Degree and Roman Numerals

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Degree and Roman Numerals

A guide to Scale Degree and Roman numerals analysis

Being able to move through different scales and notes with little effort makes it much easier
to pick up musical material in any key and play it. Understanding the idea of keys and how they
are built makes it easier to transpose music, and allows an artist a sense of useful structure when
trying to compose music.

A scale is a collection of pitches that follows a set pattern of ascending or descending


intervals. Two of the most commonly used musical scales are Major and Minor scales. For
example, C Major scale consist of C - Dm - Em - F - G - Am - Bdim while A Minor Scale are
Am - Bdim - C - Dm - Em - F - G. Each of the note in the scale has its own character and
function in a written musical piece. The degrees of the traditional major and minor scales may
be identi ed several ways, by their function or by Roman numerals.

Each note of the scale has a special name, called a scale degree. See example below, C
Major Scale, Scale degree names and their functions.
Note Degree Name Function

C 8 Tonic The rst and last note. Tonal Center, also called as “home”

Bdim 7 Leading tone Natural tendency to lead into the note above, the Tonic.

Am 6 Submediant Middle of the Tonic and Subdominant

G 5 Dominant Always wants to resolve to Tonic.

F 4 Subdominant Sub is latin for “under”

Em 3 Mediant It is in the middle of Tonic and Dominant.

Dm 2 Supertonic Super is latin for “above” and the second note of the scale.

C 1 Tonic The rst and last note of the scale

Figure no. 1

DEGREE AND ROMAN NUMERALS 1


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Roman numeral analysis is a type of musical analysis in which chords are represented by
Roman numerals. Uppercase Roman numerals (such as I, IV, V) are used to represent major
chords while lowercase Roman numerals (such as ii, iii, vi) are used to represent minor chords.
For instance, a chord progression from the scale of C Major (see gure no.1) are C - Am - F - G -
C is written as I - vi - IV - V.

Roman numeral analysis is based on the idea that chords can be represented and names by
one of their notes, their Root. For example, in the key of A Major, ii - V - I is Bm - E - A. On the
other hand, in the key of G Major, ii - V - I progression is Am - D - G.

In popular music, triads may be represented as Roman numerals followed by a symbol to


indicate if it is not a major chord. For instance, an E dominant 7 chord in the key of A Major is
written V7. The accompaniment performers translate the Roman numerals to the speci c chords
that would be used in a given key. See example below.

Echo (Elevation Worship) Echo (Elevation Worship) Echo (Elevation Worship)


Key of D Key of G

V A D
When night has fallen When night has fallen When night has fallen
vi7 Bm7 Em7
When fear is common When fear is common When fear is common
IV2 I G2 D C2 G
Still You’re calling me Still You’re calling me Still You’re calling me

Figure no. 2

DEGREE AND ROMAN NUMERALS 2


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