Chapter 8 - Social Dancing
Chapter 8 - Social Dancing
Chapter 8 - Social Dancing
Social Dancing
Objectives:
Identify the common dance term of social dance.
Perform and complies the social dance guidelines.
Apply the social dance etiquette.
Social Dances are usually done to introduce people with one another during a
formal social gathering or to welcome guests to a social gathering. Many of the social
dances like polka and mazurka
started as folk dances while
some were deliberately
designed for its social purpose,
such as the waltz, regoudon
and polonaise (Nimor, 2006).
Social dancing is believed to
had existed since the beginning
of human society in some
forms.
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3. An Amateur Dancers is a person who is dancing as a hobby and who does not
seek financial gain from teaching or dancing.
4. A Ball change is a transfer of weight from the ball of one foot to the other foot.
5. A Basic figure is a standardized step pattern, which together with other constitute
the basics of a dance.
6. To Brush is to lightly touch the inside edge of the supporting foot with the inside
edge of the free foot between changes of weight.
7. A Chasse is composed of three changes of weight with a close on the second and
may be performed sideward or forward.
9. To Close is to move the free foot next to supporting foot with one change of weight.
12. A Continuity Movement is the continuous passing of the step from one step to
the next.
13. The Contrary body movement is the action of turning the opposite hip and
shoulder toward direction of the moving leg. It is used to begin all turning movements.
14. A Conversation is a position when partners stand side by side, right hand of the
gentleman holds the lady’s waist; L arm of the lady placed at the gentleman’s, outside
arm at the side.
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15. A Corte, in tango, is a stop and change of direction either forward or backward.
16. A Cuban motion is a discreet but expressive hip movement achieve by bending
and straightening the knees with carefully timed weight transfer.
17. Dance Sports is the official name given to competitive Ballroom Dancing.
18. The Floor chart is the ability of the leader to maneuver around the dance floor in
a skilled and controlled manner as to avoid colliding with the other dancers.
19. A Drop is a theatrical movement in which the follower’s body remains in contact
with the floor.
20. A Fan is a half a turn done on the ball of one foot while the free foot is kept directly
behind the foot on which the turn is made.
21. A Figure is a standardized step pattern that, together with the other patterns,
constitute the dance.
22. A Hip motion is a very general term to mean any type of hip movement used in
Latin dancing.
23. A Pivot is a turning movement during which the free foot is kept either in front or
directly behind the foot on which the turn is made.
24. A Spin is a turn done in place using both feet, usually done as a couple.
25. Variation is a varied or more advanced pattern than the corresponding basic
figure, which still contains the same main elements.
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Dance Positions
Open or Conversation Position – partners stand side by side, both facing the
same direction. Girl R of partner. Boy’s R is around Girl’s waist in back. Girl’s L hand
rest lightly on Boy’s R shoulder. Outside hands may be joined with arms extended
forward or the outside hands maybe on hips or side.
Shoulder – Waist Position – partners face each other. Boy’s places hands on
Girl’s waist. Girl’s hands are on the Boy’s shoulders.
Cross – Hold Position – partners stand face to face, R hand joined over L
hands, extended about waist level.
Promenade Position – partners stand side by side, both facing on the same
direction. Girl at R of partner. The hand crossed in front, R hands joined over L.
Schottische Position – partners stand side by side, Girl to R of Boy both facing
the same direction. Boy’s R arm around Girl’s waist, her L arm shoulder behind his R
shoulder, her L hand resting lightly on that shoulder, free hands on waist.
Varsovienne Position – partners stand side by side, girls stands to the R and
slightly in front of Boy. Boy reaches R arm over the girl’s R shoulder and takes her R
hand in his, his L holds her L a little above his L shoulder.
One Hand Swing – with the elbow bent and down , join the designated hands
at shoulder height. In balancing “pull against pull” while swinging, apply pressure
against the thumbs and heels of hands, pulling away at shoulders.
Two – Hand Swing – Boy present hands at shoulder height with palms up,
elbows close to sides and should support while balancing “pull against pull” leaning
away at shoulders.
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Waist Swing – In a modified closed ballroom dance positions with R foot and
hips adjacent the support weight of the body on the R foot swing, balance “pull against
pull”, leaning away from partners at shoulder.
Star Post – Partners are in opposite directions, their right hands holding each other,
lady facing away from audience ; while gentleman faces the audience. Challenge
position- Partners face each other about a step apart without touching.
Cuddle or Skating Position – Woman is at man’s left or right side, both facing the
same direction; one arm of man is across woman’s back.
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2. Maintain a good standing position. Bring out the best in your look.
3. Keep your weight over the balls of your feet to make you feel quicker and lighter,
and place your weight even on the soles of your shoes. No weight on the heel.
4. Maintain the habit of keeping feet close together unless you are taking a definite
step. Feet apart are not a pretty sight.
5. For a graceful dancing, always turn your toes out, not in.
6. When dancing with a partner, adapt a comfortable position for both of you; not
too close and not too far.
8. When facing the audience, the lady is at the right side of the male.
Dancing Personalities
2. The cuddly couples--- are fun to watch if they are not related to you.
3. The bully type--- meanders around the dance floor, pushing his partner into
everything that comes his way.
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4. The casual dancers--- girl show that sloppy I don’t care posture and the
man just shuffling alone.
5. The possessive man--- holds tightly on his partner’s back. His posture is
crouching as though ready for a springing pounce.
6. The jealous girl--- clings to her partner like a glue, looks up in his eyes and
is always tremendously attentive.
7. The timid souls--- could almost sink to the floor if you stare at them. Males
have an apologetic manner and takes faltering steps, barely touches his
partner. He is hard to follow because he is too shy to lead. The girls of this
type take uncertain steps, droop their arms and get an until-death-do-us part
grip on their partner.
Costume
Women – full gown
Men - bow tie and tail coats or tuxedos, vest
Dances:
1. Slow Waltz 2. Tango 3. Viennese Waltz
4. Slow Foxtrot 5. Quick step
Dances:
1. Cha-cha 2. Samba 3. Rumba 4. Paso doble 5.
Jive
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