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    The Syllabus For Music Bhooshanam

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    nithin stories
    The document outlines the syllabus for a Sangeetha Bhooshanam diploma course in Indian music. The syllabus covers 4 theory papers and 4 practical papers. Theory papers cover topics like musical terms, ragas, talas, instruments, compositional forms, evolution of Carnatic music and other branches of music. Practical papers involve exercises, alankaras, gitams, jatisvarams, varnams, kritis and other musical forms to be performed in various ragas. The course aims to provide students a comprehensive overview of fundamental concepts and practice of Indian classical music.

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    The Syllabus For Music Bhooshanam

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    nithin stories
    70 views6 pages
    The document outlines the syllabus for a Sangeetha Bhooshanam diploma course in Indian music. The syllabus covers 4 theory papers and 4 practical papers. Theory papers cover topics like musical terms, ragas, talas, instruments, compositional forms, evolution of Carnatic music and other branches of music. Practical papers involve exercises, alankaras, gitams, jatisvarams, varnams, kritis and other musical forms to be performed in various ragas. The course aims to provide students a comprehensive overview of fundamental concepts and practice of Indian classical music.

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    The Syllabus for Music Bhooshanam

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    The document outlines the syllabus for a Sangeetha Bhooshanam diploma course in Indian music. The syllabus covers 4 theory papers and 4 practical papers. Theory papers cover topics like musical terms, ragas, talas, instruments, compositional forms, evolution of Carnatic music and other branches of music. Practical papers involve exercises, alankaras, gitams, jatisvarams, varnams, kritis and other musical forms to be performed in various ragas. The course aims to provide students a comprehensive overview of fundamental concepts and practice of Indian classical music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    70 views6 pages

    The Syllabus For Music Bhooshanam

    Uploaded by

    nithin stories
    The document outlines the syllabus for a Sangeetha Bhooshanam diploma course in Indian music. The syllabus covers 4 theory papers and 4 practical papers. Theory papers cover topics like musical terms, ragas, talas, instruments, compositional forms, evolution of Carnatic music and other branches of music. Practical papers involve exercises, alankaras, gitams, jatisvarams, varnams, kritis and other musical forms to be performed in various ragas. The course aims to provide students a comprehensive overview of fundamental concepts and practice of Indian classical music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 6

    Model Syllabus – Sangeetha Bhooshanam diploma course

    SB 001 - Theory paper I – Introduction to Indian Music

    1. Distinctive features of Indian music.


    2. Study of musical terms
    i. Nada
    ii. Sruthi
    iii. Sthayi
    iv. Svara
    a) Vadi
    b) Samvadi
    c) Anuvadi
    d) Vivadi
    v. Dasavidha Gamaka
    vi. Trayodasa lakshanas
    vii. Acoustic terms
    a) Timbre
    b) Harmonics
    c) Echo
    d) Resonance
    e) Reverberation
    f) Vibration
    3. Raga
    i. Janaka – Janya classification
    ii. Scheme of 72 melakartas
    iii. Janya raga classification
    a) Upanga ragas
    b) Bhashanga ragas
    c) Varja ragas
    d) Vakra ragas
    e) Nishadantya, Dhaivatantya and Panchamantya ragas
    f) Ghana, naya, desya ragas
    4. Tala
    i. Definition of tala
    ii. Angas of tala
    iii. Sapta talas
    iv. Scheme of 35 talas
    v. Scheme of 175 talas
    vi. Talas figuring in concerts
    5. Instruments
    i. General classification of music instrument
    ii. Detailed study of Tanpura and Veena

    SB 002 - Theory paper II - Compositional forms in Carnatic Music


    1. Musical forms
    i. Gitam
    a) Samanyagitam
    b) Lakshana gitam
    ii. Svarajathi
    iii. Jathisvaram
    iv. Varnam
    a) Tanavarnam
    b) Padavarnam
    v. Kirtanam
    vi. Kriti
    a) Decorative angas
    b) Literary beauties
    vii. Padam
    viii. Javali
    ix. Thillana.
    x. Ragamalika
    2. Raga lakshana
    i. Mayamalavagowla
    ii. Sankarabharanam
    iii. Kalyani
    iv. Kharaharapriya
    v. Mohanam
    vi. Hamsadhwani
    3. Notation
    i. Svara
    ii. Duration
    iii. Tala
    iv. Sthayi
    v. Other significant symbols.
    4. Life and contribution of the listed Composers
    i. Purandaradasa
    ii. Tyagaraja
    iii. Muthuswami Dikshitar
    iv. Syama Sastri
    v. Swathi Thirunal
    vi. Irayimman Thampi

    SB 003 - Theory Paper III – Introduction to different branches of music

    1. Fundamental principles of Hindustani music


    i. 10 Thaats
    ii. Musical forms – Dhrupad, Khayal, Thumri, Tarana
    iii. An outline knowledge of gharanas
    2. Fundamental principles of Western music
    i. Basic symbols used in Staff notation
    3. Regional music
    i. Music in Kathakali and instruments used in it.
    ii. Folk music
    iii. Tiruppugazh and Tevaram
    iv. Musical stone pillars
    4. Seats of music
    i. Tanjore
    ii. Mysore
    iii. Travancore
    SB 004 – Theory Paper IV – Evolution of Carnatic Music

    1. History of music
    i. Ancient period
    ii. Medieval period
    iii. Modern period
    iv. History of Hindustani music
    2. Brief study of the lakshana granthas,
    i. Natyasastra
    ii. Sangita ratnakara
    iii. Chaturdandi Prakasika
    3. Manodharma Sangeetha – A brief study
    i. Thanam
    ii. Ragalapana
    iii. Niraval
    iv. Kalpana svara
    v. Pallavi

    SB 005 - Practical Paper I – Abhyasaganam 1

    1. Preliminary excercises in three degrees of speed

    i. Sarali varisa – 8

    ii. Jantavarisa – 8

    iii. Madhyasthayi varisa

    iv. Dhattu varisa – 2

    2. Alankaras should be sung in three degrees of speed in the following ragas

    i. Kharaharapriya

    ii. Sankarabharanam

    iii. Mohanam

    iv. Hamsadhwani
    v. Kalyani

    3. Samanya Gitam – 3

    4. Lakshana gitam - 1

    SB 006 - Practical Paper II – Abhyasaganam 2

    1. Jatisvaram - 1

    2. Svarajathi - 1 [In the raga Anadabhairavi or Khamas]

    3. Varnam in adi tala – 3

    4. Varnam in ata tala - 1

    SB 007 - Practical Paper III – Simple musical forms

    1. Divyanama kirtana - 1

    2. Bhajan - 1

    3. Devarnama – 1

    4. Thillana - 1

    SB 008 - Practical Paper IV – Kritis and Manodharma Sangita

    1. Krithis with ragalapana and kalpana svaras in the following ragas [two among

    the five kritis must be composed by Kerala composers]

    i. Mayamalavagowla

    ii. Sankarabharanam

    iii. Mohanam

    iv. Hamsadhwani

    v. Kalyani

    2. Pancharatnam – 1

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