Erno Rubic - How We Made The Rubics Cube
Erno Rubic - How We Made The Rubics Cube
Erno Rubic - How We Made The Rubics Cube
https://www.theguardian.com/culture/2015/may/26/erno-rubik-how-we-made-rubiks-cube
Interview
Erno Rubik: ‘I experimented in my mother’s flat, making a prototype out of wood, rubber
bands and paper clips’
Tue 26 May 2015 06.59 BST Last modified on Tue 19 Jun 2018 12.16 BST
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‘The first time it took me weeks: there are 43 quintillion permutations!’ … Erno Rubik
with his daughter Anna in 1981. Photograph: ANL/Rex Shutterstock
In the mid-1970s, I was teaching design at the Academy of Applied Arts in Budapest. I
was searching for a way to demonstrate 3D movement to my students and one day found
myself staring into the River Danube, looking at how the water moved around the
pebbles. This became the inspiration for the cube’s twisting mechanism. The fact that it
can do this without falling apart is part of its magic.
I experimented in my mother’s flat, using wood, rubber bands and paper clips to make a
prototype. I needed some sort of coding to bring sense to the rotations of the cube, so I
used the simplest and strongest solution: primary colours. Putting the stickers on the
finished cube felt very emotional. I knew it was revolutionary. The moment I started
twisting the sides, I could see it was a proper puzzle – but what I didn’t know was
whether it could be solved. It took me weeks: there are 43 quintillion permutations!
Once I’d cracked it, I knew it could sell. But I took three years to get it to market. First, a
firm called Politechnika manufactured it as Buvos Kocka, or Magic Cube. Then a
salesman called Tibor Laczi told me he could get it distributed on the other side of the
iron curtain. He has since described me as being “terribly dressed, looking like a beggar,
with a cheap Hungarian cigarette hanging out of my mouth”.
He told me we could sell millions and took it to the 1979 Nuremberg toy fair where it
was seen by Tom Kremer, who was the key to getting global distribution. I’ve always
kept my distance from the business side, though. I feel more like a father to a child: my
cube inspired thousands of “twisty puzzles” and I’m amazed how it continues to excite
new generations. People have taken cubes underwater and to outer space. On the 40th
anniversary, I was in New York to see the Empire State Building light up in its colours.
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I never imagined it would become a global craze. It became the bestselling toy of all
time, with 350m sold. The world record was broken again recently, too. It now stands at
an astonishing 5.25 seconds. Teenagers are fastest. I was 30 when the cube was born, so
was never in the same league. My average was always about a minute.
Tom Kremer, the early mentor of the cube, is my father so I was one of the first people in
the UK to get one. I was doing my A-levels and it proved a fantastic distraction.
According to my dad, the cube wasn’t a big sensation at the Nuremberg toy fair: it was
just a small thing in a backwater section at this huge event. And his curiosity was only
aroused by the fact that he heard the people in charge of the cube speaking Hungarian, a
very unusual language. He went over, had a look and got involved.
He licensed the rights to the Ideal Toy Company and it became the first puzzle ever to be
advertised on TV. The company were in the last chance saloon. They had games such as
KerPlunk but were facing huge debts. Rubik’s Cube saved them for a few years but by
1983, after 300m had been sold, everybody had one. The cube went from world’s greatest
fad to zero: there were thousands piled up in warehouses.
My son can do a Rubik’s Cube in under a minute, but people are generally impressed if
you can solve one at all. If I ever take one on to the tube, I find that by the time I’ve done
it, the whole carriage is watching.
• Professor Erno Rubik’s prototypes form part of the touring exhibition Beyond Rubik’s
Cube, at the Great Lakes Science Center in Cleveland, Ohio, 30 May to 7 September.