Scribd Logo
Upload

Welcome to Scribd!

  • 39 views

    Materi Batik

    Uploaded by

    Ratna Ntu Putune Mbahamexz
    The document provides an introduction to Indonesian batik, including its cultural significance, conservation, and production process. It discusses how batik was inscribed on UNESCO's list of Intangible Cultural Heritage, the different domains it represents, and the oral traditions and social practices associated with batik. It also describes the main characteristics of batik including traditional motifs, designs, materials, tools and the regional differences between inland and coastal batik styles.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Materi Batik

    Uploaded by

    Ratna Ntu Putune Mbahamexz
    39 views63 pages
    The document provides an introduction to Indonesian batik, including its cultural significance, conservation, and production process. It discusses how batik was inscribed on UNESCO's list of Intangible Cultural Heritage, the different domains it represents, and the oral traditions and social practices associated with batik. It also describes the main characteristics of batik including traditional motifs, designs, materials, tools and the regional differences between inland and coastal batik styles.

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    The document provides an introduction to Indonesian batik, including its cultural significance, conservation, and production process. It discusses how batik was inscribed on UNESCO's list of Intangible Cultural Heritage, the different domains it represents, and the oral traditions and social practices associated with batik. It also describes the main characteristics of batik including traditional motifs, designs, materials, tools and the regional differences between inland and coastal batik styles.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    39 views63 pages

    Materi Batik

    Uploaded by

    Ratna Ntu Putune Mbahamexz
    The document provides an introduction to Indonesian batik, including its cultural significance, conservation, and production process. It discusses how batik was inscribed on UNESCO's list of Intangible Cultural Heritage, the different domains it represents, and the oral traditions and social practices associated with batik. It also describes the main characteristics of batik including traditional motifs, designs, materials, tools and the regional differences between inland and coastal batik styles.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 63

    INTRODUCTION TO

    INDONESIAN BATIK
    CONSERVATION AND INDONESIAN CULTURE

    Dr. Ir. Rodia Syamwil, M.Pd.

    UNIVERSITAS NEGERI SEMARANG 1


    LEARNING PROGRAM
    • Introduction to Batik
    • Batik Design / Motifs
    • Introduction to Batik Materials and
    Equipments
    • Batik Processing, Dyeing, and Coloring
    • Batik Creation and Production
    [email protected]
    HP: 08562774230
    Home : (024) 7600621
    address : Jl. Panembahan Senopati 279 Semarang

    2
    3
    Unesco Statement

    Dasar hukum Pengukuhan batik indonesia sebagai warisan


    budaya takbenda oleh UNESCO

    • Convention for The Safeguarding of The


    Intangible Culture Heritage, Paris, 17 October
    2003 (9 Chapters and 40 Articles)

    • Peraturan Presiden Republik Indonesia Nomor


    78 Tahun 2007. Tentang Pengesahan
    Convention for The Safeguarding of The
    Intangible Culture Heritage. (Ratifikasi )
    [email protected]
    Domains of the Intangible Cultural
    Heritage of Humanity
    (a) oral traditions and expressions, including language as a vehicle
    of the intangible cultural heritage

    (b) performing arts

    (c) social practices, rituals, and festive events

    (d) knowledge and practices concerning nature and the universe

    (e) traditional craftsmanship

    [email protected]
    Oral Traditions, Expressions, Languages

    • Tells from generation to generation


    • Have names and meanings
    Social Practices
    • Special motifs for different
    social strata

    [email protected]
    Social Practices
    • Use in traditional, ritual, and
    festive events

    [email protected]
    Social Practices
    • Use in traditional, ritual, and
    festive events

    [email protected]
    Traditional Craftsmanship

    From the beginning until


    the end, batik are
    processed manually, and
    so are its equipments
    and tools

    . (Berkas Nominasi Batik Indonesia, 2009),


    What is Batik ?
    • Batik comes
    from the word
    “mbatik”
    means “to
    draw or write
    with dots”.
    • Please notify
    the batik motif
    on the right

    11
    TWO MAIN CHARACTERISTIC
    OF BATIK
    1. Its Specific Design or Motifs
    – Every motifs are named and having
    philosophical meaning
    – Motifs consist of: ornament and isen-isen

    2. Processing Technique
    – Resist dyeing
    – The use of malam or wax for covering part
    of fabric
    – The use of canting and/or cap
    – The use of natural dyes
    12
    BATIK CONCEPT
    • “Malam” (wax) is used to cover part of
    motifs which is desired uncolored
    • “Malam” is a hydrophob material, which
    could prevent the dyestuff absorption
    • Coloring the open part of the cloth
    • Remove the “malam” away of the cloth
    using hot boiled water

    13
    KINDS OF BATIK

    • Batik Pedalaman and Batik Pesisiran


    • Batik Tulis and Batik Cap
    • Batik Celup and Batik Coletan

    14
    BATIK PEDALAMAN BATIK PESISIRAN
    (INLAND BATIK) (COASTAL BATIK)

    • Yogyakarta, Solo, • Cirebon, Pekalongan,


    Klaten, Sragen, Lasem, Semarang,
    Purwokerto, Kebumen Tuban, Madura
    • Natural colour of • Colorful
    inland woods and • Motifs: sea and
    plants (brown, black, coaster animals,
    blue, cream, white, coaster plants
    yellow)
    • Motifs: inland jungle
    animals and plants,
    geometric
    15
    INLAND BATIK

    16
    COASTAL BATIK

    17
    Differences between Inland and Coastal
    SEKAR JAGAD
    18
    Differences between Inland and Coastal
    CEPLOK 19
    Differences between Inland and Coastal

    CEPLOK
    20
    COMPONENT OF MOTIFS

    • Ornament
    • Isen-isen

    21
    1. Lidah Api/Fire Flame 22
    2. Gedong/Building
    3. Sayap/Sawat/ Wings 4. Burung/Bird 23
    24
    5. Kupu-kupu/Butterfly 6. Lung-lungan/Plants
    25
    7. Naga/Dragon 8. Hewan/Animals
    26
    9. Gunung/Meru/Mount 10. Filling Ornaments
    11. Ganggong 12. Cemukiran

    27
    ISEN-ISEN
    Isen Isen Latar

    Isen-isen Manggisan pengisi Latar

    Isen-isen Galaran Lurus dan


    Galaran Brintik pada Latar
    28
    TRADITIONAL
    BATIK MOTIFS

    29
    NITIKAN

    Kuncup Kantil Cakar Ayam

    Gendaghan Jaya Kirana


    30
    NITIKAN

    31
    MOTIF SEMEN

    Sido Asih Sido Mulyo

    Sido Luhur Sido Mukti 32


    MOTIF SEMEN

    Sido Asih
    Cuwiri

    Sawat Semen Rama 33


    MOTIF LERENG

    Lereng

    34
    Udan Liris
    MOTIF PARANG

    Parang Kusumo Udan Liris

    Parang Rusak Barong Parang Ukel Seling 35


    MOTIF LERENG

    Samudra Naga Puspa Lereng Kupu

    Parang Rusak Barong Parang Ukel Seling 36


    MOTIF KAWUNG

    37
    MOTIF TAMBAL

    Slobok Tambal

    Pamiluto Sekar Jagad 38


    MOTIF CEPLOK

    Ceplok Liring Jlamprang

    Truntum Kawung 39
    MOTIF TUMPAL
    Tumpal Minangkabau

    Tumpal Setaman

    Tumpal Bangkalan Tumpal Tombak 40


    BANJI

    41
    MEGAMENDUNG

    42
    MOTIF BASUREK

    43
    ALAS-ALASAN

    44
    LUNG-LUNGAN

    45
    Burung

    46
    SEMARANGAN
    PEKALONGAN
    KALIMANTAN
    LASEM
    MADURA
    BANYUMAS
    IRIAN BARAT
    JAMBI
    MATERIALS,TOOLS & EQUIPMENTS

    Canting Cap
    Canting

    55
    SEBUTKAN NAMA MOTIF

    56
    Dan ini…………..

    57
    Dan ini…………

    58
    And this…………..?

    59
    60
    Batik Cap

    61
    SUMBER

    • Nian S. Djoemena. (1986). Ungkapan sehelai


    batik. Jakarta: Penerbit Djambatan
    • Nian S. Djoemena. (1990). Batik dan mitra.
    Jakarta: Penerbit Djambatan
    • Santosa Doellah. 2002. Batik, pengaruh
    zaman dan lingkungan. Surakarta: Danar
    Hadi
    • Sewan Soesanto. 1970. Kerajinan Batik
    Indonesia. Yogyakarta: Balai Batik Indonesia
    62
    THANK’s

    63

    You might also like