Bruges La Morte English Translation

ILLINOIS
UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN
PRODUCTION NOTE
University of Illinois at
Urbana-Champaign Library
Brittle Books Project, 2010.
COPYRIGHT NOTIFICATION
In Public Domain.
Published prior to 1923.
This digital copy was made from the printed version held
by the University of Illinois at Urbana-Champaign.
It was made in compliance with copyright law.
Prepared for the Brittle Books Project, Main Library,

University of Illinois at Urbana-Champaign
by
Northern Micrographics
Brookhaven Bindery
La Crosse, Wisconsin
2010
-F"' ac /~ .. ' i-
" ' -.o.V-va :tt;.. .' i-yt - t.i u scbe+ae.t{
..~
'' i i . rs A a: ;ir ^,r
, ~ . " _ ,}y{3 ".:f,..s. +,+ -... ft .S--i + ?x.F r
...Y,_*~;]..r -t " 15
j t'7 .' "[s-c . ''? "i-
" rr '.ya'sa' .., r - - -+ia -at w j- ha - sata.
y.. v.+ 4^ rs ., " s arM i ? F y +?3
« ~?ti X
f-"i r. d -cta t - ' 't '

'x.~
^ -rew
sc ~~~~ Lq._. _
.- 'sya~~ ~ '.-.y ~ ~ t ~i
,r.y...oy.w:r> L f _ " "~. 4rt c+'
w i+.a. ' <.~i:] 2 ~ t '''+>''[_i'+a.. i*ij7«t'i

Y,^ r;. .
.~~-
v ro -- tr fs" ~stt w °:' <
.5. '~ e Siii

1 r5rc"'iH.
',°"' f s -tr~+. >Y ze~ari sx- gym. t + -" t .
z F rtw *3 ' of 1 rx ~s i4] a ei

?U*lm*
.. ~~ % "
ss'"l
fie'off
."'
K s...! " - : . 'a. s "F' ? . "xzT .s c
.a~t s ,.a.r' .aL ,.
NK .ea :_ "i i"S -w_.., s~r.+w 'ea' r ~ Ri ' " r-'"_'
r- Yr r r- '^ ._ ' Tk r -- . 3"i c
tT-7 .s- _ t
I.-C
5"i5
AY
rs
'flt°mf
E ' 'R- , t n .
f, - hr -m .- 3. + H, ii': . t r h,_.c tt
f-'t3s
-:;2TS3
' ' r!7
:Y
-lrn
i,.
7'f
" TlT
-i-:
+Y31
f:s;TX;
'rp.litp
ti
'.eW
iil
ly^Ts;
.C
:j
OF THE
UN IVERSITY
OF ILLINOIS
rorn Turner Collection
WIM
ObEL6K
-s3sr
^TtsL
Y
fc
[
'.FZ^,.Lt
- r. 'q ^_:- :t ti sL _.ss k f:t -:3

,S.J:
.9yt : t'.Irsa :oc'.ats,.;,
,a,,,.:.yt :...z:.
r c:k" ft rli s.£'sfts
x _ xai,
.i ,
t 1 ya',fj
f.Aw, ,j°i4SM*Jw k
ll,"41
-i
fn. s ' xS..r r +s.a ..- aa. .. +5
3,-+-aseas
.. a t c ,a
pA S_ 3 _ _
BRUGES-LA-MORTE
Li
(ieorg-es Rodenbach.
BRUGES-LA-MORTE
t 'Ronance
BY
GEORGES RODENBACH
Translatedfrom the rench, with a Critical

Introduction, by
THOMAS DUNCAN
WITH THREE ILLUSTRATIONS
vLONDON
SWAN SONNENSCHEJN & CO., LIM.

1903
CRITICAL INTRODUCTION
IN days when the reputation-monger

vigilantly ransacks the most obscure
r by-paths of literary Europe in quest
,of new idols whom he may exploit
and adore, it may fairly be regarded
as amazing that the works of a
writer possessing so unique a charm
of individuality as those of Georges
"Rodenbach should have so long
remained practically unknown to
English lovers of Continental
Of Maeterlinck enough, and

A
Bruges-la-Morte.
perhaps more than enough has
been written and said. A vivid
and faithful translation of selec-
tions from the poetical works of
Verhaeren by Miss Alma Strettel
was published in 1879, while in
the preceding year his Les Aubes
had been issued in an English dress
through the instrumentality of the
pen of Mr. Arthur Symons. But
among the group of writers who
constitute what has been described
as the Belgian Renaissance, the
claims of Rodenbach to any form
of recognition have almost alone
been regarded as entirely negligible.
To anticipate a widespread popu-
larity for either the poems or the
2
Critical Introduction.
novels of the author of Bruges-la-
Aorte, is possibly enough a vain
imagination. Fastidious and aris-
tocratic by temperament, he him-
self held in but light esteem the
suffrages of the mob. In a recent
masterly study of Rodenbach by M.
Huysmans, that most distinguished
of contemporary Catholic writers
characterizes him felicitously as the
" most extraordinary virtuoso of
our time," and it is not altogether
unlikely that his passion for recon-
dite similes and analogies-may
render his works, in a measure,
caviare to the general. A consum-
mate artist, all that savoured
of flamboyance or turgidity was
3
Bruges-la-Morte.
instinctively repugnant to his soul.
Only the things appealed to him
which were calm and old. Mission
of any description he had assuredly
none.
It was from the dead towns of
Flanders-these strange survivals
of mediaevalism, that his inspiration
came. The
"Villes aux noms si doux, Audenarde,

Malines"
of his own tender if unimpassioned

verse.
The pathetic ineffectuality of
aspect which broods over them,
combined with their elusive quality
of aesthetic charm to hold in
4
captivity his imagination. In the
grace of a tranquillity which lulled
to rest involuntarily all vehemence
of emotion, he beheld the mirror of
what was most congenial to his
own moods.
It was Bruges, of covrse, with
which his name is now inseparably
linked, that became to him an
object of paramount literary con-
secration.
"Toujours 'obsession d'un ciel gris de

province."
It held him almost unintermittently

within its grasp, even in the heyday
of his hectic Parisian later life.
It is generally assumed by those
5
Bruges-la-Morte.
who possess only an imperfect
acquaintanceship with the bio-
graphical details of Rodenbach's
career, that Bruges claimed him
for its own; but it was the city
only of his artistic adoption, and
not of his nativity.
Born in 1855, under the shadow
of the great cathedral of the barrier
town of Tournai, he was educated
at the University of Ghent, where
his career was one of almost un-
broken distinction, His selection,
in the first instance, of a profession
so aridly distasteful to the contem-
plative imagination as that of law,
seems to partake somewhat of the
nature of an irony of circumstance.
6
Yet within what was undeniably
the uncongenial arena of the law-
courts, his forensic eloquence
proved more than sufficiently
convincing.
Attracted to Brussels by the
enhancement of possibilities which
a capital ever affords, Rodenbach
there flung himself, with all the
ardour of youth, into the advocacy
of the literary crusade that had for
its object the emancipation of the
intellect of young Belgium from
the domination of the Philistinism,
under the yoke of which it had so
long groaned. It was in course
of the controversies engendered
by this uprising against decorated
7
Bruges-la-Morte.
dulness, that his true vocation was
finally discovered.
Brussels was to him, however,
no abiding city. The irresistible
magnetism of Paris ere long drew
him within the vortex of that febrile
existence, whose blandishments have
ever been so fraught with fascina-
tion for his countrymen. Here he
associated upon terms of Bohemian
intimacy with the members of the
literary remnant, who strove to
preserve the flickering tradition of
the Quarlier Latin. The charm
of the "beautiful city of Prague"
would seem to have held him in its
thrall in these days. With Emile
Gaudeau, Maurice Rollinat, Paul
8
Arene, Bastien Lepage, Paul
Bourget, Sarah Bernhardt, and
other celebrities whose names still
serve to invest even decadence with
a certain distinction, he inter-
changed ideas, declaimed verses,
and developed the genius which
was to find its expression only in
the worship of a sad, gray city.
A voluminous writer, his
biography exists merely in his
works. The external record of
his life is eventless and meagre.
His domestic concerns appear to
have remained unillumined by the
fierce light which, in these days,
beats upon the household of the
author. To the literary youths
9
Bruges-la-M orte.
of Belguim he was, however,
invariably almost effusively sym-
pathetic. The closest revelation
of his somewhat enigmatic per-
sonality seems to be a portrait
by Levy-Dhurmer, exhibited at
the Paris Salon of 1896.
The tragic death of Georges
Rodenbach, while yet an inheritor
of unfulfilled renown, at the close
of December, I898-bringing with
it to the too limited circle of his
admirers a thrill of passionate
regret, amounting almost to a
sense of personal bereavement-
extinguished a career the possi-
bilities of which it is difficult
adequately to gauge.
10
The refrain of the last and
perhaps the most exquisite of his
shorter lyrics, written to greet the
advent of the New Year which
he was destined never to behold,
"Always the same dream unachieved,"
reveals possibly the dissatisfaction

of a temperament essentially in-
trospective with the comparative
failure of the imagination to realize
the ideals that the heart cherished.
Of the six novels that Rodenbach
has bequeathed to us, no less than
five deal directly with the Bruges-
la-Morte, which his genius has
invested with so ineffable a charm.
II
Bruges-la-Morte.
So also do, though in a less
tangible fashion, his solitary drama
and the two best known and least
artificial of his volumes of verse.
Even in the sketches which he
was wont to contribute with such
frequency to the Parisian literary
journals, the haze of his obsession
interposed itself with an allurement
of expression that beguiled many
of his readers into setting-forth
upon a sentimental pilgrimage
from which, in the great majority of
instances, they returned only the
poorer by the loss of an illusion.
Though shrinking with a char-
acteristic dread of disenchantment
from the deadening potentialities
12
of familiarity with what was to him
a city of dream, there is conclusive
enough internal evidence to demon-
strate that Rodenbach never ceased
to keep a vigilant eye upon the
vandalism of a municipal adminis-
tration, which was seemingly ever
bent upon the vulgarization of his
sanctuary. In the Carillonneur,
for example-which indisputably
falls to be reckoned, so far as
local colour is concerned, as the
most realistic of his works-he
reveals a fulness of knowledge in
regard to the manoeuvres of the
civic fathers, who hold in their
custody the city of Van Eyck and
Memling, that renders their refusal
r3
Bruges-la-Morte.
to sanction the erection of a statue
to his memory the reverse of an
enigma.
That the Bruges of Rodenbach,
however,, is not in great measure
an idealism, can scarcely be denied.
It is not so much Bruges as an
abstraction of Bruges, that his
horror of prosaic realism presents
to the imagination. All the un-
lovely features which are likely
to jar upon romantic sensibilities,
are rigorously excluded from
the sphere of his perspective.
The existence of an egregious
English colony-tawdry, flaunting,
brawling, and ubiquitous - the
pinchbeck nature of many of the
14
house restorations; the bi-weekly
turmoil of a vast and unsightly
market; the monthly saturnalia of
a fair of unsurpassable vulgarity,
are ignored with sublimity of
indifference. Nothing that is
common or unclean is permitted
to derange the harmony of his
artistic conception.
To Rodenbach the significance
of Bruges lay only in the superb
vista of its Lac d'Amour; in
the sombre tranquillity that reigns
within the court of its Beguinage;
in the picturesque richness of the
gables which embellish the inert
waters of its canals; in the majestic
beauty of its delicately gliding
15
Bruges-la-Morte.
swans; in the towering sublimity
of its inscrutable beffroi-perhaps
above all in that odour of the
sacristan which still everywhere
pervades the tangled skein of its
streets. With a delicate sensitive-
ness of perception, he seizes upon
every detail that enhances the
aesthetic value of the phenomena
which constitute his material. The
drowsy melody of the bells, the
tender fogs, the melancholy poplars,
the pale Beguines, the water-lilies,
which symbolized ever to his imag-
ination the hearts of the first
communicants.
In the preface to the best
known of his works, Rodenbach
i6
avows, with characteristic definite-
ness, the nature of the Neo-Pagan
conception which underlies his
romance. It is that of the
evocation by a literary process
evolved by himself of his beloved
town, as "an essential personage
associated with different conditions
of the soul, counselling, prompting,
and determining its action." That
the execution is absolutely flawless,
not even the most perfervid
admirer of Rodenbach can venture
to maintain. Unhappily for the
perfection of the work, the author
was afflicted with a duality of being
which renders it the centre of two
conflicting tendencies. A Fleming
17 B
Bruges-la-Morte.
by birth, Rodenbach was more than
half a Parisian by temperament,
and the severe spiritual simplicity,
which is the birthright of the
former, was curiously blended in
him with the passion for the
bizarre that is the most prominent
characteristic of the latter. While
the book regarded from one side
is mystic, devotional, and pessi-
mistically tranquil, upon the other
it is weird, erotic, and melodra-
matic. It has to be borne in mind
in connection with the development
of the plot that, in mediaeval times,
Bruges was a reputed centre of
Satanism, and it is evidently to a
latent instigation of this diabolism
i8
that Rodenbach attributes the crime
for which his hero is apparently
responsible.
Unrivalled in power of descrip-
tion, it must be confessed that
Rodenbach is not impeccable in
matters of taste. In the faculty of
extracting the immaterial from the
material, he stands in the kingdom
of letters without a peer. In his
hands the inanimate ever becomes
instinct with a gracefully fragile
life. But while unapproachable as
a delineator of petrifaction, his
modernity is frequently peculiarly
vulnerable to criticism. As an
arena for the allurements of the
derni - mondaine, Bruges is the
'9
Bruges-la-Morte.
climax of artistic incongruity. Yet
so deeply has the lubricity of the
Parisian entered into the soul of the
novelist, that he of all men fails
to perceive the inappositeness of
such a presence in a romance, the
scene of which is laid in so sternly
ecclesiastical an atmosphere.
None the less, after all deduc-
tions have been made, Bruges-la-
Morte remains of its kind the most
exquisite study in modern literature.
Of the much abused phrase, local
colour, we hear enough and to
spare, but the trail of the itinerary
is over it all. In its ordinary form,
local colour means nothing more
than the sentimentalization of
20
topography. Vitality or romance
it has none. The term is a mere
subterfuge for the veneering of an
intolerable aridity.
The achievement of Rodenbach
is something differing widely from
all this. For him the merely
external is devoid of all meaning.
It was his supreme literary am-
bition to make the dry-bones live.
Inhis eyes the artist is the reverse
in every respect of the photo-
grapher, and of all unincarnated
things the most repugnant to his
imagination must have been the
soullessness of a Baedeker. Yet
unlike Pater, the only English
writer-with the exception of
21
Bruges-la-Morte.
Hardy-to whom he bears any
resemblance, his word-painting is
as precise as it is poetical. With
all its imperfections his idealization
of Bruges will continue to make an
enduring appeal, upon the one
hand, to that order of imagination
which finds an anodyne in the de-
piction of a despondent tranquillity;
and upon the other, to the type
that succumbs to the fascination of
the mediaevalism that bequeathed
to us the cathedrals we are now
impotent even to restore.
With the novels of Thomas
Hardy and those of the author
of Bruges-la-Morte, a certain
parallel is easily established. The
22
promptings to action of a sombre
environment, are portrayed in the
Return of the Native and the
Woodlanders in a manner which
is essentially that adopted by
Rodenbach. The gloom that
broods over Egdon Heath is
practically identical with that
which overhangs Bruges, though
in the latter instance its ascend-
ency is greatly intensified.
In the Carillonneur, which
embodies precisely the same
method of literary treatment, we
encounter at least an incom-
parably more robust piece of
handiwork. No longer the refuge
of a sentimental misanthropy,
23
Bruges-la-Morte.
Bruges is depicted in its pages
as undergoing the preliminary
throes of an impending aesthetic
dissolution. The old order of
things is menaced by the machi-
nations of an intriguing coterie
bent upon the carrying out of a
scheme of iconoclastic utilitarianism.
Hating the bourgeois with a
hatred which rivals in its intensity
that of a Flaubert, a Maupassant,
or a Gautier, Rodenbach here
pillories, in a manner which
displays more power of touch
with actuality than many of his
own admirers would have credited
him with possessing, the chicane;
the insensibility to all which is
24
not material; the vandalism that
cannot recognize in beauty even
a form of revenue which character-
izes the administration of a
provincial town harassed by the
custody of an artistic heritage, the
loveliness of which it cannot
comprehend, and the value of
which it cannot appraise.
That his soul should in this
volume have been stirred to a red
heat of indignation was in no way
astonishing. The handwriting was
upon the wall. The shadow of
the destroyer, in the shape of a
maritime canal, was hovering
around the effeteness which he
had enshrined. Bruges was to be
25
Bruges-la-Morte.
Bruges-la-Morte no more. The
relentless commercialism, which
like the grave spares and gives
back nothing, now threatened the
existence of what to him was
almost a religion.
The novel, therefore, inevitably
becomes a species of Hellenic
tragedy, moving softly and sternly
to the appointed end. The
victim of an implacable destiny,
Joris Borlutt, the Carillonneur,an
uncompromising embodiment of all
the traits of the artistic reactionary,
is depicted throughout in Prome-
theus fashion, as a mere target for
the buffets of adversity. An object-
lesson to all belated enough to run
26
the hazard of excommunication at
the hands of modern progress,
almost no particle of alleviation
enters into the final tragedy of
his career. JIn the culmination of
the doom of the fate-stricken hero
of his novel by a sufficiently
dramatic suicide within the tower
of the Beffroi, it would almost seem
as if Rodenbach thus meant, in his
emblematic fashion, to symbolize
the impending annihilation of the
beauty of Bruges.
"Au-dessus de la vie, Au-dessus
de la vie" (Above the life, Above
the life), in this ever - recurrent
phrase, which seems almost to
dominate the book, can be
27
Bruges-la-Morte.
discovered the solution of the
enigma presented by the ineffectua-
lity of Rodenbach's protagonists.
Striving ever after the unattainable,
they fail utterly to adjust them-
selves to the actual conditions of
their existence. The imagination
holds them for its own. In the
dominion of art, they can be ranked
only as consecrations of futility.
The lot of Jean Rembrandt, the
hero of L'Art en Exile, is no whit
less tragic than that of his com-
patriots. Like them, his career may
be epitomized in the word frustra-
tion. A poet torn from the Paris his
heart loved, and recalled by pres-
sure of family conditions to the
28
stagnation of a provincial town,
where only Mammon is held in
reverence, his life is rendered a
martyrdom by the enmity of the
rancorous mediocrity that surrounds
him. The isolation which awaits
him in his own household proves,
however, tenfold more dishearten-
ing. Suffocated by the influences
of his environment, he relapses
into complete apathy and inertia.
Verily the Pagan of Mr. Swin-
burne's "Hymn to Proserpine"
stands here justified.
"Yea, is not even Apollo, with hair and harp-

string of gold,
A bitter God to follow, a beautiful God to
behold ?"
29
Bruges-la-M orte.
In Le Musde de Bdguines, we
discover Rodenbach in a lighter
mood. Endowed with that peculiar
magic of style which renders the
commonplace attractive and the un-
interesting interesting, he analyses
in this volume of sketches, with
marvellous delicacy of insight, the
traits that lie hidden within the
hearts of that picturesque sister-
hood-the members of which re-
appear with so remarkable a
persistency throughout the whole
course of his works. In a type of
character that approaches subtlety
upon one hand, as closely as it
does simplicity upon another, he
found a congenial outlet for that
30
love of psychological dissection
which was always dear to him.
Here no element of violence
obtrudes itself. All trace of Roden-
bach the Parisian has vanished.
The literary atmosphere is one of
perfect stillness. The recluses with
minds as spotless as the snowy
purity of their cornettes, are as
vividly realized as the virgins in
Memling's world-renowned ck6asse
of Saint Ursula.
La Vocation, which is the least
pleasing of all Rodenbach's studies,
deals with scruples of conscience
that are well-nigh incomprehensible
to the Protestant mind. Yet in
the intensity of its Catholicism,
3'
Bruges-la-Morte.
there subsists a harmony with the
austere religious background in
which no sin would seem to be
held as venial. For as in Spain,
from whence Flanders derived its
faith, the way of contrition is
hard and life-long repentance bears
with it no security of expiation.
The descriptions of Bruges are
here characterized by even more
than the writer's ordinary power of
artistic extraction, but the lack of
relief to the picture of hopeless
self-condemnation leaves a painful
impression upon the mind of the
reader.
The destruction of all that is
primitive and Arcadian by the
32
intrusion of a railway into a
remote district of the island of
Zealand, is the subject of Roden-
bach's last novel, L'Arbre. Virtu-
ally an arraignment of modern
progress, it portrays graphically
the introduction into a pastoral
Eden of all that which debases
the residuum of a large manu-
facturing town. The trampling
down of an idyllic life, which is,
however, more than a trifle too
reminiscent of the Golden Age
for acceptance at the hands of
modern scepticism, by the exe-
crated "etrangers," affords the
writer ample room for a more than
sufficiently harrowing delineation.
33 C
Bruges-la-Morte.
Convincing enough from an anti-
utilitarian standpoint, the book
fails to make the impression upon
the imagination which the nature
of the subject demands. Veri-
similitude is lacking, and the over-
refining of the Dutch peasant
carried to a pitch of excess.
The poetry of Rodenbach is
permeated by the same qualities
as those which will serve to attract
or repel the reader in his prose
works. The process of dematerial-
ization, however, of which he was
so deeply enamoured, is naturally
carried in his verse to a far
greater degree of elusiveness than
was possible in the more circum-
34
scribed region of the novel. With
a Memlingesque minuteness of
observation, he endeavours in his
stanzas to infuse a soul into even
the most insignificant of the objects
with which his imagination dallies.
The pathos hid in inanimate things
always appealed to him, especially
when they were humanized by
neglect and misuse. Even the
poetry of domestic belongings
invisible to others was recogniz-
able by him. Strenuousness of
any description finds no place in
his world of lassitude. The key-
note of his verse, indeed, is not
infrequently that of a Paganism
which has waxed valetudinarian,
35
Bruges-la-Morte.
and is content to shadow forth
only the things that are plaintive
and frail.
It is again from Bruges that
Rodenbach derives the inspiration
upon which the durability of his
reputation as a poet must chiefly
lodge. The shackles of a
Parisian artificiality, which at
intervals held him in the bondage
of a worship of strange gods, are
rent asunder as he approaches
that " October of stones," which
had ever been to him as a
Mecca in the wilderness.
It is consequently upon the two
volumes of his verse-Le Rfigne du
Silence and Le Miroir du Ciel
36
Naal, which treat almost exclu-
sively of Bruges, that critical
attention will in a great measure
be disposed to concentrate itself.
Intensely subjective in his
adoption of a method, no allure-
ment can induce Rodenbach to
deviate an iota from it. Even the
faded historical glories of Bruges
are included in the rigour of his
eliminations. Such emotions as
those which thrilled Rossetti
"John Memmeling and John van Eyck
Hold state at Bruges. In sore shame
I scanned the works that keep their
name ;
The carillon, which then did strike
Mine ears, was heard of theirs alike:
It set me closer unto them."
37
Bruges-la-Morte.
are to him as the commonplaces of
the tourist.
Wordsworth, it is true, in his
two unforgettable sonnets, has in
an imperfect fashion foreshadowed
Rodenbach's interpretation of the
sad Northern Venice, but the halo
of its mediaevalism has, of the two
influences, left an impression upon
the mind of the English poet
deeper than the pathos of its
decrepitude.
To Rodenbach, Bruges pre-
sented itself under a guise akin to
that of Tennyson's
"island-valley of Avillon,
Where falls not hail, or rain, or any snow,
Nor ever wind blows loudly."
38
From it, as a fastness of pensive
tranquillity, all note of discord is
banished. Clamour is unknown,
and the spell of its indolent
sweetness is unbroken by the
harshness of voices from beyond.
A straining after remote anal-
ogies, which are fatiguing to
unravel and too far-fetched for
felicity, detract largely from the
enjoyment of Rodenbach's verse.
Yet in the identification of his
emotions with his surroundings,
there is ever a thinly - hidden
significance which contains the
indefinable essence of poetry. The
esoteric is not without its magic,
and there is witchery in the
39
Bruges-la-Morte.
refinements of a melancholy which
would have ravished the heart of
a Jacques and led him forth a
captive even from the forest of
Arden.
For over-subtilized and lacking
in simplicity as the Muse of
Rodenbach may be, her inspiration
serves at least to render justice
with a lulling completeness to the
languid captivation of a city
" from whose towers "-to borrow
the language of Matthew Arnold
-" still breathe the enchantments
of the Middle Ages." The inner
spirit lying at the heart of its
waters; the eloquence of the
silence emanating from its streets;
4o
the floating melody issuing from
its bells; the melancholy air of
ancient distinction attached to its
houses; the " reos dominical" of
its Sundays - all indeed that
makes Bruges a city of the soul-
are revealed by him in these
volumes with an infinitude alike of
tenderness and subtlety of insight.
Ever poignantly sensitive to the
transitoriness of all things, the
ineptitudes of age repeatedly find
expression with exquisite felicity
in his verse
"La cloche ne sonne
Pour personne."
(The old bell sounds for no one.)
Upon what may be described

41
Bruges-la-Morte.
as the purely Parisian verse of
Rodenbach, those of his admirers
who appreciate best the secret of
his complexity will be little
inclined to linger. The elegant
sensuality, which is its most salient
feature, should make little appeal to
the tastes of those for whom the
meretricious exercises no blandish-
ments. Rodenbach dwelling with
" damnable iteration " upon a
mievre, which seems to afford him
a fatuous self-satisfaction, is simply
to them not Rodenbach at all, but
a pinchbeck imitator who has for
the time being usurped his rightful
position. In L'Hiver Mondain
(a singularly infelicitous title), we
42
find the poet's weakest tendencies
displaying themselves in their most
undisguised form. Illustrated by
Jan Van Beers and steeped
throughout in an atmosphere of
studied frivolity, it is infected by
the aroma of the music-hall and
will be felt as something of an
imaginative shock by the lovers
of Le Rcgne du Silence and Le
Miroir du Ciel Natal.
Couched in the same vein
of lusciousness, though published
three years earlier, La Mer
El gante may be regarded as a
species of precursor to L'Hiver
Mondain. The affectations here,
however, are less exasperating,
43
Bruges-la-Morte.
and the atmosphere of insincerity
hardly so cloying.
In Les Tristesses (1879), Roden-
bach's earliest literary venture, we
have an experiment in simplicity
of manner which was never re-
peated. Sooth to say, the promise
held out in it is not very con-
siderable ! The Wordsworthian
manner was one peculiarly ill-suited
to the allusive character of his
genius, and in the pursuit of it
his descriptions frequently degen-
erate into the baldness of mere
enumerations. From the outset,
exclusion bulked largely in Roden-
bach's conception of art, and in
his first publication, as always, the
44
redundant meets with scant mercy
at his hands.
It is with the appearance of
La Jeunesse Blanche (i886) that
Rodenbach's real personality first
definitely unfolds itself. The
germs of the mysticism which
subsequently expanded into such
masterpieces of their kind, as the
Carillonneurand Bruges-la-Morte,
are here obvious to even the most
obtuse of literary critics. The
aesthetic charm of common things
to which he ever showed so
delicate a susceptibility, receives
expression in these pages with a
grace that adumbrates the charm
of his more mature work.
45
Bruges-la-Morte.
The series of poems brought
together ultimately under the title
of Les Vies Encloses are charac-
terized by a common unity of
treatment, though, superficially con-
sidered, the detachment of their
subjects is absolute. The perfume
which disengages itself from them
is that of the conservatory and the
boudoir. If weighed in the critical
balances and not found wanting, an
anaemic elegance must be accepted
as an indemnification for the absence
of all virility. Satiety, however,
lurks in the air of the hot-house
and the chamber of the conval-
escent, and ere long the reader
becomes desirous of effecting his
46
escape into a more invigorating
atmosphere. In spirit, Les Vies
Encloses falls into the circle of
Rodenbach's works which are
indebted for their existence to the
influence of Bruges, though no
direct allusion is introduced to the
city of his inspiration.
A triumph over the intangible,
Rodenbach's solitary play, Le Voile
(1894), enjoys the distinction of
being the first work by a Belgian
performed upon the boards of the
Thdatre Frangais. Shadowy and
elusive with Bruges in the back-
ground, the fact that it was accorded
even the measure of recognition
which attaches to a success d'estime
47
Bruges-la-Morte.
was achievement enough when the
sensation-loving temper of the
Parisian public is considered. By
himself it seems to have been
regarded as little more than an
experiment, and the intervention
of death has since blasted the hope
of the revelation of the greater
dramatic possibilities which, it is
understood, were contained in the
play that he had undertaken to
furnish M. Jules Claretie shortly
before his demise.
Briefly unfolded, the story is that
of an affection which germinates
only to wither at the first approach
of the light of common day. The
hero, if such he can be called,
48
conceives a romantic tendresse for
an enigmatic Beguine, ministering
at the pillow of his dying aunt,
whose unseen presence imparts
throughout to the play an unde-
finable Maeterlinckesque sense of
mystery. Plot, strictly speaking,
there is none. A study rather
than a drama, the only moral
gleanable from Le Voile consists
apparently in the discovery that
the solution of the riddle of fascina-
tion lies only in the region of the
inscrutable. With the appearance
upon the scene of Sour Gudule,
arrayed only in vulgar deskabille,
when unexpectedly summoned to
the bedside of the expiring invalid,
49 D
Bruges-la-Morte.
the hero becomes disenchanted,
and the curtain falls. It was the
Bguine, not the woman, that he
had loved. All is over.
"C'est fini. Tout amour brusquement

s'etoile
De trop savoir. L'amour a besoin d'un
secret."
is his own unriddling of the problem.

A marvel of reticence, in which
all is suggested and little is said,
the play-though entirely outside
the range of ordinary sympathies--
is, artistically considered, perhaps
the writer's finest and most subtle
achievement.
The mere bibliography of
50
Rodenbach is almost entirely with-
out intellectual significance. In his
career there is little of continuous
development. After his emancipa-
tion from the experimental stages
illustrated by Les Tristesses, pub-
lished as already stated in 1879,
and La Mer Ellgance launched in
1881, his manner undergoes little
alteration and his mind but slight
modifications. The spell of the
de Goncourts evidently fell heavily
upon him about this period, as the
formation of his style bears un-
mistakable evidence. Bruges-la-
Morte saw the light in I890, and
was closely followed by Le Caril-
lonneur in 1891. His last novel,
51
Bruges-la-Morte.
L'Arbre, was published in 1898,
almost simultaneously with Le
Miroir du Ciel Natal.
Ostensibly a faithful son of the
Roman Catholic Church, the "pain-
ful riddle of the earth" remained to
Rodenbach a problem to which the
human mind was incapable of fur-
nishing an answer. The mysticism,
ever inherent in Catholicism, only
attracted him. In its dogmas his
spirit found no anchorage. Destiny
throughout the whole course of his
works appears only as a force
inscrutable and malignant. The
wealth of his ecclesiastical vocabu-
lary often merely disguises the
Hamletism with which his mind is
52
saturated. The memorable paradox,
by means of which Thiers elucidated
his theological position in describing
himself as a Papist although not a
Christian, may serve to define
Rodenbach's attitude, at least, so
far as exact doctrine is concerned.
Exhausting the literary possibili-
ties of his own vein, he has escaped
the vulgarization which inevitably
pursues the footsteps of the founder
of a cult. The dead towns of
Flanders are transformed into
literary soil upon which it would
be a species of profanity to tres-
pass. They live now imperishably
enshrined in that inimitable style,
which reflects with such fidelity the
53
Bruges-la-Morte.
delicate intricacies of the lace work
that he loved.
That into much of Rodenbach's
work is interwoven the taint of the
decadent, it would be hardihood to
deny. Engulfed in the whirlpool
of Parisian literary life, his assimila-
tive temperament was not proof
against the influences which upon
all sides encompassed him. Yet
when he returns to the Flanders
which at heart he loved, the neurotic
elements that have been interwoven
into his works undergo a drastic
process of attenuation.
To the superficial analyst of
Flemish character, the development
of so baffling a personality as that of
54
Rodenbach among the phlegmatic
countrymen of Teniers may seem
something of a psychological puzzle;
but for its solution it is necessary
only to bear in mind that Flanders,
alike in a literary and artistic sense,
is, and has ever been, a land of
antithesis. To take as entirely
representative, the type of Fleming
whose national qualities display
themselves only in boisterous
vigour, in kinship with the lower
animals, in breadth and expansive-
ness, is to ignore an intensity of
spiritual and imaginative feeling
which nowhere receives a more
profound expression than in the
literature and art of Flanders.
55
Bruges-la-Morte.
The land which reckons among
its sons a Rubens and a Jordaens,
can also present the wealth of con-
trast afforded by the production of
a Memling and a Van Eyck.
To-day the distinction remains
as palpable as in the bygone
centuries, when the atmosphere of
medimevalism pervaded the Low
Countries. The two opposing
currents are represented, upon the
one side, by the novels of a
Georges Eekhoud and a Camille
Lemonnier, in which the mirror is
held unflinchingly up to nature, and
upon the other, by the works of
a Rodenbach and a Maeterlinck,
where modernity is transfigured
56
by the infusion of an ethereal
quality which banishes all taint
of the commonplace.
What appears to be the most
besetting weakness of Rodenbach
is a trick of repetition, which occa-
sionally cannot prove otherwise
than exasperating to the reader.
The re-employment of pet phrases
is doubtless a literary vice, but it
is none the less a deliberate part
of his method, and is often not
without a certain impressiveness.
A sufficient refutation of the
implied charge of a deficiency in
the faculty of manipulating words,
is to be found in the copiousness
of his vocabulary.
57
Bruges-la-Morte.
In France, the country in which
he died and where the most fertile
years of his literary career were
spent, his reputation has remained
unshaken by that most severe.test
of the ephemeral, which is death.
The circulation of his writings still
extends far beyond the circles of
those who are fain to make a
cult of exclusiveness. Among his
brother men of letters, the eulogies
of an Anatole France, a Jules
Lemaitre, a Bernard Lazarre, a
Lucian Muhlfeld, an Achille Segard,
a Gaston Deschamps, and a Huys-
man, speak for themselves. So
far as his own countrymen are
concerned, the most adequate
58
critical tribute to his genius has
come from the pen of M. Emile
Verhaeren. Throughout Belgium
it may be said without fear of
exaggeration, that his writings are
regarded as a national possession.
A unique personality in the world
of letters, Rodenbach's "wooing of
sorrow as a bride" was a primary
distinction of his literary individu-
ality. His material was fraught
with despondency, and the intru-
sion of a note of comedy would
have signified the destruction of
his idealism. A high-priest in the
temple of melancholy, his place is
among the immortals, whilst the sad-
ness that does not cry out or strive
beats in the heart of humanity.
59
BRUGES-LA-MORTE
PREFA CE
In this impassioned study it has been my

primary ambition to evoke in the form
of an intangible personality the spirit of
a town, endowing it not merely with the
power of entering into all the fluctuating
conditions of the soul, but causing it fur-
ther to be an agency in guiding,counselling
and determining the whole scope of human
action.
Regarded from such a standpoint-
Bruges-which I have chosen for this
experiment, appears in a light almost
63
Preface.
human. An indefinable spiritualascend-
ency establishes itself over the souls of
all those who dwell within its walls.
Unconsciously they become assimilated
into a harmony with the languors of its
waters and its bells.
The conception to which I have striven
to give a certain embodiment is that of
the influence exerted by a town in the
whole character of its details, which are
therefore indefinably linked to all the
incidents contained in the narrative.
This is what constitutes the importance
of the illustrationsof Bruges, introduced
at intervals and corresponding to the
sequence of events set forth in the study.
From these reproductions of its quays,
64
Preface.
deserted streets, venerable dwellings,
canals, "beguinage," churches, and belfry,
it is alone possible that the imagination
of the reader may be brought into sym-
pathy with the ethos of the town; experi-
ence the spell exercised by its air of brood-
ing mysticism, and realise the impression
conveyed by the hzgh towers which are
elongated in the text.
TRANSLATOR'S NOTE. -The illustrations re-

ferred to in theforegoing Preface have been, for
the most Part,omitted in this translation,as they
do not app~earto succeed in conveying the imagina-
tive impression intended by M. Rodenbach.
65E E
P
The Beguiriage.
BR UGES-LA-MORTE
I
THE declining day had darkened

the corridors of the great, silent
dwelling, and demanded that the
windows should be protected by
the sombre, crape screens.
Hughes Viane made his prepara-
tions for the desultory ramble with
which it was his wont to close the
afternoon. Solitary and unoccu-
pied, it was his custom to kill the
ennui of his existence by reading a
little among the old volumes that
67
Bruges-la-Morte.
lined the walls of the vast apart-
ment overlooking the romantic
waters of the Quai du Rosaire
which he rarely quitted; smoking
a great deal, and dreaming much
at the open window of a bygone
happiness.
For five years he had led this
life of seclusion. Upon the day
following the funeral of the wife in
whom was bound up all his possi-
bilities of happiness, he had retired
to Bruges as a fastness of melan-
choly and there succumbed to its
fascination. " Five years already!"
He repeated the words aloud to
himself. " I am a widower"
(veuf). Brief and irremediable
68
Bruges-la-Morte.
word of one syllable and without
an echo,-a word replete with
mournful significance and giving
fulness of expression to the agony
of bereavement.
To him the separation had been
terrible. He had experienced all
the felicities of love, not merely in
domesticity, but in the luxury of
travel through countries whose
romance had ever meant a fresh
reconstruction of his idyll. The
delicious tranquillity of an exem-
plary conjugal life had been his,
while at the same time the fervours
of passion had been retained
undiminished by familiarity. Yet
in this perfection of concord the
69
Bruges-la-M orte.
essential individuality of both hus-
band and wife had been preserved
like parallel quays of a canal which
mingle in their reflections.
Ten years of this happiness had
flown away with such rapidity, that
they had remained scarcely realised.
Then upon one unforgettable
morning the young wife lay dead,
after an illness of but a few weeks'
duration. Faded and white, like
delicately polished wax, she reclined
upon her last resting-place, still
only on the verge of thirty years.
Her husband was left alone to
gaze for the last time upon, the
remains of the consummate beauty
of her complexion and the tender-
70
Bruges-la-Morte.
ness of the dark eyes which now
contrasted so strangely with the
richness of the soft, yellow hair
that in life had descended to her
waist undeviatingly. It was of the
same hue as that with which the
Primitives endowed the Virgins
they painted, and fell in the same
calm and unruffled fashion.
Bending across the bier, Hughes
had cut away the long tresses
upon the day which was to be
the witness of her interment. It
seemed only an act of homage to
the woman he had so passionately
adored. All of her that was
mortal was about to vanish, and
nothing was left in his power to
71
Bruges-la-Morte.
preserve save the hair that in life
had been so fondly cherished. All
else was dust and ashes!
Throughout the course of the
tedious, leaden-footed years, the
hair had retained its pristine
freshness untainted by the lapse
of time. It was now the solitary
relic of her which had survived
the seasons that ever craved for
oblivion, and even the salt of the
tears which had been shed around
it had caused it to pale but little.
The widower reviewed his past
in a sunless light which was
intensified by the greyness of
the November twilight, whilst
the bells subtly impregnated the
72
Bruges.la-Morte.
surrounding atmosphere with the
melody of sounds that faded like
the ashes of dead years.
There was a blackness in the
cloud of dejection which rested
upon him of exceptional heaviness,
and an impulse to disperse it
quickened his departure. At the
approach of the evenings, he
derived a melancholy solace from
the analogies which he devised
between the mournfulness of his
own destiny and that of the forsaken
canals and decaying churches that
instinctively attracted his footsteps.
In descending to the ground-
floor of his dwelling he observed
that the doors, which seemed to
73
Bruges-la-Morte.
multiply themselves along the corri-
dors, rigidly closed under ordinary
conditions, were flung wide open.
Through the silence, he called
to his old servant, " Barbara,
Barbara !"
The woman appeared almost
immediately, and divining the
cause of her master's summons
volunteered a brief explanation.
"Monsieur," she said, " I have
attended to the salons to - day
because to-morrow is the fete."
" What fle ? " demanded
Hughes impatiently.
" What! does Monsieur not
know that it is the fele of the pre-
sentation of the Virgin ? I must go
74
Bruges-la- Morte.
to the Mass and to the benediction
at the Be'guinage. It is a day like
a Sunday, and as I cannot work
to-morrow I have arranged the
salons to-day."
Hughes made no attempt to
conceal his dissatisfaction. The old
servant knew well that he longed
to supervise the work she had so
prematurely undertaken. In order
to allow Barbara an unrestricted
freedom of movement, all that was
reminiscent of the woman whose
memory had become a consecration
had been consigned to these two
apartments, where her presence
was almost felt as a reality. When
necessity compelled her to invade
75
Bruges -Ia-Morte.
this sanctuary of bereavement,
Hughes's uneasiness was extreme.
He wished to superintend every
step of her encroachment; watch
over the most trivial of her move-
ments, and spy upon her sense of
reverence for all that encompassed
her. His desire was to act as
guardian of the beloved objects
whilst they were undergoing the,
to him, vandal process of purifica-
tion from the dust that had
accumulated upon them. It
seemed to Hughes that the fingers
of his domestic were prying
ruthlessly among the souvenirs
transfigured by his imagination.
The fauteuils on which she had
76
Bruges-la-Morte.
reclined recalled the memory of
her perfect figure; the curtains
kept undisturbed the folds which
she had bestowed upon them;the
mirrors retained in their depths the
slumbering image of her beauty.
Among the memorials which more
vividly disinterred to Hughes the
loveliness that now mouldered in
the grave, were the portraits of his
wife taken at different ages and
scattered at various points through-
out the chamber. But treasured
above all other keepsakes was the
hair he had snatched from the
clutches of the tomb, and ever
since conserved with unceasing
devotion. Loved better perhaps
77
Bruges-la- Morte.
than in life, any injury to it would
have plunged him in the uttermost
depths of despair. In certain
moods when apprehension obtained
a sway over him, he longed to
conceal it in some obscure hiding-
place into which no vulgar eyes
could penetrate. But the love of
beholding always what was to him
a visible symbol of the immortality
of his love ever returned to him.
To ensure unforgetfulness he
had placed upon the now silent
piano of his principal salon the
locks which still remained an in-
carnation of her, rescued like
salvage from the shipwreck of an
argosy. In his dread of their
78
Bruges-la- Morte.
defilement by the slightest con-
tamination and to avert all danger
of their discolouration by the humid
air of the town, he had hit upon
the idea of protecting them through
the medium of a crystal reliquary,
and upon no morning did he fail to
kneel in reverence at this shrine.
To Hughes this relic had
assumed almost the form of a
divinity to which not merely his
own fate, but even that of the in-
animate objects he had grouped
around it were inseparably linked.
Barbara, the old Flemish servant,
austere of aspect but keenly ob-
servant of the idiosyncrasies of her
master, knew well the nature of
79
Bruges-la-Morte.
the precautions she was expected
to exercise in approaching the
emblem which, in his eyes, repre-
sented the soul of the house.
Holding almost no communication
with her neighbours, she presented
the appearance, when arrayed in
her black dress and bonnet of
tulle, of an elderly and ascetic
nun. The only recreation in which
she indulged consisted in making
frequent pilgrimages to the Begin-
age, where her only surviving
relative, Sister Rosalie, presided
over one of the convents.
In the course of her untiring
devotions, she had acquired that
noiselessness of movement which
8o
Bruges-la-Morte.
characterizes only those whose feet
tread in the ways of the sanctuary.
Among the causes which had
induced Hughes Viane to protract
for so lengthened a period his
sojourn in Bruges, his possession
of a domestic endowed with so
great a measure of taciturn calm
was not the least. All dissonances
of sound that marred the atmo-
sphere of stillness which he loved
were distasteful to him. He kept
no other servant, and Barbara had
gradually rendered herself a neces-
sity to him, notwithstanding her
innocent tyrannies, old-maid angu-
larities, and occasional unwarrant-
able assumptions of authority, as
81 F
Bruges-la-Morte.
upon this day, when provided with
no better justification than that of
afte, she had deranged the salons
unknown to him and in defiance
of his formal orders.
Hughes waited until he had
assured himself that all the con-
tents of the salons were restored
to their ordinary positions. Tran-
quillized by this re-establishment,
he then set out upon his twilight
promenade although the autumnal
drizzle was still descending remorse-
lessly, penetrating like needles into
the dull waters of the canals, and
capturing the soul like a bird
entrapped in the meshes of a snare
that renders resistance a futility !
82
II
EVERY afternoon at the descent of

dusk, Hughes's footsteps followed a
prescribed itinerary. He strolled
along the line of the quays with an
indeterminate gait that reflected
the measure of his self-absorption.
Though only upon the verge of
forty, the sorrow of his bereavement
had expressed itself externally in
unmistakable characters. His hair,
already plentifully streaked with
gray, had almost receded from the
temples, whilst in walking he
stooped heavily. As he threaded
83
Bruges-la-Morte.
his way through the sinuous streets,
his dull eyes gazed abstractedly
into a perspective which had no
relation to this material existence.
Bruges itself became to Hughes
the embodiment of an elegy in the
pensive decline of these afternoons.
The poetry of its stagnation
appealed irresistibly to his imagin-
ation. The spell that had induced
him to select as a home the sad
Northern Venice, after the great
disaster of his life had befallen him,
was the charm of its poetic effete-
ness. In the bygone years of
wedded happiness, when his exis-
tence was spent in the gratification
of every fantasy that presented
84
Bruges-la-Morte.
itself to his mind, no shadow of
despondency had obtruded itself
into the sunshine of his days.
But afterwards, when calamity had
overtaken him, Bruges revealed
itself to his mind by a sympathetic
intuition as an oasis in the desert.
A mysterious equation established
itself between his own spirit and
that of the place. In the eternal
fitness of things a dead town fur-
nished the corresponding analogy
to that of a dead wife. The
bitterness of his desolation de-
" manded an environment that har-
monized with its poignancy. Life
in any centre of activity would
have been insupportable to him.
85
Bruges -la-Morte.
Instinct had guided him to Bruges
as the wounded animal to his lair.
Elsewhere the world was an arena
of strife in which nothing prevailed
but discord, agitation, and turbu-
lence. His longing was for an
infinite silence into which no
disturbing note ever penetrated,
and an existence so exempt from
feverishness that it should resemble
a species of Nirvana.
In the treatment of physical
suffering, the exclusion of all noise
from the chamber of the invalid is
recognized as the greatest of allevi-
ators. Why, then, when the
anguish of the heart is concerned,
should the re-opening of rankling
86
Bruges-la-Morte.
wounds- and the introduction of
rancorous voices be permitted?
Dissonance is as fatal in ailments
of the mind as it is in those of the
body.
In the stillness of the calm
waters and the inanimate streets.
Hughes had discovered a certain
nepenthe for the sorrow of his
heart, and an increased assurance
of the serenity of death. His
surroundings yielded him an almost
unlimited scope for indulgence in
the reveries with which he beguiled
the tedium of the hours. In the
vistas of the canals he discerned
the face of Ophelia rising resur-
gent from the waters, in all the
87
Bruges-la-Morte.
forlornness of her beauty, and in
the frail and distant music of the
carillon there was wafted to him
the sweetness of her voice. The
town, so glorious of old and still
Sso lovely in its decay, became to
him the ihcarnation of his regrets.
Bruges was his dead wife. His
dead wife was Bruges. Both
unified themselves in a parallel
destiny. It was indeed Bruges-
la-Morte, with its abandoned stone
quays woven into an idealization
of melancholy by the cold arteries
of the canals which had long
ceased to feel the pulsation of the
sea.
Yet upon this evening, as
88
I
m A
-U.
, L
. _____ __ I
_
Bruges-la-Morte.
engrossed in his musings he
mechanically wended his way
among paths which his imagina-
tion had peopled with sombre
images, a sense of the isolation
of his existence weighed heavily
upon him. From the windows of
the funereal dwellings that stretched
in spectral fashion along the margins
of the canals, with their gable-ends
reflected like skeletons of crape in
the waters, a mortuary impression
was conveyed that seemed like
the foreshadowing of a speedy
dissolution.
Hughes lounged along the re-
spective lines of the Quai Vert
and the Quai du Miroir, and then
89
Bruges-la-Morte.
turned his steps to the bleak out-
skirts where the Pont du Moulin
lay fringed with its avenue of
poplars. The black spires of the
churches everywhere projected
themselves above his head like
holy water sprinklers after a
general absolution.
As he walked, the sad faded
leaves were driven pitilessly around
him by the wind, and under the
mingling influences of autumn and
evening a craving for the quietude
of the grave and a sense of
rebellion at the ineffectuality of
his own life overtook him with
unwonted intensity. The shadow
from the overhanging towers
90
Bruges-la-Morte.
appeared to fall upon his soul,
and a voice from the crumbling
walls seemed to whisper in his
ears-the water stretches before
thee as it stretched in front of
Ophelia in the most heart-rending
of all tragedies.
Hitherto a mysterious force had
rendered abortive all his longings
to escape from the dreary op-
pression of his existence. The
slow persuasion of the stones had
murmured to him of a lethe into
which the malignity of destiny
had no power to intrude. He
had realized the appropriateness
of an order of things which left
him without the right to survive
91
Bruges-la-Morte.
the death that everywhere reigned
around him.
Hughes had many times seri-
ously pondered the problem of
suicide. Ah! this woman, how he
had adored her! Her eyes still
haunted him in the most trivial
moments of his life. The melody
of her voice still lingered in his
ears as if descending from some
aerial region into which it would
be fatuity for him to hope to enter.
Of what unforgiveable offence had
he been guilty that after having
transfigured her into an object of
idolatry, he should be precipitated
among those who sorrow without
hope ? Such a devotion as his fell
92
Bruges-la-Morte.
only to be included among the
Dead Sea fruits, which leave in
the mouth only the ashes of
disillusionment.
The resistance he had offered to
the temptation of self-destruction
was another expression of his
reverence for her memory. The
religious training of his infancy
had combined with this conse-
cration to hinder him from the
adoption of such a solution of the
enigma of his existence. A mystic
by temperament, he trusted that
annihilation was not the doom of
humanity, and that in a hereafter
there might be even for him a
renewal of happiness. The church
93
Bruges-la-Morte.
had placed its ban upon a
voluntary death. To him suicide
now signified the abandonment of
all hope of reconciliation with God
and the renunciation of any faint
possibility of reunion with the
woman he had so passionately loved.
He continued, therefore, to cling
to the frail thread of his life, and
even find in prayer a paradoxical
balm for the wounds of his spirit.
But of all consolatory influences
the greatest remained the dim
interiors of the churches, pervaded
by the calm that is inherent in
Catholicism, and from which all
jarring and prosaic elements were
excluded.
94
Bruges -la-Morte.
Continuing his devious ramble,
Hughes entered the precincts of
the church of Notre-Dame. It
was at all times one of his most
favourite resorts, owing to its
sternly mortuary character. Alike
upon the ground and upon the
walls were ranged tumulary slabs
half defaced by time, whose
scratched and wrinkled inscriptions
still bore a blurred testimony to
the achievements of the dead.
Death itself was here effaced by
death!
Yet in this sepulchral atmo-
sphere, the harrowing impression
of the nothingness of life was
relieved by the beatific vision of
95
Bruges-la-Morte.
love perpetuating itself through
death. It was the transcending
consolation of this reflection that
brought Hughes to meditate so
frequently at this shrine. Lodged
at the foot of a lateral chapel were
the celebrated tombs of Charles
the Bold and his daughter, Mary
of Burgundy. Ah! how exquisite
they were !-the sweet princess
especially, with her hands deli-
cately joined, her head resting
upon a cushion, and the feet
supported by a dog--symbolizing
fidelity. Attired in a copper robe,
the figure was extended as in the
rigidity of death along the surface
of a massive block. In a similar
96
Bruges-la-Morte.
fashion, the effigy of her father
was stretched in a recumbent
attitude at her side, impressive
in its blackness, and as Hughes
gazed at the stately figures, the
soothing reflection entered his
mind that the day could not be
far distant when his body would
be mouldering in the dust beside
theirs, and that the surcease from
sorrow for which his heart craved
would then be also his portion.
Slumber side by side was the
most befitting of refuges, if
Christian hope was powerless to
realize for wedded lovers a spiritual
immortality.
Hughes quitted Notre-Dame in
97 G
Bruges-la-Morte.
a mood more oppressed by melan-
choly than that which had weighed
upon him on entering it. The hour
at which he was accustomed to take
his evening meal had arrived, and
he found himself almost uncon-
sciously at the side of his own
dwelling. Absorbed in the effort of
endeavouring to revive within his
memory the design of a tomb
that his imagination had vividly
constructed only a short time ago,
his material surroundings had
become non-existent to him. In
the slow passage of the years the
physiognomy of his dead wife,
which at first had been retained
in all the freshness of its beauty,
98
Bruges-la-Morte.
had little by little become so elu-
sive, that now it was in danger
of evaporating like an exposed
pastel rendered almost unrecog-
nizable by dust. Thus within the
depths of our own souls the dead
die a second time.
Suddenly, whilst engaged in the
re-composition of the lineaments
which the perfidy of recollection
had *half-obliterated, Hughes, to
whom passers-by were no more
than walking shadows, experienced
a violent thrill of emotion on
observing the ' features of a girl
who was making her way towards
him. During the course of her
progress from the end of the
99
Bruges-la-Morte.
street, she had escaped Hughes's
attention, and it was only upon
her arrival in close proximity that
the roots of his being were stirred
as if by a convulsion.
Upon a closer inspection bewilder-
ment took possession of him. It
seemed as if an apparition from
the grave had returned to benumb
his faculties. Standing as if
riveted to the spot, all else faded
into nothingness. Mechanically he
put his hands up to his eyes as
if to chase away a dream. Then
recovering a measure of self-
control, he proceeded to retrace
his footsteps, and abandoning the
quay he was engaged in traversing,
I00
Bruges-la-Morte.
set forth in pursuit of the being
whose existence was the most
startling of enigmas. He walked
quickly in order to overtake her,
and upon approaching stared at
the baffling object of his quest
with an intentness that seemed to
compel recognition. Outwardly
unembarrassed, the young woman
continued to march impassively
onwards, walking with a slow,
rhythmical grace of movement and
making no effort to elude the
observation of her pursuer.
Hughes appeared to become more
and more haggard and distracted
with every stage of her advance.
He had followed this visitant from
I0I
Bruges-la-Morte.
another sphere for several minutes
through the network of the Bruges
streets, but invariably retreating
when the moment for a decisive
discovery offered itself. He re-
sembled a man who on nearing
a well shrinks from the contempla-
tion of a visage reflected in its
waters.
An accidental lighting up of
the obscurity left him, however,
without power of incredulity. The
exquisite delicacy of complexion,
rivalling the most perfectly executed
of pastels, and the intensity of the
dark eyes that gleamed, sombre
and dilated, from the background
of a complexion of ivory, were the
102
Bruges -la-Morte.
same. Whilst he walked furtively
behind her, conviction was rendered
more absolute by the identity of
the strangely characteristic amber-
coloured hair. There was the same
disaccord between the unfathom-
able black eyes and the noontide
flamboyance of the tresses.
In his bewilderment, Hughes
ruminated upon the possibility
that his long existence as a recluse
might have impaired his sanity.
Living always alone with a memory,
it was not unlikely that a delusion
of identification had betrayed him.
The varying traits of the face
which now often evaded his recol-
lection, were suddenly thrust upon
1O3
Bruges-la-Morte.
him in a frightful conformity. All
his senses reeled with the shock
produced by the apparition. So
complete was the resemblance, that
it caused him to question the
reality of his own existence.
The similarity was perfect in
every detail. Not merely were
there reproduced the counterparts
of all the features, but the more
intangible reflections of her idio-
syncrasy were presented in their
integrity. All the subtleties of
movement that in life had given
expression to the more elusive
shades of the individuality of the
dead woman, were here counter-
feited with an exactitude that left
10o4
Bruges-la-Morte.
no apparent room for doubt as to
a veritable resurrection from the
grave having taken place.
With the gait of a somnambulist,
Hughes continued unreflectingly
to pursue this unearthly visitant
through the dank labyrinth of
the streets whose melancholy
rendered them so dear to his
soul.
Upon arriving, however, at a
square from which a congeries of
tortuous lanes branched off in
various directions, the woman
vanished phantom-like from his
side.
Hughes stopped, endeavouring
to inventory the emptiness, and
105
Bruges-la-Morte.
realizing once more the loneliness
of his destiny.
* The tears rose involuntarily to
his eyes. Ah! how closely she
had resembled the wife with whom
his own heart was entombed!
io6
III
THE plan of Hughes's existence was

entirely deranged by the inexpli-
cable nature of his encounter. Now
when he endeavoured to recall the
image of his dead wife, it was
anticipated by that of the stranger
whom he had beheld for the first
time only a few days ago. Instead
of being a suggestion of his
beloved, she supplanted her almost
wholly in his imagination.
When engaged in the ritual of
his silent devotions, it was no
longer the image of the dead
107
Bruges-la-Morte.
woman that confronted him, but
that of the living who resembled
her. How phenomenal was the
identity of those two countenances!
It was like a renewal of summer,
bringing with it a resurrection of
memories that had been dulled
by the long frost of winter. Yet
there emerged from it a likeness
upon which a fresh stamp had
been impressed, and that ignored
the mists created by the tedious,
unending days.
Hughes had now obtained a
clear and unobstructed portrait of
his beloved. Since the unforgettable
evening upon the old quay, when
there had advanced to him through
io8
Bruges-la-Morte.
the shadows a figure in the guise
of his dead wife, he had been
spared all fatigue of reconstruction.
Retrospect had ceased to be a
struggle. The haze had vanished
from his dreams. His memory
required to turn itself back no
farther than the twilight of only
a few days ago when his eye had
re-captured the dear face in all the
fulness of its charm. The recent
impression had fused itself into the
old with a vividness that now
conveyed the illusion of a real
presence.
Throughout the ensuing days,
Hughes felt himself weighed
down by a nightmare. A woman
o109
Bruges-la-Morte.
apparently existed who was undis-
tinguishable from the one he had
lost. Was the catastrophe that
had made a shipwreck of his life
only a cruel delusion, and could
this be interpreted as a return from
a phantom-land where, as in the
old-time legends, souls are held as
hostages for a season ? Conjecture
was only maddening. Yet there
remained the same eyes, the same
complexion, the same hair-exact
and adequate in every particular.
How bizarre were the caprices of
Nature and of Destiny!
He longed for an opportunity of
verifying this twin-like resemblance.
Probably, however, he was fated
IIO
Bruges-la-Morte.
never to see her again, and the
problem was one foredoomed to
evade solution. The woman had
apparently vanished into an im-
penetrable darkness. Nonetheless,
even the fleeting glimpse which
he had obtained of her served to
diminish the acuteness of his sense
of isolation. The influence of the
gleam had been to render him
alike less solitary and less of a
widower. Could he indeed be
regarded as a widower at all, if
still linked to a woman who con-
tinued to visit the earth at brief
and ghostly intervals ?
The hope of alighting upon this
counterpart developed into a con-
III
Bruges-la-Morte.
stant preoccupation. He lingered
wistfully around the old quay upon
which he had originally encountered
her, and from thence investigated
the various quarters which it might
be supposed she would be most
likely to frequent-running the
gauntlet in his journeys of discovery
of the comments of all the un-
occupied women who, ambushed
behind muslin curtains, speculated
on the cause of his explorations.
Occasionally he loitered in the
vicinity of the forbidding lanes
among which she had been
swallowed up, indulging always in
an expectation of her reappear-
ance.
112
Bruges-la-Morte.
A week glided away in this
fashion, leaving Hughes a prey
to the feverishness of frustration.
Upon one Monday afternoon,
however-precisely at the same
day and hour of the week as that
which had witnessed the first
meeting-just as he had begun
to recover something of his former
serenity, she reappeared in front
of him, walking with that balanced
rhythm of movement that appar-
ently invariably characterized her.
The whole being of Hughes was
filled with an even deeper sense
of consternation than that which
had overwhelmed him on the pre-
ceding occasion. The resemblance
113 H
Bruges-la-Morte.
appeared more appalling in the
direness of its significance.
The heart of the widower stood
still, as if confronted by a
revelation of the supernatural.
All his surroundings dissolved
into nothingness. Every atom of
blood in his body appeared to
surge to his brain. A procession
of first communicants that chanced
to pass at the moment, arrayed
in their white muslins and wedding
veils, swam before his eyes like a
mirage. He retained consciousness
only of the black silhouette so
clearly outlined at his side.
The woman had remarked his
agitation, and gazed at him with an
114
Bruges-la-Morte.
air of astonishment. Ah! that
gaze so strangely retrieved from
the dead years. The gaze which
he had believed it impossible could
ever be bent upon him again and
that he imagined had long vanished
into the meaninglessness of the
grave, was turned upon him again
in all its sweetness and tenderness
of devotion. To Hughes the look
seemed one such as that which
Lazarus after his recall from death
might have bestowed upon Jesus.
Deprived of all vestige of energy,
he now found himself dragged
irresistibly in the wake of the
apparition. Hopelessly magnetized
for the moment, he understood
II5
Bruges-la-Morte.
only that a re-incarnation of his
dead wife was walking in front of
him, and that it was absolutely
imperative that he should not allow
it to escape. It was, therefore, a
necessity of the direst magnitude
that he should follow in the rear,
inhaling the perfume that seemed
to emanate from her personality
and endeavouring to rekindle the
flickering taper of his life at the
sunlight of her hair. The solitary
task that was now left to him to
discharge was to pursue her at all
sacrifices, alike to the ends of the
town or to the ends of the earth.
He made no effort to reason
with himself, but followed in the
II6
Bruges-la-Morte.
track of her footsteps, haunted by
a breathless fear that he might
again lose her amid the meandering
lanes of the old town.
In the intensity of his pre-
occupation, it never occurred to
him to consider that there was
anything reprehensible in the
nature of his chase-to follow
a woman : but the mind of
Hughes had become firmly con-
vinced that it was his wife that
he accompanied in this sorrowful
promenade, charged with the
melancholy duty of escorting
her to her tomb.
Wrapped up in his hallucination,
the widower walked on in close
I"7
Bruges-la-Morte.
proximity to the unknown without
perceiving that they had left
behind them the deserted quays,
and had now reached the Market-
place where the black and inscru-
table Beffroi defied the rapidly
encroaching darkness with its dial
and gold-buckler.
The demeanour of the young
woman made it apparent that she
was wishful to detach herself from
her pursuer. She plunged swiftly
into the Rue Flamande-so dis-
tinguished by its picturesque
and lavishly decorated facades
-where the black silhouette of
her figure defined itself more
sharply on every occasion that
II8
Bruges-la-Morte.
she passed before the lighted
windows of the shops, whose
glare projected itself beyond the
dim illumination afforded by the
street-lamps.
Finally he saw her cross with
equal briskness the intervening
space, and then mount the steps
leading into the theatre, whose
doors opened to receive her.
Her disappearance arrested the
footsteps of Hughes, who then
remained standing in an attitude
of abject helplessness. During
the whole course of the girl's
progress, he had been converted
into a satellite incapable of inde-
pendent action. The movements
I"9
Bruges-la-Morte.
of the soul possess, however, an
impulsion of their own, and
obeying one of these, he in his
turn entered the vestibule into
which the crowd was already
thronging. The face of the
woman he sought had, however,
disappeared like a vision. He
ransacked the office of the
check-taker, hunted throughout
the staircases, and peered into
every outlying portion of the
building. In no quarter could
any vestige of his quarry be
discovered. "In what mysterious
fashion," he asked himself, "had
she contrived to disappear?"
Could it be by means of one
120
Bruges-la-Morte.
of the corridors, or had she fled
through a side door? By virtue
of the testimony of his own eyes,
he was at least certain of her
entrance into the theatre. In all
probability she would be by this
time established in front of the
curtain. Doubtless she would be
occupying one of the fauteuils, if
not installed in the obscurity of
one of the antiquated boxes. At
all events, he must see her again.
The mere possibility of being
allowed to contemplate her face
for an entire evening overpowered
him. With this thought-con-
taining as it did so vast an admix-
ture of good and evil-a sensation
121
Bruges-la-Morte.
of vertigo swept over him. Utterly
unable to resist the temptation, he
dismissed all other considerations
from his mind. The anomaly
which must be created by his
appearance at a theatrical repre-
sentation attired in the mourning-
of which he had habitually refused
to divest himself-did not even
suggest itself to his disordered
mind. All sense of the befitting
was lost in the vehemence of his
infatuation. Returning unhesita-
tingly to the bureau, he secured
a fauteuil and descended into the
heart of the theatre.
His eyes roved quickly around in
all directions, surveying successively
122
Bruges -la-Morte.
the various ranges of stalls;the
private and then the more public
rows of boxes; the galleries into
which the public streamed in an
ever-augmenting torrent. Nowhere
was there to be discovered any
trace of the woman that he sought.
Foiled, disconcerted and melan-
choly, the soul of Hughes rose in
rebellion against the perversity
of circumstance. How cruelly
Destiny had jested with him.
What a frightful hallucination was
this face which appeared and
vanished in so phantom-like a
fashion. It was nothing more
than a bewildering and intermittent
apparition, which could be compared
123
Bruges-la-Morte.
only to the course of the moon
as it pursued its way through
alternating masses of clouds. The
disturbance created by the late-
comers among the audience
hastening to their places amid a
corresponding clashing of doors
and grating of feet, jarred upon his
over-wrought nerves. Yet, hoping
against hope, he lacked the
resolution to fly from the arena of
his mortifications.
She only failed to arrive.
He now began to bitterly regret
the rashness of his unreflecting
intrusion into such incongruous
surroundings. Many among the
audience had obviously commenced
124
Bruges-la-Morte.
to remark his presence, and were
manifesting their astonishment
through the medium of an
insistence of levelled opera-glasses.
Throughout his sojourn of five
years in Bruges, Hughes had
shrunk from forming relations with
any family resident in the town.
His seclusion had been absolute.
None the less everyone knew him
by sight and was aware of the
nature of the idealism to which
he had professed to dedicate the
remainder of his days. In this
moribund city, with its sparse and
unoccupied population, where each
member of the community pos-
sessed a closer acquaintanceship
125
Bruges-la-Morte.
with the affairs of his neighbours
than with those of his own, all
new-comers were the objects of a
sinister solicitude which strove to
discover their antecedents and
scatter broadcast the fruits of its
researches.
The appearance of Hughes amid
the garish lights of the theatre
acted as the dissipation of a legend.
To many among the audience
it seemed nothing less than a
veritable triumph of the prosaic.
The portion of the audience who
had invariably dismissed with a
sneer the theme of the inconsolable
widower, were wreathed in smiles.
Hughes, who was incapable of
126
Bruges-la-Morte.
diagnosing the impressions of a
crowd until the arrival of the
moment when they unify them-
selves into a collected thought,
none the less felt an intuitive
consciousness of degradation over-
power him. There came to him
the experience of a sensation as
if a vase which he had striven to
maintain in a condition of unsullied
purity had been besmirched and
shattered.
The orchestra meantime came
to his rescue with the prelude to
the work which was to furnish
the evening's entertainment. He
saw the title inscribed in large
letters upon the programme of his
127
Bruges-la-Morte.
neighbour, Robert the Devil, one
of those antiquated operas which
still continues to maintain its hold
upon the affections of provincial
audiences. The opening chords
were struck by the violins.
Hughes still felt himself
extremely ill at ease. Since the
day of his wife's death, he had
excluded music from his life. The
sounds of all instruments terrified
him. Even the tinkle of the
accordion, so pathetic in its
feebleness, wrung tears from his
eyes. When upon Sundays the
organs of Notre-Dame and St.
Walburga moaned to the roof their
sense of the sorrow of the world,
128
Bruges-la- M orte.
his own became too deep for
expression.
The music of the opera now
intervened and drowned for the
moment his perturbations. His
deranged nerves had been exas-
perated by the scraping of the
violins. A paroxysm of grief took
possession of him, and under its
empire he rose with the intention
of quitting the theatre. As he did
so, however, the idea occurred to
his mind like a flash of inspiration
that the woman he had pursued in
so besotted a fashion had not yet
necessarily eluded him. She had
entered the building under his
very eyes, and yet notwithstanding
129 I
Bruges-la- Morte.
it had been impossible to perceive
a solitary evidence of her presence
in any region of the theatre. The
explanation was extremely simple.
As she existed neither in front
of the curtain or behind it, the
conclusion was inevitable that her
appearance upon the boards must
ere long be made.
The very presentiment of such
a profanation was revolting to his
soul. All the fastidiousness of
his temperament arose in horror
at the conception of the beloved
face, which had been ever to him
little less than an object of
adoration, being exposed to the
glare of the foot-lights and the
130
Bruges-la-Morte.
criticism of the mob. Yet this
woman had manifestly effected her
disappearance by some service-
door, and must, in consequence,
be an actress. No other way of
escape from the situation was
possible. He was, therefore,
doomed to behold her singing and
gesticulating for the entertainment
of this vulgar and motley audience.
The thought of her voice flashed
into his brain with an augmentation
of panic. Was the completeness
of this diabolical resemblance to
be demonstrated even in the
reproduction of the exquisitely
silvery accents for the music of
which he had yearned throughout
I3I
Bruges-la- M orte.
the expanse of the gray mono-
tonous years?
A species of stupor crept over
Hughes, and it was only a
premonition that enabled him to
sustain the tediousness of the
performance. The bitterness of
the end seemed looming upon the
near horizon.
The acts, however, succeeded
each other in the most eventless
of fashions. No vestige of her
could be detected either among
the singers or amid the ranks of
the bedaubed chorus-girls. Wholly
uninterested in the opera, he re-
solved to take his final departure
from the theatre at the close of
132
Bruges-la- M orte.
the scene with the Nuns, in which
the decorative effects attached to
the burying-ground caused his
mind to -recur into something
approaching its ordinary groove.
At the*moment, however, of the
recitative of the evocation, when
the ballet-dancers impersonate the
sisters of the cloister recalled from
the tomb and marching in full
procession, Hughes experienced
a shock resembling that of a man
who awakens from a trance within
the precincts of a dancing-hall.
Yes! It was she; and after all
this ordeal of torture only a dancer!
But the thought instantaneously
effaced itself from his mind. This
133
Bruges-la- M orte.
was his dead wife ascended from
the dreariness of the sepulchre
who advanced towards him, smiling
and holding forth her arms.
In its very gruesomeness the
environment helped to enhance the
resemblance, as the lustre served
to accentuate the dilation of the
eyes, and the lights descended like
a kind of nimbus around the
glowing hair.
In the imagination of the
widower, the dancer was trans-
formed into the shape of a frightful
apparition from the grave, upon
which the curtain was speedily to
descend.
Hughes, with his brain on fire,
134
Bruges-la- Morte.
paced wildly along the expanses
of the quays-which, through the
blackness of the night, the ghostly
lights caused ever to stretch in
front of him-haunted without
remission by the miracle which he
had just beheld.
. . . It was in a fashion such
as this that Doctor Faustus
hungered after the magic mirror
in which the celestial image of his
beloved disclosed itself.
135
IV
HUGHES had no difficulty in

discovering the identity of the
woman who had played such havoc
with the serenity of his days. The
name under which she appeared
upon the play-bill was that of
Jane Scott. She lived at Lille,
and came twice a week with
the company in which she had
been allotted a part, to give
performances at Bruges.
Dancers are not a class re-
nowned for the austerity of their
manners, and one evening, therefore,
136
Bruges-la- M orte.
impelled by the fascination of the
resemblance, he ventured to accost
her.
She replied without the faintest
indication of surprise in a tone
that revived for Hughes all the
hallowed memories of the days of
his wedlock. Her voice possessed
exactly the same thrill and subtlety
of intonation that had erstwhile
endowed it with a magic which
ten years of unbroken familiarity
had been powerless to dispel.
The demon of analogy pursued
him persistently with its ironies;
yet it was part of the natural law
which governed the world that
there should exist a pre-established
'37
Bruges-la-M orte.
harmony of mind that corresponded
in its quality with hair of such a
texture and a voice so perfect in
its modulation.
No evidence of oneness could
be more conclusive than the dark
and dilated eyeballs in their setting
of ivory and the gold hair without
a vestige of alloy that was
matchless throughout the world.
Under the microscope of a scrutiny
that never relaxed, not even the
most minute discrepancies could be
detected between the dead woman
and the living. Notwithstanding
the coarsening influences ordinarily
exercised by paint, powder, and
the, glare of the foot-lights, the
138
Bruges-la- M orte.
natural delicacy of Jane's com-
plexion had been retained unim-
paired. Throughout her whole
bearing there existed nothing of
the insouciance that betrays the
actress. The sobriety of her
toilette appeared to be the
expression of a character that
combined sweetness with reserve.
In his anxiety to elucidate
the mystery of the resemblance,
Hughes visited her several times.
The witchcraft of the duality then
magnetized him. He was careful,
however, to refrain from returning
to the theatre. Yet he none the
less viewed the evening when he
had been drawn by chance within
I39
Bruges-la- Morte.
its walls as a relentance of Destiny
which had brought sunlight into
the bleakness of his days. At
that encounter, Jane had been to
him merely an illusion into which
no element of flesh or blood
entered-a transitory resuscitation
vanishing through a fairyland of
decoration into the unknown.
But acquaintanceship rendered
it impossible for him to regard her
from such a standpoint, and it
became his desire that she should
assume the place of his dead wife,
dwelling with him in the shadow
and attiring herself only in the
most sombre raiment. What most
endangered his illusion was the
140
Bruges-la-Morte.
theatrical garishness of Jane's
apparel. A flamboyant costume
was altogether incompatible with
the evocation for which his heart
craved.
Upon every occasion that the
company in which she played
arrived in Bruges, Hughes formed
the habit of waiting for her at
the hotel upon which she was
quartered. At first the consoling
mendacity of her face contented
him. In the countenance of the
living woman he saw that of the
dead. For long periods he
scrutinized her features with a
melancholy joy-pondering over
the lips, the hair, the complexion.
141
Bruges-la- Morte.
The liquid radiance of the eyes
that he had believed closed for
ever filled him with ecstasy. The
waters were no longer stagnant
the mirror lived!
To the words that fell from her
lips he listened intently, drinking
in the sound of the voice which
was identical with that of the one
of whom he had been bereft, with
the exception only of a certain
dulness in some of the tones. It
seemed upon certain occasions,
as if the melody of the old accents
came from behind thick hangings
of tapestry.
With the increasing frequency
of the widower's visits, another
142
Bruges-la-Morte.
memory obtruded itself persistently
upon him. Such revelations as
those of her alabaster throat; of
the voluptuousness of her limbs;
of the supple contours of her back,
rekindled the extinct fires of his
youth.
A passion of sensuality took
possession of him.
His mind became more and
more filled with the conviction that
his wife had never really died.
She had merely absented herself
for a time, and had now returned
in all the completeness of her
personality.
When he looked at Jane,
Hughes thought of the caresses
143
Bruges-la-Morte.
that he had been wont to lavish
in a past that no longer appeared
remote. In possessing her, he
repossessed his wife. His life
which had seemed ended with her
consignment to the grave was
now about to begin. In his eyes,
Jane was without an existence.
It was not her lips that he kissed,
but those of his beloved. So
complete was his hallucination that
it banished all consciousness of
treachery to the memory of the
woman that he had adored. No
fleeting shadow of scepticism
disturbed the blissfulness of his
illusion.
The passion to which he had
144
Bruges-la- M orte.
abandoned himself was conse-
quently no sacrilege, because for
him the two women had no
separate existence. It was she
whom he had lost and had at
length regained; loved in the
present as in the past; possessing
the same eyes, the identical
resplendence of hair, an indivisible
flesh and a community of body to
which he dwelt ever faithful.
The afternoons that preceded
the evening performances were
the hours which Hughes was in
the habit of spending with Jane.
But it was in the unruffled silence
of midnight that he most fully
realized the beatitude that had
145 K
Bruges-la- M orte.
come with this yielding up by the
grave of its dead. Despite the
evidences of mourning that upon
all sides surrounded him, he
contrived by slow degrees to
persuade himself that the malignity
of fate had exhausted itself, and
that there now dawned in front of
him the prospect of a tranquil
future of domesticity into which
no harsh note should intrude
itself.
The memory of the delicious
evenings spent in a companionship
which caused the exterior world
to recede into nothingness, returned
to Hughes with a vivid intensity.
All else effaced itself from his
146
Bruges-la-Morte.
mind. He became oblivious of
the drizzling rain, the forsaken
streets, the desolate canals, the
pervasion of winter-even of the
carillon announcing the death of
the hours.
During these nights, he appeared
to have partaken a draught of
poppy and mandragora, which
brought with it the balm of
forgetfulness. Ten years of his
life had glided imperceptibly away,
and now there came before him
the vision of a possible Eternity.
147
V
HUGHES installed Jane into the

position of tenant of a smiling
little house situated upon the
confines of the town, which he had
acquired for her. It adjoined the
old windmills that still invest that
portion of the outskirts with so
Arcadian a charm.
At the same time, he had
decided to remove her from the
theatre: In this way, he could
retain her always by his side at
Bruges. The depth of his hallu-
cination rendered him insensible
148
Bruges-la- M orte.
to the ridicule which inevitably
attaches itself to the amour of
a man who, after having been
deserted by youth, had ultimately
adopted the attitude of a dis-
consolate widower. For the
dancer herself he entertained no
affection. All that he desired was
the conversion of his mirage into
a reality. In his approaches to
Jane, he was allured only by a
craving to re-discover something
which he had beheld in another-
a nuance, a reflection, an attribute
the origin of which was contained
in the soul.
In other moods he unfastened
her hair which descended like an
149
Bruges-la-Morte.
inundation around her shoulders,
and rearranged it mentally in an
imaginary skein which made a
reality of absence.
Jane was utterly unable to
comprehend alike the extraordi-
nary vagaries and the prolonged
reveries of Hughes. She had
been struck, however, at the very
commencement of their relations
by the extreme consternation which
he exhibited on learning for the
first time that her hair was dyed,
and the eager anxiety which he
had displayed ever since in regard
to the exact retention of the
shade.
"I do not want to continue
150
Bruges-la- Morte.
dyeing my hair," she had observed
to him one day suddenly.
He became instantly panic-
stricken, and insisted that there
should be no interference with its
existing golden tint. In his excite-
ment he began to fondle the
beloved tresses, plunging his
fingers into their depths like a
miser gloating over the recovery
of a treasure which he had believed
irretrievably lost.
The incoherence of his ex-
planations only added to the
bewilderment of Jane's mind.
"Do not alter anything!" he had
implored. "It is owing to the
colour of your hair that I love you.
151
Bruges-la-M orte.
Ah! you do not understand, you
will never understand, what this
hair signifies to me!"
He seemed to be upon the
point of saying something more,
but silenced himself in the manner
of one who is on the brink of a
revelation of which he dreads the
results.
Since his settlement of Jane at
Bruges, Hughes never permitted
a day to pass without visiting her.
He spent all his evenings at her
house, and often supped there,
notwithstanding the anger of
Barbara, who complained bitterly
of the repasts which she prepared
only to be ignored. The old
152
Bruges-la- M orte.
woman feigned to believe that her
master had taken his meals at
a restaurant, but was in reality
thrown into a condition of complete
perplexity and failed entirely to
understand the revolution in the
habits of one who had formerly
been so punctual and home-
keeping.
Hughes now went out a great
deal, dividing his time between his
own house and that of Jane.
He altered, however, the period
of his excursions from the after-
noon to the evening. The change
was prompted by his wish to
escape from the observation of
any inhabitants of the town he
153
Bruges-la-Morte.
might chance to encounter, who,
however, were not numerous on
the route that led to the secluded
quarter where the dwelling of Jane
was situated. No thought of
self-reproach in regard to what he
knew the world would view only
in the light of a common liaison,
suggested itself to his mind.
Impregnably entrenched in his
illusion of identity, he believed
with absolute sincerity that Jane
was his wife in the sight of God.
It was impossible, however, at
the same time to disregard the
prudishness that was rampant in
a provincial town, whose denizens
were always ready to judge with
154
Bruges-la-Morte.
inexorable severity any alien who
had the hardihood to defy their
conventions.
In Bruges--though the most
catholic of towns-the ethical
standard which prevails is uncom-
promisingly puritanical. Even the
high towers in the austerity of
their outline cast the shadow
of their reprobation upon the
Magdalen. From the innumerable
convents there seemed distilled
into the atmosphere, a disdain for
the weaknesses of the flesh and
an involuntary glorification of
chastity. At the corners of all
the streets, protected by their
wood and glass coverings, stood
155
Bruges-la-Morte.
figures of the Virgin clothed in
mantles of black velvet, bearing
in their hands a little flag
with the inscription-" I am
the immaculate ! "
The sexual relations which have
never received the sanctification
of the Church have ever incurred
its denunciation, as the most
insidious of all the paths that
lead to hell and the most subtle
of all the evils in the armoury
of the devil. Of all sins, that
interdicted by the sixth and ninth
commandments, bringing as they
do the blush to the cheek of
the penitent and causing the
broken accents in the confessional,
156
Bruges-la- M orte.
is the one which the priest is most
reluctant to condone.
Hughes knew well the Phari-
saical character of Bruges, and he
wished as far as possible to avoid
coming into conflict with it. But
in this town where all is stagnant
save inquisitiveness, curiosity waxes
riotous and renders the most elabo-
rate precautions unavailing. Soon,
entirely unknown to himself, he
became throughout the town the
target for an outbreak of virtuous
reprobation. The scandal of his
relations drew down upon itself
from all quarters the ironies of
the faithful. Even the authorities
of the chapter within the cathedral
157
Bruges-la- Morte.
laughed, and the very gargoyles
of the building seemed to jeer at
the culprit as he passed, impervious
alike to ridicule and condemnation.
The intrigue of the widower
and the dancer provided Bruges
with a sensation unparalleled in its
social history. Invective speedily
dissolved into ridicule. Hughes
developed into the laughing-stock
of the town. Raillery of every
description was manufactured at
his expense. No one affected
ignorance of this side-splitting
amour. A credulity of evil mani-
fested itself from door to door.
No story was too preposterous
for acceptance. All the malignant
158
Bruges-la- M orte.
curiosity which in the dead towns
flourishes like the grass in the
forsaken streets was let loose
upon him.
The grim entertainment which
the population of Bruges derived
from the contemplation of the
liaison, was enhanced by the
history of his long despair. Verily
bathos had now claimed him for
its own! This was the termina-
tion to a life dedicated to sorrow
and to thoughts woven together
in such a pattern as to constitute
the analogy to a bouquet laid upon
a tomb. To-day the mourning in
which he still persisted in rendering
himself ridiculous, was the most
159
Bruges-la- M orte.
sardonic of all mockeries upon a
love that had been proclaimed to
the town as eternal.
" How melancholy," exclaimed
a few of the less censorious,
" was the infatuation of this poor
widower!" "How mysterious it
was that he should be bewitched
in such a fashion by a strumpet!"
All her history was well-known
to them. She had long been a
dancer at the theatre. Upon the
street the matrons of the town
waxed indignant over her tranquil
air, flaunting carriage, and moth-
coloured hair. Every one knew
where she lived and that she
was visited every evening by
I6o
Bruges-la-Morte.
this parody of a disconsolate
widower. A few days more and
gossip would be enabled to retail
the exact moments of his arrivals
and departures.
As a relief to the lethargy
of their existence, the prying
bourgeoises exercised the most
lynx-eyed surveillance over all
the movements of Hughes.
Merely by sitting at the window
they were enabled through the
medium of the little mirrors-
which are described as the esfions
and can be discerned at the
lattices of every dwelling, fixed
into the exterior support-to capture
all the varying expressions of the
161 L
Bruges-la-Morte.
passers-by. Into these oblique-
looking glasses all the profiles from
the streets instantaneously frame
themselves. Smiles, thoughts, ges-
tures, are alike reproduced in the
interiors of the houses, and furnish
material for discussion to the
inmates.
All the comings and goings of
Hughes were rendered by the
treachery of the mirrors the
property of every inhabitant of
Bruges, and no detail of the
concubinage in which he lived with
Jane was allowed to pass uncom-
mented upon by them. The naive
precautions with which, in his
ignorance of the fury of the
162
Bruges-la-Morte.
tempest of inquisitiveness raging
around him, he endeavoured to
safeguard himself against exposure
only served to cover with an
increase of absurdity the liaison
that was, however, again passing
from a subject of comedy into one
of denunciation.
Profoundly unconscious of the
virtuous indignation of which he
was the victim, Hughes continued
at the decline of every afternoon
to pursue his way by means of
elaborate ddltours to where Jane's
house slept upon the fringe of the
town.
His perambulations had now
become less lugubrious than of
163
Bruges-la-Morte.
old. He traversed the different
windings of the town, pausing to
brood upon the parapets of the
ancient bridges, and again losing
himself in reveries upon the
mortuary quays, from whose waters
there returned to him a sympathy
of despondency. In these Jacques-
like moods, the evening bells ever
sounded to him an obit of lamenta-
tion. Ah! these bells so lulling
in their melody, and yet distancing
themselves from him into a re-
moteness as if in their essence
belonging to another sphere in
which he had been allotted no
portion.
After the overflowing of the
164
Bruges-la-M orte.
water-ways, the tunnels of the
bridges seemed saturated in cold
tears, and the poplars at the
edge of the waters quivered plain-
tively like frail spirits threatened
by calamity. Hughes felt no
longer the sorrow which lay at the
heart of all the objects that en-
vironed him. He perceived no
more the town rigid as if in death
and swathed in the countless
intersections of its canals.
This town of old time-this
Bruges-la-Morte - whose destiny
in its utter bereavement had
seemed always to furnish a parallel
to his own, transfigured itself in
his eyes as a veritable temple in
165
Bruges-la-Morte.
which melancholy sat enshrined.
As his footsteps conducted him
slowly homewards, he consoled
himself with the reflection that
Bruges had also reascended from
the tomb, and was in reality a new
town that had arisen upon the
relics of its predecessor.
It was the cherishing of this
delusion that rendered him through-
out the whole course of his visits
to Jane absolutely impervious to
any sentiment of remorse. No
suspicion of the travesty he was
enacting disturbed him. The
closest approach to a true con-
sciousness was a sensation akin to
that experienced by a widower,
1i66
Bruges-la- M orte.
when upon the attire of a fellow-
mourner there gleams the incon-
gruity of a red rose.
167
VI
HUGHES pondered frequently upon

the mystery of the resuscitation
which had revolutionized his exis-
tence. Jane corresponded to the
two contradictory necessities in-
herent in human nature-habit and
the love of novelty. Habit is the
primary law which regulates human
existence, and Hughes had been
so enslaved by it that his destiny
had been fixed irremediably. After
ten years of constant companion-
ship with a woman to whom he
i68
Bruges-la-Morte.
had been absolutely devoted, he
had been rendered utterly unable
to accommodate himself to her
absence. His only resource was
the attempt to discover suggestions
of her in other countenances.
As a counterbalancing force, the
love of novelty is equally instinc-
tive. Even a monotonous happi-
ness waxes fatiguing. One of the
paradoxes of human nature is its
passion for the irreconcilable. In
the recklessness of our dealings
both with health and happiness,
this craving for mutability exempli-
fies itself frequently in our destruc-
tion of both. Love, also, is subject
to these oscillations of feeling, and
169
Bruges-la-Morte.
gains strength in the intermittence
of itself.
Resemblance, however, is the
link which harmonizes these con-
flicting tendencies, and reduces
them to their just level of equality.
Likeness may thus be described as
the force which assimilates habit
and the love of novelty. In the
region of love this subtle amalgam
operates with especial power. No
fascination is more irresistible
than that of a new woman, who
arrives clothed in a beauty which
formerly had belonged to another.
To Hughes, such reflections had
been rendered a source of enjoyment
by virtue of the long solitude which
170o
Bruges-la-Morte.
had made him a connoisseur in all
nuances of the soul. Was it not
for the underlying sentiment of
analogy that he had chosen this
Niobe of cities as the most befitting
of all refuges in which to live out
the term of his abandonment ?
He was endowed with what
might be described as the sense
of resemblance, which attaches
together by a series of subtle
associations material with invisible
things-interweaving the boughs
of the trees into his conception of
Paradise, and creating an immaterial
telegraphy between his own soul
and that of the inconsolable towers.
The sea, likewise, had withdrawn
171
Bruges-la- M orte.
itself from Bruges, and in that
desertion he perceived another
confirmation of the identity of his
own fate with that of the town.
It was nothing less than a
phenomenon of resemblance this
merging of his destiny into that
of the grayest of gray towns.
An ineffable charm of melancholy
rests always upon the gray Bruges
streets, over which there broods
always the sentiment of an All
Saints' day. The gray blends and
contrasts with the snowy caps of
the nuns and the black cassocks
of the priests, who pass and repass
almost unintermittingly. The para-
mountcy of the colour invested
172
Bruges-la-Morte.
Bruges with the mystery of a half-
eternal mourning.
At the ends of the streets, the
facades merged themselves into
the infinite-some of these had
acquired a pale green shade where
the faded bricks had been painted
with white, but all around others
were black, which relieved in their
severity of character the garish
tones of those they adjoined. The
effect of the combination was
another manifestation of the gray
which stretched in a soft, almost
imperceptible haze to where the
old walls reveal the shrunken
dimensions and faded glories of
the city.
'73
Bruges-la-Morte.
The very sound of the bells
conveyed an impression of black-
ness to the imagination--descend-
ing into space they finally dissolved
in a crash which died slowly along
the vistas of the canals.
Notwithstanding the multitude
of reflections which were mirrored
in the waters-corners of blue
skies, red tiles of roofs, snow of
swans, green of poplar trees-all
were unified into tracks leaving
the effect of an uncoloured silence.
In Bruges, by virtue of a climatic
miracle, there exists a reciprocal
penetration due to some unknown
chemistry of atmosphere which
neutralizes colours that are too
174
Bruges-la- M orte.
accentuated in hue, and subdues
them into an overhanging unity
of a nocturne in gray.
It seems as if by the inter-
mingling in an occult alliance of
the ever-recurring fogs;the dull
light that descends from the
northern skies; the humidity that
ensues from the excessive rains;
the granite of the quays; the
sheddings of the bells; that there
is evolved the colour of the air.
Slumbering together also within
this ancient town, united by the
sympathy of a common abandon-
ment, repose the ashes accumu-
lated by the centuries and the
legacy of the dust of the sands
'75
Bruges-la- M orte.
bequeathed by the retreat of the
sea.
It was the influence of this
inarticulate pathos that had been
mainly instrumental in prompting
Hughes to plant his hermitage
within these crumbling walls.
Sheltered here against the hos-
tility of fate, he had been content
that his energies should dwindle
imperceptibly away under the
dominion of the decay that every-
where held empire around him,
until his final dissolution as a wan
soul undistinguishable in colour
from that of the town.
Now a chance encounter had
turned the current of his thoughts
176
Bruges-la-Morte.
into an inverse channel. By what
manoeuvre of Destiny had there
emerged, in this Bruges which
he had entered as a shipwrecked
widower void of aspiration, so
miraculous a resuscitation, renewing
a past which he had long deemed
to be resting in the grave ?
Occasionally he speculated as
to what awaited him in the future,
living as he did under the shadow
of the supernatural, but the intoxi-
cation of the resemblance of Jane
to his dead wife again recurred to
divert his reflections, strengthened
by the influence of the passion for
analogy which led him to identify
himself with the dead town.
177 M
VII
DURING the flight of the months

that had elapsed since Hughes's
first encounter with Jane, nothing
had occurred to dispel the fiction
which then sprang into being.
His attitude towards life had,
in consequence, become entirely
altered. Despondency weighed
upon him no longer. The
conception he had formed of
existence as a solitude in an
unpeopled immensity was entirely
dissipated. His beloved, whom he
had deemed eternally separated
178
Bruges-la- M orte.
from him, had returned in all the
refulgence of her beauty. He
discovered in Jane what is revealed
to the poet by the depths of the
waters or the lustre of the moon:
as yet no foreboding of evil,
resembling the shivering of the
leaves before the chill autumn
blast, had cast a shadow upon this
revival of his happiness.
Yet it was still the dead that he
continued to honour in the shape
of this simulacrum of herself.
Never for an instant had he
wavered in his fidelity to his cult.
Upon the morning of every
anniversary of his wife's death he
tendered his devotions-as if along
'79
.Bruges-la-M orte.
stations on the way of the cross
of love-before the relics that he
had so sedulously conserved. In
the hushed silence of the salons,
with the blinds only partially open
and the furniture rigid as statuary,
he passed in a species of adoration
before the different representations
of his dead wife. A photograph
depicting her in the bloom of early
girlhood before the advent of their
betrothal; a large pastel inserted
into the centre of a panel which
the light alternately hid and
exhibited in an intermitting
silhouette ; another photograph
contained in an emerald setting
and placed within an alcove
18o
Bruges-la- M orte.
pourtraying her drooping-with the
languor of the lily in its decline
under the etiolated aspect imparted
by illness in later years: served to
comprise the collection. Hughes
stooped down and kissed them
reverently, like a worshipper before
a table on which are deposited the
most sacred reliquaries.
At the commencement of every
morning, he wrapped himself up
in contemplation before the crystal
coffer in which the hair of his dead
wife was preserved. It was only
upon extremely rare occasions
that he ventured even to remove
the lid. Merely to expose it had
assumed in his eyes the character
I8i
Bruges-la- M orte.
of a profanity. This hair was the
only memorial from her person
which had escaped the hunger of
the tomb, and he derived a
melancholy gratification from the
thought that it enjoyed a more
perfect repose in this coffer of
glass. To handle it appeared to
him an act of sacrilege. Regard-
ing it as he did, as the guardian-
angel of the house, the thought
that it was present and intact fully
sufficed for him.
Profoundly indifferent to the
passage of time, Hughes beguiled
the tedious hours by the re-
vivifying of memories which
contrasted luridly with the sombre
182
Bruges-la-Morte.
texture intbo which the decline of
his existence had been woven:
whilst above his head there
emanated from the holy-water
sprinkler attached to the chandelier
the germ of a little plaint.
Afterwards he went forth to
the house of Jane, which now
constituted the last station in the
embodiment of his cult. The hair
of Jane was abundant and living in
the fulness of the resplendence
which had enthralled him in the
distant years. In her he saw the
portrait whose features most closely
corresponded to that of his dead
wife. Ever hankering after devices
that might contribute towards
183
Bruges-la-Morte.
rendering the illusion more com-
plete, a bizarre conception one
afternoon took possession of the
mind of Hughes. Not merely had
he preserved in all their integrity
the various portraits, trinkets, and
objects of every description belong-
ing to his wife, but in compliance
with his orders they had been
distributed throughout the house
in the fashion best calculated to
create the illusion that she was on
the point of returning after a brief
absence. Nothing whatever con-
nected with her had been disposed
of. A chamber was kept scrupu-
lously in readiness for a possible
return, with the sprigs of boxwood
184
Bruges-la-Morte.
blessed by the priest upon Palm
Sunday annually renewed. The
linen, which in life had formed a
portion of her wardrobe, was
stored away in the drawers, and
so effectually safeguarded against
mustiness by the perfume-bags
that it had remained only a little
yellowed by the lapse of years.
In the cupboards were suspended
the dresses - now faded and
immobile-that in life had served
to enhance the beauty of their owner.
Only at rare intervals did
Hughes disturb their repose. Yet
bent always on the eternalization
of his sorrow, no relic was ever
wholly neglected by him.
185
Bruges-la-Morte.
Like faith, love nourishes itself
in the fulfilment of small observ-
ances. The longing to see Jane
attired in one of his wife's old
dresses, which had taken such
deep root in his mind, made rest
an impossibility to him. By the
effect of the imposition of his wife's
costume to that of her person, the
identification would be rendered
complete. The resuscitation in
its perfection would then represent
a parallel to the Grecian legend
of Alcestis rescued by Hercules
from the grasp of the King of
Terrors.
It would be the transcendent
moment of his life if he were
186
Bruges-laMorte.
permitted to behold Jane advancing
towards him apparelled in this
fashion, annihilating alike time and
reality, and bestowing upon him
the beatitude of forgetfulness.
The picture developed itself into
an obsession within his mind which
he found himself powerless to
uproot.
Unable any longer to struggle
with the temptation, he one
morning requested his servant to
bring down from the attic a trunk
in which he proposed to convey
the dresses from his own house
to that of Jane.
" Is Monsieur going away from
home ? " demanded Barbara, who
187
Bruges-la- M orte.
was utterly unable to comprehend
the new mode of existence into
which her master had drifted.
After the secluded life which he
had led for so many years, the
only conclusion that she was able
to arrive at was that he was
afflicted with some form of tem-
porary derangement.
She assisted him, however, to
unhang the dresses and clean from
off them the dust which accumu-
lated so rapidly in the cupboards,
where they had remained unmo-
lested for so many years.
He ultimately selected the two
dresses which had been the last
purchases made by the dead
188
Bruges-la-Morte.
woman, and, after carefully smooth-
ing out the creases, deposited them
in the trunk.
Barbara, to whom his entire
proceedings were an unfathomable
mystery, was none the less shocked
to see such handling of garments
which she had never been allowed
even to touch. Was he intending
to sell them ? Unable to suppress
her feelings, she resolved upon
hazarding an observation.
"What would the poor lady
have said !"
Hughes stared at her, and
then grew pale with a momentary
feeling of apprehension. Had
she divined the truth? What
189
Bruges-la-Morte.
was the exact extent of her
knowledge ?
"What was that you said ? " he
inquired in a manner that betrayed
his trepidation.
"I remember," replied old
Barbara, "that in the Flemish
village from where I come, there
was' a tradition that if the clothes
of anyone who had died were not
sold during the following week,
it became incumbent upon the re-
lations to keep them during their
own lifetime under the penalty of
having to maintain the soul of
the defunct in purgatory until
the arrival of their own day of
departure."
190
Bruges-la-Morte.
" Do not be alarmed," said
Hughes reassuringly. " I have
not the slightest intention of selling
anything whatever. I approve very
much of your legend."
Barbara was overwhelmed with
consternation when a little while
afterwards, notwithstanding all that
her master had said, she heard him
summon a fiacre, and drive off on
his incomprehensible errand.
Hughes was reduced to a con-
dition of perplexity as to the best
means of broaching his extravagant
conception to Jane. Restrained by
the reverence which he entertained
for the memory of his dead wife,
he had never spoken to her of his
'9'
Bruges-la-Morte.
past, or made the most distant
allusion to the resemblance which
constituted the problem of his
existence.
Upon the depositing of the trunk,
Jane danced around it, breaking out
at the same time into a series of
ecstatic little exclamations. "What
a surprise ! Filled, of course!
Surely presents! Perhaps a
dress!"
"Yes, dresses," Hughes answered
mechanically.
"Ah ! this is kind of you. Then
there are more than one ? "
STwo."
"What are the colours? Quick!
Let me see! " continued Jane,
192
Bruges-la-Morte.
rushing up to him with her hands
extended for the key.
Hughes was entirely at a loss to
know what to say. He did not
dare to speak from the apprehension
that he might betray the cause of
the madness of the impulse to
which he had yielded.
Jane proceeded to open the
trunk and extract the dresses.
She appraised them with a compre-
hensive glance, and then turned to
Hughes brimful of disappointment.
"Why have you brought such
ugly patterns ?-and they are old,
old! Are the things that cor-
respond to them here also-
the petticoat and draperies ?
193 N
Bruges-la-Morte.
Why, it must be ten years since
anyone has worn them; I think
that all you can intend is to turn
me into a laughing-stock."
The reception accorded to his
experiment intensified Hughes's
sense of discontent. He sought
vainly within himself for an explan-
ation that might serve to disguise
the real motives that prompted his
gift. The preposterousness of his
idea began to dawn upon him; yet
none the less he clung obstinately
to it.
The mere possibility of her
consenting to don one of the
dresses filled him with rapture.
To behold her in the attire of his
'94
Bruges-la-Morte.
dead wife, creating a resemblance so
perfect that all sense of incredulity
should be banished, would be to
him nothing less than a foretaste
of Paradise.
He endeavoured in cajoling
accents to persuade her. Yes;
they were old dresses that had
been handed down to him along
with his inheritance .
originally they had belonged to
his mother. He had thought
perhaps that it might give her
pleasure to have them. The idea
that they would become her had
occurred to him, and he wished
to see her arrayed in one of them,
if only for a minute. Of course
'95
Bruges-la-Morte.
it was ridiculous, but the whim
had taken possession of him.
Jane had no suspicion of the
real nature of the object that had
induced his phantasy-only the
absurdity of it appealed to her.
Amid intermitting outbursts of
laughter, she kept turning and
re-turning the different articles that
composed the amazing presentation
which had just been made to her.
The quality of the stuffs in their
faded richness compelled her ad-
miration, but she was plunged into
ecstasies of merriment by the
obsoleteness of their appearance,
which, however, reflected what
was regarded as the most elegant
196
Bruges-la-Morte.
of modes only ten years previously..
Hughes meanwhile continued
to persist in his importunities.
" It will only lead you to make
the discovery that I am ugly," was
Jane's reply.
At first she had been bewildered
by the singularity of the caprice,
but at last entered into what
appeared to her the spirit of the
jest. Amid continued paroxysms
of merriment, she consented to
disrobe and re-attire herself in
one of the two dresses, which
were ddcolletds in their shape.
Frolicking in front of the mirror,
Jane laughed again at the figure
she cut.
197
Bruges-la-Morte.
"I look," she said, "as if I
had just walked out of an old
portrait."
Then a freak of strutting minc-
ingly around the room, contorting
her body at the same time into
a variety of lascivious attitudes
took possession of her. From this,
in an augmenting effervescence of
animal spirits, she proceeded to
mount upon the table in order to
have a more conspicuous view of
herself; to elevate her petticoats
and shake her throat violently,
whilst maintaining at the same
time throughout the whole course
of the pantomime an unceasing
giggle.
198
Bruges-la-Morte.
Hughes contemplated her antics
unflinchingly. The moments which
he had pictured to himself as
certain to be fraught with rapture,
were rapidly dissolving themselves
into anti-climax and contamination.
Jane's enjoyment from the mas-
querade in which she had been
persuaded to indulge began per-
ceptibly to increase. She now
resolved upon experimenting with
the other dress, and in a fresh
ebullition of gaiety commenced to
dance frantically, multiplying the
number of her Bacchante-like
movements and renewing her
gambols after short recurrent
intervals of breathlessness.
199
Bruges-la-Morte.
The anguish of soul which the
widower had experienced at the
beginning of the performance, was
effaced :by an impression of assist-
ance at some sardonic burlesque.
For the first time in the history
of his relations with Jane the
physical conformity had failed to
suffice. The fascination dominated
him still, but there had been im-
printed upon it a foreshadowing
of disillusion. Wrapped up in his
conception of identity, the vulgarity
of Jane had never been apparent
to him. Now, however, there had
been engraved indelibly upon his
mind a hideous caricature in which
all that he held most sacred was
200
Bruges-la-Morte.
dragged down to the lowest abyss
of debasement, and that in defiance
of the retention of the same coun-
tenance and the same dress. It
was a similar impression to that
which is experienced after days
of pious processions when we en-
counter in the course of the
evenings the bearers of the Saints
and the Virgin still apparelled in
their costume of the morning, but
fallen from the heights of spiritual
impersonation into an anti-climax
of debauchery under the light of
the street-lamps, whose wounds
bleed in the shadow.
201
VIII
UPON Easter Sunday old Barbara

was informed by her master
that he intended neither to dine
or sup at his own house upon
that day, and that, consequently,
she was at liberty to dispose of it
in whatever way best suited her.
The intelligence caused the heart
of Barbara to rejoice within her,
as this unexpected holiday coin-
cided with the celebration of the
grandfete, and she would thus be
enabled to go to the Bdguinage
and be present at the different
202
Bruges-la-Morte.
offices that appertain to the festival
-the grand mass, the vespers, and
the benediction. Afterwards she
could spend what remained of her
time in the domicile of her kins-
woman, Sister Rosalie, who pre-
sided over one of the largest of
the convents that abound in this
most romantic of enclosures.
It was from these visits to the
Bdguinage that Barbara derived the
chief happiness of her existence.
Every one knew her there. All
the friends that she possessed in
the world were bdguines, and it
was her supreme ambition-towards
the realization of which she made
strenuous economies in order to
203
Bruges-la-Morte.
amass the requisite sum demanded
by the order-to take the veil and
terminate her days in the placid
felicity enjoyed by those whom she
saw around her attired in the cap
that accorded so perfectly with the
ivory hair of age.
The exhilarating crispness of
March was in the air as Barbara
pursued her way exultingly towards
her beloved Bdguinage, apparelled
in her black mantle and a hood
that oscillated upwards and down-
wards as she walked.
From the distance arrived the
tollings of the bells that seemed
in an indefinable manner to har-
monize with her gait, and among
204
1ruges-la-Morte.
them, at intervals of a quarter of
an hour, the tremulous melody of
the carillon suggesting an air
extracted from a keyboard of glass.
The advent of spring had in-
vested the environs of Bruges with
a pastoral aspect that appealed
passionately to the heart of the old
woman. Although Barbara had
been for more than thirty years the
inhabitant of a town, she retained
in her heart like all Flemish rustics
the memory of her native village-
a peasant soul whom the sight of
meadow or leaf touched to its
inmost depths.
The morning was unsurpassable
in its beauty. With a glad step
205
Bruges-la-Morte.
she advanced, buoyed up by all the
pervading influences around her-
the unflecked clearness of the sky;
the joyous warbling of the birds;
the fragrance issuing from the
young shoots which were already
clothing in a unity of soft greenery
alike this faubourg and the banks
of the romantic expanse of the
Minne-water (usually translated as
the lake of love-le lac d'amour-
though more accurately it ought
to be rendered the lake upon which
all love). Fringed by the water-
lilies that seem to symbolize the
hearts of young communicants, the
mere stretched before the eyes of
Barbara like a vision of enchant-
206
Bruges-la- M orte.
ment. Alike from the banks
garlanded with flowers; the tender
foliage of the trees; the windmills
that gesticulated upon the horizon;
there radiated an influence that
dispelled the mist of years, and in
imagination the feet of the old
woman were once more traversing
the meadows that she had trod in
her childhood.
In the bosom of this pious soul
there burned that type of religious
zeal peculiar to Flanders, where
there still lingers a remnant of the
morose Spanish Catholicism that
has always based the maintenance
of its spiritual ascendency upon
the awakening of a dread of hell
207
Bruges-la-Morte.
rather than upon the arousing of
an aspiration towards Heaven.
This element has never, however,
been sufficiently powerful to
eradicate such attributes as the
love of sumptuous ritual, the
passion for flowers, the delight in
incense, the revelling in gorgeous
costume, which are inborn in the
Flemish race. The imagination
of the inarticulate old domestic-
coloured as it was by the innate
possession of these qualities-was
stirred into ecstasy by the closeness
of her approach to a temple in
which they received such refine-
ment of expression. Her heart
beat high within her as she crossed
208
Bruges-la-Morte.
the arched bridge of the Bdguinage
and penetrated into the mystic
enclosure.
Within the silence of a cathedral
prevailed. From the outer world
came only stifled murmurs dispers-
ing themselves in the lake, and
arriving within the court only as
the mutter of monks that pray.
The walls that encircle the retreat
are low, in the fashion that prevails
in regard to the architecture of
convents, and white as the cloth
upon which the Sacrament of the
Lord is dispensed. The centre
of the enclosure is occupied by a
vast plot reflecting the charm that
disengages itself from a meadow
209 o
Bruges-la-Morte.
imbedded in a canvas painted by
Jean Van Eyck, in which there
browses a sheep wearing the
aspect of a Paschal Lamb.
The streets-upon every one of
which has been bestowed the title
of a Saint-entangle and elongate
themselves into the form of a re-
construction of a hamlet of the
Middle Ages--a little dead town
within the confines of a dead town,
but more trance-like still. So
perfect was the sovereignty of the
stillness that the intruder uncon-
sciously spoke low, and trod softly
as if in the chamber of an invalid.
So incongruous was the intro-
duction of even a vociferous note
210
Bruges-la- M orte.
within the precints, that it conveyed
an impression akin to that of pro-
fanity. From a standpoint of
absolute harmony, only bguines
ought logically to be permitted the
right of movement in this sanctuary.
To them only has been imparted
the art of gliding instead of walk-
ing, which causes them to be the
embodiments of the analogy to
the clusters of swans that glide
along the dark waters of the canals.
A few sisters, uncharacteristically
tardy in their devotions, were
hurrying along a little avenue of
elms as Barbara neared the church,
from which was already emerging
the music of the organ and the
211
Bruges-la- M orte.
chant of the mass. She entered
at the same time that the bdguines
took their accustomed places in the
stalls set apart for their use-a
double range carved in wood and
situated at the side of the choir.
As the sun traversed the windows,
the caps of the sisters seemed fused
together in a snowy unity by the
counter-drawing red and blue re-
flections which streamed through
the windows. Barbara gazed with
envious eyes at the kneeling groups
of the community, brides of Jesus
and servants of God, in the hope
that at no distant day she might be
privileged to share in their orisons.
The old servant seated herself in
212
Bruges-la- M orte.
one of the lower aisles of the church
amid a cluster of the laity, formed
by devout and impoverished families
who had found a shelter within the
walls of the Beguinage, from which
the inhabitants had begun to with-
draw themselves. Barbara, who did
not know how to read, employed
herself in telling her beads upon
a large rosary, praying with extreme
unction, and regarding admiringly
her relative, Sister Rosalie, who
occupied the second place in the
stalls next to the Reverend-Mother.
The church was beautifully
illuminated throughout with wax
tapers. At the moment preceding
the arrival of the offertory, Barbara
213
Bruges-la-Morte.
purchased one of the little wax
candles from the Sceur Sacristine,
who placed them in the neighbour-
hood of one of the votive candle-
sticks, where soon the offering of
the old servant burned in its turn.
From time to time she observed
the progress of the consumption
of her taper, which she had
carefully individualized at the
outset from those kindled at the
suggestion of the others.
Her happiness was without alloy.
How true was the lesson that she
had learned from the priests that
the church was in reality the house
of God, and of all churches of none
was it so true as of this Bdguinage,
214
Bruges-la-Morte.
where the sisters in the organ-loft
sang with voices of such angelic
purity.
Barbara denied herself the
gratification of hearkening to the
strains of the harmonium which
unfolded themselves in tones of a
purity that corresponded to the
snowiest of linen.
The mass, however, was quickly
concluded, and the lights extin-
guished.
Then with a rustling of their
caps the biguines took their depar-
ture in one general movement, like
that of a flock of gulls in search
of another resting-place. Barbara
followed at a respectful distance
215
Bruges-la-Morte.
in order to render manifest her
sense of regard for her relative,
Sister Rosalie; but after having
seen that the swarm had re-entered
the convent, she quickened her
steps, and a moment after passed
through the portals in her own
turn.
The beduines are dispersed in
groups of varying number among
the different dwellings, which are
the property of the community.
In one of these habitations only
three or four may be stationed, and
in another the numbers can range
from fourteen to twenty. The
convent to which Sister Rosalie
was attached was one of the largest
216
Bruges-la-Morte.
in the enclosure, and as Barbara
made her appearance all the sisters
were engaged in laughing, talking,
and interrogating one another in
the workroom of the building. In
honour of the fite every quarter
of the apartment was embellished
with designs in needlework and
lace. A few had strayed into the
little garden attached to the work-
room, and were examining the
growth of the tender spring flowers.
Several of the younger sisters were
occupied in discussing the presents,
and rejoicing in the Easter-eggs
with their coating of sugar that
gave an illusion of hoar-frost.
Barbara, who felt a little overawed
217
Bruges-la-Morte.
and dreaded to appear intrusive,
went in search of her kinswoman
from chamber to chamber. She
was in the habit upon occasions
such as this of receiving an invita-
tion to the dinner, and feared that
it might not be extended to her.
A number of relatives often visited
the convent upon Easter Sunday,
and it was possible that no place
might be left for her.
Her apprehension was, however,
speedily removed by Sister Rosalie,
who came at the request of the
Superior to ask her to remain as
usual. She apologized for having
been unable to attend to her pre-
viously, in explaining that it was
2r8
Bruges-la- M orte.
her week of house-keeping-it being
the practice among the bdguines to
perform this duty in a regular
weekly rotation.
" At dinner we shall be able to
talk," Sister Rosalie added. "I
have something to tell you which
is of very great importance."
' Of great importance ?" queried
Barbara, i n accents of dismay.
"Why cannot you tell me now ?"
"I have no time. It must wait
till afterwards."
She then glided away, leaving
the old servant struck with con-
sternation. Something of very
great importance! What meaning
could underlie such words? It
219
Bruges-la-Morte.
must be some calamity! But she
was rendered proof against calamity
by the fact that there was no one
in the world to whom she was
attached with the exception of her
relative, Sister Rosalie.
Of what had she been guilty if
retribution was descending upon
her ? What could she accuse her-
self of? She had never defrauded
anyone of a farthing. In the con-
fessional, she was frequently at a
loss to know what sins to impute
to herself.
Barbara's perturbation increased
with her reflections. Sister Rosalie
had spoken to her with a severe and
sombre expression of countenance.
220
Bruges-la- M orte.
All joy had vanished from the
beautiful day to which she had
looked forward so eagerly. She
had no longer any heart to laugh
or wish to share in the gaiety of
the groups that laughed, chattered,
and debated whilst regarding the
novelty of a lace pattern displayed
in front of them.
Seated apart and solitary, she
meditated over the nature of the
revelation that Sister Rosalie was
about to make to her.
The arrival of dinner did nothing
to alleviate the agonies of Barbara's
suspense. It was served in the
long refectory, but after grace had
been said in a sonorous voice, she
221
Bruges-la-Morte.
found herself able to eat little, and
that without enjoyment. In this
again she was altogether excep-
tional, as both the relatives who
had been invited in honour of
the festival and the rosy-cheeked
bdguises did ample justice to all
that was placed in front of
them. In the hope of mitigating
her anxiety, Barbara drank off a
glass of the luscious Tours wine
which had been poured out at her
elbow, but a headache was the only
result of the experiment.
The repast appeared intermin-
able. At the moment of its con-
clusion, she hurried to Sister
Rosalie with a look that was an
222
Bruges-la-Morte.
interrogation. The bguine at
once remarked her agitation and
endeavoured to calm her.
"It is nothing, Barbara. Do
not alarm yourself so."
"What is it ?"
"Oh ! nothing very much; only
a warning that I cannot avoid
giving you."
"You have frightened me
terribly."
" I may say that the matter is
not one of great importance at the
present moment, but it may easily
become so. It is this. It is pos-
sible that you may require to leave
your present situation."
" Leave my present situation!
223
Bruges-la-Morte.
Why should I do that? I have
been M. Viane's housekeeper for
five years. Through his unhappi-
ness I have become attached to
him, and he leans upon me. There
is not a more honourable man in
the whole world."
"Ah! my poor girl. How
simple you are. Well-he is not
the most honourable man in the
whole world."
All trace of colour had vanished
from Barbara's face before she
put the fatal inquiries.
"What is it that you mean to
say? What wickedness has my
master done ?"
Sister Rosalie then proceeded
224
Bruges-la-Morte.
to narrate the history of the
liaison, which after becoming the
scandal of the town had ultimately
found its way even into the
chaste enclosure of the B3guinage.
All the world had admired the
devotion to a memory of a man
who for its sake had rejected all
forms of consolation. Ah, well!
he had ended by consoling himself
in a most abominable fashion.
He was now maintaining openly
a mistress-an old opera dancer
and a wicked woman.
Barbara shook from head to
foot. Every sentence awakened
an internal revulsion within her;
but she reverenced her kinswoman,
225 P
Bruges-la- M orte.
and these revelations, otherwise so
incredible, became authoritative in
issuing from her mouth. Here,
then, was to be found the explana-
tion of the revolution in her
master's habits which she had so
completely failed to comprehend.
This was the solution of the
riddle created by his mysteri-
ous departures and returns; his
untasted meals, and nocturnal
absences.
After a pause, the bdguine
continued :
" Have you reflected, Barbara,
that it is impossible for you, as
a respectable servant and a
Christian woman, to remain any
226
Bruges-la-M orte.
longer in the service of a man
who has degenerated into a
libertine?"
At that word, Barbara broke
out in protestations. It was
preposterous. Her relative was
the dupe of a tissue of calumny.
Her master still idolized the
memory of his wife! Every
morning with her own eyes she
saw him weeping alike before her
portraits and the reliquary that
contained her hair.
"I have told you no more
than the truth," answered Sister
Rosalie calmly. " I know every-
thing. I know the house in which
the woman lives. It is situated
227
Bruges-la-M orte.
on my way into town, and I have
seen M. Viane both entering and
leaving it several times."
This was conclusive. Barbara
was overwhelmed. She made no
attempt to reply, and remained
standing with a puckered forehead,
weighed down with the magnitude
of the revelation.
"I shall reflect," were the only
words she was able to command.
Meanwhile her relative, harassed
by the occupations of office, bade
her good afternoon and quitted
the apartment without further
exhortation. The old servant sat
on alone, prostrated by
disclosure to which she had just.
2.28.
Bruges-la-Morte.
listened. To her it was little less
than a catastrophe, deranging her
plans for the present and extin-
guishing her hopes for the future.
In the course of her long
service, she had learned to feel
a certain affection for her master,
and the idea of leaving him was
altogether distasteful to her.
She could not hope to find any
other situation which would be at
once so easy and so lucrative.
In her present position of house-
keeper, she had been enabled by
means of economies to set aside
a substantial proportion of the sum
that was indispensable before she
could hope to end her days in
229
Bruges-la- M orte.
the Bdguinage. None the less,
Sister Rosalie was indisputably
right. It was a form of complicity
with sin to continue any longer
in the service of a man whose life
was a scandal to the town.
She knew well that it was
forbidden to serve in the house-
holds of the impious who
repudiated the doctrines of the
Church. The prohibition must
apply also to the adulterers. They
committed an even grosser sin,
and one that she had heard more
frequently anathematized from the
pulpit. The gates of Hell-
thundered the preachers--yawned
for such evil - doers. Barbara
230
Bruges-la- M orte.
blushed scarlet at the thought
of even tacitly sanctioning such
flagrant licentiousness.
The old servant found it im-
possible to arrive at any definite
decision. Her perplexity through-
out the whole course of the vespers
and the solemn benediction-for
the sake of participating in which
she had returned to the church
along with the beguines was
complete. She prayed to the Holy
Ghost for guidance, and upon
taking her way homewards an
answer was vouchsafed to her
supplication.
Finding that the problem with
which she was called upon to deal
231
Bruges-la- M orte.
was altogether beyond her own
powers of judgment, she resolved
to submit it to her father-confessor
in the Church of Notre-Dame, and
abide by whatever solution he
arrived at in regard to it.
The priest, to whom she con-
fided every particular, understood
thoroughly by virtue of an experi-
ence of many years, the rugged
and self-torturing nature of the
poor servant who loved to hedge
herself around with scruples and
to whom the crown of thorns was
the most living of Christian symbols.
Anxious to soothe her agitation,
he urged her to do nothing rashly.
Even if the rumours bruited abroad
232
Bruges-la- M orte.
in regard to the guilty relations
maintained by her master were
true, she was not necessarily called
upon to be cognizant of them.
But if, upon the other hand, such
a source of contamination as this
abandoned woman was introduced
into the house upon any pretext
whatever-even to dine or sup-
she must immediately repudiate a
service ministering to depravity,
and shake the dust of the house
from off her feet.
Barbara asked him to repeat the
distinction which he had drawn
over to her twice, and then feeling
satisfied that she fully comprehended
it, left the confessional, and, after
233
Bruges-la- M orte.
offering up a short prayer within
the church, returned to the dwell-
ing in the Qua Rosaire from which
she had set forth in the morning
so full of joyous anticipation, and
that now she knew well it was
inevitable that she must abandon
sooner or later.
Ah! how transitory are our
moments of happiness! As the
old servant retraced her footsteps
along the disconsolate streets, sor-
rowing over the recollection of the
green meadows, the mass, the white
canticles- every incident of the
day upon which the night fell
appeared replete with melancholy.
Now all that survived from it was
234
Bruges-la-Morte.
the prospect of new faces; an
apprehension of the nearness of
death; the picture of her master
living in a condition of moral sin.
She saw herself dispossessed of all
hope of entering the Bdguinage and
dying upon an evening such as
this in an hospital whose windows
overlook the stagnant waters of a
canal.
235
IX
THE shadow of disillusionment had

rested upon Hughes since the day
that he had indulged in the bizarre
caprice of attiring Jane in one of
the dresses that had been worn by
his dead wife. He had defeated
his own aim. Instead of creating
a unity of the two women, the result
had been merely a diminution of
resemblance. Whilst the distance
of years had intervened between
them, delusion was possible, but
fused together it became an
impossibility. The effect of
236
Bruges-la Morte.
combination was only to constitute
difference.
At the commencement of his
hallucination, he had been over-
come by the re-discovery of the
beloved face, but as time wore on
the desire. of completing the parallel
by the establishment of the nuances
tormented him.
The resemblances apparent in
faces never extend to the lines or
the minutiae of the countenance.
An analysis of the details demon-
strates the underlying treachery of
the similarity. But Hughes, who
was unable to perceive that any
alteration had been effected in
his own standpoint, insisted upon
237
Bruges-la-M orte.
regarding Jane as responsible for all
the flaws in the likeness, and held
that a transformation of her being
had taken place.
The chief among the consolations
that survived was the ownership of
the same eyes. But if it be true,
as is reputed, that the eyes are the
windows of the soul, then assuredly
another soul has ousted that which
belonged to the dead woman whose
memory was a canonization. Jane,
who at first had been vigilantly
sweet and reserved, began to find
the strain of the attitude extremely
irksome. The habits acquired
during the course of her theatrical
training began to reassert them-
238
Bruges-la-M orte.
selves. She was no longer at any
pains to repress her love of bois-
terous gaiety and reckless badinage.
Her discontinued habits of spending
the day in dishevelled attire with
hair flowing around the shoulders
were resumed. To Hughes the
slovenliness of her ways were
extremely repugnant. None the
less he was so enslaved by his
infatuation that he returned ever
to the house, endeavouring to
re-establish the resuscitation out
of the mirage into which it had
betaken itself. The hours other-
wise appeared interminable to
him. During the tedium of the
evenings her voice became a
239
Bruges-la-Morte.
necessity to him. Yet all the
words which it uttered filled him
only with suffering.
Jane, to whom life presented
itself under so diametrically opposed
an aspect, was profoundly bored by
the prolonged silences and sullen
moods of Hughes. Confinement
was irksome to her, and the whole
attitude of her lover an insoluble
enigma. Her absences from home
began to increase in frequency.
Often now Hughes found upon his
arrival that she had not returned
from the town, where she was
engaged ostensibly in making
purchases, gazing into shop-
windows, and fitting on dresses.
240
Bruges-la- M orte.
He varied the hours at which he
had been accustomed to make his
appearance, but the house remained
as silent and unresponsive as before.
The question-where did she go ?-
became ever present to his mind.
Hughes knew no one to whom
he could confide the mystery that
baffled him. Harrowed by mis-
givings of her fidelity, he found it
impossible to remain in the house
alone, and preferred to wander
disconsolately through the maze
of the Bruges streets, while there
lingered any hope of her return.
Dreading the unfriendly nature of
the glances that were now bestowed
upon him, he chose as the destina-
241 Q
Bruges-la-Morte.
tions of his rambles the most remote
quays, from whence, after musing
under the boughs of the sad trees
that fringe the margins of the canals,
he lost himself once again in the
tangled skein with which his steps
were so familiar.
To him there was nothing more
exquisite in its eeriness than the
charm of the gray streets of the
dead town.
Hughes felt that the subjection
of his soul under this gray influence
was growing more complete. The
torpor of the streets added to the
force of its ascendency. Often
nothing more was to be seen than
a few old women attired in black
242
Bruges-la-Morte.
mantles returning from the chapel
of the Holy-Blood, where they
had performed their errand of
burning a taper. One of the most
curious of coincidences is the
number of old women who are
ever to be encountered in the
streets of the dead towns. With
faces wearing the colour of earth,
they walk so bowed down under the
burden of years that apparently even
the love of speech has withered
within them.' Absorbed in his old
regrets and his new sorrows, Hughes
pursued his way unconscious of
their existence. Mechanically he
returned to Jane's house. Still it
remained without an occupant.
243
Bruges-la-Morte.
He recommenced his lugubrious
promenade through the dirgeful
streets, and from sheer lack of
definiteness of intention found him-
self at the Quai Rosaire in front
of his own house. Resolving to
defer his visit to Jane until a later
hour in the evening, he seated him-
self in an arm-chair and attempted
to read. Finding himself, however,
incapable of concentration, and
experiencing a feeling of oppression
from the silence of the long corri-
dors, he discarded the volume and
went out again once more.
Evening had descended, and the
fog, aided by a little gentle rain,
sprinkled moisture upon him as he
244
Bruges-la-Morte.
walked. Hughes felt drawn as if
magnetized towards the dwelling of
Jane; but on approaching he shrank
from entering, feeling now a neces-
sity of isolation, and dreading lest
she might perchance have returned
and be anticipating his arrival.
With a quick step he set
off in the opposite direction,
returning instinctively to the old
quarters without knowing why
he did so. The volume of the
rain increased steadily, saturating
his clothes, and drawing more
closely together the network of
the town. By degrees Hughes
felt himself relaxing in the enervat-
ing atmosphere. His thoughts
245
Bruges-la-Morte.
returned to the reality of things.
The image of Jane again presented
itself before him. What descrip-
tion of refuge had she found when
away from her own house in the
midst of this desolation? The
thought of his own death then
recurred to him. This surely could
not be long delayed. How desolate
his tomb would be-yet what was
the desolation of the tomb compared
to that of his own life.
The sound of the bells were
wafted towards him, muffled and
thin. The town itself appeared to
have receded into the distance.
It, too, seemed dissolving in
the rain which threatened the
246
Bruges-la- M orte.
submergence of all things. It
was Bruges -l - More with its
high towers, only surviving, and
sorrowing like himself over the
irretrievable.
247
X
IN proportion to the extent that

Hughes felt his illusion escaping
him, his mind returned to the
parallel of his own life with that
of the town. He strove to bring
his soul into a more perfect
harmony with that of Bruges,
evolving new analogies in the
manner in which he had occupied
the days during the earlier period
of his widowhood. Now that Jane
had ceased to be the counterpart
of his dead wife, the identification
of himself with the town became
248
Bruges-la- M orte.
more of a preoccupation. Much
of his time was consumed in
monotonous rambles through its
inert streets.
The solitude of his own house
now oppressed him like a night-
mare. All the memories which
multiplied themselves before his
eyes were fraught with distemper.
The very wailing of the wind in
the chimneys suggested calamity.
Distrustful of Jane and of his
own sentiment towards her, his
only avenue of escape from himself
lay in distracted wanderings.
Often throughout the blank
days, he asked himself the question
-did he really love her ?
249
Bruges-la-Morte.
Meanwhile, what was the nature
of the treachery she was engaged
in dissimulating? Duplicity ap-
peared to be a second nature to
her? Amid the dolorous ends of
the abridging winter afternoons,
the incertitude racked his inmost
being. The contagion of the fog
entered into his soul, benumbing
his faculties and rendering his life
almost a gray lethargy.
The influence of the town
recovered its sway over him.
From all portions of it, lessons of
endurance suggested themselves.
The gospel of silence was urged
by the immobile canals that were
ennobled by the presence of the
250
Bruges-la- M orte.
stately swans; an example of
resignation was offered by the
taciturn quays in their calm
acquiescence with the inevitability
of decay; from the soaring towers
of Notre-Dame and Saint-Sauveur
descended a homily of asceticism
which poured reprobation upon
the libertine. Obscuring the per-
spective in their massiveness,
Hughes instinctively lifted up his
eyes to their heights as a refuge
from despair, but there returned
to him only a disdain for his
miserable amour. "Behold us!"
the towers appeared to exclaim in
terms of majestic scorn. "We
are guardians of the true faith!
251
Bruges-la-Morte.
Beauty is not ours! Yet we are
citadels in the air defending the
ascent to Heaven! We are the
military spires, and against us the
powers of evil contend in vain!"
Ardently did Hughes long to
be as they were, entrenched in
righteousness and dwelling in an
ethereal atmosphere from which
were banished all the miseries of
life. But unlike the towers of
Bruges, he lacked the fortitude to
defy the blandishments of evil. In
his impotency of will, he was
frequently tempted to regard
himself as the victim of a
diabolical prepossession that ren-
dered all struggle unavailing.
252
Bruges-la-M orte.
From past researches in the
history of Satanism, he was
enabled to recall many such
instances of perversion of this
nature. These records appeared
to him to furnish an incontestable
basis for a belief in the existence
of occult powers, and also of
certain kinds of necromancy.
There was nothing, however, in
the character of his helplessness
which implied a compact with the
powers of darkness and a subse-
quent path to a retributive drama.
Rather with increasing frequency,
there rested upon Hughes a pre-
sentiment that death was not far
from him.
253
Bruges-la-Morte.
He had endeavoured to baffle
and mock at Death through the
device of this fiction of a resem-
blance, and now it was but fitting
that the King of Terrors should
be hastening to avenge himself.
Meantime there remained the
necessity of beguiling the slow
oppression of the days. As he re
traversed the streets that led to
the different quarters of the mystic
town, he discovered anodynes in the
commiserative music of the bells; in
the aspiration of the towers; and in
the pitying welcome accorded to him
by the images of the Blessed Virgin
that stand at the corners of the
streets in a niche surrounded by
254
Bruges-la- Morte.
tapers and artificial roses, and hold-
ing forth their arms in an attitude
of forgiveness and absolution.
Hughes pondered daily over the
problem of his infatuation. A
consciousness of self-abasement
rarely quitted him. He had un-
frocked himself of his sorrow; but
through penitence he would seek
redemption. He would become
again in the future what he had
been in the past. Already he had
succeeded in re-establishing the
parallel of his destiny to that of
the town. Ere long he would
reinstate himself as the brother in
silence and in melancholy of this
elegiac Bruges, soror dolorosa.
255
Bruges-la-Morte.
What an inspiration it had been to
make his dwelling-place here in the
early days of his mourning. Every-
where the mute analogies suggested
themselves. A reciprocal penetra-
tion existed between the soul and the
inanimate things that surrounded
it. Part of our being enters into
them, whilst theirs unconsciously
passes within us.
Towns in particular have a
distinctive personality of their own,
and an exterior character which
corresponds to the cravings ex-
perienced by our souls for such
needs -as joy, love, sorrow, or
renunciation. Each town repre-
sents a 'condition of the soul that
256
Bruges-la- M orte.
unconsciously enters into our own
life, like a fluid which emanates
imperceptibly into the atmosphere.
Hughes had succumbed to the
pallid and softening influence of
Bruges from the very day of his
arrival in the town. Through its
operation he had become resigned
to the extinction of all hope, and
the necessity of living only in the
past. The merciful release of
death was the expectation that his
imagination most fondly cherished.
Yet when the twilight fell in
the depths of its sombre poetry
along the vistas of the canals, he
strove once more to reincarnate
the spirit of the dead town.
257 R
XI
THE mediaeval sentiment of faith

enveloped the town as with a
garment. From the roofs of the
convents, the monasteries, and the
hospitals, there disengaged itself a
gospel of renunciation. Hughes
urged upon himself the necessity
of bringing his life into conformity
with the behests that were
everywhere issued around him.
Bruges became again to him an
intangible personality, guiding,
counselling, and determining all
his actions.
In his re-conquest of the town,
258
Bruges-la-Morte.
Hughes found that he had escaped
in a measure from the thought of
sex and the lie of the resemblance.
Their ascendency over him had
perceptibly weakened, and in pro-
portion he was able to interpret
the music of the bells.
As he pursued his way along
the line of the quays, it descended
upon his spirit in recurrent falls of
melancholy. The permanence of the
bells the obit knell, the requiem,
the trentaines, the announcements
of mass and vespers, those denoting
the passing of the hours-all com-
bined to intensify the despondency
which had become ingrained within
his being.
259
Bruges-la- M orte.
Uninterruptedly the bells of
Bruges fulfilled their function of
mourners, pouring, without respite,
psalmody into the air. With their
music was transmitted an aug-
mented sense of the vanity of all
things; of the futility of struggle;
of the imminence of death.
In the dirgeful streets where the
wan lights appeared only at strag-
gling intervals, there could be
descried at scattered distances
the figures of a few women of
the humbler orders wearing long
mantles as black as the bronze
bells above them, and oscillating
as they walked in exactly the same
manner, The mantles moved
26o
Bruges-la-Morte.
steadily in the direction of the
churches, as if drawn together by
an irresistible sympathy.
Hughes felt impelled to follow
in the track of this furrow. His
surroundings exercised an uncon-
scious ascendency over him. The
force of example and the will
that is latent in inanimate things
dragged him involuntarily towards
the portals of the old churches.
Until the advent of Jane it had
been his custom to meditate daily
during the fall of the afternoons in
the naves of these resting-places.
That of Saint-Sauveur had always
possessed an especial fascination
for him, with its black marble
261
Bruges-la- M orte.
decorations and emphasized organ-
loft, from which descended the
music in strains alternately appeal-
ing and majestic.
Throughout the vastness of the
building, the music rolled in all its
sublimity, over-flowing the flag-
stones and effacing the dust that
had accumulated upon the inscrip-
tions engraven upon the mortuary
slabs which are scattered every-
where throughout the expanse of
the cathedral. Of this edifice it
may truly be said, that within its
precincts our feet tread upon the
ashes of the dead!
The gloom that over-shadowed
every portion of the structure
262
Bruges-la-Morte.
remained unabated even by the
wealth and variety of its pos-
sessions. The combined effect,
brilliant as it would have appeared
in any other building, of such
marvellous pictures as those of
Pourbus, Van Orley, Erasmus
Quillyn, Grayer, and Seghers; of
the lustre of the illuminations upon
the windows; of the richness im-
parted by the garlands of tulips
lavishly distributed at every coign
of vantage, failed to detract from
the stern impressiveness of its
aspect. In contemplating the trip-
tychs and altar-screens, Hughes
dislodged from his mind the opu-
lence of their colouring and the
263
Bruges-la-Morte.
glow of their romance for the sake
of realizing more vividly the pathos
that emanated from the figures of
the donators standing with folded
hands, and the donatresses with
their cornelian eyes, of whom no
memory survived save that of these
portraits. All recollection of the
defiling image of Jane had been
banished from his mind since his
entrance into the church. A picture
of himself kneeling before God by
the side of his beloved, like the
pious donators and donatresses of
old time, fired his imagination.
At the recurrence of these
mystical crises, Hughes loved to
retire within the walls of the
264
Bruges-la-Morte.
little Jerusalem chapel. It was
to this diminutive sanctuary that
the women in the black mantles
now directed their footsteps, and
he followed them unthinkingly.
The nave was so low that the
interior conveyed exactly the im-
pression of a crypt. In a recess
at the foot of the weird little
building was contained a re-
cumbent figure of Christ, modelled
upon that enshrined in the Holy
Sepulchre, resting under a shroud
woven from the most delicate lace
material. Around it the women
in the black mantles lighted little
tapers and then retired noiselessly
from the building. As the shadow
265
Bruges-la- Morte.
fell heavily upon these wan offerings,
they represented to the imagination
of Hughes the stigmata of Jesus
cleansing away the sins of all those
who came to visit at this shrine.
Among all his resorts, however,
that which he loved most was the
Hospital of Saint-John, where
have been garnered together a
collection of the master-pieces of
Memling.
Throughout the march of the
centuries these exquisite canvases
have retained their freshness
undimmed by time. It was at the
portals of this hospital that-
according to tradition-the painter
first presented himself in the
266
Bruges-la-Morte.
character of a convalescent. All
feverishness of spirit seemed to
evaporate instantaneously upon
entering the sanctuary. The
profound calm that is inherent in
Catholicism emanated from its
white walls.
The gardens, trimmed with
boxwood, that encompassed the
building, were bathed in the atmo-
sphere of the chamber of the
valetudinarian. The perfection of
the repose was disturbed only by
the occasional passing and re-
passing of nuns, whose movements
were comparable only to that of
the swans when they create a
ripple of water in the course of
267
Bruges-la-Morte.
their graceful progress along the
expanses of the canals. From
within the outlying portions of
the building, there was wafted an
odour of humid linen; of caps
whose freshness had been tarnished
by rain, and of altar-cloths newly
extracted from musty cupboards.
Hughes at length found himself
within the apartment in which the
world-renowned clusse of St. Ursula
is preserved. Designed in the
shape of a little gold Gothic
chapel, it unfolds in three exquisite
panels the history of the sacrifice of
the eleven thousand virgins. Into
the enamelled metal of the roofing
are inserted medallions, which
268
Bruges-la-Morte.
rival in beauty the finest minia-
tures, portraying angelic musicians
with their violins coloured like
their hair, and their harps trans-
mogrified into the guise of wings.
It is in a manner void of
all harshness of realism that the
martyrs are depicted as encounter-
ing their doom. In an attitude of
infinite sweetness, the virgins are
grouped together like a mass of
azaleas in the anchored galley
which is destined to be their last
resting-place. The soldiers are
drawn up along the line of the
beach. Ursula and her com-
panions have disembarked from
the vessel. Though the blood
269
Bruges-la-Morte.
flows, it is in the colour of the
rose. The wounds are merely
petals. The blood does not
trickle, but only adheres rigidly to
the bosom.
The happy and tranquil counte-
nances of the virgins are reflected
in the armour of the soldiers,
which shines with the brightness
of mirrors. Even the arrows that
are the messengers of death,
appear to cleave the air as sweetly
as the glide of the moon through
the heavens.
By the adoption of these
complexities, the artist has given
expression to the mystic conception
that the joyousness of the virgins
270
Bruges-la- M orte,
is only a species of transubstantia-
tion and a harbinger of the bliss
which in Paradise awaits the
redeemed. The tranquillity which
distinguishes the faces com-
municates itself to the landscape
and constitutes a perfection of
harmony.
The picture is in truth not a
massacre but an apotheosis. The
drops of blood crystallize them-
selves into the shape of rubies
worthy of a place in an eternal
diadem, whilst the heavens opening
from above shed upon the scene
the light of a celestial radiance.
The picture is the most sublime
of all depictions of martyrdom.
271
Bruges-la-Morte.
It is a vision of Paradise from
the brush of a painter whose genius
is rivalled only by his piety.
The soul of Hughes was
animated to its depths as he
contemplated this most ethereal of
canvases. With the whole force
of his national instincts, he longed
after the recovery of the faith that
had inspired these great Flemish
artists, who have bequeathed to us
pictures which might be described
with an equal degree of apposite-
ness either as votive-offerings or
incarnations of prayer.
From the catalogue of the
possessions that invest the town
with so unique an interest - the
272
Bruges-la- M orte.
works of art, the goldsmith's wares,
the architecture, the houses wearing
an aspect akin to that of cloisters,
the mitre-shaped gables, the
Madonna-decked streets, the winds
upon which were transported the
melody of the bells-Hughes
extracted teachings that enjoined
lessons of self-abnegation, and
experienced the subtle magic of
an influence which appeared to
instil into the atmosphere the
spirit of a mediaeval Catholicism
that indurated itself into the very
stones.
A craving for the innocence of
his childhood overcame him. The
thought of the nearness of death
273 S
Bruges-la-Morte.
brought with it a consciousness
of his guilt before God. There
loomed before his imagination
with an increase of vividness, the
nature of the penalties that attach
themselves to sin.
Accidentally entering the cathe-
dral one Sunday evening, prompted
by no other motive than a desire
to relieve the vacancy of the hours,
he found himself placed in the
unexpected position of listener to
the conclusion of a sermon.
The theme upon which the priest
expatiated was that of death. It
would have been impossible in the
midst of the dead town to select
a subject more perfectly apposite.
274
Bruges-la-Morte.
The thought of the grave over-
shadowed the very surroundings
of the pulpit, where the hand of
the preacher had only to stretch
itself forth to grasp a cluster of
the black grapes that at his side
gave substance to the text of his
discourse. In such an atmosphere
the mind was deprived of the
power to turn in any other direction.
There existed no problem more
transcendently worthy of investiga-
tion than that of human salvation,
embracing as it does the goal upon
which is concentrated the entire
operations of conscience.
The phase upon which the priest
more especially dwelt was that of
275
Bruges-la.-Morte.
death in the arms of the Redeemer,
when it signifies no more than a
joyous passage and a return to
the fold of the Heavenly Father.
From that standpoint, however, he
diverged with all the fervour of
conviction to the peril of mortal
sin-by which was implied all
that converts death into a damna-
tion and excludes any hope of
deliverance from the retribution
that awaits the offender in the
world to come.
Ensconced behind a massive
pillar, Hughes listened in a con-
dition of profound inward emotion
to the words that fell from the
preacher. Dimly lighted by a few
276
Bruges-la-Morte.
lamps and tapers, darkness almost
prevailed throughout the enormous
church. The congregation had
drawn itself together into a sombre
mass, that was almost incorporated
with the shadow. It seemed to
Hughes that he was the only soul
in the building to whom the words
of the priest possessed any personal
application. To his morbidly
sensitive conscience it became
luridly apparent that this terrible
phrase-mortal sin-was a pro-
clamation of his own condemnation.
It would be mere idle sophistry
to attempt a denial of the truth of
the charge that he was living
under this ban. He had deluded
277
Bruges-la- M orte.
himself into the toils of a guilty
amour by the mendacity of a
resemblance. The doom that was
in store for the sensualist rested
upon him. He had violated the
commandment which the Church
holds to be the most sacred. His
life was spent in a species of
concubinage.
It was clear, therefore, that if
the Christian religion was the
repository of divine truth, further
indulgence in spiritual hope was
only a mockery. Death would
now render eternal the separation
which he had hitherto regarded
as only temporary.
The dream of spiritual reunion
278
Bruges-la-Morte.
had been with him the only hope
that survived hopelessness. Now
that, too, was vanishing away
among the futilities of aspiration
which constitutes the chief irony
of human existence.
Hughes departed from the
church overweighed with a sense
of spiritual trepidation. From
that momentous evening, a con-
sciousness of the oppression of sin
rested upon him like an incubus.
He longed for absolution, but
could perceive no way of obtaining
it. The thought of his confessor
thrust itself into his mind as a
potential ladder of escape from
the perdition into which his soul
279
Bruges-la- M orte.
was sinking. The adoption of
this course, however, would involve
repentance and the amendment of
his life. Before such desperate
remedies his heart failed. Not-
withstanding the grief which Jane
daily heaped upon him, he was
unable to break asunder the ties
that bound him to her, and re-
commence his old life of solitude.
The town, however, clothed in
its aspect of belief, insisted and
reproached him with his infirmity of
purpose. It opposed to his feeble-
ness the model of its own chastity
and uncompromising severity of
belief. During the course of his
perambulations, his. mind was
28o
Bruges-la-Morte.
profoundly agitated by the blackness
of the shadows that rested upon
it. To the perturbations of his
infatuation for Jane; his apprehen-
sion of the closeness of death; his
dread of sin and ultimate damnation,
the bells added to the sum of his
inward torture by the persistency
of their appeals to the dormancy
of his conscience. At first their
accents were persuasive and re-
proachful, but as the days wore on
they became pitiless in their wrath-
denouncing his vacillation; incar-
nating themselves above his head
like rooks in high towers; deranging
the tenor of his thoughts, and
commanding him in an ever-
281
Bruges-la-.M orte.
augmenting fury of behest to
withdraw from the meshes of the
degrading amour which was steadily
dragging his soul downwards to
Gehenna.
282
XII
THE dissimilarities between the

two women daily accentuated
themselves, to the infinite suffering
of Hughes. Notwithstanding the
closeness of the physical resem-
blance, illusion was being rapidly
rendered an impossibility. Jane's
face had acquired a certain harsh-
ness of expression, which resulted
in the formation of a furrow under
the eye, that cast itself like a
shadow upon the perfect corre-
spondence of the ivory which
encased the jet pupils. The tastes
283
Bruges-la- M orte.
implanted by her theatrical life
began to reassert themselves with
all the force that is derived from
long suppression, and she now
began to powder her cheeks,
darken her eyebrows, and adorn
her mouth with carmine.
Hughes vainly endeavoured to
dissuade her from the adoption of
these artifices, which created a
violent disaccord with the natural
and chaste face that lived in the
depths of his memory. Indignant
at his interference, Jane waxed
ironical, then derisive, and ulti-
mately became furious. To him
these outbreaks brought back the
unvarying sweetness, the perfect
284
Bruges-la-Morte.
balance of temper, the graces of
expression that had so distin-
guished his dead wife. Into an
experience of ten years of wedlock,
there had never been obtruded
even the shadow of a misunder-
standing, and no estranging word
which rankles in the mind like a
dark stain imprinted upon a crystal
vase had ever been permitted
utterance.
The contrasts presented by the
temperaments of the two women
were emphasized by Jane's steady
return to her true self. In no
respect did the dead woman
resemble the living. The over-
flowing evidences of this lowered
285
Bruges-la-Morte.
him still further in his own
estimation by denuding him of all
pretext for indulgence in a liaison,
of which he commenced now to
realize only the degradation. A
sense of the impossibility of
extenuation rarely quitted him.
When visiting the salons in
which he still diurnally strove to
reanimate the recollection of his
beloved, a sentiment of reproach
appeared to emanate from the
different relics. Standing before
the portraits, a consciousness of
infidelity rested upon him. The
hair was allowed to repose in
its glass coffer almost uncared
for, while the dust accumulated
286
Bruges-la-Morte.
around in heaps of little gray
ashes.
Never before had his tergiversa-
tion caused him such disquietude.
The perpetual oscillations of
feeling to which he was a victim
were rapidly converting his life
into a prolonged emotional agony.
Drawn by an irresistible longing
to the house of Jane, he was
overwhelmed by a revulsion of
regret, remorse, and self-contempt
upon arriving at its portals.
Irregularity now took the place
of regularity in all that related to
his household. Punctuality was
entirely cast to the winds. He
issued orders apparently only for
z87
Bruges-la-Morte.
the sake of countermanding them,
and everything was subordinated
to his infatuation. Driven to dis-
traction by his vagaries and finding
any routine an impossibility,
Barbara ended by abandoning
any serious attempt at house-
keeping. Sorrowful and disquieted,
she found her only solace in
praying to God on behalf of her
master, knowing as she did the
cause of the shipwreck which had
overtaken him.
Constantly there were handed
in to the house invoices soliciting
payment of enormous sums, re-
presenting the costly purchases
incurred by a harpy. Barbara,
288
Bruges-la- Morte.
who opened them in the absence
of her master, was dumfounded
at the rapacity which they
exhibited. Unending toilettes,
costly jewels, dainty knick-knacks
were obtained on credit by this
Phryne, who appeared to spend
the greater part of her time in
using and abusing the credit of
Hughes in all the different shops
of the town.
Hughes submitted to all her
caprices without even venturing
upon a remonstrance. His indul-
gence, however, failed to elicit
the faintest sentiment of gratitude.
She continued to multiply her
departures-absenting herself not
289 T
Bruges-la- M orte.
merely -for entire days, but failing
to return even at nightfall. The
appointments that she was com-
pelled to make with Hughes were
frequently postponed, in the curtest
and most unaffectionate of epistles.
She now began not only to form
friendships, but to discover rela-
tions. "Was it to be expected,"
became the truculent daily demand,
"that she was to be buried alive
in a town such as this?" One
morning she abruptly announced
to him that a sister, of whose
existence no previous mention had
ever been made, was ill at Lille.
It was absolutely necessary, none
the less, that she should go at once
290
Bruges-la-Morte.
to attend to her. She remained
away for several days, and returned
only to recommence the same
description of manoeuvres. In the
flux and reflux of these arrivals
and departures, the existence of
Hughes found itself suspended.
Suspicion at length began to
germinate in his mind. The spirit
of espionage entered into him. In
the evenings, he roamed around her
dwelling like a nocturnal phantom
escaped from the tomb. Among
the dolorous experiences that fate
had reserved for him, was to be
enumerated that of the detective
dissimulating his vigilance. The
ignominy of furtive stoppages and
291
Bruges-la-Morte.
midnight ambuscades were added
to the list of his humiliations.
Every peal of the little bells that
died quickly along the long corri-
dors thrilled him with misgiving.
The protracted vigils of the night,
spent before a brilliantly lighted
window, along the blind of which
flitted in ombres cinoises a sil-
houette that seemed ever to his
imagination to be on the point of
doubling itself, became an excruci-
ating series of agonies.
The memory of his dead wife
now began to recede into the
background. It was Jane, whose
courtesan charm had bewitched
him: by imperceptible degrees that
292
Bruges-la-Morte.
he dreaded to lose. The elusive
fascination of the countenance had
relaxed its spell, but the voluptu-
ousness of the flesh continued to
hold him in thrall. Yet as he
gazed upwards towards the folds
of the white curtains in which the
possibility of a shadow concealed
in their depths yet lurked, a
consciousness of degradation im-
penetrated his being. It was love
degenerating into jealousy that
had sent him forth upon this
deplorable task of surveillance.
As he contemplated the miseries
of the evening, lashed by the con-
stantly recurring showers of rain-
which in the bleak north are ever
293
Bruges-la-Morte.
ready to descend from the clouds
that are never distant from the
horizon-and the ever interjected
wail of the carillon, a sense of
the forlornness of his destiny
overpowered him.
Throughout the rigours of the
night, he remained spying from
the vantage-ground of a large
court that in extent resembled a
meadow-walking restlessly around
in an unceasing circuit and solilo-
quizing to himself in the inarticulate
tones of the somnambulist; regard-
less of the rain now swollen into
a deluge; the melting snow ; the
scowling blackness of the heavens;
the desolation that distilled itself
294
Bruges-la- M orte.
from even the most minute of
the objects that composed his
surroundings.
The elucidation of the mystery
that so completely baffled him
served to absorb the whole energies
of his mind. Into what an extreme
depth of frivolous callousness, he
bitterly reflected, must be sunk the
entire being of this woman who
had made such havoc of his exis-
tence-whilst at the same time, as
if to render more glaring the
contrast, the spirit of antithesis
presented through the enveloping
bleakness the face of his dead
wife in all its mild benignity regard-
ing him with compassionate eyes.
295
Bruges-la-Morte.
Hughes had ceased to be the
dupe of .this daughter of the
horse-leech. He had been unable
from the outset to shut his
eyes to the incredibility of many
of Jane's explanations, and subse-
quently there had been showered
upon him - in accordance with
a usage prevalent in small pro-
vincial towns - a profusion of
letters describing all her move-
ments in the pettiest of their details,
and confirming the worst of the
suspicions that he had harboured
in the very blackest of his moods.
In these epistles were furnished
names, accompanied by proofs of
so circumstantial a character that
296
Bruges-la- M orte.
any lingering hope of her fidelity
had perforce to be relinquished.
A supplement of anonymous cards
packed with insults and ironies at
the expense of his besotment
were, in like manner, rained in upon
him. This, then, was the culmina-
tion of an intrigueintowhich he
had been betrayed through the
medium of a casual encounter that
the demon of coincidence had
prompted. The repudiation of
Jane was a simple matter enough,
but the problem of self-retrieval
remained. The very mourning
which he wore had become a
target for street ridicule. The
cult of his despair had been
297
Bruges-la-Morte.
vulgarized beyond remedy, and
was only an object of public
derision.
As Hughes meditated in the
depths of his contrition, it seemed
obvious that Jane must go out of
his life. Yet this signified the
endurance of the agonies of a
second separation. His heart
revolted within him, as he medi-
tated upon the quagmire of
wretchedness into which he had
been dragged by the wantonness
and duplicity of this woman.
In his indignation, he resolved
upon holding only one more inter-
view with her. Accordingly he be-
took himself to her house, bent upon
298
Bruges-la-Morte.
upbraiding her with all the un-
happiness she had inflicted upon
him before a final severance could
be effected.
It was, however, without a trace
of anger, and only in tones of
infinite sorrow, that he detailed to
her the particulars of the revelations
which had been thrust upon him.
Assuming an air of bravado,
Jane contemptuously demanded the
nature of his proofs. In reply,
Hughes merely handed to her the
communications which had been so
abundantly lavished upon him.
"You are then enough of an
idiot to believe in the infallibility
of anonymous letters," Was the
299
Bruges-la-Morte.
only observation which she vouch-
safed to make after reading them,
bursting at the same time into a
cruel and discordant fit of laughter
that served to display her strong
ivory teeth which exactly resembled
those of a beast of prey.
"The whole history of your pro-
ceedings is certainly a very edifying
chapter," answered Hughes.
Jane's only reply was a transport
of fury in which she rushed back-
wards and forwards, slamming the
doors vehemently and beating the
air with her petticoats.
"Very well then, what if all
this be true?" she suddenly
inquired, pausing in her gyrations;
300
Bruges-la-Morte.
"I am bored to death with living
in this place, and want nothing
better than to leave it."
The interval had been occupied
by Hughes in making an elaborate
scrutiny of her entire person.
In the radiance diffused by the
strong light of the lamp, he beheld
the black pupils of her eyes, the
sham complexion, the false hair-
both alike as unreal as her heart
and her love. No shadow of
affinity of character had ever existed
between this woman and that of
his beloved, who now perhaps
looked down upon him from
Paradise. Yet despite the dis-
tended throat and figure quivering
301
Bruges-la-Morte.
with vulgar rage, there still remained
the woman whom he had embraced,
and when he heard her exclaim
"I want nothing better than to go
away," a panic of the soul over-
whelmed him, leaving only darkness
around.
At this crisis, he realized that
underneath this illusion of identity
there had been masked the lust
of the senses-a tardy survival of
passion rendered charmless and
repellent by the lack of the roses
of youth.
The confusion of his ideas was
so absolute that even consciousness
nearly deserted him. He knew
only that he suffered and that
302
Bruges-la-Morte.
his suffering would be intensified if
Jane executed her threat of leaving
him. Notwithstanding all that she
was, his heart still clung to her.
Despite the bitterness of his self-
contempt, he was powerless to
break the Circean fetters which
bound him to her. After all-
he asked himself the question-
what did it matter? The world
was steeped in wickedness! Why
should he-one among so many-
endeavour to justify himself? The
woman at his side had scorned to
make to him even the most paltry
of excuses.
With the recognition of the
dissipation of his dream, Hughes
303
Bruges-la- M orte.
felt another wave of agony sweep
over him-for the ruptures of love
resemble a little death in as much
that they are departures without
an adieu. But it was neither the
thought of separation from Jane
or that of the destruction of his
illusion which at the moment so
completely shattered him. His
imagination was appalled by the
apprehension that he might never
again find himself face to face with
the spirit of the town, whose implied
prohibitions he had violated. The
gray melancholy of Bruges still held
him in its thrall, but the weight of
its towers lay too heavily upon his
spirit. The very frivolity of Jane
304
Bruges-la-Morte.
had dissipated the density of the
shadows which rested upon his
soul. Now he longed to subject
his spirit to them, in all the
crushing force of their severity.
He resolved that he would seek
to recover his old self, and become
again a victim to the magic of
the bells. In this reconciliation
he would forget all, and enter
intrepidly upon a second widower-
ship. The town appeared to his
imagination more dead even than
formerly.
Suddenly, however, impelled by
an irresistible impulse, he darted
towards Jane, possessed himself
of her hand, and exclaimed in
305 U
Bruges-la- M orte.
supplicating accents, "Remain!
Remain! I was mad." His eyes
became filled with tears and his
voice thrilled passionately in an
ecstasy of entreaty.
Yet as he once again retook his
homeward way along the line of
the old quays, the dread of
an unknown peril accompanied
him. He became a victim to the
direst forebodings. A vision of
death haunted him. It appeared
floating in a remote perspective
swathed in a shroud, but ap-
proaching steadily through the fog.
Hughes deemed that its intentions
towards him were more sinister
than ever. At this stage of his
306
Bruges-la-Morte.
reverie, however, the wind sud-
denly uplifted itself. The quiver-
ing boughs of the poplars that
lined the canal began to pour
forth a complaint. A feverishness
appeared to be widespread among
the swans, ordinarily so distin-
guished by their tranquillity-these
beautiful swans whose presence in
the waters commemorates an ex-
piation through which the town
received absolution for the perpe-
tration of the perfidious murder of
a Seigneur, who had been placed
as a hostage in the custody of its
guardians.
Upon this evening, however,
they exhibited every symptom of
307
Bruges-la-Morte.
agitation, swimming wildly around
in a condition of phenomenal
perturbation. One of the birds
lifted itself out of the water and
beat its wings plaintively like an
invalid who strives to quit the
couch upon which he has been
reposing.
The swan was clearly in the
throes of a profound agony. At
intervals it cried piteously. In its
flight, however, the wail sweetened
itself as it penetrated into the
distance. There survived then
only an almost human strain,
which softly modulated itself into
a death-song.
Hughes listened spell-bound.
308
Bruges-la- M orte.
The poetic legend that the swan
sang at the hour of its departure
returned to his mind. An impal-
pable suggestion of the presence
of the Angel of Death diffused
itself throughout the atmosphere.
Hughes shuddered involuntarily.
The presage appeared designed as
a warning to himself. Jane's
threat of deserting him and the
violence of the scene through
which he had just passed, had
flung him into a condition of
nervous disturbance that easily
rendered his mind a prey to the
blackest misgivings. As he
continued his way homewards,
conjectures as to the possibilities
309
Bruges-la-Morte.
of calamity that awaited him in
the near future tortured his brain.
It was in vain that he endeavoured
to disembarrass himself of the
nocturnal phantoms that had im-
printed themselves upon his
imagination. The portents of a
second widowership were rapidly
multiplying themselves around him.
310o
XIII
JANE profited to the full from the

profession of weakness which
Hughes had made at the con-
clusion of their last interview.
With the keen scent of the
adventuress, she at once recognized
that her power of domination over
the man was absolute, and that so
for as the future was concerned
he was as clay in the hands of
the potter.
It had been an easy matter to
regain her former ascendency. A
few caressing words had sufficed.
311
Bruges-la-Morte.
She had arrived at the conclusion
that Hughes's life was not one likely
to be of long duration. Already pre-
maturely old, and with his vitality
sapped by disappointment, his
health had declined rapidly under
the tribulations of the last few
months. Throughout the town,
he was reputed to be wealthy.
He had taken up his residence in
Bruges as a relationless stranger,
and during the whole term of his
sojourn had held himself rigidly
aloof from all denizens of the town.
She reproached herself bitterly
upon not having realized earlier the
possibilities of exploitation that
lay so close to her, and the ease
312
Bruges-la-Morte.
with which by dint of only a
little manipulation she might have
acquired a fortune.
With this design ever uppermost
in her mind, Jane altered, in a
great measure, her line of conduct.
She checked the recklessness of
her expenditure; provided herself
with plausible excuses for such
disappearances as she made, and
adopted conciliatory tactics in so
far as these did not conflict
materially with her own amuse-
ment.
What most excited her cupidity
was the contents of the vast and
ancient mansion situated upon the
Quai du Rosaire, in which Hughes
313
Bruges-la-Morte.
had so long dwelt. Screened by
the impenetrability of the lace
curtains and the elaborate tattoo-
ings in the shape of hoar-frost
upon the windows, it was impos-
sible to arrive at any impression
of the character of the interior.
By means of a device of any
description whatever, Jane deter-
mined to penetrate within its walls,
trusting that in this way she would
be enabled to arrive at some
estimate of the wealth of its owner.
Coveting ardently all that belonged
to him, she wished to satisfy herself
fully regarding the value of the
furniture, the silver ware, the jewels,
and all minor accessories. Provided
314
Bruges-la-Morte.
with such a mental inventory, it
would be easier to safeguard her
interests in the future.
Hughes, however, continued
obstinately to refuse to receive
her.
Jane tried the expedient of
blandishments. Superficially their
intercourse seemed a renewal of
love which resembled that of a
bouquet of artificial roses. With
the advent of May, an opportunity
that favoured the execution of
Jane's project presented itself.
Upon the Monday following was
to take place the procession of the
Holy-Blood-an annual ceremonial
that commemorates the arrival in
315
Bruges-la- M orte.
Bruges of a drop of the blood of
the Saviour pierced on Calvary by
the fatal lance, and since reverently
preserved within a reliquary in the
chapel that bears its name.
The route of the procession
lay along the Quai du Rosaire,
and defiled exactly under the
windows of Hughes's house. Jane,
who had never seen the cere-
monial before, now set her heart
upon witnessing it. Her own
dwelling, however, lay remote in
the outskirts, and she absolutely
refused to view it from the streets,
which would be packed by crowds
hailing from all the different towns
in Flanders.
316
Bruges-la- M orte.
"I long so much to see your
house," she implored in the most
wheedling tones at her command,
"and afterwards we can dine
together. Do say that you wish it!"
Hughes vainly urged objections
on the ground of the gossip to
which it would give rise.
"But I shall arrive early before
the world is out of bed," was the
invariable counter-argument.
The thought of the prudish and
devout Barbara, who would be
certain to take her for an emissary
of the devil, plunged him into a
quandary.
Jane, however, continued to ply
him with her importunities.
317
Bruges-la-Morte.
Her voice possessed that in-
definably cajoling quality, which at
certain decisive moments women
can ever summon to their assist-
ance. It is the expression of the
attribute of the temptress in which,
since the age of Eve and Delilah,
their power of persuasion has
mainly resided. Alternately cooing
and passionate, the man is swept
by the subtlety of the intonations
into an eddy which leaves him
abandoned to the fatality of his
allurement.
318
XIV
UPON the morning of the Monday

that was to be distinguished by
the passing of the procession,
Barbara rose betimes in order to
have the house adorned in the
manner best calculated to do honour
to the magnitude of the occasion.
After communicating with fervour
at the first mass, she commenced
her preparations vigorously on her
return. All the paraphernalia that
could be utilized for the purpose
of reflecting distinction upon the
dwelling, was extracted from the
319
Bruges-la-Morte.
cupboards. Barbara rubbed every
object with an energy that rendered
them as polished as mirrors. She
brought down from their repositories
the finest table-cloths wherewith to
decorate the little tables, which she
then placed in front of the windows.
Around them she dispersed little
altars symbolizing the month of
Mary; a crucifix lighted with
candles, and a statuette of the
Virgin.
Upon the occasion so distinctive
in its character, when the pious
zeal of the inhabitants expressed
itself in a rivalry of embellishment,
the external ornamentation of the
house became a matter demanding
320
Bruges-la-Morte.
from Barbara grave consideration.
Along the line of the facades there
had already been attached, accord-
ing to an established custom, a
decoration of firs relieved by
branches of the green bronze that
peasants carry from door to door.
Together they formed a species of
hedge along the line of the street.
Upon the balcony, Barbara had
arranged to her own satisfaction
purple-coloured draperies against a
stainless white background. From
the foot there descended an appro-
priate row of streamers in chaste
folds. The old woman hurried
backwards and forwards upon her
respective missions, full of unction
321 x
Bruges-la-Morte.
and solicitude. Every object was
handled by her with the reverence
due to the sanctity demanded by
the solemnity of the day. Through
the constancy of her devotions, her
fingers had acquired a touch identi-
cal in its nature with that of the
priests. So absolute was her par-
ticipation in the celebration that
her whole being appeared to pass
into it like a distillation of the
Holy Oil used in the course of
the ceremonies. In appearance
she was perfectly congruous only
with the surroundings of a sacristie.
All that eventually remained for
the completion of her labour of
love, was to store the baskets with
322
Bruges-la-Morte.
their complements of herbs and cut
flowers-a fleeting mosaic of which,
however, every fragment lent its
aid in imparting a colour to the
street at the moment the procession
passed. Barbara, to whom the
incense of the flowers-composed
as they were of roses, lilies, daisies,
rosemary, sages, and reeds cut into
the shape of ribbons-was a species
of intoxication, hastened in the
conclusion of her preparations. As
she plunged her hands into the
overflowing baskets, the heart of
the old woman was refreshed by
the befitting character of this floral
massacre.
Through the open windows
323
Bruges-la- M orte.
arrived the prelude of the bells
attached to the parish churches,
which followed each other rapidly
in a seeming ardour of emulation.
Notwithstanding the gray inde-
cisiveness that is so frequently a
characteristic of early May weather,
there was a buoyancy in the air
which served to diffuse a feeling
of exhilaration throughout the mul-
titude. The clamour of the bells
resounded from every quarter of the
venerable city-bells of convents,
monasteries, and those suspended
in old towers. Superannuated bells
which remain motionless all the
year, and break their taciturnity
only when the procession of the
324
Bruges-la-Morte.
Holy-Blood defiles through the
densely lined streets. The glad-
dening influences that universally
pervaded the scene appeared to
extend even to the atmosphere,
where they softened the grimness
of the bronze colouring of the
bells, and seemed to introduce above
their heads a canopy of joyous
white surplices bedecked with fan-
like folds. Eclipsing all other
strains, Barbara heard the great
bourdon of the cathedral that
never tolled save upon such
occasions as those of the grand
ftes. She could even behold it
in the distance-slow and black
-cutting the air like a crozier.
325
Bruges-la-Morte.
The minor bells from within the
adjoining turrets aided in swelling
the silvery chorus, whilst organizing
themselves at the same time in the
heavens like a suggestion of a rival
procession.
The piety of Barbara exalted
itself with the stimulus that issued
from her surroundings. To her
imagination it appeared that upon
this memorable morning the air
was surcharged with fervour and
that an heavenly ecstasy was ani-
mating the peals of the bells. The
rustle of invisible wings suggesting
the flight of angels was audible in
her ears.
In the intensity of her spiritual
326
Bruges-la-M orte.
longing, a living consciousness of
the presence of Jesus rested upon
her. Disentangling itself from the
mists of a divine obscurity, His
image appeared to shine radiantly
before her, bringing with it a con-
viction as absolute as that of her
belief in his presence in the mass
of the morning.
With her mind still dwelling upon
the mercy of Jesus, the old servant,
after having crossed herself rever-
ently, began afresh to pray, inspired
by the memory and retaining in
her mouth the taste of the Blessed
Sacrament.
Meantime, however, her master
had sounded his bell for ddjeuner.
327
Bruges-la- M orte.
Upon her appearance he took
advantage of the opportunity to
announce that he had invited an
acquaintance to dine with him and
ordered her to make preparations
accordingly.
Barbara was thunderstruck.
During the term of her five years
of service, no one had ever been
requested to cross the threshold of
the dwelling. Suddenly, however,
a frightful explanation of the
enigma flashed into her mind.
The moment which she had so long
dreaded had arrived. She divined
intuitively that the woman in regard
to whom she had received so imper-
ative a warning from Sister Rosalie
328
Bruges-la-Morte.
was to pollute the house by her
presence upon this sacred morning.
A sensation of horror at the
mere thought of such turpitude,
thrilled to the inmost fibres of the
being of the old devotee. In the
event of the truth of her presenti-
ment, no dubiety could exist in
regard to her course of action.
The prohibition of her father-
confessor leaped back into her
mind. That towards the end of
her own long and blameless life,
she should be called upon to throw
open a door at the summons of so
profligate a creature; serve her at
table; obey her orders; and asso-
ciate herself with such lewdness
329
Bruges-la- M orte.
was revolting to Barbara's moral
sense. The coincidence of such a
demand with the day upon which
the blessed blood of Jesus was to
be carried before the house further
affrighted her, whilst the recollec-
tion that she had just returned
from participation in the Holy
Sacrament rendered her loathing
of this act of profanity, if possible,
more complete. It was clear that
the moment for final separation was
rapidly approaching.
With the familiarity which, in
provincial towns, is frequently
assumed by domestics in their
relations with old bachelors and
widowers, she boldly inquired:
330
Bruges-la-Morte.
" Who is the gentleman that has
been invited to dinner ? "
Hughes replied that the question
was an impertinence, and that it was
sufficient for her to learn when the
guest should make his appearance.
But Barbara, feeling more and
more convinced of the truth of
her supposition, determined to risk
everything sooner than the jeopard-
izing of her immortal soul, and
again demanded:
"Is it then a lady that is
expected here to-day ?."
"Barbara!" exclaimed Hughes,
in an accent of angry astonishment.
But the old woman stood her
ground undauntedly.
331
Bruges-la- Morte.
"I require to know beforehand,"
she continued, "because if it is a
lady that is to be brought within
the house, I am obliged to say that
it will be impossible for me to serve
the dinner."
Hughes sat overwhelmed with
consternation, and unable to arrive
at any more adequate explanation of
his housekeeper's conduct than that
a sudden outbreak of lunacy had
overtaken her.
But Barbara's long-pent-up feel-
ings now found vent in energetic
expression. She assured her master
that the advent of this day had
long been foreseen by her, and that
her confessor had strictly forewarned
332
Bruges-la- M orte.
her to quit the house the moment
that its threshold was crossed by a
woman who was little better than a
harlot. It was impossible for her
to disobey him, and thereby plunge
herself into a condition of mortal
sin, with its possibilities of sudden
death and damnation.
At first Hughes was - unable to
comprehend the significance of her
words, but by degrees he succeeded
in linking together the different
stages of the progress of the scandal
to which he had given rise, with its
variegated embroideries and ulti-
mate development within the walls
of his own house. It had reached
the ears of Barbara sooner than he
333
Bruges-la-Morte.
had anticipated! The first result
of Jane's proposal to invade his
dwelling had been the withdrawal
from it of the servant who, during
the period of a service of five years'
duration, had become attached to
him alike by ties of interest and
by the thousand links that every
day weaves between two existences
dwelling side by side. Now,
seemingly without a regret, she
abandoned him!
Crushed by this thunderbolt
which entirely extinguished the
prospect of any happiness during
the day, Hughes merely said in a
tone of resignation.
" Very well, Barbara. You can
334
Bruges-la- M orte.
go away immediately if you
wish."
The old servant gazed at him
pityingly, comprehending in her
heart the bitterness of his suffer-
ing, and in that chanting voice
with which Nature has endowed
women for the lullabies of the
cradle, exclaimed in shaking her
head:
" Oh, Jesus! my poor master!
And for the sake of a wicked woman
who deceives him!"
In defiance of the deadening
influence of years, the maternal
instinct, ennobled by an element of
divine pity, welled up within her,
and a cry broke forth as if issuing
335
Bruges-la-Morte.
from a fountain whose waters retain
a healing virtue.
Hughes, however, was only
exasperated at her interference
and at her referring to Jane in such
terms. She had been dismissed
by him upon the very spot. To-
morrow she could return and
remove all that belonged to her,
but to-day she must leave without
a moment's delay.
The irritation which her master
so openly displayed removed any
lingering scruples that remained
in Barbara's mind regarding the
abruptness of her departure. She
reattired herself in her beautiful
black cap and mantle, supported by
336
Bruges-la-Morte.
the reflection that she was a sacri-
fice for righteousness, as centuries
ago had been her great Master,
Jesus.
Then calmly and with no trace
of emotion, she quitted the dwelling
which had been her home for five
years. Before doing so, however,
she strewed the middle of the street
with the flowers contained in the
baskets, as that portion alone offered
no tribute in honour of the
procession.
337
XV
THE day had commenced in a

manner ominous of calamity.
There exists in the nature of
things a certain inscrutable malig-
nity which delights in shattering
our prospects of happiness. Ex-
posed as our anticipations are to
the driftings of time, the malevo-
lence of Destiny avails itself of
the opportunity to change the eggs
in the nest of assumption, and we
are left to realize only the bitter-
ness which the world condemns us
to conceal.
338
Bruges-la-M orte.
Upon hearing the clanging of
the door that served as the
announcement of Barbara's de-
parture, Hughes experienced an
impression of the most profound
gloom. During the course of his
solitary life, the old servant had
grown gradually into the position
of a necessity to him. This was
an additional augmentation to the
catalogue of sufferings which he
had endured at the hands of this
cruel and inconstant creature who
was so supremely indifferent to the
misery that she caused.
He began now to hope that
something had occurred to pre-
vent her from coming. In his
339
Bruges-la-Morte.
distracted condition of mind, he
realized that her 'society would
prove only an infliction. His
mind again unconsciously reverted
to the subject of death. Once
more he examined himself as to
the nature of the process of decep-
tion, by means of which he had
given evidence to this veneer of
a likeness. What, too, must she
whose soul now dwelt in Paradise
think of him, beholding from afar
this debasement of her outward self
reposing in the fauteuils in which
she had reposed, and introducing
her impure face into the depths of
the mirrors in which the purity of
her own still lingered ?
34o
Bruges-la- M orte.
Upon the sounding of the bell,
however, Hughes was none the
less compelled to open the door.
Jane entered the house brusquely
and imperiously, surveying all that
it contained with the eye of the
auctioneer. Her face, which had
become violently flushed by the
exertion of walking quickly,
awakened in Hughes a thrill of
antipathy. The distant strains
of the music were already
announcing the approach of the
procession, which was advancing
uninterruptedly.
Hughes had already lit the
candles which Barbara, prior to
her departure, had placed upon
341
Bruges-la-Morte.
the little tables in front of the
windows. He conducted Jane to
the first landing, on which was
situated his own chamber. The
blinds were closed, and Jane
advanced evidently with the inten-
tion of opening one of them.
" Leave it alone!" exclaimed
Hughes.
"Why?"
He endeavoured to explain to
her the impropriety of showing
themselves together so publicly
upon such an occasion as the
passage of the procession. In a
town so subject to priestly
influences as Bruges, little served
to create a scandal.
342
Bruges-la-Morte.
Jane, meantime, divested herself
of her hat before the looking-glass,
and rubbed a little powder upon
her face from an ivory box which
never quitted her possession.
She then returned obtrusively
to the window, displaying as con-
spicuously as she could her copper-
coloured hair upon which the light
played.
The crowd that thronged the
street gazed up with astonished
eyes at this flaunting woman, who
resembled in no respect anything
that existed in the town.
Hughes now began to protest
impatiently. Vainly he urged upot
her that the procession could be
343
Bruges-la- M orte.
seen quite as well from behind the
curtain as in front of it. At length,
losing all mastery of his temper, he
closed the window violently.
Becoming infuriated in her turn,
Jane flung herself down upon a
sofa, where she remained, an
embodiment of hardness and im-
penetrability.
The procession chanted as it
advanced. From the increasing
volume of the canticles it was
evidently close at hand. Pro-
foundly depressed by his encounter
with Jane, Hughes now turned his
back upon her and supported his
burning forehead against the
windows. The breeze that entered
344
Bruges-la-Morte.
from off the waters of the canal
alleviated the fever in his brain.
The premiers enfants de chceur
who heralded the procession now
passed with bare heads, holding
candles in their hands, and reciting
monotonously.
From his vantage-ground in front
of the window, Hughes discerned
clearly the more outstanding figures
in the cortege as they detached
themselves from their surroundings
like painted robes in the religious
pictures of Flemish artists.
The lay-brotherhoods next de-
filed in pre-arranged order, carrying
pedestals with statues representing
the Sacred Heart, displaying gold
345
Bruges-la-Morte.
banners as indurated as the painted
glass in church windows. Opening
up as it progressed, the procession
next disclosed what appeared to
the more distant onlookers to be
an orchard of white robes or an
archipelago of muslins, from which
incense unfolded itself in the shape
of little blue clouds. The impres-
sion conveyed was akin to that
created by an assemblage of
children around a Paschal Lamb
as white as themselves, and ap-
parently formed out of curled snow.
Hughes turned for an instant in
the direction of Jane, who still
remained sulking obstinately and
wearing an aspect which suggested
346
Bruges-la-Morte.
the hatching of some sinister
project.
The music from the serpents
and the ophicleides now ascended
into the sky, almost drowning the
frail, intermittent strains of the
soprano.
At his elevation in the corner of
the window there next appeared
before Hughes, in fixed order of
precedence, the knights of the Holy
Land; the Crusaders attired in
armour and cloth of gold; the
princesses renowned in the annals
of Burgundy; and in varying stages
all that associated itself with the
name of Thierry of Alsace, who
originally conveyed from Jerusalem
347
Bruges-la- Morte.
this priceless relic of the Holy-
Blood. In their respective rdles
also appeared the daughters of the
Flemish aristocracy, arrayed in
hereditary costumes, which were
embellished with lace and jewels.
In its vividness, the procession
appeared for the moment to anni-
hilate the present. The obscuring
mists of the centuries were rolled
away, and by a miracle of resusci-
tation saints, warriors, and elders,
reincarnating the figures that dwell
immortal in the pictures of the Van
Eycks and of Memling, visualized
themselves before the eyes of the
spectator.
Hughes, however, lost all power
348
Bruges-la-Morte.
of appreciating the spectacle. Illu-
sion was rendered an impossibility
to him. All that he now realized
was the obduracy of Jane. He
made an attempt to pacify her,
but at the first word that fell from
his lips her smouldering rancour
found vent in vituperation, whilst
her eyes gleamed simultaneously
with an animosity that suggested
hands loaded with missiles that
they were upon the point of hurling
at a detested adversary.
Striving to find a means of
escape from the increased burden
of the dejection which now weighed
upon him, Hughes returned to the
window and listened intently to the
349
Bruges-la-Morte.
surge of the music that still eddied
through the streets.
At this point appeared repre-
sentatives of all the various orders
of clergy-Dominicans, Redemp-
torists, Franciscans, Carmelites.
In their train followed the
Seminarists, apparelled in folded
surplices; the priests of each
parish in the same scarlet costume
as that worn by the enfants de
chcur, and finally a miscellaneous
succession of vicars, curds, and
canons, attired in their chasubles
and embroidered dalmatiques that
sparkled like gardens of precious
stones.
The clankings of the censers
350
Bruges-la-.Morte.
now rendered themselves audible
in dispersing upwards towards the
arches clouds of blue smoke that
only failed to reach them, whilst all
the little bells united in a sonorous
acclamation that resounded through
the air.
The final stage of the procession
was arrived at by the appearance
of the bishop with his mitre upon
his head, carrying the chasse-a
little cathedral fashioned in gold
and surmounted with a cupola in
the midst of which, encircled
by a thousand cameos, diamonds,
emeralds, amethysts, topazes, pearls,
and enamels, rested the unique
treasure which had for so many
351
Bruges-la-Morte.
centuries reflected its lustre upon
the chapel of the Holy-Blood.
The imagination of Hughes was
profoundly stirred as he beheld
the fervour imprinted upon all the
upturned faces. He realized in
descrying the magnitude of the
throng which diffused itself, not
merely through the streets, but
extended to the boundaries of the
town, the depth of the faith con-
tained within the Flemish heart.
As the people knelt in prayer at
the approach of the reliquary, his
heart unified itself with theirs in
an attitude of adoration.
The dismal actuality of Hughes's
existence had been obliterated from
352
Bruges-la-Morte.
his mind by his spiritual exalta-
tions, when Jane, remarking the
completeness of his absorption,
broke into a shrill outbreak of
laughter.
He affected unconsciousness of
her presence, suppressing by a
violent exercise of will any out-
ward manifestation of the repug-
nance which the woman was
rapidly awakening within him.
With an Arctic frigidity of
demeanour she replaced her hat,
bent, apparently, upon immediately
quitting the house. Hughes lacked
the courage to break the hard
silence in which the room was
enveloped, now that the procession
353 z
Bruges-la- M orte.
had passed on to its destination.
The street was already almost
deserted, and the quietude that
reigned throughout it was en-
hanced by the melancholy survival
of a departed gladness.
Jane glacially descended the
staircase without uttering a word.
Upon reaching the ground-floor,
however, she was devoured by a
fever of curiosity upon obtaining
glimpses of the salons through their
open doors. After peering in, she
retreated as if repelled by the
austerity of aspect which distin-
guished the two apartments that
communicated with one another.
For rooms, like individuals, possess
354
Bruges-la- M orte.
a physiognomy that is exclusively
their own. They arouse within us
the same instinctive sympathies
and antipathies. Jane had a
consciousness that the reception
accorded her by the salons was
one of silent hostility. Void of all
aesthetic sensitiveness, everything
that they contained appeared to
her to be distasteful and abnormal.
Jane felt dimly that there subsisted
a disaccord between the mirrors
and her own personality, whilst the
immutable attitude of the old
furniture disconcerted and irritated
her.
Making, however, a tour of in-
vestigation through the apartments,
355
Bruges-la- M orte.
she glanced indifferently at
the portraits of the dead wife
stationed at different points along
her line of inspection.
" Ah ! after all you keep
portraits of women! " she re-
marked, with a bitterly ironical
laugh.
As she spoke, her eye rested
upon the mantelpiece.
"Why, here is one which is
very like me!" she exclaimed in
astonishment, taking possession at
the same time of one of the
portraits.
Hughes, to whom all her move-
ments constituted a growing source
of exasperation, experienced a
356
Bruges-la- M orte.
feeling of intense suffering at the
atrocious badinage and jeering
insouciance that vulgarized the
memory of his dead wife.
"Put that down!" he said with
sudden imperiousness.
Jane, who was utterly unable to
comprehend his standpoint, merely
continued to laugh extravagantly.
Angered beyond endurance,
Hughes stepped forward and took
roughly from her hands the
portrait that the mere touch of
her fingers seemed to profane. To
him all these objects of his cult
were as sacred as the monstrance
and the chalice are to the priest.
His sorrow had been transformed
357
Bruges-la-Morte.
into a religion. Yet at this very
moment of desecration, the unex-
tinguished candles which still
continued to burn at the window
supports where they had been
placed in honour of the procession,
blazed up with a final effect that
illuminated the salons as if they
had been chapels.
Jane, whose vindictiveness had
taken the form of entertaining itself
at the expense of the manifest
irritation of Hughes, now becoming
set upon further exasperation
passed into the other apartment,
touching everything, displacing the
relics, and ruffling the costumes.
Every stage in her orgie of
358
Bruges-la-Morte.
defilement was signalized by a
provocative outbreak of merriment.
At length she arrived in front
of the piano, upon which was
placed the precious glass coffer,
and recognizing another possibility
of venting her spleen, removed the
lid, extracted the adored hair, and
shook it wildly backwards and
forwards with the delight of a
gamin.
Hughes became livid with fury.
This was blasphemy. An impres-
sion of being compelled to witness
an hideous act of sacrilege took
hold of him. Throughout the
long years of his widowership,
he had never ventured to unidealize
359
Bruges-la- M orte.
even by touch this symbol which
represented in his eyes a fragment
of divinity. After all the tears
that had daily been shed around
the reliquary in which these locks
were enshrined, the thought that
they should be degraded into the
toy of a courtesan, whose chief
happiness in life was apparently
derived from his own befoolment,
transported him with fury. For
what a length of time had he
tamely permitted her to inflict
suffering and indignity upon him.
All the mortifications which had
been rankling within his bosom
welled up fiercely within him. He
recollected the ignominy of the
360
Bruges-la- M orte.
midnight prowlings spent in tramp-
ing the mire underneath her
windows. The memories of her
treacheries, mendacities, insults,
prodigalities, and infidelities, rushed
together like a cataract into his
mind. He determined to spurn
her from the house.
Jane, however, when he advanced
towards her, darted round the table,
regarding the movement merely
as an introduction to some species
of frolic, and after flourishing the
tresses in the air while assuming
at the same time the attitude of
a serpent-charmer, she entwined
them firmly around her own
neck, where they were transformed
361
l3ruges-la- M orte.
into an exact suggestion of a
boa made from the plumes of a
gold-bird.
"Return that to me! Return that
to me!" cried Hughes, in accents
vibrating with passion.
Regardless of his indignation,
Jane merely whirled backwards
and forwards around the table.
Infuriated by the stream of gibes
and flouts which were levelled at
him by his tormentor during the
course of her evolutions, Hughes
lost every vestige of self-control.
At length he overtook her. With
the hair still coiled around her neck
she struggled convulsively, un-
willing to surrender it, and enraged
362
Bruges-la-Morte.
by the ferocity expressed in the
grasp that clutched her.
' Will you? "
" No," she replied with a nervous
laugh, writhing at the same time
in his hold.
A paroxysm of fury swept over
Hughes, extinguishing all power
of reflection. The blood rushed to
his eyes, and his head swam as if
with a vertigo. In his frenzy, a
craving for the destruction of some-
thing became an over-mastering
impulse. He experienced a sensa-
tion that caused a crispation of the
fingers, endowing them at the same
time with the irresistible force of a
vice. In his delirium he seized
363
Bruges-la-Morte.
the hair that Jane still retained
entwined around her neck, and
frightful in his abandonment, drew
the tresses together until they were
as stiff as a cable.
Jane laughed no more. She
only lifted up a little cry followed
by a sigh like that of a bubble
expiring within a water-flower.
Then she fell prone upon the
floor-strangled.
She was dead-having failed to

divine the mystery that within
the chamber there was preserved
an object that could not be touched
without sacrilege. In her hand she
had carried vindictively the hair
364
Bruges-la-Morte.
which had symbolized-to those
whose purity of soul permits them
to commune with the unseen-a
sanctity that, violated, made the
violator the instrument of her own
death.
Thus all the inmates of the
house had perished. Barbara had
departed; Jane lay extended at
his feet a corpse-the dead wife
was more dead than ever.
Hughes alone was left, and he
had become oblivious to all that
surrounded him.
The two women identified them-
selves into a perfect unity. Re-
sembling each other in life, they
did so to an infinitely greater
365
Bruges-la- M orte.
degree in death. The pallor which
effaces even the most marked dis-
tinctions, rendered it impossible to
distinguish the one face from the
other-for his wife there existed
but one countenance. Into the
corpse of Jane was incarnated the
phantom of his dead wife, though
she was visible to him alone.
Hughes, whose soul was in all
directions retrogressive, now re-
called only memories from a distant
past. His mind reverted to the
epoch of his early widowership, to
which period he believed himself
transported. . . Tranquilly he
reposed in a fauteuil, unconscious
of all element of tragedy.
366
Bruges-la-Morte.
The windows continued open as
they had been left by Barbara.
Through them again floated the
clamour of the bells, all resounding
in unison to celebrate the return
of the procession from the chapel
of the Holy-Blood. The resurrec-
tion of a morning had run its course
and faded into nothingness. All
that had made a brief summer had
fled, leaving only apathy and
silence. The streets were desolate
once more. Solitude again brooded
over the town.
Isolated in the midst of an iso-
lation, Hughes remained alone,
repeating mechanically, Morte . . .
morte . . . Bruges-la-Morte. . .
367
Bruges-la- M orte.
Instinctively he endeavoured to
attune his voice to the level of a
harmony with the rhythm of the
bells. Morte . morle
. . .
Bruges-la-Morfe. . . . But it was

only with the music of the little,
old superannuated bells, which sym-
bolized to the ear of the listener
iron flowers languidly shedding
their leaves that there was produced
any adjustment of concord.
THE END
Printed by Cowan &

Co., Limited, Perth.
This book is a preservation facsimile produced for
the University of Illinois, Urbana-Champaign.
It is made in compliance with copyright law
and produced on acid-free archival
60# book weight paper
which meets the requirements of
ANSI/NISO Z39.48-1992 (permanence of paper).
Preservation facsimile printing and binding

by
Northern Micrographics
Brookhaven Bindery
La Crosse, Wisconsin
2010

Bruges La Morte English Translation

Uploaded by

Copyright:

Available Formats

Bruges La Morte English Translation

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Bruges La Morte English Translation

Uploaded by

Copyright:

Available Formats

ILLINOIS

UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN

Prepared for the Brittle Books Project, Main Library,

f-"i r. d -cta t - ' 't '

w i+.a. ' <.~i:] 2 ~ t '''+>''[_i'+a.. i*ij7«t'i

.5. '~ e Siii

z F rtw *3 ' of 1 rx ~s i4] a ei

.a~t s ,.a.r' .aL ,.

NK .ea :_ "i i"S -w_.., s~r.+w 'ea' r ~ Ri ' " r-'"_'

r- Yr r r- '^ ._ ' Tk r -- . 3"i c

' ' r!7

- r. 'q ^_:- :t ti sL _.ss k f:t -:3

Translatedfrom the rench, with a Critical

WITH THREE ILLUSTRATIONS

SWAN SONNENSCHEJN & CO., LIM.

IN days when the reputation-monger

Of Maeterlinck enough, and

"Villes aux noms si doux, Audenarde,

of his own tender if unimpassioned

"Toujours 'obsession d'un ciel gris de

It held him almost unintermittently

"Always the same dream unachieved,"

reveals possibly the dissatisfaction

"Yea, is not even Apollo, with hair and harp-

Upon what may be described

"C'est fini. Tout amour brusquement

is his own unriddling of the problem.

In this impassioned study it has been my

TRANSLATOR'S NOTE. -The illustrations re-

THE declining day had darkened

EVERY afternoon at the descent of

THE plan of Hughes's existence was

HUGHES had no difficulty in

HUGHES installed Jane into the

HUGHES pondered frequently upon

DURING the flight of the months

UPON Easter Sunday old Barbara

THE shadow of disillusionment had

IN proportion to the extent that

THE mediaeval sentiment of faith

THE dissimilarities between the

JANE profited to the full from the

UPON the morning of the Monday

THE day had commenced in a

She was dead-having failed to

Bruges-la-Morfe. . . . But it was

Printed by Cowan &

Preservation facsimile printing and binding

You might also like