Intruduccion:: Humberto Ponce de León Solana History Project Information Humberto, Lorenzo and David
Intruduccion:: Humberto Ponce de León Solana History Project Information Humberto, Lorenzo and David
Intruduccion:: Humberto Ponce de León Solana History Project Information Humberto, Lorenzo and David
Intruduccion:
Francesco Petrarca (July 20, 1304 – July 19, 1374), known in English as
Petrarch, was an Italian scholar, poet and one of the earliest Renaissance
on Petrarch's works, and to a lesser extent those of Dante Alighieri and Giovanni
Boccaccio, Pietro Bembo in the 16th century created the model for the actual
Italian language, later endorsed by the Accademia della Crusca. His sonnets
were admired and imitated throughout Europe during the Renaissance and
became a model for lyrical poetry. With this form of love poetry, Petrarch had
such a great influence on European poetry of the Middle Ages that a new style
was named for him, Petrarchism, which lived late into modern times and
influenced, among other traditions, the German Minnesang. Petrarch was also
known for being one of the first people to call the Middle Ages the Dark Ages.
Index:
Page 1
Introduction
Page 2
index
Page 3
index
Page 4
Biography
antecedents
birth
childhood
gherardo
Page 5
studies
death of Ser Petrarch
Metricae
Laura
Canzionere
his life in Aviñon
the epistolae
mount Ventuox
The confessions of Saint Agustin
Page 6
his life in Rome and Vulcluse
Africa poem
Scipio Africanus
De virilis illustribus
the reinstitution of the poeta laurentis
Petrch at the Roman Capitol
Secretum meum
De vita solitaria
the plague
the death of Laura
the division of the poem
In vitam en in mortem Laura
Vaucluse
Rime in vita di Laura e Rime in morte di Laura”
Page 7
the fame of the Rimes
Trionfi
Milan
the viscount
Biography:
Francesco Petrarca was born in Arezzo, Toscana, on the 20th of July of the 1304.
His father,Ser Petracco, a lawyer, held a post of notary in the Florentine Rolls
Court of the Riformagioni; but, having espoused the same cause as Dante
during the quarrels of the Blacks and Whites, Petrarch was expelled from
Florence by that decree of the 27th of January 1302 which condemned Dante to
lifelong exile. With his wife he took refuge in the Ghibelline township of Arezzo;
and it was here, on the very night when his father, in company with other
force, the Francesco first saw the light. He did not remain long in his birthplace.
Incisa, a little village on the Arno above Florence, in February 1305. Here
Petrarch spent seven years of boyhood, acquiring that pure Tuscan idiom which
afterwards he used with such consummate mastery in ode and sonnet. Here
too, in 1307, his brother Gherardo was born. In 1312 Petracco set up a house for
his family at Pisa; but soon afterwards, finding no scope there for the exercise of
he never finished his studies, during his instance in Montepellier he had the
chance to experience the art of the poetic, what awakened his interest in Roman
poetry and literature. After the death of his father on 1327, Francesco Petrarch
In the 6th of April of 1327 occurred an event that would change his life when he
whose name he was to immortalize in his lyrics and who inspired him with a
passion that has become proverbial for its constancy and purity. He dedicated to
woman, at a certain point it was thought that she wasn't real, that it was a mere
incarnation of purity and chastity, but the poet denied indeed this affirmation and
Years after, he stayed in Avignon continuing his latin studies and traveling
around Europe. During this period of time he wrote his famous Epistolae
And also by analising a book called The Confessions of San Agustin, what
denoted his new conviction about classic culture to be linked to christian doctrine
and that the renaissance of the evangelic spirituality could just be archived by
On 1337, after a short instance in Rome, Petrarch retired looking for peace and
serenity to a village of Vaulcluse, near to Avignon, that would be for him a place of
retirement and meditation for the rest of his life. There he his famous poem in latin
Africa (between 1338 and 1339), about Scipio Africanus; the roman conqueror of
Carthage, and his latin series De viris illustibus ("On Illustrious / Famous Men"),
concerned at that time as a panegyric about characters of roman history. His fame was
so for then that Rome reintroduced the old Roman tradition of the crowning of the
"poeta laurentis" (poet laureate), in order to appropriately honor Petrarch. The 8th of
After returning to Avignon, Petrarch suffered a spiritual crisis that made him to
profound in the interpretation of christian doctrine. Example of that are the books
Secretum meum (1342-1343), constituted by a dialogue between the author and San
Agustin, y De vita solitaria (1346). Between those years he made several trips through
On 1348 there was an epidemic plague in which, according to the poet, died his loved,
new structure for his poem, he divided it into “Rime in vita di Laura e Rime in morte di
Laura”, showing his own spiritual evolution; from the initial debility to earthly passions
to the seeking of God's plenitude – evolution reflected in the transition of the play by
Although Petrarch thought his italian manuscripts were inferior to his latin works, most
In that same period he began working on another great latin poem called “Trionfi”
(Triumph), describing a the allegoric medieval life tradition, and was concerned as a
huge allegory divided in 6 songs of the progress of soul to the union with God.
On 1353 Petrarch left Avignon to go to Milan in order to put his diplomatic abilities to
use in the service of the viscount, where he would publish the first editon of Rime. His
new spiritual conceptions made him to enlarge his already done proyect; De virlis
illustribus and included other 12 characters taken from the mythology and of the sacred
history, to put on high the ideals from the Old Testament, the greek,roman and
Christian worlds.
The constant expansion of the plague made him to escape to in 1361 to Padua and a
year after to Venice, where he continued working in the revision of his main
manuscripts. On 1367 he settled finally in Padua, although he stayed most of the time
A little time after finishing the last song of the Trionfi poem, triunph of the death,
1. Literature works
i. Canzionere:
(in Italian) was the name of the popularly known lyric made in Toscan as the
the year 1327 and published in the year. It was made of about 317 sonnets , 29
i. Trionfi (“Triunphs”)
Foul)
vi.Africa; an epic poem about Scipio Africanus, the roman
conqueror of Africa
vii. Epistolae Metricae ( a collection of 66 latin letters in verse)
viii. Confessions of San Agustin
ix. De viris illustibus,was a product of his new spiritual conceptions
made him to enlarge his already done proyect; and included other 12
characters taken from the mythology and of the sacred history, to put
on high the ideals from the Old Testament, the greek,roman and
Christian worlds.
Conclusion
In conclusion we would say that Petrarch was a very good poet indeed for
being worthy of be the one for the poeta laurentis price to be restored he
would need to have a very big impact on literature on those times in Italy.
He ensured that his Poetry in Latin were better than his Italian sonnets in
despite that the fame he had he owed it to the Canzionere, I think that was
because it could be read in the language the Italians knew, in the other
hand the Latin poems could just be read and understood by scholars that
knew Latin but the Latin is very similar to the Italian language.
He was also know for his teachings of phiosophy and humanism. In most
philosophy despite he was Catholic he never doubt about his faith and he
always made a mixture that agreed from his faith and philosophy, he never
Sources:
• Encarta Encyclopedia
• Petrarch.net
• petrarch.petersadlon.com/bio.html