Scribd Logo
Upload

Welcome to Scribd!

  • 36 views

    Hoa 4 Notes Continuation Finals

    Uploaded by

    Felix
    Spanish colonial architecture in the Philippines was divided into social classes and house types. The principalia were privileged native landowners, while mestizos were people of mixed Chinese and local heritage. Mestizo houses featured elements like stone foundations, mezzanines, and covered balconies. Several national artists made significant contributions to Philippine architecture, like Juan Nakpil, Pablo Antonio, Leandro Locsin, and Ildefonso Santos. They designed landmark buildings like Quiapo Church, the Ideal Theater, the Cultural Center of the Philippines, and landscape projects. Francisco Manosa was known for designs inspired by indigenous Filipino styles, including the distinctive Coconut Palace.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Hoa 4 Notes Continuation Finals

    Uploaded by

    Felix
    36 views17 pages
    Spanish colonial architecture in the Philippines was divided into social classes and house types. The principalia were privileged native landowners, while mestizos were people of mixed Chinese and local heritage. Mestizo houses featured elements like stone foundations, mezzanines, and covered balconies. Several national artists made significant contributions to Philippine architecture, like Juan Nakpil, Pablo Antonio, Leandro Locsin, and Ildefonso Santos. They designed landmark buildings like Quiapo Church, the Ideal Theater, the Cultural Center of the Philippines, and landscape projects. Francisco Manosa was known for designs inspired by indigenous Filipino styles, including the distinctive Coconut Palace.

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Spanish colonial architecture in the Philippines was divided into social classes and house types. The principalia were privileged native landowners, while mestizos were people of mixed Chinese and local heritage. Mestizo houses featured elements like stone foundations, mezzanines, and covered balconies. Several national artists made significant contributions to Philippine architecture, like Juan Nakpil, Pablo Antonio, Leandro Locsin, and Ildefonso Santos. They designed landmark buildings like Quiapo Church, the Ideal Theater, the Cultural Center of the Philippines, and landscape projects. Francisco Manosa was known for designs inspired by indigenous Filipino styles, including the distinctive Coconut Palace.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    36 views17 pages

    Hoa 4 Notes Continuation Finals

    Uploaded by

    Felix
    Spanish colonial architecture in the Philippines was divided into social classes and house types. The principalia were privileged native landowners, while mestizos were people of mixed Chinese and local heritage. Mestizo houses featured elements like stone foundations, mezzanines, and covered balconies. Several national artists made significant contributions to Philippine architecture, like Juan Nakpil, Pablo Antonio, Leandro Locsin, and Ildefonso Santos. They designed landmark buildings like Quiapo Church, the Ideal Theater, the Cultural Center of the Philippines, and landscape projects. Francisco Manosa was known for designs inspired by indigenous Filipino styles, including the distinctive Coconut Palace.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 17

    Topic 3: spanish colonial architecture

    Four types of social classes that affected the evolution of bahay na bato
     Prinicpalia privileged natives who were landowners
     mestizo half breed from intermarriages between local and chinese
     MESTIZAJES heirs of three different culture
     Ilustrados highly educated members of the comfortable class, entrepreneurs and
    professionals

    Mestizo house (arquitectura mestiza)


    ZAGUAN space for carriage and caroza
    BODEGA storage space for produce
    PIEDRA CHINA granite stone originally used by the Chinese traders as ballast for ships and
    galleons.
    DESCANSO waiting area for strangers or people of lower class
    ENTRESUELO Mezzanine also serve as the oficina (home office)
    CAIDA/ ANTE SALA Foyer of the second floor
    SALA MAYOR Main living area
    VENTANILLA Small window, usually protected by barandillas or railings
    CUARTO Bedroom
    CALLADO lattice works to allow air flow
    ORATORIO Prayer room
    AZOTEA Open-air balcony beside the kitchen that housed a cistern (aljibe) and the bathroom, and
    was usually a work area
    VOLADA Covered gallery or pathway surrounding the structure used by the servants to avoid
    passing through the main areas of the house.
    NATIONAL ARTIST FOR ARCHITECTURE

    JUAN FELIPE DE JESUS NAKPIL

    Filipino architect, teacher and a community leader. In 1973, he was named


    one of the National Artists for architecture, and tapped as the Dean of
    Filipino Architects.

    Quiapo church

    A Baroque church, the facade is distinctive with twisted columns on both levels.
    The Corinthian columns of the second level has 1/3 of the shaft near the base in twisted form
    while the upper portion has a smooth surface.
    The topmost portion of the four-storey belltowers are balustered and decorated with huge
    scrolls.
    The tympanum of the pediment has a pair of chalice-like decoration and towards the end of the
    raking cornice urn-like vases the pediment terminates. With its recent renovation, only the facade
    and the dome at the transept retained the classic design.
    PABLO SEBERO ANTONIO

    was a Filipino architect. A pioneer of modern Philippine architecture, he was recognized in some
    quarters as the foremost Filipino modernist architect of his time.He was conferred the rank and
    title of National Artist of the Philippines by President Ferdinand Marcos in 1976.
    studied architecture at the Mapua Institute of Technology but dropped out of school in order to
    assist in the design and construction of the Legislative Building (now, the National Museum of the
    Philippines)
    Ramon Arevalo, the engineer in charge of the Legislative Building project, funded Antonio's education
    at the University of London. He completed a five-year architecture course in three years,
    graduating in 1927

    Ideal theater

    The Ideal Theater, designed during the 1930’s is a very good type of building in the streamlined
    Art Deco, a variant of Art Deco employing lesser ornamentations but with with more lines
    reminiscent of machinery or ships.
    The façade of the theater was flanked by two massive pillars between vertical bands.
    The theater is the first building that Pablo Antonio designed and is also the same building that
    launched his career as an architect.
    It was due to his design for the Ideal Theater that Nicanor Reyes commissioned him as the
    architect of FEU in Morayta.
    leandro Valencia locsin

    Filipino architect, artist, and interior designer known for his


    use of concrete, floating volume and simplistic design in his
    various projects.
    An avid collector, he was fond of modern painting and
    Chinese ceramics.
    He was proclaimed a National Artist of the Philippines for
    Architecture in 1990 by the late President Corazon C.
    Aquino.

    Cultural Center of the Philippines

    The cultural hub today holds six performance venues: Tanghalang Pambansa, Tanghalang Nicanor
    Abelardo, Tanghalang Aurelio Tolentino, Tanghalang Huseng Batute, Tanghalang Francisco
    Balagtas, and Tanghalang Manuel Conde. Also, it has six exhibit halls, the Bulwagang Juan Luna,
    Bulwagang Fernando Amorsolo, Bulwagang Carlos V. Francisco, Pasilyo Victoria Edades, Pasilyo
    Guillermo Tolentino, and Pasilyo Vicente Manansala; the National Arts Center and two satellite
    venues.

    Aside from being a performing arts center, the CCP has become the country’s National Coordinating
    Center for the Arts. It is home to the following organizations: Ballet Philippines, Philippine Ballet
    Theater, Tanghalang Pilipino, Ramon Obusan Folkloric Group, the Bayanihan Philippine National Folk
    Dance Company, Philippine Philharmonic Orchestra, UST Symphony Orchestra, Philippine Madrigal Singers,
    and the National Music Competition for Young Artists Foundation.
    ILDEFONSO P. SANTOS, JR.

    Popularly known simply as "IP Santos" was a Filipino architect who was known for being the "Father
    of Philippine Landscape Architecture."
    He was recognized as a National Artist of the Philippines in the field of Architecture in 2006
    Santos graduated from the University of Santo Tomas in with a degree in the field of architecture.
    He then pursued a second degree in Architecture, as well as a Master of Architecture degree at
    the University of Southern California School of Architecture.

    BATULAO VILLAGE CLUB


    CALIRAYA LAKE RESORT
    CALIRAYA LAKE RESORT ETERNAL GARDENS
    LOYOLA MEMORIAL PARK
    Franciso manosa

    Filipino architect noted for his Filipino inspired architectural designs. He designed The Coconut
    Palace
    May, 2008 he built his own Ayala alabang village Bahay Kubo mansion. With only 3 posts or
    "haligi", it has 5 one-inch coconut shell doors, 2nd floor, a "silong", Muslim room, sala, and master's
    bedroom with a fish pond therein.

    Coconut palace

    The Coconut Palace is made of several types of Philippine hardwood, coconut shells, and a specially
    engineered coconut lumber apparently known as Imelda Madera.
    Each of the suites on the second floor is named after a specific region of the Philippines and
    displays some of the handicrafts these regions produce. The palace is located on F. Ma. Guerrero
    Street at the Cultural Center of the Philippines between the Folk Arts Theatre and the Sofitel
    Philippine Plaza.
    SAN MIGUEL CORPORATION HEAD OFFICE

    he distinctive shape of the San Miguel Corporation Head Office building dominated the area's skyline
    and was clearly visible from EDSA.
    they were inspired by the Banawe rice terraces and strove to create one of the first green
    buildings in the country.

    MARY IMMACULATE PARISH


    CHURCH
    The church is the signature
    structure in the complex which
    spreads over a 4,000 square
    meter mango orchard beside a
    flowing creek.
    True to the nature concept
    proposed by the architect, Bobby
    Manosa, the church stands under a
    canopy of mango boughs, the altar
    section concealed from street view by thick tropical palms and plants thus providing the
    necessary privacy for prayer and meditation.
    The nature concept is extensively expressed in the structure of the church itself, its furnishings
    and its adornments. Serving as beams and pillars to hold and support the cables which suspend an
    inverted funnel-shaped, canvas-covered anahaw roof are more than a half century old mango trees
    with six concrete posts providing added strength.
    It is considered biggest anahaw-covered roof in the Philippines. the intricately woven network of
    40,000 anahaw leaves can be appreciated from the inside by simple looking up to the ceiling. Warm
    yet soft illumination is provided by 176 capiz lanterns depicting doves in flight spiraling from the
    fringes to the center of the ceiling.

    You might also like