charcoal blues cd4 track3

berg terrazza
Perugia Terrazza con Gatto,Lestini e Pietropaoli 82 u.5 8 2018

                          
Tenor Sax.   
C7 F7 C7

                          
5 3

      
3


3 3 3

 8tonica
3 F7


C7 F7

 
                  
       
8 3 3


3 3
3

               
C7 C7 D7 G7

        
A7

  
  
12 3


3

3 3 3

 
3 3 3 3 3


3

                         
         
16

            
                   
       
19
3

               
3 3 3 3 3

      
     
22

          
3


                       

25


  
                   
                    

29


3

                    
F7 F7

         
32

3
G-7 (C7) A7b9
         charcoal blues
  cd4 track3
    
  
2

aggiustata

             
34


3 3
3

    
                       
36

 
3

      
            
Ebpenta

          
       
39 3 3

3 3 3 3 3 3 3
3

                       
          

42


3 3

   

         
  
           
   
45

3 3

                         
        
48


3 3 3 3 3 3

         
   
Logicizzato

       
51 3

      
3

3 3 3       3
G- c#-7 C7

             
               
54

 
3 3 3
3

                   
                
57


 charcoal blues cd4 track3 3

                   
Adattato e logicizzato

   
60

   
3 3 3 3

62                       
  
3 3 3 3
3 3 3 3

                       
F
63


3 3 3 3 3 3 3 3

                       
F
64


3 3 3 3 3 3 3 3

                        
F
     
 
65


3 3 3 3 3 3 3 3
F7

     3
F

                
  
67

    
3 C7


F A7

        
                     
 
70 3


3 3 3 3 3 3 3
3 3 3
D- C
G7

                        
 
   
74

3 3 3 3 3 3 3
3 3 3
C7 F7

           
C7

            
 
77

3 3 3 3 3 3 3 3

C7 F7
  
4 charcoal blues cd4 track3

    
               
        
79


3 3 3 3 3
3 3

   
3

 
F7

    
       
C7

     


  
83


3 3 3

   key
  dx                
  
  
86


3 3 3 3 3 3

     
C7

   
F7

            

88


3 3 3 3 3 3 3 3
C7 Eb penta C7 B penta G penta

   
         
Seq.lungo C esatonica


90 con cromatismo 4a della quartina

  
3 3
 
B penta G penta
F7 Eb penta F7 Eb penta fine sequenze lungo Eb B G (triade

     
    
da 89 mis le figure scendono lungo C# +

                    
   
92

       
3

    
A7 D-

   
Questa terzina mis 95 va riconsiderata

             
 
in moltissime altre frasi simili.!!!!

      
95 3

3 3 3 3 3
cpentablues ebpentablues

      
G7


C

           
      
98

 
 
        

                


        

101

   
C7 (F G- triadi) F7 F F#°
 charcoal blues cd4 track3 5
inizia 4 misure batt

                       
go


stop

         
104


A7 D-

       
C

                 
stop

  
107


3 3 3
C

                  
G7

      
110


3 3 3 3
F
C7 C7 (F#7b9)

         
4mis drums
 
       
113



3

       
C7 C A7
F

    
F

     


 
118


3
D- G7 C A7

          
        
4mis drums

  
121


D- 3 3 G7 C

          
 
                    

126

     
c f# c c#
F c F f# C7

      
f# g

           
      
129


3 3
A7 g c#

                                
D-

  
134


C7 F
per il do false usa pos di la + trillo (?) per il sol pos di do basso meno chiave di fa..
per i due re come al solito.non tutte le coppie di do usa le false:.come scritto sopra dovrebbe essere giusto..
6 charcoal blues cd4 track3

             
  
               
136 4 drums

  
 
C7 C7alt F7

          
  
     
139

 
  3
F7 C7 A7 3 3 D- G7

     
  
  
          
144 3


3
C7 C F C7

            

do pos di do basso completa

      
149 3

    
3
C7 F#° C
F

              
        
153

D- (Ab) usata spesso D- C7

             
BASSI MIS

    
tema

  
60

 
158

   
             
164