Credo in Recto Tono

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Credo (recto-tono, with organ accompanimnet)

    
Credo_in_unum_Deum, Patrem_omnipotentem, factorem_cæli_et_terræ, visibilium_omnium,_et_invisibilium.

     
    
 

   
Et_in_unum_Dominum_Jesum_Christum, Filium_Dei_unigenitum. Et_ex_Patre_natum_ante_omnia_sæcula.

       
   
  

       
Deum_de Deo, lumen_de lumine, Deum_verum_de Deo_vero. Genitum,_non_factum,_consubstantialem_Patri:

  

 

  
     
    

   
per_quem_omnia_facta_sunt. Qui_propter_nos_homines, et_propter_nostram_salutem

     
   
    

     
descendit_de_cœlis. Et_incarnatus_est_de_Spiritu_Sancto ex_Maria Virgine: et_homo_factus_est.

       
 
        
   
   
Crucifixus_etiam_pro_nobis: sub_Pontio_Pilato passus_et_sepultus_est.
   
  
    
 

   
Et_resurrexit_tertia_die,_secundum_Scripturas. Et_ascendit_in_cœlum: sedet_ad_dexteram_Patris.

    

  
  

   
Et_iterum_venturus_est_cum_gloria judicare_vivos,_et_mortuos: cujus_regni_non_erit_finis.

    
   
 

    
Et_in_Spiritum_Sanctum Dominum_et_vivificantem: qui_ex_Patre_Filioque_procedit. Qui_cum_Patre_et_Filio

    

 
  
   

   
simul_adoratur,_et_conglorificatur: qui_locutus_est_per_prophetas. Et_unam_sanctam_catholicam

     

   
    

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   
et_apostolicam_Ecclesiam. Confiteor_unum_baptisma in_remissionem_peccatorum.
   
   
  
 


    
Et_expecto_resurrectionem_mortuorem. Et_vitam_venturi_sæculi. A - men.

  


 

   
 

Manual Registration: Swell String(s) & Celeste(s) 8', + Flute 8' and/or 4' if needed.
Great Flute & String 8'
Play entire accompaniment on Manuals only, coupling the above in the Swell to the Great only in needed.

Pedal Registration: Principal 8', Flute 4'


Hold Pedal G20 throughout for congregation to hold pitch while accomapniment modulates.

(Balance the above according to the organ and accoustic for best results.)

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