Drill-1: Questions 12-22 Are Based On The Following Passage. The Tyrannical and The Taciturn
Drill-1: Questions 12-22 Are Based On The Following Passage. The Tyrannical and The Taciturn
Drill-1: Questions 12-22 Are Based On The Following Passage. The Tyrannical and The Taciturn
DRILL-1
(D) may locate major bat predators
A, B, C—1, 2, 3
Few jobs are as important as that of teachers. A society’s quality of life
often depends on its economic growth, which is directly affected by its
workforce, which, of course, is educated by its school teachers. Take a
moment to imagine the ten most influential people in your life—chances are,
at least one of them is a teacher or an instructor you have presently or have
had in the past. From English class during first period to mathematics as
the final period, teachers are those constant guardians molding you into the
person you will become, pushing you to do your best and critiquing you
when you’re falling short of your potential. Many students realize too late
that relationships with their teachers, and later with their professors, should
be fostered into life-long connections.
However, what is it that’s so special about being a teacher? It begins
with the decision to devote your life to the education of others. Most teachers
have, at some point, entertained the idea of a career that requires less personal
investment and pays better than an average of approximately $45,000 per
year in many cities; yet, when asked, few would take back their decision. The
most probable explanation is that despite the negatives, the field of teaching
is uniquely rewarding and exceptionally worthwhile. A teachers’ workday
starts and ends with the training and shaping of the next generation; and for
many, there’s no better way to invest their own training compared in the
opening of young minds.
Nonetheless, becoming a teacher takes much more than a kind heart and a
good dose of patience. All school teachers need to have a bachelor’s degree
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160
DRILL-2
Writing & Language Drill 3
For each question in this section, circle the letter of the best answer from among the choices given.
Questions 1-11. Read the following passage carefully before you choose your answers.
A Norwegian Struggle
Where is the line between fact and fiction? As an author, for example, that Proust's work seems less scandalous
if you write about your own experiences but give them to to us today because all of the people GIl on which it is
a fictional character, are the experiences truly 0 made up based are long dead? And come to think of it, nearly all
out of thin air? And what about those close to you? If the of Knausgard's readers don't know the flesh-and-blood
mother of your main character bears a resemblance to your Gunnar, or Tonje, or Karl Dve any more than they would
own mother, where does 8 ~ responsibility lie? fictional characters. Knausgard's book has raised vital
Contemporary Norwegian • writer. Karl Dve questions as a result, the most important of which may be,
Knausl,!Ard. has built a literary phenomenon out of exactly m why would he name his book after a horrible dictator's
these questions. Knausgard's mammoth autobiographical autobiography?
work, My Struggle, contains over 3000 pages of detailed
e
autobiography, with names and identities the same as
those from his OWD Ufe. His father's struggles with (and
eventual death from) alcoholism, the difficulty of his first
marriage, all of this and more feature in full, vivid detail
in the pages of Knausgard's work. If Knausgard's books
cannot be referred to as actual libel, they are nonetheless
more revealing than many of the book's subjects, espe-
cially Knausgard's uncle Gunnar and ex-wife Tonje, deem
" appropriate.
My Struggle has a clear precedent in the early twentieth-
century masterpiece In Search of Lost TIme, the multi-vol-
ume novel by French author Marcel Proust. The difference
there, however, was that while Proust's main character and
narrator was named "Marcel," everyone else in the book
had been given fictionalized names. Proust's great novel
is considered one of the masterpieces of twentieth-century
literature and the CD definition statement on how memory
conditions human experience.
f) The similarities are many between Knausgaro's and
Proust's work. In contrast to the simjlarjties. however. the
differences are telling as well. Knausgard's title comes
from, of all places, Adoif Hitler, whose famous and trou-
bling work Mein Kampfis quoted in the Norwegian Min
Kamp, or My Struggle. KnausgArd's critics wonder f3 IDth..
itsJi.tk why a book that already has the potential to anger
and offend many people with its contents should also do so.
But Knausgard's success seems to be built on exactly
these objections. The fact that he is known as the
"Norwegian Proust" and not the "Norwegian Hitler"-shows
that his borrowing of Hitler's title has already done a good
deal to take away the power of Mein Kampf. Q) Moreover,
literature has always been rooted in reality, and readers
are free to interpret things as the wish. Isn't it possible,
5. A) NO CHANGE A) NOCHANGE
B) appropriated. B) where does life end and fiction begin?
C) appropriately. C) how a man in his 40s write such a long book?
D) appropriations. D) can his family and friends ever forgive him?
6. A) NO CHANGE
B) definitional
C) definitive
D) definingly
Most moviegoers love the actors. Film buffs love the Best Pro-
directors. So who is left to love the production designers? Best Best Best Best
Year/Film duction
Production design (PD) has been an essential component Picture Director Actor Actress
Design
of film ever since Hollywood came into 411 exjstence but
~ the names of most PDs or Art Directors, and you'il 1960
get a blank stare . • S1ill. film is a visual medium, and The
it's impossible to maximize that visual aspect without the
work of an accomplished Production Designer. 1961
When we praise the "look" of a film, we usually think West Side
that we're tipping our hats to the director. In fact, (D ~
admire equally the work of the PD, who guides the work 1962
of the costume designer, make-up stylists, special-effects Lawrence of
CI director. locations manager. The colorful pallet of a Arabia
movie like Finding Nemo (2003) would've been impos-
1963
sible without the art direction of Ralph Eggleston, aD lYlm.. Tom Jones
made it hagpen. and the rich period authenticity of a movie
like 12 Years a Slave (2013) is the great achievement of 1964
both Adam Stockhausen and jj dircktW: Steve McQueen.
In fact, from that crucial period from 1960-1975, (Gl tb'-.
Oscar for Best Actress Was awarded to remarkably few The Sound of
Best Picture actresses. This makes sense, if a film doesn't Music
have a distinctive "look," what does it actually have? 1966
A production designer essentially "directs" all of those A Man For
working on ~ the aspects of the film. @Il ~ account- All Seasons
able for the work of set designers, make-up artists, com- 1967
puter designers, storyboard illustrators, and numerous oth- In the Heat
ers. He or she is involved in the set construction, in finding of the
or constructing the furniture, structures, or buildings 1968
necessary for the look of a film. In the many period dramas Oliver!
that have become popular in recent years, from Downton
Abbey on TV to American Hustle in film, the production 1969
Midnight
designer consults with historians to ensure accuracy and
authenticity so that viewers can have a more powerful
visual experience. Producing that vision is impossible 1970
without the work of a good Production Designer. Q) Patton
As with many other aspects of film, Production Design 1971
can be a fine-art major, and for those who go into the pro- The French
fession, there is the Art Directors Guild of the International Connection
Alliance of Theatrical Stage Employees. Although produc- 1972
tion designers may not get all the accolades they deserve, The Godfather
there is no question that the look of what's in front of the
1973
camera would be impossible without those working so The
meticulously behind it. 4!
1974
The Godfather
Part II
.,.·-ro' -
1975 • ,...s,I.
One Flew
Over the
~". ,.
Cuckoo's Nest h,;..::
42 I 500+ Practice Questions for the New SAT
163
12. A) NO CHANGE 20. A) NO CHANGE
B) existence, but, cite B) He or she is
C) existence, cite C) Their
D) existence, but cite D) One's
13. All of the following alternatives to the underlined 21. The writers wants to add an introductory clause
portion would be acceptable EXCEPT: to this sentence that shows that the Production
Designer's job is often underappreciated. Assuming
A) Nevertheless,
that capitalization and punctuation are adjusted
B) However,
accordingly, which of the following would fit most
C) Moreover.
appropriately here?
D) Even so,
A) Although many consider a film to be the result
of a director's "vision,"
14. A) NO CHANGE B) While actors and actresses typically make all the
B) equally we admire money from a film,
C) we're equally admiring C) Like the producer bim- or herself, who typically
D) we have also admired finances the film,
D) While the counterpart in the theater is the art
director and set designer,
15. A) NO CHANGE
B) director and, the
C) director and the 22. The writer is considering ending the sentence at the
D) director, and the word impossible and ending the sentence with a
period. Should the writer keep the sentence as it is or
make the change?
16. A) NO CHANGE
B) who made the impossible into the possible, A) Keep the sentence as is, because the production
C) an accomplished production designer, designer receives no credit without the phrase.
D) DELETE the underlined portion. B) Keep the sentence as is, because the sentence
changes meaning without this phrase.
C) Make the change, because the information
17. A) NO CHANGE presented is presented earlier in the paragraph.
B) those of director D) Make the change, because a sentence
C) that of director should always be made more concise if it is
D) the director's grammatically correct.
19. A) NO CHANGE
B) those in
C) the visual aspects of
D) DELETE the underlined portion.
Vancouver, British Columbia, is Canada's eighth most attention to. a gift-giving ceremony in which the wealthy
populous city, and it is known as one of the hotbeds of demonstrate their extreme affluence by the vast quantities
contemporary Canadian culture, alongside eastern cit- they are able to give away.
ies Toronto and Montreal. Still, while nearly everyone The survival of the potlatch and ~ the more general
knows about ~ .trumL few know about the importance KWakWaka'wakw is a minor miracle. Between 1830 and
of Native American culture within the coastal region 1880,75% of the tribe's population was killed by violence
of British Columbia. A g) small community. of the and disease. Canada outlawed the practice of potlatch
KWakwaka'wakw people. in the Pacific Northwest. links in 1884, citing its wastefulness and expenditure as run-
the area to its pre-European roots. Although the language, ning contrary to the "civilized" values of white Canada.
a collection of dialects known as Kwak'wala, is spoken by Policies like the potlatch ban e were instituted as part of
only about 250 people, the Kwakwaka'wakw continue to a broader project of assimilation, designed to turn native
be a relevant force in the region and an inspiring reminder populations into Canadians, not only by banning native
of an era that was cruelly uprooted in the early nineteenth practices but also by sending native children to harsh
century. • assimilationist schools.
@b According to this mythological narrative, the The population of Kwakwawa'wakw today is just
original settlers came to the area in animal form and over 5,000. G However. the small community of
became human when they arrived at the places they would Kwakwaka'wakw peoples remains committed to its tradi-
settle. One of the major figures in this origin story, the tions, and in the late twentieth century, a move away from
Thunderbird, can still be seen in the many totems and assimilationist policies meant that the Canadian govern-
carvings that remain, particularly from the late nineteenth ment was more willing to recognize and encourage cultiva-
century. tion of its native heritage. Things today may be as good
Much of what we know about the nineteenth-century as they've been at any time in history: the population
Kwakwaka'wakw tribes 4i ~ from German-American of Aboriginal peoples in Canada from 2001-2006 Ql ~
anthropologist Franz Boas. In Boas's analysis, we can see decUned 20 1%. with growth in British Columbia peak-
the importance of weaving and woodwork, particularly as ing at 42%. The Winter Olympics in Vancouver in 2010
displays of wealth and power within the community. In showed that Canada has finally begun to see the influence
fact, most-heavily studied aspect of Kwakwaka'wakw cul- of the K wakwaka 'wakw and others as integral to Ql it:s
ture remains the potlatch, @Ij which scholars devote much national character.
30 28.6 28.3
Canada = 20.1
20 ..J+--H---i+--+
15.8 15.3
10.2 9.7
10 9.0
3.9
NS Que PEl Ont Nfld Alta Man Yukon Be NWT Nvt Saak NB
Source: 2001 & 2006 Census of Canada
27. A) NO CHANGE
B) comes
C) are coming
D) came
411 Born in New Orleans. LA. on March 17.1806. Was As historians of science learn more about the eigh-
a man named Norbert RiJlieux. Rillieux was the son of teenth and nineteenth centuries, they uncover more and
Vmcent Rillieux and Constance Vivant. Because Vivant more odds-defying work from men and women who
was a free woman of color and marriages between the were not given proper rights and recognitions in that era.
races were outlawed at the time, Vivant became Rillieux's There's much more to this period, it seems, than George
placee, or common-law wife. Race relations were slightly Washington Carver.
less restrictive in Creole Louisiana 4i than...in other parts
of the American South. e Nw:bm might have been born
into constricting circumstances elsewhere in the South;
Creole Louisiana afforded him recognition as his father's
son and access to education not available to other free
blacks or slaves.
The young Norbert attended Catholic schools in
Louisiana, and in the early 1820s, he went to Paris to study
at the Ecole ., Centrale. there he learned physics, mechan-
ics, and engineering, and Q became a noted expert in
steam engines. This remarkable education led to Rillieux's
eventual achievements in sugar refining and cemented his
place as one of the first African-American inventors in the
United States.
While studying at the Ecole Centrale, G> sugar refining
emerged as an urgent concern for Rj1ljeux. At that time,
Louisiana was a central hub in the sugar trade, but the pro-
cess of refining that sugar was ClD little understood. Until
then, sugarcane juice would be pressed from the cane, and
the juice would be heated until the water boiled, leaving
a CD ~ residue. This residue was then poured into
smaller and smaller pots until it achieved its maximum
thickness. The problem with such a method was that sugar
was lost at every step, and much of the sugar would burn
away because the heat was difficult to monitor.
After a failed attempt to start a sugar refinery with his
brother Edmond, Norbert patented his new sugar-refining
machine in 1843. The new machine addressed both major
issues with the old method of sugar G refining. All the
while making the process significantly safer for those men,
mainly slaves, who worked the machines. The machine
used vacuum pressure to lower the boiling point of the
relevant liquids. Heat can be easily controlled because it
comes from only one source-most of the 8} systemic
heat is recycled steam. That steam cycles through stacked
pans, where the sugarcane could essentially refine itself,
rather than require the workers to transfer the scalding
hot liquids by hand. By 1849, Merrick and Towne, the
Philadelphia manufacturers who sold Rillieux's new inven-
tion, could guarantee purchasers previously unheard-of
yields: C!) up to 18.000 pounds of sugar a day.
39. A) NOCHANGE
B) Rillieux's concentration led him to the process
of refining sugar.
C) his background in chemistry led him to a new
way of refining sugar.
D) Rillieux began to work on the chemical process
of refining sugar.