Case-Study - "H&M in Fast Fashion: Continued Success?"
Case-Study - "H&M in Fast Fashion: Continued Success?"
Case-Study - "H&M in Fast Fashion: Continued Success?"
Introduction
The apparel retailer H&M had made an incredible journey from a single store established by
the founder Erling Persson in Sweden in 1947 to a pioneering ‘fast-fashion’ business with
2,206 stores in 43 countries and 94,000 employees world-wide. ‘Fast-fashion’ refers to a quick
response to new trends and fashion items that are made available in stores immediately
thereafter. By the time Persson’s 34-year-old grandson Karl-Johan Persson took over as CEO
in 2009, H&M had become the global leader in the ‘fast-fashion’ segment with a distinctive
business approach that challenged most competitors. The business model, commonly
referred to as ‘cheap-and-chic’, emphasized high fashion at prices significantly below those of
competitors, with the fundamental principle being ‘Fashion and quality at the best price’.
H&M relentlessly continued to emphasize the long-term view in its expansion strategy. For
2013 H&M planned a net addition of 300 new stores with China, the USA and the UK expected
to be the largest growth markets. H&M also planned to enter new markets, including South
America (Chile and Mexico), Bulgaria, Lativia, Indonesia and Thailand.
Entry to the retail industry does not require a large capital outlay; setting up a single
independent retail store is within the means of many entrepreneurs and there are plenty of
suppliers to choose from. However, on a global scale, a few large corporations account for a
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major share of total industry revenues. Their size and economies of scale bring about the
ability to build brands in multiple retail outlets, and considerably greater buying power when
negotiating with suppliers.
Design
Design is centralized at the Stockholm headquarters and includes a team of almost 200
designers and about 100 pattern makers. The centralization of design allows for minimal time-
to-market and the design team has direct contact with the production offices around the
globe. This allows for a rapid-response manufacturing process to capitalize on design trends
immediately. The design team works intensively with new trends, materials and colors from
what is popularly known as the ‘White Room’ and is supported by the 50 production offices
around the world.
Much effort is put into researching and predicting emerging market trends. H&M designers
hold customer surveys, dialogue sessions and focus groups, and pick up trends from
employees in the global stores and then add their own particular features. They need to have
an up-to-the-minute fashion feedback focus and be conscious of the very latest trends.
Apart from size adjustments, for example in the Asian market, no special changes are made
to the collection to adapt to the needs in specific countries. H&M argues that: ‘It is important
that H&M keeps its own personality in each country, and fashion has become more global,
more international.’ Similar trends are appearing the world over. Of course, this is also driven
by economies of scale in buying and manufacturing.
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To reduce lead times, the 50 production offices are in direct contact with suppliers and report
back to central procurement in Stockholm. They mediate between the large network of
independent suppliers and the central purchasing office to identify the right suppliers to place
orders with, in order to optimize time and cost decisions and ensure that these decisions
follow H&M’s CSR policies. Each supplier owns or subcontracts multiple factories; globally,
1,652 factories were approved for making goods for H&M. H&M conducted a total of 2,024
annual audits of suppliers, of which 78% were unannounced. CSR has increased in importance
for H&M.
Instead of claiming full ownership of the property, H&M opts for renting store premises, which
increases flexibility and adaptability. By renting space, the company is able to adapt more
quickly to the changing demand patterns and location attraction in its key markets.
The window display – where the customer meets H&M – is perhaps the most important part
of the store. Guidelines for store design and display windows are created centrally based on
a large ‘test store’ in Stockholm. Although centrally guided, every store is unique as it
showcases different items in the window display, although they may come from the same
collection. Displays, both in windows and inside stores, are changed frequently. This way,
consumers are continually attracted to visit the stores to keep up with the latest collections.
In line with H&M values, decision making is decentralized and store managers have
considerable autonomy. The shop manager runs the business like an entrepreneur and is
authorized to take independent decisions within the overall guidelines, essentially like running
one’s own business. This increases employee loyalty and commitment to the organization and
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is a great motivator.
Highlighting the brand’s high level of awareness, H&M was ranked 21st among the top 100
most valuable global brands according to Interbrand in 2011, with a brand value of $16.5
billion. In comparison, Zara ranked 44th with US$8 billion, and Gap came in at number 84
with US$4 billion. This huge difference can partly be attributed to H&M’s long-term
advertising campaigns with high-profile celebrities. In order to enhance the value of its brand
name, H&M spends around 5% of its revenues on advertising.
In addition to conventional channels, H&M has also established a strong social media
presence. The company aims to become part of its customers’ daily lives through its pages on
Facebook, Twitter, Instagram, Google+ and YouTube as well as the Chinese social networks
Youku and Sina Weibo. Each network is updated on a regular basis. Through social media,
millions of H&M followers share ideas and opinions and get quick answers to their queries.
New fashion videos and reports are uploaded onto YouTube weekly and have already had
more than 15 million hits. Through the H&M apps customers can explore the latest collections
and campaigns, find out what’s new at H&M and locate stores. At its launch in August 2010,
the iPhone app was the most downloaded application in almost all of H&M’s markets.
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Panichgul and Jason Wu. The theme of African design will take turn in 2019, followed by
Scandinavian in 2020.
More than celebrity effect and boosting creativity, H&M anticipates to paying tribute to
regional cultures. Fashion is a reflection of culture. Fashion is also a universal language. H&M
plans to materialize different cultures in the global market.
Therefore, the advertising campaign is more important than ever. In addition to reinforcing
the brand image and informing customers about new collections, the campaign must be able
to showcase how H&M appreciates the Asian culture. It is a global statement. The audience
is, eventually, everyone on the planet.
The above is abridged from the case-study “H&M in fast fashion: continued success?”. The
full case is available in the book below.
Johnson, G., Whittington, R., Scholes, K., Angwin, D., & Régner, P. (2014). Exploring strategy:
Text and cases. (10th ed.). Harlow: Pearson. pp. 575 - 582.
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