trovato l’inva sor.
lerì lerà – O partigiano, portami via, – lerì lerà – O partigiano, portami via, –
vardo le zime del Brenta o partigiano, portami via, vardo le zime del Brenta o partigiano, portami via,
che le scominzia a ’ndorarse – qui mi sento di morir. che le scominzia a ’ndorarse – qui mi sento di morir.
lerì lerà. – lerì lerà. –
Allora mi me ne vado E se io muoio da partigiano, – Allora mi me ne vado E se io muoio da partigiano, –
sui crozi a rampegar. e se io muoio da partigiano sui crozi a rampegar. e se io muoio da partigiano
tu mi devi seppellir. tu mi devi seppellir.
|: Allor penso a ti, |: Allor penso a ti,
tesoro del me cor, Seppellire sulla montagna, – tesoro del me cor, Seppellire sulla montagna, –
che ti se ’n bel fiorellin seppellire sulla montagna che ti se ’n bel fiorellin seppellire sulla montagna
fiorellin d’amor. :| sotto l’ombra d’un bel fior. fiorellin d’amor. :| sotto l’ombra d’un bel fior.
A mezzogiorno sulla zima E le genti che passeranno, – A mezzogiorno sulla zima E le genti che passeranno, –
disno de buon appetito, – e le genti che passeranno disno de buon appetito, – e le genti che passeranno
lerì lerà – diranno o che bel fior. lerì lerà – diranno o che bel fior.
vedo la valle che se stende vedo la valle che se stende
laggiù nell’infinito – E quest’ è il fiore del partigiano, – laggiù nell’infinito – E quest’ è il fiore del partigiano, –
lerì lerà – e quest’ è il fiore del partigiano lerì lerà – e quest’ è il fiore del partigiano
e vedo una casetta morto per la libertà! e vedo una casetta morto per la libertà!
sperduta in mezzo ai fior. sperduta in mezzo ai fior.
Bersagliere ha cento penne Bersagliere ha cento penne
Allor penso a ti … Allor penso a ti …
Bersagliere ha cento penne, Bersagliere ha cento penne,
E alla sera nel rifugio ma l’alpin ne ha una sola, E alla sera nel rifugio ma l’alpin ne ha una sola,
prima de andarmene a letto – un po’più lunga, prima de andarmene a letto – un po’più lunga,
lerì lerà – un po’più mora, lerì lerà – un po’più mora,
vedo nel cielo una stella sol l’alpin la può portar. vedo nel cielo una stella sol l’alpin la può portar.
che la vol farme l’occetto – che la vol farme l’occetto –
Quando scende la notte buia, Quando scende la notte buia,
lerì lerà – lerì lerà –
tutti dormon giù nella pieve, tutti dormon giù nella pieve,
e due o tre nugole gelose e due o tre nugole gelose
ma con la faccia ma con la faccia
le te nasconde a mi. le te nasconde a mi.
dentro la neve dentro la neve
Allor penso a ti … sol l’alpin non può dormir. Allor penso a ti … sol l’alpin non può dormir.
Su pei monti vien giù la neve, Su pei monti vien giù la neve,
la tormenta dell’inverno, la tormenta dell’inverno,
ma se venisse ma se venisse
anche l’inferno anche l’inferno
sol l’alpin ci sta lassù. sol l’alpin ci sta lassù.
206 206
Se dall’alto dirupo cade, El capitan de la compagnia Se dall’alto dirupo cade, El capitan de la compagnia
confortate i vostri cuori confortate i vostri cuori
perché se cade El’è ferito e sta per morir, perché se cade El’è ferito e sta per morir,
in mezzo ai fiori e manda a dire ai suoi alpini in mezzo ai fiori e manda a dire ai suoi alpini
non gl’importa di morir. perché lo vengano a ritrovar; non gl’importa di morir. perché lo vengano a ritrovar;
e manda a dire … e manda a dire …
Cjante il gjal I suoi alpini ghe manda a dire Cjante il gjal I suoi alpini ghe manda a dire
From Friuli che non han scarpe per camminar. From Friuli che non han scarpe per camminar.
“O con le scarpe o senza scarpe “O con le scarpe o senza scarpe
Al cjante il gjal, i miei alpini li voglio qua. Al cjante il gjal, i miei alpini li voglio qua.
al criche il dì; O con le …” al criche il dì; O con le …”
mandi, ninine, mandi, ninine,
mi tocja partì. “Cosa comanda, sior capitano, mi tocja partì. “Cosa comanda, sior capitano,
che noi adesso semo arrivà?” che noi adesso semo arrivà?”
Ti prei, ben miò, “Io vi comando che il mio corpo Ti prei, ben miò, “Io vi comando che il mio corpo
non stà vaì, in cinque pezzi sia taglià. non stà vaì, in cinque pezzi sia taglià.
mandi, ninine, Io vi comando … mandi, ninine, Io vi comando …
mi tocje partì. mi tocje partì.
Il primo pezzo alla mia patria, Il primo pezzo alla mia patria,
Dove sei stato mio bell’alpino secondo pezzo al battaglion, Dove sei stato mio bell’alpino secondo pezzo al battaglion,
il terzo pezzo alla mia mamma il terzo pezzo alla mia mamma
Dove sei stato, mio bell’alpino che si ricordi del suo figliol; Dove sei stato, mio bell’alpino che si ricordi del suo figliol;
che ti gh’ha cambià colore? il terzo pezzo … che ti gh’ha cambià colore? il terzo pezzo …
L’è stat l’aria del Trentino L’è stat l’aria del Trentino
che mi ha cambià colore. Il quarto pezzo alla mia bella che mi ha cambià colore. Il quarto pezzo alla mia bella
I tuoi colori ritorneranno che si ricordi del suo primo amor, I tuoi colori ritorneranno che si ricordi del suo primo amor,
questa sera, a far l’amore. l’ultimo pezzo alle montagne questa sera, a far l’amore. l’ultimo pezzo alle montagne
che lo fioriscano di rose e fior; che lo fioriscano di rose e fior;
E col cifolo del vapore l’ultimo pezzo …” E col cifolo del vapore l’ultimo pezzo …”
E col cifolo del vapore Era una notte che pioveva E col cifolo del vapore Era una notte che pioveva
la partenza de lo mio amore; la partenza de lo mio amore;
è la partenza de lo mio amore Era una notte che pioveva è la partenza de lo mio amore Era una notte che pioveva
chi sa quando ritornerà. e che tirava un forte vento: chi sa quando ritornerà. e che tirava un forte vento:
|: immaginatevi che grande tormento |: immaginatevi che grande tormento
Tornerò ’sta primavera per un alpino che sta a vegliar. :| Tornerò ’sta primavera per un alpino che sta a vegliar. :|
con la sciabola insanguinata; con la sciabola insanguinata;
ma se ti trovo già maritata A mezzanotte arriva il cambio ma se ti trovo già maritata A mezzanotte arriva il cambio
oi che pena, oi che dolor. accompagnato dal capoposto: oi che pena, oi che dolor. accompagnato dal capoposto:
|: Ohi sentinella, ritorna al tuo posto |: Ohi sentinella, ritorna al tuo posto
Oi che pena, oi che dolore sotto la tenda a ri … a riposar. :| Oi che pena, oi che dolore sotto la tenda a ri … a riposar. :|
la partenza de lo mio amore; la partenza de lo mio amore;
starò piuttosto senza mangiare Quando fui stato sotto la tenda starò piuttosto senza mangiare Quando fui stato sotto la tenda
ma l’amore lo voglio far. sentii un rumore giù nella valle, ma l’amore lo voglio far. sentii un rumore giù nella valle,
|: sentivo l’acqua giù per le spalle |: sentivo l’acqua giù per le spalle
sentivo i sassi a ro … a rotolar. :| sentivo i sassi a ro … a rotolar. :|

207 207
Mentre dormivo sotto la tenda senza ’l formaj; Mentre dormivo sotto la tenda senza ’l formaj;
sognavo d’esser con la mia bella, noiautri pòvri alpini sognavo d’esser con la mia bella, noiautri pòvri alpini
|: e invece ero di sentinella, fan mal i cai! |: e invece ero di sentinella, fan mal i cai!
fare la guardia allo … allo stranier. :| fare la guardia allo … allo stranier. :|
Parapa … Parapa …
Ij dispiasì de noiautri alpin Ij dispiasì de noiautri alpin
Il testamento del capitano Il testamento del capitano
A la matin bonora A la matin bonora
an fan levè, Il capitan de la compagnia an fan levè, Il capitan de la compagnia
an manda ’n piassa d’armi e l’è ferito e sta per morir, an manda ’n piassa d’armi e l’è ferito e sta per morir,
a fè istrussion: |: e ’l manda a dire ai suoi alpini a fè istrussion: |: e ’l manda a dire ai suoi alpini
an fan marcé an avanti perché lo vengano a ritrovar. :| an fan marcé an avanti perché lo vengano a ritrovar. :|
e peui ’n dré. I suoi alpini ghe manda a dire e peui ’n dré. I suoi alpini ghe manda a dire
A noj autri, pòvri alpini, che non han scarpe per camminar. A noj autri, pòvri alpini, che non han scarpe per camminar.
fan mal ij pé. |: “O con le scarpe o senza scarpe fan mal ij pé. |: “O con le scarpe o senza scarpe
Parapa, parapa, parapa, parapapapa. i miei alpini li voglio qua.” :| Parapa, parapa, parapa, parapapapa. i miei alpini li voglio qua.” :|
|: Sai nen perché ’m fam mal ij pè? “Cosa comanda, sior capitano, |: Sai nen perché ’m fam mal ij pè? “Cosa comanda, sior capitano,
Si marcia mal, si marcia mal sui marciape. :| che noi adesso siemo arrivà?” Si marcia mal, si marcia mal sui marciape. :| che noi adesso siemo arrivà?”
Patasc-cin patasc-cian, che vita de can! |: “E io comando che il mio corpo Patasc-cin patasc-cian, che vita de can! |: “E io comando che il mio corpo
Senza pan, sul pajon. in cinque pezzi sia taglià.” :| Senza pan, sul pajon. in cinque pezzi sia taglià.” :|
San furmento, che ruina, San furmento, che ruina,
semper semper disciplina: “Il primo pezzo alla mia patria, semper semper disciplina: “Il primo pezzo alla mia patria,
la gavetta e il gavettin, secondo pezzo al battaglion, la gavetta e il gavettin, secondo pezzo al battaglion,
la giberna e il gibernin, |: il terzo pezzo alla mia mamma la giberna e il gibernin, |: il terzo pezzo alla mia mamma
|: la rivista del bottin :| che si ricordi del suo figliol.” :| |: la rivista del bottin :| che si ricordi del suo figliol.” :|
e con sessanta lire al mese e con sessanta lire al mese
|: facciam le spese :| “Il quarto pezzo alla mia bella |: facciam le spese :| “Il quarto pezzo alla mia bella
e con sessanta lire al mese che si ricordi del suo primo amor, e con sessanta lire al mese che si ricordi del suo primo amor,
facciam le spese per tutti i dì. |: l’ultimo pezzo alle montagne facciam le spese per tutti i dì. |: l’ultimo pezzo alle montagne
Attenti! che lo fioriscano di rose e fior.” :| Attenti! che lo fioriscano di rose e fior.” :|

Al di dla cinquina, In licenza Al di dla cinquina, In licenza

a ’n da i danè ’Pena giunto al mio reggimento a ’n da i danè ’Pena giunto al mio reggimento
a ’n dan coi pover sòld una lettera vidi arrivar. a ’n dan coi pover sòld una lettera vidi arrivar.
par pié d’fumé, Sarà forse la mia morosa par pié d’fumé, Sarà forse la mia morosa
ades peui che ij toscan che si trova sul letto ammalà. ades peui che ij toscan che si trova sul letto ammalà.
a son chèrsù a son chèrsù
noj autri pòvri alpin A rapporto, signor capitano, noj autri pòvri alpin A rapporto, signor capitano,
non fumèm pù. se in licenza mi vuole mandà. non fumèm pù. se in licenza mi vuole mandà.
La licenza l’hai bell’è firmata La licenza l’hai bell’è firmata
Parapa … se ritorni da bravo soldà. Parapa … se ritorni da bravo soldà.
A la festa del reggimento Glielo giuro, signor capitano, A la festa del reggimento Glielo giuro, signor capitano,
rancio special: a ’n dà i salamini che ritorno da bravo saldà. rancio special: a ’n dà i salamini che ritorno da bravo saldà.
ch’anfé sté mal, Quando fui vicino al paese ch’anfé sté mal, Quando fui vicino al paese
a ’n dà la pasta sütta a ’n dà la pasta sütta
208 208
le campane sentivo sonar. L’è tre ore che son chi soto le campane sentivo sonar. L’è tre ore che son chi soto
Sarà forse la mia morosa L’è tre ore che son chi soto Sarà forse la mia morosa L’è tre ore che son chi soto
che ho lasciato sul letto ammalà. con chitara e mandolin che ho lasciato sul letto ammalà. con chitara e mandolin
Portantina che porti quel morto, e no sò capir nagota Portantina che porti quel morto, e no sò capir nagota
per piacere fermati qua. che no te vedo comparir. per piacere fermati qua. che no te vedo comparir.
Se da viva non l’ho mai baciata Bùtete fòra, daghe ’n’ociada Se da viva non l’ho mai baciata Bùtete fòra, daghe ’n’ociada
or ch’è morta la voglio baciar. che gh’è soto ’l caro Bepin. or ch’è morta la voglio baciar. che gh’è soto ’l caro Bepin.
L’ho baciata che l’era ancor calda, L’ho baciata che l’era ancor calda,
la spuzzava de grappa e de vin. Gèri t’ho vista a Messa cantada la spuzzava de grappa e de vin. Gèri t’ho vista a Messa cantada
Brutta porca, l’è morta ’mbriaga corpo de Baco, se te eri mai bela! Brutta porca, l’è morta ’mbriaga corpo de Baco, se te eri mai bela!
embriaga de grappa e de vin. Cò la drezza petenada embriaga de grappa e de vin. Cò la drezza petenada
te me parevi ’n anzolin. te me parevi ’n anzolin.
Joska la Rossa Bùtete fòra … Joska la Rossa Bùtete fòra …
El muro bianco, drio de la to casa Ogni volta che te rivedo El muro bianco, drio de la to casa Ogni volta che te rivedo
ti te saltavi come un oseleto, a mi me ven el sbrisegolin ti te saltavi come un oseleto, a mi me ven el sbrisegolin
Joska la rossa, pèle de bombassa, e no so capir negòta Joska la rossa, pèle de bombassa, e no so capir negòta
tute le sere prima de ’na in leto. e più no dormo nè not’ nè dì. tute le sere prima de ’na in leto. e più no dormo nè not’ nè dì.
Te stavi lì, co le scarpe rote Te stavi lì, co le scarpe rote
te ne vardavi drio da j’oci mori Bùtete fòra … te ne vardavi drio da j’oci mori Bùtete fòra …
e te balavi alegra tuta la note e te balavi alegra tuta la note
e i baldi alpini te cantava i cori. La bella la va al fosso e i baldi alpini te cantava i cori. La bella la va al fosso
Oh … Joska, Joska, Joska From Lombardia Oh … Joska, Joska, Joska From Lombardia
salta la mura! salta la mura!
Fin che la dura, oh … La bella la va al fosso, Fin che la dura, oh … La bella la va al fosso,
Joska, Joska, Joska – ravanej, remolazz Joska, Joska, Joska – ravanej, remolazz
salta la mura! barbabietol e spinazz salta la mura! barbabietol e spinazz
Balla con mi! Oh … trii palanch al mazz – Balla con mi! Oh … trii palanch al mazz –
la bella la va al fosso, la bella la va al fosso,
Ti te portavi el sole ogni mattina, al fosso a resentà; Ti te portavi el sole ogni mattina, al fosso a resentà;
e de j’alpin te geri la morosa, – ohé – al fosso a resentà. e de j’alpin te geri la morosa, – ohé – al fosso a resentà.
sorela, mama, bocca canterina, sorela, mama, bocca canterina,
oci del sol, meraviglia rosa. E intant che la resenta oci del sol, meraviglia rosa. E intant che la resenta
Xe tanto e tanto nù, ca te zerchemo, – ravanej … – Xe tanto e tanto nù, ca te zerchemo, – ravanej … –
Joska la rossa, amor, rosa spanja. e intant che la resenta Joska la rossa, amor, rosa spanja. e intant che la resenta
Ma dove sito andà? ghe borla giò l’anel; Ma dove sito andà? ghe borla giò l’anel;
Ma dove andemo? – ohé – ghe borla giò l’anel. Ma dove andemo? – ohé – ghe borla giò l’anel.
Semo ramenghi. O morti. E così sia. La svalza gli occhi al cielo, Semo ramenghi. O morti. E così sia. La svalza gli occhi al cielo,
Oh … Joska, Joska, Joska … – ravanej … – Oh … Joska, Joska, Joska … – ravanej … –
… fermate là. la svalza gli occhi al cielo, … fermate là. la svalza gli occhi al cielo,
la vede il ciel seren; la vede il ciel seren;
– ohé – la vede il ciel seren. – ohé – la vede il ciel seren.

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La sbassa gli occhi al mare col Cimon de la Pala sora i copi? Oh! La sbassa gli occhi al mare col Cimon de la Pala sora i copi? Oh!
– ravanej … – – ravanej … –
la sbassa gli occhi al mare, La gh’ha i oci ciari come l’aqua, la sbassa gli occhi al mare, La gh’ha i oci ciari come l’aqua,
la vede un pescator come l’aqua, la vede un pescator come l’aqua,
– ohé – la vede un pescator. e i cavei tuti driti e senza gropi, oh! – ohé – la vede un pescator. e i cavei tuti driti e senza gropi, oh!

“Ohi pescator che peschi, Sì, gh’ho vist la ceseta de Transaqua, “Ohi pescator che peschi, Sì, gh’ho vist la ceseta de Transaqua,
– ravanej … – de Transaqua – ravanej … – de Transaqua
ohi pescator che peschi, ma ’l Cimon de la Pala no ghe xera, oh! ohi pescator che peschi, ma ’l Cimon de la Pala no ghe xera, oh!
ripescami l’anel; Sora i copi lustri de tant’aqua, ripescami l’anel; Sora i copi lustri de tant’aqua,
– ohé – ripescami l’anel.” de tant’aqua, – ohé – ripescami l’anel.” de tant’aqua,
“Mi sì che te lo pesco, se vedeva ’na nuvolona nera, oh! “Mi sì che te lo pesco, se vedeva ’na nuvolona nera, oh!
– ravanej … – Nella cesa cjanta Messa il prete, – ravanej … – Nella cesa cjanta Messa il prete,
mi sì che telo pesco, Messa il prete, mi sì che telo pesco, Messa il prete,
ma voeuri vess pagaa; sul Cimon de la Pala fis’cia il vento, oh! ma voeuri vess pagaa; sul Cimon de la Pala fis’cia il vento, oh!
– ohé – ma voeuri vess pagaa.” – ohé – ma voeuri vess pagaa.”
|: Cosa importa se gh’ho le scarpe rote, |: Cosa importa se gh’ho le scarpe rote,
“Ti do trecento scudi, scarpe rote? “Ti do trecento scudi, scarpe rote?
– ravanej … – Mi te vardo e me sento il cor contento, oh! :| – ravanej … – Mi te vardo e me sento il cor contento, oh! :|
ti do trecento scudi ti do trecento scudi
e ’na borsa ricamaa; La Dosolina e ’na borsa ricamaa; La Dosolina
– ohé – ’na borsa ricamaa.” – ohé – ’na borsa ricamaa.”
La Dosolina la va di sopra La Dosolina la va di sopra
“Né oro né argento, la si mette a tavolino “Né oro né argento, la si mette a tavolino
– ravanej … – solo per scrivere ’na letterina – ravanej … – solo per scrivere ’na letterina
né oro né argento, e per mandarla al Napolitan. né oro né argento, e per mandarla al Napolitan.
ma voeuri on bel basin; ma voeuri on bel basin;
– ohé – ma voeuri on bel basin.” Napolitano l’è ’ndà a Bologna – ohé – ma voeuri on bel basin.” Napolitano l’è ’ndà a Bologna
a zercarse la morosa; a zercarse la morosa;
Nel mezzo della festa la Dosolina povera tosa Nel mezzo della festa la Dosolina povera tosa
– ravanej … – Napolitano l’abandonò! – ravanej … – Napolitano l’abandonò!
nel mezzo della festa nel mezzo della festa
ghe salta for so pà; Ma se ti trovo sola, soletta ghe salta for so pà; Ma se ti trovo sola, soletta
– ohé – ghe salto for so pà. un bel baso te daria – ohé – ghe salto for so pà. un bel baso te daria
ma se ti trovo in compagnia ma se ti trovo in compagnia
“Papà, papà, perdonami, te l’ho giurato … t’ammazzerò. “Papà, papà, perdonami, te l’ho giurato … t’ammazzerò.
– ravanej … – – ravanej … –
papà, papà, perdonami, La leggenda della Grigna papà, papà, perdonami, La leggenda della Grigna
non lo farò mai più; non lo farò mai più;
– ohé – non lo farò mai più.” L. Santucci – V. Carniel – ohé – non lo farò mai più.” L. Santucci – V. Carniel
Alla guerriera bella e senza amore Alla guerriera bella e senza amore
La ceseta de Transaqua un cavaliere andò ad offrire il suore; La ceseta de Transaqua un cavaliere andò ad offrire il suore;
From Trentino (translation p. 267) cantava: “Avere te voglio, o morire!” From Trentino (translation p. 267) cantava: “Avere te voglio, o morire!”
Lei dalla torre lo vedea salire. Lei dalla torre lo vedea salire.
As tu vist la ceseta de Transaqua, Disse alla sentinella As tu vist la ceseta de Transaqua, Disse alla sentinella
de Transaqua, che stava sopra al ponte: de Transaqua, che stava sopra al ponte:
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|: “Tira una freccia in fronte |: “Tira una freccia in fronte
a quello che vien su.” :| “ La montanara, ohé!” a quello che vien su.” :| “ La montanara, ohé!”
G G
Il cavaliere cadde fulminato: si sente can tare, Il cavaliere cadde fulminato: si sente can tare,
D D
ma Iddio punì l’orribile peccato cantiam la montanara ma Iddio punì l’orribile peccato cantiam la montanara
e la guerriera diventò la Grigna, A7 D e la guerriera diventò la Grigna, A7 D
una montagna ripida e ferrigna. e chi non la sa? una montagna ripida e ferrigna. e chi non la sa?
Anche la sentinella D E7 A7
Anche la sentinella D E7 A7
che stava sopra il ponte 3. L à su sui monti, tra i rivi d’ar gento che stava sopra il ponte 3. L à su sui monti, tra i rivi d’ar gento
|: fu trasformata in monte D |: fu trasformata in monte D
e la Grignetta fu. :| c’è una capanna cosparsa di fiori: e la Grignetta fu. :| c’è una capanna cosparsa di fiori:
A7 D G A7 A7 D G A7
Noi pur t’amiamo d’un amor fedele, era la piccola, dolce dimo ra Noi pur t’amiamo d’un amor fedele, era la piccola, dolce dimo ra
montagna che sei bella e sei crudele. montagna che sei bella e sei crudele.
di Soreghina, di Soreghina,
E salendo ascoltiamo la campana D E salendo ascoltiamo la campana D
d’una chiesetta che a pregar ci chiama. la figlia del sol, d’una chiesetta che a pregar ci chiama. la figlia del sol,
Noi ti vogliamo bella G A7 D Noi ti vogliamo bella G A7 D
che diventasti un monte; la figlia del sol. che diventasti un monte; la figlia del sol.
|: facciam la croce in fronte: |: facciam la croce in fronte:
non ci farai morir. :| La rivista dell’armamento non ci farai morir. :| La rivista dell’armamento
E il cappello che noi portiamo E il cappello che noi portiamo
La montanara |: sì, l’è l’ombrello, :| La montanara |: sì, l’è l’ombrello, :|
From Trentino e il cappello che noi portiamo From Trentino e il cappello che noi portiamo
sì l’è l’ombrello di noi alpin. sì l’è l’ombrello di noi alpin.
D G D D G D
1. Lassù per le mon tagne, E tu biondina, capricciosa garibaldina trullalà, 1. Lassù per le mon tagne, E tu biondina, capricciosa garibaldina trullalà,
G D A7 G D A7
|: tu sei la stella, :| |: tu sei la stella, :|
tra bos chi e valli d’or, tra bos chi e valli d’or,
e tu biondina, capricciosa garibaldina trullalà, e tu biondina, capricciosa garibaldina trullalà,
tra l’aspre rupi eccheggia tu sei la stella di noi alpin. tra l’aspre rupi eccheggia tu sei la stella di noi alpin.
D D
un cantico d’a mor. E le giberne che noi portiamo un cantico d’a mor. E le giberne che noi portiamo
D G D |: son portacicche, :| D G D |: son portacicche, :|
L a s sù per le mon tagne, e le giberne che noi portiamo L a s sù per le mon tagne, e le giberne che noi portiamo
G D G G D G
tra bos chi e valli d’or, son portacicche per noi alpin. tra bos chi e valli d’or, son portacicche per noi alpin.
D D
tra l’aspre rupi ecc heggia E tu biondina … tra l’aspre rupi ecc heggia E tu biondina …
A7 D A7 D
un cantico d’amor. E lo zaino che noi portiamo un cantico d’amor. E lo zaino che noi portiamo
|: quello è l’armadio, :| |: quello è l’armadio, :|
D e lo zaino che noi portiamo D e lo zaino che noi portiamo
2. “L a montanara, ohé!” quello è l’armadio di noi alpin. 2. “L a montanara, ohé!” quello è l’armadio di noi alpin.
G D A G D A
si sente can tare, E tu biondina … si sente can tare, E tu biondina …
cantiam la montanara E la gavetta che noi portiamo cantiam la montanara E la gavetta che noi portiamo
D D
e chi non la sa? |: è la cucina, :| e chi non la sa? |: è la cucina, :|
e la gavetta che noi portiamo e la gavetta che noi portiamo

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è la cucina di noi alpin. c’è un sol che non si può scordare mai è la cucina di noi alpin. c’è un sol che non si può scordare mai
che illumina la valle d’or. che illumina la valle d’or.
E tu biondina … E tu biondina …
|: Ma nel mister del bosco ner |: Ma nel mister del bosco ner
E la borraccia che noi portiamo canta un ruscel un ritornel. :| E la borraccia che noi portiamo canta un ruscel un ritornel. :|
|: è la cantina, :| |: è la cantina, :|
e la borraccia che noi portiamo Guardando il cielo blu alla Visaille, e la borraccia che noi portiamo Guardando il cielo blu alla Visaille,
è la cantina di noi alpin. dei ghiacci e delle nevi il candor, è la cantina di noi alpin. dei ghiacci e delle nevi il candor,
il paradiso allor tu sognerai, il paradiso allor tu sognerai,
E tu biondina … lassù ritornerai col cuor. E tu biondina … lassù ritornerai col cuor.
E le scarpette che noi portiamo |: Ma nel candor di nevi al sol E le scarpette che noi portiamo |: Ma nel candor di nevi al sol
|: son le barchette, :| si leva un cantico d’amor. :| |: son le barchette, :| si leva un cantico d’amor. :|
e le scarpette che noi portiamo e le scarpette che noi portiamo
son le barchette di noi alpin. La la … son le barchette di noi alpin. La la …
E tu biondina … Ma nel candor … E tu biondina … Ma nel candor …
Ed il fucile che noi portiamo Me compare Giacometo Ed il fucile che noi portiamo Me compare Giacometo
|: è la difesa, :| |: è la difesa, :|
D D
ed il fucile che noi portiamo ed il fucile che noi portiamo
Me compare Giacometo Me compare Giacometo
è la difesa di noi alpin. A7 D è la difesa di noi alpin. A7 D
el gh’aveva un bel ga leto, el gh’aveva un bel ga leto,
E tu biondina … G D E tu biondina … G D
quando el canta sverze el beco, quando el canta sverze el beco,
E le stellette che noi portiamo A7 E le stellette che noi portiamo A7
|: son disciplina, :| che ’l fa proprio inamorar. |: son disciplina, :| che ’l fa proprio inamorar.
e le stellette che noi portiamo e le stellette che noi portiamo
G G
son disciplina per noi alpin. E quando el canta el canta el canta son disciplina per noi alpin. E quando el canta el canta el canta
D D
E tu biondina … el verze el beco el beco el beco E tu biondina … el verze el beco el beco el beco
A7 D A7 D
La penna nera che noi portiamo che ’l fa proprio innamor a r. La penna nera che noi portiamo che ’l fa proprio innamor a r.
|: è la bandiera, :| |: è la bandiera, :|
la penna nera che noi portiamo Un bel giorno la padrona, la penna nera che noi portiamo Un bel giorno la padrona,
è la bandiera di noi alpin. per far festa agli invitati, è la bandiera di noi alpin. per far festa agli invitati,
la ghe tira el colo al galo la ghe tira el colo al galo
E tu biondina … e lo mete a cusinar. E tu biondina … e lo mete a cusinar.
E il pistocco che noi portiamo La ghe tira … E il pistocco che noi portiamo La ghe tira …
|: è il paga debit, :| |: è il paga debit, :|
e il pistocco che noi portiamo Le galine tute mate, e il pistocco che noi portiamo Le galine tute mate,
è il paga debit di noi alpin. per la perdita del galo, è il paga debit di noi alpin. per la perdita del galo,
le gh’a roto el caponaro le gh’a roto el caponaro
E tu biondina … da la rabia che le gh’a. E tu biondina … da la rabia che le gh’a.
La Visaille Le gh’a roto … La Visaille Le gh’a roto …
Lassù sulle montagne alla Visaille Lassù sulle montagne alla Visaille
la terra è profumata dai fior, la terra è profumata dai fior,

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Monte Canino Signore delle cime Monte Canino Signore delle cime
Non ti ricordi quel mese d’aprile, C G Am Em Non ti ricordi quel mese d’aprile, C G Am Em
quel lungo treno che andava al confine, Dio del cielo, Signore delle cime‚ quel lungo treno che andava al confine, Dio del cielo, Signore delle cime‚
F C Dm Em F C Dm Em
|: che trasportavano migliaia degli alpini, un nostro a mico hai chiesto alla montagna. |: che trasportavano migliaia degli alpini, un nostro a mico hai chiesto alla montagna.
su, su correte: è l’ora di partir. :| Am Dm G su, su correte: è l’ora di partir. :| Am Dm G
Ma ti preghiamo, ma ti preghiamo Ma ti preghiamo, ma ti preghiamo
Dopo tre giorni di strada ferrata C Em F C Dopo tre giorni di strada ferrata C Em F C
ed altri due di lungo cammino, su nel paradiso, su nel paradiso ed altri due di lungo cammino, su nel paradiso, su nel paradiso
|: siamo arrivati sul monte Canino, F E Am F C G C |: siamo arrivati sul monte Canino, F E Am F C G C
e a ciel sereno ci tocca riposar. :| lascialo an dare p er le tue mon tag ne. e a ciel sereno ci tocca riposar. :| lascialo an dare p er le tue mon tag ne.
Se avete fame guardate lontano, Dio del cielo, Signore delle cime, Se avete fame guardate lontano, Dio del cielo, Signore delle cime,
se avete sete la tazza alla mano, un nostro amico hai chiesto alla montagna. se avete sete la tazza alla mano, un nostro amico hai chiesto alla montagna.
|: se avete sete la tazza alla mano, Ma ti preghiamo, ma ti preghiamo |: se avete sete la tazza alla mano, Ma ti preghiamo, ma ti preghiamo
che ci rinfresca la neve ci sarà. :| una stella alpina, una stella alpina che ci rinfresca la neve ci sarà. :| una stella alpina, una stella alpina
lascia cadere dalle tue montagne. lascia cadere dalle tue montagne.
Non più coperte, lenzuola, cuscini, Non più coperte, lenzuola, cuscini,
non più l’ebbrezza dei dolci tuoi baci, Santa Maria, Signora della neve non più l’ebbrezza dei dolci tuoi baci, Santa Maria, Signora della neve
|: solo si sentono gli uccelli rapaci copri col bianco tuo soffice mantello |: solo si sentono gli uccelli rapaci copri col bianco tuo soffice mantello
e da lontano il rombo del cannon. :| il nostro amico, il nostro fratello. e da lontano il rombo del cannon. :| il nostro amico, il nostro fratello.
Su nel paradiso, su nel paradiso Su nel paradiso, su nel paradiso
Ninna nanna alpina lascialo andare per le tue montagne. Ninna nanna alpina lascialo andare per le tue montagne.
Dormi mia bella, dormi, Stelutis Alpinis Dormi mia bella, dormi, Stelutis Alpinis
dormi e fai la nanna, dormi e fai la nanna,
che quando sarai mamma, From Friuli che quando sarai mamma, From Friuli
non dormirai così. non dormirai così.
Si tu vens cà sù tas cretis, Si tu vens cà sù tas cretis,
Dimmi chi mai t’ha fatto là che lôr mi àn soterât. Dimmi chi mai t’ha fatto là che lôr mi àn soterât.
un viso così bello; A l’è un splaz pien di stelutis un viso così bello; A l’è un splaz pien di stelutis
l’ha fatto col pennello dal mio sanc l’è stât bagnât. l’ha fatto col pennello dal mio sanc l’è stât bagnât.
le mani di un pittor? le mani di un pittor?
Par signal une crosute Par signal une crosute
Tutti gli amanti passano a è sculpide ulì tal cret. Tutti gli amanti passano a è sculpide ulì tal cret.
ma tu non passi mai; Fra chès stelis nas l’arbute, ma tu non passi mai; Fra chès stelis nas l’arbute,
ti voglio bene assai, sot di lôr jo duar cuiet. ti voglio bene assai, sot di lôr jo duar cuiet.
voglio morir con te. voglio morir con te.
Cjol sù cjol une stelute: Cjol sù cjol une stelute:
Dormi mia bella, dormi je ’a ricuarde il nestri ben. Dormi mia bella, dormi je ’a ricuarde il nestri ben.
sopra un letto di gigli, Tu i darâs ’ne bussadute, sopra un letto di gigli, Tu i darâs ’ne bussadute,
che quando avrai dei figli e po plàtile tal sen. che quando avrai dei figli e po plàtile tal sen.
non dormirai così. non dormirai così.
Quant che a cjase tu sês sole Quant che a cjase tu sês sole
e di cûr tu preis par mè, e di cûr tu preis par mè,
il mio spirt atòr ti svole: il mio spirt atòr ti svole:
jo e la stele sin cun tè. jo e la stele sin cun tè.

213 213
Sul pajon È il lutto degli alpini Sul pajon È il lutto degli alpini
che va alla guera, che va alla guera,
(Translation p. 272) |: la mejo zoventù (Translation p. 272) |: la mejo zoventù
Il battaglione Aosta – che va sotto tera. :| Il battaglione Aosta – che va sotto tera. :|
sul pajon – Quelli che son partiti sul pajon – Quelli che son partiti
è sempre sulle cime, – non son tornati, è sempre sulle cime, – non son tornati,
sul pajon – |: sui monti della Grecia sul pajon – |: sui monti della Grecia
ma quando scende a valle – sono restati. :| ma quando scende a valle – sono restati. :|
sul pajon – sul pajon –
attente ragazzine! Nell’ultimo vagone attente ragazzine! Nell’ultimo vagone
c’è l’amor mio, c’è l’amor mio,
Sul pajon de la caserma |: col fazzoletto in mano Sul pajon de la caserma |: col fazzoletto in mano
requiem aeternam e così sia, che mi dà l’addio. :| requiem aeternam e così sia, che mi dà l’addio. :|
va’ a ramengo ti, va’ a ramengo ti,
to pare, to mare e to zia Col fazzoletto in mano to pare, to mare e to zia Col fazzoletto in mano
e la naja e compagnia, mi salutava e la naja e compagnia, mi salutava
sul pajon, sul pajon , sul pajon |: e con la bocca i baci sul pajon, sul pajon , sul pajon |: e con la bocca i baci
de la caserma, sul pajon! la mi mandava. :| de la caserma, sul pajon! la mi mandava. :|
Il parrocco di Aosta – Sui monti della Grecia Il parrocco di Aosta – Sui monti della Grecia
sul pajon – c’è la Vojussa, sul pajon – c’è la Vojussa,
l’ha detto predicando: – |: col sangue degli alpini l’ha detto predicando: – |: col sangue degli alpini
sul pajon – s’è fatta rossa. :| sul pajon – s’è fatta rossa. :|
“Attente ragazzine – “Attente ragazzine –
sul pajon – Alpini della Julia sul pajon – Alpini della Julia
che il ‘Quarto’ sta arrivando.” in alto i cuori, che il ‘Quarto’ sta arrivando.” in alto i cuori,
|: sui monti della Grecia |: sui monti della Grecia
Sul pajon … c’è il tricolore. :| Sul pajon … c’è il tricolore. :|
Ma una delle più belle – Ta-pum Ma una delle più belle – Ta-pum
sul pajon – sul pajon –
ha detto piano, piano: – Ho lasciato la mamma mia, ha detto piano, piano: – Ho lasciato la mamma mia,
sul pajon – l’ho lasciata per fare il solda’! sul pajon – l’ho lasciata per fare il solda’!
“Se il ‘Quarto’ sta arrivando – “Se il ‘Quarto’ sta arrivando –
Ta-pum, ta-pum … Ta-pum, ta-pum …
sul pajon – sul pajon –
è quello che vogliamo!” E domani si va all’assalto, è quello che vogliamo!” E domani si va all’assalto,
soldatino non farti ammazza’. soldatino non farti ammazza’.
Sul pajon … Sul pajon …
Ta-pum, ta-pum … Ta-pum, ta-pum …
Sul ponte di perati Sul ponte di perati
Quando portano la pagnotta, Quando portano la pagnotta,
Sul ponte di perati il cecchino comincia a sparar. Sul ponte di perati il cecchino comincia a sparar.
bandiera nera: bandiera nera:
|: è il lutto degli alpini Ta-pum, ta-pum … |: è il lutto degli alpini Ta-pum, ta-pum …
che va alla guera. :| che va alla guera. :|
Quando poi si discende al piano, Quando poi si discende al piano,
battaglione non ha più solda’! battaglione non ha più solda’!

214 214
Ta-pum, ta-pum … Alla fiera di mastro Andrè Ta-pum, ta-pum … Alla fiera di mastro Andrè
Nella valle c’è un cimitero, aggio cumbrat’ nu tamburiello: Nella valle c’è un cimitero, aggio cumbrat’ nu tamburiello:
cimitero di noi solda’. tiri, ti-tì, lu tamburiello, cimitero di noi solda’. tiri, ti-tì, lu tamburiello,
piri, pi-pì, lu piffariello, piri, pi-pì, lu piffariello,
Ta-pum, ta-pum … Ta-pum, ta-pum …
alla mirè … alla mirè …
Cimitero di noi solda’, Cimitero di noi solda’,
forse un giorno ti vengo a trovar. Alla fiera di mastro Andrè forse un giorno ti vengo a trovar. Alla fiera di mastro Andrè
aggio cumbrat’ nu viulin’: aggio cumbrat’ nu viulin’:
Ta-pum, ta-pum … ziu-ziu, lu viulin’, Ta-pum, ta-pum … ziu-ziu, lu viulin’,
Valsugana tiri, ti-tì, lu tamburiello, Valsugana tiri, ti-tì, lu tamburiello,
piri, pi-pì, lu piffariello, piri, pi-pì, lu piffariello,
From Trentino From Trentino
alla mirè … alla mirè …
|: Quando saremo fora, |: Quando saremo fora,
fora della Valsugana; :| Alla fiera di mastro Andrè fora della Valsugana; :| Alla fiera di mastro Andrè
|: andarem trovar la mama, aggio cumbrat’ ’na viola: |: andarem trovar la mama, aggio cumbrat’ ’na viola:
per veder, veder come la sta. :| za-za, la viola, per veder, veder come la sta. :| za-za, la viola,
ziu-ziu, lu viulin’, ziu-ziu, lu viulin’,
|: La mama la sta bene, tiri, ti-tì, lu tamburiello, |: La mama la sta bene, tiri, ti-tì, lu tamburiello,
il papà l’è amalato. :| piri, pi-pì, lu piffariello, il papà l’è amalato. :| piri, pi-pì, lu piffariello,
|: Il mio bel partì soldato, |: Il mio bel partì soldato,
chi sa quando, quando tornerà. :| alla mirè … chi sa quando, quando tornerà. :| alla mirè …

|: Tutti me dis che l’u ’l se Alla fiera di mastro Andrè |: Tutti me dis che l’u ’l se Alla fiera di mastro Andrè
zà zecà n’altra morosa. :| aggio cumbrat’ ’na trumbetta: zà zecà n’altra morosa. :| aggio cumbrat’ ’na trumbetta:
|: L’è ’na storia dolorosa, pere, pe-pè fa la trumbetta, |: L’è ’na storia dolorosa, pere, pe-pè fa la trumbetta,
che mi cre-, mi credere non so. :| za-za, la viola, che mi cre-, mi credere non so. :| za-za, la viola,
ziu-ziu, lu viulin’, ziu-ziu, lu viulin’,
|: Mi no la credo, tiri, ti-tì, lu tamburiello, |: Mi no la credo, tiri, ti-tì, lu tamburiello,
ma se ’l fusse propi, propi vera. :| piri, pi-pì, lu piffariello, ma se ’l fusse propi, propi vera. :| piri, pi-pì, lu piffariello,
|: Biondo o moro questa sera |: Biondo o moro questa sera
’n altro merlo, merlo troverò. :| alla mirè … ’n altro merlo, merlo troverò. :| alla mirè …
Alla fiera di mastro Andrè Alla fiera di mastro Andrè
Alla fiera di mastro Andrè aggio cumbrat’ ’na pistola: Alla fiera di mastro Andrè aggio cumbrat’ ’na pistola:
From Abruzze ta-ta fa la pistola, From Abruzze ta-ta fa la pistola,
pere, pe-pè, la trumbetta, pere, pe-pè, la trumbetta,
D D
za-za, la viola, za-za, la viola,
Alla fiera di mastro Andrè Alla fiera di mastro Andrè
A7 D ziu-ziu, lu viulin’, A7 D ziu-ziu, lu viulin’,
aggio cumbrat’ ’nu piffariello: tiri, ti-tì, lu tamburiello, aggio cumbrat’ ’nu piffariello: tiri, ti-tì, lu tamburiello,
A7 D piri, pi-pì, lu piffariello, A7 D piri, pi-pì, lu piffariello,
piri, pi- pì‚ lu piffari ello, piri, pi- pì‚ lu piffari ello,
alla mirè … alla mirè …
G D G D
|: alla mirè‚ alla mi rè‚ Alla fiera di mastro Andrè |: alla mirè‚ alla mi rè‚ Alla fiera di mastro Andrè
A7 D A7 D
alla fi era di mastro An drè. :| aggio cumbrat’ ’nu fucile: alla fi era di mastro An drè. :| aggio cumbrat’ ’nu fucile:
pum-pum fa lu fucile, pum-pum fa lu fucile,

215 215
ta-ta, la pistola, D F #7 B 7 E7 ta-ta, la pistola, D F #7 B 7 E7
pere, pe-pè, la trumbetta, e vengo, vengo da te‚ pere, pe-pè, la trumbetta, e vengo, vengo da te‚
A F#m B7 A F#m B7
za-za, la viola, ma il treno dei desi deri za-za, la viola, ma il treno dei desi deri
ziu-ziu, lu viulin’, A E A E7 Am ziu-ziu, lu viulin’, A E A E7 Am
tiri, ti-tì, lu tamburiello, nei miei pen sieri all’incontrario va. tiri, ti-tì, lu tamburiello, nei miei pen sieri all’incontrario va.
piri, pi-pì, lu piffariello, piri, pi-pì, lu piffariello,
Sembra quand’ero all’oratorio Sembra quand’ero all’oratorio
alla mirè … con tanto sole tanti anni fa, alla mirè … con tanto sole tanti anni fa,
quelle domeniche da solo quelle domeniche da solo
Alla fiera di mastro Andrè Alla fiera di mastro Andrè
in un cortile a passeggiar. in un cortile a passeggiar.
aggio cumbrat’ ’nu cannone: aggio cumbrat’ ’nu cannone:
Ora mi annoio più di allora: Ora mi annoio più di allora:
bum-bum fa lu cannone, bum-bum fa lu cannone,
neanche un prete per chiacchierar. neanche un prete per chiacchierar.
pum-pum, lu fucile, pum-pum, lu fucile,
ta-ta, la pistola, Azzurro … ta-ta, la pistola, Azzurro …
pere, pe-pè, la trumbetta, pere, pe-pè, la trumbetta,
za-za, la viola, Cerco un po’ d’Africa in giardino, za-za, la viola, Cerco un po’ d’Africa in giardino,
ziu-ziu, lu viulin’, tra l’oleandro e il baobab, ziu-ziu, lu viulin’, tra l’oleandro e il baobab,
tiri, ti-tì, lu tamburiello, come facevo da bambino, tiri, ti-tì, lu tamburiello, come facevo da bambino,
piri, pi-pì, lu piffariello, ma qui c’è gente, non si può più: piri, pi-pì, lu piffariello, ma qui c’è gente, non si può più:
stanno innaffiando le tue rose, stanno innaffiando le tue rose,
alla mirè … non c’è il leone, chissà dov’è. alla mirè … non c’è il leone, chissà dov’è.
Azzurro Azzurro … Azzurro Azzurro …
Adriano Celentano Caruso Adriano Celentano Caruso
7 7
Am E Am Am E Am
Lucio Dalla Lucio Dalla
Cerco l’es tate tutto l’ anno Cerco l’es tate tutto l’ anno
7 7 7 7
E Am E Am Am E Am E Am Am
e all’improv vis o eccola qua. Qui dove il mare luccica e all’improv vis o eccola qua. Qui dove il mare luccica
Dm A7 Dm A7 Dm7 G7 Dm A7 Dm A7 Dm7 G7
Lei è par tita per le spiagge e tira forte il vento, Lei è par tita per le spiagge e tira forte il vento,
Dm A7 Dm E7 Dm A7 Dm E7
e sono solo quassù in città: su una vecchia terrazza e sono solo quassù in città: su una vecchia terrazza
A E7 C# m F #7 Am A E7 C# m F #7 Am
sento fischiare sopra i tetti davanti al golfo di Surr iento, sento fischiare sopra i tetti davanti al golfo di Surr iento,
B7 E7 A E7 B7 E7 A E7
un aeroplano che se ne va. un uomo abbraccia una ragazza un aeroplano che se ne va. un uomo abbraccia una ragazza
dopo che aveva pianto, dopo che aveva pianto,
A poi si schiarisce la voce A poi si schiarisce la voce
Az zurro, il pomeriggio è troppo azzurro e ricomincia il canto: Az zurro, il pomeriggio è troppo azzurro e ricomincia il canto:
E E7 E E7
e lungo per me Dm7 G 7 e lungo per me Dm7 G 7
A E7 Te voglio bene assaie‚ A E7 Te voglio bene assaie‚
Mi accorgo di non avere più risorse Am Mi accorgo di non avere più risorse Am
A E7 A A7 ma tanto tanto bene sai. A E7 A A7 ma tanto tanto bene sai.
senza di te. Dm7 G7 senza di te. Dm7 G7
D C# m F#m È una catena ormai D C# m F#m È una catena ormai
E al lora io quasi quasi prendo il treno E Am E al lora io quasi quasi prendo il treno E Am
che scioglie il sangue dint’e vene sai. che scioglie il sangue dint’e vene sai.

216 216
Vide le luci in mezzo al mare Em Am Vide le luci in mezzo al mare Em Am
pensò alle notti là in America. sono la tua malattia‚ pensò alle notti là in America. sono la tua malattia‚
Dm G7 C G Dm G7 C G
Ma erano solo le lampare p aese mio ti lascio e vado via. Ma erano solo le lampare p aese mio ti lascio e vado via.
e la bianca scia di un’elica. e la bianca scia di un’elica.
C Em C Em
Sentì il dolore nella musica, Che sarà, che sarà, che sarà Sentì il dolore nella musica, Che sarà, che sarà, che sarà
si alzò dal pianoforte, F G C C7 si alzò dal pianoforte, F G C C7
ma quando vide la luna uscire da una nuvola che sa rà della mia vita, chi lo sa? ma quando vide la luna uscire da una nuvola che sa rà della mia vita, chi lo sa?
F G F G
gli sembrò più dolce anche la morte. gli sembrò più dolce anche la morte.
So far tutto, o forse niente So far tutto, o forse niente
Guardò negli occhi la ragazza, Em Am Guardò negli occhi la ragazza, Em Am
quegli occhi verdi come il mare, da do mani si ved rà‚ quegli occhi verdi come il mare, da do mani si ved rà‚
Dm G7 C G Dm G7 C G
poi all’improvviso uscì una lacrima che sa rà‚ sa rà quel che sa rà. poi all’improvviso uscì una lacrima che sa rà‚ sa rà quel che sa rà.
e lui credette di affogare. e lui credette di affogare.
Gli amici miei son quasi tutti via Gli amici miei son quasi tutti via
Te voglio bene assaie … e gli altri partiranno dopo me Te voglio bene assaie … e gli altri partiranno dopo me
Potenza della lirica peccato, perché stavo bene Potenza della lirica peccato, perché stavo bene
dove ogni dramma è un falso: in loro compagnia dove ogni dramma è un falso: in loro compagnia
che con un po’ di trucco e con la mimica ma tutto passa e tutto se ne va. che con un po’ di trucco e con la mimica ma tutto passa e tutto se ne va.
puoi diventare un altro. Che sarà, che sarà, che sarà puoi diventare un altro. Che sarà, che sarà, che sarà
Ma due occhi che ti guardano che sarà della mia vita, chi lo sa? Ma due occhi che ti guardano che sarà della mia vita, chi lo sa?
così vicini e veri Con me porto la chitarra, così vicini e veri Con me porto la chitarra,
ti fan scordare le parole, se la notte piangerò ti fan scordare le parole, se la notte piangerò
confondono i pensieri. una nenia di paese suonerò. confondono i pensieri. una nenia di paese suonerò.

Così diventa tutto piccolo, Amore mio, ti bacio sulla bocca Così diventa tutto piccolo, Amore mio, ti bacio sulla bocca
anche le notti là in America. che fu la fonte del mio primo amore anche le notti là in America. che fu la fonte del mio primo amore
Ti volti e vedi la tua vita ti do l’appuntamento, Ti volti e vedi la tua vita ti do l’appuntamento,
come la scia di un’elica. dove e quando non lo so come la scia di un’elica. dove e quando non lo so
ma so soltanto che ritornerò. ma so soltanto che ritornerò.
Ma sì, è la vita che finisce, Ma sì, è la vita che finisce,
ma lui non ci pensò poi tanto. Che sarà, che sarà, che sarà ma lui non ci pensò poi tanto. Che sarà, che sarà, che sarà
Anzi, si sentiva già felice che sarà della mia vita, chi lo sa Anzi, si sentiva già felice che sarà della mia vita, chi lo sa
e ricominciò il suo canto. so far tutto, o forse niente e ricominciò il suo canto. so far tutto, o forse niente
da domani si vedrà; da domani si vedrà;
Te voglio bene assaie … che sarà, sarà quel che sarà. Te voglio bene assaie … che sarà, sarà quel che sarà.
Che sarà I coccodrilli Che sarà I coccodrilli
José Feliciano – Nicola di Bari C G José Feliciano – Nicola di Bari C G
Ci son due coccodrilli ed un o rangotango Ci son due coccodrilli ed un o rangotango
C G7 C C7 C C G7 C C7 C
P a ese mio che stai sulla collina due piccoli serpenti, un’ aquila reale, P a ese mio che stai sulla collina due piccoli serpenti, un’ aquila reale,
F G C C7 C7 F G C C7 C7
dis teso come un vecchio addormentato il gatto, il topo, l’elefante dis teso come un vecchio addormentato il gatto, il topo, l’elefante
F G F F G F
la noia, l’abban dono, il niente non m anca più nessuno, la noia, l’abban dono, il niente non m anca più nessuno,

217 217
C Am F G C A7 C Am F G C A7
solo non si vedono i due liocorni. ma un giorno disse: “Vado in citt à ! ” solo non si vedono i due liocorni. ma un giorno disse: “Vado in citt à ! ”
C Am F G D C Am F G D
|: Lala lala lalala la. :| E lo diceva mentre pian geva. |: Lala lala lalala la. :| E lo diceva mentre pian geva.
A7 A7
C G Io gli domando: “Amico, non sei contento? C G Io gli domando: “Amico, non sei contento?
Un dì, Noè nella fo resta andò D Un dì, Noè nella fo resta andò D
C Vai finalmente a stare in citt à ! ” C Vai finalmente a stare in citt à ! ”
e tutti gli animali volle intorno a sé: e tutti gli animali volle intorno a sé:
F Bm D F Bm D
“Il Signore arrabbiato il diluvio manderà, Là trove rai le cose che non hai avuto qui‚ “Il Signore arrabbiato il diluvio manderà, Là trove rai le cose che non hai avuto qui‚
C Am F GC Bm C Am F GC Bm
voi non avete colpa, io vi sal verò!” potrai la varti in casa senza andare giù nel voi non avete colpa, io vi sal verò!” potrai la varti in casa senza andare giù nel
D D
Ci son due coccodrilli … cor tile! Ci son due coccodrilli … cor tile!
E mentre salivano gli animali “Mio caro amico – disse – qui sono nato E mentre salivano gli animali “Mio caro amico – disse – qui sono nato
Noè vide nel cielo un grosso nuvolone e in questa strada io lascio il mio cuore! Noè vide nel cielo un grosso nuvolone e in questa strada io lascio il mio cuore!
e goccia dopo goccia a piover cominciò, Ma come fai a non capire. e goccia dopo goccia a piover cominciò, Ma come fai a non capire.
“Non posso più aspettare: L’Arca chiuderò!” È una fortuna per voi che restate “Non posso più aspettare: L’Arca chiuderò!” È una fortuna per voi che restate
a piedi nudi a giocare sui prati a piedi nudi a giocare sui prati
Ci son due coccodrilli … mentre là in centro io respiro il cemento. Ci son due coccodrilli … mentre là in centro io respiro il cemento.
E mentre continuava a salire il mare Ma verrà un giorno che ritornerò ancora qui … E mentre continuava a salire il mare Ma verrà un giorno che ritornerò ancora qui …
e l’Arca era lontana con tutti gli animali e sentirò l’amico treno che fischia così: ‘wa, e l’Arca era lontana con tutti gli animali e sentirò l’amico treno che fischia così: ‘wa,
Noè non pensò più a chi dimenticò: wa’.” Noè non pensò più a chi dimenticò: wa’.”
da allora più nessuno vide i due liocorni. da allora più nessuno vide i due liocorni.
Passano gli anni, ma otto son lunghi, Passano gli anni, ma otto son lunghi,
Ci son due coccodrilli … però quel ragazzo ne ha fatta di strada, Ci son due coccodrilli … però quel ragazzo ne ha fatta di strada,
ma non si scorda la sua prima casa, ma non si scorda la sua prima casa,
Il ragazzo della via Gluck Il ragazzo della via Gluck
ora coi soldi lui può comperarla. ora coi soldi lui può comperarla.
Adriano Celentano Torna e non trova gli amici che aveva, Adriano Celentano Torna e non trova gli amici che aveva,
solo case su case, catrame e cemento! solo case su case, catrame e cemento!
D A7 D A7
Questa è la storia di uno di noi Là dove c’era l’erba ora c’è una città, Questa è la storia di uno di noi Là dove c’era l’erba ora c’è una città,
D D
anche lui nato per caso in via Gluck, e quella casa in mezzo al verde ormai dove anche lui nato per caso in via Gluck, e quella casa in mezzo al verde ormai dove
A7 sarà! A7 sarà!
in una casa fuori città‚ in una casa fuori città‚
D La Battaglia di Magenta D La Battaglia di Magenta
gente tranquilla che lavo rava. gente tranquilla che lavo rava.
L’era un bel dì la battaglia di Magenta, L’era un bel dì la battaglia di Magenta,
Bm D Bm D
che bel veder cavalcare i cavalieri! che bel veder cavalcare i cavalieri!
Là dove c’era l’erba ora c’è una città Là dove c’era l’erba ora c’è una città
Bm Cavalieri! al passo! al trotto! al galoppo! Bm Cavalieri! al passo! al trotto! al galoppo!
e quella casa in mezzo al verde ormai, dove Caricate! Con una mano … e quella casa in mezzo al verde ormai, dove Caricate! Con una mano …
D L’era un bel dì … D L’era un bel dì …
s arà? caricate! Con una mano, s arà? caricate! Con una mano,
A7 con due mani … A7 con due mani …
Questo ragazzo della via Gluck Questo ragazzo della via Gluck
D L’era un bel dì … D L’era un bel dì …
si divertiva a giocare con me con un piede … si divertiva a giocare con me con un piede …

218 218
L’era un bel dì … cantaron: “Gloria! …” (3x) L’era un bel dì … cantaron: “Gloria! …” (3x)
con due piedi … con due piedi …
Romagna mia Romagna mia
L’era un bel dì … 7
L’era un bel dì …
Cm G Cm G7
con la testa … con la testa …
Sento la nostalgia d’un passato Sento la nostalgia d’un passato
Cm Cm
La santa Caterina ove la mamma mia ho lasciato; La santa Caterina ove la mamma mia ho lasciato;
C7 Fm C7 Fm
G G
|: La santa Caterina – non ti potrò scor dar casetta mia, |: La santa Caterina – non ti potrò scor dar casetta mia,
Cm Cm
D G D G
pirulin pirulin pirulin zum zum – :| in questa notte stel lata pirulin pirulin pirulin zum zum – :| in questa notte stel lata
7 7
G C G C
D G DG D G DG
era figlia di un re, la mia sere nata io canto per te. era figlia di un re, la mia sere nata io canto per te.
G D G DG G7 G D G DG G7
era figlia di un re, Romagna mia, Romagna in fiore era figlia di un re, Romagna mia, Romagna in fiore
D G C D G C
era figlia di un re, tu sei la stella, tu sei l’amore‚ era figlia di un re, tu sei la stella, tu sei l’amore‚
C G D G C7 F C G D G C7 F
|: figl ia di un re. :| quando ti penso, vorrei tornare |: figl ia di un re. :| quando ti penso, vorrei tornare
C G7 C C G7 C
|: Suo padre era pagano – dalla mia bella ‚ al casolare. |: Suo padre era pagano – dalla mia bella ‚ al casolare.
pirulin … – :| pirulin … – :|
sua madre invece no … (3x) F C sua madre invece no … (3x) F C
Ro magna, Romagna mia‚ Ro magna, Romagna mia‚
|: Un dì, mentre pregava – G7 |: Un dì, mentre pregava – G7
pirulin … – :| lontan a te pirulin … – :| lontan a te
C C
suo padre la scoprì … (3x) non si può star. suo padre la scoprì … (3x) non si può star.
|: “Che fai, o Caterina – Tango delle capinere |: “Che fai, o Caterina – Tango delle capinere
pirulin … – :| pirulin … – :|
in quella posa lì? …” (3x) T: B. Cherubini – M: C. A. Bixio 1928 in quella posa lì? …” (3x) T: B. Cherubini – M: C. A. Bixio 1928
|: “Io prego Iddio mio padre, – Dm A |: “Io prego Iddio mio padre, – Dm A
pirulin … – :| Lag giù nell’Ari zona, pirulin … – :| Lag giù nell’Ari zona,
Dm Dm
che non conosci tu …” (3x) che non conosci tu …” (3x)
terra di sogni e di chi mere. terra di sogni e di chi mere.
Gm Gm
|: “Alzati, o Caterina – |: “Alzati, o Caterina –
pirulin … – :| Se una chitarra su ona, pirulin … – :| Se una chitarra su ona,
Dm Dm
se no ti ucciderò …” (3x) cantano mille capi nere. se no ti ucciderò …” (3x) cantano mille capi nere.
A A
|: “Uccidimi, mio padre, – Hanno la chioma bruna, |: “Uccidimi, mio padre, – Hanno la chioma bruna,
pirulin … – :| Bf pirulin … – :| Bf
ma io non m’alzerò …” (3x) hanno la febbre in cor. ma io non m’alzerò …” (3x) hanno la febbre in cor.
Dm Dm
|: Al colmo del furore – Chi va a cercar for tuna |: Al colmo del furore – Chi va a cercar for tuna
pirulin … – :| A pirulin … – :| A
suo padre la colpì … (3x) vi troverà a mor. suo padre la colpì … (3x) vi troverà a mor.
|: E gli angeli in cielo – |: E gli angeli in cielo –
pirulin … – :| pirulin … – :|
219 219
 D Toitela ti … D Toitela ti …
A mezzanotte v a A mezzanotte v a
A 7
Anca i todesch del Südtirol A 7
Anca i todesch del Südtirol
la ronda del pia cere ’na volta al mes, na volta al mes, la ronda del pia cere ’na volta al mes, na volta al mes,
anca i todesch del Südtirol anca i todesch del Südtirol
e nell’oscurità e nell’oscurità
D ’na volta al mes se laven el col. D ’na volta al mes se laven el col.
ognuno vuol godere. Toitela ti … ognuno vuol godere. Toitela ti …
Son baci di passion Son baci di passion
A7 Dicitencello Vuje A7 Dicitencello Vuje
l’amor non sa tacere l’amor non sa tacere
(Capo 3 rd Fret) (Capo 3 rd Fret)
è questa la canzon Em Am è questa la canzon Em Am
D Dicitencello a ’sta cumpagna vosta D Dicitencello a ’sta cumpagna vosta
di mille capinere! C° Em di mille capinere! C° Em
ch’aggio perduto ’o suonno e ’a fanta sia … ch’aggio perduto ’o suonno e ’a fanta sia …
Il “bandolero” stanco Am Il “bandolero” stanco Am
scende la “Sierra” misteriosa ch’ ’a penzo sempe, scende la “Sierra” misteriosa ch’ ’a penzo sempe,
sul suo cavallo bianco B C E7 sul suo cavallo bianco B C E7
spicca la vampa d’una rosa. ch’è tutt’’a vita mia … spicca la vampa d’una rosa. ch’è tutt’’a vita mia …
Am Am 6 Am Am 6
Quel fior di primavera I’ nce ’o vvulesse dicere, Quel fior di primavera I’ nce ’o vvulesse dicere,
vuol dire fedeltà B 7 Em vuol dire fedeltà B 7 Em
e alla sua capinera ma nun ce ’o ssaccio dì … e alla sua capinera ma nun ce ’o ssaccio dì …
egli lo porterà. Am
egli lo porterà. Am
A mezzanotte va … ’A voglio bene … A mezzanotte va … ’A voglio bene …
B Em C B Em C
’A voglio bene as saje! ’A voglio bene as saje!
Toitela ti Am B Toitela ti Am B
C G
Dicitencello vuje C G
Dicitencello vuje
Em Em
Toitela ti che mi non la voi, ca nun mm’ ’a scordo maje. Toitela ti che mi non la voi, ca nun mm’ ’a scordo maje.
C C
Am Am
la gh’ha la goba, la gh’ha la goba; E’ na pass ione, la gh’ha la goba, la gh’ha la goba; E’ na pass ione,
G G
B Em C B Em C
toitela ti che mi non la voi, c chiù forte ’e na ca tena, toitela ti che mi non la voi, c chiù forte ’e na ca tena,
C C
Am B Am B
la gh’ha la goba e la sbrega i linzoi. ca mme turmenta ll’anema … la gh’ha la goba e la sbrega i linzoi. ca mme turmenta ll’anema …
C G Em C G Em
Sp rechen Sie Deutsch fin a Bolzan, e nun mme fa cam pà! … Sp rechen Sie Deutsch fin a Bolzan, e nun mme fa cam pà! …
C C
ma da lì in zoi, ma da lì in zoi, Dicitencello ch’è na rosa ’e maggio, ma da lì in zoi, ma da lì in zoi, Dicitencello ch’è na rosa ’e maggio,
G ch’è assaje cchiù bella ’e na jurnata ’e sole … G ch’è assaje cchiù bella ’e na jurnata ’e sole …
sprechen Sie Deutsch fin a Bolzan, Da ’a vocca soja, sprechen Sie Deutsch fin a Bolzan, Da ’a vocca soja,
C cchiù fresca d’ ’e vviole, C cchiù fresca d’ ’e vviole,
ma da lì in zoi se parla itali an. i’ già vulesse sèntere ma da lì in zoi se parla itali an. i’ già vulesse sèntere
Toitela ti … ch’è ’nnammurata ’e me! Toitela ti … ch’è ’nnammurata ’e me!

|: Zwanzig Personen im Automobil: ’A voglio bene … |: Zwanzig Personen im Automobil: ’A voglio bene …
Das ist zu viel, das ist zu viel! :| ’A voglio bene assaje! Das ist zu viel, das ist zu viel! :| ’A voglio bene assaje!

220 220
Dicitencello vuje Dm E Dicitencello vuje Dm E
ca nun mm’ ’a scordo maje. fresca era ll’aria e la canzona doce … ca nun mm’ ’a scordo maje. fresca era ll’aria e la canzona doce …
E’ na passione, A A6 E’ na passione, A A6
cchiù forte ’e na catena, E diceva: “Core, core! cchiù forte ’e na catena, E diceva: “Core, core!
ca mme turmenta ll’anema … A7+ E7 ca mme turmenta ll’anema … A7+ E7
e nun mme fa campà! … core mio, luntano vaje, e nun mme fa campà! … core mio, luntano vaje,

Na làcrema lucente v’è caduta … tu mme lasse, io conto ll’ore … Na làcrema lucente v’è caduta … tu mme lasse, io conto ll’ore …
D A D A
dicìteme nu poco: a che penzate?! chisà quanno turnarraje!” dicìteme nu poco: a che penzate?! chisà quanno turnarraje!”
Cu st’uocchie doce, A6 Cu st’uocchie doce, A6
vuje sola mme guardate … Rispunnev’io: “ Turnarraggio vuje sola mme guardate … Rispunnev’io: “ Turnarraggio
A7+ C# m D A7+ C# m D
Levàmmoce ’sta maschera, Levàmmoce ’sta maschera,
quanno torn ano li rrose … quanno torn ano li rrose …
dicimmo ’a verità … Bm D A F #m dicimmo ’a verità … Bm D A F #m
si stu sciore torna a m aggio, si stu sciore torna a m aggio,
Te voglio bene … E A A7 Te voglio bene … E A A7
Te voglio bene assaje … pure a m aggio io stòngo ccà … Te voglio bene assaje … pure a m aggio io stòngo ccà …
Si’ tu chesta catena Bm D C# m D Si’ tu chesta catena Bm D C# m D
ca nun se spezza maje! si stu sciore torna a maggio, ca nun se spezza maje! si stu sciore torna a maggio,
A E Am A E Am
Suonno gentile, pure a m aggio io stòngo c c à . ” Suonno gentile, pure a m aggio io stòngo c c à . ”
suspiro mio carnale … suspiro mio carnale …
Te cerco comm’a ll’aria: E sò’ turnato e mo, comm’a na vota, Te cerco comm’a ll’aria: E sò’ turnato e mo, comm’a na vota,
Te voglio pe’ campà! … cantammo ’nzieme lu mutivo antico; Te voglio pe’ campà! … cantammo ’nzieme lu mutivo antico;
C°
passa lu tiempo e lu munno s’avota, C°
passa lu tiempo e lu munno s’avota,
xx1324
=========
ma ’ammore vero no, nun vota vico … xx1324
=========
ma ’ammore vero no, nun vota vico …
• •
|| | |
-------------- De te, bellezza mia, mme ’nnammuraje, • •
|| | |
-------------- De te, bellezza mia, mme ’nnammuraje,
||| | • •
-------------- si t’allicuorde, ’nnanz’a la funtana:
||| | • •
-------------- si t’allicuorde, ’nnanz’a la funtana:
|||||| ||||||
-------------- --------------
|||||| Ll’acqua, llà dinto, nun se sècca maje, |||||| Ll’acqua, llà dinto, nun se sècca maje,
e ferita d’ammore nun se sana … e ferita d’ammore nun se sana …
Era de maggio Era de maggio
Nun se sana: ca sanata, Nun se sana: ca sanata,
T: S. Di Giacomo / M: M.Costa 1885 si se fosse, gioja mia, T: S. Di Giacomo / M: M.Costa 1885 si se fosse, gioja mia,
(Capo: 2nd Fret) ’mmiez’a st’aria ’mbarzamata, (Capo: 2nd Fret) ’mmiez’a st’aria ’mbarzamata,
Am Dm E Am a guardarte io nun starrìa ! Am Dm E Am a guardarte io nun starrìa !
Am
E te dico: “Core, core! Am
E te dico: “Core, core!
Era de maggio e te cadèano ’nzino, core mio, turnato io sò’ … Era de maggio e te cadèano ’nzino, core mio, turnato io sò’ …
F E Torna maggio e torna ’ammore: F E Torna maggio e torna ’ammore:
a schiocche a schiocche, li ccerase rosse … fa’ de me chello che vuò’! a schiocche a schiocche, li ccerase rosse … fa’ de me chello che vuò’!
Dm E Dm E Torna maggio e torna ’ammore: Dm E Dm E Torna maggio e torna ’ammore:
Fresca era ll’aria … e tutto lu ciardino fa’ de me chello che vuò’!” Fresca era ll’aria … e tutto lu ciardino fa’ de me chello che vuò’!”
Dm C E Am Dm C E Am
addurava de rose a ciento passe … A6 A7+ addurava de rose a ciento passe … A6 A7+
Am Dm xo1233 xx1234 Am Dm xo1233 xx1234
========= ========= ========= =========
Era de maggio, io no, nun mme ne scordo‚ ||||||
--------------
||||||
--------------
Era de maggio, io no, nun mme ne scordo‚ ||||||
--------------
||||||
--------------
G C || ••••
--------------
|| •••
--------------
| G C || ••••
--------------
|| •••
--------------
|
na canzone cantàvamo a doje voce … ||||||
--------------
||||||
-------------- na canzone cantàvamo a doje voce … ||||||
--------------
||||||
--------------
Dm E Dm E |||||| ||||| • Dm E Dm E |||||| ||||| •
Cchiù tiempo passa e cchiù mme n’allicordo Cchiù tiempo passa e cchiù mme n’allicordo

221 221
Funiculì funiculà Luntane cchiù luntane Funiculì funiculà Luntane cchiù luntane
T: Giuseppe Turco – M: Luigi Denza From Abruzze (translation p. 268) T: Giuseppe Turco – M: Luigi Denza From Abruzze (translation p. 268)
F A F A
Ais sera, Nanninè, mme ne sagliette Pe cantà sta chiarità Ais sera, Nanninè, mme ne sagliette Pe cantà sta chiarità
C7 F Bm C7 F Bm
|: tu saie addò? :| ’ncore me sente tre mà! |: tu saie addò? :| ’ncore me sente tre mà!
E E
Addò sto core ’ngrato cchiù dispiette Tutte stu ciele stellate, Addò sto core ’ngrato cchiù dispiette Tutte stu ciele stellate,
7 7
C F Bm E A C F Bm E A
|: far me non pò. :| tutte stu mare che me fa sugnà. |: far me non pò. :| tutte stu mare che me fa sugnà.
7 7 7 7
Am E Am E Am Am E Am E Am
Addò llo fuoco coce, ma si fuje Ma pe ’tte, sole pe ’tte Addò llo fuoco coce, ma si fuje Ma pe ’tte, sole pe ’tte
E7 Am E7 Am
|: te lassa stà. :| esce dall’anima me, |: te lassa stà. :| esce dall’anima me,
C G7 C G7 C mezz’a stu ciele, stu mare, C G7 C G7 C mezz’a stu ciele, stu mare,
E non te corre app riesso, non te struje nu cantemente che ’nze po tenè. E non te corre app riesso, non te struje nu cantemente che ’nze po tenè.
G7 C G7 C
|: solo a guardà. :| A C# m |: solo a guardà. :| A C# m
|: Luntane, cchiù lun tane |: Luntane, cchiù lun tane
C7 D (D# °) A (F# ) C7 D (D# °) A (F# )
|: Jammo, jammo ’ncoppa, jammo jà, de li luntane stelle, |: Jammo, jammo ’ncoppa, jammo jà, de li luntane stelle,
F Bm A F Bm A
jammo, jammo ’ncoppa, jammo jà‚ luce la luce cchiù belle jammo, jammo ’ncoppa, jammo jà‚ luce la luce cchiù belle
f f
Am Dm Am B E A Am Dm Am B E A
funiculì funic ulì funic ulì funiculà. che me fa ’ncore cantà. :| funiculì funic ulì funic ulì funiculà. che me fa ’ncore cantà. :|
7 7
F C F F C F
’Ncoppa jammo jà‚ funic ulì funiculà. :| Marinà, s’ha da vugà ’Ncoppa jammo jà‚ funic ulì funiculà. :| Marinà, s’ha da vugà
Nè, jammo: da la terra a la montagna tra tutta sta chiarità, Nè, jammo: da la terra a la montagna tra tutta sta chiarità,
|: no passo ’n c’è. :| cante la vele a lu vente, |: no passo ’n c’è. :| cante la vele a lu vente,
Se vede Francia, Proceta, la Spagna nu cante granne che luntane và: Se vede Francia, Proceta, la Spagna nu cante granne che luntane và:
|: io veco a te. :| tu la si ddove vo’ i’ |: io veco a te. :| tu la si ddove vo’ i’
Tirate co lli fune nnitto, nfatto st’aneme pe’ ne’ murì Tirate co lli fune nnitto, nfatto st’aneme pe’ ne’ murì
|: ’ncielo se va. :| bella paranze, luntane |: ’ncielo se va. :| bella paranze, luntane
Se va comm’a llo viento, a l’antrasatto, ’nghe sti suspire tu ni’ da menì. Se va comm’a llo viento, a l’antrasatto, ’nghe sti suspire tu ni’ da menì.
|: guè, saglie, sà. :| |: guè, saglie, sà. :|
Luntane … Luntane …
Jammo, jammo … Jammo, jammo …
Chiarità, tu fi ’ncantà Chiarità, tu fi ’ncantà
Se n’è sagliuta, oi nè, se n’è sagliuta, st’anema nate a sugna, Se n’è sagliuta, oi nè, se n’è sagliuta, st’anema nate a sugna,
|: la capa già. :| la luntananze cchiù ccare |: la capa già. :| la luntananze cchiù ccare
È ghiuta, pò è tornata, e pò è venuta, sopr’ stu mare che ffà suspirà. È ghiuta, pò è tornata, e pò è venuta, sopr’ stu mare che ffà suspirà.
|: sta sempre cca! :| |: sta sempre cca! :|
La capa vota vota attuorno, attuorno, Marinà, s’ha da vugà La capa vota vota attuorno, attuorno, Marinà, s’ha da vugà
|: attuorno a te. :| tra tutta sta chiarità: |: attuorno a te. :| tra tutta sta chiarità:
Llo core canta sempe no taluorno luce luntane la stelle, Llo core canta sempe no taluorno luce luntane la stelle,
|: sposammo, oi nè! :| sta paranzelle mò hà da vulà. |: sposammo, oi nè! :| sta paranzelle mò hà da vulà.
Jammo, jammo … Luntane … Jammo, jammo … Luntane …

222 222
D#° pecchè l’unico ammore D#° pecchè l’unico ammore
xx1324 xx1324
=========
• •
|| | | si stata tu pe’ mme … =========
• •
|| | | si stata tu pe’ mme …
-------------- --------------
||| | • •
--------------
E tu pe’ nu capriccio ||| | • •
--------------
E tu pe’ nu capriccio
|||||| ||||||
--------------
||||||
tutto ’e distrutto, ojnè. --------------
||||||
tutto ’e distrutto, ojnè.
Ma Dio nun t’ ’o perdone Ma Dio nun t’ ’o perdone
Malafemmena chello ch’ ’e fatto a mme! Malafemmena chello ch’ ’e fatto a mme!
Totò 1951 Femmena … Totò 1951 Femmena …
# 7+
D D ° D D D#° D 7+
Si avisse fatto a ’nato xx1324 xxo123 Si avisse fatto a ’nato xx1324 xxo123
========= ========= ========= =========
Em || | |• •
--------------
||||||
-------------- Em • •
|| | |
--------------
||||||
--------------
chello ch’e fatto a mme ||| | • •
--------------
||| •••
-------------- chello ch’e fatto a mme ||| |• •
--------------
||| •••
--------------
|||||| |||||| |||||| ||||||
A Em -------------- -------------- A Em -------------- --------------
|||||| |||||| |||||| ||||||
st’ommo t’avesse acciso st’ommo t’avesse acciso
A D Mandulinata a Napole A D Mandulinata a Napole
e v uò sapè pecché? e v uò sapè pecché?
# #
D D ° Tagliaferri – Murolo (b 206) D D ° Tagliaferri – Murolo (b 206)
Pecché ’ncopp’a sta terra Pecché ’ncopp’a sta terra
Em Gm Am Dm E Am Em Gm Am Dm E Am
femmene comme a te Sera d’Està! Pusilleco lu cente femmene comme a te Sera d’Està! Pusilleco lu cente
D E7 Dm Am E Am D E7 Dm Am E Am
nun ce hanna sta pe’ n’ ommo canta canzone, e ad dora d’ erba ’e mare … nun ce hanna sta pe’ n’ ommo canta canzone, e ad dora d’ erba ’e mare …
A7 Dm E F A7 Dm E F
onesto comme a mme! Voglio ’e ppa role cchiù d’ammore ardente: onesto comme a mme! Voglio ’e ppa role cchiù d’ammore ardente:
G C G C
D D 7+ voglio ’e pparole cchiù gentile e care‚ D D 7+ voglio ’e pparole cchiù gentile e care‚
Femmena, tu si na malafemmena … Dm Am E7 A Femmena, tu si na malafemmena … Dm Am E7 A
D7 D #° pe’ ddì: “Te voglio bene …” a chi me sente. D7 D #° pe’ ddì: “Te voglio bene …” a chi me sente.
chist’uocchie ’e fatto chiagnere … chist’uocchie ’e fatto chiagnere …
Em A Bm Em A Bm
lacreme e ’nfamità. Ma d’ ’e pparole cchiù carnale e ddoce‚ lacreme e ’nfamità. Ma d’ ’e pparole cchiù carnale e ddoce‚
A Em E A Em E
Femmena, si tu peggio ’e na vipera ne sceglio sulo tre: “Te voglio bene …” Femmena, si tu peggio ’e na vipera ne sceglio sulo tre: “Te voglio bene …”
A Am Dm Am Dm A Am Dm Am Dm
m’he ’tussecata l’anema, Bella, ’int’ ’o core tuio sacc’ io chi tiene m’he ’tussecata l’anema, Bella, ’int’ ’o core tuio sacc’ io chi tiene
D A Am Dm E D A Am Dm E
nun pozzo cchiù cam pà. chi sta ’int’ o core mio saie pure tu … nun pozzo cchiù cam pà. chi sta ’int’ o core mio saie pure tu …
D D 7+ D D 7+
Femmena, si ddoce comme ’o zucchero A Femmena, si ddoce comme ’o zucchero A
D7 D #° P’ ’o mare ’e Napule D7 D #° P’ ’o mare ’e Napule
però sta faccia d’angelo Dm A però sta faccia d’angelo Dm A
Em quant’armonia! Em quant’armonia!
te serve pe’ ’ngannà … E te serve pe’ ’ngannà … E
G Gm D Bm Saglie ’ncielo e ’ncielo sentono G Gm D Bm Saglie ’ncielo e ’ncielo sentono
Femmen a‚ tu si ’a cchiù bella femmena A Femmen a‚ tu si ’a cchiù bella femmena A
Em A tutt’ ’e stelle ’a voce mia : Em A tutt’ ’e stelle ’a voce mia :
te voglio bene e t ’odio, Dm A te voglio bene e t ’odio, Dm A
D voce, ca tènnera D voce, ca tènnera
nun te pozzo scurdà … E7 A Am nun te pozzo scurdà … E7 A Am
’st’ ammore fa. ’st’ ammore fa.
Te voglio ancora bene Te voglio ancora bene
ma tu nun saie pecchè, Notte d’Està! Se so’ addurmute ’e ccase … ma tu nun saie pecchè, Notte d’Està! Se so’ addurmute ’e ccase …
e ’o cielo, a mmare, nu scenario ha stiso … e ’o cielo, a mmare, nu scenario ha stiso …
223 223
Stai ’mbracci’ a mme, nnucente so’ ’sti vase … Voga, voghe … Stai ’mbracci’ a mme, nnucente so’ ’sti vase … Voga, voghe …
bella, stanotte, te so’ frato e sposo, bella, stanotte, te so’ frato e sposo,
stanotte Ammore e Dio songh’una cosa … Mare nostre, stanotte Ammore e Dio songh’una cosa … Mare nostre,
mare de ggioje e de feste, mare de ggioje e de feste,
Canta: e d’ ’o suonno Napule se sceta, è tutta luce ssa veste, Canta: e d’ ’o suonno Napule se sceta, è tutta luce ssa veste,
ridono ’e vvocche ca se so’ vvasate … tutta chiarità. ridono ’e vvocche ca se so’ vvasate … tutta chiarità.
tutt’ ’e suspire ’e tutt’ ’e nnammurate tutt’ ’e suspire ’e tutt’ ’e nnammurate
suspirano, stanotte, attuorno a tte. Mare bbelle, suspirano, stanotte, attuorno a tte. Mare bbelle,
damme ssa veste lucente, damme ssa veste lucente,
P’ ’o mare ’e Napule … famme de luce e de vente P’ ’o mare ’e Napule … famme de luce e de vente
e ffamme vulà. e ffamme vulà.
Mare nostre Mare nostre
Voga, voghe … Voga, voghe …
T: L. Illuminati – M: A. di Fazio 1923 T: L. Illuminati – M: A. di Fazio 1923
C
Maruzzella C
Maruzzella
Mare nostre, Am Mare nostre, Am
G Ohè! Chi sente? G Ohè! Chi sente?
mare che crij stu core E mare che crij stu core E
F E chi mo canta appr iesso a me? F E chi mo canta appr iesso a me?
napassione d’amore napassione d’amore
G C Ohè! Petramente G C Ohè! Petramente
che m me fî ’ncan tà. Am che m me fî ’ncan tà. Am
s’affaccia ’a lunape’ vedè! s’affaccia ’a lunape’ vedè!
Mare bbelle, Dm Mare bbelle, Dm
sopr’a sta bbella paranze Pe’ tutta sta marina sopr’a sta bbella paranze Pe’ tutta sta marina
l’aneme di luntananze Am l’aneme di luntananze Am
se mett’a ssugnà. ’a Procida e Resina se mett’a ssugnà. ’a Procida e Resina
Dm E Dm E
C G F se dice: guarda llà C G F se dice: guarda llà
Voga, voghe, marinare, Ef E Voga, voghe, marinare, Ef E
C ’na femme na che fa! C ’na femme na che fa!
voga, voghe Am
voga, voghe Am
G G
pe stu m are, Maruzzella, Maruzze! pe stu m are, Maruzzella, Maruzze!
Dm Dm
F G F G
che nen dorme e suspire nghe mmè. T’he miso dint’a lluocchie ’o m a r e che nen dorme e suspire nghe mmè. T’he miso dint’a lluocchie ’o m a r e
E7 Am E7 Am
Mare chiare, e m’he miso ’npietto a me ’nu dispi acere. Mare chiare, e m’he miso ’npietto a me ’nu dispi acere.
Dm Dm
mare de latte e d’argente, ’Stu core me fai sbattere mare de latte e d’argente, ’Stu core me fai sbattere
ogne ddulore e tturmente Am ogne ddulore e tturmente Am
me vuije scurdà. chiù forte ’e l’onne quanno ’o cielo è scuro: me vuije scurdà. chiù forte ’e l’onne quanno ’o cielo è scuro:
Dm Dm
Mare granne, primma me dice sì, Mare granne, primma me dice sì,
come nu ciele stellate Am come nu ciele stellate Am
tremà ’ssa luce ’ncantate po’ doce doce me fai murì. tremà ’ssa luce ’ncantate po’ doce doce me fai murì.
E Am E Am
lu core me fà. Maruzzella Marruzze! lu core me fà. Maruzzella Marruzze!

224 224
’O sole mio G7 C G ’O sole mio G7 C G
|: Oje – vita, oje vita mia |: Oje – vita, oje vita mia
E F#m G7 Am E F#m G7 Am
Che bella cosa è na jurnata ’e sole oje core ’e chistu core Che bella cosa è na jurnata ’e sole oje core ’e chistu core
B E A7 Dm B E A7 Dm
l’aria è serena doppo na tem pesta! si’ stata ’o primm’ ammore l’aria è serena doppo na tem pesta! si’ stata ’o primm’ ammore
A Am C G7 C A Am C G7 C
Pe’ ll’aria fresca me pare già na festa … ’o primmo e ll’ultimo sar raje pe’ me! :| Pe’ ll’aria fresca me pare già na festa … ’o primmo e ll’ultimo sar raje pe’ me! :|
E B E E B E
Che bella cosa na jurnata ’e sole. Quanta notte nun te veco, Che bella cosa na jurnata ’e sole. Quanta notte nun te veco,
E F #m
nun te sento int’ a sti braccia, E F #m
nun te sento int’ a sti braccia,
Ma n’atu sole cchiu bello, ’e te‚ nun te vaso chesta faccia, Ma n’atu sole cchiu bello, ’e te‚ nun te vaso chesta faccia,
B E nun t’astregno forte mbraccia a me? B E nun t’astregno forte mbraccia a me?
’o sole mio sta nfronte a te! Ma scetannome ’a sti suonne, ’o sole mio sta nfronte a te! Ma scetannome ’a sti suonne,
Am E mme faje chiagnere pe’ te … Am E mme faje chiagnere pe’ te …
’O sole, ’o sole mio ’O sole, ’o sole mio
B E Oje – vita … B E Oje – vita …
sta nfronte a te, sta nfronte a te! sta nfronte a te, sta nfronte a te!
Scrive sempe e sta’ cuntenta Scrive sempe e sta’ cuntenta
Lucèno ’e llastre d’a fenesta toia; io nun penzo che a te sola: Lucèno ’e llastre d’a fenesta toia; io nun penzo che a te sola:
’na lavannara canta e se ne vanta nun penziero mme cunzola, ’na lavannara canta e se ne vanta nun penziero mme cunzola,
e pe’ tramente torce, spanne e canta, ca tu pienze sulamente a me … e pe’ tramente torce, spanne e canta, ca tu pienze sulamente a me …
lucèno e llastre d’a fenesta toia. ’A cchiù bella ’e tutt’ ’e belle lucèno e llastre d’a fenesta toia. ’A cchiù bella ’e tutt’ ’e belle
nun è maje cchiù bella ’e te! nun è maje cchiù bella ’e te!
Ma n’atu sole … Ma n’atu sole …
Oje – vita … Oje – vita …
Quanno fa notte e ’o sole se ne scenne, Quanno fa notte e ’o sole se ne scenne,
me vene quasi ’na malincunia; Reginella me vene quasi ’na malincunia; Reginella
sotto ’a fenesta toia restarria sotto ’a fenesta toia restarria
quanno fa notte e ’o sole se ne scenne. Bovio / Lama quanno fa notte e ’o sole se ne scenne. Bovio / Lama
7+
Ma n’atu sole … G (G ) Ma n’atu sole … G (G7+)
Te si fatta na vesta scullata‚ Te si fatta na vesta scullata‚
D° Am D° Am
’O surdato ’nnamurato nu cappiello cu ’e nastre e cu ’e rrose … ’O surdato ’nnamurato nu cappiello cu ’e nastre e cu ’e rrose …
C G7 C D C G7 C D
Staje luntana da stu core stive ’mmiez’a tre o quattro scian tose Staje luntana da stu core stive ’mmiez’a tre o quattro scian tose
Dm Am 7 Dm Am D G Dm Am 7 Dm Am D G
e a te volo cu’ ’o penziero: e parlave fran cese … è accussì? e a te volo cu’ ’o penziero: e parlave fran cese … è accussì?
Bm F #7 Bm (Bfm) Bm F #7 Bm (Bfm)
G G7 Am G G7 Am
niente voglio e niente spero Fuje ll’autriere ca t’aggio ’ncun trata niente voglio e niente spero Fuje ll’autriere ca t’aggio ’ncun trata
A A7 D A A7 D
F C G C F C G C
fuje ll’autr iere a Tuleto ’gnor sì … fuje ll’autr iere a Tuleto ’gnor sì …
ca tenerte sempe affianco a me! ca tenerte sempe affianco a me!
F E G Bm Am F E G Bm Am
Si’ sicura ’e chist’ ammore T’aggio vuluto ben e a te! Si’ sicura ’e chist’ ammore T’aggio vuluto ben e a te!
Am Am 7 E G7 D G Am Am 7 E G7 D G
comm’ i’ so’ sicuro ’e te … Tu mm’hê vuluto bene a me! comm’ i’ so’ sicuro ’e te … Tu mm’hê vuluto bene a me!
Mo nun ce amammo cchiù Mo nun ce amammo cchiù
Bm Am Bm Am
ma ê vvote tu ma ê vvote tu

225 225
 A D G Silenzio cantatore A D G Silenzio cantatore
distrattamente, pienze a me! distrattamente, pienze a me!
Lama – Bovio (b 216) Lama – Bovio (b 216)
Reginè, quanno stive cu mico, Reginè, quanno stive cu mico,
nun magnave ca pane e cerase … Am Dm nun magnave ca pane e cerase … Am Dm
Nuje campàvamo ’e vase, e che vase! Zitta, stanotte nun dicere niente, Nuje campàvamo ’e vase, e che vase! Zitta, stanotte nun dicere niente,
E Am E Am
Tu cantave e chiagnive pe’ me! cademe ’mbraccia, ma senza parlà … Tu cantave e chiagnive pe’ me! cademe ’mbraccia, ma senza parlà …
E ’o cardillo cantava cu tico: Dm G C E ’o cardillo cantava cu tico: Dm G C
“Reginella ’o vò bene a stu rre!” Dòrmeno ’e ccose nu suonno lucente … “Reginella ’o vò bene a stu rre!” Dòrmeno ’e ccose nu suonno lucente …
Dm E Dm E
T’aggio vuluto bene a te! nu suonno ’e ’na notte d’es tà: T’aggio vuluto bene a te! nu suonno ’e ’na notte d’es tà:
Tu mm’hê vuluto bene a me! A E
Tu mm’hê vuluto bene a me! A E
Mo nun ce amammo cchiù, M a rì‚ dint’ ’o si lenzio Mo nun ce amammo cchiù, M a rì‚ dint’ ’o si lenzio
ma ê vvote tu, distrattamente, F#m ma ê vvote tu, distrattamente, F#m
chiedi ’e me! – silenzio canta tore – chiedi ’e me! – silenzio canta tore –
C# D C# D
Oje cardillo, a chi aspiette stasera? nun te dico parole d’am more, Oje cardillo, a chi aspiette stasera? nun te dico parole d’am more,
A E A Am A E A Am
nun ’o vvide? aggio aperta ’a cajòla! nun ’o vvide? aggio aperta ’a cajòla!
ma t’ ’e ddice ’stu m are pe’ me! ma t’ ’e ddice ’stu m are pe’ me!
Reginella è vulata? e tu vola! Reginella è vulata? e tu vola!
vola e canta … nun chiagnere ccà: Dimme: stanotte si’ tutta d’ ’a mia? vola e canta … nun chiagnere ccà: Dimme: stanotte si’ tutta d’ ’a mia?
T’hê ’a truvà na padrona sincera Ll’uocchie tuoie belle me diceno ’e sì … T’hê ’a truvà na padrona sincera Ll’uocchie tuoie belle me diceno ’e sì …
ch’è cchiù degna ’e sentirte ’e cantà … No, cu ’sta luna, nisciuna buscia ch’è cchiù degna ’e sentirte ’e cantà … No, cu ’sta luna, nisciuna buscia
’sta vocca busciarda pò dì! ’sta vocca busciarda pò dì!
T’aggio vuluto bene a te! T’aggio vuluto bene a te!
Tu mm’hê vuluto bene a me! Marì … Tu mm’hê vuluto bene a me! Marì …
Mo nun ce amammo cchiù, Mo nun ce amammo cchiù,
ma ê vvote tu, Torna a Surriento ma ê vvote tu, Torna a Surriento
distrattamente, cerchi ’e me! distrattamente, cerchi ’e me!
Gianbattista de Curtis – Ernesto de Curtis Gianbattista de Curtis – Ernesto de Curtis
D° (translation p. 272) D° (translation p. 272)
xxo1o2 xxo1o2
========= =========
||| | • •
-------------- Am ||| | • •
-------------- Am
|||||| ||||||
--------------
|||||| Vide ’o mare quant’ è bello! --------------
|||||| Vide ’o mare quant’ è bello!
-------------- Dm Am -------------- Dm Am
|||||| ||||||
Spira tantu senti mento, Spira tantu senti mento,
Sicilianedda mia F Am Sicilianedda mia F Am
comme tu a chi tiene mente, comme tu a chi tiene mente,
Lu suli sinni va E A Lu suli sinni va E A
domani turna; cascetato ’o faje sunnà. domani turna; cascetato ’o faje sunnà.
Bm Bm
si minni vaiu iu si minni vaiu iu
Guarda, gua’ chistu ciardino; Guarda, gua’ chistu ciardino;
nun turno chiù. E A nun turno chiù. E A

Sicilianedda mia, siente, sie’ sti sciure arance: Sicilianedda mia, siente, sie’ sti sciure arance:
Bm Bm
Sicilianedda, ’nu profumo accussì fino Sicilianedda, ’nu profumo accussì fino
si minni vaiu iu E A si minni vaiu iu E A
nun turno chiù. dinto ’o core se ne va … nun turno chiù. dinto ’o core se ne va …
Bm Bm
E tu dice: “J’parto, addio!” E tu dice: “J’parto, addio!”

226 226
E F B7 Em E F B7 Em
T’alluntane da ’stu core … xprends dans ta main l’Evan gile T’alluntane da ’stu core … xprends dans ta main l’Evan gile
Dm Am B7 Em Dm Am B7 Em
Da la terra de l’ammore … et va-t- en de ta maison. Da la terra de l’ammore … et va-t- en de ta maison.
E A E A
Em Em
Tiene ’o core ’e nun turnnà? Va-t-en, Tiene ’o core ’e nun turnnà? Va-t-en,
Bm Am Bm Am
Ma nun me lassà‚ va dans le désert, Ma nun me lassà‚ va dans le désert,
E A A7 E A A7
nun darme stu turmiento! chercher la lumi ère nun darme stu turmiento! chercher la lumi ère
Dm B7 Dm B7
Dm Am Dm Am
Torna a Sur riento, qui est auprès de Dieu, mais: Torna a Sur riento, qui est auprès de Dieu, mais:
E Am E Am
Abraham faut t’en aller … Abraham faut t’en aller …
famme campà! famme campà!
Va-t-en, Va-t-en,
Vide ’o mare de Surriento Vide ’o mare de Surriento
va-t-en sans détour, va-t-en sans détour,
che tesoro tene ’nfunno; che tesoro tene ’nfunno;
marche jusqu’au jour, marche jusqu’au jour,
chi ha girato tutt’ o munno chi ha girato tutt’ o munno
tiens la main de Dieu, mais: tiens la main de Dieu, mais:
nun l’ha vista comm’a ccà. nun l’ha vista comm’a ccà.
Guarda attuorno ’sti serene, Abraham faut t’en aller … Guarda attuorno ’sti serene, Abraham faut t’en aller …
ca te guardano ’ncantate ca te guardano ’ncantate
e te vonno tantu bene … Alors e te vonno tantu bene … Alors
Te vulessero vasà. tu verras briller Te vulessero vasà. tu verras briller
E tu dice: “J’parto, addio!” dans le ciel d’été E tu dice: “J’parto, addio!” dans le ciel d’été
T’alluntane da ’stu core … des semences d’or, mais: T’alluntane da ’stu core … des semences d’or, mais:
Da la terra de l’ammore … Abraham faut t’en aller … Da la terra de l’ammore … Abraham faut t’en aller …
Tiene ’o core ’e nun turnnà? Tiene ’o core ’e nun turnnà?
Ma nun me lassà … Alouette Ma nun me lassà … Alouette
D A D D A D
Alouette, gentille alouette, Alouette, gentille alouette,
FRENCH SONGS A D FRENCH SONGS A D
alouette je te plume rai: alouette je te plume rai:
Abraham D Abraham D
je te plumerai la tête, je te plumerai la tête,
A. M. Cocagnac (Capo: 2nd Fret; A D A. M. Cocagnac (Capo: 2nd Fret; A D
translation p. 261) je te plumerai la tête, translation p. 261) je te plumerai la tête,
D A D A
Em et la tête, et la tête, Em et la tête, et la tête,
Abraham faut t’en aller D A D A Abraham faut t’en aller D A D A
B7 Em alouette, alouette … oh oh, oh oh! B7 Em alouette, alouette … oh oh, oh oh!
laisse là ces gens tran quilles‚ laisse là ces gens tran quilles‚
B7 Em Alouette gentille alouette, B7 Em Alouette gentille alouette,
prends ton bâton et puis file alouette je te plumerai: prends ton bâton et puis file alouette je te plumerai:
B7 Em |: je te plumerai le nez, :| B7 Em |: je te plumerai le nez, :|
et va-t- en de ta maison. |: et le nez, :| et va-t- en de ta maison. |: et le nez, :|
Abrah a m faut t’en aller, |: et la tête, :| Abrah a m faut t’en aller, |: et la tête, :|
B7 Em … B7 Em …
laisse là ces morts tranquilles‚ laisse là ces morts tranquilles‚

227 227
… le cou deux amoureux tout étourdis … le cou deux amoureux tout étourdis
… le dos par la longue nuit, … le dos par la longue nuit,
… les jambes et de l’Étoile à la Concorde, … les jambes et de l’Étoile à la Concorde,
… les yeux un orchestre à mille cordes, … les yeux un orchestre à mille cordes,
… les ailes tous les oiseaux du Point du Jour … les ailes tous les oiseaux du Point du Jour
chantent l’amour. chantent l’amour.
Champs Elysées Champs Elysées
7
Aux Champs Elysées … Aux Champs Elysées …
G B G B7
Je me baladais sur l’Avenue Chant de Pénitence Je me baladais sur l’Avenue Chant de Pénitence
Em 7 G7 Em 7 G7
le cœur ouvert à l’ inconnu, A. M. Cocagnac (translation p. 263) le cœur ouvert à l’ inconnu, A. M. Cocagnac (translation p. 263)
C G C G
j’a vais envie de dire bonjour Am Dm j’a vais envie de dire bonjour Am Dm
Am 7 D7 Oh‚ si tu savais combien je t’aime Am 7 D7 Oh‚ si tu savais combien je t’aime
à n’importe qui. E Am à n’importe qui. E Am
G B7 tu retournerais, Jérusalem. G B7 tu retournerais, Jérusalem.
N’im porte qui et ce fut toi, Dm N’im porte qui et ce fut toi, Dm
Em 7 G7 Et le poids de tes péchés eux- mêmes Em 7 G7 Et le poids de tes péchés eux- mêmes
je t’ai dit n’im porte quoi, E Am je t’ai dit n’im porte quoi, E Am
C G te ramènerait, Jérusalem. C G te ramènerait, Jérusalem.
il suffisait de te parler il suffisait de te parler
Am 7 D7 G Am Am 7 D7 G Am
pour t’apprivois er. Nous ne sommes pas meilleurs que nos pères pour t’apprivois er. Nous ne sommes pas meilleurs que nos pères
E Am E Am
G B7 Em 7 G 7 les enfants d’Israël. G B7 Em 7 G 7 les enfants d’Israël.
Aux Champs Ely sées, Aux Champs Ely sées,
C G Am D 7 Nous ne sommes pas meilleurs que nos pères‚ C G Am D 7 Nous ne sommes pas meilleurs que nos pères‚
aux Champs Elysées, E Am aux Champs Elysées, E Am
G B7 nous sommes bien pa reils. G B7 nous sommes bien pa reils.
au soleil, sous la pluie, C G au soleil, sous la pluie, C G
Em 7 G7 Oui, nous avons péché‚ Em 7 G7 Oui, nous avons péché‚
à midi ou à minuit, C à midi ou à minuit, C
C G et nous avons triché! C G et nous avons triché!
il y a tout ce que vous voulez G il y a tout ce que vous voulez G
A7 D7 G Nous avons tout gâché‚ A7 D7 G Nous avons tout gâché‚
aux Champs Elys ées. C E7 aux Champs Elys ées. C E7
et nous t’avons lâc hé. et nous t’avons lâc hé.
Tu m’as dit: “J’ai rendez-vous Am Tu m’as dit: “J’ai rendez-vous Am
dans un sous-sol avec des fous Nous ne sommes pas meilleurs que nos pères‚ dans un sous-sol avec des fous Nous ne sommes pas meilleurs que nos pères‚
qui vivent la guitare à la main E Am qui vivent la guitare à la main E Am
du soir au matin”. les enfants d’Israël. du soir au matin”. les enfants d’Israël.
Alors je t’ai accompagné Oh, si tu savais … Alors je t’ai accompagné Oh, si tu savais …
on a chanté, on a dansé on a chanté, on a dansé
et l’on n’a même pas pensé Nous ne sommes pas meilleurs que saint Pierre et l’on n’a même pas pensé Nous ne sommes pas meilleurs que saint Pierre
à s’embrasser. lorsque le coq chantait. à s’embrasser. lorsque le coq chantait.
Nous ne sommes pas meilleurs que saint Pierre Nous ne sommes pas meilleurs que saint Pierre
Aux Champs Elysées … mais lui, il en pleurait! Aux Champs Elysées … mais lui, il en pleurait!
Hier soir deux inconnus, Oui, nous t’avons banni Hier soir deux inconnus, Oui, nous t’avons banni
et ce matin sur l’avenue et nous t’avons trahi, et ce matin sur l’avenue et nous t’avons trahi,

228 228
et nous avons rougi |: Sur mon tombe je veux qu’on inscrive: et nous avons rougi |: Sur mon tombe je veux qu’on inscrive:
d’être de tes amis. “Ici gît le roi du buveurs.” :| d’être de tes amis. “Ici gît le roi du buveurs.” :|
Nous ne sommes pas meilleurs que saint Pierre Sur ma tombe, oui … Nous ne sommes pas meilleurs que saint Pierre Sur ma tombe, oui …
lorsque le coq chantait. lorsque le coq chantait.
La samaritaine La samaritaine
Oh, si tu savais … Oh, si tu savais …
A. M. Cocagnac (translation p. 268) A. M. Cocagnac (translation p. 268)
Nous ne sommes pas meilleurs que les autres Nous ne sommes pas meilleurs que les autres
C C
malgré nos prétentions. malgré nos prétentions.
1. En rentrant en Galilée 1. En rentrant en Galilée
Nous ne sommes pas meilleurs que les autres F C Nous ne sommes pas meilleurs que les autres F C
bien que nous le croyions. que la route est longue, bien que nous le croyions. que la route est longue,
Mais pourtant quand tu veux G 7
C Mais pourtant quand tu veux G 7
C
il passe dans nos yeux Jésus vint à S amarie, il passe dans nos yeux Jésus vint à S amarie,
F G7 C F G7 C
une lueur de feu, mon ami. une lueur de feu, mon ami.
et c’est un jour radieux. Am Dm et c’est un jour radieux. Am Dm
Et nous sommes alors plus proche des autres Comme il était fatigué Et nous sommes alors plus proche des autres Comme il était fatigué
malgré nos divisions. G7 C malgré nos divisions. G7 C
Et nous sommes alors plus proches des autres par la route longue, Et nous sommes alors plus proches des autres par la route longue,
F C F C
et nous te retrouvons. il s’assit là sur un puits, et nous te retrouvons. il s’assit là sur un puits,
G7 C G7 C
Oh, si tu savais … mon a mi. Oh, si tu savais … mon a mi.
Chevaliers de la table ronde G Chevaliers de la table ronde G
Ce n’est pas le puits Ce n’est pas le puits
D G7 C D G7 C
|: Chevaliers de la table ronde, qui est trop pro fond, |: Chevaliers de la table ronde, qui est trop pro fond,
A D F C A D F C
dites- moi si le vin est bon. :| c’est la corde, dites- moi si le vin est bon. :| c’est la corde,
G G7 C G G7 C
|: Dites-moi, oui, oui, oui, c’est la corde, |: Dites-moi, oui, oui, oui, c’est la corde,
D F C D F C
dites- moi, non, non, non, c’est la corde, dites- moi, non, non, non, c’est la corde,
A D G7 C A D G7 C
dites- moi si le vin est bon. :| qui ne va pas au fond. dites- moi si le vin est bon. :| qui ne va pas au fond.
|: S’il est bon, s’il est agréable 2. Ses amis l’ayant quitté |: S’il est bon, s’il est agréable 2. Ses amis l’ayant quitté
j’en boirai jusqu’à mon plaisir. :| que la route est longue j’en boirai jusqu’à mon plaisir. :| que la route est longue
J’en boirai, oui …. une femme vint à lui, J’en boirai, oui …. une femme vint à lui,
mon ami. mon ami.
|: Et les pieds contre la muraille |: Et les pieds contre la muraille
De l’eau elle voulait puiser De l’eau elle voulait puiser
et la tête sous le robinet. :| et la tête sous le robinet. :|
que la route est longue, que la route est longue,
Et les pieds, oui … Et les pieds, oui …
Jésus lui en demande aussi, Jésus lui en demande aussi,
|: Quand je meurs je veux qu’on m’enterre mon ami. |: Quand je meurs je veux qu’on m’enterre mon ami.
dans une cave où il y a du bon vin. :| dans une cave où il y a du bon vin. :|
Ce n’est pas le puits … Ce n’est pas le puits …
Quand je meurs, oui … Quand je meurs, oui …
3. Comme elle était étonnée 3. Comme elle était étonnée
|: Et les quatre plus grands ivrognes |: Et les quatre plus grands ivrognes
que la route est longue, que la route est longue,
porteront les quatre coins du drap. :| porteront les quatre coins du drap. :|
Jésus doucement lui dit: Jésus doucement lui dit:
Et les quatre, oui … Et les quatre, oui …
229 229
Mon amie, 2. Bergers quittez vos retra ites, Mon amie, 2. Bergers quittez vos retra ites,
si tu voulais t’abreuver unissez-vous à ce concert, si tu voulais t’abreuver unissez-vous à ce concert,
pour la route longue et que vos tendres musettes, pour la route longue et que vos tendres musettes,
une eau vive est sans prix, fassent retentir les airs. une eau vive est sans prix, fassent retentir les airs.
mon amie! mon amie!
Gloria … Gloria …
Ce n’est pas le puits … Ce n’est pas le puits …
3. Ils annoncent la naissance 3. Ils annoncent la naissance
4. Mais elle dit: comment puiser du libérateur d’Israël. 4. Mais elle dit: comment puiser du libérateur d’Israël.
car la route est longue Et pleins de reconnaissance car la route est longue Et pleins de reconnaissance
du bord jusqu’au fond du puits, chantent en ce jour solennel: du bord jusqu’au fond du puits, chantent en ce jour solennel:
mon ami? mon ami?
Une corde il nous faudrait Gloria … Une corde il nous faudrait Gloria …
une corde longue 4. Cherchons tous l’heureux village une corde longue 4. Cherchons tous l’heureux village
pour l’eau qui nous fait envie, qui l’a vu naître sous ses toits. pour l’eau qui nous fait envie, qui l’a vu naître sous ses toits.
mon ami. Offrons-lui le tendre hommage, mon ami. Offrons-lui le tendre hommage,
Ce n’est pas le puits … et de nos cœurs et de nos voix. Ce n’est pas le puits … et de nos cœurs et de nos voix.

5. Jésus dit: en vérité Gloria … 5. Jésus dit: en vérité Gloria …

si la route est longue, si la route est longue,
Oh doux pays de Chanaan Oh doux pays de Chanaan
il est une source ici, il est une source ici,
mon amie, A. M. Cocagnac (b 261; translation p. 270) mon amie, A. M. Cocagnac (b 261; translation p. 270)
jaillie pour l’éternité jaillie pour l’éternité
Em Am Em Am
pour la route longue pour la route longue
Oh! doux pays de Chanaan‚ Oh! doux pays de Chanaan‚
jaillie du cœur du Messie, G B7 jaillie du cœur du Messie, G B7
mon amie. qu’il est long le chemin vers toi, mon amie. qu’il est long le chemin vers toi,
Em Am Em Am
Ce n’est pas le puits … Oh! doux pays de Chanaan‚ Ce n’est pas le puits … Oh! doux pays de Chanaan‚
G B7 Em G B7 Em
Les anges dans nos campagnes doux pa ys de notre espoir. Les anges dans nos campagnes doux pa ys de notre espoir.
(18 th century –Capo: 3 nd Fret) Em G Am B7 (18 th century –Capo: 3 nd Fret) Em G Am B7
Le temps me semble long et gris Le temps me semble long et gris
C G C Em Am F #7 B7 C G C Em Am F #7 B7
1. Les anges dans nos cam pagnes au souven ir de ce doux pa ys‚ 1. Les anges dans nos cam pagnes au souven ir de ce doux pa ys‚
G C Em G Am B 7 G C Em G Am B 7
ont entonné l’hym ne des cieux. mais cette nuit nous parti rons ont entonné l’hym ne des cieux. mais cette nuit nous parti rons
G C G C
Em Am B7 Em Em Am B7 Em
Et l’écho de nos mon tagnes pour le p ays de la mois son. Et l’écho de nos mon tagnes pour le p ays de la mois son.
G C G C
redit ce chant mé lodieux: Oh! doux pays … redit ce chant mé lodieux: Oh! doux pays …
C Am Dm G C Am Dm G C Am Dm G C Am Dm G
Glo - r ia J’entends le son des tambourins Glo - r ia J’entends le son des tambourins
C G C F C G menant la danse jusqu’au matin, C G C F C G menant la danse jusqu’au matin,
in excelsis Deo. en souvenir du doux agneau in excelsis Deo. en souvenir du doux agneau
Em Am Dm G C Am Dm G Em Am Dm G C Am Dm G
dont le sang pur coula à flots. dont le sang pur coula à flots.
Glo - r ia Glo - r ia
C G C F CGC C G C F CGC
in excelsis De-o. in excelsis De-o.
230 230
Oh! doux pays … Tiens bon la vague … Oh! doux pays … Tiens bon la vague …
Nous passerons des nuits d’effroi Un jour, je reviendrai chargé de cadeaux, Nous passerons des nuits d’effroi Un jour, je reviendrai chargé de cadeaux,
dans un désert glacé de vents frois Hisse et ho! Santiano! dans un désert glacé de vents frois Hisse et ho! Santiano!
mais la Nuée est à l’entour Au pays, j’irai voir Margot, mais la Nuée est à l’entour Au pays, j’irai voir Margot,
pour nous brûler d’un feu d’amour. à son doigt, je passerai l’anneau. pour nous brûler d’un feu d’amour. à son doigt, je passerai l’anneau.
Oh! doux pays … Tiens bon le cap et tiens bon le flot, Oh! doux pays … Tiens bon le cap et tiens bon le flot,
Hisse et ho! Santiano! Hisse et ho! Santiano!
Dans le matin d’un jour radieux Sur la mer qui fait le gros dos, Dans le matin d’un jour radieux Sur la mer qui fait le gros dos,
salut enfin, aux portes des cieux, nous irons jusqu’à San Francisco. salut enfin, aux portes des cieux, nous irons jusqu’à San Francisco.
là pour toujours nous chanterons là pour toujours nous chanterons
le grand Hallel de la moisson. Seigneur où es-tu? le grand Hallel de la moisson. Seigneur où es-tu?
Santiano A. M. Cocagnac (b 262) Santiano A. M. Cocagnac (b 262)
(translation p. 271) (translation p. 271)
Fisher – Plante – Aufray Fisher – Plante – Aufray
Em Am Em Am
Em G Où donc es- tu‚ Em G Où donc es- tu‚
C’est un fameux trois- mâts, fin comme un D G C’est un fameux trois- mâts, fin comme un D G
D D
Seigneur de Gloire? Seigneur de Gloire?
oiseau Em Am oiseau Em Am
Em D Em D
Hisse et ho! Santi ano! Car dans mon cœur Hisse et ho! Santi ano! Car dans mon cœur
B7 Em B7 Em
Am D Bm Am D Bm
Dix-huit nœuds, quatre cent tonneaux‚ c’est la nuit noire. Dix-huit nœuds, quatre cent tonneaux‚ c’est la nuit noire.
Am Am
Em D Em Em D Em
je suis fier d’y être matelot. Où donc es-tu‚ je suis fier d’y être matelot. Où donc es-tu‚
D G D G
Em G D Dieu de nos Pères? Em G D Dieu de nos Pères?
Tiens bon la vague et tiens bon le vent‚ Em Am Tiens bon la vague et tiens bon le vent‚ Em Am
Em D Car dans nos cœur s Em D Car dans nos cœur s
Hisse et ho! Santi ano! B7 Em Hisse et ho! Santi ano! B7 Em
Am D Bm plus de lu mière. Am D Bm plus de lu mière.
Si Dieu veut, toujours droit devant‚ Si Dieu veut, toujours droit devant‚
Em D Em Em B7 Em D Em Em B7
nous i rons jusqu’à San Francisco. Je te cherche sur les routes nous i rons jusqu’à San Francisco. Je te cherche sur les routes
Em B7 Em Em B7 Em
Je pars pour de longs mois, en laissant Margot, où l’on voit des affam és. Je pars pour de longs mois, en laissant Margot, où l’on voit des affam és.
Hisse et ho! Santiano! B7 Hisse et ho! Santiano! B7
D’y penser j’en ai le cœur gros, Je te cherche dans les villes D’y penser j’en ai le cœur gros, Je te cherche dans les villes
Em B7 E Em B7 E
en doublant les feux de Saint Malo. en doublant les feux de Saint Malo.
où l’on voit des rassasi és. où l’on voit des rassasi és.
E7 Am E7 Am
Tiens bon la vague … Tiens bon la vague …
Je te cherche dans le doute, Je te cherche dans le doute,
On prétend que là-bas l’argent coule à flots F #7 Bm On prétend que là-bas l’argent coule à flots F #7 Bm
Hisse et ho! Santiano! dans des yeux noyés de pleurs. Hisse et ho! Santiano! dans des yeux noyés de pleurs.
Em Bm Em Bm
On trouv’ l’or au fond des ruisseaux: Et je me tiens à l’écoute, On trouv’ l’or au fond des ruisseaux: Et je me tiens à l’écoute,
j’en ramènerai plusieurs lingots. G7 F #7 j’en ramènerai plusieurs lingots. G7 F #7
pour sen tir battre ton cœur. pour sen tir battre ton cœur.

231 231
Où donc es-tu … Si Dieu ne nous aimait pas … Où donc es-tu … Si Dieu ne nous aimait pas …
Je te trouve sur la face 3. Tout ça dans la nuit, Je te trouve sur la face 3. Tout ça dans la nuit,
d’un enfant en sa candeur. un soir de grande angoisse. d’un enfant en sa candeur. un soir de grande angoisse.
Je te trouve sur la place Tout ça dans la nuit, Je te trouve sur la place Tout ça dans la nuit,
où tu loues tes vendangeurs. trahi par ses amis. où tu loues tes vendangeurs. trahi par ses amis.
Je sais bien qu’on peut te lire Je sais bien qu’on peut te lire
dans les yeux d’un baptisé. Si Dieu ne nous aimait pas … dans les yeux d’un baptisé. Si Dieu ne nous aimait pas …
Je te vois dans le sourire 4. Tout ça sur la Croix, Je te vois dans le sourire 4. Tout ça sur la Croix,
de l’ami qui a pardonné. un jour avant la Pâque. de l’ami qui a pardonné. un jour avant la Pâque.
Reviens vers nous, Tout ça sur la Croix Reviens vers nous, Tout ça sur la Croix
Seigneur de Gloire, quand il ouvrit ses bras. Seigneur de Gloire, quand il ouvrit ses bras.
car dans nos cœurs, Si Dieu ne nous aimait pas … car dans nos cœurs, Si Dieu ne nous aimait pas …
c’est la nuit noire. c’est la nuit noire.
Reviens vers nous, 5. Tout ça un matin, Reviens vers nous, 5. Tout ça un matin,
Dieu de nos Pères quand on vint sur sa tombe. Dieu de nos Pères quand on vint sur sa tombe.
et mets nos cœurs Tout ça un matin, et mets nos cœurs Tout ça un matin,
dans ta lumière. quand il ressuscita. dans ta lumière. quand il ressuscita.

Si Dieu ne nous aimait pas Sur le pont d’Avignon Si Dieu ne nous aimait pas Sur le pont d’Avignon
A. M. Cocagnac (translation p. 271) D A D A A. M. Cocagnac (translation p. 271) D A D A
Sur le pont d’Avignon l’on y danse l’on y Sur le pont d’Avignon l’on y danse l’on y
A E A E
Si Dieu ne nous aimait pas danse. Si Dieu ne nous aimait pas danse.
A D A D A A D A D A
il n’aurait pas fait la terre; Sur le pont d’Avignon l’on y danse tout en il n’aurait pas fait la terre; Sur le pont d’Avignon l’on y danse tout en
E D E D
si Dieu ne nous aimait pas, rond. si Dieu ne nous aimait pas, rond.
A A
il n’aurait pas fait tout ça. D il n’aurait pas fait tout ça. D
Les beaux messieurs font comme ci, Les beaux messieurs font comme ci,
D A A D D A A D
1. Tout ça à No ël‚ et puis encore comme ça. 1. Tout ça à No ël‚ et puis encore comme ça.
Bm A Bm A
un soir dans une é table. un soir dans une é table.
D A D A
Tout ça à No ël‚ Tout ça à No ël‚
Bm A Bm A
quand il nous vint du ciel. quand il nous vint du ciel.
Si Dieu ne nous aimait pas … Si Dieu ne nous aimait pas …
2. Tout ça en plein jour, 2. Tout ça en plein jour,
il vint parler aux pauvres. il vint parler aux pauvres.
Tout ça en plein jour Tout ça en plein jour
il leur dit son amour. il leur dit son amour.

232 232
Sur le pont d’Avignon … voici venir la récompense Sur le pont d’Avignon … voici venir la récompense
par Dieu promise à mes efforts. par Dieu promise à mes efforts.
Les belles dames font comme ci … Je vais là-bas parmi les anges, Les belles dames font comme ci … Je vais là-bas parmi les anges,
Et les soldats font comme ci … en oubliant mes vieux soucis, Et les soldats font comme ci … en oubliant mes vieux soucis,
passer mon temps, passer en louange, passer mon temps, passer en louange,
Les cordonniers font comme ci … dire à Jésus sans fin merci. Les cordonniers font comme ci … dire à Jésus sans fin merci.
Les blanchisseurs font comme ci … Zachée Les blanchisseurs font comme ci … Zachée
Les musiciens font comme ci … A. M. Cocagnac (translation p. 233) Les musiciens font comme ci … A. M. Cocagnac (translation p. 233)
Vent fin C G7 Vent fin C G7
C’é tait un petit bon homme C’é tait un petit bon homme
Vent fin, vent du matin, C Vent fin, vent du matin, C
vent qui souffle au bout des sapins, qui avait nom Zac hée, vent qui souffle au bout des sapins, qui avait nom Zac hée,
G7 G7
vent qui chante, vent qui danse, était haut comme trois pommes vent qui chante, vent qui danse, était haut comme trois pommes
vent, vent fin C vent, vent fin C
et il était douan ier. et il était douan ier.
Vieux pèlerin C7 Fm Vieux pèlerin C7 Fm
Un douanier de trois pommes Un douanier de trois pommes
(b 265; Capo: 3 rd Fret; translation p. 272) C (b 265; Capo: 3 rd Fret; translation p. 272) C
n’a pas d’autori té. n’a pas d’autori té.
Am Dm Am Fm Am Dm Am Fm
Vieux pèle rin qui vaga bonde, Mais pour voler les hommes, Vieux pèle rin qui vaga bonde, Mais pour voler les hommes,
7 7
Dm F E G# Fm G7 Dm F E G# Fm G7
je suis par tout un étran ger, on dit qu’il s’y entendait. je suis par tout un étran ger, on dit qu’il s’y entendait.
Am Dm Am Am Dm Am
mais je suis sûr qu’en l’autre monde C G7 mais je suis sûr qu’en l’autre monde C G7
Dm Em Am Zachée descend donc, le Seig neur t’attend Dm Em Am Zachée descend donc, le Seig neur t’attend
Dieu va m’of frir où me loger. C G7 Dieu va m’of frir où me loger. C G7
C Dm Zachée descend donc, il est l à; C Dm Zachée descend donc, il est l à;
Je vais là-bas re voir mon père, C C7 Fm Je vais là-bas re voir mon père, C C7 Fm
Am C E 7
Zachée descend donc, le Seig neur t’at tend Am C E 7
Zachée descend donc, le Seig neur t’at tend
fini pour moi de chemi ner. C G7 C fini pour moi de chemi ner. C G7 C
Am Dm Am Zachée ouvre lui ta maison! Am Dm Am Zachée ouvre lui ta maison!
A l’autre bord de la riv ière‚ A l’autre bord de la riv ière‚
Dm Em Am Mais un jour il entend dire Dm Em Am Mais un jour il entend dire
maison à moi je vais trouver. que Jésus va passer, maison à moi je vais trouver. que Jésus va passer,
et il s’en va sans rien dire et il s’en va sans rien dire
J’achèverai bientôt ma route, J’achèverai bientôt ma route,
un arbre escalader. un arbre escalader.
j’entends tous proches les Jourdains: j’entends tous proches les Jourdains:
L’arbre qui se balance L’arbre qui se balance
la mort n’a rien que je redoute, la mort n’a rien que je redoute,
ne peut pas te cacher, ne peut pas te cacher,
j’y masserai tous mes chagrins. j’y masserai tous mes chagrins.
car Jésus s’avance car Jésus s’avance
Je vais là-bas revoir ma mère, Je vais là-bas revoir ma mère,
s’invite à déjeuner. s’invite à déjeuner.
près d’elle enfin me consoler, près d’elle enfin me consoler,
sur l’autre bord de la rivière Zachée descend donc … sur l’autre bord de la rivière Zachée descend donc …
à la maison me reposer. à la maison me reposer.
Et quand fut finie la fête Et quand fut finie la fête
Voici la fin de mes souffrances, Jésus le regarda. Voici la fin de mes souffrances, Jésus le regarda.
et le repos pour mon vieux corps, Et lui, en baissant la tête, et le repos pour mon vieux corps, Et lui, en baissant la tête,

233 233
bientôt il se leva. Si me mantengo en la huella la verdad me bientôt il se leva. Si me mantengo en la huella la verdad me
Pourquoi baisser la tête, encontrará. Pourquoi baisser la tête, encontrará.
Jésus a tout compris: Jésus a tout compris:
tu rembourse tes dettes, Y quiero ver el sol de un nuevo amanecer, tu rembourse tes dettes, Y quiero ver el sol de un nuevo amanecer,
et tous tes vols aussi. que construiremos juntos, unidos por la fe. et tous tes vols aussi. que construiremos juntos, unidos por la fe.
Y quiero ver el sol que alumbre una vez mas, Y quiero ver el sol que alumbre una vez mas,
Zachée descend donc … el destino del hombre es un largo caminar. Zachée descend donc … el destino del hombre es un largo caminar.
Et tous les pharisiens blêmes Ahora es tiempo, siempre es tiempo de empezar Et tous les pharisiens blêmes Ahora es tiempo, siempre es tiempo de empezar
épanchaient leur aigreur. una vez mas, épanchaient leur aigreur. una vez mas,
Ils criaient tous: au blasphème de asumir todos lo riesgos, de vivir con libertad. Ils criaient tous: au blasphème de asumir todos lo riesgos, de vivir con libertad.
d’absoudre un tel pécheur. No tenemos miedo al mundo, el mundo es d’absoudre un tel pécheur. No tenemos miedo al mundo, el mundo es
La maison d’un pécheur nuestro lugar. La maison d’un pécheur nuestro lugar.
quel drôle de palais! Siendo muchos somos uno, verdadera quel drôle de palais! Siendo muchos somos uno, verdadera
Oui, mais c’est dans son cœur humanidad. Oui, mais c’est dans son cœur humanidad.
que Zachée l’a logé. que Zachée l’a logé.
Aire castellano-leonés Aire castellano-leonés
Zachée descend donc … Zachée descend donc …
A A
Aire que me lleva el aire, Aire que me lleva el aire,
E A E A
SPANISH SONGS aire que el aire me lleva; SPANISH SONGS aire que el aire me lleva;
Adiós con el corazón a ire que me lleva el aire, Adiós con el corazón a ire que me lleva el aire,
E A E A
(Translation p. 261) aire que el aire me lleva. (Translation p. 261) aire que el aire me lleva.
D A D A
A E7 A E7
Adi ós con el cora zón aire que me lleva el aire, Adi ós con el cora zón aire que me lleva el aire,
E A E A
A A
que con el alma no p uedo; el aire de mi morena; que con el alma no p uedo; el aire de mi morena;
D A D A
E E
al despedirme de ti aire que me lleva el aire, al despedirme de ti aire que me lleva el aire,
E A E A
A A
de sentimiento me muero. el aire de mi morena. de sentimiento me muero. el aire de mi morena.
7 A A
E A E7 A
Tú se rás el bien de mi alma, El aire de mi morena, Tú se rás el bien de mi alma, El aire de mi morena,
E A E A
E7 A E7 A
tú serás el bien de mi vida , el aire de esa mu jer; tú serás el bien de mi vida , el aire de esa mu jer;
E A E A
tú serás el pájaro pinto el aire de mi morena, tú serás el pájaro pinto el aire de mi morena,
E A E A
E A E A
que alegre canta por la ma ñana. el aire de esa mu jer; que alegre canta por la ma ñana. el aire de esa mu jer;
D A D A
y yo como soy del aire, y yo como soy del aire,
Ahora es Tiempo E A Ahora es Tiempo E A
del ai re me enamo ré; del ai re me enamo ré;
Me sacude, como a todos un deseo del corazón, D A Me sacude, como a todos un deseo del corazón, D A
que me pide ir hasta el fondo, y me exige una y yo como soy del aire, que me pide ir hasta el fondo, y me exige una y yo como soy del aire,
razón. E A razón. E A
Sin preguntas no hay respuestas, así que salí a del ai re me enamo ré. Sin preguntas no hay respuestas, así que salí a del ai re me enamo ré.
buscar. buscar.
234 234
Aire que me lleva el aire … G C Aire que me lleva el aire … G C
para qui en quiera encont rar para qui en quiera encont rar
Aunque no haga falta el agua E F Aunque no haga falta el agua E F
pon el cántaro a la fuente; el sentido más pro fundo pon el cántaro a la fuente; el sentido más pro fundo
D7 G D7 G
aunque no haga falta el agua de toda esta realidad. aunque no haga falta el agua de toda esta realidad.
pon el cántaro a la fuente, F G C pon el cántaro a la fuente, F G C
por ver aquellas mocitas El que qui era oír que oiga, por ver aquellas mocitas El que qui era oír que oiga,
que son guapas y valientes; G C G C que son guapas y valientes; G C G C
por ver aquellas mocitas ¡todo grita la ver dad! ay, ay, ay, ay, ay. por ver aquellas mocitas ¡todo grita la ver dad! ay, ay, ay, ay, ay.
que son guapas y valientes. Cambiar, cambiar … que son guapas y valientes. Cambiar, cambiar …
Aire que me lleva el aire … Dios se muestra por el mundo Aire que me lleva el aire … Dios se muestra por el mundo
En medio la plaza estoy en las cosas cotidianas. En medio la plaza estoy en las cosas cotidianas.
nadie me puede echar fuera; Se va entrando en el misterio nadie me puede echar fuera; Se va entrando en el misterio
en medio la plaza estoy por la búsqueda anhelada, en medio la plaza estoy por la búsqueda anhelada,
nadie me puede echar fuera; a través del compromiso nadie me puede echar fuera; a través del compromiso
y aquí cantamos nosotros, con la realidad creada. y aquí cantamos nosotros, con la realidad creada.
salga el sol por donde quiera; Tiempo al tiempo en el camino salga el sol por donde quiera; Tiempo al tiempo en el camino
y aquí cantamos nosotros pues la espera no es parada. y aquí cantamos nosotros pues la espera no es parada.
salga el sol por donde quiera. Cambiar, cambiar … salga el sol por donde quiera. Cambiar, cambiar …
Aire que me lleva el aire … Ser signos verdaderos Aire que me lleva el aire … Ser signos verdaderos
en el mundo los más simples, en el mundo los más simples,
Cambiar al hombre de esta realidad más grande Cambiar al hombre de esta realidad más grande
Claudia Álvarez (b 222; translation p. 262) que te hace nacer de nuevo. Claudia Álvarez (b 222; translation p. 262) que te hace nacer de nuevo.
El vacío se supera El vacío se supera
C F y al miedo lo vence el riesgo. C F y al miedo lo vence el riesgo.
Cambiar, cambiar al hombre, Dios se propone a nosotros Cambiar, cambiar al hombre, Dios se propone a nosotros
G C G C
darle a la vida un sentido. y nos cambia por adentro. Ay ay ay . darle a la vida un sentido. y nos cambia por adentro. Ay ay ay .
Am Dm Am Dm
Reconocer en nosotros Cambiar, cambiar … Reconocer en nosotros Cambiar, cambiar …
G C A7 G C A7
una historia y un des tino, ay, ay, ay, ay. Carbonero una historia y un des tino, ay, ay, ay, ay. Carbonero
Dm G Dm G
Correr el r iesgo, ay, ay, ay. D A D Correr el r iesgo, ay, ay, ay. D A D
C Am Madre, mi carbo nero no vino anoche‚ C Am Madre, mi carbo nero no vino anoche‚
Ser hombres nuevos, ay, ay, ay, ay. A D Ser hombres nuevos, ay, ay, ay, ay. A D
Dm G y le estuve esperando hasta las doce. Dm G y le estuve esperando hasta las doce.
Correr el r iesgo, ay, ay, ay. D
Correr el r iesgo, ay, ay, ay. D
C FGC C FGC
Ser hombres nuevos. C a rbón, carbón, carbón. Ser hombres nuevos. C a rbón, carbón, carbón.
AD AD
C F Carbón de encina y picón‚ C F Carbón de encina y picón‚
E s encuentro inevitable, A D E s encuentro inevitable, A D
G C carbón de encina, picón de olivo; G C carbón de encina, picón de olivo;
nadie se puede esca par. A D nadie se puede esca par. A D
Am Dm niña bonita vente con migo. Am Dm niña bonita vente con migo.
Es respuesta a las preguntas Es respuesta a las preguntas

235 235
Madre, mi carbonero viene de Vélez D 7/9 Madre, mi carbonero viene de Vélez D 7/9
xxo21o xxo21o
y en el sombrero trae cuatro claveles. =========
|||| | • y en el sombrero trae cuatro claveles. =========
|||| | •
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||| || •
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||| || •
--------------
Carbón, carbón … ||||||
--------------
Carbón, carbón … ||||||
--------------
|||||| ||||||
Tiene mi carbonero en el sombrero Tiene mi carbonero en el sombrero
un letrero que dice: “¡Cuánto te quiero!” Cielito lindo un letrero que dice: “¡Cuánto te quiero!” Cielito lindo
Carbón, carbón … (b 225) Carbón, carbón … (b 225)
A A
Chan Chan |: Ay, ese lunar que tienes, Chan Chan |: Ay, ese lunar que tienes,
E E
F. Repilado (Buena Vista Social Club) cielito lindo, junto a la boca, F. Repilado (Buena Vista Social Club) cielito lindo, junto a la boca,
(Capo: 2nd Fret) (Capo: 2nd Fret)
Am C
no se lo des a na die, cielito lindo, Am C
no se lo des a na die, cielito lindo,
A A
|: De Alto Cedro voy para Marcané, |: De Alto Cedro voy para Marcané,
D 7/9
E Am C D 7/9
E que a mí me toca. :| D 7/9
E Am C D 7/9
E que a mí me toca. :|
luego a Cueto voy para Mayarí. :| D E A luego a Cueto voy para Mayarí. :| D E A
Am C |: Ay, ay, ay, ay, canta y no llores, Am C |: Ay, ay, ay, ay, canta y no llores,
El cariño que te tengo E El cariño que te tengo E
D 7/9 E porque cantando se a legran D 7/9 E porque cantando se a legran
no te lo pue do negar A no te lo pue do negar A
Am C cielito lindo los corazones. :| Am C cielito lindo los corazones. :|
se me sale la babita se me sale la babita
D 7/9 E Am C D7/9 E |: El pájaro que abandona, D 7/9 E Am C D7/9 E |: El pájaro que abandona,
yo no lo puedo evitar. cielito lindo, su primer nido, yo no lo puedo evitar. cielito lindo, su primer nido,
Am C
si lo encuentra ocupado, cielito lindo, Am C
si lo encuentra ocupado, cielito lindo,
Cuando Janica y Chan Chan bien merecido. :| Cuando Janica y Chan Chan bien merecido. :|
D 7/9 E D 7/9 E
en el mar cernían arena Ay, ay … en el mar cernían arena Ay, ay …
Am C Am C
como sacu día el ‘jibe’ |: De la Sierra Morena, como sacu día el ‘jibe’ |: De la Sierra Morena,
D 7/9 Am C D7/9 E cielito lindo, vienen bajando D 7/9 Am C D7/9 E cielito lindo, vienen bajando
a Chan Chan le daba pena. unos ojitos negros, cielito lindo, a Chan Chan le daba pena. unos ojitos negros, cielito lindo,
Am C de contrabando. :| Am C de contrabando. :|
Limpia el cami no de paja Limpia el cami no de paja
D 7/9 E Ay, ay … D 7/9 E Ay, ay …
que yo me quie ro sentar que yo me quie ro sentar
Am C Cómo Am C Cómo
en aquel tronco que veo en aquel tronco que veo
D 7/9 E Am C D7 /9 E Cómo imaginar, D 7/9 E Am C D7 /9 E Cómo imaginar,
y así no puedo llegar. que la vida sigue igual, y así no puedo llegar. que la vida sigue igual,
cómo si tus pasos cómo si tus pasos
|: De Alto Cedro voy para Marcané, ya no cruzan el portal. |: De Alto Cedro voy para Marcané, ya no cruzan el portal.
luego a Cueto voy para Mayarí. :| luego a Cueto voy para Mayarí. :|
Cómo pretender Cómo pretender
esta realidad, esta realidad,
cómo si hasta ayer cómo si hasta ayer
brillaba el cielo en tu mirar. brillaba el cielo en tu mirar.

236 236
Cómo consolar Em A D Bm Cómo consolar Em A D Bm
a la rosa y al jazmín, llevando al mundo nues tra esperanza, a la rosa y al jazmín, llevando al mundo nues tra esperanza,
Em A A7 Em A A7
cómo si tu risa llevando paz belleza y verdad. cómo si tu risa llevando paz belleza y verdad.
ya no se oye en el jardín. ya no se oye en el jardín.
Un gran camino por recorrer Un gran camino por recorrer
Cómo he de mentirles y una historia que continuar Cómo he de mentirles y una historia que continuar
que mañana volverás, llevando al mundo el cien por uno, que mañana volverás, llevando al mundo el cien por uno,
cómo despertar Em A D(m) cómo despertar Em A D(m)
si tu no estas. llevando fraternidad. : | si tu no estas. llevando fraternidad. : |

Como busca Cuando de mi Patrona Como busca Cuando de mi Patrona

(b 226; translation p. 263) (b 226; translation p. 263) (b 226; translation p. 263) (b 226; translation p. 263)
#
Em C B 7
D D D Em C B 7
D D# D
Como busca el tierno in fante Cuando de mi Patrona voy a la ermita Como busca el tierno in fante Cuando de mi Patrona voy a la ermita
C Am B 7 D# D C Am B 7 D# D
afli gido y pesaroso, se me hace cuesta abajo la cuesta a rriba. afli gido y pesaroso, se me hace cuesta abajo la cuesta a rriba.
Em C B7 G D Em C B7 G D
el des canso y el reposo |: Y cuando bajo, y cuando bajo el des canso y el reposo |: Y cuando bajo, y cuando bajo
C B7 Em A D C B7 Em A D
en el seno maternal se me hace cuesta a rriba la cuesta a bajo. :| en el seno maternal se me hace cuesta a rriba la cuesta a bajo. :|
B7 Em B7 Em
|: Así yo desde que brill a No sé no sé qué tiene mi Virgencita, |: Así yo desde que brill a No sé no sé qué tiene mi Virgencita,
B7 Em no sé no sé qué tiene cuando me mira. B7 Em no sé no sé qué tiene cuando me mira.
la luz blanca de la aurora |: Que son sus ojos como luceros: la luz blanca de la aurora |: Que son sus ojos como luceros:
Am G Am G
vengo a buscar, oh Señora, Ay, que pudiera siempre mirarme en ellos. :| vengo a buscar, oh Señora, Ay, que pudiera siempre mirarme en ellos. :|
D Em B7 Em D Em B7 Em
tu protección celestial. :| Dos Cocodrilos tu protección celestial. :| Dos Cocodrilos

Compañía hacia el destino Están dos cocodrilos y un orangután Compañía hacia el destino Están dos cocodrilos y un orangután
dos víboras pequeñas, y un águila real dos víboras pequeñas, y un águila real
Oscar Clemotte el gato, el topo, el elefante, no falta más Oscar Clemotte el gato, el topo, el elefante, no falta más
Dm C B f
A
ninguno, Dm C Bf A
ninguno,
Compañeros hacia el des tino, pero no se les ve a dos unicornios. Compañeros hacia el des tino, pero no se les ve a dos unicornios.
Dm C F La, la, la … la, la, la Dm C F La, la, la … la, la, la
aventu reros de libertad, aventu reros de libertad,
Gm Dm Un día Noé en la floresta anduvo Gm Dm Un día Noé en la floresta anduvo
descubridores de una memoria, y en torno a sí vinieron los animales descubridores de una memoria, y en torno a sí vinieron los animales
E7 A “El Señor está enojado un diluvio mandará E7 A “El Señor está enojado un diluvio mandará
renovadores de humanidad. la culpa no es vuestra, yo los salvaré”. renovadores de humanidad. la culpa no es vuestra, yo los salvaré”.
|: Siguiendo huellas del Hombre nuevo, Están dos cocodrilos … |: Siguiendo huellas del Hombre nuevo, Están dos cocodrilos …
con valentía y seguridad, con valentía y seguridad,
desafiando viejas culturas Y en tanto se embarcaban los animales desafiando viejas culturas Y en tanto se embarcaban los animales
con el anuncio de libertad. Noé mira en el cielo un grueso nubarrón con el anuncio de libertad. Noé mira en el cielo un grueso nubarrón
D Bm
y gota sobre gota ya la lluvia comenzó: D Bm
y gota sobre gota ya la lluvia comenzó:
Un gran camino por recorrer “No pudo ya esperar; y el arca se cerró.” Un gran camino por recorrer “No pudo ya esperar; y el arca se cerró.”
G D G D
y una historia que continuar, y una historia que continuar,
237 237
Están dos cocodrilos … El mar Están dos cocodrilos … El mar
Y mientras continuaban subiendo las aguas Clara Fontana / Rafael Andreo 1999 Y mientras continuaban subiendo las aguas Clara Fontana / Rafael Andreo 1999
el arca muy distante y con los animales el arca muy distante y con los animales
Noé ya no pensó a quién pudo olvidar; Cuando nace el río Noé ya no pensó a quién pudo olvidar; Cuando nace el río
y desde entonces nadie vio a los dos unicornios. entre el valle y la montaña y desde entonces nadie vio a los dos unicornios. entre el valle y la montaña
el tenue sonido el tenue sonido
Están dos cocodrilos … del agua que brota Están dos cocodrilos … del agua que brota
dice ya: dice ya:
El está aquí el mar, el mar. El está aquí el mar, el mar.
Designio Al bajar con fuerza Designio Al bajar con fuerza
A A 4
A Río joven por las rocas A A 4
A Río joven por las rocas
De una sola pa labra todo en tu blanca espuma De una sola pa labra todo en tu blanca espuma
A7 D un grito incansable: A7 D un grito incansable:
y todo dice una sola pa labra. ¡Dónde está! y todo dice una sola pa labra. ¡Dónde está!
A A4 A A A4 A
Ya no hay cosa que nos sea extraña, El mar, el mar. Ya no hay cosa que nos sea extraña, El mar, el mar.
E A E E A E
se nos ha dado todo conocer. Perdido en la llanura se nos ha dado todo conocer. Perdido en la llanura
busco donde descansar busco donde descansar
Ya ni el tiempo tiene su momento tu rostro amigo Ya ni el tiempo tiene su momento tu rostro amigo
ni el espacio sus cosas de paso. despierta un deseo ni el espacio sus cosas de paso. despierta un deseo
En El todo tiene un solo centro, casi dormido: En El todo tiene un solo centro, casi dormido:
en El vivimos y nos movemos. el mar, el mar. en El vivimos y nos movemos. el mar, el mar.
A D E7 D A D E7 D Cual gaviota blanca A D E7 D A D E7 D Cual gaviota blanca
El está a quí volando sin freno El está a quí volando sin freno
7 7 7 7
A DE D A A A DE D A A
El está a quí la estela de tus alas El está a quí la estela de tus alas
D E sostenga mi vuelo. D E sostenga mi vuelo.
como el día primero Al fin de la vida como el día primero Al fin de la vida
A D E7 D cumplido el camino A D E7 D cumplido el camino
como aquello más nu evo. de tu mano, amigo, como aquello más nu evo. de tu mano, amigo,
A D E7 D A D E7 D Arribe a la mar. A D E7 D A D E7 D Arribe a la mar.
El está a quí El está a quí
A D E7 D A A7 El Rey A D E7 D A A7 El Rey
El está a quí El está a quí
D E Yo sé bien que estoy afuera, D E Yo sé bien que estoy afuera,
y es la misma his toria pero el día en que yo me muera y es la misma his toria pero el día en que yo me muera
A A7 A A7
que nos toma ahora sé que tendrás que llorar, que nos toma ahora sé que tendrás que llorar,
D E |: ¡Llorar y llorar! :| D E |: ¡Llorar y llorar! :|
contigo y conmigo, aquí … contigo y conmigo, aquí …
A D E7 D A Dirás que no me quisiste, A D E7 D A Dirás que no me quisiste,
hasta la eternidad. pero vas a estar muy triste, hasta la eternidad. pero vas a estar muy triste,
A4 E7
y así te vas a quedar. A4 E7
y así te vas a quedar.
xoo23o xxo132 xoo23o xxo132
=========
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=========
|||||| Con dinero y sin dinero, =========
||||||
=========
|||||| Con dinero y sin dinero,
-------------- -------------- -------------- --------------
||| || •
--------------
||| | • •
--------------
hago siempre lo que quiero, ||| || •
--------------
||| | • •
--------------
hago siempre lo que quiero,
|||| | •
--------------
V| | | | •
--------------
|
y mi palabra es ¡la ley! |||| | •
--------------
V| | | | •
--------------
|
y mi palabra es ¡la ley!
|||||| |||||| |||||| ||||||

238 238
No tengo trono ni reina, Tú le haces vivir en confianza, No tengo trono ni reina, Tú le haces vivir en confianza,
ni nadie que me comprenda, seguro en tu poder. ni nadie que me comprenda, seguro en tu poder.
¡Pero sigo siendo el Rey! ¡Pero sigo siendo el Rey!
Entre a mi pago sin golpear Entre a mi pago sin golpear
Una piedra en el camino, (La Chacarera) Una piedra en el camino, (La Chacarera)
me enseñó que mi destino, me enseñó que mi destino,
era rodar y rodar P. R. Trullenque – C. Carabajal era rodar y rodar P. R. Trullenque – C. Carabajal
|: ¡rodar y rodar! :| E Am E Am |: ¡rodar y rodar! :| E Am E Am

Después me dijo un arriero, F Después me dijo un arriero, F

que no hay que llegar primero, Fue mucho mi penar que no hay que llegar primero, Fue mucho mi penar
C C
sino hay que saber llegar. sino hay que saber llegar.
andando lejos del pago. andando lejos del pago.
D4 D C D4 D C
Con dinero y sin dinero, Con dinero y sin dinero,
Tanto correr pa’ llegar a ningún lado. Tanto correr pa’ llegar a ningún lado.
hago siempre lo que quiero, E Am hago siempre lo que quiero, E Am
y mi palabra es ¡la ley! Y estaba donde na cí y mi palabra es ¡la ley! Y estaba donde na cí
B E Am E Am E Am B E Am E Am E Am
No tengo trono ni reina, lo que buscaba por al lí. No tengo trono ni reina, lo que buscaba por al lí.
ni nadie que me comprenda, ni nadie que me comprenda,
¡Pero sigo siendo el Rey! Es oro la amistad ¡Pero sigo siendo el Rey! Es oro la amistad
que no se compra ni vende. que no se compra ni vende.
El Señor es mi fuerza Sólo se da cuando en el pecho se siente. El Señor es mi fuerza Sólo se da cuando en el pecho se siente.
No es algo que se ha de usar No es algo que se ha de usar
(Translation p. 263) cuando te sirva y nada más. (Translation p. 263) cuando te sirva y nada más.
Em Am Em Em Am Em
| : El Señor es mi fu erza Así es como se dan | : El Señor es mi fu erza Así es como se dan
Bm Em en la amistad mis paisanos. Bm Em en la amistad mis paisanos.
mi roca y salva ción. :| Sus manos son pan cacho y mate cebado. mi roca y salva ción. :| Sus manos son pan cacho y mate cebado.
C
Y la flor de la humildad C
Y la flor de la humildad
Tu me guías por sendas de justicia, suele sus ranchos perfumar. Tu me guías por sendas de justicia, suele sus ranchos perfumar.
G G
me enseñas la verdad. La vida me ha prestao’ me enseñas la verdad. La vida me ha prestao’
C y tengo que devolverla C y tengo que devolverla
Tu me das el valor para la lucha, cuando el Creador me llame para la entrega. Tu me das el valor para la lucha, cuando el Creador me llame para la entrega.
G B7 Que mis huesos, piel y sal G B7 Que mis huesos, piel y sal
sin miedo avanzaré. abonen mi suelo natal. sin miedo avanzaré. abonen mi suelo natal.
Iluminas las sombras de mi vida, La luna es un terrón Iluminas las sombras de mi vida, La luna es un terrón
al mundo das luz. que alumbra con luz prestada. al mundo das luz. que alumbra con luz prestada.
Aunque pase por valles de tiniebla, Sólo al cantor que canta coplas del alma, Aunque pase por valles de tiniebla, Sólo al cantor que canta coplas del alma,
yo nunca temeré. le estalla en el corazón yo nunca temeré. le estalla en el corazón
Yo confío el destino de mi vida el sol que trepa por su voz. Yo confío el destino de mi vida el sol que trepa por su voz.
al Dios de mi salud. Cantor, para cantar, al Dios de mi salud. Cantor, para cantar,
A los pobres enseñas el camino, si nada dicen tus versos, A los pobres enseñas el camino, si nada dicen tus versos,
su escudo eres Tú. ay, ¿para qué vas a callar al silencio? su escudo eres Tú. ay, ¿para qué vas a callar al silencio?
El Señor es la fuerza de su pueblo, Si es el silencio un cantor El Señor es la fuerza de su pueblo, Si es el silencio un cantor
su gran Libertador. lleno de duendes en la voz. su gran Libertador. lleno de duendes en la voz.
239 239
Mi pueblo es un cantor Este es el día del Señor … Mi pueblo es un cantor Este es el día del Señor …
que canta la chacarera. que canta la chacarera.
No ha de cantar lo que muy dentro no sienta. Caerán los opresores No ha de cantar lo que muy dentro no sienta. Caerán los opresores
Cuando lo quiera escuchar, y exultarán los siervos; Cuando lo quiera escuchar, y exultarán los siervos;
entre a mi pago sin golpear. los hijos del oprobio entre a mi pago sin golpear. los hijos del oprobio
serán tus herederos. serán tus herederos.
La vida me ha prestao’ … Señalarás entonces La vida me ha prestao’ … Señalarás entonces
el día del regreso el día del regreso
Este es el día del Señor para los que comían Este es el día del Señor para los que comían
su pan en el destierro. su pan en el destierro.
(b 227; translation p. 264) (b 227; translation p. 264)
G C Este es el día del Señor … G C Este es el día del Señor …
Este es el día del Se ñor. ¡Exulten mis entrañas! Este es el día del Se ñor. ¡Exulten mis entrañas!
G D G D
Este es el tiempo de la miseri cordia. ¡Alégrese mi pueblo! Este es el tiempo de la miseri cordia. ¡Alégrese mi pueblo!
G C porque el Señor es justo, G C porque el Señor es justo,
Este es el día del Se ñor. revoca sus decretos: Este es el día del Se ñor. revoca sus decretos:
G D G la salvación se anuncia G D G la salvación se anuncia
Este es el tiempo de la mi seri cordia. donde acechó el infierno Este es el tiempo de la mi seri cordia. donde acechó el infierno
G D porque el Señor habita G D porque el Señor habita
Delante de tus ojos en medio de su pueblo. Delante de tus ojos en medio de su pueblo.
Em Bm Em Bm
ya no enrojece remos Este es el día del Señor … ya no enrojece remos Este es el día del Señor …
C G Em C G Em
a causa del antiguo Estoy alegre a causa del antiguo Estoy alegre
Am 7 D Am 7 D
st
pecado de tu pu eblo. 1 Choir: pecado de tu pu eblo. 1st Choir:
G D A G D A
Arrancarás de cuajo E stoy alegre … Arrancarás de cuajo E stoy alegre …
Em Bm Em Bm
el corazón soberbio 2nd Choir: el corazón soberbio 2nd Choir:
D D
C G Em C G Em
y harás un pueblo humil de ¿ por qué estás alegre? y harás un pueblo humil de ¿ por qué estás alegre?
A A
C D G C D G
1 st E stoy alegre … 1 st E stoy alegre …
de corazón sincero. E de corazón sincero. E
nd
2 dime porqué, lalala. 2nd dime porqué, lalala.
Este es el día del Señor … Este es el día del Señor …
A A
En medio de las gentes, 1 st E stoy alegre … En medio de las gentes, 1 st E stoy alegre …
nos guardas como un resto, D nos guardas como un resto, D
para cantar tus obras 2nd ¿ por qué estás alegre? para cantar tus obras 2nd ¿ por qué estás alegre?
A A
y adelantar tu reino. 1 st+2nd E so quiero saber. y adelantar tu reino. 1 st+2nd E so quiero saber.
Seremos raza nueva Seremos raza nueva
para los cielos nuevos; D para los cielos nuevos; D
sacerdotal estirpe, 1 st Voy a contarte, sacerdotal estirpe, 1 st Voy a contarte,
A A
según tu Primogénito. 2. ¿quieres contarme? según tu Primogénito. 2. ¿quieres contarme?
E E
1 st+2nd La razón de estar alegre así‚ lalala … 1 st+2nd La razón de estar alegre así‚ lalala …

240 240
 A B7 A B7
st nd st nd
1 +2 Cristo un día me encontró Francisco Alegre y olé, 1 +2 Cristo un día me encontró Francisco Alegre y olé,
D Em D Em
y también me transformó, Francisco Alegre y olá. y también me transformó, Francisco Alegre y olá.
A E A B7 A E A B7
y por eso a legre es toy. La gente dice: “vivan los hombres” y por eso a legre es toy. La gente dice: “vivan los hombres”
Em Em
C cuando los ven torear; C cuando los ven torear;
E stoy alegre … B7 E stoy alegre … B7
yo estoy re zando por él yo estoy re zando por él
Estrella del mar Em Estrella del mar Em
con la bo quita cerrá. con la bo quita cerrá.
(b 228) D G (b 228) D G
Desde la a rena me dice: “niña morena, Desde la a rena me dice: “niña morena,
Am C A Dm D G Am C A Dm D G
Oh brillante estrella potente Ma ría porqué me lloras, carita de empera ora‚ Oh brillante estrella potente Ma ría porqué me lloras, carita de empera ora‚
Dm/F Dm D# ° E B7 Dm/F Dm D# ° E B7
en el mar del mundo sé tú nuestra guía. dame tus risas mujer, en el mar del mundo sé tú nuestra guía. dame tus risas mujer,
A Dm Dm/F C Em A Dm Dm/F C Em
Oh brillante es trella potente Ma ría que soy torero andaluz, Oh brillante es trella potente Ma ría que soy torero andaluz,
G E Am C G E Am C
en el mar del mundo sé tú nuestra guía. y llevo al cuello la cruz de Jesús en el mar del mundo sé tú nuestra guía. y llevo al cuello la cruz de Jesús
B7 B7
F Am F Am
que me diste tú”. que me diste tú”.
Estrella del m a r ‚ Estrella del m a r ‚
F7 E B7 Em F7 E B7 Em
estrella del m ar , Francisco Alegre, corazón mío estrella del m ar , Francisco Alegre, corazón mío
7 7
E Am B7 E Am B7
estrella del m a r . y en de su capa sobre la arena le pregun té. estrella del m a r . y en de su capa sobre la arena le pregun té.
|: Bendita la tierra de la Palestina Francisco A legre, tiene un vestido |: Bendita la tierra de la Palestina Francisco A legre, tiene un vestido
que te vio nacer, estrella divina. :| que te vio nacer, estrella divina. :|
con un “te qu iero” que entre suspiros yo le con un “te qu iero” que entre suspiros yo le
Estrella … Em Estrella … Em
bordé. bordé.
|: Noche de contento, plácida y serena, D G |: Noche de contento, plácida y serena, D G
en que el firmamento de estrellas se llena. :| Torito bravo no me lo mires de esa manera en que el firmamento de estrellas se llena. :| Torito bravo no me lo mires de esa manera
D D
Estrella … deja que adorne tus rizos negros con su Estrella … deja que adorne tus rizos negros con su
G G
Dm/F #
D ° montera. Dm/F D#° montera.
xx3241 xx1324 B7 Em xx3241 xx1324 B7 Em
========= ========= ========= =========
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--------------• || | |• •
-------------- Torito noble, ten compa sión‚ |||||
--------------• • •
|| | |
-------------- Torito noble, ten compa sión‚
|| | || •
--------------
||| | • •
-------------- Am Em || | || •
--------------
||| | • •
-------------- Am Em
|| | | • •
--------------
||||||
-------------- que entre bordaos, lleva ence rrao || | | • •
--------------
||||||
-------------- que entre bordaos, lleva ence rrao
|||||| |||||| |||||| ||||||
B7 Em B7 Em
Francisco Alegre Francisco Alegre y olé, mi cora zón. Francisco Alegre Francisco Alegre y olé, mi cora zón.

Quintero-León-Quiroga En mi ventana tengo un letrero Quintero-León-Quiroga En mi ventana tengo un letrero

pa’ que lo venga a mirar, pa’ que lo venga a mirar,
Em B7 Francisco Alegre y olé, Em B7 Francisco Alegre y olé,
En los car teles han puesto un nombre Francisco Alegre y olá. En los car teles han puesto un nombre Francisco Alegre y olá.
Em Em
que no lo quiero mirar En el que dice “cuánto te quiero” que no lo quiero mirar En el que dice “cuánto te quiero”
pero qué pena me da, pero qué pena me da,
241 241
por culpa de otro querer, que en todo su ancho, por culpa de otro querer, que en todo su ancho,
no nos podemos casar. graba noche y días, no nos podemos casar. graba noche y días,
Desde la arena me dice: “niña morena, grillos y canarios; Desde la arena me dice: “niña morena, grillos y canarios;
quién te enamora, carita de emperaora martillos, turbinas, quién te enamora, carita de emperaora martillos, turbinas,
ya no te acuerdas mujer, ladridos, chubascos; ya no te acuerdas mujer, ladridos, chubascos;
de este torero andaluz, y la voz tan tierna de mi bien de este torero andaluz, y la voz tan tierna de mi bien
y llevo al cuello la cruz de Jesús amado. y llevo al cuello la cruz de Jesús amado.
que me diste tú”. que me diste tú”.
Gracias a la vida, Gracias a la vida,
Francisco Alegre … que me ha dado tanto, Francisco Alegre … que me ha dado tanto,
me ha dado la marcha me ha dado la marcha
Gracias a la vida de mis pies cansados; Gracias a la vida de mis pies cansados;
con ellos anduve con ellos anduve
(Translation p. 264) (Translation p. 264)
ciudades y charcos, ciudades y charcos,
Am E 7
playas y desiertos; Am E7 playas y desiertos;
Gracias a la vida , montañas y llanos. Gracias a la vida , montañas y llanos.
Am Am
que me ha dado tanto, Y la casa tuya, tu calle que me ha dado tanto, Y la casa tuya, tu calle
G7 y tu patio. G7 y tu patio.
me dio dos lu ceros me dio dos lu ceros
C Gracias a la vida, C Gracias a la vida,
que, cuando los abro, que me ha dado tanto, que, cuando los abro, que me ha dado tanto,
C7 me dio el corazón C7 me dio el corazón
perfecto dis tingo, que agita su marco, perfecto dis tingo, que agita su marco,
F 7+ F 7+
lo negro del blanco, cuando miro el fruto lo negro del blanco, cuando miro el fruto
E7 del cerebro humano; E7 del cerebro humano;
y en el alto cielo, cuando miro al bueno y en el alto cielo, cuando miro al bueno
Am tan lejos del malo; Am tan lejos del malo;
su fondo estre llado; cuando miro el fondo de tus su fondo estre llado; cuando miro el fondo de tus
E E7 E E7
y en las multi tudes, al hom bre ojos claros. y en las multi tudes, al hom bre ojos claros.
Am E Am Am E Am
que yo amo. Gracias a la vida, que yo amo. Gracias a la vida,
que me ha dado tanto, que me ha dado tanto,
Gracias a la vida, me ha dado la risa Gracias a la vida, me ha dado la risa
que me ha dado tanto, y me ha dado el llanto, que me ha dado tanto, y me ha dado el llanto,
me ha dado el sonido así yo distingo me ha dado el sonido así yo distingo
y el abecedario; dicha de quebranto; y el abecedario; dicha de quebranto;
con él las palabras los dos materiales con él las palabras los dos materiales
que pienso y declaro: que forman mi canto. que pienso y declaro: que forman mi canto.
madre, amigo, hermano, Y el canto de ustedes madre, amigo, hermano, Y el canto de ustedes
y luz alumbrando que es el mismo canto. y luz alumbrando que es el mismo canto.
la ruta del alma del que estoy Y el canto de ustedes la ruta del alma del que estoy Y el canto de ustedes
amando. que es el propio canto. amando. que es el propio canto.
Gracias a la vida, Am E7 Gracias a la vida, Am E7
que me ha dado tanto, Gracias a la vida , que me ha dado tanto, Gracias a la vida ,
Am Am
me ha dado el oído, que me ha dado tanto. me ha dado el oído, que me ha dado tanto.

242 242
Gracias por la amistad A Gracias por la amistad A
G r anada, tierra ensangrentada G r anada, tierra ensangrentada
Designio (translation p. 264) (G# °) E Designio (translation p. 264) (G# °) E
en tarde de toros. en tarde de toros.
C Dm C Dm
En nu estra memoria siempre vivirá Mujer que conserva el embrujo En nu estra memoria siempre vivirá Mujer que conserva el embrujo
G C E7 A G C E7 A
más la distancia no lo impedirá. de los ojos moros. más la distancia no lo impedirá. de los ojos moros.
Dm Dm
En nuestras almas creci ó una amistad Te sueño rebelde y gitana, En nuestras almas creci ó una amistad Te sueño rebelde y gitana,
G C C# m G C C# m
como semilla de la eternidad. cubierta de flores, como semilla de la eternidad. cubierta de flores,
G# C# m G# C# m
Unas sonrisas sinceras de amor, y beso tu boca de grana‚ Unas sonrisas sinceras de amor, y beso tu boca de grana‚
unos ojos rociados de adiós. G# unos ojos rociados de adiós. G#
Nuestras palabras callaron su voz, jugosa man zana Nuestras palabras callaron su voz, jugosa man zana
C# m E 7 C# m E 7
solo hablan gestos desde el corazón. que me habla de amores. solo hablan gestos desde el corazón. que me habla de amores.
F G A F G A
G racias Señor por la amistad G r anada, manola cantada G racias Señor por la amistad G r anada, manola cantada
C Am (G# °) E C Am (G# °) E
de estos amigos que se van en coplas hermosas, de estos amigos que se van en coplas hermosas,
Dm G Am G C C7 Dm G Am G C C7
gracias porque con ellos descubrimos la verdad. no tengo otra cosa que darte gracias porque con ellos descubrimos la verdad. no tengo otra cosa que darte
F G E7 A F G E7 A
G racias porque es el signo que un ramo de rosas; G racias porque es el signo que un ramo de rosas;
C Am A7 D C Am A7 D
y sacramento de nuestra unidad. de rosas de suave fra gancia y sacramento de nuestra unidad. de rosas de suave fra gancia
Dm G F G C Dm A Dm G F G C Dm A
Gracias por concedernos la amis tad. que le dieran marco Gracias por concedernos la amis tad. que le dieran marco
B° A B° A
Lalala … a la Virgen Morena. Lalala … a la Virgen Morena.
Gracias porque es el signo Gracias porque es el signo
y sacramento de nuestra unidad. Dm y sacramento de nuestra unidad. Dm
Gracias por concedernos la amistad. G r anada, Gracias por concedernos la amistad. G r anada,
A A
tu tierra está llena tu tierra está llena
Granada B° E Granada B° E
# #
C D C D B° C # de lindas mu jeres, # #
C D C D B° C # de lindas mu jeres,
E7 A Dm A Dm A E7 A Dm A Dm A
#
F m de sangre y de sol. #
F m de sangre y de sol.
G r anada‚ B° G ° # G r anada‚ B° G #°
x2314x xx1324 x2314x xx1324
tierra soñada por mí. =========
||| ||•
=========
|||||| tierra soñada por mí. =========
||| ||•
=========
||||||
E -------------- -------------- E -------------- --------------
•
| ||||
--------------
|| | | • •
-------------- •
| ||||
--------------
|| | |• •
--------------
Mi cantar se vuelve gitano • •
| | | |VII
--------------
||| | • •
--------------
Mi cantar se vuelve gitano • •
| | | |VII
--------------
||| | • •
--------------
# #
C |||||| |||||| C |||||| ||||||
cuando es para ti. cuando es para ti.
D C# D C#
Mi cantar, hecho de fantasía‚ Mi cantar, hecho de fantasía‚
D D
mi cantar, flor de melanco lía mi cantar, flor de melanco lía
Bm C# E Bm C# E
que yo te vengo a dar. que yo te vengo a dar.
243 243
Guantanamera Hombres nuevos Guantanamera Hombres nuevos
From Cuba (b 230; translation p. 265; From Cuba (b 230; translation p. 265;
D G A7
D
Capo: 2 nd Fret) D G A7
D
Capo: 2 nd Fret)
|: Yo soy un hombre sin cero, Am E Am F G C (E) |: Yo soy un hombre sin cero, Am E Am F G C (E)
G A7 Danos un corazón grande para a m a r . G A7 Danos un corazón grande para a m a r .
de donde crecen las palmas; :| Am E Am G Am de donde crecen las palmas; :| Am E Am G Am
D G A7 Danos un corazón fuerte para luchar. D G A7 Danos un corazón fuerte para luchar.
y antes de morirme quiero y antes de morirme quiero
D G A7 Am C G C D G A7 Am C G C
echar mis versos del a lma. Hombres n uevos, crea dores de la historia‚ echar mis versos del a lma. Hombres n uevos, crea dores de la historia‚
F G C F G C
G A7 D G A7 construc tores de nueva humani dad. G A7 D G A7 construc tores de nueva humani dad.
Guantanamera, guajira, Guantana mera. F G E Am Guantanamera, guajira, Guantana mera. F G E Am
D G A7 D G A7 Hombres n uevos que viven la existencia‚ D G A7 D G A7 Hombres n uevos que viven la existencia‚
Guantana me ra‚ guajira, Guantana me ra. F Dm E Guantana me ra‚ guajira, Guantana me ra. F Dm E
como riesgo de un largo caminar. como riesgo de un largo caminar.
|: Mi verso es de un verde claro |: Mi verso es de un verde claro
y de un carmín encendido, :| Danos un corazón … y de un carmín encendido, :| Danos un corazón …
mi verso es un ciervo herido mi verso es un ciervo herido
que busca en el monte amparo. Hombres nuevos, luchadores de esperanza, que busca en el monte amparo. Hombres nuevos, luchadores de esperanza,
caminantes, sedientos de verdad. caminantes, sedientos de verdad.
Guantanamera … Hombres nuevos, sin frenos ni cadenas, Guantanamera … Hombres nuevos, sin frenos ni cadenas,
hombres libres que exigen libertad. hombres libres que exigen libertad.
|: Cultivo la rosa blanca |: Cultivo la rosa blanca
en julio como en enero, :| Danos un corazón … en julio como en enero, :| Danos un corazón …
para el amigo sincero para el amigo sincero
que me da su mano franca. Hombres nuevos, amando sin fronteras, que me da su mano franca. Hombres nuevos, amando sin fronteras,
por encima de razas y lugar. por encima de razas y lugar.
Guantanamera … Hombres nuevos, al lado de los pobres, Guantanamera … Hombres nuevos, al lado de los pobres,
compartiendo con ellos techo y pan. compartiendo con ellos techo y pan.
|: Y para el cruel que me arranca |: Y para el cruel que me arranca
el corazón con que vivo, :| Danos un corazón … el corazón con que vivo, :| Danos un corazón …
cardos ni orugas cultivo, cardos ni orugas cultivo,
cultivo la rosa blanca. Hoy arriesgaré cultivo la rosa blanca. Hoy arriesgaré
Guantanamera … Designio (b 231; Guantanamera … Designio (b 231;
translation p. 265) translation p. 265)
|: Yo sé de un pesar profundo |: Yo sé de un pesar profundo
Em D Em Em D Em
entre las penas sin nombre; :| entre las penas sin nombre; :|
la esclavitud de los hombres El drama de la existenci a la esclavitud de los hombres El drama de la existenci a
G D G G D G
es la más pena del mundo. busca encontrar su verdad, es la más pena del mundo. busca encontrar su verdad,
Am Am
Guantanamera … quiere ocultar su presencia, Guantanamera … quiere ocultar su presencia,
Em D Em (D) Em D Em (D)
su Encarnac ión olvidar. su Encarnac ión olvidar.
Mi voluntad luchará Mi voluntad luchará
por mantener su justicia, por mantener su justicia,
mi vida es su pertenencia. mi vida es su pertenencia.
244 244
Nada me lo impedirá. La cucaracha Nada me lo impedirá. La cucaracha
7 7
Em D C B F Em D C B F
Hoy canta ré, cantaré mi vida o mi muerte‚ La cuca racha, la cucaracha, Hoy canta ré, cantaré mi vida o mi muerte‚ La cuca racha, la cucaracha,
Em D C B7 Em (D) C7 Em D C B7 Em (D) C7
hoy arriesga ré, arriesgaré toda mi suerte. ya no quiere caminar, hoy arriesga ré, arriesgaré toda mi suerte. ya no quiere caminar,
Em D C B7 Em D C B7
Hoy canta ré, cantaré mi vida o mi muerte‚ porque no tiene, porque le falta, Hoy canta ré, cantaré mi vida o mi muerte‚ porque no tiene, porque le falta,
Em D C B7 Em F Em D C B7 Em F
hoy anuncia ré, anunciaré que El sigue presente. dinero para gastar. hoy anuncia ré, anunciaré que El sigue presente. dinero para gastar.
F F
He conocido la fuente ¡ Una cucaracha pinta! He conocido la fuente ¡ Una cucaracha pinta!
que salva al hombre del mal C7 que salva al hombre del mal C7
en mi carne es grito fuerte Le dijo a una colorada , en mi carne es grito fuerte Le dijo a una colorada ,
y en mi sangre tempestad. y en mi sangre tempestad.
vá monos para mi tierra, vá monos para mi tierra,
Mi nueva ley es la historia F Mi nueva ley es la historia F
que me ha tocado seguir, pasar la temporada. que me ha tocado seguir, pasar la temporada.
grande es su misericordia La cucaracha … grande es su misericordia La cucaracha …
aunque no lo merecí. aunque no lo merecí.
Todas las muchachas tienen Todas las muchachas tienen
Hoy cantaré … en los ojos dos estrellas, Hoy cantaré … en los ojos dos estrellas,
pero las mejicanitas pero las mejicanitas
La bamba de seguro son más bellas. La bamba de seguro son más bellas.
DGA DGA
Para bailar la bamba La cucaracha … Para bailar la bamba La cucaracha …
para bailar la bamba se necesita para bailar la bamba se necesita
un poquito de gracia La Virgen de Guadalupe un poquito de gracia La Virgen de Guadalupe
un poquito de gracia y otra cosita un poquito de gracia y otra cosita
ay arriba y arriba, Dm ay arriba y arriba, Dm
ay arriba y arriba, arriba iré, (Translation p. 268)La Virgen de Guadalupe, ay arriba y arriba, arriba iré, (Translation p. 268)La Virgen de Guadalupe,
F F
por ti seré por ti seré. estrella de la mañana, por ti seré por ti seré. estrella de la mañana,
Gm Gm
Bamba, bamba. (3x) ojos negros, piel mo rena , Bamba, bamba. (3x) ojos negros, piel mo rena ,
A Dm A Dm
Yo no soy marinero Yo no soy marinero
mi virgencita ameri cana . mi virgencita ameri cana .
yo no soy marinero, soy capitán, yo no soy marinero, soy capitán,
soy capitán, soy capitán. Protector a de los pobres, soy capitán, soy capitán. Protector a de los pobres,
F F
Bamba, bamba. (3x) crisol de todas las razas, Bamba, bamba. (3x) crisol de todas las razas,
Gm Gm
Para subir al cielo transformaste a nuestra tierra Para subir al cielo transformaste a nuestra tierra
para subir al cielo se necesita A Dm para subir al cielo se necesita A Dm
una escalera muy larga en continente de espe ranza. una escalera muy larga en continente de espe ranza.
una escalera muy larga y otra cosita una escalera muy larga y otra cosita
Dm Dm
ay arriba y arriba … Juan Diego no se explica ay arriba y arriba … Juan Diego no se explica
F F
Bamba, bamba. (3x) Bamba, bamba. (3x)
cómo pudo pa sar: cómo pudo pa sar:

245 245
 Gm A7 E7 A Gm A7 E7 A
la Reina de los Cielos de mi capa estudiantil, la Reina de los Cielos de mi capa estudiantil,
Dm E Dm E
lo vino a visitar. y un repique de campanas lo vino a visitar. y un repique de campanas
B7 B7
Está llorando el indio, y un repique de campana s Está llorando el indio, y un repique de campana s
F E F E
el rosal floreció, cuando yo te rondo a ti. el rosal floreció, cuando yo te rondo a ti.
Gm A7 Gm A7
Dios le ha dado una madre No preguntes cuándo yo te conocí Dios le ha dado una madre No preguntes cuándo yo te conocí
Dm ni averigües las razones del querer; Dm ni averigües las razones del querer;
de su mismo color. sólo sé que mis amores puse en ti, de su mismo color. sólo sé que mis amores puse en ti,
el porqué no lo sabría responder. el porqué no lo sabría responder.
La Virgen … La Virgen …
Para mí, no cuenta el tiempo, ni razón, Para mí, no cuenta el tiempo, ni razón,
Ya no son enemigos del porqué te quiero tanto, corazón; Ya no son enemigos del porqué te quiero tanto, corazón;
indio con español: con tu amor a todas horas viviré, indio con español: con tu amor a todas horas viviré,
a través de su gracia sin tu amor, cariño mío, moriré. a través de su gracia sin tu amor, cariño mío, moriré.
la virgen los unió. la virgen los unió.
Y a través de los siglos Enredándose en el viento … Y a través de los siglos Enredándose en el viento …
aún perdura esta fe, aún perdura esta fe,
de América que grita Madre de la Paz de América que grita Madre de la Paz
que quiere renacer. C Am 7
Dm que quiere renacer. C Am 7 Dm
Y cuántas p alomas h eridas Y cuántas p alomas h eridas
La Virgen … G F G C La Virgen … G F G C
gri taron su lamento en silencio‚ gri taron su lamento en silencio‚
Las cintas de mi capa Am Dm Las cintas de mi capa Am Dm
y cuántas inocencias pe rdidas y cuántas inocencias pe rdidas
Em B7 G F G C Em B7 G F G C
Cual las olas van amantes a besar, reclamaron sin aliento. Cual las olas van amantes a besar, reclamaron sin aliento.
Em Em
las arenas de la playa con fer vor‚ Y cuántas palabras vacías las arenas de la playa con fer vor‚ Y cuántas palabras vacías
Am Am
así van los besos míos a bu scar llenaron de angustia la vida, así van los besos míos a bu scar llenaron de angustia la vida,
B7 Em y cuántas otras muchas mentiras B7 Em y cuántas otras muchas mentiras
de la playa de tus labios el ca lor. la tornaron agonía. de la playa de tus labios el ca lor. la tornaron agonía.
Si nel fondo de la mina es el metal, C Am 7 Dm G Dm G C Si nel fondo de la mina es el metal, C Am 7 Dm G Dm G C
y nel fondo de los mares el coral, M adre de la Paz, so corre a n uestro mundo‚ y nel fondo de los mares el coral, M adre de la Paz, so corre a n uestro mundo‚
Am Dm G Dm F C Am Dm G Dm F C
de lo más hondo del alma me brotó ven a ilumi nar este a bismo os curo y profundo. de lo más hondo del alma me brotó ven a ilumi nar este a bismo os curo y profundo.
el cariño que te tengo, tengo yo. C Am 7 Dm G Dm GC el cariño que te tengo, tengo yo. C Am 7 Dm G Dm GC
7
M adre de la Paz, es cucha nuestros ruegos‚ 7
M adre de la Paz, es cucha nuestros ruegos‚
E B E Am Dm7 G Dm7 FG E B E Am Dm7 G Dm7 FG
En redándose en el v iento danos tu humil dad y tu cora zón sincero. En redándose en el v iento danos tu humil dad y tu cora zón sincero.
B7 B7
van las cintas de mi capa Y cuántas traiciones por envidia van las cintas de mi capa Y cuántas traiciones por envidia
y c antando a coro dicen … ¿qué dicen? vengaron con sangre su ira, y c antando a coro dicen … ¿qué dicen? vengaron con sangre su ira,
E y cuántas siguen víctimas en vida E y cuántas siguen víctimas en vida
“Quiéreme, niña del alma.” de violencias desmedidas. “Quiéreme, niña del alma.” de violencias desmedidas.
B7 E B7 E
Son las cintas de mi capa, Son las cintas de mi capa,

246 246
Y cuántas esperanzas marchitas Coge tu sombrero … Y cuántas esperanzas marchitas Coge tu sombrero …
hicieron a la gente indiferente hicieron a la gente indiferente
a tanta hambre y miseria que habitan |: Un día aparecí en la playa a tanta hambre y miseria que habitan |: Un día aparecí en la playa
sin piedad en el presente. y yo allí me la encontré; sin piedad en el presente. y yo allí me la encontré;
pero no podía creer pero no podía creer
Madre de la Paz, haz grato nuestro tiempo, que ella fuera María Isabel. :| Madre de la Paz, haz grato nuestro tiempo, que ella fuera María Isabel. :|
haznos perdonar y olvidar resentimientos. haznos perdonar y olvidar resentimientos.
Madre de la Paz, Dios quiera por tus ruegos Coge tu sombrero … Madre de la Paz, Dios quiera por tus ruegos Coge tu sombrero …
reedificar como hermanos nuestro pueblo. |: La luna fue caminando reedificar como hermanos nuestro pueblo. |: La luna fue caminando
sobre las olas del mar; sobre las olas del mar;
María Isabel tenía celo de tus ojos María Isabel tenía celo de tus ojos
D A y tu forma de mirar. :| D A y tu forma de mirar. :|
|: La playa estaba desierta, |: La playa estaba desierta,
D Coge tu sombrero … D Coge tu sombrero …
y el mar bañaba tu piel; y el mar bañaba tu piel;
G Niño lindo G Niño lindo
cantando con mi guitarra cantando con mi guitarra
A D (b 232) A D (b 232)
para ti‚ María Isa bel. :| para ti‚ María Isa bel. :|
Em B7 Em Em B7 Em
D A Niño lindo ante tí me rindo, D A Niño lindo ante tí me rindo,
|: Coge tu sombrero y póntelo, B7 Em |: Coge tu sombrero y póntelo, B7 Em
D niño lind o eres tú mi Dios. D niño lind o eres tú mi Dios.
vamos a la playa, ca lienta el sol, :| D G D7 G vamos a la playa, ca lienta el sol, :| D G D7 G
G |: Niño lindo ante tí me rindo, G |: Niño lindo ante tí me rindo,
chiribiribí porompompom B7 C Am B7 Em chiribiribí porompompom B7 C Am B7 Em
A D niño lin do eres tú mi Dios. :| A D niño lin do eres tú mi Dios. :|
chiribiribí porompompom chiribiribí porompompom
G G D G G D
chiribiribí porompompom E sa tu hermo sura, chiribiribí porompompom E sa tu hermo sura,
A D G A D G
chiribiribí María Isabel. ese tu candor chiribiribí María Isabel. ese tu candor
Em Am Em Am
Tiburón, tiburón, el alma me roba, Tiburón, tiburón, el alma me roba,
B7 C7 B7 C7
tiburón, tiburón, el alma me roba , tiburón, tiburón, el alma me roba ,
A G D Am B7 Em A G D Am B7 Em
tiburón a la vista, ¡bañista! me roba el a mor. tiburón a la vista, ¡bañista! me roba el a mor.
A A
|: Oh mama yeh, oh mama yeh, Niño lindo … |: Oh mama yeh, oh mama yeh, Niño lindo …
D D
todos los negros tomamos café. :| Con tus ojos lindos todos los negros tomamos café. :| Con tus ojos lindos
Jesús mírame, Jesús mírame,
|: En la arena escribí tu nombre, |: y sólo con eso :| |: En la arena escribí tu nombre, |: y sólo con eso :|
y luego yo lo borré me consolaré. y luego yo lo borré me consolaré.
para que nadie pisara para que nadie pisara
tu nombre, María Isabel. :| Niño lindo … tu nombre, María Isabel. :| Niño lindo …
La vida, bien mío, La vida, bien mío,
y el alma también y el alma también
|: te ofrezco gustoso :| |: te ofrezco gustoso :|

247 247
rendido a tus pies. Hoy va la tuna de gala, rendido a tus pies. Hoy va la tuna de gala,
cantando y tocando cantando y tocando
Niño lindo … la marcha nupcial; Niño lindo … la marcha nupcial;
De mí no te ausentes suenan campanas de gloria De mí no te ausentes suenan campanas de gloria
pues, sin tí ¿qué haré? que dejan desierta pues, sin tí ¿qué haré? que dejan desierta
|: Cuando tú te vayas :| la Universidad. |: Cuando tú te vayas :| la Universidad.
haz por llevarme. Pero allá en el templo del Apóstol Santo haz por llevarme. Pero allá en el templo del Apóstol Santo
Niño lindo … con el estudiante hoy se va a casar; Niño lindo … con el estudiante hoy se va a casar;
|: la galleguiña, melosa, melosa, |: la galleguiña, melosa, melosa,
Pasacalles que oyendo esta copla ya no llorará. :| Pasacalles que oyendo esta copla ya no llorará. :|
Estudiantina Cuando la tuna … Estudiantina Cuando la tuna …
Dm Gm Pescador de hombres Dm Gm Pescador de hombres
Pasa la tuna en San tiago Pasa la tuna en San tiago
Dm CG Am Dm CG Am
cantando muy queda Tú has venido a la orilla‚ cantando muy queda Tú has venido a la orilla‚
A7 Dm F Dm G A7 Dm F Dm G
romances de a mor. no has bus cado ni a sabios ni a ricos, romances de a mor. no has bus cado ni a sabios ni a ricos,
Gm C G C C7 Gm C G C C7
Luego la noche sus eco s , tan sólo qu ieres que yo te siga. Luego la noche sus eco s , tan sólo qu ieres que yo te siga.
C C
F C F C
los cuelga de ronda Señor, me has mirado a los ojos, los cuelga de ronda Señor, me has mirado a los ojos,
F F
Dm G C C7 Dm G C C7
por todo el bal cón. sonriendo has dicho mi nombre. por todo el bal cón. sonriendo has dicho mi nombre.
F C F C
A7 Dm A7 Dm
Pero allá en el templo del Apóstol Santo En la a rena he dejado mi barca Pero allá en el templo del Apóstol Santo En la a rena he dejado mi barca
Dm G C Dm G C
C F C F
junto a ti buscaré otro m ar . junto a ti buscaré otro m ar .
una niña llora ante su patrón; una niña llora ante su patrón;
Gm Dm Gm Dm
Tú sabes bien lo que tengo, Tú sabes bien lo que tengo,
|: porque la capa del tuno que adora‚ en mi barca no hay oro ni espadas, |: porque la capa del tuno que adora‚ en mi barca no hay oro ni espadas,
A7 Dm A7 Dm
no lleva la cinta que ella le bordó. :| tan sólo redes y mi trabajo. no lleva la cinta que ella le bordó. :| tan sólo redes y mi trabajo.
D Señor … D Señor …
Cuando la tuna te dé serenata Cuando la tuna te dé serenata
G D Tú necesitas mis manos, G D Tú necesitas mis manos,
no te ena mores, composte lana, mi cansancio que a otros descanse no te ena mores, composte lana, mi cansancio que a otros descanse
amor que quiera seguir amando. amor que quiera seguir amando.
que cada cinta que adorna mi capa que cada cinta que adorna mi capa
G D Señor … G D Señor …
hay un tro cito de cora zón. hay un tro cito de cora zón.
G D Tú pescador de otros lagos, ansia eterna G D Tú pescador de otros lagos, ansia eterna
Y deja a la tuna pasar, de hombres que esperan, Y deja a la tuna pasar, de hombres que esperan,
G D amigo bueno que así me llamas. G D amigo bueno que así me llamas.
no te ena mores, composte lana, no te ena mores, composte lana,
G D Señor … G D Señor …
y deja a la tuna pasar, y deja a la tuna pasar,
7 7
G A Dm G A Dm
con su tra lala lala la. con su tra lala lala la.
248 248
Porompompero E Dm Am Porompompero E Dm Am
no se la quisieron dar no se la quisieron dar
Am E E7 Am Am E E7 Am
El trigo entre “toas” las flores porque no le convenía. El trigo entre “toas” las flores porque no le convenía.
E7 E7
ha elegido a la amapola Am E E7 A4 Am ha elegido a la amapola Am E E7 A4 Am
¡ Salve‚ salve Regina, salve! ¡ Salve‚ salve Regina, salve!
y yo elijo a mi Dolores, y yo elijo a mi Dolores,
Am Siguió camino adelante Am Siguió camino adelante
Dolores, Lolita, Lola , y llegó a una ranchería; Dolores, Lolita, Lola , y llegó a una ranchería;
E Am y allí le dieron posada E Am y allí le dieron posada
y yo‚ porque sí le convenía. y yo‚ porque sí le convenía.
G G
y yo elijo a mi Do lores que es la, ¡Salve, salve Regina, salve! y yo elijo a mi Do lores que es la, ¡Salve, salve Regina, salve!
F F
que es la flor más perfu mada, Dolo, San José puso en la mesa, que es la flor más perfu mada, Dolo, San José puso en la mesa,
E E
Dolores, Lolita, Lola. pan y vino que traía; Dolores, Lolita, Lola. pan y vino que traía;
le dijo a su dulce esposa: le dijo a su dulce esposa:
Am “ven a cenar, mi María”. Am “ven a cenar, mi María”.
|: Porompom póm‚ |: Porompom póm‚
G ¡Salve, salve Regina, salve! G ¡Salve, salve Regina, salve!
poro, porompom pero, poróm. poro, porompom pero, poróm.
F La Virgen le contestó F La Virgen le contestó
Poro, porompompero, poróm. que ella cenar no quería, Poro, porompompero, poróm. que ella cenar no quería,
7 7
E E
Poro, poróm, pom póm. :| que la dejara llorar Poro, poróm, pom póm. :| que la dejara llorar
que ella con llorar tenía. que ella con llorar tenía.
El cateto de tu hermano El cateto de tu hermano
que no me venga con leyes, ¡Salve, salve Regina, salve! que no me venga con leyes, ¡Salve, salve Regina, salve!
que es payo y yo soy gitano A las doce de la noche que es payo y yo soy gitano A las doce de la noche
y llevo sangre de reyes. San José se adormecía, y llevo sangre de reyes. San José se adormecía,
Que es pa, y en el pesebre sagrado Que es pa, y en el pesebre sagrado
que es payo y yo soy gitano, y lle, la Virgen se sonreía. que es payo y yo soy gitano, y lle, la Virgen se sonreía.
y llevo sangre de reyes, en la, y llevo sangre de reyes, en la,
en la palma de la mano … ¡Salve, salve Regina, salve! en la palma de la mano … ¡Salve, salve Regina, salve!
Porompompóm … A Dios tiene entre pañuelos Porompompóm … A Dios tiene entre pañuelos
luminosos como el día, luminosos como el día,
Verde era la hoja la más hermosa del mundo, Verde era la hoja la más hermosa del mundo,
verde era la rama la Virgen Santa María. verde era la rama la Virgen Santa María.
Debajo del puente, debajo del puente, Debajo del puente, debajo del puente,
retumba, retumba, retumba … ¡Salve, salve Regina, salve! retumba, retumba, retumba … ¡Salve, salve Regina, salve!
Porompompóm … Los pastores adoraban Porompompóm … Los pastores adoraban
a Jesús, José y María, a Jesús, José y María,
Salve y el “Gloria in excelsis Deo” Salve y el “Gloria in excelsis Deo”
Am G F por todo el mundo se oía. Am G F por todo el mundo se oía.
San José pid ió posada San José pid ió posada
G G
para su esposa María; para su esposa María;

249 249
¡Salve, salve Regina, salve! Serrana mía, tanto este herido ¡Salve, salve Regina, salve! Serrana mía, tanto este herido
Vente conmigo al huerto Vente conmigo al huerto
Desde el trono de los cielos Serrana mía, yo te lo pido, Desde el trono de los cielos Serrana mía, yo te lo pido,
lleno de santa alegría Que no ha visto resales, lleno de santa alegría Que no ha visto resales,
a la Sagrada Familia Serrana mía de olor tan fino a la Sagrada Familia Serrana mía de olor tan fino
el Eterno bendecía. el Eterno bendecía.
Una casita blanca … Una casita blanca …
¡Salve, salve Regina, salve! ¡Salve, salve Regina, salve!
A4 Sevillanas del adiós A4 Sevillanas del adiós
xo234o xo234o
=========
||||||
--------------
(b 237; translation p. 271; Capo: 3rd Fret) =========
||||||
--------------
(b 237; translation p. 271; Capo: 3rd Fret)
|| •• ||
--------------
|| •• ||
--------------
|||| | • Em B7 |||| | • Em B7
-------------- --------------
|||||| Algo se muere en el alma, |||||| Algo se muere en el alma,
Em B 7 Em Em B 7 Em
Serrana mía cuando un amigo se va. Serrana mía cuando un amigo se va.
|: Una casita blanca C uando un amigo se va, |: Una casita blanca C uando un amigo se va,
tengo yo en la ribera Am tengo yo en la ribera Am
Y un corazón muy grande, algo se muere en el alma Y un corazón muy grande, algo se muere en el alma
D G D G
Serrana mía, que a ti te quiera. cuando un amigo se va; Serrana mía, que a ti te quiera. cuando un amigo se va;
La la la la la la :| Em B7 La la la la la la :| Em B7
algo se muere en el alma, algo se muere en el alma,
Dicen que no me quieres Em Dicen que no me quieres Em
Serrana mía, porque soy pobre cuando un amigo se va. Serrana mía, porque soy pobre cuando un amigo se va.
Y puede que algún día, Y puede que algún día,
Serrana mía, C uando un amigo se va, Serrana mía, C uando un amigo se va,
Am Am
Tu amor me sobre. y va dejando una huella, Tu amor me sobre. y va dejando una huella,
Yo no tengo dinero, D G Yo no tengo dinero, D G
Serrana mía, pero te quiero que no se puede bor rar; Serrana mía, pero te quiero que no se puede bor rar;
Y vale el mi cariño Em B7 Y vale el mi cariño Em B7
Serrana mía, mas que el dinero. y va dejando una hu ella Serrana mía, mas que el dinero. y va dejando una hu ella
Em Em
Una casita blanca … que no se puede bor rar. Una casita blanca … que no se puede bor rar.
Em Em
A la orilla del Tormes, No te vayas todavía, A la orilla del Tormes, No te vayas todavía,
Serrana mía, canta un jilguero B7 Serrana mía, canta un jilguero B7
Y en sus canciones dice no te vayas, por fa vor‚ Y en sus canciones dice no te vayas, por fa vor‚
Em Em
Serrana mía cuanto te quiero; Serrana mía cuanto te quiero;
no te vayas toda vía no te vayas toda vía
Que yo también te quiero Am Que yo también te quiero Am
Serrana mía cuanto el te quiere que hasta la guitarra m í a Serrana mía cuanto el te quiere que hasta la guitarra m í a
Porqué si me abandonas B7 Em Porqué si me abandonas B7 Em
Serrana mía, de pena muere llora c uando dice a diós. Serrana mía, de pena muere llora c uando dice a diós.
Una casita blanca … Un pañuelo de silencio Una casita blanca … Un pañuelo de silencio
a la hora de partir. a la hora de partir.
Por el Cristo del cano A la hora de partir, Por el Cristo del cano A la hora de partir,
Serrana mía, yo te lo pido |: un pañuelo de silencio Serrana mía, yo te lo pido |: un pañuelo de silencio
Que mi corazón sale a la hora de partir. :| Que mi corazón sale a la hora de partir. :|
250 250
 A la hora de partir me dijiste que no. :| A la hora de partir me dijiste que no. :|
|: porque hay palabras que hieren, Me dijiste que no |: porque hay palabras que hieren, Me dijiste que no
y no se pueden decir. :| |: y el amor que sentías y no se pueden decir. :| |: y el amor que sentías
se volvió desamor. :| se volvió desamor. :|
No te vayas … No te vayas …
Si me enamoro algún día … Si me enamoro algún día …
El barco se hace pequeño El barco se hace pequeño
cuando se aleja en el mar. Ya no quiero tus besos, cuando se aleja en el mar. Ya no quiero tus besos,
Cuando se aleja en el mar, más me quieres tú a mí. Cuando se aleja en el mar, más me quieres tú a mí.
|: el barco se hace pequeño Más me quieres tú a mí, |: el barco se hace pequeño Más me quieres tú a mí,
cuando se aleja en el mar. :| |: ya no quiero tus besos cuando se aleja en el mar. :| |: ya no quiero tus besos
Cuando se aleja en el mar más me quieres tú a mí. :| Cuando se aleja en el mar más me quieres tú a mí. :|
|: y cuando se va perdiendo, Más me quieres tú a mí |: y cuando se va perdiendo, Más me quieres tú a mí
qué grande es la soledad. :| |: tú no llores por eso qué grande es la soledad. :| |: tú no llores por eso
que el cariño es así. :| que el cariño es así. :|
No te vayas … No te vayas …
Si me enamoro algún día … Si me enamoro algún día …
Ese vacío que deja Ese vacío que deja
el amigo que se va. El amor es un juego el amigo que se va. El amor es un juego
El amigo que se va con su cara y su cruz; El amigo que se va con su cara y su cruz;
|: ese vacío que deja, con su cara y su cruz, |: ese vacío que deja, con su cara y su cruz,
el amigo que se va. :| |: el amor es un juego el amigo que se va. :| |: el amor es un juego
El amigo que se va con su cara y su cruz. :| El amigo que se va con su cara y su cruz. :|
|: es como un pozo sin fondo Con su cara y su cruz, |: es como un pozo sin fondo Con su cara y su cruz,
que no se puede llenar. :| |: puede ser fuego y hielo que no se puede llenar. :| |: puede ser fuego y hielo
puede ser sombra y luz. :| puede ser sombra y luz. :|
Si me enamoro algún día Si me enamoro algún día
Si me enamoro algún día … Si me enamoro algún día …
Sevillana Sevillana
Solo le pido a Dios Solo le pido a Dios
El amor es un viento El amor es un viento
que igual viene va. Solo le pido a Dios que igual viene va. Solo le pido a Dios
Que igual viene va, que el dolor no me sea indiferente Que igual viene va, que el dolor no me sea indiferente
|: el amor es un viento que la reseca muerte no me encuentre vacío |: el amor es un viento que la reseca muerte no me encuentre vacío
que igual viene que va. :| y solo sin haber hecho lo suficiente. que igual viene que va. :| y solo sin haber hecho lo suficiente.
Que igual viene que va Que igual viene que va
|: se muere y al momento Solo le pido a Dios |: se muere y al momento Solo le pido a Dios
vuelve a resucitar. :| que lo injusto no me sea indiferente vuelve a resucitar. :| que lo injusto no me sea indiferente
que no me abofetee la otra mejilla que no me abofetee la otra mejilla
Si me enamoro algún día después que una garra me arañe esta suerte. Si me enamoro algún día después que una garra me arañe esta suerte.
me desenamoraré, me desenamoraré, me desenamoraré, me desenamoraré,
para tener la alegría |: Solo le pido a Dios para tener la alegría |: Solo le pido a Dios
de enamorarme otra vez. que la guerra no me sea indiferente. de enamorarme otra vez. que la guerra no me sea indiferente.
Es un monstruo grande y pisa fuerte Es un monstruo grande y pisa fuerte
Cuando más te quería, toda la pobre inocencia de la gente. :| Cuando más te quería, toda la pobre inocencia de la gente. :|
me dijiste que no. me dijiste que no.
Me dijiste que no, Solo le pido a Dios Me dijiste que no, Solo le pido a Dios
|: cuando más te quería, que el engaño no me sea indiferente |: cuando más te quería, que el engaño no me sea indiferente

251 251
si un traidor puede mas que unos cuantos Tío Caimán … si un traidor puede mas que unos cuantos Tío Caimán …
que esos cuantos no lo olviden fácilmente. que esos cuantos no lo olviden fácilmente.
Tío Caimán hablaba inglés, tío Caimán, Tío Caimán hablaba inglés, tío Caimán,
Solo le pido a Dios y andaba por todo el mundo, tío Caimán, Solo le pido a Dios y andaba por todo el mundo, tío Caimán,
que el futuro no me sea indiferente y a cada sitio que iba, tío Caimán, que el futuro no me sea indiferente y a cada sitio que iba, tío Caimán,
desahuciado esta el que tiene metía su colmillo inmundo. desahuciado esta el que tiene metía su colmillo inmundo.
que marchar a vivir una cultura diferente. que marchar a vivir una cultura diferente.
Tío Caimán … Tío Caimán …
|: Solo le pido a Dios |: Solo le pido a Dios
que la guerra no me sea indiferente. Y hoy con su cola cortada, tío Caimán, que la guerra no me sea indiferente. Y hoy con su cola cortada, tío Caimán,
Es un monstruo grande y pisa fuerte el Caimán se cayó al agua, tío Caimán, Es un monstruo grande y pisa fuerte el Caimán se cayó al agua, tío Caimán,
toda la pobre inocencia de la gente. :| le quitaron el Canal, tío Caimán, toda la pobre inocencia de la gente. :| le quitaron el Canal, tío Caimán,
y también, ¡ay! Nicaragua. y también, ¡ay! Nicaragua.
Tío Caimán Tío Caimán … Tío Caimán Tío Caimán …
7
E B E B7
Tío Cai m án menea la colita, Y yo como soy chileno, tío Caimán, Tío Cai m án menea la colita, Y yo como soy chileno, tío Caimán,
E y a mi no me engaña “naide”, tío Caimán, E y a mi no me engaña “naide”, tío Caimán,
tío Caimán, como una señorita; le daré palo al caimán, tío Caimán, tío Caimán, como una señorita; le daré palo al caimán, tío Caimán,
B7 B7
a su padre y a su madre. a su padre y a su madre.
tío Caimán, menea la colota, tío Caimán, menea la colota,
E E
Tío Caimán … Tío Caimán …
tío Caimán, como una señorota tío Caimán, como una señorota
tío Caimán. Toda la vida tío Caimán. Toda la vida
F#m B7 From Argentina F#m B7 From Argentina
Yo tenía mi casa chica, tío Caimán, (Capo: 3rd Fret) Yo tenía mi casa chica, tío Caimán, (Capo: 3rd Fret)
E E
lavada entre mar y mar, tío Caimán, Am C D E Am lavada entre mar y mar, tío Caimán, Am C D E Am
B7 Hoy la voz no se pue de cal lar B7 Hoy la voz no se pue de cal lar
pero vino la tormenta, tío Caimán, C D E Am pero vino la tormenta, tío Caimán, C D E Am
se hace libre el canto en la ver dad; se hace libre el canto en la ver dad;
y con ella el tío Caimán. C D E Am y con ella el tío Caimán. C D E Am
es tan grande lo que nos pasó es tan grande lo que nos pasó
Tío Caimán … C D E Tío Caimán … C D E
que hizo n uevo nuestro corazón. que hizo n uevo nuestro corazón.
De repente el territorio, tío Caimán, De repente el territorio, tío Caimán,
Bm E Bm Bm E Bm
de sur a norte se abrió, tío Caimán, Es fuego que enciende la sangre de sur a norte se abrió, tío Caimán, Es fuego que enciende la sangre
la parcela que allí estaba, tío Caimán, E Bm la parcela que allí estaba, tío Caimán, E Bm
el Caimán se la llevó. es luz que buscan nuestros ojos; el Caimán se la llevó. es luz que buscan nuestros ojos;
E Bm E Bm
Tío Caimán … en la verdad nace la libertad Tío Caimán … en la verdad nace la libertad
E E
Puso el Caimán su bandera, tío Caimán, la vida nueva que transforma. Puso el Caimán su bandera, tío Caimán, la vida nueva que transforma.
y la mía me la quitó, tío Caimán, Am C D E Am
y la mía me la quitó, tío Caimán, Am C D E Am
yo le dije: tío Caimán, Toda la vida grita la ver dad yo le dije: tío Caimán, Toda la vida grita la ver dad
eso no lo aguanto yo. C D E eso no lo aguanto yo. C D E
que su Pre sencia en no sotros es t á que su Pre sencia en no sotros es t á
Am C D E Am Am C D E Am
en el milagro de la comunión en el milagro de la comunión

252 252
 C D E Virgen morenita C D E Virgen morenita
única forma de liberación. única forma de liberación.
7
G D G D7
El corazón no se conforma Virgen morenita, Virgen milagrosa, El corazón no se conforma Virgen morenita, Virgen milagrosa,
con gritos muertos de Infinito G con gritos muertos de Infinito G
el corazón quiere la eternidad Virgen morenita, te elevo mi canción‚ el corazón quiere la eternidad Virgen morenita, te elevo mi canción‚
C D G C D G
para gritarla en sus latidos. |: son todos en el valle devotos de tu ruego‚ para gritarla en sus latidos. |: son todos en el valle devotos de tu ruego‚
D G D G
|: Toda la vida … :| son todos pere grinos, Señora, del lugar. :| |: Toda la vida … :| son todos pere grinos, Señora, del lugar. :|
Todos Juntos Virgen morenita, india fue tu cuna Todos Juntos Virgen morenita, india fue tu cuna
porque india tú naciste por la gracia de Dios, porque india tú naciste por la gracia de Dios,
Hace mucho tiempo que yo vivo preguntándome |: así somos esclavos de tu bondad divina, Hace mucho tiempo que yo vivo preguntándome |: así somos esclavos de tu bondad divina,
pare que la tierra es tan redonda y una sola así somos esclavos de tu infinito amor. :| pare que la tierra es tan redonda y una sola así somos esclavos de tu infinito amor. :|
nomás nomás
E Am E Am
Si vivimos todos separados Así se rá‚ Virgen m í a ‚ Si vivimos todos separados Así se rá‚ Virgen m í a ‚
para que son el cielo y el mar. D7 G para que son el cielo y el mar. D7 G
Para que es el sol que nos alumbra mereces el respeto y la veneración. Para que es el sol que nos alumbra mereces el respeto y la veneración.
C D7 G C D7 G
si no nos queremos ni mirar. |: Por eso yo te canto y te elevo mi plegaria‚ si no nos queremos ni mirar. |: Por eso yo te canto y te elevo mi plegaria‚
C D7 G C D7 G
Tantas penas que nos van llevando a todos al y pido que escuches mi ruego, por favor. : | Tantas penas que nos van llevando a todos al y pido que escuches mi ruego, por favor. : |
final final
cuantas noches, cada noche de ternura Virgen morenita, Santa Immaculada, cuantas noches, cada noche de ternura Virgen morenita, Santa Immaculada,
tendremos que dar Virgen morenita, te elevo mi cantar tendremos que dar Virgen morenita, te elevo mi cantar
|: Mereces el respeto y cariño de tus hijos, |: Mereces el respeto y cariño de tus hijos,
Si vivimos todos separados así los peregrinos te rezan en tu altar. :| Si vivimos todos separados así los peregrinos te rezan en tu altar. :|
La, la, la … Así será … La, la, la … Así será …
Ve Corazón Vuestra soy para vos nací Ve Corazón Vuestra soy para vos nací
Ve corazón hasta golpear la puerta mas segura Theresa of Avila (b 241; translation p. 273) Ve corazón hasta golpear la puerta mas segura Theresa of Avila (b 241; translation p. 273)
abriéndote una brecha entre las dudas, abriéndote una brecha entre las dudas,
7
olvidando despertares tan amargos. Dm (A ) Dm olvidando despertares tan amargos. Dm (A 7 ) Dm
|: Vuestra soy, para vos nací‚ |: Vuestra soy, para vos nací‚
Ve corazón, ve a encontrarle la razón a la A7 Dm Ve corazón, ve a encontrarle la razón a la A7 Dm
tristeza ¿qué mandáis hacer de mí? :| tristeza ¿qué mandáis hacer de mí? :|
D7 Gm Dm D7 Gm Dm
superando las barreras de incerteza. D ad ri queza o po breza, superando las barreras de incerteza. D ad ri queza o po breza,
Vuelo en busca de un camino sin confines. A7 Bf Vuelo en busca de un camino sin confines. A7 Bf
dad consuelo o desconsuelo, dad consuelo o desconsuelo,
Ve corazón a encontrar una promesa de A7 Dm Ve corazón a encontrar una promesa de A7 Dm
armonía alegría o tristeza, armonía alegría o tristeza,
escogiendo entre esperanza o rebeldía D7 Gm Dm escogiendo entre esperanza o rebeldía D7 Gm Dm
que te hable de la sed de infinito, corazón. vida dulce, sol sin velo, que te hable de la sed de infinito, corazón. vida dulce, sol sin velo,
A7 Bf A7 Bf
La, la, la … pues del todo me ren dí‚ La, la, la … pues del todo me ren dí‚
Gm A7 Dm Gm A7 Dm
¿ qué mandáis hacer de mí? ¿ qué mandáis hacer de mí?

253 253
Vuestra soy pues me criasteis BRASILIAN SONGS Vuestra soy pues me criasteis BRASILIAN SONGS
Theresa of Avila A canoa Theresa of Avila A canoa
A Bm E A Bm E
(Cf. b 224) (Cf. b 224)
Vu estra soy pues me criasteis, Vu estra soy pues me criasteis,
# #
A F m A F m
|: Si a canoa virou, deixa-a virar: |: Si a canoa virou, deixa-a virar:
Vuestra pues me redimisteis, foi por causa da Maria, que não soube Vuestra pues me redimisteis, foi por causa da Maria, que não soube
# 7 # 7
C m Bm C m Bm
Vuestra pues que me sufristeis, remar. :| Vuestra pues que me sufristeis, remar. :|
E4 E E4 E
Vuestra pues que me lla masteis, |: A canoa vai nadar, oilì, oilì, oilà, Vuestra pues que me lla masteis, |: A canoa vai nadar, oilì, oilì, oilà,
A A7+ A7 oilì oilà. :| A A7+ A7 oilì oilà. :|
Vu estra porque me esperasteis Vu estra porque me esperasteis
D9 Dm |: Rema, rema, rema remador; D9 Dm |: Rema, rema, rema remador;
Vu estra porque non me perdí. oh rema e leva longe o meu amor. :| Vu estra porque non me perdí. oh rema e leva longe o meu amor. :|
A E4 E A A E4 E A
¿ Qué mandáis ha cer de mí? Alecrim ¿ Qué mandáis ha cer de mí? Alecrim
¿Qué mandáis oh buen Señor, (b 221) ¿Qué mandáis oh buen Señor, (b 221)
que haga tan vil criado? C G
que haga tan vil criado? C G
¿Cuál oficio le habéis dado |: Alecrim, alecrim dourado que nasceu ¿Cuál oficio le habéis dado |: Alecrim, alecrim dourado que nasceu
a este esclavo pecador? C a este esclavo pecador? C
Dulce esposo y Redentor no campo sem ser semeado. :| Dulce esposo y Redentor no campo sem ser semeado. :|
pues por vuestra me ofrecí, C7 F Dm
pues por vuestra me ofrecí, C7 F Dm
¿qué mandáis hacer de mí? |: Ai, meu a mor, ai meu amor‚ ¿qué mandáis hacer de mí? |: Ai, meu a mor, ai meu amor‚
C C
Haga fruto o no lo haga, que me disse assim Haga fruto o no lo haga, que me disse assim
esté callando o hablando, G C esté callando o hablando, G C
muéstrame la ley, mi llaga que a flor do campo é o ale crim. muéstrame la ley, mi llaga que a flor do campo é o ale crim.
C7 C7
goce de evangelio hablando. goce de evangelio hablando.
(é o alecrim) :| (é o alecrim) :|
Esté penando o gozando Esté penando o gozando
sólo vos en mí vivís, |: Alecrim, alecrim aos molhos por causa sólo vos en mí vivís, |: Alecrim, alecrim aos molhos por causa
¿qué mandáis hacer de mí? de ti choram os meus olhos. :| ¿qué mandáis hacer de mí? de ti choram os meus olhos. :|
Veis aquí mi corazón, Ai, meu amor … Veis aquí mi corazón, Ai, meu amor …
yo lo pongo en vuestra palma, yo lo pongo en vuestra palma,
mi cuerpo, mi vida y alma, |: Alecrim, alecrim cheiroso por causa mi cuerpo, mi vida y alma, |: Alecrim, alecrim cheiroso por causa
mis entrañas y aflicción. de ti vivo eu saudoso. :| mis entrañas y aflicción. de ti vivo eu saudoso. :|
Veisme aquí, oh dulce Amor, Ai, meu amor, … Veisme aquí, oh dulce Amor, Ai, meu amor, …
Amor dulce veisme aquí, Amor dulce veisme aquí,
¿qué mandáis hacer de mí? Balada de caridade ¿qué mandáis hacer de mí? Balada de caridade
E4 A7+ D9 E4 A7+ D9
o234oo xo213o xxo23o (b 221; translation p. 261) o234oo xo213o xxo23o (b 221; translation p. 261)
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Para mim a chuva no telhado ||||||
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Para mim a chuva no telhado
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é cantiga de ninar, é cantiga de ninar,

254 254
 E Dm Bf A7 Dm E Dm Bf A7 Dm
mas o pobre meu ir mão … e celebrai com ale gria a vossa liberta ção. mas o pobre meu ir mão … e celebrai com ale gria a vossa liberta ção.
A A
Para ele a chuva fria E vós os oprimidos, e vós os explorados Para ele a chuva fria E vós os oprimidos, e vós os explorados
D e vós os que viveis em agonia D e vós os que viveis em agonia
vai entrando em seu bar raco e vós os cegos, coxos vós cativos, sós vai entrando em seu bar raco e vós os cegos, coxos vós cativos, sós
E A E A
e faz lama pelo chão. sabeis que em breve vem um novo dia. e faz lama pelo chão. sabeis que em breve vem um novo dia.
A D Um dia de justiça, um dia de coragem A D Um dia de justiça, um dia de coragem
|: Como posso ser feliz um dia que haverá na terra a paz |: Como posso ser feliz um dia que haverá na terra a paz
A em que será vencida a morte pela vida A em que será vencida a morte pela vida
se ao pobre meu ir m ão, e a escravidão enfim acabará. se ao pobre meu ir m ão, e a escravidão enfim acabará.
E E
eu fechei o coração, A verdade vos libertará … eu fechei o coração, A verdade vos libertará …
A A
meu amor eu recusei? :| G° meu amor eu recusei? :| G°
xx1324 xx1324
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Para mim o vento que assobia ||||||
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Para mim o vento que assobia ||||||
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é nocturna melodia, • •
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mas o pobre meu irmão …
||| | • •
-------------- mas o pobre meu irmão …
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ouve o vento, angustiado, ouve o vento, angustiado,
pois o vento, este malvado, Fica mal com Deus pois o vento, este malvado, Fica mal com Deus
lhe desmancha o barracão. lhe desmancha o barracão.
(b 229; translation p. 264) (b 229; translation p. 264)
Como posso … Dm7 Gm7 Am 7 Como posso … Dm7 Gm7 Am 7
|: Fica mal com Deus |: Fica mal com Deus
Como posso ter sono sossegado Dm7 Como posso ter sono sossegado Dm7
se no dia que passou quem não sabe dar‚ se no dia que passou quem não sabe dar‚
os meus braços eu cruzei? Gm7 os meus braços eu cruzei? Gm7
fica mal co migo fica mal co migo
Convite a liberdade Am 7 Dm7 Convite a liberdade Am 7 Dm7
quem não sabe amar. : | quem não sabe amar. : |
Dm A7 Dm A7
Ó vinde vós os povos de todas as nações Dm7 Gm7 Am 7 Dm7 Gm7 Am 7 Ó vinde vós os povos de todas as nações Dm7 Gm7 Am 7 Dm7 Gm7 Am 7
Dm Bf A Vou pel o caminho vou Dm Bf A Vou pel o caminho vou
erguei-vos e cantai com ale gria Dm7 Gm7 Am 7 Dm7 Gm 7 Am 7 erguei-vos e cantai com ale gria Dm7 Gm7 Am 7 Dm7 Gm 7 Am 7
C F A Dm vou com o quem quer che gar. C F A Dm vou com o quem quer che gar.
fazei nos ares soar a nova melo dia Dm7 Gm7 Am 7 Dm7 fazei nos ares soar a nova melo dia Dm7 Gm7 Am 7 Dm7
B f
(G°) A 7 Quem quiser comigo ir B f
(G°) A 7 Quem quiser comigo ir
que Jesus Cristo traz libertação. Gm que Jesus Cristo traz libertação. Gm
tem que vir do a mor, tem que vir do a mor,
É tempo de vencer a vil escravidão A7 Dm É tempo de vencer a vil escravidão A7 Dm
que em vós exercem homens ou ideias. tem que ter pra dar. que em vós exercem homens ou ideias. tem que ter pra dar.
É tempo de dizer que só Deus pode ser É tempo de dizer que só Deus pode ser
o único Senhor da humanidade. o único Senhor da humanidade.
F C Dm A F C Dm A
A ver dade vos li berta r á A ver dade vos li berta r á
Dm Bf A7 Dm Bf A7
sereis em Cristo verda deiramente livres. sereis em Cristo verda deiramente livres.
F C Dm A F C Dm A
Vinde todos, sim ó vinde j á Vinde todos, sim ó vinde j á
255 255
Fica mal … F# 4 B4 C7+ C# m 7 Fica mal … F# 4 B4 C7+ C# m 7
113411 113411 x32ooo x13121 113411 113411 x32ooo x13121
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Garota de Ipanema ••••••
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VII ••••••
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Garota de Ipanema ••••••
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VII ••••••
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Vinicius de Moraes – Tom Jobim || •• || || •• || |||||| •
|| ||| Vinicius de Moraes – Tom Jobim || •• || || •• || |||||| •
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1st q: E A# m 7 Bm7 Em 7 E4 1st q: E A# m 7 Bm7 Em 7 E4
x13121 x13121 o23o4o oo34oo x13121 x13121 o23o4o oo34oo
D9 Em 7/9 ========= ========= ========= ========= D9 Em 7/9 ========= ========= ========= =========
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Olha que coisa mais linda, mais cheia de graça •
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Olha que coisa mais linda, mais cheia de graça •
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é ela menina que vem e que passa, |||||| •
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A6 F 7+ A6 F 7+
num doce balanço a caminho do mar … Meu são Bendito num doce balanço a caminho do mar … Meu são Bendito
D9 Em 7/9 D D9 Em 7/9 D
Moça do corpo dourado do sol de Ipanema‚ Meu são Bendito … oh … Moça do corpo dourado do sol de Ipanema‚ Meu são Bendito … oh …
A D G A D G
o seu balançado é mais que um po ema, ajuda os fi linhos da preta a nascer: o seu balançado é mais que um po ema, ajuda os fi linhos da preta a nascer:
A6 A D 7+ D A C G A6 A D 7+ D A C G
é a coisa mais linda que eu já vi passar … uma bele zura de olhos bo nitos, é a coisa mais linda que eu já vi passar … uma bele zura de olhos bo nitos,
Bf D A A7 Bf D A A7
D # 7+ G # 7/9 de alma bonita. Senhor, D # 7+ G # 7/9 de alma bonita. Senhor,
Ah‚ porque estou tão so zinho, G D Em A D Ah‚ porque estou tão so zinho, G D Em A D
A# m F# 4 me faz este fav or! |: Oh … :| A# m F# 4 me faz este fav or! |: Oh … :|
ah‚ porque que tudo é tão triste, ah‚ porque que tudo é tão triste,
B4 C7+ Meu são Bendito … oh … B4 C7+ Meu são Bendito … oh …
ah, a beleza que existe … ajuda os filinhos da preta a crescer; ah, a beleza que existe … ajuda os filinhos da preta a crescer;
C# m 7 A# m 7 Bm7 C# m 7 A# m 7 Bm7
a beleza que não é só minha‚ viver com coragem, saber que é vantagem a beleza que não é só minha‚ viver com coragem, saber que é vantagem
Em 7 E4 A ser menos dos outros aqui Em 7 E4 A ser menos dos outros aqui
que também passa sozin ha … quando a gente subir. |: Oh. :| que também passa sozin ha … quando a gente subir. |: Oh. :|
|: Ah, se ela soubesse que quando ela passa Meu são Bendito … oh … |: Ah, se ela soubesse que quando ela passa Meu são Bendito … oh …
o mundo inteirinho se enche de graça ajuda os filinhos da preta a entender o mundo inteirinho se enche de graça ajuda os filinhos da preta a entender
e fica mais lindo por causa do amor. :| que o preto da pele só prega na alma e fica mais lindo por causa do amor. :| que o preto da pele só prega na alma
|: … por causa do amor. :| do filho que não quer saber |: … por causa do amor. :| do filho que não quer saber
que é preciso sofrer. |: Oh. :| que é preciso sofrer. |: Oh. :|
D9 Em 7/9 A6 F 7+ D9 Em 7/9 A6 F 7+
x431oo o1oo32 oo1234 Tx321o x431oo o1oo32 oo1234 Tx321o
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• ||| | • Meu são Bendito … oh … =========
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Meu são Bendito … oh …
-------------- -------------- -------------- -------------- -------------- -------------- --------------
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ajuda os filinhos da preta a rezar, ||| || •
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ajuda os filinhos da preta a rezar,
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-------------- pra nosso Senhor Jesus Cristo levar ||||||
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os filinhos da preta pra lá,
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os filinhos da preta pra lá,
•
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D 7+ D # 7+ G # 7/9 A# m
cuandu o dia chegar. |: Oh. :| D 7+ D # 7+ G # 7/9 A# m
cuandu o dia chegar. |: Oh. :|
xxo123 x13241 131214 134111 xxo123 x13241 131214 134111
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O peixe vivo ||||||
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O peixe vivo
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IV ••••••
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VI ••••••
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IV ••••••
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C G C ||||||
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C G C
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|| | | | |||• • | •• ||| Como pode peixe vivo |||||| • •
|| | | | |||• • | •• ||| Como pode peixe vivo
G C G C
viver fora d’água fria? viver fora d’água fria?
G C G C
Como poderei viver Como poderei viver

256 256
 G C E7/9 A7 F 7+ G C E7/9 A7 F 7+
sem a tua, sem a tua, x2314x
=========
x41o2o
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Tx321o
========= sem a tua, sem a tua, x2314x
=========
x41o2o
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Tx321o
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G C ||| || •
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T • ||| |
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sem a tua companhia? •
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-------------- sem a tua companhia? •
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C G C
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|: Zum, zum, zum, |: Zum, zum, zum,

G C Romaria G C Romaria
la no meio do m ar. :| la no meio do m ar. :|
Renato Teixeira (b 233; translation p. 271; Renato Teixeira (b 233; translation p. 271;
|: Zum, zum, zum, Capo: 3 rd Fret) |: Zum, zum, zum, Capo: 3 rd Fret)
C7+ F 7+ C7+ F 7+
Os pastores d’esta aldeia Os pastores d’esta aldeia
É de sonho e de pó É de sonho e de pó
já me fazem zombaria; C7+ F 7+ já me fazem zombaria; C7+ F 7+
mas viver e ir amando o destino de um só mas viver e ir amando o destino de um só
com a tua, com a tua, C Am com a tua, com a tua, C Am
com a tua companhia. feito eu, perdido em pensamento com a tua companhia. feito eu, perdido em pensamento
E E7 E E7
Zum … sobre o meu cavalo. Zum … sobre o meu cavalo.
F G F G
Prece ao vento É de laço e de nó Prece ao vento É de laço e de nó
C D C D
(b 240; translation p. 270; Capo: 2 Fret) nd de gibeira o jiló (b 240; translation p. 270; Capo: 2 Fret) nd de gibeira o jiló
Am E Am (A 7 ) Am E Am (A 7 )
Am C E 7/9
E 7 dessa vida so frida a sol. Am C E 7/9
E 7 dessa vida so frida a sol.
Vento que ba lança as palhas do coqueiro‚ Dm
Vento que ba lança as palhas do coqueiro‚ Dm
Am C E7/9 E7 Am C E7/9 E7
vento que enc respa as ondas do mar‚ |: Sou caipira pirapora. vento que enc respa as ondas do mar‚ |: Sou caipira pirapora.
G C Am G C Am
Am A7 Dm C G Am A7 Dm C G
vento que as sanha os ca belos da morena‚ Nossa Senhora de Aparecida vento que as sanha os ca belos da morena‚ Nossa Senhora de Aparecida
Dm Dm
F 7+ E Am G F 7+ E Am G
me traz notícias de là. ilu mina a mina escura me traz notícias de là. ilu mina a mina escura
G C (A 7 ) G C (A 7 )
C G Am 7 e funda o trem da minha vida . :| C G Am 7 e funda o trem da minha vida . :|
Vento que assobia no telhado Vento que assobia no telhado
C G F 7+ E7 O meu pai foi peão, C G F 7+ E7 O meu pai foi peão,
cha mando para a lua espi ar‚ oh‚ minha mãe solidão, cha mando para a lua espi ar‚ oh‚ minha mãe solidão,
F 7+ E7 F 7+ Am meus irmãos perderam-se na vida F 7+ E7 F 7+ Am meus irmãos perderam-se na vida
vento que na beira lá da p raia em busca de aventuras. vento que na beira lá da p raia em busca de aventuras.
Dm F7 E7 Dm F7 E7
escutava meu amor a cantar, ah ah ah ah ah Descasei, joguei, escutava meu amor a cantar, ah ah ah ah ah Descasei, joguei,
investi, desisti, investi, desisti,
Am A7 Dm se há sorte, eu não sei, nunca vi. Am A7 Dm se há sorte, eu não sei, nunca vi.
Hoje estou sozinho e tu também‚ Hoje estou sozinho e tu também‚
Am A7 Dm Sou caipira … Am A7 Dm Sou caipira …
triste me alembrando do meu bem‚ triste me alembrando do meu bem‚
Am C Dm Me disseram, porém Am C Dm Me disseram, porém
|: vento , diga por favor que eu viesse aqui |: vento , diga por favor que eu viesse aqui
7+ 7 7 7 7+ 7 7 7
F E Am (F E ) F E Am (F E )
a onde se escondeu o meu amor. :| pra pedir, de Romaria em prece, a onde se escondeu o meu amor. :| pra pedir, de Romaria em prece,
paz nos desalentos. paz nos desalentos.
Como eu não sei rezar, Como eu não sei rezar,
só queria mostrar só queria mostrar
meu olhar, meu olhar, meu olhar. meu olhar, meu olhar, meu olhar.
257 257
Sou caipira … Bm G A D Sou caipira … Bm G A D
Der Wald steht sc hwarz und schwei get, Der Wald steht sc hwarz und schwei get,
Bm G Em Bm Bm G Em Bm
Sou feliz Senhor und aus den Wiesen stei get Sou feliz Senhor und aus den Wiesen stei get
D G A A7 D D G A A7 D
(b 239; translation p. 272) der weiße Nebel wunder bar. (b 239; translation p. 272) der weiße Nebel wunder bar.
D D
|: Sou feliz Senhor Wie ist die Welt so stille |: Sou feliz Senhor Wie ist die Welt so stille
G AD und in der Dämmrung Hülle G AD und in der Dämmrung Hülle
porque tu vais comigo, so traulich und so hold porque tu vais comigo, so traulich und so hold
als eine stille Kammer, als eine stille Kammer,
v a mos lado a lado v a mos lado a lado
G AD wo ihr des Tages Jammer G AD wo ihr des Tages Jammer
és meu melhor amigo. :| verschlafen und vergessen sollt. és meu melhor amigo. :| verschlafen und vergessen sollt.
D A D Seht ihr den Mond dort stehen? D A D Seht ihr den Mond dort stehen?
Quero ter nos meus olhos Er ist nur halb zu sehen Quero ter nos meus olhos Er ist nur halb zu sehen
A A
a luz do teu olhar, und ist doch rund und schön. a luz do teu olhar, und ist doch rund und schön.
D D7 So sind wohl manche Sachen, D D7 So sind wohl manche Sachen,
quero na minha mão die wir getrost belachen, quero na minha mão die wir getrost belachen,
G A D weil unsere Augen sie nicht sehn. G A D weil unsere Augen sie nicht sehn.
tua mão a me gu iar. tua mão a me gu iar.
Wir stolzen Menschenkinder Wir stolzen Menschenkinder
Sou feliz … sind eitel arme Sünder Sou feliz … sind eitel arme Sünder
Como brilha no céu und wissen gar nicht viel. Como brilha no céu und wissen gar nicht viel.
o sol de cada dia, Wir spinnen Luftgespinste o sol de cada dia, Wir spinnen Luftgespinste
quero brilhem meus lábios und suchen viele Künste quero brilhem meus lábios und suchen viele Künste
com sorrisos de alegria. und kommen weiter von dem Ziel. com sorrisos de alegria. und kommen weiter von dem Ziel.

Sou feliz … Gott, laß dein Heil uns schauen, Sou feliz … Gott, laß dein Heil uns schauen,
auf nichts Vergänglichs trauen, auf nichts Vergänglichs trauen,
Como vento veloz nicht Eitelkeit uns freun. Como vento veloz nicht Eitelkeit uns freun.
o tempo da vida passa, Laß uns einfältig werden o tempo da vida passa, Laß uns einfältig werden
quero ter sempre em mim und vor dir hier auf Erden quero ter sempre em mim und vor dir hier auf Erden
o favor da tua graça. wie Kinder fromm und fröhlich sein. o favor da tua graça. wie Kinder fromm und fröhlich sein.
Sou feliz … So legt euch denn, ihr Brüder, Sou feliz … So legt euch denn, ihr Brüder,
in Gottes Namen nieder; in Gottes Namen nieder;
kalt ist der Abendhauch. kalt ist der Abendhauch.
GERMAN SONGS Verschon uns, Gott mit Strafen GERMAN SONGS Verschon uns, Gott mit Strafen
und laß uns ruhig schlafen, und laß uns ruhig schlafen,
Der Mond ist aufgegangen und unsren kranken Nachbarn auch! Der Mond ist aufgegangen und unsren kranken Nachbarn auch!
Johann A. Schulz Johann A. Schulz
D A G A D D A G A D
Der Mond ist aufge gan gen, Der Mond ist aufge gan gen,
Bm G Em Bm Bm G Em Bm
die güldnen Sternlein prangen die güldnen Sternlein prangen
#
D G A (F ) D G A (F # )
am Himmel hell und klar. am Himmel hell und klar.
258 258
Heidenröslein D D7 G Heidenröslein D D7 G
Alle Menschen werden Brüder, Alle Menschen werden Brüder,
T: J. W. Goethe D A D T: J. W. Goethe D A D
wo dein sanfter Flügel weilt. :| wo dein sanfter Flügel weilt. :|
C G C G
S ah ein Knab ein Röslein stehn, Wem der große Wurf gelungen, S ah ein Knab ein Röslein stehn, Wem der große Wurf gelungen,
C F C eines Freundes Freund zu sein, C F C eines Freundes Freund zu sein,
Röslein auf der Heiden, wer ein holdes Weib errungen, Röslein auf der Heiden, wer ein holdes Weib errungen,
E7 Am E7 Am
war so jung und morgenschön, mische seinen Jubel ein! war so jung und morgenschön, mische seinen Jubel ein!
F Dm G |: Ja, wer auch nur eine Seele F Dm G |: Ja, wer auch nur eine Seele
lief er schnell es nah zu sehn, sein nennt auf dem Erden rund! lief er schnell es nah zu sehn, sein nennt auf dem Erden rund!
C G Und wer’s nie gekonnt, der stehle C G Und wer’s nie gekonnt, der stehle
sah’s mit vielen Freuden. weinend sich aus diesem Bund. :| sah’s mit vielen Freuden. weinend sich aus diesem Bund. :|
C F G Am C F G Am
Röslein, Röslein, Röslein rot‚ Freude heißt die starke Feder Röslein, Röslein, Röslein rot‚ Freude heißt die starke Feder
F C G C in der ewigen Natur. F C G C in der ewigen Natur.
Röslein auf der Hei den. Freude, Freude treibt die Räder Röslein auf der Hei den. Freude, Freude treibt die Räder
in der großen Weltenuhr. in der großen Weltenuhr.
Knabe sprach: ich breche dich, Knabe sprach: ich breche dich,
|: Blumen lockt sie aus den Keimen, |: Blumen lockt sie aus den Keimen,
Röslein auf der Heiden! Röslein auf der Heiden!
Sonnen aus dem Firmament, Sonnen aus dem Firmament,
Röslein sprach: ich steche dich, Röslein sprach: ich steche dich,
Sphären rollt sie in den Räumen, Sphären rollt sie in den Räumen,
daß du ewig denkst an mich, daß du ewig denkst an mich,
die des Sehers Rohr nicht kennt. :| die des Sehers Rohr nicht kennt. :|
und ich will’s nicht leiden. und ich will’s nicht leiden.
Röslein … Röslein …
OTHER SONGS OTHER SONGS
Und der wilde Knabe brach Und der wilde Knabe brach
’s Röslein auf der Heiden; Minu Kuntali ’s Röslein auf der Heiden; Minu Kuntali
Röslein wehrte sich und stach, |: Minu kuntali kuni so, Röslein wehrte sich und stach, |: Minu kuntali kuni so,
half ihr doch kein Weh und Ach, vainu kuntaminu :| half ihr doch kein Weh und Ach, vainu kuntaminu :|
mußt es eben leiden. mußt es eben leiden.
|: Eu, yallallà, |: Eu, yallallà,
Röslein … vainu kuntaminu :| Röslein … vainu kuntaminu :|
Ode an die Freude Pa Ret Ap Domi Ode an die Freude Pa Ret Ap Domi
T: F. Schiller – M: Ludwig van Beethoven (Translation p. 270) T: F. Schiller – M: Ludwig van Beethoven (Translation p. 270)
D A 7 D A
A A7
Freude, schöner Götterfunken, Pa ret ap domi zanmi mwen Freude, schöner Götterfunken, Pa ret ap domi zanmi mwen
D A D A
D D
Tochter aus E lysium, leve tet ou gade Tochter aus E lysium, leve tet ou gade
D D7 G D D7 G
A7 A7
wir be treten feuertrunken, gade soley la wa we wir be treten feuertrunken, gade soley la wa we
D A D D A D
D D
Himmlische, dein Heilig tum! ki le li fe Himmlische, dein Heilig tum! ki le li fe
A D A D A D A D
|: Deine Zauber binden wieder, A7 |: Deine Zauber binden wieder, A7
A F# Bm E A Pa ret ap domi zanmi mwen A F# Bm E A Pa ret ap domi zanmi mwen
was die Mode streng get eilt. D was die Mode streng get eilt. D
leve tet ou gade leve tet ou gade
259 259
 A7 A7
gade wa we li le si nouvle … gade wa we li le si nouvle …
D G D A7 D A7 D G D D G D A7 D A7 D G D
pou kon bit la ko man se. An sanb … pou kon bit la ko man se. An sanb …
A7 D Vini non jan ou ye A7 D Vini non jan ou ye
Vini non jan ou ye Pa gade deye pa gin ke sote Vini non jan ou ye Pa gade deye pa gin ke sote
7 7
A D A D
trouse panta lonou mare renou Si nouvle choute tout mize trouse panta lonou mare renou Si nouvle choute tout mize
D G Enkouraje ansanb ansanbo D G Enkouraje ansanb ansanbo
si nou vle demen pi belo Si nou … si nou vle demen pi belo Si nou …
A7 D Ansanb … A7 D Ansanb …
fo nou mete men ansanbo fo nou mete men ansanbo

260 260
TRANSLATIONS TRANSLATIONS
years of sorrow. / There are no songs, no feasts, / years of sorrow. / There are no songs, no feasts, /
Abraham (p. 227) because there is no prophet / to bring a new Abraham (p. 227) because there is no prophet / to bring a new
Ref. Abraham, you must go, / leave these people hope / to see Sion again. Ref. Abraham, you must go, / leave these people hope / to see Sion again.
alone, / take your stick and then go / leave your alone, / take your stick and then go / leave your
Ave Maria, Splendore del Mattino (p. 172) Ave Maria, Splendore del Mattino (p. 172)
home. / Abraham, you must go, / leave these dead home. / Abraham, you must go, / leave these dead
alone, / take the Gospel into your hand / and leave 1. Hail Mary, splendor of the morning, / your alone, / take the Gospel into your hand / and leave 1. Hail Mary, splendor of the morning, / your
your home. 1. Go into the desert / to look for the gaze is pure and your heart is humble. / May the your home. 1. Go into the desert / to look for the gaze is pure and your heart is humble. / May the
light / which is in God. 2. Go, do not turn back / tenderness of your true love protect your people on light / which is in God. 2. Go, do not turn back / tenderness of your true love protect your people on
walk until daybreak, / hold God’s hand. 3. Then their path. Ref. Mother, I am not worthy to look at walk until daybreak, / hold God’s hand. 3. Then their path. Ref. Mother, I am not worthy to look at
you will see / golden seeds shine / in the summer you, / but let me hear your voice. / Allow me to bring you will see / golden seeds shine / in the summer you, / but let me hear your voice. / Allow me to bring
sky. your peace to all, / so that they may know and love sky. your peace to all, / so that they may know and love
you. 2. Mother, you who run to the aid of your you. 2. Mother, you who run to the aid of your
Adiós con el corazón (p. 234) children, / may you allow no one to stray, / Adiós con el corazón (p. 234) children, / may you allow no one to stray, /
1. Farewell with my heart / because I cannot say sustain his cross and his path, / may he always 1. Farewell with my heart / because I cannot say sustain his cross and his path, / may he always
it with my soul. / Saying goodbye to you / I am walk among us. it with my soul. / Saying goodbye to you / I am walk among us.
dying. 2. You will be the goodness of my soul / dying. 2. You will be the goodness of my soul /
Ave Regina caelorum (p. 161) Ave Regina caelorum (p. 161)
you will be the goodness of my life. / You will be you will be the goodness of my life. / You will be
the proud bird / who sings happily in the Hail, queen of heaven, / hail, Mistress of angels, / the proud bird / who sings happily in the Hail, queen of heaven, / hail, Mistress of angels, /
morning. Hail, holy root / from whom the light of the morning. Hail, holy root / from whom the light of the
world came. / Rejoice, glorious virgin / sublime world came. / Rejoice, glorious virgin / sublime
Al mattino (p. 169) in your beauty. / Hail, wonderful Virgen / and Al mattino (p. 169) in your beauty. / Hail, wonderful Virgen / and
1. In the morning, Lord, / my amphora is empty pray Christ the Lord for us. 1. In the morning, Lord, / my amphora is empty pray Christ the Lord for us.
at the source, / and in the vibrant, clear air / I at the source, / and in the vibrant, clear air / I
Balada de caridade (p. 254) Balada de caridade (p. 254)
know that you can make me great, Lord. 2. And know that you can make me great, Lord. 2. And
the hours of the day, / in the morning are the 1. For me rain on my head is a lullaby, / but for the hours of the day, / in the morning are the 1. For me rain on my head is a lullaby, / but for
tender clay of Your glory, / Lord. I have but one my poor brother, the cold rain / penetrates in his tender clay of Your glory, / Lord. I have but one my poor brother, the cold rain / penetrates in his
desire – / to see You – and that is the morning. house and forms mud on the floor. Ref. How can I desire – / to see You – and that is the morning. house and forms mud on the floor. Ref. How can I
be happy / if I have closed my heart / to my poor be happy / if I have closed my heart / to my poor
Apparirà (p. 171) brother / and refused him my love. 2. For me the Apparirà (p. 171) brother / and refused him my love. 2. For me the
Ref. The Lord of all mankind / will appear in all his wind that blows is a melody. / But my poor Ref. The Lord of all mankind / will appear in all his wind that blows is a melody. / But my poor
splendor; / there is the dawn that you are waiting for, / brother hears the wind, anguished, / because the splendor; / there is the dawn that you are waiting for, / brother hears the wind, anguished, / because the
you who are in the darkness; / He is like a child / in wind, this wicked one, destroys his hut. 3. How you who are in the darkness; / He is like a child / in wind, this wicked one, destroys his hut. 3. How
the desolate town, / He is the God of every goodness. can I sleep peacefully if in the day that passed / I the desolate town, / He is the God of every goodness. can I sleep peacefully if in the day that passed / I
1. He gave Israel, who escaped from evil, / the have stayed with my arms folded? 1. He gave Israel, who escaped from evil, / the have stayed with my arms folded?
law in the desert; / but Israel was still too much a law in the desert; / but Israel was still too much a
Ballata del potere (p. 173) Ballata del potere (p. 173)
child / to remain faithful to his love. / He put child / to remain faithful to his love. / He put
Aaron, / as a font of eternal forgiveness, / besides 1. I used to say it all day long, / “This world isn’t Aaron, / as a font of eternal forgiveness, / besides 1. I used to say it all day long, / “This world isn’t
Moses who, solitary and faithful, / transformed the fair”! / Even at night, I thought, / “This life is Moses who, solitary and faithful, / transformed the fair”! / Even at night, I thought, / “This life is
rock into water. 2. But Israel, after receiving the flat”. / And I used to say, / “You damned rock into water. 2. But Israel, after receiving the flat”. / And I used to say, / “You damned
law, / asked the Lord for a king, / because the bourgeois. It’s your fault … / the fault of the law, / asked the Lord for a king, / because the bourgeois. It’s your fault … / the fault of the
people were still like children / and couldn’t give bosses, / and we’re just poor little nothings. / people were still like children / and couldn’t give bosses, / and we’re just poor little nothings. /
themselves order. / So they had David the And the rest of us, / always there in our factories / themselves order. / So they had David the And the rest of us, / always there in our factories /
valiant, / the splendor of Solomon, / and then all with no time to think / from morning till night.” valiant, / the splendor of Solomon, / and then all with no time to think / from morning till night.”
the kings who betrayed / Yahweh’s ancient Ref. Let’s go comrades, let’s turn everything upside the kings who betrayed / Yahweh’s ancient Ref. Let’s go comrades, let’s turn everything upside
covenant. 3. By the waters of Babylon / a people down / and build a world that’s less ugly. 2. To have covenant. 3. By the waters of Babylon / a people down / and build a world that’s less ugly. 2. To have
cries / from spring until autumn / about their a world that’s less ugly, / how many days, how cries / from spring until autumn / about their a world that’s less ugly, / how many days, how
261 261
many months, / in order to throw / the through daily things, / we penetrate the many months, / in order to throw / the through daily things, / we penetrate the
bourgeois corpses into ruin! / But the comrades Mystery / through the yearning of our search / bourgeois corpses into ruin! / But the comrades Mystery / through the yearning of our search /
were strong, / and they took power. / My friends and through our compromises / with created were strong, / and they took power. / My friends and through our compromises / with created
were dead, / and I saw them fall. Ref. Now tell me reality. / Give this path time, / because waiting is were dead, / and I saw them fall. Ref. Now tell me reality. / Give this path time, / because waiting is
how a man / who has everything but forgiveness can not standing still. 3. In the world, the simple- how a man / who has everything but forgiveness can not standing still. 3. In the world, the simple-
hope? 3. How can a man hope / when blood has hearted / are the truest signs / of this deep hope? 3. How can a man hope / when blood has hearted / are the truest signs / of this deep
already been shed, / when hate has triumphed / reality / which brings you new birth. / Emptiness already been shed, / when hate has triumphed / reality / which brings you new birth. / Emptiness
anew all over the world? / We need Someone / is overcome / and fear is won over by risking. / anew all over the world? / We need Someone / is overcome / and fear is won over by risking. /
who will free us from evil, / because the whole God gives Himself to us / and changes us from who will free us from evil, / because the whole God gives Himself to us / and changes us from
world / has remained exactly the same. within. world / has remained exactly the same. within.

Ballata dell’amore vero (p. 174) Cantico dei redenti (p. 176) Ballata dell’amore vero (p. 174) Cantico dei redenti (p. 176)
I would like to love you / as God loves you, / with Ref. The Lord is my salvation / and with him I no I would like to love you / as God loves you, / with Ref. The Lord is my salvation / and with him I no
the same passion, / with the same strength, / with the longer fear, / because I have certainty in my heart; / the same passion, / with the same strength, / with the longer fear, / because I have certainty in my heart; /
same fidelity that I do not have. 1. While my love / salvation is here with me. 1. I praise you, Lord, / same fidelity that I do not have. 1. While my love / salvation is here with me. 1. I praise you, Lord, /
is small like a child, / alone without his mother, / because once you were far from me / now you is small like a child, / alone without his mother, / because once you were far from me / now you
lost in a garden. I would like to love you / as God have come back / and have taken me with you. lost in a garden. I would like to love you / as God have come back / and have taken me with you.
loves you, / with the same tenderness, / with the same 2. You will drink with joy at the fountains, / at loves you, / with the same tenderness, / with the same 2. You will drink with joy at the fountains, / at
faith, / with the same freedom that I do not have. the fountains of salvation / and on that day you faith, / with the same freedom that I do not have. the fountains of salvation / and on that day you
2. While my love / is fragile like a flower: / it will say: / Praise the Lord, invoke his name. 3. Let 2. While my love / is fragile like a flower: / it will say: / Praise the Lord, invoke his name. 3. Let
thirsts for rain / and dies without sun. I love you / all the people know / everything he has done / thirsts for rain / and dies without sun. I love you / all the people know / everything he has done /
and for it I thank God, / who gives me the and may they remember forever, / remember and for it I thank God, / who gives me the and may they remember forever, / remember
tenderness, / who gives me the strength, / who gives always that his name is great. 4. Sing to him who tenderness, / who gives me the strength, / who gives always that his name is great. 4. Sing to him who
me the freedom that I do not have. has done great things / and let the world know me the freedom that I do not have. has done great things / and let the world know
it; / shout loudly your joy, / inhabitant of Zion, it; / shout loudly your joy, / inhabitant of Zion,
Ballata della società (L’opera) (p. 175) because great with you is the Lord. Ballata della società (L’opera) (p. 175) because great with you is the Lord.
1. Blessed be the clever, blessed be the rich / 1. Blessed be the clever, blessed be the rich /
Canzone di Maria Chiara (p. 177) Canzone di Maria Chiara (p. 177)
blessed be the people with loaded purses / blessed blessed be the people with loaded purses / blessed
be the strong and the violent / blessed be the 1. My door will be closed / to the rich and the be the strong and the violent / blessed be the 1. My door will be closed / to the rich and the
powerful. 2. Blessed be those who on this earth / strong, / to all those who didn’t love, / to those powerful. 2. Blessed be those who on this earth / strong, / to all those who didn’t love, / to those
always play “ring around the rosy” / blessed be who played with death. 2. To those who were always play “ring around the rosy” / blessed be who played with death. 2. To those who were
those who on this earth / always win their wars. well-off, / to those who seek their own glory, / those who on this earth / always win their wars. well-off, / to those who seek their own glory, /
3. But the bitterness, the bitterness, in me / will to those who didn’t love, / and to those who 3. But the bitterness, the bitterness, in me / will to those who didn’t love, / and to those who
be changed into happiness. 4. That day we will became famous. Ref. If you don’t become like little be changed into happiness. 4. That day we will became famous. Ref. If you don’t become like little
have a great feast / and then we’ll sing all children, you’ll never enter. 3. There’s no place for have a great feast / and then we’ll sing all children, you’ll never enter. 3. There’s no place for
together / It will be a beautiful day of a great one / who won’t sell his house / to buy the field / together / It will be a beautiful day of a great one / who won’t sell his house / to buy the field /
feast / and then we will all dance together. where I’ve hidden my treasure. 4. But for all the feast / and then we will all dance together. where I’ve hidden my treasure. 4. But for all the
hungry, / those who thirst for justice, / I’ve flung hungry, / those who thirst for justice, / I’ve flung
Cambiar al hombre (p. 235) open wide my doors; / I’ve prepared my joy. Cambiar al hombre (p. 235) open wide my doors; / I’ve prepared my joy.
Ref. Let’s change man, / give meaning to life, / reco- 5. For those who were persecuted, / for those who Ref. Let’s change man, / give meaning to life, / reco- 5. For those who were persecuted, / for those who
gnize in ourselves / a history and a destiny, / take the cried during the night, / for those who loved, / gnize in ourselves / a history and a destiny, / take the cried during the night, / for those who loved, /
risk / of being new men. 1. It’s an inevitable for those who offered their lives, / 6. my house risk / of being new men. 1. It’s an inevitable for those who offered their lives, / 6. my house
encounter / that no one can escape, / it’s the will be open, / my table prepared. / My house encounter / that no one can escape, / it’s the will be open, / my table prepared. / My house
answer to the questions / of those who are open and table prepared for those who loved, / for answer to the questions / of those who are open and table prepared for those who loved, / for
searching, / it’s the deepest sense / of all reality. / those who offered their life. searching, / it’s the deepest sense / of all reality. / those who offered their life.
Listen, you who want to, / everything cries out Listen, you who want to, / everything cries out
the truth. 2. God shows Himself in the world / the truth. 2. God shows Himself in the world /

262 262
Chant de pénitence (p. 228) Cuando de mi Patrona (p. 237) Chant de pénitence (p. 228) Cuando de mi Patrona (p. 237)
Ref. If you knew how much I love you, / you would 1. When I go to the sanctuary of Our Lady, / Ref. If you knew how much I love you, / you would 1. When I go to the sanctuary of Our Lady, /
return to me Jerusalem. / And the weight of your sins going uphill is like going downhill. / And when I return to me Jerusalem. / And the weight of your sins going uphill is like going downhill. / And when I
themselves / would bring you back. 1. We are no go down, / it becomes an uphill climb. 2. I do not themselves / would bring you back. 1. We are no go down, / it becomes an uphill climb. 2. I do not
better than our fathers, / the children of Israel. / know what it is that Our Lady has, / I don’t know better than our fathers, / the children of Israel. / know what it is that Our Lady has, / I don’t know
We are no better than our fathers – / we are just what it is when she looks at me. / Her eyes are We are no better than our fathers – / we are just what it is when she looks at me. / Her eyes are
the same. / Yes, we have sinned / and we have like stars. / Oh, may I always see myself in those the same. / Yes, we have sinned / and we have like stars. / Oh, may I always see myself in those
cheated. / We have ruined everything / and we eyes! cheated. / We have ruined everything / and we eyes!
have abandoned you. / We are no better than our have abandoned you. / We are no better than our
fathers, / the children of Israel. 2. We are no better Dulcis Christe (p. 160) fathers, / the children of Israel. 2. We are no better Dulcis Christe (p. 160)
than St. Peter / when the cock crowed. / But St. 1. Sweet Jesus, good God, / my love, my life, / than St. Peter / when the cock crowed. / But St. 1. Sweet Jesus, good God, / my love, my life, /
Peter cried. / Yes, we have banished you / and my salvation, my glory. 2. You are the creator, / Peter cried. / Yes, we have banished you / and my salvation, my glory. 2. You are the creator, /
betrayed you. / And we have been embarrassed / you are the savior of the world. 3. I want you, I betrayed you. / And we have been embarrassed / you are the savior of the world. 3. I want you, I
to be counted among your friends. / We are no love you, / I adore you, o sweet love, / I adore to be counted among your friends. / We are no love you, / I adore you, o sweet love, / I adore
better than St. Peter / when the cock crowed. you, o dear Jesus. better than St. Peter / when the cock crowed. you, o dear Jesus.
3. We are no better than the others, / despite our 3. We are no better than the others, / despite our
pretensions. / We are no better than the others, / El Señor es mi fuerza (p. 239) pretensions. / We are no better than the others, / El Señor es mi fuerza (p. 239)
even if we think we are. / Yet, when you wish, / even if we think we are. / Yet, when you wish, /
a glimmer of fire / passes in our eyes / and it’s a Ref. The Lord is my strength, / my rock, my a glimmer of fire / passes in our eyes / and it’s a Ref. The Lord is my strength, / my rock, my
radiant day. / We are then closer to the others, / salvation. 1. You lead me in the path of justice, / radiant day. / We are then closer to the others, / salvation. 1. You lead me in the path of justice, /
despite our divisions. / And closer to the others you teach me truth. / You give me courage for despite our divisions. / And closer to the others you teach me truth. / You give me courage for
– / and we find you again. my struggles; / I’ll forge on without fear. 2. You – / and we find you again. my struggles; / I’ll forge on without fear. 2. You
give light to the shadows of my life; / you give give light to the shadows of my life; / you give
Come è grande (p. 178) light to the world. / Even if I walk in the valley of Come è grande (p. 178) light to the world. / Even if I walk in the valley of
shadows, / I will never fear. 3. I entrust my life’s shadows, / I will never fear. 3. I entrust my life’s
1. How great is your goodness / prepared for destiny / to the God of my salvation. / You teach 1. How great is your goodness / prepared for destiny / to the God of my salvation. / You teach
those who fear you / You do great things for those your ways to the poor; / you are their shield. those who fear you / You do great things for those your ways to the poor; / you are their shield.
who take refuge in you, / and great things for 4. The Lord is the strength of His people, / their who take refuge in you, / and great things for 4. The Lord is the strength of His people, / their
those who love only You! 2. Like a silent wind you great liberator. / You make them live in trust, / those who love only You! 2. Like a silent wind you great liberator. / You make them live in trust, /
picked us / from the mountains and the sea / you sure that they belong to You. picked us / from the mountains and the sea / you sure that they belong to You.
came to me like a new dawn / your strong arm came to me like a new dawn / your strong arm
wanted me here with itself. 3. How clear is the Errore di prospettiva (p. 180) wanted me here with itself. 3. How clear is the Errore di prospettiva (p. 180)
water at your spring / for the thirsty and the tired water at your spring / for the thirsty and the tired
of searching: / certainly he found the signs of your 1. When the day comes in which we’ll see / of searching: / certainly he found the signs of your 1. When the day comes in which we’ll see /
love / which got lost in the hour of sorrow. everything clearly, / think of how much we’ll love / which got lost in the hour of sorrow. everything clearly, / think of how much we’ll
4. Like a flower born among the stones / will laugh, / how meaningless our fears will have been. 4. Like a flower born among the stones / will laugh, / how meaningless our fears will have been.
search the sky above / so also your Grace, your 2. With music, / with hearts full of joy / for the search the sky above / so also your Grace, your 2. With music, / with hearts full of joy / for the
spirit for us / is born to see the world that You time gone by, / for a serene morning. Ref. But spirit for us / is born to see the world that You time gone by, / for a serene morning. Ref. But
want. there’s one thing / that I could / never laugh about: / want. there’s one thing / that I could / never laugh about: /
about the bad things / that I meant to do to you. / If about the bad things / that I meant to do to you. / If
Como busca (p. 237) there’s one thing that I want, / something that’s worth Como busca (p. 237) there’s one thing that I want, / something that’s worth
it, / it is to dwell in your house – / everything else is it, / it is to dwell in your house – / everything else is
As the tender infant / tired and sad / looks for rest banal. / And to speak with you / about when I was As the tender infant / tired and sad / looks for rest banal. / And to speak with you / about when I was
and comfort / in the arms of his mother, / so also, little, / when I saw things / with the eyes of a child. and comfort / in the arms of his mother, / so also, little, / when I saw things / with the eyes of a child.
I, from the moment / the white light of dawn 3. Do you remember / that time when I was so I, from the moment / the white light of dawn 3. Do you remember / that time when I was so
resplends, / come, O Lady, / in search of your angry / and I believed it was love? / I wanted to resplends, / come, O Lady, / in search of your angry / and I believed it was love? / I wanted to
heavenly protection. be just. heavenly protection. be just.

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Este es el dia del Señor (p. 240) one who wants to arrive. / Whoever wants to Este es el dia del Señor (p. 240) one who wants to arrive. / Whoever wants to
come with me / has to come with love, / has to come with me / has to come with love, / has to
Ref. This is the day of the Lord, / this is the time of Ref. This is the day of the Lord, / this is the time of
be able to give. be able to give.
mercy. 1. In front of our eyes, / we will not be mercy. 1. In front of our eyes, / we will not be
ashamed / of the ancient / sin of your people. / Gracias a la vida (p. 242) ashamed / of the ancient / sin of your people. / Gracias a la vida (p. 242)
You will take out / the proud heart from the You will take out / the proud heart from the
root / and you will generate a humble people / 1. Thanks to life / that has given me so much. / root / and you will generate a humble people / 1. Thanks to life / that has given me so much. /
with a sincere heart. 2. Among all the peoples / It has given me two eyes / that when opened / with a sincere heart. 2. Among all the peoples / It has given me two eyes / that when opened /
you maintain us as a rest / so that we sing your distinguish perfectly / black from white / and in you maintain us as a rest / so that we sing your distinguish perfectly / black from white / and in
works / and we hasten the coming of your the high heaven / its starry background / and in works / and we hasten the coming of your the high heaven / its starry background / and in
kingdom. / We will be a new race / for the new the crowd / the man whom I love. 2. Thanks to kingdom. / We will be a new race / for the new the crowd / the man whom I love. 2. Thanks to
kingdom, / priestly race / following your First- life / that has given me so much. / It has given kingdom, / priestly race / following your First- life / that has given me so much. / It has given
born. 3. The oppressors will be overthrown / and me sound / and the alphabet / With the words / born. 3. The oppressors will be overthrown / and me sound / and the alphabet / With the words /
the servants will rejoice; / the children of guilt / that I think and declare / Mother, friend, brother / the servants will rejoice; / the children of guilt / that I think and declare / Mother, friend, brother /
will be your heirs. / Then you will show us / the and shining light / the path of the soul / of that will be your heirs. / Then you will show us / the and shining light / the path of the soul / of that
day of your coming / for those who ate / the which I love. 3. Thanks to life / that has given me day of your coming / for those who ate / the which I love. 3. Thanks to life / that has given me
bread of exile. 4. Rejoice my inner self! / Rejoice so much. / It has given me hearing / in all its bread of exile. 4. Rejoice my inner self! / Rejoice so much. / It has given me hearing / in all its
my people! / Because the Lord is just, / He fullness It records / night and days / crickets and my people! / Because the Lord is just, / He fullness It records / night and days / crickets and
revokes His decrees: / salvation is announced / canaries, / hammers, turbines, / bricks, down- revokes His decrees: / salvation is announced / canaries, / hammers, turbines, / bricks, down-
where hell was close at hand, / because the Lord pours, / and the tender voice / of my love. where hell was close at hand, / because the Lord pours, / and the tender voice / of my love.
lives / among His people. 4. Thanks to life / that has given me so much. / lives / among His people. 4. Thanks to life / that has given me so much. /
It has given me the rhythm / of my tired feet. / It has given me the rhythm / of my tired feet. /
Favola (p. 180) With them I traveled / cities and puddles, / Favola (p. 180) With them I traveled / cities and puddles, /
beaches and deserts, / mountains and plains / and beaches and deserts, / mountains and plains / and
1. Don’t be afraid / my son, / but it’s the rougher 1. Don’t be afraid / my son, / but it’s the rougher
your house, your street / and your patio. your house, your street / and your patio.
road / that will bring you there; / so leave behind road / that will bring you there; / so leave behind
5. Thanks to life / that has given me so much. / 5. Thanks to life / that has given me so much. /
the easy path, / take to the road / and go through the easy path, / take to the road / and go through
It has given me the heart / that quickens its beat / It has given me the heart / that quickens its beat /
that forest / that you needn’t fear / because Ref. that forest / that you needn’t fear / because Ref.
When I see the fruit / of human capacity, / when When I see the fruit / of human capacity, / when
there’s someone with you, / he’ll never leave you, / there’s someone with you, / he’ll never leave you, /
I see good / far from bad, / when I see the I see good / far from bad, / when I see the
don’t be afraid, / take to the road and go … 2. When don’t be afraid, / take to the road and go … 2. When
bottom / of your clear eyes. 6. Thanks to life / bottom / of your clear eyes. 6. Thanks to life /
you come upon the wolf, / fox, and lion, / don’t you come upon the wolf, / fox, and lion, / don’t
that has given me so much. / It has given me that has given me so much. / It has given me
be afraid / and don’t be confused: / they belong be afraid / and don’t be confused: / they belong
laughter / and tears; / in that way I distinguish / laughter / and tears; / in that way I distinguish /
to another tale / that ends badly, / they can’t to another tale / that ends badly, / they can’t
happiness from sorrow, / the ingredients / that happiness from sorrow, / the ingredients / that
touch you; / don’t look back because Ref. there’s touch you; / don’t look back because Ref. there’s
make up my song. / And your song / which is make up my song. / And your song / which is
someone with you, / he’ll never leave you, / don’t be someone with you, / he’ll never leave you, / don’t be
the same song. / And the song of all / which is the same song. / And the song of all / which is
afraid, / don’t look back, just go … 3. Don’t give in afraid, / don’t look back, just go … 3. Don’t give in
my own song. / Thanks to life / that has given my own song. / Thanks to life / that has given
to the darkness / that devours things; / now it’s to the darkness / that devours things; / now it’s
me so much. me so much.
night, but the day will come again. 4. So when you night, but the day will come again. 4. So when you
arrive / at the last bridge / with time at your Gracias por la amistad (p. 243) arrive / at the last bridge / with time at your Gracias por la amistad (p. 243)
back / and life ahead of you, / a hand greater than back / and life ahead of you, / a hand greater than
yours / will lift you up; / abandon yourself to that 1. In our memory our friendship will always live / yours / will lift you up; / abandon yourself to that 1. In our memory our friendship will always live /
hand, / don’t be afraid, because Ref. there’s and the distance will never prevent it from being. / hand, / don’t be afraid, because Ref. there’s and the distance will never prevent it from being. /
someone with you, / he’ll never leave you, / don’t be A friendship like a seed of eternity / grew in our someone with you, / he’ll never leave you, / don’t be A friendship like a seed of eternity / grew in our
afraid, / don’t stop, just go … souls. 2. Sincere smiles of love / and red eyes full afraid, / don’t stop, just go … souls. 2. Sincere smiles of love / and red eyes full
of tears because of the “goodbye”. / Our words of tears because of the “goodbye”. / Our words
Fica mal com Deus (p. 255) became silent, / our gestures speak form the heart. Fica mal com Deus (p. 255) became silent, / our gestures speak form the heart.
Ref. Thank you Lord for the friendship / of these Ref. Thank you Lord for the friendship / of these
Ref. On bad terms with God / is a person who Ref. On bad terms with God / is a person who
friends who leave, / thank you because with them we friends who leave, / thank you because with them we
knows not how to give, / on bad terms with me / is a knows not how to give, / on bad terms with me / is a
discovered truth. / Thank you because they are the discovered truth. / Thank you because they are the
person who cannot love. 1. I walk along the way / as person who cannot love. 1. I walk along the way / as

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sign / and sacrament of our unity. / Thank you for will announce that He is still present. 3. I have known sign / and sacrament of our unity. / Thank you for will announce that He is still present. 3. I have known
having given us friendship. the source / that saves man from evil, / in my having given us friendship. the source / that saves man from evil, / in my
flesh, there is a strong cry, / in my blood a flesh, there is a strong cry, / in my blood a
Grazie Signore (p. 181) tempest. 4. My new law is the story / that I must Grazie Signore (p. 181) tempest. 4. My new law is the story / that I must
1. Thank you, Lord, / for having given me / follow, / great is His mercy, / even though I did 1. Thank you, Lord, / for having given me / follow, / great is His mercy, / even though I did
many brothers and sisters in order to come to not deserve it. many brothers and sisters in order to come to not deserve it.
you. / Thank you, Lord, / for having put the you. / Thank you, Lord, / for having put the
I cieli (p. 183) I cieli (p. 183)
smile / on our faces in order to tell us of your love. smile / on our faces in order to tell us of your love.
2. Thank you, Lord, / for having made the 1. I really don’t know / how to thank my Lord: / 2. Thank you, Lord, / for having made the 1. I really don’t know / how to thank my Lord: /
world / your home, your divine kingdom, / so He gave me the heavens to look at / and a heart world / your home, your divine kingdom, / so He gave me the heavens to look at / and a heart
that we can love you and love each other / no full of joy. 2. He bent down over me, / came that we can love you and love each other / no full of joy. 2. He bent down over me, / came
matter where we are or where we go. down from the sky / in order to live among us / matter where we are or where we go. down from the sky / in order to live among us /
and save us. 3. One day, I’ll be with him, / I’ll live and save us. 3. One day, I’ll be with him, / I’ll live
Ho un amico (p. 182) in his house, / his house of gold, / with a heart Ho un amico (p. 182) in his house, / his house of gold, / with a heart
Ref. I have a great, great friend / there is no one more full of joy. 4. One day, we’ll be with him / in his Ref. I have a great, great friend / there is no one more full of joy. 4. One day, we’ll be with him / in his
just than him / he has given me the whole world. / house, / in his house of gold, / with hearts full of just than him / he has given me the whole world. / house, / in his house of gold, / with hearts full of
and he is stronger than a king. 1. If I tremble, He is joy. and he is stronger than a king. 1. If I tremble, He is joy.
sure / and He is never afraid / He is the most sure / and He is never afraid / He is the most
Il disegno (p. 184) Il disegno (p. 184)
sincere friend, you know, / and he follows you sincere friend, you know, / and he follows you
wherever you may you go. 2. But sometimes I 1. In the deepest sea of silence, just a single voice wherever you may you go. 2. But sometimes I 1. In the deepest sea of silence, just a single voice
avoid him / and I want to do things by myself / was heard. / In an endless night, there was only a avoid him / and I want to do things by myself / was heard. / In an endless night, there was only a
but soon my world falls apart / because He is spark of light / where nothing had been present but soon my world falls apart / because He is spark of light / where nothing had been present
stronger than me. 3. Once I thought / to be able before. Ref. You had already written my name among stronger than me. 3. Once I thought / to be able before. Ref. You had already written my name among
to love all by myself / I didn’t think and I didn’t the stars. / You had already planned my life to be to love all by myself / I didn’t think and I didn’t the stars. / You had already planned my life to be
know / that even a king cannot do so. entwined with Yours. / You had already written about know / that even a king cannot do so. entwined with Yours. / You had already written about
me. 2. And when, from Your mind, the stars began me. 2. And when, from Your mind, the stars began
Hombres nuevos (p. 244) to shine, / and from Your hands, the earth was Hombres nuevos (p. 244) to shine, / and from Your hands, the earth was
Ref. Give us a big heart to love, / give us a strong born / where nothing had been present before … Ref. Give us a big heart to love, / give us a strong born / where nothing had been present before …
heart to fight. 1. New men, makers of history, / 3. And when You stretched the sky’s vastness, / heart to fight. 1. New men, makers of history, / 3. And when You stretched the sky’s vastness, /
builders of a new humanity. / New men who live painting rainbows and clouds on it / where builders of a new humanity. / New men who live painting rainbows and clouds on it / where
existence / like the risk of a long journey. 2. New nothing had been present before … 4. And when existence / like the risk of a long journey. 2. New nothing had been present before … 4. And when
men, fighters of hope, / travelers thirsting for You carved valleys and hills, / and drew the path men, fighters of hope, / travelers thirsting for You carved valleys and hills, / and drew the path
truth. / New men, without restraints, chains; / of every person, / I know You did it also for me. truth. / New men, without restraints, chains; / of every person, / I know You did it also for me.
free men demanding liberty. 3. New men, loving Ref. I didn’t know my longing until I met You. / free men demanding liberty. 3. New men, loving Ref. I didn’t know my longing until I met You. /
without boundaries, / beyond any race or place. / Now I see what freedom is: Your plan prepared for without boundaries, / beyond any race or place. / Now I see what freedom is: Your plan prepared for
New men who stand beside the poor / sharing me. / I will search no more because now You will save New men who stand beside the poor / sharing me. / I will search no more because now You will save
with them house and bread. me. with them house and bread. me.

Hoy arriesgaré (p. 244) Il mio volto (p. 185) Hoy arriesgaré (p. 244) Il mio volto (p. 185)

1. The drama of existence / looks forward to 1. My God, I look at myself and discover that I am 1. The drama of existence / looks forward to 1. My God, I look at myself and discover that I am
meeting its truth; / It wants to hide His faceless. / I look into my depths and see endless meeting its truth; / It wants to hide His faceless. / I look into my depths and see endless
presence, / to forget His incarnation. 2. My will darkness. Ref. Only when I realize that You exist / presence, / to forget His incarnation. 2. My will darkness. Ref. Only when I realize that You exist /
will struggle / to keep His justice, / my life do I hear my voice again – / like an echo – / and I’m will struggle / to keep His justice, / my life do I hear my voice again – / like an echo – / and I’m
belongs to Him, / nothing can keep me away. born again, / as time is born from memory. 2. Oh belongs to Him, / nothing can keep me away. born again, / as time is born from memory. 2. Oh
Ref. Today I will sing, I will sing my life or my heart, why do you tremble? You’re not Ref. Today I will sing, I will sing my life or my heart, why do you tremble? You’re not
death. / Today I will risk all my destiny. / Today, I alone,you’re not alone. / You don’t know how to death. / Today I will risk all my destiny. / Today, I alone,you’re not alone. / You don’t know how to
will sing, I will sing my life or my death. / Today I love, yet you are loved; / you don’t know how to will sing, I will sing my life or my death. / Today I love, yet you are loved; / you don’t know how to

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make yourself, yet you are made. Ref. As the stars Il seme (p. 187) make yourself, yet you are made. Ref. As the stars Il seme (p. 187)
up in the sky, / You make me walk in Being; / make Ref. The Lord planted a seed / In the soil of my up in the sky, / You make me walk in Being; / make Ref. The Lord planted a seed / In the soil of my
me grow and change, / as you raise up and change the garden / The Lord planted a seed / In the depth of my me grow and change, / as you raise up and change the garden / The Lord planted a seed / In the depth of my
light / from day to night. 3. You make my soul take morning. 1. As soon as I noticed it / I came down light / from day to night. 3. You make my soul take morning. 1. As soon as I noticed it / I came down
on color, as the snow / on Your precious from my balcony / And I wanted to inspect the on color, as the snow / on Your precious from my balcony / And I wanted to inspect the
mountain tops takes on the sun of Your Love. seed. Ref. But the Lord planted the seed / In the soil mountain tops takes on the sun of Your Love. seed. Ref. But the Lord planted the seed / In the soil
of my garden / But the Lord planted the seed / At the of my garden / But the Lord planted the seed / At the
Il monologo di Giuda (p. 186) Il monologo di Giuda (p. 186)
start of my path. 2. I would like the seed to start of my path. 2. I would like the seed to
Ref. It was not for the thirty pieces of silver / but for blossom / I would like the flower to spring out / Ref. It was not for the thirty pieces of silver / but for blossom / I would like the flower to spring out /
the hope / that He awakened / in me that day. 1. I But as to the sprouting time / My Lord knows it. the hope / that He awakened / in me that day. 1. I But as to the sprouting time / My Lord knows it.
was a quiet man, / I had a comfortable life, / I was a quiet man, / I had a comfortable life, / I
even used to pay my respects / to God in his Il viaggio (p. 187) even used to pay my respects / to God in his Il viaggio (p. 187)
house. / But one day that man came, / He spoke 1. Make me walk again; / I’ve lost so much house. / But one day that man came, / He spoke 1. Make me walk again; / I’ve lost so much
of peace and love / He said that He was the time, / and I didn’t think this journey / would be of peace and love / He said that He was the time, / and I didn’t think this journey / would be
Messiah, / my Saviour. 2. Through lands dried up like this. 2. Along the road, / I’ve met two-faced Messiah, / my Saviour. 2. Through lands dried up like this. 2. Along the road, / I’ve met two-faced
by the sun, / through the streets of every village / men / who wanted to steal / my will and my by the sun, / through the streets of every village / men / who wanted to steal / my will and my
we were suffocated by the crowd / with their courage. Ref. But I’m no better than them. / I no we were suffocated by the crowd / with their courage. Ref. But I’m no better than them. / I no
outstretched hands, / but then the days went by / longer have either father or mother. / And grown outstretched hands, / but then the days went by / longer have either father or mother. / And grown
and His kingdom did not come / I’d already given children / look at us and ask us for a sign. 3. When and His kingdom did not come / I’d already given children / look at us and ask us for a sign. 3. When
Him everything / and he betrayed me. 3. My we took to the sea, / I was really happy. / I Him everything / and he betrayed me. 3. My we took to the sea, / I was really happy. / I
heart became like stone / and my eyes became revealed to You everything / You already know: heart became like stone / and my eyes became revealed to You everything / You already know:
good at escaping, / He’d given me anguish / and 4. my life up until now, / the desire to change, / good at escaping, / He’d given me anguish / and 4. my life up until now, / the desire to change, /
so he had to die. / Hanging from a tree is a body / and even her name / that I kept secret. Ref. You so he had to die. / Hanging from a tree is a body / and even her name / that I kept secret. Ref. You
that is no longer mine / now I see in his eyes / listened to us all speak, / then you spoke about that is no longer mine / now I see in his eyes / listened to us all speak, / then you spoke about
that he is the Son of God. Yourself – / about that world far, / far away, yet true. that he is the Son of God. Yourself – / about that world far, / far away, yet true.
5. Then I fell in into the trap / of hate and 5. Then I fell in into the trap / of hate and
Il nostro cuore (p. 186) Il nostro cuore (p. 186)
power, / and I thought that I was cut off. 6. And power, / and I thought that I was cut off. 6. And
Ref. Our heart did not get lost / our steps did not stray now, here is the city / with its golden walls, / Ref. Our heart did not get lost / our steps did not stray now, here is the city / with its golden walls, /
from your path. 1. Neither anxiety nor pain, / fear with watchmen in the towers, / flowering trees from your path. 1. Neither anxiety nor pain, / fear with watchmen in the towers, / flowering trees
and the sword … / I will never escape your and gardens. 7. I had never seen it, / yet I was and the sword … / I will never escape your and gardens. 7. I had never seen it, / yet I was
gaze, / I will never leave your house. 2. Your born there, / and there I would return. 8. So I left gaze, / I will never leave your house. 2. Your born there, / and there I would return. 8. So I left
people fear / neither death nor life, / the present my group / during the night – / I could no longer people fear / neither death nor life, / the present my group / during the night – / I could no longer
nor the future, / your rock is steady. 3. I shall be one of them. 9. The rising sun / found me on nor the future, / your rock is steady. 3. I shall be one of them. 9. The rising sun / found me on
praise your glory / with my song, my joy, / with the road / running after / all my wasted time. praise your glory / with my song, my joy, / with the road / running after / all my wasted time.
love and words, / I will cry out of your strength. 10. I’ve crossed mountains / and seas, / and now love and words, / I will cry out of your strength. 10. I’ve crossed mountains / and seas, / and now
I want to / continue my journey. Ref. I’m looking I want to / continue my journey. Ref. I’m looking
Il popolo canta (p. 186) for you in every house, / I am speaking about you to Il popolo canta (p. 186) for you in every house, / I am speaking about you to
1. The storyteller has begun to tell his tale, / the everyone I meet, / and that world far, / far away is 1. The storyteller has begun to tell his tale, / the everyone I meet, / and that world far, / far away is
weaver has begun to spin, / the bricklayer brings now ever more true. weaver has begun to spin, / the bricklayer brings now ever more true.
the bricks and the mortar, / man walks forward the bricks and the mortar, / man walks forward
when he is sure of where he is going. Ref. The Io ti offro (p. 190) when he is sure of where he is going. Ref. The Io ti offro (p. 190)
people sings of its liberation. 2. The storyteller has Ref. I offer you all my life, oh my Lord. / I offer people sings of its liberation. 2. The storyteller has Ref. I offer you all my life, oh my Lord. / I offer
begun to tell his tale, / the weaver has begun to to you all of me. 1. Whoever hopes in you won’t begun to tell his tale, / the weaver has begun to to you all of me. 1. Whoever hopes in you won’t
spin, / I feel life bursting inside my heart, / man be disappointed. 2. You’ve given us life among the spin, / I feel life bursting inside my heart, / man be disappointed. 2. You’ve given us life among the
walks forward when he is sure of where he is going. truly living people. walks forward when he is sure of where he is going. truly living people.

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Jesu, dulcis memoria (p. 158) della Pala whistles the wind 6. What does it matter Jesu, dulcis memoria (p. 158) della Pala whistles the wind 6. What does it matter
that I have broken shoes? / I look at you and I feel that I have broken shoes? / I look at you and I feel
1. Sweet is the memory of Jesus, / giving joy to 1. Sweet is the memory of Jesus, / giving joy to
a joy in my heart. a joy in my heart.
the heart. / But sweeter even than honey / is His the heart. / But sweeter even than honey / is His
presence. 2. There is nothing sung that is La guerra (p. 190) presence. 2. There is nothing sung that is La guerra (p. 190)
sweeter, / nothing heard that is more pleasant, / sweeter, / nothing heard that is more pleasant, /
no thought that is dearer / than Jesus, God’s Son. 1. In my war against falsehood, / injustice and no thought that is dearer / than Jesus, God’s Son. 1. In my war against falsehood, / injustice and
3. Jesus, hope for penitents, / how tender You are poverty, / I learned only how to deceive myself; / 3. Jesus, hope for penitents, / how tender You are poverty, / I learned only how to deceive myself; /
for seekers, / when You are asked for. / But I learned only cowardice. 2. I never defended my for seekers, / when You are asked for. / But I learned only cowardice. 2. I never defended my
greater still, when You are found! 4. Tongue land, / I only ran away. I always run away, you greater still, when You are found! 4. Tongue land, / I only ran away. I always run away, you
cannot say, / words cannot express; / only he know. Ref. In this world, then, / will there never be cannot say, / words cannot express; / only he know. Ref. In this world, then, / will there never be
who has experienced Him / can believe what it is justice? 3. I directed my thoughts / toward the who has experienced Him / can believe what it is justice? 3. I directed my thoughts / toward the
to love Jesus. 5. Be Thou Jesus, our joy, / You illusion of what I wanted. / But enemies of to love Jesus. 5. Be Thou Jesus, our joy, / You illusion of what I wanted. / But enemies of
who are our future reward. / May we have great yesteryear come back to triumph: / it’s a lost war who are our future reward. / May we have great yesteryear come back to triumph: / it’s a lost war
glory in You / for all ages. for me. 4. In my hands, everything turned to glory in You / for all ages. for me. 4. In my hands, everything turned to
dust, / only names with no reason. Ref. With my dust, / only names with no reason. Ref. With my
Jesu rex admirabilis (p. 159) own hands, / I could never create justice! 5. Now, I Jesu rex admirabilis (p. 159) own hands, / I could never create justice! 5. Now, I
am left to remember / that I became lost when I am left to remember / that I became lost when I
1. Jesus! Admirable King / and noble triumphant 1. Jesus! Admirable King / and noble triumphant
believed in myself. / What remains is the regret of believed in myself. / What remains is the regret of
one, / unutterable sweetness, / all desirable. one, / unutterable sweetness, / all desirable.
wasted time – / and maybe, the expectation of wasted time – / and maybe, the expectation of
2. Remain with us O Lord / and enlighten us, / 2. Remain with us O Lord / and enlighten us, /
you. / No, what remains is the regret of wasted you. / No, what remains is the regret of wasted
clear away the darkness of mind, / And fill the clear away the darkness of mind, / And fill the
time, / and the certain expectation of you. time, / and the certain expectation of you.
world with sweetness. world with sweetness.
La nuova Auschwitz (p. 191) La nuova Auschwitz (p. 191)
La canzone della Bassa (p. 190) La canzone della Bassa (p. 190)
1. I played the violin at Auschwitz / while other 1. I played the violin at Auschwitz / while other
1. To Bassa I go, I go happily / and I am happier 1. To Bassa I go, I go happily / and I am happier
Jews were dying; / I played the violin at Jews were dying; / I played the violin at
than a great president / and when I am with those than a great president / and when I am with those
Auschwitz / while they killed by brothers / They Auschwitz / while they killed by brothers / They
children / I feel greater than Puccini. 2. In Bassa I children / I feel greater than Puccini. 2. In Bassa I
told us to play / to play loudly and never to told us to play / to play loudly and never to
am looking for something; / money is not enough, am looking for something; / money is not enough,
stop, / to cover up the cries of death / to play stop, / to cover up the cries of death / to play
a girlfriend is not enough. / I’m looking for a girlfriend is not enough. / I’m looking for
loudly and never to stop. Ref. It is not possible to be loudly and never to stop. Ref. It is not possible to be
something, something for life / something that something, something for life / something that
like them. 2. In the new world / which we have like them. 2. In the new world / which we have
never becomes rusty. 3. In Bassa I find, I find a never becomes rusty. 3. In Bassa I find, I find a
now created / there is misery / there is hate and now created / there is misery / there is hate and
new heart, / and then toward other people I move new heart, / and then toward other people I move
sin / Now we’ve returned to Auschwitz / where sin / Now we’ve returned to Auschwitz / where
lightheartedly; / all my day is a great feast: / I lightheartedly; / all my day is a great feast: / I
so much evil was done to us / but the evil of the so much evil was done to us / but the evil of the
throw open my window more and more. 4. Then throw open my window more and more. 4. Then
world has not died / and all of us can do it. Ref. It world has not died / and all of us can do it. Ref. It
in Bassa I return happily, / humanity reborn in me in Bassa I return happily, / humanity reborn in me
is not difficult to be like them. 3. Now I play the is not difficult to be like them. 3. Now I play the
more sweetly / and I can start playing the game more sweetly / and I can start playing the game
violin to the world / as the new Jews are dying. / violin to the world / as the new Jews are dying. /
(of life). / It’s useless to pluck a daisy’s petals (as in (of life). / It’s useless to pluck a daisy’s petals (as in
Now I play the violin to the world / while my Now I play the violin to the world / while my
“she loves me, she loves me not”). “she loves me, she loves me not”).
brothers are being killed. brothers are being killed.
La ceseta de Transaqua (p. 210) La ceseta de Transaqua (p. 210)
La pietra (p. 191) La pietra (p. 191)
1. Have you seen the little church of Transaqua / 1. Have you seen the little church of Transaqua /
Ref. The stone that the builders rejected / has become Ref. The stone that the builders rejected / has become
and the peak of Cimon della Pala over the roof and the peak of Cimon della Pala over the roof
the cornerstone. 1. It is better to take refuge in the the cornerstone. 1. It is better to take refuge in the
shingles? 2. She has eyes clear as water / and hair shingles? 2. She has eyes clear as water / and hair
Lord / than to hope in men. / It is better to take Lord / than to hope in men. / It is better to take
straight and unknotted 3. Yes, I have seen the little straight and unknotted 3. Yes, I have seen the little
refuge in the Lord / than to hope in princes. 2. I refuge in the Lord / than to hope in princes. 2. I
church of Transaqua / but Cimon della Pala church of Transaqua / but Cimon della Pala
thank You because You have answered me: / You thank You because You have answered me: / You
wasn’t there 4. Over the shingles sparkling with wasn’t there 4. Over the shingles sparkling with
have been my salvation. 3. Blessed is He who have been my salvation. 3. Blessed is He who
rain / a huge black cloud could be seen 5. In the rain / a huge black cloud could be seen 5. In the
comes in the name of the Lord. / We bless You comes in the name of the Lord. / We bless You
church the priest sings the Mass, / over Cimon church the priest sings the Mass, / over Cimon
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from the Lord’s house. / You are my God; I thank centuries will endure this faith / of America which from the Lord’s house. / You are my God; I thank centuries will endure this faith / of America which
You, / I exalt You. shouts that it wants to be reborn. You, / I exalt You. shouts that it wants to be reborn.

La samaritaine (p. 229) Lasciati fare (p. 192) La samaritaine (p. 229) Lasciati fare (p. 192)
1. While He was going back to Galilee – / how Ref. Let yourself be made by one who knows you, / 1. While He was going back to Galilee – / how Ref. Let yourself be made by one who knows you, /
long is the journey – / Jesus arrived in the regions who loves you. 1. The Lord knows how many hairs long is the journey – / Jesus arrived in the regions who loves you. 1. The Lord knows how many hairs
of Samaria, my friend. / Since He was tired / you have on your head; / He knows even the of Samaria, my friend. / Since He was tired / you have on your head; / He knows even the
because of the long journey, / He sat on a well, names of the stars. 2. Don’t worry about what you because of the long journey, / He sat on a well, names of the stars. 2. Don’t worry about what you
my friend. Ref. It is not / that the well is too deep, / are to eat and drink. / The Lord even clothes the my friend. Ref. It is not / that the well is too deep, / are to eat and drink. / The Lord even clothes the
but it is that the rope / does not reach the bottom. lilies of the field. but it is that the rope / does not reach the bottom. lilies of the field.
2. His friends left him behind / and a woman 2. His friends left him behind / and a woman
came to Him. / She was going to take water. / Lasciati fare (p. 192) came to Him. / She was going to take water. / Lasciati fare (p. 192)
and He asked her for some. 3. She was surprised / Ref. Let yourself be made by He who knows you / let and He asked her for some. 3. She was surprised / Ref. Let yourself be made by He who knows you / let
and Jesus told her gently: / “My friend, if you yourself be made by He who loves you. 1. The Lord and Jesus told her gently: / “My friend, if you yourself be made by He who loves you. 1. The Lord
want to quench your thirst / through the long even knows / how many hairs are on your head; / want to quench your thirst / through the long even knows / how many hairs are on your head; /
path, / a living water has no price.” 4. But she The Lord even knows / the name of the stars. path, / a living water has no price.” 4. But she The Lord even knows / the name of the stars.
said: “How can we get the water, / because long 2. Don’t worry about knowing / what to eat and said: “How can we get the water, / because long 2. Don’t worry about knowing / what to eat and
is the path, / from the bottom of the well? / We what to drink; / the Lord even dresses / the lilies is the path, / from the bottom of the well? / We what to drink; / the Lord even dresses / the lilies
need a long rope / to get the water we desire.” of the field. need a long rope / to get the water we desire.” of the field.
5. Jesus said: “In truth, / if the journey is long, / 5. Jesus said: “In truth, / if the journey is long, /
there is a source right here, / springing for Liberazione n. 2 (p. 193) there is a source right here, / springing for Liberazione n. 2 (p. 193)
eternity / through the long path, / sprung from eternity / through the long path, / sprung from
the heart of the Messiah, my friend!” 1. Tonight, neither a book, / a song / nor a the heart of the Messiah, my friend!” 1. Tonight, neither a book, / a song / nor a
woman’s love will do. / Confusion can’t even / woman’s love will do. / Confusion can’t even /
La strada (p. 191) drive away the boredom / of a life that is lacking. La strada (p. 191) drive away the boredom / of a life that is lacking.
Ref. But you, only you / can fill up the emptiness of Ref. But you, only you / can fill up the emptiness of
Ref. The road is beautiful for the person who walks / my mind, / only you can open the heart of one who Ref. The road is beautiful for the person who walks / my mind, / only you can open the heart of one who
the road is beautiful for the person who goes / and can’t feel it; / and you can play with my thoughts, / the road is beautiful for the person who goes / and can’t feel it; / and you can play with my thoughts, /
beautiful is the road which brings you home / where make me feel as if I were born anew. 2. I won’t give beautiful is the road which brings you home / where make me feel as if I were born anew. 2. I won’t give
they await you. 1. The countryside is all yellow, / my life, / unique yet empty, / to stupid politics / they await you. 1. The countryside is all yellow, / my life, / unique yet empty, / to stupid politics /
and I already miss you / but where I’m going or to a false ideal / that I invented, / one to which and I already miss you / but where I’m going or to a false ideal / that I invented, / one to which
there’s someone awaiting me / and so I carry you I remain both master and slave. 3. This strange there’s someone awaiting me / and so I carry you I remain both master and slave. 3. This strange
within me. 2. I carry with me my songs / and a love / was born just like a child / that no one within me. 2. I carry with me my songs / and a love / was born just like a child / that no one
story that has begun, / God is truly great / and expected. / But why in this moment / do we story that has begun, / God is truly great / and expected. / But why in this moment / do we
great is this life of ours. want to make ourselves lords / of a love that was great is this life of ours. want to make ourselves lords / of a love that was
given us? given us?
La Virgen de Guadalupe (p. 245) La Virgen de Guadalupe (p. 245)
Ref. The Virgen of Guadalupe, the morning star, / Luntane cchiù luntane (p. 222) Ref. The Virgen of Guadalupe, the morning star, / Luntane cchiù luntane (p. 222)
black eyes, dark skin, my little American Virgin. / 1. To sing about this brightness / I feel a tremble black eyes, dark skin, my little American Virgin. / 1. To sing about this brightness / I feel a tremble
Protectress of the poor, the melting pot of all the races, / in my heart. / All this starry sky, / all the sea that Protectress of the poor, the melting pot of all the races, / in my heart. / All this starry sky, / all the sea that
you transformed our land into a continent of hope. makes me dream. 2. But for you, only for you / you transformed our land into a continent of hope. makes me dream. 2. But for you, only for you /
1. Juan Diego cannot explain to himself how from my soul / amidst this sky and this sea / a 1. Juan Diego cannot explain to himself how from my soul / amidst this sky and this sea / a
came / the Queen of Heaven to visit him. / The song that I can’t keep comes out. Ref. Far, came / the Queen of Heaven to visit him. / The song that I can’t keep comes out. Ref. Far,
Indian is crying, the rose bush blossomed, / God farther / than the farthest star / the most beautiful Indian is crying, the rose bush blossomed, / God farther / than the farthest star / the most beautiful
gave him a Mother of his own color. 2. The Indian light / shines and makes me sing in my heart. gave him a Mother of his own color. 2. The Indian light / shines and makes me sing in my heart.
and the Spaniard are no longer enemies: / through 3. Sailor, we must row / amidst all this and the Spaniard are no longer enemies: / through 3. Sailor, we must row / amidst all this
her grace the Virgin united us. / Throughout brightness / the sail sings to the wind / a great her grace the Virgin united us. / Throughout brightness / the sail sings to the wind / a great
song that goes far. 4. You know, nice boat, / song that goes far. 4. You know, nice boat, /
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where this soul wants to go in order not to die … / wants to live in it with you. 1. I have many things to where this soul wants to go in order not to die … / wants to live in it with you. 1. I have many things to
You must go far with this sigh. do, / my day is full, I also have to study, / but at You must go far with this sigh. do, / my day is full, I also have to study, / but at
the dephts of your heart do not forget that: … the dephts of your heart do not forget that: …
Ma non avere paura (p. 193) 2. Stop for a moment and try to think: / what Ma non avere paura (p. 193) 2. Stop for a moment and try to think: / what
Ref. “Do not be afraid, never stop, / because My love matters in all these things being done? / I will tell Ref. “Do not be afraid, never stop, / because My love matters in all these things being done? / I will tell
is faithful / and is never-ending”. 1. I always look you a secret which is good for you: … 3. Open is faithful / and is never-ending”. 1. I always look you a secret which is good for you: … 3. Open
inside myself / and I don’t see You. / There’s wide your door and try to look outside / and look inside myself / and I don’t see You. / There’s wide your door and try to look outside / and look
noise in my heart / and I don’t know why. 2. I at all the others who are waiting / to share a little noise in my heart / and I don’t know why. 2. I at all the others who are waiting / to share a little
don’t know what to say, / I don’t know what to bit of your time. 4. I give you half of my bricks / don’t know what to say, / I don’t know what to bit of your time. 4. I give you half of my bricks /
do. / “Be silent inside yourself / and listen to to build your house to make you happy: / in the do. / “Be silent inside yourself / and listen to to build your house to make you happy: / in the
Me”. 3. “Each time you want, / you will find meantime my house will build itself. Me”. 3. “Each time you want, / you will find meantime my house will build itself.
Me / and you know My love / is never-ending”. Me / and you know My love / is never-ending”.
Noi non sappiamo chi era (p. 197) Noi non sappiamo chi era (p. 197)
Marta Marta (p. ) Ref. We don’t know who He was, / but He was Marta Marta (p. ) Ref. We don’t know who He was, / but He was
1. I don’t know what to do / because I don’t called Jesus. 1. Peter met him on the seaside, / Paul 1. I don’t know what to do / because I don’t called Jesus. 1. Peter met him on the seaside, / Paul
understand anything; / I can’t hear the voices met him on the way to Damascus. / Come, understand anything; / I can’t hear the voices met him on the way to Damascus. / Come,
anymore, / I can’t see my people. Ref. The night brother, there will also be a place for you. 2. Mary anymore, / I can’t see my people. Ref. The night brother, there will also be a place for you. 2. Mary
was dark and there were no stars, the night was dark, met him on the public way, / Dismas met him was dark and there were no stars, the night was dark, met him on the public way, / Dismas met him
why? / The night was dark and there were no stars, / atop the cross … 3. We met him at the last why? / The night was dark and there were no stars, / atop the cross … 3. We met him at the last
You only saw yourself. 2. Can’t you see the way I hour … Ref. Now we know who he was. / He was You only saw yourself. 2. Can’t you see the way I hour … Ref. Now we know who he was. / He was
am, / why don’t you help me? / You see how the one you were looking for, He was called Jesus. am, / why don’t you help me? / You see how the one you were looking for, He was called Jesus.
tired I am, / nobody listens to me. 3. Martha, tired I am, / nobody listens to me. 3. Martha,
Non c’è nessuno (p. 198) Non c’è nessuno (p. 198)
Martha, you get upset / and you worry about a Martha, you get upset / and you worry about a
thousand things, / when there is only one thing, / Ref. Nobody loves the moon / like the stars of the thousand things, / when there is only one thing, / Ref. Nobody loves the moon / like the stars of the
one thing that counts. Ref. The night was dark and sky! Nobody loves the seashore / like the waves of the one thing that counts. Ref. The night was dark and sky! Nobody loves the seashore / like the waves of the
there were no stars … / I only saw myself. sea. 1. I love you too, you know that, / I would there were no stars … / I only saw myself. sea. 1. I love you too, you know that, / I would
remain always with you … / And yet I must remain always with you … / And yet I must
Martino e l’imperatore (p. 195) leave / but love must not end. 2. You know how Martino e l’imperatore (p. 195) leave / but love must not end. 2. You know how
1. They will tell you that your father / was a very much I love you, / I would remain always with 1. They will tell you that your father / was a very much I love you, / I would remain always with
strange man, / an unsuccessful poet, / and an illu- you… / Even if you leave / we will stay together strange man, / an unsuccessful poet, / and an illu- you… / Even if you leave / we will stay together
sioned Christian. 2. They will tell you that your because Ref. When the moon sets far away / a sioned Christian. 2. They will tell you that your because Ref. When the moon sets far away / a
mother / was all sentimentality / she still prayed longing for the sky remains. / When the seashore mother / was all sentimentality / she still prayed longing for the sky remains. / When the seashore
the Lord, / when ’twas time to scream and shout. disappears far away / a longing for the sea remains. the Lord, / when ’twas time to scream and shout. disappears far away / a longing for the sea remains.
Ref. But don’t you ever believe / in the emperor, / Ref. But don’t you ever believe / in the emperor, /
Non son sincera (p. 198) Non son sincera (p. 198)
even if his name is society / even if they call him even if his name is society / even if they call him
honour / even if his name is people / even if they call Ref. The evil I do, it’s not my evil, / I am more honour / even if his name is people / even if they call Ref. The evil I do, it’s not my evil, / I am more
him love. 3. Only stick to God our Father, / who miserable than I can believe. / The evil I have within him love. 3. Only stick to God our Father, / who miserable than I can believe. / The evil I have within
has come and will come again, / to bring us real my bones, / Father, it keeps me far from you. 1. My has come and will come again, / to bring us real my bones, / Father, it keeps me far from you. 1. My
justice / against man’s cruelty. 4. Don’t give time goes by, I’m not sincere, / I love the people, justice / against man’s cruelty. 4. Don’t give time goes by, I’m not sincere, / I love the people,
credit to the monkey / and to its casuality. / I’m not sincere, / I love the present, I’m not credit to the monkey / and to its casuality. / I’m not sincere, / I love the present, I’m not
Hold on tight to my hand, / even if it won’t be sincere, / I pray at night, I’m not sincere. 2. Let Hold on tight to my hand, / even if it won’t be sincere, / I pray at night, I’m not sincere. 2. Let
there. me encounter, He who can suffer, / He who can there. me encounter, He who can suffer, / He who can
give, right till the end, / He who is sincere, He give, right till the end, / He who is sincere, He
Mattone su mattone (p. 195) who is real, / He who I can at least follow. Mattone su mattone (p. 195) who is real, / He who I can at least follow.
Ref. Brick upon brick, / the big house is built: / Ref. Brick upon brick, / the big house is built: /
how tiring, how tiring it is! Why? / Brick upon how tiring, how tiring it is! Why? / Brick upon
brick, / the big house is built: / it is the Lord who brick, / the big house is built: / it is the Lord who
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O quam amabilis (p. 158) hands together. 4. Come as you are. / Don’t look O quam amabilis (p. 158) hands together. 4. Come as you are. / Don’t look
back, don’t be scared. / If you want to get rid of back, don’t be scared. / If you want to get rid of
1. How lovable you are, good Jesus, / how sweet 1. How lovable you are, good Jesus, / how sweet
all misery, / we must work together. all misery, / we must work together.
you are, holy Jesus; / O joy of the heart, solace of you are, holy Jesus; / O joy of the heart, solace of
the mind, / O good Jesus. 2. How admirable you Parce Domine (p. 143) the mind, / O good Jesus. 2. How admirable you Parce Domine (p. 143)
are … / how honorable you are … 3. How are … / how honorable you are … 3. How
venerable you are … / Ever praiseworthy … Have mercy on us, Lord, have pity on your venerable you are … / Ever praiseworthy … Have mercy on us, Lord, have pity on your
4. Give salvation to the flock of the faithful … / people; / do not be angry with us in eternity. 4. Give salvation to the flock of the faithful … / people; / do not be angry with us in eternity.
and after the end of this life give everlasting joy … and after the end of this life give everlasting joy …
Povera voce (p. 200) Povera voce (p. 200)
O spes mea cara (p. 162) 1. Poor is the voice of one who doesn’t exist. / O spes mea cara (p. 162) 1. Poor is the voice of one who doesn’t exist. /
1. O Mary, sweet hope, / from this valley of Such is our voice if it no longer has a reason. / It 1. O Mary, sweet hope, / from this valley of Such is our voice if it no longer has a reason. / It
sorrows I implore you. / Hear my prayer; / must cry out, implore / that life’s breath never sorrows I implore you. / Hear my prayer; / must cry out, implore / that life’s breath never
console me when I cry out to you. / Strengthen cease. 2. But it must sing out because there is life. / console me when I cry out to you. / Strengthen cease. 2. But it must sing out because there is life. /
my uncertain path and save me. 2. Through both All of life pleads for eternity; / our voice which my uncertain path and save me. 2. Through both All of life pleads for eternity; / our voice which
easy paths and bitter ones, / you, strong and pure, asks Love for life / can’t die, it can’t end. 3. So easy paths and bitter ones, / you, strong and pure, asks Love for life / can’t die, it can’t end. 3. So
lead my weakness toward the good that never ours is not a poor voice of a man who doesn’t lead my weakness toward the good that never ours is not a poor voice of a man who doesn’t
dies. / Amidst storms and struggles, / guide me, exist. / It’s a voice that sings with a reason. dies. / Amidst storms and struggles, / guide me, exist. / It’s a voice that sings with a reason.
O star, from exile to the safe port. 3. O Mother O star, from exile to the safe port. 3. O Mother
and advocate, / please ask Your Son that at the Prece ao vento (p. 200) and advocate, / please ask Your Son that at the Prece ao vento (p. 200)
hour of my death / – with my sins forgiven – / 1. Wind that shakes the leaves of the palm trees, / hour of my death / – with my sins forgiven – / 1. Wind that shakes the leaves of the palm trees, /
you may bring me among the blessed ranks of wind that ripples the waters of the sea, / wind that you may bring me among the blessed ranks of wind that ripples the waters of the sea, / wind that
heaven. ruffles the hair of my love, / bring me news from heaven. ruffles the hair of my love, / bring me news from
afar. 2. Wind that whistles over the roofs, / calling afar. 2. Wind that whistles over the roofs, / calling
Oh! doux pays de Chanaan (p. 230) the moon to rise, / wind that over there on the Oh! doux pays de Chanaan (p. 230) the moon to rise, / wind that over there on the
Ref. O sweet land of Canaan, / how long is the road beach / heard my love singing. 3. Today I am Ref. O sweet land of Canaan, / how long is the road beach / heard my love singing. 3. Today I am
to you! / O sweet land of Canaan, / sweet land of alone and you too; / I am sad remembering my to you! / O sweet land of Canaan, / sweet land of alone and you too; / I am sad remembering my
our hope. 1. Time seems long and gray / when I dearest; / wind, please tell me / where my love our hope. 1. Time seems long and gray / when I dearest; / wind, please tell me / where my love
think of that sweet land, / but tonight, we will went hiding. think of that sweet land, / but tonight, we will went hiding.
leave / for that land of harvest. 2. I hear the sound leave / for that land of harvest. 2. I hear the sound
of tambourines / that lead the dance toward Quando uno ha il cuore buono (p. 200) of tambourines / that lead the dance toward Quando uno ha il cuore buono (p. 200)
morning, / a dance in memory of the sweet Ref. When one is good-hearted, / he fears nothing, / morning, / a dance in memory of the sweet Ref. When one is good-hearted, / he fears nothing, /
lamb / whose pure blood streamed forth. 3. We he’s happy with everything, / he only wants to love. lamb / whose pure blood streamed forth. 3. We he’s happy with everything, / he only wants to love.
will pass a tense night / in a desert frozen from 1. How often have I called you by name, / how will pass a tense night / in a desert frozen from 1. How often have I called you by name, / how
cold winds, / but the Cloud is present / to often have I looked for you, / but you run away cold winds, / but the Cloud is present / to often have I looked for you, / but you run away
enflame us with a fire of love. 4. The morning of a and hide; / I’d really like to know why. 2. Shortly enflame us with a fire of love. 4. The morning of a and hide; / I’d really like to know why. 2. Shortly
radiant day will come – / salvation, finally, at the after nightfall, / I heard your voice call out; / and radiant day will come – / salvation, finally, at the after nightfall, / I heard your voice call out; / and
gates of heaven! / There, we will ever sing / the I say: come home – / my love is greater than the gates of heaven! / There, we will ever sing / the I say: come home – / my love is greater than the
harvest’s great alleluia. sea. 3. You heard your name being called; / this, harvest’s great alleluia. sea. 3. You heard your name being called; / this,
for sure, you can never forget. / Come on, don’t for sure, you can never forget. / Come on, don’t
Pa ret ap domi (p. 259) pretend to be deaf; / it is only you who can answer Pa ret ap domi (p. 259) pretend to be deaf; / it is only you who can answer
1. Friend, don’t keep on sleeping. / Lift up your my call. 1. Friend, don’t keep on sleeping. / Lift up your my call.
head / and look at the sun; / then, you’ll know head / and look at the sun; / then, you’ll know
what time it is. 2. Friend, don’t keep on sleeping. / Quant’è dolce o Salvatore (p. 201) what time it is. 2. Friend, don’t keep on sleeping. / Quant’è dolce o Salvatore (p. 201)
Lift up your head and look; / then, you’ll see that 1. How sweet is it, O Savior, to serve You / and Lift up your head and look; / then, you’ll see that 1. How sweet is it, O Savior, to serve You / and
it’s time / for our work together to begin. offer my heart to You with love. Ref. Please take it’s time / for our work together to begin. offer my heart to You with love. Ref. Please take
3. Come as you are. / Tomorrow will be better. / my life: / I’m offering it to You. / You bestowed 3. Come as you are. / Tomorrow will be better. / my life: / I’m offering it to You. / You bestowed
If we want a better tomorrow, / we must join If we want a better tomorrow, / we must join
270 270
Your grace on me. / I will live in faith. 2. Allow me Seigneur où es-tu? (p. 231) Your grace on me. / I will live in faith. 2. Allow me Seigneur où es-tu? (p. 231)
to consecrate my whole self to You, 3. to ever fix Ref. Where are you, Lord of glory, / since in my heart to consecrate my whole self to You, 3. to ever fix Ref. Where are you, Lord of glory, / since in my heart
my gaze only on You, to serve You with constant lies this black night? / Where are you, God of our my gaze only on You, to serve You with constant lies this black night? / Where are you, God of our
faith. fathers, / since in our hearts there is no longer any faith. fathers, / since in our hearts there is no longer any
light? 1. I am looking for you in the streets / light? 1. I am looking for you in the streets /
Regina caeli (p. 143) Regina caeli (p. 143)
where you see the hungry. / I’m looking for you where you see the hungry. / I’m looking for you
Queen of heaven, rejoice, alleluia! / For He whom in the city / where you see those who have had Queen of heaven, rejoice, alleluia! / For He whom in the city / where you see those who have had
you were worthy to bear, alleluia! / Has risen as their fill. / I’m looking for you in the doubt, / in you were worthy to bear, alleluia! / Has risen as their fill. / I’m looking for you in the doubt, / in
He promised, alleluia! / Pray for us to God, eyes full of tears, / and I’m waiting attentively to He promised, alleluia! / Pray for us to God, eyes full of tears, / and I’m waiting attentively to
alleluia! / Rejoice and be glad, Virgin Mary, hear / your beating heart … 2. I find you in a alleluia! / Rejoice and be glad, Virgin Mary, hear / your beating heart … 2. I find you in a
alleluia! / Because the Lord has truly risen, child’s face / full of innocence. / I find you in the alleluia! / Because the Lord has truly risen, child’s face / full of innocence. / I find you in the
alleluia! / O Lord, who brought joy to the world square / where you hire your farm hands. / I alleluia! / O Lord, who brought joy to the world square / where you hire your farm hands. / I
through the resurrection of Christ Your Son, grant know well that you can be discerned / in the eyes through the resurrection of Christ Your Son, grant know well that you can be discerned / in the eyes
that through His Virgin Mother we might be of a baptized person. / I see you in the smile / of a that through His Virgin Mother we might be of a baptized person. / I see you in the smile / of a
brought to the joys of eternal life. Through Christ friend who has forgiven. Ref. Come back to us, Lord brought to the joys of eternal life. Through Christ friend who has forgiven. Ref. Come back to us, Lord
our Lord. of glory, / for in our eyes, there lies a black night. / our Lord. of glory, / for in our eyes, there lies a black night. /
Come back to us, God of our fathers, / and place our Come back to us, God of our fathers, / and place our
Romaria (p. 257) hearts in your light. Romaria (p. 257) hearts in your light.
1. The destiny / of a lone man such as me, / lost 1. The destiny / of a lone man such as me, / lost
in my thoughts, / on my horse, / is one of dreams Sevillanas del adiós (p. 250) in my thoughts, / on my horse, / is one of dreams Sevillanas del adiós (p. 250)
and dust. / It’s a destiny of lasso and knot, / of 1. When a friend leaves / something dies in your and dust. / It’s a destiny of lasso and knot, / of 1. When a friend leaves / something dies in your
worn-out dress pants and vests, / of a life suffered soul. / When he leaves / he leaves a trace you worn-out dress pants and vests, / of a life suffered soul. / When he leaves / he leaves a trace you
in solitude. Ref. I live inland / Senhora de cannot erase. Ref. Don’t go, / please don’t go; / in solitude. Ref. I live inland / Senhora de cannot erase. Ref. Don’t go, / please don’t go; /
Aparecida, / illuminate the dark mine / and provide even my guitar cries / when it says “goodbye”. Aparecida, / illuminate the dark mine / and provide even my guitar cries / when it says “goodbye”.
the base for my life. 2. My father was a farmhand, / 2. Silence at the moment of the departure / the base for my life. 2. My father was a farmhand, / 2. Silence at the moment of the departure /
my mother was solitude, / my brothers left / in because you have wounding words / that cannot my mother was solitude, / my brothers left / in because you have wounding words / that cannot
search of adventure. / I’m divorced, I gambled, / be spoken. 3. The ship becomes small / when it search of adventure. / I’m divorced, I gambled, / be spoken. 3. The ship becomes small / when it
I invested, then I left. / If luck exists, I don’t know goes away over the sea. / When it goes away over I invested, then I left. / If luck exists, I don’t know goes away over the sea. / When it goes away over
– I’ve never seen it. 3. But they told me to come the sea and you can’t see it anymore, / what a – I’ve never seen it. 3. But they told me to come the sea and you can’t see it anymore, / what a
here, / on this pilgrimage, / in prayer, to ask for great sadness! 4. What a hole is left / by the friend here, / on this pilgrimage, / in prayer, to ask for great sadness! 4. What a hole is left / by the friend
peace in my misadventures. / But since I don’t who leaves, / it’s like a bottomless well / that peace in my misadventures. / But since I don’t who leaves, / it’s like a bottomless well / that
know how to pray, / I came simply to show / cannot be filled. know how to pray, / I came simply to show / cannot be filled.
my face. my face.
Si Dieu ne nous aimait pas (p. 232) Si Dieu ne nous aimait pas (p. 232)
Senhora de Aparecida is a sanctuary of the Blessed Senhora de Aparecida is a sanctuary of the Blessed
Virgin Mary close to São Paulo. Ref. If God did not love us, / He would not have Virgin Mary close to São Paulo. Ref. If God did not love us, / He would not have
made the earth, / and He would not have made all made the earth, / and He would not have made all
Rossa sera (p. 202) this. 1. All this, at Christmas / one night in a Rossa sera (p. 202) this. 1. All this, at Christmas / one night in a
stable, / when He came to us from heaven. 2. All stable, / when He came to us from heaven. 2. All
1. Red evening in Belo Horizonte / I have never this, at daytime / He came to speak to the poor, / 1. Red evening in Belo Horizonte / I have never this, at daytime / He came to speak to the poor, /
laid my eyes on you / but I gave you my heart / He told them about this love. 3. All this, at laid my eyes on you / but I gave you my heart / He told them about this love. 3. All this, at
as a gift for my friends who left us. 2. The red lips night, / a night of great anguish / betrayed by his as a gift for my friends who left us. 2. The red lips night, / a night of great anguish / betrayed by his
of your beloved … / Oh brother, why did you friends. 4. All this, on the cross / the day before of your beloved … / Oh brother, why did you friends. 4. All this, on the cross / the day before
leave them? / Long eyelashes of your beloved / Easter, / when He opened His arms. 5. All this, leave them? / Long eyelashes of your beloved / Easter, / when He opened His arms. 5. All this,
washed with white tears. 3. The red lips of my one morning, / when they came to His tomb, / washed with white tears. 3. The red lips of my one morning, / when they came to His tomb, /
beloved / I took you with me to Brazil. / And when He resurrected. beloved / I took you with me to Brazil. / And when He resurrected.
with their red I colored / the white lips of the with their red I colored / the white lips of the
unloved. unloved.

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Sou feliz Senhor (p. 258) heart … / from the land of love, / do you really Sou feliz Senhor (p. 258) heart … / from the land of love, / do you really
not feel like coming back? Ref. But don’t leave not feel like coming back? Ref. But don’t leave
Ref. I am happy, because you walk with me. / We Ref. I am happy, because you walk with me. / We
me, / don’t give me such a pain! / Come back to me, / don’t give me such a pain! / Come back to
walk side by side; you are my best friend. 1. I want my walk side by side; you are my best friend. 1. I want my
Sorrento, / let me live! 2. Look at the sea of Sorrento, / let me live! 2. Look at the sea of
eyes to be full of the light of your gaze; / I want to eyes to be full of the light of your gaze; / I want to
Sorrento / such treasures in its depths: / Even Sorrento / such treasures in its depths: / Even
have your hand in mine, guiding me. 2. As the sun have your hand in mine, guiding me. 2. As the sun
who traveled the whole world / never saw the like who traveled the whole world / never saw the like
shines in the sky each day, / I want my lips to shines in the sky each day, / I want my lips to
of this. / Look around, these mermaids / look at of this. / Look around, these mermaids / look at
shine with smiles of joy. 3. Like a strong wind, life shine with smiles of joy. 3. Like a strong wind, life
you as if spellbound / they love you so much, / you as if spellbound / they love you so much, /
goes by. / I want to have your grace always in me. goes by. / I want to have your grace always in me.
they would like to kiss you! / And you say: “I’m they would like to kiss you! / And you say: “I’m
Stasera (p. 203) leaving, good-bye!”… Stasera (p. 203) leaving, good-bye!”…

Ref. There’s snow in the air tonight / and no one has Tu sei un Dio fedele (p. 204) Ref. There’s snow in the air tonight / and no one has Tu sei un Dio fedele (p. 204)
time to open his door or his heart. / There’s snow in time to open his door or his heart. / There’s snow in
1. Lord, we sing a hymn of praise to You / and 1. Lord, we sing a hymn of praise to You / and
the air tonight, / and someone still stirs, / still hasn’t the air tonight, / and someone still stirs, / still hasn’t
give thanks for Your immense goodness. Ref. You give thanks for Your immense goodness. Ref. You
found a place to rest. 1. A man knocks on every found a place to rest. 1. A man knocks on every
are a faithful God for eternity. 2. May your light are a faithful God for eternity. 2. May your light
door, / a man asks at every house / whether door, / a man asks at every house / whether
guide our footsteps / and eternal truth shine on guide our footsteps / and eternal truth shine on
there’s any room for her / who travels with me. there’s any room for her / who travels with me.
our faces. 3. May the gift of Your love renew our our faces. 3. May the gift of Your love renew our
2. The woman bends over in pain. / She will give 2. The woman bends over in pain. / She will give
life; / may true freedom refresh our hearts. 4. May life; / may true freedom refresh our hearts. 4. May
warmth to her newborn son. / Will find warmth to her newborn son. / Will find
our lives be a sign of Your love; / may eternal our lives be a sign of Your love; / may eternal
something, / and you’ll see it will suffice. / something, / and you’ll see it will suffice. /
charity rejoice in all the world. charity rejoice in all the world.
Ref. There’s snow in the air tonight, / no one has Ref. There’s snow in the air tonight, / no one has
time to open his door or his heart. / There’s snow in Tutor dicendo (p. 167) time to open his door or his heart. / There’s snow in Tutor dicendo (p. 167)
the air tonight, / and a star moves across the sky. / It the air tonight, / and a star moves across the sky. / It
will rest over the house in the distance. 3. The child 1. Everything saying of Him, no one is quiet, / will rest over the house in the distance. 3. The child 1. Everything saying of Him, no one is quiet, /
cries on a bed of hay. / The woman prays and the praising with song. Ref. Jesus, Jesus, Jesus sweet to cries on a bed of hay. / The woman prays and the praising with song. Ref. Jesus, Jesus, Jesus sweet to
man watches over them. / He will reign forever; / be loved. 2. Always I wait for Him with my joyful man watches over them. / He will reign forever; / be loved. 2. Always I wait for Him with my joyful
and the world knows not who you are. heart, / make me happy. 3. I can’t help, give me and the world knows not who you are. heart, / make me happy. 3. I can’t help, give me
great support, / and I also want to call Him. 4. I great support, / and I also want to call Him. 4. I
Sul pajon (p. 214) want that you tell me the sweet life / that will Sul pajon (p. 214) want that you tell me the sweet life / that will
save me. 9. That I not loose you because of my save me. 9. That I not loose you because of my
1. The Aosta battalion – on a bed of hay – / 1. The Aosta battalion – on a bed of hay – /
failings / with my false attempts. 11. You are the failings / with my false attempts. 11. You are the
always on the peaks / But when they go down to always on the peaks / But when they go down to
air I breathe, I’m your creature, / don’t abandon air I breathe, I’m your creature, / don’t abandon
the valley … / young ladies be careful! Ref. On the valley … / young ladies be careful! Ref. On
me! me!
the beds in the base / may they rest in peace, amen / the beds in the base / may they rest in peace, amen /
get lost! / You, your mother and your aunt / and the Vieux pèlerin (p. 233) get lost! / You, your mother and your aunt / and the Vieux pèlerin (p. 233)
military service and the rest. 2. The parish priest of military service and the rest. 2. The parish priest of
Aosta / said it in his homily / Be careful, young 1. Like an old wandering pilgrim / I am a stranger Aosta / said it in his homily / Be careful, young 1. Like an old wandering pilgrim / I am a stranger
girls / the fourth battalion is coming. 3. But one everywhere. / But I am sure that God is going to girls / the fourth battalion is coming. 3. But one everywhere. / But I am sure that God is going to
of the most beautiful / said very softly / If the offer me / a place to stay in the other world. / I of the most beautiful / said very softly / If the offer me / a place to stay in the other world. / I
fourth is coming, / this is what we want. am going over there to see my father again, / my fourth is coming, / this is what we want. am going over there to see my father again, / my
walking is over; / I am going to find my home / walking is over; / I am going to find my home /
Torna a Surriento (p. 226) on the other side of the river. 2. I will soon get to Torna a Surriento (p. 226) on the other side of the river. 2. I will soon get to
the end of my journey, / I hear the river Jordan the end of my journey, / I hear the river Jordan
1. Look at the see, it’s so beautiful / it inspires 1. Look at the see, it’s so beautiful / it inspires
very close by: / death has nothing for me to fear, / very close by: / death has nothing for me to fear, /
such a storn feeling … / Just like you do to him such a storn feeling … / Just like you do to him
with it all my suffering will end. / I am going over with it all my suffering will end. / I am going over
who thinks of you, / you make him dream even who thinks of you, / you make him dream even
there to see my mother, / to at last be consoled there to see my mother, / to at last be consoled
awake! / Look at these gardens / smell these awake! / Look at these gardens / smell these
near her, / on the otehr side of the river / to rest near her, / on the otehr side of the river / to rest
orange blossoms / A scent so fine / it goes orange blossoms / A scent so fine / it goes
at home. 3. Here is the end of my suffering / and at home. 3. Here is the end of my suffering / and
straight to your heart. / And you say: “I’m straight to your heart. / And you say: “I’m
the rest for my old body; / here is the reward / the rest for my old body; / here is the reward /
leaving, good-bye!” / You get far from this leaving, good-bye!” / You get far from this
272 272
which God promised for my efforts. / I am going stealing money from the people. Ref. Zaccheus, which God promised for my efforts. / I am going stealing money from the people. Ref. Zaccheus,
over there among the angels, / forgetting my past come down, the Lord is waiting for you. / Zaccheus, over there among the angels, / forgetting my past come down, the Lord is waiting for you. / Zaccheus,
troubles, / to spend my time in praise / saying come down, He is here. / Zaccheus, open your hose to troubles, / to spend my time in praise / saying come down, He is here. / Zaccheus, open your hose to
thank you to Jesus without end. him. 2. But one day he hears / that Jesus is about thank you to Jesus without end. him. 2. But one day he hears / that Jesus is about
to go by, / and without saying anything / he to go by, / and without saying anything / he
Vuestra soy para vos nací (p. 253) climbs up a tree. / The tree cannot hide you, / Vuestra soy para vos nací (p. 253) climbs up a tree. / The tree cannot hide you, /
I am yours, for you I was born. / What do you because Jesus, coming forward, / invites himself to I am yours, for you I was born. / What do you because Jesus, coming forward, / invites himself to
command be done unto me? / Give me riches or dinner. 3. And at the end of the feast / Jesus command be done unto me? / Give me riches or dinner. 3. And at the end of the feast / Jesus
poverty, / give me consolation or anguish, / looked at him. / And he bending his head / got poverty, / give me consolation or anguish, / looked at him. / And he bending his head / got
happiness or sadness. / Sweet life, sun without up to his feet. / Why do you bend down your happiness or sadness. / Sweet life, sun without up to his feet. / Why do you bend down your
veil, / since I gave you everything, / what do you head? / Jesus understood everything: / you will veil, / since I gave you everything, / what do you head? / Jesus understood everything: / you will
command be done unto me? pay back all your debts / and all your thefts. command be done unto me? pay back all your debts / and all your thefts.
4. And all the Pharisees / bursting with rage / 4. And all the Pharisees / bursting with rage /
Zachée (p. 233) cried: “Blasphemy! / To absolve such a sinner! / Zachée (p. 233) cried: “Blasphemy! / To absolve such a sinner! /
A sinner’s house / is really a strange palace!” / A sinner’s house / is really a strange palace!” /
1. He was an ordinary little man, / his name was Yes, but it is in his heart / that Zaccheus 1. He was an ordinary little man, / his name was Yes, but it is in his heart / that Zaccheus
Zaccheus, / he was a tiny little man / and a tax welcomed Him. Zaccheus, / he was a tiny little man / and a tax welcomed Him.
collector. / A small tax collector / doesn’t have collector. / A small tax collector / doesn’t have
any authority, / but he was a real expert / in any authority, / but he was a real expert / in

273 273
CHORD CHARTS F Fm F7 F7 CHORD CHARTS F Fm F7 F7
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274 274
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275 275
ALPHABETICAL LIST (Contents by kind p. 5) ALPHABETICAL LIST (Contents by kind p. 5)
American Tune .........................56 Ballad of Spring Hill................. 60 American Tune .........................56 Ballad of Spring Hill................. 60
A A
(L’) amico ...............................182 Ballad of the Old Man.............. 14 (L’) amico ...............................182 Ballad of the Old Man.............. 14
A canoa...................................254 (El) amigo...............................250 Ballata del potere.................... 173 A canoa...................................254 (El) amigo...............................250 Ballata del potere.................... 173
A Hard Day’s Night.................52 Amor dolçe senza pare ............163 Ballata del tempo perduto...... 174 A Hard Day’s Night.................52 Amor dolçe senza pare ............163 Ballata del tempo perduto...... 174
A Heart in New York ..............53 An Austrian Went Yodeling .....57 Ballata dell’amore vero........... 174 A Heart in New York ..............53 An Austrian Went Yodeling .....57 Ballata dell’amore vero........... 174
A la clarté................................163 An Irish Blessing .......................44 Ballata dell’uomo vecchio ...... 174 A la clarté................................163 An Irish Blessing .......................44 Ballata dell’uomo vecchio ...... 174
A New Creation.......................11 And I Love Her.........................57 Ballata della società (L’opera). 175 A New Creation.......................11 And I Love Her.........................57 Ballata della società (L’opera). 175
A noi Signore..........................169 (Les) anges dans nos Balm in Gilead ......................... 34 A noi Signore..........................169 (Les) anges dans nos Balm in Gilead ......................... 34
Abraham.................................227 campagnes............................230 (La) bamba............................. 245 Abraham.................................227 campagnes............................230 (La) bamba............................. 245
Abramo...................................168 Angie.........................................58 Bamboo.................................... 60 Abramo...................................168 Angie.........................................58 Bamboo.................................... 60
Ad galli cantum ......................157 Anime affaticate et sitibonde...164 Banana Boat Song.................... 35 Ad galli cantum ......................157 Anime affaticate et sitibonde...164 Banana Boat Song.................... 35
Adiós con el corazón...............234 Annuncio.................................171 Barbara Ann ............................. 61 Adiós con el corazón...............234 Annuncio.................................171 Barbara Ann ............................. 61
Adoro te devote......................155 Another Saturday Night ...........58 (La) Battaglia di Magenta ...... 218 Adoro te devote......................155 Another Saturday Night ...........58 (La) Battaglia di Magenta ...... 218
Aeterne rerum conditor (Ad Apparirà ..................................171 Battle Cry of Freedom............. 61 Aeterne rerum conditor (Ad Apparirà ..................................171 Battle Cry of Freedom............. 61
galli cantum)........................157 April Come She Will ................59 Beautiful day ............................ 61 galli cantum)........................157 April Come She Will ................59 Beautiful day ............................ 61
Ah, Holy Jesus..........................12 Aria di neve.............................203 Before the Break of Daylight.. 143 Ah, Holy Jesus..........................12 Aria di neve.............................203 Before the Break of Daylight.. 143
Ahora es Tiempo ....................234 As Tears Go By.........................59 Bella ciao................................ 206 Ahora es Tiempo ....................234 As Tears Go By.........................59 Bella ciao................................ 206
Ai preât le biele stele...............205 Attende Domine .....................151 (La) bella la va al fosso............ 209 Ai preât le biele stele...............205 Attende Domine .....................151 (La) bella la va al fosso............ 209
Aire castellano-leonés .............234 (An) Austrian Went Yodeling...57 Bersagliere ha cento penne ..... 206 Aire castellano-leonés .............234 (An) Austrian Went Yodeling...57 Bersagliere ha cento penne ..... 206
Al mattino ..............................169 Aux Champs Elysées...............228 (The) Black Velvet Band ......... 48 Al mattino ..............................169 Aux Champs Elysées...............228 (The) Black Velvet Band ......... 48
Alecrim...................................254 Avanti forza.............................172 Blackbird.................................. 62 Alecrim...................................254 Avanti forza.............................172 Blackbird.................................. 62
Alive in the World....................54 Ave donna santissima..............164 Blowin’ in the Wind................. 62 Alive in the World....................54 Ave donna santissima..............164 Blowin’ in the Wind................. 62
All God’s Children Got Ave generosa...........................160 Both Sides the Tweed .............. 44 All God’s Children Got Ave generosa...........................160 Both Sides the Tweed .............. 44
Wings ....................................33 Ave Maria splendore del (The) Boxer............................ 125 Wings ....................................33 Ave Maria splendore del (The) Boxer............................ 125
All my Trials.............................33 mattino ................................172 Bridge Over Troubled All my Trials.............................33 mattino ................................172 Bridge Over Troubled
All Night All Day.....................34 Ave Maria Star of Every Waters................................... 63 All Night All Day.....................34 Ave Maria Star of Every Waters................................... 63
All of Me...................................54 Morning.................................13 Bring it on Home to Me.......... 63 All of Me...................................54 Morning.................................13 Bring it on Home to Me.......... 63
Alla fiera di mastro Andrè.......215 Ave Maria stella del mattino...172 Buena Vista Social Club......... 236 Alla fiera di mastro Andrè.......215 Ave Maria stella del mattino...172 Buena Vista Social Club......... 236
Alla mattina............................206 Ave maris stella.......................160 By the Light of the Silvery Alla mattina............................206 Ave maris stella.......................160 By the Light of the Silvery
Alleluia della forza...................169 Ave Regina caelorum .............161 Moon..................................... 64 Alleluia della forza...................169 Ave Regina caelorum .............161 Moon..................................... 64
Allora saprete che esisto..........170 Ave verum ..............................155 Bye, Bye, Love......................... 64 Allora saprete che esisto..........170 Ave verum ..............................155 Bye, Bye, Love......................... 64
Along the Jordan River ............12 Azzurro ...................................216 Along the Jordan River ............12 Azzurro ...................................216
C C
Alouette..................................227 Alouette..................................227
B California Dreaming................. 64 B California Dreaming................. 64
Amare Ancora.........................170 Amare Ancora.........................170
Amazing Grace.........................13 Back in the USSR ....................59 Cambiar al hombre ................ 235 Amazing Grace.........................13 Back in the USSR ....................59 Cambiar al hombre ................ 235
America ....................................54 Bad Moon Rising .....................60 Camminerò............................ 175 America ....................................54 Bad Moon Rising .....................60 Camminerò............................ 175
American Pie ............................55 Balada de caridade...................254 Camptown Races .................... 65 American Pie ............................55 Balada de caridade...................254 Camptown Races .................... 65

276 276
Can’t Buy Me Love..................65 Come down O Love Divine.....14 Dio del cielo ........................... 213 Can’t Buy Me Love..................65 Come down O Love Divine.....14 Dio del cielo ........................... 213
Can’t Help Falling in Love.......66 Come è grande........................178 (Il) disegno ............................. 184 Can’t Help Falling in Love.......66 Come è grande........................178 (Il) disegno ............................. 184
(A) canoa ................................254 Come my Way My Truth Dixie......................................... 68 (A) canoa ................................254 Come my Way My Truth Dixie......................................... 68
(Il) cantastorie.........................186 My Life ..................................15 Don’t Let Me down ................. 69 (Il) cantastorie.........................186 My Life ..................................15 Don’t Let Me down ................. 69
Cantico dei redenti .................176 Come O Creator Spirit.............15 Don’t Think Twice, It’s Cantico dei redenti .................176 Come O Creator Spirit.............15 Don’t Think Twice, It’s
Canzone degli occhi e del Comfortably Numb..................67 Alright................................... 69 Canzone degli occhi e del Comfortably Numb..................67 Alright................................... 69
cuore....................................176 Como busca............................237 Dona Dona............................... 70 cuore....................................176 Como busca............................237 Dona Dona............................... 70
Canzone dell’ideale.................199 Cómo......................................236 Dos Cocodrilos....................... 237 Canzone dell’ideale.................199 Cómo......................................236 Dos Cocodrilos....................... 237
(La) canzone della Bassa .........190 Compañía hacia el destino ......237 (La) Dosolina.......................... 210 (La) canzone della Bassa .........190 Compañía hacia el destino ......237 (La) Dosolina.......................... 210
Canzone di Maria Chiara........177 Conditor alme siderum...........158 (Oh) doux pays de Chanaan... 230 Canzone di Maria Chiara........177 Conditor alme siderum...........158 (Oh) doux pays de Chanaan... 230
(El) capitan de la compagnia...207 Convite a liberdade.................255 Dove andrò............................. 179 (El) capitan de la compagnia...207 Convite a liberdade.................255 Dove andrò............................. 179
Carbonero...............................235 Cotton Fields............................68 Dove sei stato mio bell’alpino 207 Carbonero...............................235 Cotton Fields............................68 Dove sei stato mio bell’alpino 207
Carrickfergus ............................45 Country Roads.......................123 Down by the Riverside............ 35 Carrickfergus ............................45 Country Roads.......................123 Down by the Riverside............ 35
Caruso ....................................216 Crocifisso, mio Signor.............178 Down in the River to Pray ...... 70 Caruso ....................................216 Crocifisso, mio Signor.............178 Down in the River to Pray ...... 70
(La) ceseta de Transaqua.........210 Crux fidelis..............................151 Down on the Corner................ 70 (La) ceseta de Transaqua.........210 Crux fidelis..............................151 Down on the Corner................ 70
(La) chacarera .........................239 Cuando de mi Patrona............237 Dream a Little Dream of Me.... 71 (La) chacarera .........................239 Cuando de mi Patrona............237 Dream a Little Dream of Me.... 71
Champs Elysées......................228 (La) cucaracha.........................245 (The) Drunken Sailor ............. 125 Champs Elysées......................228 (La) cucaracha.........................245 (The) Drunken Sailor ............. 125
Chan Chan .............................236 Dulcis Christe......................... 160 Chan Chan .............................236 Dulcis Christe......................... 160
D D
Chanson de mai......................164 Chanson de mai......................164
E E
Chant de Pénitence.................228 D’amor pane dolcissimo..........178 Chant de Pénitence.................228 D’amor pane dolcissimo..........178
Che sarà..................................217 Da mi conforto Dio.................164 E col cifolo del vapore ............ 207 Che sarà..................................217 Da mi conforto Dio.................164 E col cifolo del vapore ............ 207
Che siano una sola cosa...........177 Dal profondo...........................179 Early in the Morning................ 71 Che siano una sola cosa...........177 Dal profondo...........................179 Early in the Morning................ 71
Chevaliers de la table ronde....229 Dal sangue dell’Agnello Edelweis ................................... 72 Chevaliers de la table ronde....229 Dal sangue dell’Agnello Edelweis ................................... 72
Chi accoglie nel suo cuore ......185 riscattati ...............................144 Egli è il tuo bon Jesù............... 165 Chi accoglie nel suo cuore ......185 riscattati ...............................144 Egli è il tuo bon Jesù............... 165
Christe cunctorum..................159 Daniel........................................35 El amigo................................. 250 Christe cunctorum..................159 Daniel........................................35 El amigo................................. 250
(I) cieli ....................................183 Danos un corazón....................244 El capitan de la compagnia..... 207 (I) cieli ....................................183 Danos un corazón....................244 El capitan de la compagnia..... 207
Cielito lindo............................236 Dashing away with the El condor pasa .......................... 72 Cielito lindo............................236 Dashing away with the El condor pasa .......................... 72
(Il) cielo è pieno di stelle.........183 Smoothing Iron......................68 El está aquí ............................. 238 (Il) cielo è pieno di stelle.........183 Smoothing Iron......................68 El está aquí ............................. 238
(Las) cintas de mi capa............246 (The) Day Thou Gavest, El mar..................................... 238 (Las) cintas de mi capa............246 (The) Day Thou Gavest, El mar..................................... 238
City of New Orleans................66 Lord, Is Ended........................26 El Rey.................................... 238 City of New Orleans................66 Lord, Is Ended........................26 El Rey.................................... 238
Cjante il gjal ...........................207 Day-O ......................................35 El Señor es mi fuerza .............. 239 Cjante il gjal ...........................207 Day-O ......................................35 El Señor es mi fuerza .............. 239
(A la) clarté.............................163 De la crudel morte ..................165 Entre a mi pago sin golpear (A la) clarté.............................163 De la crudel morte ..................165 Entre a mi pago sin golpear
Clementine...............................67 Del giorno giunti al termine....144 (La Chacarera)..................... 239 Clementine...............................67 Del giorno giunti al termine....144 (La Chacarera)..................... 239
Climbin’ up the Mountain........34 Der Mond ist aufgegangen......258 Era de maggio ........................ 221 Climbin’ up the Mountain........34 Der Mond ist aufgegangen......258 Era de maggio ........................ 221
(I) coccodrilli ..........................217 (The) Design.............................27 Era una notte che pioveva ...... 207 (I) coccodrilli ..........................217 (The) Design.............................27 Era una notte che pioveva ...... 207
Cockles and Mussels.................45 Di luce mattutina sorger Erie Canal................................. 72 Cockles and Mussels.................45 Di luce mattutina sorger Erie Canal................................. 72
(Dos) Cocodrilos ....................237 nuovo...................................179 Errore di prospettiva............... 180 (Dos) Cocodrilos ....................237 nuovo...................................179 Errore di prospettiva............... 180
Com’è bello com’è dolce........178 Dicitencello Vuje ....................220 Este es el día del Señor............ 240 Com’è bello com’è dolce........178 Dicitencello Vuje ....................220 Este es el día del Señor............ 240
Come and Go with Me ............35 Dio che di chiara luce..............144 Estoy alegre............................ 240 Come and Go with Me ............35 Dio che di chiara luce..............144 Estoy alegre............................ 240

277 277
Estrella del mar.......................241 God Bless them Moonshiners ...76 Hymn....................................... 81 Estrella del mar.......................241 God Bless them Moonshiners ...76 Hymn....................................... 81
Eterno Creatore del mondo....145 Goin’ Down that Highway.....114 Eterno Creatore del mondo....145 Goin’ Down that Highway.....114
I I
Eterno Dio immutabile...........145 Going to Boston .......................76 Eterno Dio immutabile...........145 Going to Boston .......................76
Everybody Gonna Pray ............42 Gracias a la vida ......................242 I Am a Poor Wayfaring Everybody Gonna Pray ............42 Gracias a la vida ......................242 I Am a Poor Wayfaring
Everybody Needs Somebody ...73 Gracias por la amistad.............243 Stranger................................. 23 Everybody Needs Somebody ...73 Gracias por la amistad.............243 Stranger................................. 23
Granada...................................243 I Can See Clearly Now............ 82 Granada...................................243 I Can See Clearly Now............ 82
F I cieli....................................... 183 F I cieli....................................... 183
Grazie Signore.........................181 Grazie Signore.........................181
Faithful Cross ...........................15 Gs cha cha cha.........................181 I coccodrilli............................. 217 Faithful Cross ...........................15 Gs cha cha cha.........................181 I coccodrilli............................. 217
Father and Son..........................73 Guantanamera.........................244 I Feel Fine ................................ 82 Father and Son..........................73 Guantanamera.........................244 I Feel Fine ................................ 82
Favola.....................................180 (La) guerra ..............................190 I Got Shoes............................... 33 Favola.....................................180 (La) guerra ..............................190 I Got Shoes............................... 33
Feelin’ Groovy........................124 Gustate e vedete......................181 I Saw Her Standing there......... 83 Feelin’ Groovy........................124 Gustate e vedete......................181 I Saw Her Standing there......... 83
Fica mal com Deus.................255 Gypsy Rover ............................77 I Saw three Ships...................... 17 Fica mal com Deus.................255 Gypsy Rover ............................77 I Saw three Ships...................... 17
(Alla) fiera di mastro Andrè ....215 I Should Have Known Better .. 83 (Alla) fiera di mastro Andrè ....215 I Should Have Known Better .. 83
H I Still Haven’t Found what H I Still Haven’t Found what
(The) 59th Street Bridge (The) 59th Street Bridge
Song.....................................124 Hang Down Your Head, I’m Looking for..................... 84 Song.....................................124 Hang Down Your Head, I’m Looking for..................... 84
Five Hundred Miles..................74 Tom Dooley ........................130 I Want Jesus to Walk with Five Hundred Miles..................74 Tom Dooley ........................130 I Want Jesus to Walk with
Flattire Freeway .......................16 (Oh) Happy Day ......................41 Me......................................... 37 Flattire Freeway .......................16 (Oh) Happy Day ......................41 Me......................................... 37
(The) Foggy Dew.....................48 Happy Together .......................77 I Want to Be a Christian.......... 38 (The) Foggy Dew.....................48 Happy Together .......................77 I Want to Be a Christian.......... 38
Forever Young .........................74 Happy Wanderer ......................78 I Want To Hold Your Hand.... 84 Forever Young .........................74 Happy Wanderer ......................78 I Want To Hold Your Hand.... 84
(The) Forgotten........................27 (A) Hard Day’s Night...............52 I Will........................................ 85 (The) Forgotten........................27 (A) Hard Day’s Night...............52 I Will........................................ 85
Francisco Alegre .....................241 He’s Got the whole World in I Wonder.................................. 17 Francisco Alegre .....................241 He’s Got the whole World in I Wonder.................................. 17
Freedom ...................................36 his Hands ...............................37 I’ll Never Find Another You.... 85 Freedom ...................................36 his Hands ...............................37 I’ll Never Find Another You.... 85
Freude, schöner Götterfunken 259 (A) Heart in New York............53 I’ll Tell Me Ma......................... 46 Freude, schöner Götterfunken 259 (A) Heart in New York............53 I’ll Tell Me Ma......................... 46
Fu luce la prima parola ...........145 Heidenröslein..........................259 I’m a Believer........................... 85 Fu luce la prima parola ...........145 Heidenröslein..........................259 I’m a Believer........................... 85
Funiculì funiculà .....................222 Help..........................................78 I’m Looking Through You ...... 86 Funiculì funiculà .....................222 Help..........................................78 I’m Looking Through You ...... 86
Here Comes Jesus.....................37 I’ve Been Working on the Here Comes Jesus.....................37 I’ve Been Working on the
G G
Here comes the sun...................79 Railroad ................................ 86 Here comes the sun...................79 Railroad ................................ 86
(Ad) galli cantum...................157 Hey Jude...................................79 Iesu dulcis memoria................ 158 (Ad) galli cantum...................157 Hey Jude...................................79 Iesu dulcis memoria................ 158
Garota de Ipanema .................256 Ho abbandonato .....................182 Iesu tibi vivo........................... 158 Garota de Ipanema .................256 Ho abbandonato .....................182 Iesu tibi vivo........................... 158
Get back ...................................75 Ho un amico...........................182 If I fell....................................... 87 Get back ...................................75 Ho un amico...........................182 If I fell....................................... 87
Ghost Riders in the Sky .........109 Hold On ...................................80 If I Had a Hammer .................. 87 Ghost Riders in the Sky .........109 Hold On ...................................80 If I Had a Hammer .................. 87
Gimme Some Lovin’................75 (The) Holy Ground ..................49 If I Had My Way ..................... 18 Gimme Some Lovin’................75 (The) Holy Ground ..................49 If I Had My Way ..................... 18
(Il) giovane ricco.....................184 (Ah) Holy Jesus.........................12 If You Want to Sing out, (Il) giovane ricco.....................184 (Ah) Holy Jesus.........................12 If You Want to Sing out,
Give Me Jesus...........................36 Hombres nuevos.....................244 Sing out................................. 88 Give Me Jesus...........................36 Hombres nuevos.....................244 Sing out................................. 88
Glory Hallelujah to the Homeward Bound....................80 If You’re Happy and You Glory Hallelujah to the Homeward Bound....................80 If You’re Happy and You
Newborn King ......................36 House of the Rising Sun...........81 Know it................................. 88 Newborn King ......................36 House of the Rising Sun...........81 Know it................................. 88
Go Down, Moses......................44 How Great Thou Art................17 Ij dispiasì de noiautri alpin...... 208 Go Down, Moses......................44 How Great Thou Art................17 Ij dispiasì de noiautri alpin...... 208
Go Lassie Go ..........................137 How Long Train Been Gone....81 Il cantastorie........................... 186 Go Lassie Go ..........................137 How Long Train Been Gone....81 Il cantastorie........................... 186
Go Tell it on the Mountains.....37 Hoy arriesgaré.........................244 Il cielo è pieno di stelle ........... 183 Go Tell it on the Mountains.....37 Hoy arriesgaré.........................244 Il cielo è pieno di stelle ........... 183

278 278
Il disegno ................................184 K Leaving on a Jet Plane.............. 92 Il disegno ................................184 K Leaving on a Jet Plane.............. 92
Il giovane ricco .......................184 Keep on the Sunny Side............90 (La) leggenda della Grigna ..... 210 Il giovane ricco .......................184 Keep on the Sunny Side............90 (La) leggenda della Grigna ..... 210
Il mio volto.............................185 Knockin’ on Heaven’s Door .....90 Lemon Tree.............................. 93 Il mio volto.............................185 Knockin’ on Heaven’s Door .....90 Lemon Tree.............................. 93
Il mistero ................................185 Kodachrome .............................90 Les anges dans nos Il mistero ................................185 Kodachrome .............................90 Les anges dans nos
Il monologo di Giuda .............186 Kumbaya ..................................39 campagnes........................... 230 Il monologo di Giuda .............186 Kumbaya ..................................39 campagnes........................... 230
Il nostro cuore.........................186 Let it Be ................................... 93 Il nostro cuore.........................186 Let it Be ................................... 93
Il popolo canta........................186 L Let Us Break Bread Together.. 39 Il popolo canta........................186 L Let Us Break Bread Together.. 39
Il ragazzo della via Gluck........218 L’amico...................................182 Liberati dal giogo del male..... 147 Il ragazzo della via Gluck........218 L’amico...................................182 Liberati dal giogo del male..... 147
Il seme ....................................187 L’aurora risplende di luce ........146 Liberazione n. 2...................... 193 Il seme ....................................187 L’aurora risplende di luce ........146 Liberazione n. 2...................... 193
Il Signore è la mia salvezza .....176 L’è tre ore che son chi soto......209 Little David Play on Your Il Signore è la mia salvezza .....176 L’è tre ore che son chi soto......209 Little David Play on Your
Il testamento del capitano.......208 L’opera....................................175 Harp...................................... 18 Il testamento del capitano.......208 L’opera....................................175 Harp...................................... 18
Il viaggio.................................187 La bamba ................................245 Lord of all Hopefulness............. 19 Il viaggio.................................187 La bamba ................................245 Lord of all Hopefulness............. 19
Immersi nel grande mistero....145 La Battaglia di Magenta..........218 Lord of the Dance..................... 94 Immersi nel grande mistero....145 La Battaglia di Magenta..........218 Lord of the Dance..................... 94
In chi.......................................188 La bella la va al fosso...............209 Love Me Do............................. 94 In chi.......................................188 La bella la va al fosso...............209 Love Me Do............................. 94
In comunione..........................189 La canzone della Bassa ............190 Love Me Tender....................... 95 In comunione..........................189 La canzone della Bassa ............190 Love Me Tender....................... 95
In licenza.................................208 La ceseta de Transaqua............210 Lui m’ha dato i cieli................ 183 In licenza.................................208 La ceseta de Transaqua............210 Lui m’ha dato i cieli................ 183
In questa notte splendida ........189 La Chacarera...........................239 Luntane cchiù luntane ............ 222 In questa notte splendida ........189 La Chacarera...........................239 Luntane cchiù luntane ............ 222
Innalzate nei cieli lo sguardo...146 La cucaracha............................245 Innalzate nei cieli lo sguardo...146 La cucaracha............................245
M M
Inno delle scolte di Assisi ........189 La Dosolina.............................210 Inno delle scolte di Assisi ........189 La Dosolina.............................210
Io non sono degno ..................189 La guerra.................................190 Ma non avere paura................ 193 Io non sono degno ..................189 La guerra.................................190 Ma non avere paura................ 193
Io ti offro.................................190 La leggenda della Grigna.........210 Ma perché............................... 193 Io ti offro.................................190 La leggenda della Grigna.........210 Ma perché............................... 193
(An) Irish Blessing ....................44 La montanara..........................211 Ma vïele.................................. 165 (An) Irish Blessing ....................44 La montanara..........................211 Ma vïele.................................. 165
Isti sunt agni novelli................161 La nuova Auschwitz................191 Madre de la Paz...................... 246 Isti sunt agni novelli................161 La nuova Auschwitz................191 Madre de la Paz...................... 246
It’s Me ......................................38 La pietra..................................191 Magdalena degna de laudare... 166 It’s Me ......................................38 La pietra..................................191 Magdalena degna de laudare... 166
La rivista dell’armamento .......211 Magnificat ................................ 19 La rivista dell’armamento .......211 Magnificat ................................ 19
J Magnificat .............................. 194 J Magnificat .............................. 194
La samaritaine.........................229 La samaritaine.........................229
Jailhouse Rock..........................88 La santa Caterina ....................219 Malafemmena......................... 223 Jailhouse Rock..........................88 La santa Caterina ....................219 Malafemmena......................... 223
Jamaica Farewell.......................89 La strada..................................191 Man Come into Egypt............. 39 Jamaica Farewell.......................89 La strada..................................191 Man Come into Egypt............. 39
Jesù dolce ad amare.................167 La traccia.................................192 Mandulinata a Napole............ 223 Jesù dolce ad amare.................167 La traccia.................................192 Mandulinata a Napole............ 223
Jesu dulcis memoria................158 La Virgen de Guadalupe .........245 (El) mar.................................. 238 Jesu dulcis memoria................158 La Virgen de Guadalupe .........245 (El) mar.................................. 238
Jesu rex admirabilis.................159 La Visaille ...............................212 Mare nostre ............................ 224 Jesu rex admirabilis.................159 La Visaille ...............................212 Mare nostre ............................ 224
Jesu tibi vivo...........................158 Las cintas de mi capa...............246 (Canzone di) Maria Chiara..... 177 Jesu tibi vivo...........................158 Las cintas de mi capa...............246 (Canzone di) Maria Chiara..... 177
Jesus Met the Woman ..............38 Lasciati fare .............................192 María Isabel............................ 247 Jesus Met the Woman ..............38 Lasciati fare .............................192 María Isabel............................ 247
Jesus, My Lord, My God, My Lassie Go.................................137 Marly Purt Drive...................... 95 Jesus, My Lord, My God, My Lassie Go.................................137 Marly Purt Drive...................... 95
All..........................................18 Late in the Evening...................91 Marta Marta........................... 194 All..........................................18 Late in the Evening...................91 Marta Marta........................... 194
Johnny B. Goode......................89 Lauda Sion Salvatorem ...........155 Martino e l’imperatore ........... 195 Johnny B. Goode......................89 Lauda Sion Salvatorem ...........155 Martino e l’imperatore ........... 195
Joshua Fit the Battle of Laude novella..........................165 Maruzzella.............................. 224 Joshua Fit the Battle of Laude novella..........................165 Maruzzella.............................. 224
Jericho....................................39 Le ore discendono ...................192 Mary Did You Know............... 20 Jericho....................................39 Le ore discendono ...................192 Mary Did You Know............... 20
Joska la Rossa.........................209 Lean on Me...............................92 Mattone su mattone............... 195 Joska la Rossa.........................209 Lean on Me...............................92 Mattone su mattone............... 195

279 279
Me and Julio Down By the Nazareth morning.....................21 ’O sole mio............................. 225 Me and Julio Down By the Nazareth morning.....................21 ’O sole mio............................. 225
Schoolyard.............................96 Nel mare del silenzio...............184 O spes mea cara...................... 162 Schoolyard.............................96 Nel mare del silenzio...............184 O spes mea cara...................... 162
Me compare Giacometo.........212 Nel primo chiarore del giorno.147 ’O surdato ’nnamurato........... 225 Me compare Giacometo.........212 Nel primo chiarore del giorno.147 ’O surdato ’nnamurato........... 225
Mère au Sauveur.....................166 Nel silenzio della notte............197 O Trinità infinita.................... 147 Mère au Sauveur.....................166 Nel silenzio della notte............197 O Trinità infinita.................... 147
Meu são Bendito.....................256 (A) New Creation.....................11 Ob-La-Di Ob-La-Da ............ 104 Meu são Bendito.....................256 (A) New Creation.....................11 Ob-La-Di Ob-La-Da ............ 104
Mi prendi per la mano ............196 New Morning.........................101 Octopus’ Garden.................... 104 Mi prendi per la mano ............196 New Morning.........................101 Octopus’ Garden.................... 104
Michael Row the Boat New York...............................102 Ode an die Freude.................. 259 Michael Row the Boat New York...............................102 Ode an die Freude.................. 259
Ashore....................................40 (The) Night they Drove Old Ognun m’entenda .................. 166 Ashore....................................40 (The) Night they Drove Old Ognun m’entenda .................. 166
(The) Midnight Special...........126 Dixie down ..........................126 Oh doux pays de Chanaan ..... 230 (The) Midnight Special...........126 Dixie down ..........................126 Oh doux pays de Chanaan ..... 230
Minnie the Moocher.................96 Ninna nanna alpina .................213 Oh Happy Day ........................ 41 Minnie the Moocher.................96 Ninna nanna alpina .................213 Oh Happy Day ........................ 41
Minu Kuntali..........................259 Niño lindo...............................247 Oh Susanna ............................ 105 Minu Kuntali..........................259 Niño lindo...............................247 Oh Susanna ............................ 105
(Il) mio volto..........................185 Nitida stella.............................161 Oh When the Saints................. 44 (Il) mio volto..........................185 Nitida stella.............................161 Oh When the Saints................. 44
Miserere..................................196 No Woman no Cry ................103 Old Black Joe......................... 105 Miserere..................................196 No Woman no Cry ................103 Old Black Joe......................... 105
Mister Bojangles.......................97 Nobody Knows the Trouble.....40 Old Time Religion .................. 41 Mister Bojangles.......................97 Nobody Knows the Trouble.....40 Old Time Religion .................. 41
(Il) mistero..............................185 Noi non sappiamo chi era .......197 Omni die................................ 162 (Il) mistero..............................185 Noi non sappiamo chi era .......197 Omni die................................ 162
Mo Ghile Mear “Our Hero”....97 (Ma) non avere paura..............193 One ........................................ 106 Mo Ghile Mear “Our Hero”....97 (Ma) non avere paura..............193 One ........................................ 106
Molly Malone...........................45 Non c’è nessuno......................198 Only Our Rivers...................... 47 Molly Malone...........................45 Non c’è nessuno......................198 Only Our Rivers...................... 47
(Der) Mond ist aufgegangen...258 Non nobis ...............................143 (L’) opera................................ 175 (Der) Mond ist aufgegangen...258 Non nobis ...............................143 (L’) opera................................ 175
(Il) monologo di Giuda...........186 Non son sincera.......................198 (Le) ore discendono................ 192 (Il) monologo di Giuda...........186 Non son sincera.......................198 (Le) ore discendono................ 192
(La) montanara.......................211 Nora..........................................46 (La) montanara.......................211 Nora..........................................46
P P
Monte Canino ........................213 Norwegian Wood...................103 Monte Canino ........................213 Norwegian Wood...................103
(The) Morn Dawns (Il) nostro cuore ......................186 Pa Ret Ap Domi.................... 259 (The) Morn Dawns (Il) nostro cuore ......................186 Pa Ret Ap Domi.................... 259
Refulgent with Glory............28 Now that the Day Has Run Paint it Black.......................... 107 Refulgent with Glory............28 Now that the Day Has Run Paint it Black.......................... 107
Morning has Broken.................20 its Course...............................22 Pange lingua gloriosi .............. 157 Morning has Broken.................20 its Course...............................22 Pange lingua gloriosi .............. 157
Mr. Tambourine Man...............97 Nowhere Man.........................103 Parce Domine......................... 143 Mr. Tambourine Man...............97 Nowhere Man.........................103 Parce Domine......................... 143
Mrs. Robinson..........................98 (La) nuova Auschwitz.............191 Parsifal (Canzone dell’ideale).. 199 Mrs. Robinson..........................98 (La) nuova Auschwitz.............191 Parsifal (Canzone dell’ideale).. 199
MTA Song................................98 Pasa la tuna............................. 248 MTA Song................................98 Pasa la tuna............................. 248
O Pasacalles................................ 248 O Pasacalles................................ 248
Mull of Kintyre.........................99 Mull of Kintyre.........................99
My Bonnie................................99 O Come O Come Pat on the Railway ................ 107 My Bonnie................................99 O Come O Come Pat on the Railway ................ 107
My Father Sings to Me.............20 Emmanuel..............................22 Pater mi.................................. 158 My Father Sings to Me.............20 Emmanuel..............................22 Pater mi.................................. 158
My Hometown ......................100 O côr soave.............................166 Per te solo è chiara la notte..... 148 My Hometown ......................100 O côr soave.............................166 Per te solo è chiara la notte..... 148
My Lord What a Morning........40 O Cristo splendore divino.......147 Perdonami mio Signore.......... 199 My Lord What a Morning........40 O Cristo splendore divino.......147 Perdonami mio Signore.......... 199
My Own Worst Enemy .........101 O dolce casa mia.....................198 Pescador de hombres.............. 248 My Own Worst Enemy .........101 O dolce casa mia.....................198 Pescador de hombres.............. 248
My Song Is Love Unknown.....21 O filii et filiae ..........................152 Peter, Do You Love Me? ......... 22 My Song Is Love Unknown.....21 O filii et filiae ..........................152 Peter, Do You Love Me? ......... 22
My Way .................................101 O ignis Spiritus .......................153 Pick a Bale o’ Cotton............... 41 My Way .................................101 O ignis Spiritus .......................153 Pick a Bale o’ Cotton............... 41
(The) Mytery............................28 O Mary Don’t You Weep ........41 (La) pietra............................... 191 (The) Mytery............................28 O Mary Don’t You Weep ........41 (La) pietra............................... 191
O Merciful Redeemer...............22 Pim-pam................................ 199 O Merciful Redeemer...............22 Pim-pam................................ 199
N O peixe vivo ...........................256 Poor Wayfaring Stranger.......... 23 N O peixe vivo ...........................256 Poor Wayfaring Stranger.......... 23
Narrano i cieli.........................196 O quam amabilis.....................158 (Il) popolo canta..................... 186 Narrano i cieli.........................196 O quam amabilis.....................158 (Il) popolo canta..................... 186

280 280
Porompompero ......................249 Rossa sera ...............................202 Si Dieu ne nous aimait pas...... 232 Porompompero ......................249 Rossa sera ...............................202 Si Dieu ne nous aimait pas...... 232
Povera voce ............................200 Ruby Tuesday ........................111 Si me enamoro algún día........ 251 Povera voce ............................200 Ruby Tuesday ........................111 Si me enamoro algún día........ 251
Prayer to Mary .........................23 Sicilianedda mia...................... 226 Prayer to Mary .........................23 Sicilianedda mia...................... 226
S S
Prayerful Song ..........................24 Signor Signore salvaci tu ........ 203 Prayerful Song ..........................24 Signor Signore salvaci tu ........ 203
Prece ao vento ........................257 Sad Lisa...................................112 Signore delle cime .................. 213 Prece ao vento ........................257 Sad Lisa...................................112 Signore delle cime .................. 213
Preghiera a Maria....................200 Sailing .....................................112 Silenzio cantatore ................... 226 Preghiera a Maria....................200 Sailing .....................................112 Silenzio cantatore ................... 226
Prima che sorga l’alba.............148 Salve Regina...........................143 (By the Light of the) Silvery Prima che sorga l’alba.............148 Salve Regina...........................143 (By the Light of the) Silvery
Proud Mary ............................108 Salve........................................249 Moon..................................... 64 Proud Mary ............................108 Salve........................................249 Moon..................................... 64
Puff the Magic Dragon ...........108 (La) samaritaine ......................229 Sing of Mary............................. 25 Puff the Magic Dragon ...........108 (La) samaritaine ......................229 Sing of Mary............................. 25
San Francisco Bay Blues .........112 Singin’ in the Rain ................. 116 San Francisco Bay Blues .........112 Singin’ in the Rain ................. 116
Q Sans Day Carol .........................24 Q Sans Day Carol .........................24
Sixteen Tons........................... 116 Sixteen Tons........................... 116
Quando uno ha il cuore (La) santa Caterina..................219 Slip Sliding Away................... 117 Quando uno ha il cuore (La) santa Caterina..................219 Slip Sliding Away................... 117
buono...................................200 Santiano ..................................231 Sloop John B .......................... 117 buono...................................200 Santiano ..................................231 Sloop John B .......................... 117
Quant’è dolce o Salvatore.......201 Sapete Voi...............................202 Sole che t’alzi.......................... 149 Quant’è dolce o Salvatore.......201 Sapete Voi...............................202 Sole che t’alzi.......................... 149
Que será será...........................109 Satisfaction..............................113 Solitary Man........................... 118 Que será será...........................109 Satisfaction..............................113 Solitary Man........................... 118
Questo giorno.........................201 Save Tonight...........................114 Solo le pido a Dios.................. 251 Questo giorno.........................201 Save Tonight...........................114 Solo le pido a Dios.................. 251
Qui presso a te........................201 Scarborough Fair.....................114 Something More .................... 119 Qui presso a te........................201 Scarborough Fair.....................114 Something More .................... 119
Se il Signore non costruisce la Something.............................. 118 Se il Signore non costruisce la Something.............................. 118
R R
città......................................202 Sometimes I Feel...................... 42 città......................................202 Sometimes I Feel...................... 42
(Il) ragazzo della via Gluck....218 Se non ritornerete come Sou feliz Senhor...................... 258 (Il) ragazzo della via Gluck....218 Se non ritornerete come Sou feliz Senhor...................... 258
Raggiante fra tenebre dense....148 bambini................................177 (The) Sounds of Silence.......... 127 Raggiante fra tenebre dense....148 bambini................................177 (The) Sounds of Silence.......... 127
Re Magi .................................201 Seigneur où es-tu?...................231 (The) Spanish Lady .................. 50 Re Magi .................................201 Seigneur où es-tu?...................231 (The) Spanish Lady .................. 50
Red River Valley...................109 (Il) seme..................................187 Stabat Mater (English) ............. 26 Red River Valley...................109 (Il) seme..................................187 Stabat Mater (English) ............. 26
Regina Caeli...........................143 Sempre cantiam al rifiorir del Stabat Mater........................... 162 Regina Caeli...........................143 Sempre cantiam al rifiorir del Stabat Mater........................... 162
Reginella ................................225 giorno...................................149 Stand by Me........................... 119 Reginella ................................225 giorno...................................149 Stand by Me........................... 119
(El) Rey..................................238 (El) Señor es mi fuerza ............239 (The) Star of County Down..... 50 (El) Rey..................................238 (El) Señor es mi fuerza ............239 (The) Star of County Down..... 50
Riders.....................................109 Serrana mía .............................250 Stasera .................................... 203 Riders.....................................109 Serrana mía .............................250 Stasera .................................... 203
Risplenda nella notte una Settle Down............................114 Stella del mattino ................... 172 Risplenda nella notte una Settle Down............................114 Stella del mattino ................... 172
gran luce ..............................149 Sevillanas del adiós..................250 Stelutis Alpinis........................ 213 gran luce ..............................149 Sevillanas del adiós..................250 Stelutis Alpinis........................ 213
(The) River is Here................127 Shady Grove .............................47 (La) strada .............................. 191 (The) River is Here................127 Shady Grove .............................47 (La) strada .............................. 191
Rivers of Babylon.....................24 She Came in through the Street Song Medley.................. 46 Rivers of Babylon.....................24 She Came in through the Street Song Medley.................. 46
(La) rivista dell’armamento ....211 Bathroom Window..............115 Streets of Laredo..................... 120 (La) rivista dell’armamento ....211 Bathroom Window..............115 Streets of Laredo..................... 120
Rock Around the Clock.........110 She Caught the Katy ..............115 Streets of London ................... 120 Rock Around the Clock.........110 She Caught the Katy ..............115 Streets of London ................... 120
Rock-a-my Soul ......................41 Shenandoah.............................115 (The) Strife is o’er, the Battle Rock-a-my Soul ......................41 Shenandoah.............................115 (The) Strife is o’er, the Battle
Rocky Raccoon .....................111 Shepherd of Souls......................25 Done...................................... 28 Rocky Raccoon .....................111 Shepherd of Souls......................25 Done...................................... 28
Romagna mia.........................219 Shine on Harvest Moon..........116 Stuck in a Moment................. 121 Romagna mia.........................219 Shine on Harvest Moon..........116 Stuck in a Moment................. 121
Romaria .................................257 Shining in God’s Glory .............25 Sul pajon................................. 214 Romaria .................................257 Shining in God’s Glory .............25 Sul pajon................................. 214
Rorate caeli desuper ...............150 Should Auld Acquaintance Be Sul ponte di perati .................. 214 Rorate caeli desuper ...............150 Should Auld Acquaintance Be Sul ponte di perati .................. 214
(The) Rose of Tralee ................49 Forgot....................................25 Sulla collina ............................ 204 (The) Rose of Tralee ................49 Forgot....................................25 Sulla collina ............................ 204

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Summertime...........................121 The Strife is o’er, the Battle U Summertime...........................121 The Strife is o’er, the Battle U
Sur le pont d’Avignon.............232 Done ......................................28 Ubi caritas.............................. 160 Sur le pont d’Avignon.............232 Done ......................................28 Ubi caritas.............................. 160
Sweet Baby James ..................122 The Things that I See................29 Ukulele Lady.......................... 132 Sweet Baby James ..................122 The Things that I See................29 Ukulele Lady.......................... 132
Sweet Home Alabama............122 The Times They Are A- Sweet Home Alabama............122 The Times They Are A-
Sweet Home Chicago ............122 Changing .............................127 V Sweet Home Chicago ............122 Changing .............................127 V
Swing Low ...............................42 The Town I Loved so Well.......51 Valsugana............................... 215 Swing Low ...............................42 The Town I Loved so Well.......51 Valsugana............................... 215
The Water is Wide..................128 Van Dieman’s Land................ 132 The Water is Wide..................128 Van Dieman’s Land................ 132
T T
The Wild Rover .......................52 Ve Corazón............................ 253 The Wild Rover .......................52 Ve Corazón............................ 253
Take Me Home Country The Wind in the Willows .........29 Vedrò la bontà del Signor....... 205 Take Me Home Country The Wind in the Willows .........29 Vedrò la bontà del Signor....... 205
Roads ..................................123 There is a Balm in Gilead..........34 Veni Creator Spiritus ............. 154 Roads ..................................123 There is a Balm in Gilead..........34 Veni Creator Spiritus ............. 154
Tango delle capinere...............219 There is a Man Come into Veni redemptor gentium........ 150 Tango delle capinere...............219 There is a Man Come into Veni redemptor gentium........ 150
Ta-pum ..................................214 Egypt .....................................39 Veni Sancte Spiritus ............... 154 Ta-pum ..................................214 Egypt .....................................39 Veni Sancte Spiritus ............... 154
Tears in Heaven......................123 There Must Be more to Life Veni veni Emmanuel.............. 151 Tears in Heaven......................123 There Must Be more to Life Veni veni Emmanuel.............. 151
Tenting Tonight.....................124 than this ...............................128 Vent fin .................................. 233 Tenting Tonight.....................124 than this ...............................128 Vent fin .................................. 233
(Il) testamento del capitano....208 There’s a Long, Long Trail .......30 Vento ..................................... 257 (Il) testamento del capitano....208 There’s a Long, Long Trail .......30 Vento ..................................... 257
The 59th Street Bridge Song (The) Things that I See.............29 Vero amor è Gesù .................. 168 The 59th Street Bridge Song (The) Things that I See.............29 Vero amor è Gesù .................. 168
(Feelin’ Groovy)..................124 This Land Is Your Land..........129 Very Last Day.......................... 42 (Feelin’ Groovy)..................124 This Land Is Your Land..........129 Very Last Day.......................... 42
The Black Velvet Band ............48 This Train is bound for glory ..129 (Il) viaggio.............................. 187 The Black Velvet Band ............48 This Train is bound for glory ..129 (Il) viaggio.............................. 187
The Boxer...............................125 Those Were the Days..............129 Victimae paschali laudes......... 153 The Boxer...............................125 Those Were the Days..............129 Victimae paschali laudes......... 153
The Day Thou Gavest Lord Ti adoro Redentore ................204 Vieux pèlerin.......................... 233 The Day Thou Gavest Lord Ti adoro Redentore ................204 Vieux pèlerin.......................... 233
Is Ended.................................26 Ticket to Ride ........................130 (La) virgen de Guadalupe....... 245 Is Ended.................................26 Ticket to Ride ........................130 (La) virgen de Guadalupe....... 245
The Design ...............................27 Tío Caimán.............................252 Virgen india............................ 253 The Design ...............................27 Tío Caimán.............................252 Virgen india............................ 253
The Drunken Sailor ................125 Toda la vida ............................252 Virgen morenita..................... 253 The Drunken Sailor ................125 Toda la vida ............................252 Virgen morenita..................... 253
The Foggy Dew .......................48 Todos Juntos...........................253 Virgin Great and Glorious........ 30 The Foggy Dew .......................48 Todos Juntos...........................253 Virgin Great and Glorious........ 30
The Forgotten ..........................27 Toitela ti .................................220 (La) Visaille............................ 212 The Forgotten ..........................27 Toitela ti .................................220 (La) Visaille............................ 212
The Holy Ground.....................49 Tom Dooley ...........................130 Viva la companì ..................... 205 The Holy Ground.....................49 Tom Dooley ...........................130 Viva la companì ..................... 205
The House of the Rising Sun ...81 Torna a Surriento....................226 Voi ch’amate lo Criatore........ 168 The House of the Rising Sun ...81 Torna a Surriento....................226 Voi ch’amate lo Criatore........ 168
The Midnight Special .............126 (The) Town I Loved so Well....51 Vuestra soy para vos nací ....... 253 The Midnight Special .............126 (The) Town I Loved so Well....51 Vuestra soy para vos nací ....... 253
The Morn Dawns Refulgent (La) traccia..............................192 Vuestra soy pues me criasteis . 254 The Morn Dawns Refulgent (La) traccia..............................192 Vuestra soy pues me criasteis . 254
with Glory.............................28 Troppo perde il tempo............166 with Glory.............................28 Troppo perde il tempo............166
The Mystery.............................28 Tu mi guardi dalla croce .........204 W The Mystery.............................28 Tu mi guardi dalla croce .........204 W
The Night they Drove Old Tu sei un Dio fedele ................204 Wabash Cannonball ............... 132 The Night they Drove Old Tu sei un Dio fedele ................204 Wabash Cannonball ............... 132
Dixie down..........................126 Tum-Balalaika........................130 Wake up Little Susie .............. 133 Dixie down..........................126 Tum-Balalaika........................130 Wake up Little Susie .............. 133
The River is Here...................127 Turn to Me ...............................30 Walk together, Children .......... 43 The River is Here...................127 Turn to Me ...............................30 Walk together, Children .......... 43
The Rose of Tralee...................49 Tutor dicendo .........................167 Walkin’ after Midnight........... 134 The Rose of Tralee...................49 Tutor dicendo .........................167 Walkin’ after Midnight........... 134
The Sounds of Silence.............127 Twilight A-Stealing................131 Was a Sunny Day................... 134 The Sounds of Silence.............127 Twilight A-Stealing................131 Was a Sunny Day................... 134
The Spanish Lady .....................50 Twist and Shout......................131 (The) Water is Wide .............. 128 The Spanish Lady .....................50 Twist and Shout......................131 (The) Water is Wide .............. 128
The Star of County Down........50 We Can Work It out.............. 134 The Star of County Down........50 We Can Work It out.............. 134
We Shall Overcome................. 43 We Shall Overcome................. 43

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Were You there........................43 While My Guitar Gently Y Were You there........................43 While My Guitar Gently Y
What Shall We Do with the Weeps ..................................137 Ye Sons and Daughters ............ 32 What Shall We Do with the Weeps ..................................137 Ye Sons and Daughters ............ 32
Drunken Sailor.....................125 Wild Mountain Thyme...........137 Yellow Submarine.................. 140 Drunken Sailor.....................125 Wild Mountain Thyme...........137 Yellow Submarine.................. 140
What Wondrous Love Is this....32 (The) Wild Rover.....................52 Yesterday ............................... 141 What Wondrous Love Is this....32 (The) Wild Rover.....................52 Yesterday ............................... 141
When I’m sixty-four...............135 Wild World.............................138 You Can’t Do that................. 141 When I’m sixty-four...............135 Wild World.............................138 You Can’t Do that................. 141
When Israel Was in Egypt’s Will You Go Lassie Go...........137 You Take my Breath away.... 142 When Israel Was in Egypt’s Will You Go Lassie Go...........137 You Take my Breath away.... 142
Land.......................................44 (The) Wind in the Willows.......29 You Won’t See Me ................ 142 Land.......................................44 (The) Wind in the Willows.......29 You Won’t See Me ................ 142
When the Saints Go Wish You Were Here.............138 You .......................................... 32 When the Saints Go Wish You Were Here.............138 You .......................................... 32
Marching in ...........................44 With a Little Help from My You’ve Got to Hide Your Marching in ...........................44 With a Little Help from My You’ve Got to Hide Your
When the Ship Comes in........135 Friends .................................139 Love away........................... 142 When the Ship Comes in........135 Friends .................................139 Love away........................... 142
Where Charity and Love With or Without You.............139 Where Charity and Love With or Without You.............139
Prevail....................................31 Witness .....................................31 Z Prevail....................................31 Witness .....................................31 Z
Where Have All the Flowers Wonderful Tonight.................140 Zachée.................................... 233 Where Have All the Flowers Wonderful Tonight.................140 Zachée.................................... 233
Gone....................................136 Wondrous Love ........................32 Gone....................................136 Wondrous Love ........................32
Where the Streets Have no Where the Streets Have no
Name...................................136 Name...................................136

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