Course: Professional Graduate Programme in Civil: Engineering Building and Town Planning GPCE0801 GPCE080103
Course: Professional Graduate Programme in Civil: Engineering Building and Town Planning GPCE0801 GPCE080103
Course: Professional Graduate Programme in Civil: Engineering Building and Town Planning GPCE0801 GPCE080103
Engineering
Subject: Building and Town Planning
Subject Code: GPCE0801
Module Code: GPCE080103
Category: Civil Engineering
Topic: Acoustics
Faculty Name: Kushagra Rawal
Building and Town Planning
Learning Outcome:
You will learn about acoustics.
INTRODUCTION
Acoustics :
Sound:
The sound continues to travel through till it strikes on some surface such as
wall, ceiling, floor or any other barrier, from where, a part of it is reflected
back, a part being absorbed by the surface.
Sound thus travels in the form of waves and when these waves come near
our ear drums, we feel sensation of hearing.
When the sound waves are periodic, regular and long continued, they
produce a pleasing effect; such a sound is known as musical sound.
Noise :
When the sound waves are non-periodic, irregular and of very short duration,
it produces displeasing effect; such sound is known as noise.
Sound travels in all directions through any media, whether solid, liquid, or
gaseous, including air, in the form of waves consisting of a succession of
alternate compressions and rarefactions. The composition and temperature of
the medium through which sound travels determine its velocity.
Sound travels at 1310 m/sec through water, 3600 m/sec through brick, and
4900 m/sec through steel. Sound travels at 340 m/sec in air at normal
temperature and pressure.
REVERBERATION
After being reflected on the surfaces, sound waves from the source produce
echoes. However, even if the source of sound has halted or died out, sound
waves continue to be reflected.
Even after the source has died out, the sound is bounced back and forth
multiple times against the walls, ceilings, and floors. This occurs as a result
of repeated reflections from the enclosed space's smooth edges.
The multiple reflections of sound waves continues for a long time. This
prolongation of sound after the source producing sound has died out, is
called 'Reverberation".
Reverberation time:
ABSORPTION
Absorbants :
The ceiling is more exposed to direct sound waves than the other surfaces
and usually it is the largest single area available for treatment.
(a) Porous materials (b) Resonant materials (c) cavity resonators (d)
Composite types
-The various principles and factors, which play an important role in creating
good acoustical conditions are as follows:
The site selected should be in the quietest surroundings consistent with other
requirements, so that intelligibility of speech and total quality of music are
not affected.
Depending upon the noise level of the surrounding area of the site,
orientation, layout, etc., the structural design should be arranged to provide
necessary noise reduction, so that the background noise level of not more
than 40 to 45 decibels is achieved within the hall.
The volume of musical concert should be quite large, so that sufficient space
is made available for proper distribution of music.
On the other hand, the theatres for speeches, small halls are useful for weak
sounds.
In planning the volume of the hall, the height is of greater importance than
the length or breadth.
(iii) Shape :
of height, width and length of the hall. In practice, the ceiling height for a
room or hall to be used for speech and music is kept varying from 1/3rd to
2/3rd of the width of the room or hall. The lower ratio should be adopted for
very large halls and higher ratio for small rooms.
The floor plan of the auditorium may have many typical possible shapes,
such as rectangular, fan-shaped, horse shoe, circular, oval, etc.
The treatment of interior surfaces, such as ceiling and side walls play an
influential part in the acoustical design.
The ceilings and side walls should provide favourable reflections to reinforce
the sound that reaches the rear parts of a large auditorium. Fig. 1, Fig. 2. In
order to avoid the interfering echoes, effective ceiling and wall reflectors
should be within 8 metres of the sound source. The side walls should also be
splayed or spread out such that they help in reinforcing the sound by way of
favourable reflections for large halls.
To avoid echoes further, a smooth ceiling should not be parallel to the floor.
The convex-shaped walls are, however, considered best to reduce the echoes
to great extent. To avoid sound foci due to curved ceilings, the radius of
curvature of the ceilings should be made atleast twice the height, or less than
half the ceiling height. As far as possible, rear walls should not be provided
as concave walls, unless treated with sound absorbant materials.
The audience may be the largest contributors to the absorption from the
audience present in the hall.