Quarter 2 - Module 4: Week 4 Arts of The Renaissance and Baroque Periods
Quarter 2 - Module 4: Week 4 Arts of The Renaissance and Baroque Periods
Quarter 2 - Module 4: Week 4 Arts of The Renaissance and Baroque Periods
Quarter 2 – Module 4:
Week 4
Arts of the Renaissance and
Baroque Periods
MAPEH MUSIC– Grade 9
Alternative Delivery Mode
Quarter 2 – Module 4: Arts of the Renaissance and Baroque Periods
First Edition, 2020
Republic Act 8293, section 176 states that: No copyright shall subsist in any work of
the Government of the Philippines. However, prior approval of the government agency or office
wherein the work is created shall be necessary for exploitation of such work for profit. Such
agency or office may, among other things, impose as a condition the payment of royalties.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from their
respective copyright owners. The publisher and authors do not represent nor claim ownership
over them.
As a facilitator you are expected to orient the learners on how to use this
module. You also need to keep track of the learners' progress while allowing
them to manage their own learning. Furthermore, you are expected to
encourage and assist the learners as they do the tasks included in the module.
For the learner:
Welcome to the MAPEH- ARTS 9 Alternative Delivery Mode (ADM) Module
Arts of the Renaissance and Baroque Periods.
This module was designed to provide you with fun and meaningful opportunities
for guided and independent learning at your own pace and time. You will be
enabled to process the contents of the learning resource while being an active
learner.
This module has the following parts and corresponding icons:
We hope that through this material, you will experience meaningful learning
and gain deep understanding of the relevant competencies. You can do it!
What I Need to Know
This module was designed for your advantage and specially written to suit your
needed knowledge about Arts of the Renaissance and Baroque Periods. The
scope of this module permits it to be used in many different learning situations.
The language used recognizes the diverse vocabulary level of students. The
lessons are arranged to follow the standard sequence of the course. But the
order in which you read them can be changed to correspond with the textbook
you are now using
Instructions: Analyze and identify the artist of the given artworks below. Write
your answers in a separate sheet of paper.
1 BAROQUE PERIODS
In this lesson, you will learn how to appreciate more of the Renaissance and
Baroque artworks through reflection making.
What’s In
In the previous lesson, we have had learned the Characteristics of Arts during
the Renaissance and Baroque periods. As we go on through this new lesson,
you are going to appreciate more of it as you will be engaging yourself on
developing your affective skills through feeling the mood, understanding the
meaning, and deriving the idea behind those artworks that will be presented to
you.
STATEMNETS FEELINGS
I SEE…
I WONDER…
http://psce.pw/389hr4
)
I SEE…
I WONDER…
http://psce.pw/39lt
m)
What is It
http://psce.pw/39lzp
9 “Pietà”
by Michelangelo Buonarrotti
http://psce.pw/38hvzu
“The Creation of Adam in Sistine
Chapel, Vatican City”
by Michelangelo Buonarrotti
It is one of the most popular
portraiture painting in the world that
is shrouded with mystery.
Mona Lisa stems from a
description by Renaissance Art
historian Giorgio Vasari, who
wrote,” Leonardo undertook to
paint for Francesco del Giocondo
the portrait of Mona Lisa, his wife.”
Mona, in Italian, is a polite form of
address originating as Madonna-
similar to Ma’am, “madamme,” or
“My Lady” in English. This became
Madonna and its contraction Mona.
The title of the painting, though
traditionally spelled “Mona,” in
modern Italian as “Monna Lisa”.
http://psce.pw/39tx7p
“Monalisa”
by Leonardo da Vinci
“http://psce.pw/39xpg8
“Transfiguration”
By Raffaello Sanzio da Urbino (Raphael)
It is a bronze sculpture of the Biblical
David who is shown standing
triumphant with a sword and one
steeping on Goliath’s decapitated head.
It was the first known free-standing
nude statue produced since ancient
times.
David is shown wearing only boots and
a shepherd’s hat with laurel leaves. His
small frame and almost effeminate
disposition imply that his victory is due
to God’s assistance.
http://psce.pw/38bd34
“David”
by Donato di Niccolo di Betto Bardi
(Donatello)
http://psce.pw/38dc54
“Conversion of St. Paul”
by Amerighi da Caravaggio
This sculpture features an angel
holding an arrow about to pierce
St. Teresa’s heart. This was
inspired by the vision of the saint
that an angel pierced her heart
with fire-tipped arrow that
represented God’s love. The
sculpture seems to be suspended
in mid-air surrounded by golden
rays that come from above. The
sculpture is bathe in yellow light
through a yellow glass window
above.
http://psce.pw/39lyj2
“Ecstasy of St. Teresa”
By Gian Lorenzo Bernini
http://psce.pw/39mge4
“The Raising of the Cross”
by Peter Paul Rubens
This painting consists of three panels which were intended to be used as the
backdrop of a church altar. In the center panel, you will see the central figure
of Christ crucified on the cross. The artist positioned the cross diagonally to
emphasize movement. Around the Christ are nine muscular figures struggling
to raise the cross upright. Christ pose is significantly more relaxed compared
the confusing and busy movement of muscle around him. Christ’s face is
looking up; his expression is not of pain but of sympathy for the people
around him.
http://psce.pw/38er4f
“The Night Watch”
by Rembrandt Van Rijn
http://psce.pw/389zgm
“The Surrender of Breda”
by Diego Velasquez
What’s More
What I Can Do
http://tinyurl.com/y4w7lrve
A. I can see that …
___________________________________________________________
___________________________________________________________
B. I think the story of this artwork is…
________________________________________________________________
________________________________________________________________
One of the most popular artworks of the Renaissance was Loenardo Da Vinci’s Mona
Lisa. There are a lot of controversies regarding the subject of the portrait. There is
even a theory that the model in the painting was Da Vinci himself. For your individual
activity, create a self-portrait with a twist. You will be painting yourself as someone
else. If you are a man you can paint yourself as a woman or vice versa, or you can
paint yourself like a rock star or Greek god, etc. Use your creativity, think out of the
box.
MATERIALS:
1/8 illustration board, pencil, carbon paper, poster paints/acrylic, paint brush, black
and white photocopied picture of your face.
PROCEDURE:
1. First decide how you will depict yourself
2. Place a carbon paper underneath your photocopied picture
3. Tape the picture and carbon paper on the illustration board
4. Using a pencil, trace the features of your face, the carbon paper will transfer
the lines you make onto the illustration board
5. Make sure you have traced all the details you need since once you remove the
picture it would be difficult to return it to the exact position
6. Remove the carbon paper and your picture
7. Add other details to your transferred drawing that will help you make you
someone else
8. Paint your drawing
9. Make sure you mix your colors to achieve the modeling style of the
Renaissance and Baroque artist.
10. Let your work dry.
CRITIQUE YOUR WORK
1. What did you decide to be as?
2. What were the details you used to be able for people to identify your character?
3. What mood is derived while making your output? (happy, sad, mad, etc.)
4. Why do you think these details help people conclude what your character is?
5. Do you think you were successful in creating a “self” portrait? Why or why not.
CRITERIA 5 4 3 2 1
https://upload.wikimedia.org/wikipedia/commons/thumb/8/80/Samson_and_Delilah_b
y_Rubens.jpg/300px-Samson_and_Delilah_by_Rubens.jpg
https://collectionapi.metmuseum.org/api/collection/v1/iiif/437535/794970/main-im
https://upload.wikimedia.org/wikipedia/commons/thumb/4/4d/1602-3
https://en.wikipedia.org/wiki/File:Michelangelo%27s_Pieta_5450_cut_out_black.jpg
https://upload.wikimedia.org/wikipedia/commons/thumb/5/5b/Michelangelo_-jpg
https://upload.wikimedia.org/wikipedia/commons/thumb/5/51/Transfiguration_Rapha
el.jpg/220px-Transfiguration_Raphael.jpg
https://upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Florence_-
_David_by_Donatello.jpg/220px-Florence_-_David_by_Donatello.jpg