This document lists the credits for the 1997 film Spawn, including the director, composers, visual effects studios, producers, and many other roles. Industrial Light & Magic led the visual effects work, with additional contributions from Santa Barbara Studios, KNB EFX Group, Imaginary Forces, Hammerhead Productions, and Cinesite. The film had a budget between $40-45 million USD.
This document lists the credits for the 1997 film Spawn, including the director, composers, visual effects studios, producers, and many other roles. Industrial Light & Magic led the visual effects work, with additional contributions from Santa Barbara Studios, KNB EFX Group, Imaginary Forces, Hammerhead Productions, and Cinesite. The film had a budget between $40-45 million USD.
This document lists the credits for the 1997 film Spawn, including the director, composers, visual effects studios, producers, and many other roles. Industrial Light & Magic led the visual effects work, with additional contributions from Santa Barbara Studios, KNB EFX Group, Imaginary Forces, Hammerhead Productions, and Cinesite. The film had a budget between $40-45 million USD.
This document lists the credits for the 1997 film Spawn, including the director, composers, visual effects studios, producers, and many other roles. Industrial Light & Magic led the visual effects work, with additional contributions from Santa Barbara Studios, KNB EFX Group, Imaginary Forces, Hammerhead Productions, and Cinesite. The film had a budget between $40-45 million USD.
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Spawn (1997) Credits
Director/Story Writer: Mark AZ Dippe
Composer/Music Suprvisor & Producer: Graeme Revell Composer (Add’l Music Arrangement): Paul Haslinger Music Supervisor: George Acogny Special Makeup & Animatronic Cresture FX Designers: Robert Kutzman, Greg Nicotero, Howard Berger ILM VFX Co-Supervisors: Christophe Hery, Habib Zargarpour ILM Senior Animation & VFX Producer: Christian Kubsch ILM Senior Animation Supervisor: Dennis Turner Associate Producer: Terry Fitzgerald Production VFX Producer: Tom Peitzman Production VFX Supervisor/2nd Unit Director: Steven Spaz Williams Film Editor: Michael N. Knue ACE Production Designer: Philip Harrison Cinematographer: Guillermo Navarro ASC Cinematographer (VFX & 2nd Units): Jonathan Taylor ASC Executive Producer: Todd McFarlane Co-Executive Producers: Brian Witten, Adrianna AJ Cohen Co-Writer: Alan McElroy Producer: Clint Goldman Unit Production Manager: Daryl Kass Key 1st Ass’t Director: J. Michael Haynie 1st Assistant Director: Richard Graves Key 2nd Ass’t Director: Sheryl Blanc 2nd Assistant Director: Martin Jedlicks Stunt Coordinator: Charles Crowell Stunts: Gregg Smrz Executive in Charge of Production: Carla Fry Executive in Charge of Post-Production: Joe Fineman Post-Production Supervisor: Claire O’Brien ILM VFX Art Director: Scott Lebrecht ILM Lead DFX Artist: Bijan Foruntanpour ILM Chief Digital Model Supervisor: Stewart Lew ILM Chief Matchmove Artist: Lanny Cermak ILM Character Animators: Jenn Emberly, Tim Harrington, David Parsons, Trish Schultz, Scott Huck Wirtz, Marc Chu ILM DFX Artists: Joakim Arnesson, Greg Maloney, Terrence Masson, Eddie Pasquarello, Kevin Reuter, Douglas James Smith, Andy White ILM Digital Modelers: Wayne Kennedy, Jim Doherty, Sunny Wei ILM Matte Artists: Yusei Uesegi, Ronn Brown ILM 3D Camera Matchmove Artists: Selwyn Eddy III, Erik Jensen, David Morns, John Whisnant ILM Digital P&R Artist: Terry Molatore ILM VFX Coordinator: Jeanie Marie King ILM Color Timing Supervisor: Bruce Vecchitto ILM Film Scanning/Recording Supervisor: Joshua Pines ILM Editorial Supervisor: Dan McNamara ILM VFX Editor: Bill Kimberlin ILM Video Editor: Heidi Schmidt ILM CG Resource Assistant: Erin West ILM CG Technical Assistants: Robert Bruce, Carole Johnson, Brian S. Sorbo ILM Production Assistant: Mary Hirsh ILM Hell Sequence Technical Assistant: Christa Starr ILM Senior Scanning Operator: Randall K. Bean ILM Scanning Operator: Mike Ellis ILM Negative Cutter: Douglas Jones ILM Negative Line-Up Supervisor: James Lim ILM Projectionist: Kenn Moynihan ILM Digital Plate Restoration Technician: Trang Thuy Bach ILM Computer Systems Engineering Supervisor: Ken Beyer ILM Video Engineering Supervisor: Dan Large ILM Senior VFX Producer: Chrissie England ILM General Manager: Jim Morris SBS Senior VFX Supervisor: James Satoru Straus SBS Senior CG Supervisor: Ron Moreland SBS Lead Technical Supervisor: Mark Wendell SBS Senior VFX Producer: Bruce Jones SBS Hell Designer & Art Director: Peter Lloyd SBS Comp Supervisor: John Carey SBS VFX Coordinator: Michelle Butler SBS VFX Editor: Yon Van Kline ILM Liaison: Dane Holland BFTRD Senior VFX Supervisor: Yan Ling BFTRD VFX Producer: Casey Cannon BFTRD Lead Digital Artist: Erich Ippen BFTRD Comp Artist: Yukiko Ishiwata BFTRD VFX Editor: Lauryl Duplechan BFTRD Technical Supervisor: Josh Kirschenbaum BFTRD VFX Coordinators: Sean Williams, Nancy Nyberg BFTRD On-Set Supervisor: Glenn Cannon BFTRD Playback Coordinator: Sissy Jones BFTRD Flatpanel Consultant: Daniel Evanicky West Images Director of Visual Effects: Jimi Simmons West Images Technical Director: Jerry Castro West Images Exec VFX Producer: Lisa McNamara West Images Senior DFX Artist: Alison Laventhol West Images DFX Artists: Danielle Ciccarelli, Orin Green West Images Technical Assistants: Josh Johnson, Lael Kopke 2nd Film Editor: Todd Busch 1st Assistant Editor: Joelle Taar 2nd Assistant Editor: Steven Ansell 3rd Assistant Editor: Neil Wenger Art Director: Eric W. Orborn Ass’t Art Director: Joseph P. Lucky Production Coordinator: Catherine Olisky Ass’t Prod Coordinator: Christopher Kahn Senior Prod Associate: Christopher Raimo Production Associate: Isabela Smith A-Camera Operator: Allen Easton B-Camera Operator: Dean Lyras B-Camera/Steadicam Operator: Dan Kneece 1st Assistant A-Camera: Alan Cohen B-Camera Operator/Steadicam Ass’t: Steven Mann 2nd Assistant A-Camera: Paul Giblisco Film Loader: Stephen Gold Gaffer: David Lee Production SFX Supervisor: Garry Elmendorf Ass’t FX Supervisor: David Heron SFX Set Foreman: David Sandlin SFX Shop Foreman: Roland Loew FX Production Assistants: Melisa Frick, Brett Metzinger Set Decorator: Dena Roth Prop Master: Ron Greenwood Ass’t Prop Master: Ron Seigel Location Manager: Murray L. Miller Ass’t Loc Manager: Gerard W. Averill 2nd 2nd Ass’t Director: Evan Gilner KNB EFX Coordinators: Kamar Bitar, Anne Kurtzman Image Forces Creative Director/Designer: Garson Yu Image Forces Producer: Unjoo De Courcey Image Forces DFX Supervisor: Jim Goodman Image Forces Editor: Kurt Matilla Image Forces 3D Head Animator: Emily Goodman Image Forces 2D Animator: Jessica Nelson XODA DFX Designer: Bruce Walters XODA DFX Producer: Ginny Walters XODA DFX Art Director: Richard Brown XODA DFX Technicians: Todd Staples, Berry Foster XODA DFX Intern: Scott Blake IDIG FX Supervisor: David Biedny IDIG Production Supervisor: Frank Colin IDIG Production Coordinator: Maureen Garrett Hammerhead VFX Software Supervisor: Thar Beier Hammerhead VFX Producer: Dan Chuba EYE FX Producer: Nami Katagari EYE CG Director: Yasuaki Matsuri EYE Matte Painter: Toshiyuki Kimura EYE Texture Map Artist: Yumiko Nara EYE Senior Animator: Daiji Hori Cinesite VFX Supervisor: Jay Riddle 2nd Unit 1st Ass’t Director: Doug Ornstein 2nd Unit Gaffer: Dino Parks Special Thants: Michael De Luca, James Cameron, George Lucas Filming Dates: 13 August 1996 – 13 November 1996 Camera: Moviecam Compact (35mm Eastman 50D 5245/250D 5297/Kodak Vision 500T 5279) Lenses: Zeiss Super Speed Primes AR: 1.33:1 (Negative Ratio), 1.85:1 (4-Perf 35mm Spherical)(8-Perf VistaVision: Visual Effects) Budget: 40-45 Million USD Budget AFI (2022): 70-78.8 Million USD Printed on: Fuji Film Special Visual Effects & Computer Animation Created by: Industrial Light & Magic + Santa Barbara Studios Special Makeup & Animatronic Creature Effects Provided by: KNB EFX Group Opening Sequence, Main Titles, End Graphic & Crawl Designed & Created by: Imaginary Forces Additional Visual Effects Provided by: Hammerhead Productions & Cinesite Filmed on: Eastman Kodak Film Attribute: Camera and Lenses Supplied by Rocky Mountain Pictures
2022 - 2023 - BLOCO - 1.D.P.11 - 17 - Documentary Storytelling Second Edition Making Stronger and More Dramatic Nonfiction Films by Sheila Curran Bernard Z-Liborg Cópia Cópia