ASHES & INK Program
ASHES & INK Program
ASHES & INK Program
DEDICATED IN MEMORY OF
Benjamin Colquett Reddick
Feb 3, 1965 - Sept 4, 2022
• The Nora Project has had two very successful sessions at Lanier
High School in Montgomery, AL, bringing together elder women
and teenage girls to bridge generational and racial divides
through the arts of storytelling and playwriting.
• The Nora Salon, an informal reading series, has thrived for years
in both NYC and Montgomery, showcasing new scripts by
women playwrights and allowing our supporters to take part in
the development process.
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A NOTE FROM
THE PLAYWRIGHT
You've come to see my play. Thank you. This is personal.
A mix of experience and imagination drove me to begin
writing this play nearly 10 years ago. Addiction and
alcoholism affect me and my family every day, though
thankfully in more little ways than big, most of the time.
We are not alone in this struggle. And we continue to
learn how to live our best lives. Hiding our heartache doesn't
lessen the pain. Punishing those who are ill results in nothing
but shame.
Martha Pichey
Playwright
PRESENTS
Martha Pichey
Directed By
Scenic Designer
Rita Pearson-Dailey
Costume/Props Designer
Katie Pearson
Lighting Designer
Emily Aveldanez
Sound Designer
Robert Shimp
Ashes & Ink is produced by special arrangement with the Playwright. Ashes & Ink was
developed with the support of Nora’s Playhouse. Nora’s Playhouse, Inc. is a not-for-profit,
tax-exempt,501(c)(3) organization. For more information about Nora’s Playhouse, please visit
www.norasplayhouse.org.
SETTING
The play takes place in Molly’s city apartment and
Leo’s country house.
DIRECTOR
Caroline Reddick Lawson is a Founder and
Artistic Director of Nora’s Playhouse. After
teaching high school theatre for years in
Alabama and in NYC, she retired from teach-
ing at the Booker T. Washington Magnet
School for the Arts in Montgomery, Alabama.
From 2008-2010, she worked as the Director of
Education for New York Theatre Workshop,
where she created the Mind the Gap Program.
After moving back to her home state of
Alabama, she implemented an intergenera-
tional playwrighting program in Montgomery
similar to Mind the Gap, called The Nora
Project: Women Write.
Her New York directing credits include ROSE, starring Kathleen Chalfant
Off-Broadway at The Clurman Theatre, which received nominations for a
Drama Desk Award, an Outer Critics Circle Award and a United Solo
Special Award. She directed Yasmine Rana’s The Fallen at NYU Gallatin’s
Labowitz Theatre, Henrik Ibsen’s A Doll House at Wing’s Theatre, Rana’s
The War Zone Is My Bed at the Looking Glass Theatre and Vol de Nuit. In
Montgomery she directed, in collaboration between Cloverdale
Playhouse and Nora’s Playhouse, A Doll’s House at CPH.
A NOTE FROM
THE DIRECTOR
I knew I wanted to direct Martha Pichey’s Ashes & Ink
from the first time I read an early version of the script almost
seven years ago. I recognized the story’s authenticity and
knew I wanted Nora’s Playhouse to produce the play. As the
theatre process goes with new plays, especially when you
throw in two years of a pandemic, it’s taken us until 2022 to
bring it to the stage. But as providence would have it, the
play is more timely now than ever.
PLAYWRIGHT.........................................................................................Martha Pichey
CARPENTERS...........................................................................................Jacob Tidwell
Jason Mass
Ken Shaw
PHOTOGRAPHER.....................................................................................Emily Thomas
TREASURER.......................................................................................................Lil Martin
PUBLICIST................................................................................................Katie Pearson
Brittany Batten
Blurr Ink
Cloverdale Playhouse
Josh Davenport
J. Scott Grinstead
Mike Mann
Ogre
The Readettes
Sarah Spratling
John Tompkins
PAST PERFORMANCES
October 2018: May 2010/June 2011/July 2012:
Ashes & Ink by Martha Pichey (stage The Fallen by Yasmine Beverly Rana
reading – debut of Nora’s Salon South) (stage reading/world premiere produc-
April 2016/November 2016/July 2018: tion at Jerry H. Labowitz Theatre, NYC)
whatdoesfreemean? by Catherine May 2012:
Filloux (developmental reading/edu- Refrigerator Mother by Alessandra
cational reading/world premiere Hirsch (stage reading)
production at The Tank, NYC) May 2011:
February 2018: Blood Sky, Paradise, and Returning by
A Doll’s House by Henrik Ibsen (co-pro- Yasmine Beverly Rana (stage reading)
duction with Cloverdale Playhouse, October 2010:
Montgomery, AL) Naturalized Woman by Dominica
August 2016: Radulescu (stage reading)
Rehearsing Desire by Suzanne Trauth January 2010/May 2010:
(stage reading) From Trinity to Trinity original story by
May 2014/November-December 2015: Kyoko Hayashi, English translation by
Rose by Laurence Leamer (stage Eiko Otake, dramatic adaptation by
reading/world premiere production at Nora’s Playhouse (developmental
Theatre Row, NYC) reading/stage reading)
May 2015: March 2010:
Wash, Dry, Fold by Nedra Pezold Winter Flowers by Lily Rusek (stage
Roberts (stage reading) reading)
February 2015: March 2010:
Françoise by Suzanne Trauth (stage The Game by Natalie Bates (stage
reading) reading)
June 2013: October 2009:
The Girl Who Would Be King by Jan Leonard’s Car by Isabella Ides (stage
O’Connor (stage reading) reading)
DONATE
To donate by credit card via PayPal, visit:
NorasPlayhouse.org/donate
To donate by check, make your payable to Nora’s Playhouse and mail to:
P.O. Box 21597, Brooklyn, NY 11202
Every donation helps us to create opportunities for women theatre artists of all
generations to tell women’s stories in a collaborative process that focuses on
human rights, female empowerment, and breaking restrictive or negative
stereotypes of women. Thank you for your support!