Degree and Roman Numerals
Degree and Roman Numerals
Degree and Roman Numerals
Being able to move through different scales and notes with little effort makes it much easier
to pick up musical material in any key and play it. Understanding the idea of keys and how they
are built makes it easier to transpose music, and allows an artist a sense of useful structure when
trying to compose music.
Each note of the scale has a special name, called a scale degree. See example below, C
Major Scale, Scale degree names and their functions.
Note Degree Name Function
C 8 Tonic The rst and last note. Tonal Center, also called as “home”
Bdim 7 Leading tone Natural tendency to lead into the note above, the Tonic.
Dm 2 Supertonic Super is latin for “above” and the second note of the scale.
Figure no. 1
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Roman numeral analysis is a type of musical analysis in which chords are represented by
Roman numerals. Uppercase Roman numerals (such as I, IV, V) are used to represent major
chords while lowercase Roman numerals (such as ii, iii, vi) are used to represent minor chords.
For instance, a chord progression from the scale of C Major (see gure no.1) are C - Am - F - G -
C is written as I - vi - IV - V.
Roman numeral analysis is based on the idea that chords can be represented and names by
one of their notes, their Root. For example, in the key of A Major, ii - V - I is Bm - E - A. On the
other hand, in the key of G Major, ii - V - I progression is Am - D - G.
V A D
When night has fallen When night has fallen When night has fallen
vi7 Bm7 Em7
When fear is common When fear is common When fear is common
IV2 I G2 D C2 G
Still You’re calling me Still You’re calling me Still You’re calling me
Figure no. 2
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