Medley Sudamericano

MEDLEY SUDAMERICANO Arr: Jaime FOREMAN F. & Juan NAVARRO C.
q = 80 (Derechos Reservados de los autores)

    
                           
Slow A Canción con todos

                    
Flute
    
p
                         
sfz
   mp

            
 
  
1st Clarinet in Bb

   S.mute

p
  
sfz mp
   
       
p  
1st Trumpet in Bb
    
sfz
    
1st Trombone  
p
                 
sfz 
              
            
Soli
 
      
 glis mp
    s.  Cm

Euphonium
         
p Ab Eb G7
   
Cm sfz
         G7/B
 
           
Bass Guitar 

p mp
Marching


                 
Bass Drum
   
Snare Drum mp


                
Cym.
Snare Drum  

p mp Hi Hat Closed


Timpani         
        
Aux. Percussion  

           
9
Fl.   

           
    
  
     
  
Cl. 1     
     
S.mute
       

Tpt. 1
mf
      
   
Tbn. 1 
mf
                     

  
Euph.    
                       
Gm7(b5)/Bb C7/Bb F/A Fm
         
Bass G.   

B. D.                          
              
S. D.



Timp.       
Aux. Perc.        

   
                 
16
Fl.      
 
           
mf
      
 
Cl. 1   
 
mf
 
  
open
Tpt. 1           
     mf
       
Tbn. 1  
                       
  
 
  
Cm
  
Euph.
   
        
mf Cm

Eb/Bb
  Ab
 
G7
    
Cm
   
     
  
Bass G.

mf
   
Cymbals
                          
B. D.

mf Snare drum

                                                               

 Toms Rim.
S. D.

mf

Timp.        
       
Maracas
Aux. Perc.        
mf
Copyright © J.N.C. 2008
2
      
24
Fl.            
        
 
Cl. 1
    
      
Tpt. 1         
            
Tbn. 1

       
        
mf
    
  
     

Euph.
                      
G7/B Gm7(b5)/Bb C7/Bb F/A
         
Bass G. 
       
B. D.                              
                                                       
S. D.


Timp.
       
                                                       
Aux. Perc. 

Allegro q. = 70
   
 
       

            
31
       
      

Fl.
    f
   

 
    
 
       
     
Cl. 1
       f
 
 
                
f 
Tpt. 1
 
       
  
       
 

f 
Tbn. 1
                     
 
 
         
     
  
Euph.
    
    
fC
Fm
    
Cm
 
Eb/Bb
  Ab
 
G7
    
            
f  

   
Bass G.
        
B. D.                 
         
 
    
                                         
f
  Snare

 

drum
S. D.

f 
      
            
D C
Timp. 
         f     f
    
Aux. Perc.  





B
  
   
  
39
 
         

 
    

Fl.
 

     
                 
     
 
     
Cl. 1
       
  
 
   
 
   

        



Tpt. 1
                
    
      
Tbn. 1
         
                   


Euph.
                              

Ab Eb Gm Fm Ab G
               
C Ab C

      
  
Bass G.
    
B. D.                                
    
                            

          
   
S. D.
               
  
         
  
Timp.
            
       
Aux. Perc.
           
 Tambourine f
3
      
48
 
Fl.    
   
    
         
                 
     
Cl. 1

           
      
    
Tpt. 1       
    
        
      
      
Tbn. 1
         
                    
Euph.

        Eb     Gm      Ab G       
Ab
     
C C
            
Ab
             
     
 
Bass G.
    
B. D.                                 
           
                     

                     
  
S. D.


    
Timp.
                 
  
   
           
      
Aux. Perc.
       
 Allegro q = 96

    
 

Huaynito (Bolivia)
 

 C                
    
     
56
     
   



 
Fl.
  f                    
              
Cl. 1
   
           
  f   
            
Tpt. 1

   
    
f f
             

Tbn. 1
          f        
                        
f
    
Euph.
      
     
                  
f C
             G     

Em D
    
G

Ab Bb
     



Bass G.
  
               
f
               
B. D.                         
  f  
                
    
                                  
     
S. D.
                   
f
   

Timp.
           
f
    
 
 
                    
Tambourine
Aux. Perc.                     
f

            
     
      
       
   
       
67
  
Fl.    
          

                                    
Cl. 1
       
       
      

         
 
Tpt. 1
        
Tbn. 1
           

         
Euph.
              
   
   
             
B Em B Em B Em G C G
       
G
 
C
      
    
    
Bass G.
  mf
           
                               
B. D.
  
   mf
  
  
                                        
        
S. D.
  
mf


E-B
Timp.                
   
               
Aux. Perc.
      
4
          
 
 D
             
78
    
 
Fl.
             
mp

cresc.
    f
    
Cl. 1
     
       
mp f
                
cresc.
Tpt. 1          
      
   mp
            
cresc.
      
f
Tbn. 1
     

            
mp f
  
cresc.
  
     
Euph.      
   G    G 
                C
Emmp
         
f Em
 
G B G B
   
cresc. D7

A
Bass G.   
   
mp f
               
cresc.
                             
B. D.
 mp f
   
cresc.
  
                                          
           
S. D.
 mp f

cresc.
Timp.           
   
                    
Aux. Perc.
                      
mp f

cresc.
           
  

        
89
     
Fl. 

mp
  
         
cresc. f
         
        
Cl. 1

               
mp f
  
             
cresc.
Tpt. 1     
  
                         
f mp f
   
cresc.
Tbn. 1
      
f mp f
     
cresc.
    
     
Euph.         
    G  G 
  

  G
      
Emmp
cresc.
fG fEm
C
   
G
B    B  B
   
D7

G A

        

 
Bass G.

mp
               
cresc.
  
f
                            
B. D.

mp 
                                         
cresc.

   
               
S. D.

f
mp

            
cresc.
Timp. 
f
 
                        
Aux. Perc.
                      
mp f

cresc.
 E Allegro q = 140
 
Pasillo (Ecuador)
              
 
 
            
101
         


Fl.
 
              
f        p f
    mf

         
 
Cl. 1      
        
p f

f
 mf
Tpt. 1                    
 f
        
p
Tbn. 1             
        p   f   
                      

    

   
Euph.
 
     
p
Am 
   
 f
   
 
f
    
         
Em B Em Am E E
            
E Am
   
    
 
Bass G.

f 
   f p
      
                             
B. D.     
  f p f
mf
                            

       

      
S. D.
     
 
f p f mf
    
  

                
E -A
Timp.   
  
p f mf
     
    
Aux. Perc.                  
         
p f mf
5
              
       

111
               
Fl. 
              
    
       
Cl. 1

           
Tpt. 1               
           
mf
     
Tbn. 1
            
 
  
mf
      
         
Euph.

           
                
     
G C E Am Dm

                   
          
Bass G.
                       
                                 
B. D.
    
     
                       

                         
S. D.

          
      
       

  

Timp.
      
                   
Aux. Perc.
       
mf

    Allegro q. = 70    F Polka (Paraguay)

     
       
121
Fl.         
f
                 
    
Cl. 1
          
            
f
          
Tpt. 1      
                
f
     
Tbn. 1 
           
    
f
   
Euph.

                
  C  E   
            
fD
G
  G  
G
         
    
D

Am
    
f   

  
Bass G.

  
            
                       
B. D.

                                                          
Snare
f
   
   
drum
S. D. 
   
f
 
Hi Hat closed
            
D-G
Timp. 
f
      
High Wood Blocks or High Bongo
Aux. Perc.          
f

    
               
130
   

Fl.
           

Cl. 1 
      
f
           
         
Tpt. 1          
Tbn. 1
      


Euph.      
       
                            
Em G D7 Am F D7
Bass G.

B. D.                         
                                               
S. D.



          
Timp.

f
                                             
Aux. Perc. 
6
 
136 
     

Fl.
          

         
Cl. 1
    
  
                 
        
  
      
Tpt. 1
     
   
   
Tbn. 1
     
mp mf
  


Euph.   
  mp
    mf
              
G Em G7 C
               
  
Bass G.

                       
B. D.

                                           f 
 
S. D.
   
 
Timp.
   
 


 
mf
                                               
Aux. Perc. 

                        
 
142
      
                
Fl.

  
Cl. 1
    
                          
      
 
Tpt. 1
      
 
   
Tbn. 1
   

Euph.
  
                     
G Em D7 G G7 Cm G Em D7
      
Am Am
       
        
Bass G.

         
B. D.               
                                                               
  
S. D.
                     

      
      

Timp.
f
                                     
Aux. Perc. 

    
              
148
 
 
Fl.
              
  
 
 
Cl. 1
         
 
sfz

        
    
Tpt. 1
   
   
      

   

    
Tbn. 1
       
   
  
sfz
Euph.

     

 G7   Cmi            G
     
E
G Cmi G sfz
                

sfz 

Bass G.
 
  
                     
B. D.   

   
                                    
sfz


   

S. D.
 
 
   
 sfz


            
Timp.
 
  
                                   
Aux. Perc.   
7
Allegro q. = 76
     

G Tonada (Chile)       
       
154
        
 
  
Fl.
              
   
         
       
mf 

f
    
Cl. 1
  
                 
f mf
      
            


  


Tpt. 1
            
 
       
mf
  
              

Tbn. 1
          
f

mf
   
  
  
     
Euph.

        
f
   mf A
       
    
A A E Bmi Gma7 E
             
 
   
Bass G.

f mf
                       
B. D.           
mf
f
 
 Snare
                                       
    
drum
S. D.

 f mf
 
                  
A-E
Timp.

f
           
   
     

Tambourine
   
Aux. Perc.
                     
mf

      
 
      
    
 

162
      

 
Fl.
                          f  
    
f mf     

  
  

Cl. 1 
                     
f mf f
         
    
      
   
      mf 
Tpt. 1
f      
      
f
           



  

Tbn. 1
           
f mf
    
f
       
 
Euph.   
f
 mf A
    Bmi  Gma7  E  
f
             
A A E
Bass G.
              
      
f mf f
B. D.                                     
f mf f
              
S. D.
                                    
      
f mf f

         
Timp.   
mf
 
f f
             
  
Aux. Perc.                                          
f f

     
Slow q = 68
 
 
      
    
H Oboe or A. Sx.
      
171
    
Fl. 
              
    
mf
Cl. 1
             
               
mp
              
      
                      
Tpt. 1
         
      
Tbn. 1      
                      
  
     

       

Euph.
           

        
Bb7
        
A Bmi G E F Dmi A Eb Ab
            
 
            
Bass G.
       mp
                                           

B. D.


                 
           
Cym.
                           
S. D.

                
mp
 

Timp.             
       
      f
         
Aux. Perc.                                           
f
8
q = 112 Tango
        
180 solo   Oboe or A. Sx. (Argentina)
                 
Fl.
  
mf  

 
        
Cl. 1      

mp
solo
                

Tpt. 1

f    
Tbn. 1          
mp

     
 
       
Euph.

       
mp Eb
  
 
G7sus4 G7 C7(b9) Fsus4 Fmi Abmi Eb/Bb Adim Eb/Bb Bb7sus4 Eb
              
Bass G.    
    
mp
B. D.             
          
p
                  
   
          
   

Snare drum
S. D.

mp
Timp.
         

            
Triangle
Aux. Perc.        
mp
 
    
  
189
Fl.              
          
  
f
     

  
    
Cl. 1
     
     
 
                
       
Tpt. 1

 
         

                      
Tbn. 1          
         
 
          

                                   
Euph.

          
G7 Cmi Ab C7/G Fmi Fmi Ab Bb7 Bdim
             
Eb7
      

Bass G.
                                    
B. D.                                     
                                             

S. D.
                

Timp.
         
Aux. Perc.          


   
 Allegro h = 88
 
       
198
Fl.       
 
  
                   
3
Cl. 1    
  mf
                               


  
 
Tpt. 1
              3   
f
 mf
     
Tbn. 1    
          
                   
f mf
 
 
3
               


Euph.
    
Csus4 Cmi

Cmi6
  Eb
 
F7
 
Bb7

Bb7 f Fmimf

Bb7

Fmi6
   
        
Bb7(b9)

C7
     


Bass G.
                       
f mf
                                 
B. D.

           
f
Crash 
mf
     
                  
                      
3
S. D.
 
 

f mf H.H.w/foot

C C
         
f
Timp.
mf
      
Maracas
 
Aux. Perc.        
mf
9
  
I Samba (Brasil)
206
     
Fl.          
f
  
                           
Cl. 1

      
f
       
    
cresc.
Tpt. 1                       
     
   
mf

      
cresc.
Tbn. 1               
    
 

  
f
 
     
cresc.
Euph.
            
f Fmi7
                      
Fmi
cresc. Bb7 Fmi6 Fmi Bb7 Fmi6 Bb7 Bb7 Fmi7 Bb7 Dbma7
       
                  
Bass G.
  
 
            
f
            
    
cresc.
              
B. D.
  Crash
cresc.
         f
     
                                                
S. D.

 f H.H.w/foot
cresc.
 
Timp.       
                             
Aux. Perc. 
f
        
           
 
213
     
Fl.    
 
                    

  
  

Cl. 1
  
         

                      
Tpt. 1                
    
            
     
Tbn. 1          
 
  

      
 


    
   
Euph.
       
Eb7
 Fmi7

Fmi6
 Fmi7   Fmi7 
Bb7
 Fmi7 
Bb7
 Fmi7 
Bb7
 Fmi7 
Bb7
                                    
Bass G. 
           
B. D.           
      

        
   
                                                
S. D.


Timp.
       
                     
Aux. Perc. 

  
         
           
220
Fl.             
                         


       
Cl. 1
    
    
mp
           
 
         
Tpt. 1             
 
  
f
  
              soli
Tbn. 1                   
   
    
f
  
 
                    

Euph.
      
     
Dbma7 Eb7 Fmi7 Fmi6 Fmi7 Fmi6 Fmi7 Bb7 Fmi
                        C7(#9)      
  
  

Bass G.
 
     
mf
B. D.       
          
          

       


 Crash

  
mf
                                          
S. D.

  
mf H.H.w/foot

C
     

Timp.
                                                
Aux. Perc.   
mf
10
         
227
Fl.            
           mf
            
  
      
  
Cl. 1                 
 
mf A.Sx. solo
         
 
Tpt. 1
                     f
            
Tbn. 1 
       
    
 
Euph.      
mf
   Fmi    Fmi   C7   Fmi    
   
C7(#9) C7(#9) Bb7 Fmi7 Bb7
Bass G.
 
                              
              
           
  
B. D.                
             
                                                
S. D.


Timp.
       
                                 
Aux. Perc. 

 
  
234
Fl.          
 
f

Cl. 1
         
      
f
                    
     
Tpt. 1       
  
soli f 
          
Tbn. 1 
f
 
 
        

Euph.
                                            
f

Bbmi7 Eb7 Ab% Ab% Gmi7 Cmi7 Fmi
C7(#9)
       
 

Bass G.
 
 
 
 
 
 
  
f
                                 
         
B. D. 

 
                                                   
Crash
S. D.

 C 
 
Timp.
       

                               
  
J
  
242
Fl.           
mf
                                

Cl. 1                   
 
mp mf
       
 
Tpt. 1
                   
         
        
Tbn. 1 
   
  
 
Euph.       
mf
   Fmi    Fmi   C7   Fmi  
   
Fmi C7(#9) C7(#9) Bb7
Bass G.
   
                              
           
mf
B. D.       
        

       

         

mf
                                                
S. D.

 mf H.H.w/foot

Timp.       
J
                                 
Aux. Perc. 
mf
11
              
    
249
Fl.                
f
                
Cl. 1
       
    

   
 
     
f
                    
Tpt. 1                   
mf

             
    

 

  

Tbn. 1 
    f
  
 
Euph.
       
Fmi7

Bb7
 
Bb7 Fmi7

Bb7 Dbma7

Eb7

Fmi7 Fmi6
  Fmi7
 
                    
Fmi7

        
Bass G.      
               
f
        
  
                  
B. D.
  Crash
   f
           
                                                
S. D.
 
 f H.H.w/foot
Timp.
       
                       
Aux. Perc. 
               
  
256
          
Fl.    
   
       
Cl. 1           
 
 
      

                                
Tpt. 1                       
                        
   

Tbn. 1   
 
 
Euph.       
         
  
Fmi7 Bb7 Fmi7 Bb7 Fmi7 Bb7 Fmi7 Bb7 Dbma7 Eb7 Fmi7 Fm6
                            
Bass G.   
       
B. D.       
          
        
 
          

                                                
S. D.


Timp.
       
                       
Aux. Perc. 

Cumbia h = 96 K (Colombia)
        
   
      
263
Fl.            
f
 
                 
 
              
Cl. 1
   
          mf
         
Tpt. 1       
  
f
     
        
Tbn. 1           
f
          
 
      
   
Euph.
Fmi7
   
Fm6
  F/A

f Emi7(b5)
 
A7 Dmi
 
A7 Dm
 
              
Dmi
   
A7
          
 f
Bass G.
   mf
    
B. D.                      
         
f
Cym. Timb. 
   
                                     
Side Timb.
S. D.


f mf Toms


        
E
Timp.
    
Aux. Perc.          
12
     
 
271    
Fl.               
mf
          
          
            
Cl. 1                         
                     
Tpt. 1     
mf
         
              
Tbn. 1 
mf
            
                        
 
Euph.     
Dmi mf
       
A7 Dmi A7 A7 A7 Dmi Dmi

A7
Bass G.                    

B. D.        
                   

                      
Crash
                             

Cym.
S. D.

Timb. f Side Timb.
Timp.
         
                    
Maracas or Güiro
Aux. Perc.     
mf

 
  
280  L
          
         
Fl.
soli                     
         
  
     
Cl. 1
 
      
f
Tpt. 1          
  
        
   
Tbn. 1              
mf
         
Euph.
         
 
Dmi Dmi Dmi Dmi A7 A7 A7 A7

A7
Bass G.                         
 
B. D.                           
                                                    
 
Timb. Side Timb.

S. D.

mf Toms
Timp.
         
    
Aux. Perc.         
   
289
         
           
Fl.
                   
          


Cl. 1       
  
           
Tpt. 1 
f
        
Tbn. 1
                  

 
Euph.         
Dmi6 Dmi Dmi Dmi A7 A7 A7 A7 Dmi
     
          

          

Bass G.
 
 
B. D.                           

                                                    
Crash
S. D.



Timb.
Timp.         
Aux. Perc.          
13
                      
298
Fl.             
                     
   
  
Cl. 1     
   
                
 

Tpt. 1       
 
          
             
Tbn. 1        
               
 
      
 
Euph.        
       
Dmi Dmi Dmi A7 Dmi
 
A7 A7 A7
Bass G.                
 
B. D.                        
f
                                               

Cym.
S. D.

f Side Timb.
Timp.
        
                             
Aux. Perc. 
f


             
     
  
306
Fl.             
                    
f
    
  
Cl. 1      
                      
   f
 
Tpt. 1        

                     
 
Tbn. 1
         
                  f

        
   
Euph.    
f G13
      
Dmi A7 A7 Dmi Dmi A7 A7 Dmi
 
            
Bass G.    
  f
                        
B. D. 
Crash
f
                                           
S. D.
   

Timb. Snare d.

Timp.
         
                              
Aux. Perc.    
 Allegro q. = 70
      M Coda
            
314
Fl.            
           
  
 
    
 
     

          
Cl. 1

      
   
 
    
 
     

          
      


Tpt. 1
  
 
f
                   

     
Tbn. 1
         
                       
Euph.
 
C   
              Eb                    
Ab Gm Fm Ab G
               
C C
   
Ab

    
    
Bass G.
       
B. D.                                 
               
            
Snare drum f
  
                            
  
S. D.
  C - D 

f
          
     
   
       
    
Timp.
            
f
       
Aux. Perc.              
Tambourine  f
14

    
       
323
  
        
 
Fl.  

  
         
             
    
Cl. 1

           
       
    
Tpt. 1       
    
         
     
     
Tbn. 1
         
                  
Euph.
  
                               
Ab Eb Gm Fm G7
        
C C
         
Ab
 
       
 
Bass G.
  
B. D.                                 
   
                                     
 
           
     
S. D.


    
Timp.
          

      
 
   
   
       
Aux. Perc.
   
 A tempo q. = 70
   
  
  
 
rit.
 

  
     
331

   
  
  ff   
   
 
Fl.

   
    
Cl. 1
        

 
        
ff
   
 
  
    
ff 
  
Tpt. 1
          
        
   
 
Tbn. 1    
     
ff
                   
Euph.
       
   
ff C
        
G7
             
C
     
Ab
    
ff  
      
  
Bass G.
  
     
                  
B. D.
  

              
ff
 
      
  
              
   
S. D.
         ff C
 
            

D
                
Timp.
 ff
 
        
     
rit.
 
      
Aux. Perc.                     
ff

   
 
                
      
    
336
  
          
           

Fl.
 
    
  
 
 
  
Cl. 1

                   
  

    
                
Tpt. 1
   
       
Tbn. 1
 
     
           
     
 
    
  
     
Euph.

        
   
 
    
C Fm C
          
C C
 
Ab
    
    
        
  
Bass G.
  
B. D.                        
                
   
     
          
S. D.
      
 
        
                         
 
Timp.
 
              
         
                
Aux. Perc.
         
1st Alto Saxophone
MEDLEY SUDAMERICANO
(Derechos Reservados de los autores)
Arr: Jaime FOREMAN F. & Juan NAVARRO C.
                  
Slow q = 80

                 

p sfz
6 A 
Canción con todos
             
   
mp
17
                
    
23
           
   
mf
28
                  
      
33                
 
  
     
              
Allegro q. = 70 B
        
 
38
          
f
  
                         

46
     
                           
52
      
 
 
58 Allegro q = 96 
 

2 1st Alto Saxophone
C Huaynito (Bolivia)
                           
60
   
                             
68
      
          
D       
 
76
 
mp cresc.
                 
86
   
      
      
  
f
                  
 
93
     
mp cresc. f
E Allegro q = 140  
 
Pasillo (Ecuador)
                      
103
  
f p f
     
       

  
    
108
  

        
                
115
  
        
121
           
       

                            
127 Allegro q. = 70 F Polka (Paraguay)
  
f f
       
136                  
      
1st Alto Saxophone 3
            

143
  
     
       

   
    
149
  
sfz
G Tonada (Chile)      
              
Allegro q. = 76

154
       
mf
f
      
            
  
161
    
f mf
     
168
       
        
  
f
                               
174
    
Slow q = 68

H (solo
     
 Oboe)   
       
179

 
mf
q = 112 Tango (Argentina)
186          
        
(Play)

f
              
  Allegro h =88   
        
195
   
f mf cresc.

I
   
      
208 Samba (Brasil)
      
f
           
213
    
    
4 1st Alto Saxophone
       
                   
218
  
 
  

224
    
               
mp
      
229 solo
                    
f
234
                    
       
       
  
J
240

         
               

f mp
245
     
                  

          
         
250
   
f
        
256
     
     
Cumbia h = 96
                 
262
            
f
        
K (Colombia)
            
266

mf
   
                       
271
 
1st Alto Saxophone 5
                            
275
    

L
               
279
     
                 
    
  
298
    
      
      
304
       
       
Allegro q. = 70
  
             
310
     
f
           
M Coda
        
 
315
         
   
                 

      
 
322
         
  
                
rit.
              
328
 
         
        
A tempo q. = 70
  
       
333
  
ff
  
           
   
338
  
1st Clarinet in Bb
MEDLEY SUDAMERICANO
                             
Slow q = 80
      
    
p sfz
A Canción con todos

     
      
6
           
mp
    
 

    
13
     
mf

         
21
      
     
    
29
         


  

Allegro q. = 70
35
 
      
     
   
          
f
                            
B

40
     
                 
47
           

 
  

            
53
      
 

Allegro q = 96
 
  
58
  
f

2 1st Clarinet in Bb
             
C Huaynito          
(Bolivia)
      
61
                               
68
     
76
          
D          
 
mp

cresc.
 

                          
86
 

f
                     
93
       
mp cresc. f
                    
E Allegro q = 140 Pasillo (Ecuador)
  
103
     
f p f
                           
108
     
mf
     
             
115
   

F Polka                 
(Paraguay)
           
127 Allegro q. = 70
  
      
f f
               
   
136
 
             
     

143
 
 
       
 
     
    Allegro q. = 76
  

151
     
sfz f mf
1st Clarinet in Bb 3
            
    
       
Tonada (Chile)
G
  
156
 
 
                  
     
  
162
  
f mf
                      
 
168
        
f
   
   
H Slow q = 68

175
         
mp
182
         
  
           

187
         
mp

     
    
193
      

 
199

3
               
Allegro h = 88
204
    
  
                     
 
mf cresc.
I Samba (Brasil)
    
210
          

f
  
214
     
 
 
 

 
 
4 1st Clarinet in Bb
           
218
                
           
           

223
       
mp
                         
229
            
mf
 
J
               
  
234
        
f mp
                         
245

            
mf
               
250
             
f
 
  
256
               
Cumbia h = 96
                   
261
    

K (Colombia)
                 
266
           
mf
        
271
                  


275
                                   
soli L
280
                 
    
     
f
1st Clarinet in Bb 5
                           
285   
  
                 
 
290
     
   
   
         
   
294
  
298
        
             
      
304
           
       
309
              
        
f
       
       
              
Allegro q. = 70 M Coda


314
   
               
     
321
        

       


rit.
    
         
   
       
327
 

  
     
  
       
A tempo q. = 70

333
   
     
ff


     
      
338

1st Horn in F
MEDLEY SUDAMERICANO
            
Slow q = 80
          
      
p sfz
         
       
  
6
        
  
mf
    
 
   
    
12
      
  
                          
  
17
 
                          
  
23
 
mf
    
 
   
    
29
      
  

    
    
34
            
 
38

Allegro q. = 70

 
2 1st Horn in F
B
                                
40

f

45
 
                               
  
               
51
                   
     
     
  
Allegro q = 96
       
56
    
f
         
               
61
 
  
mf
D
                           
        
76

mp cresc.
                          
85
   
f
                           
93
  
mp cresc. f
                          
E Allegro q = 140
    Pasillo (Ecuador)
102
    
   
f p f
         

108
     
       
mf
                           
113
      
      
1st Horn in F 3
                              
118
          
                          
123
         
                      
Allegro q. = 70 F Polka (Paraguay)
   
127
       
f

133
       
                      

139
 
         
  
                     
  
147
 
 
                      
G Tonada (Chile)
154
 Allegro q. = 76
     
 
f mf
             
         
161
   

f mf
          
168
               
f
                          

 
174
 
H Slow q = 68
     
179  

  
4 1st Horn in F
    
Allegro h = 88 I Samba (Brasil)
 
203
                
 
f mf

213
                                

218
                             
              
        
223
    
f mf
 

234

        
mp f
J 
   
242
                      
      
mf

253
                         

257
                         
 
 
261
                   
f
Cumbia h = 96
      
K (Colombia)
               
265

   
mf
L
                  
279
 
mf
1st Horn in F 5
     
285
            
    
291
             
 
297
                     
303
                        
309
 
                   
f
 
Allegro q. = 70

314 
 
 
 

M Coda
   
                         
       
319
 
                         
  
                     
325
     
        
329 rit.
 
                  

    
               
333 A tempo q. = 70
                

 
ff
           
   
338

        
1st Trombone
MEDLEY SUDAMERICANO
 
Slow q = 80
    
   

p sfz
6  con todos
A Canción         
  

mf
        
     
19
    

mf
  
   
 

               
29
   
  
Allegro q. = 70
 
B
               
38


f
48            
   

Allegro q = 96
    
       
   
58
     

f f
71           
    
D     
                         
79
mp cresc. f
     
92
               
 
f mp cresc.
    
Allegro q = 140
       
E
 
99
    

f
2 1st Trombone
 
  
Pasillo (Ecuador)
         
 
106
     
p f mf

    
117
            
        
F Polka (Paraguay)   
        
             
127 Allegro q. = 70     
 
f mp mf
141

        
    
     
    
       
148
  


sfz
 
Allegro q. = 76 G    (Chile)
Tonada
    
               
154
       

         
f mf
        
         
161
    
   
f mf
             

169
       
f
        
 
      
175
   
     
H Slow q = 68 q = 112 Tango (Argentina)
179              
         

mp
191
                        
       

197                     3 

        

1st Trombone 3
  Allegro h = 88
       
203
                   
   
f mf cresc.
           
I Samba (Brasil)
208
     
           
f
          
215
    
       
 
              
 
        
221 soli
  
f
                
   
226
      

231
          
    
soli
    
f
242
J      
                   
          

       
         
247
         

f
                     
254
  
  
                   
260
        
f
      K (Colombia) 
Cumbia h = 96
265

  
  
4 1st Trombone
                        
275

mf
L      
   
281
            
mf
288
      
              

              
295
       
301           
           
                  
307
       
         M Coda 
Allegro q. = 70
313          
    
f
                   
         
322


             
A tempo q. = 70
     
    
332 rit.
  
 
ff
              
  
   
    
337

1st Trumpet in Bb
MEDLEY SUDAMERICANO

Slow q = 80
 
   
    
S.mute

p sfz
6  con todos S.mute 
A Canción
 
          
mf
 
              
23 open
     
mf
 
       
 
  
32
 
     
          B    
                
38
Allegro q. = 70
   
    
f
                 
45
     
      
                         
 
51
       
 
           
Allegro q = 96 C Huaynito (Bolivia)
    
   
58
     

f f
 
 
        
71
   
D
   
      
79
      

mp
    
      
83
      

cresc. f
2 1st Trumpet in Bb
                    

92
 

f mp cresc.
          

 
E Allegro q = 140

99
    
              
f p f

108 
Pasillo (Ecuador)
         
                
mf


120              
Allegro q. = 70
    
f
F Polka (Paraguay)
      
                       
129
     
                   
134
  

    
                  
139
   
     
       
   
       
147
  
        
     

G Tonada (Chile)

  
Allegro q. = 76
   
154

             
mf
                 

161
         
f mf
                      
168
         
f
           
174
    
1st Trumpet in Bb 3

H Slow q = 68 q = 112 Tango (Argentina)
 
179

solo

                

f
  
 
191
                  
  
f
Allegro h = 88
    
204
  
                     
 
mf cresc.
                            
210 I Samba (Brasil)
        
mf
                              
215
     
                             
220
    
f
 
  
226
       
mp f
                         
J

242
        
mf
                             
255
     

                       
260
     
f
      K (Colombia)
Cumbia h = 96
  
265 
  
 
4 1st Trumpet in Bb
      
       
275
      
mf
 
L
   
   
280
      
f
              
298
       

         
       
304
      
              
309
          
       
             
  

314
     
f
                             
321
          

        
A tempo q. = 70
 
rit.
        
329
   
   
  
ff
        

                   
336
 

2nd Alto Saxophone
MEDLEY SUDAMERICANO
                      
Slow q = 80

        
p sfz
5
    
A 
Canción con todos
             
  
17
                
    
23
           
  
mf
28
                  
    
                 
   
33
   
        
 
B
  
Allegro q. = 70
          

38
    
f
     
              
45

               
   

   
   
   
52
               

     
58
 
Allegro q = 96 
 
2 2nd Alto Saxophone
                 
60
    
              
65
   
       
                       

71
  

 
     
D
     
78
    
mp cresc. f
                   

87
 
     
                   
93
   
mp cresc. f
E Allegro q = 140  
 
Pasillo (Ecuador)
                      
103
  
f p f
            
     
108
   
             

       
114
  
      
           
 
     
121
   
   
           
F Polka
Allegro q. = 70 (Paraguay)
127
 
    
        
f f
2nd Alto Saxophone 3
       
 

135
   
     
  
                   
142 
  
     
                
148
  

sfz
G Tonada (Chile)    
     
Allegro q. = 76
  
154
            
f mf
        
  
           

160
   
f mf
             
    

167
 
 
f
 
                             

174

H Slow q= 68 
179

      
f
             
Allegro h = 88
     
204
           
 
mf cresc.
       
I
    
209 Samba (Brasil)
      
f
         
214
     
4 2nd Alto Saxophone
                
   
218
     
         
223
        
      
 mp
228
                          

mf

J
 
233
                
       
f mp
245
                 
               
mf
             
250
       
 
f
             
256
     
 
261
            
           
f
  
Cumbia h = 96
 
K
    (Colombia)
 
           
265
       
mf
 
                               
269
          

274
      
2nd Alto Saxophone 5
           

278
    
L 
    
282
             
          
302
          

     
307
                
           
    
  
313
         
f
     
                
 
   

319

     
          
          

326
   
                             
 A tempo q. = 70
rit.
 
331
      
ff
       
           
         
336
    
2nd Clarinet in Bb
MEDLEY SUDAMERICANO
                          
 q = 80
Slow
            
p sfz

    
      
6
           
mp

  
   
13
        
mf
  
    
21
        
         
29
        
           
35
       
Allegro q. = 70

         
f
           
B
  
      
40
         
 
       
             
47
      
 
  
  
      
  
   
53
   
 

Allegro q = 96
 
 
58
  
f

2 2nd Clarinet in Bb
                
 
C Huaynito            
(Bolivia)

61
    
                                
69
    
77
      
D         
  
mp cresc.

             
86
           
f

 
 
                
93
      
mp cresc. f

Allegro q = 140     

Pasillo (Ecuador)
E               
 
103
     
f p f
                           
108
     
mf
   
115          
  
  
   
  
        (Paraguay)    
  
Allegro q. = 70
   
127 F Polka
       
f f
       
  
                      
136
  
            
      
143
  
 
                  
  Allegro  
q. = 76

151
 
sfz f mf
2nd Clarinet in Bb 3
 
                 
G Tonada (Chile)
           
156
  
 
 

                        
162
  
f mf
                           

168
      
 
f
    
   
175 H Slow q = 68
         
mp
182
          
 

 
                     
188
    
mp  

194
           
 Allegro h = 88
  
202

             
      

3
       
mf cresc.
I Samba (Brasil)

208
               
    f
                 
213
    
 
4 2nd Clarinet in Bb
           
218

               
 

         

223
           
      
mp

229
            
                
mf

J
 
 
234
               
        
f mp

245
                         
 
mf
         
250

           
f
         
  
255
               
Cumbia h = 96
                   
261
    

K (Colombia)
                 
266
           
mf
        
271
                  

275
                                   
L
                   
280 soli
         
f
2nd Clarinet in Bb 5
                      
285
         
                                 
290
   
             
     
 
296
       
       

    
     
302
         
         
    
308
        
f
M Coda
                        
Allegro q. = 70
  
314
       
  

                         
 
321
 
  
rit. 

          
   
327
   
          
      
A tempo q. = 70
    
 
 
 
333
   
ff
      
      
      
338

2nd Horn in F
MEDLEY SUDAMERICANO
    
Slow q = 80
   
       
   

         
  
p sfz

                
   
        
6
  
mf
          
   
           
12
                
   
        
17
  
                
   
        
23
  
mf
          
   
           
29


    
 
34
 
               
38

Allegro q. = 70 
 
2 2nd Horn in F
B

40
                                
f
     
       

45
                        
     

51
                          
   
 
                            
55
    Allegro q = 96


      f

        
               
61
    
mf
D
      
76
                            
mp cresc.
                     
85
          
f
                  
93
       
                    
mp cresc. f
E Allegro q = 140
102
   
        
           
Pasillo (Ecuador)
  
  
  
  

f p f
    
108
                              
mf
    
113
                              
 
2nd Horn in F 3
        
118
                              
 
      
123
                         
Allegro q. = 70 F Polka (Paraguay)

   
127
                                  
f


133
       
  
                           

139
                         
  
147
 

G
        
Allegro q. = 76
           
Tonada (Chile)

154
   
    
f mf
 
                         

161

f mf
   
168
                    

f
         
 
             
 
174
 
 
 
     
179

   
4 2nd Horn in F
   

               
  
 
203
 
 
f mf
                         
213
         
    
                           

218
   
 
223
              
     
  
      
f mf
  
 
234
        
mp f
J 
          
242
    

        
mf
     
252
                             
         
257
                       
 
    
261
                   

f
265 Cumbia h = 96
   

K (Colombia)
                       
    mf
279 L
                    
mf
2nd Horn in F 5
285
                     
292
                  
298
                        
304
                    
 
  
309
                 
f
       
314 Allegro q. = 70M Coda
                         
     
              

319
                  
     

325
                         
   
          
329 rit.
  
   
  
           
A tempo q. = 70
                          
 
333
ff
  
  
 
     

338
        

      
2nd Trombone
MEDLEY SUDAMERICANO
   
Slow q = 80
 
   
 
p sfz
 
      
6
  

mf
      
          
16
    
23               
   

mf
31   

      
 

   
 

   
Allegro q. = 70
 
B
         
38

f
   
                
47
  


C Huaynito   
Allegro q = 96
(Bolivia)
 
58
            
     
f f
      D
   
71         
  
mp
                

        
81
cresc. f
2 2nd Trombone
                            
92

mp
              E
f cresc.
 
Allegro q = 140
     
 
99
        

f p f
108 
Pasillo (Ecuador)
                 
   
mf
 
              
118
  
  
        
             

F Polka    
(Paraguay)
Allegro q. = 70
127
   
  
f mp mf
  
                
141

                 

Allegro q. = 76
    
150
      

sfz f
G Tonada 
 (Chile)
    
 
     
         
156
     
mf f
   
            
 
    
163
      
  
mf
    
170
                 
 
f
                  
176
 H Slow
 

q = 68

      

                          
187 q = 112 Tango (Argentina)  
  
    
mp
2nd Trombone 3
        
193
               
       
198
                 3   
      

f
                         
Allegro h = 88
   
204
       
mf cresc.
                        
     
 
f
                 
217
       
  
          
223 soli      
 
   
f
228
                      
            

234   
  
soli
 
f
242
J      
                   
          

     
            
247
    

f
              
253
      
    
4 2nd Trombone
               
258
         
  
Cumbia h = 96

K (Colombia)
                 
263
 
    
f
                        
275

mf
281 L
                     

mf
288
                     

 
          
295
           
 
             
302
    
                     
308
           
f
      M Coda    
Allegro q. = 70
       
314


 
                 
322
        

  
A tempo q. = 70
       

              

332 rit.
  
ff
        
  
     
   
    
337

2nd Trumpet in Bb
MEDLEY SUDAMERICANO

Slow q = 80
    
 
 
S.mute
    
p
  sfz
 
        
     
6

open
  
S.mute
  
mf mp

   
23
         

mf
       
32
  
           
                 
Allegro q. = 70 B

    
38
             
f
   
       
 
45
 
           
 
                          
  
 
51

Allegro q = 96
 
C Huaynito

(Bolivia)
 
    
58

          
  
f f
 

      
     
71
  
D

79
                 
mp
83
 
                 
cresc. f
2 2nd Trumpet in Bb
 
92
                        


f mp cresc.

E Allegro q = 140
        
99

                        
f p f

108     
Pasillo (Ecuador)
     
 
 
    
          
mf


  
        
Allegro q. = 70

120
     
f
F Polka (Paraguay)
 
                          
129
    


134
                            


139 
                             
               
          
147
  

               
G Tonada (Chile)
154
 Allegro q. = 76
     
   
f mf
     

             
       
160

    
f mf
                        

167
     
f
2nd Trumpet in Bb 3
           
174
   
  
 
 
 
179

         
f
Allegro h = 88

204
      
  
    
  
     
  
mf
 cresc.
 
                            
          
mf
                

215
          
                               
220
        
f

 

226

       
mp f
                          

242J 
 
mf

255
                               
 
260  
                       
f

Cumbia h = 96
       K
265 (Colombia)
    
4 2nd Trumpet in Bb

275
                    
mf
 
L
 
280
            

f
             
298
      

           
304
            
     
309
                    
M Coda
               
Allegro q. = 70
  
314
           
f
               
    
321
                 
              
rit.
   A tempo q. = 70
329
     
      
ff
  
336
                        

      
3rd Clarinet in Bb
MEDLEY SUDAMERICANO
    

Slow q = 80
   
           
          
     
          
 
p sfz
 
6
              
 
mp
 
    
 
   
13

   
  mf
21

        
    
     
29
  
       

   
     
   
Allegro q. = 70
   
35
          
    
f
B
  
               
40
    
      
    
  
     
47
    
          
    
   

 
53
             
 

Allegro q = 96
58
   
   
f
2 3rd Clarinet in Bb
      
                      
61
       
       
69
                              
  
D 
   
76
        
mp cresc.
  
86
  
                  
  
f
   
                     
93
     
mp cresc. f

E Allegro q = 140 
 
Pasillo (Ecuador)
           
103
                

f p f
                           
108
  
   
mf
      
           
115
    
 
 (Paraguay)   
          
F Polka
 
Allegro q. = 70
            

127
f
  f
  
                              
136
 
    
            
  
143
 
3rd Clarinet in Bb 3
Allegro q. = 76
          
151
                  
 
sfz f

G Tonada (Chile)
        
156

                   
mf f
   
        
163

                 
mf f
           
171
  
 
              
179H Slow q = 68

               
mp
      
186

 
      
  
 mp
  
 
192
     
       
  

 
198
    
3
       
     
Allegro h = 88

204
      
  

 
   


 
 

  
mf  cresc. 
I Samba (Brasil)
    
209
           
  f
   
214
     
 
 
  
 
4 3rd Clarinet in Bb
           
218

               
         
    
223
               
  
mp
                     
229

         
  
mf

 J
  
234
                
  
f mp
                     
245

         
  
mf
         
250
           
f
         
  
255
               
Cumbia h = 96
                   
261
    

K (Colombia)
               
266
           
mf
          
271
                

275
                            
3rd Clarinet in Bb 5

L

279
                    
              
298
             
      
304
              
Allegro q. = 70
          
    
310
     
  
   
f
M Coda
  
                     
315
  
 
    
  

  
321
     
          
   
  

rit.
        
        
327
        
  
             
A tempo q. = 70
 
   
333
   
ff
         
          
     
338

3rd Trombone
MEDLEY SUDAMERICANO
   
Slow q = 80
  
 
   
p sfz
     
6 
 
      

mf
     
    
19
       
mf
              
 

  
29
     
 

Allegro q. = 70 B  
   
38
  
f
       
       
    
47
    

       
58 Allegro q = 96
   (Bolivia)  
C Huaynito 
          
   
f f
   
     
70       
   

79D
                      
mp cresc.
84 
            
f
2 3rd Trombone

     
92
                     

f mp cresc.

E Allegro q = 140
                     
99
  
  
f p f


Pasillo (Ecuador)
108
       
           
  
mf
          
118        

    
Allegro q. = 70
         F          
Polka (Paraguay)
    
127
     

f mp
  
mf
 
   
  
     
141
   
  
         
Allegro q. = 76
                
150
 
sfz f
       
G Tonada (Chile)

                 
156
  
mf f
              
 
            
163
 
mf
                     
170
 
f
                  
176 H Slow q = 68
   

 
  
 
                          

187
  
     
    
mp
3rd Trombone 3
   
        
193
            
     
 
              
         
198 3
 
     
 
f
                            
204 Allegro h = 88

mf    cresc.      
                         
   
 
f
217
         
            
 
          
223 soli      
 
   
f
228
                      
            

234    J      

   
soli
      
f
245
  
               
       

                        
250
     
 
f
                
257
      
  

K (Colombia)
Cumbia h = 96
                
262
  
      
    
f
4 3rd Trombone
275
                        
mf
L
       
281
             

mf
         
288
            
          
      
295
     
         
   
301
          
               
       
307
    
             

313 Allegro q. = 70 M Coda

        
     
f

       
         
322
       
      
         
A tempo q. = 70
    
 
rit.
      
332
    
ff
     
              
     
337
3rd Trumpet in Bb
MEDLEY SUDAMERICANO

Slow q = 80

    
S.mute
 
p
    
sfz
 
    

   
6 open
S.mute
 
   
 

mf mp

      
 
22


       
mf
32
    
          
     
         
Allegro q. = 70 B
 
 
38
            
         
f
  
  
      
45
      
        
  
        
 
    
51
      
         

C Huaynito 
Allegro q = 96 (Bolivia)
 
   
58
       

f f 
  D
              
70
     
       mp
80
 
  
                
cresc. f
2 3rd Trumpet in Bb

92

                          
f mp cresc.

E Allegro q = 140
            
99
            
 
f
  
p f

108 
Pasillo (Ecuador)
     
            
         
     
mf

120   
       
  

F Polka (Paraguay)
 
Allegro q. = 70
        

127
     
f
          
148
    
   

               
G Tonada (Chile)
  Allegro q. = 76
154
     
f mf
                         
  
160
     
f mf
 
166
                    
f
                 
      
172
 
 
 
H Slow q = 68

 
179
 
        

f
3rd Trumpet in Bb 3
Allegro h = 88

204
              
       
mf cresc.
                          
I Samba (Brasil)

209
          
 mf
  
215
                               
                                
  
220

f


  
226
      
mp
 
f

    
J
          
242
   
mf

253
                               
            
258
    
        
 
Cumbia h = 96
         
262
                 
f
266
 
K (Colombia)
            
mf

278
               
V.S.
4 3rd Trumpet in Bb
L
   
    
282
   
f
 
 
300

             
 

 

 

 
305
            
         
   
310
       
          

314 Allegro q. = 70 M Coda

  
        

  
   
       
f
    
  

  
321
     
          

   
rit.
   
       
327
 
        
   
A tempo q. = 70
    

333
          
ff
  
                  
338


   
Aux. Percussion
MEDLEY SUDAMERICANO

Slow q = 80 Canción con todos
 
A
                      
Maracas
 
mf
    

26
31
    

Allegro q. = 70
36
              B   
Tambourine
  
    
   
f
47
                        
           
               
Allegro q = 96


58
 
Tambourine
                     
        
f
68
    D
                 
     
 
   
mp cresc.
    
84
                   
                              
f

93

                           
             
mp cresc. f
               
E Allegro q = 140
    
  
101
    
  
p f
108 Pasillo (Ecuador) 
         
  
mf

2 Aux. Percussion
 
Allegro q. = 70
     
116
             
           
mf
F Polka (Paraguay)

  High
 Wood
  Blocks
  orHigh
 Bongo
                 
129

f
                        

134
                                       
139
                        

144
                                   
149
 
 
Allegro q. = 76 Tonada (Chile)

     
154 GTambourine
        

                      
mf
                                         

           
161
                     
         
                 
168
   
     
174

                   
f
H Slow q = 68
Triangle
   
  
       
179

       
mp
q = 112 Tango (Argentina) Allegro h = 88
188                                
Maracas
 
mf
Aux. Percussion 3
I Samba (Brasil)
208
    

f
213
    

218
                               

                        
222
  
226
                               

mf
230
                               

234
                               

                        
238
  
J
242
                               

mf
                               
246
250
    

f
255
    

V.S.
4 Aux. Percussion
260
    
   
Cumbia h = 96 (Colombia)


K
                 
265 Maracas or Güiro
 
mf
                     
278
 

L
282
              

f
303
                             

               

308
  
 
Allegro q. = 70
314 
M Coda
     
Tambourine
             

 
                 
f
 A tempo q. = 70
 
         
rit.
       
327
       
        
ff
          
 
336
 
            
          
Baritone Saxophone
MEDLEY SUDAMERICANO

Slow q = 80

           
p
           
6
         
mf
  
 
   
14
 
    
        
   

20
               
mf
  
27
         
     
   
  
 
   
33
 
          
B
       
Allegro q. = 70
 
           
    
38
 
                  
  
f
                         
44
   
              
49
               
    
                

                         
53
   
           
V.S.

2 Baritone Saxophone

    
58
               

 
f
  
65
 
          
  
71
  D              
  
    
mp cresc. f
93
            
          
mp cresc. f   
                    
E Allegro q = 140 

103
       
f p
      
108 Pasillo (Ecuador)
       
 

       
mf
                  
116
     
        
     
Allegro q. = 70
 


122
               
f
         
F Polka (Paraguay)
         
129
            

         
  
143
       
     
               

149

               

sfz
Baritone Saxophone 3
  
154 Allegro q. = 76 G Tonada (Chile) 
  
  
           
mf f
 
163
 
    
  
         

mf f
                    

           
172
   

H Slow q = 68
 

179

            
  
mp

187  
          
mp

Allegro h = 88
202

                   
3
 
f mf cresc.
    

I Samba (Brasil)

207
   
 


f
 

226
          
   
mf f
J  
 
242
         
  

mf f

265 Cumbia h = 96 K (Colombia) 
     
   

  
4 Baritone Saxophone
       
              
274
   
                 
278
          
L

282     
             
             
302
            
       
308
              
f
                        
 
     
314
            
   
                                
319
               
  
324
            
    
                

             
rit.

    
328
        
        
A tempo q. = 70
 
        
333
          
ff
             
  
338
     
   
Bass Clarinet in Bb
MEDLEY SUDAMERICANO

Slow q = 80  
  
                               
p sfz
5  con todos
A Canción
            
mf
29
    
 
 
   
35
    
Allegro q. = 70
             
    
f   
40 B

                     
            
      
      
              
45
                       
         
50
     
                           
    
          
54
                
        
58
  Allegro q = 96

          
f
     

64
      
   
      
   V.S.

2 Bass Clarinet in Bb

71
       
            
mf
D

79
           
        
    
mp cresc.

86
       
          
      
f

93
  
 
            
            
mp cresc. f
Allegro q = 140
     
E
    
102
           
   f p

                           
  
f mf
        
      
113
     
      
122        
Allegro q. = 70
           
f  
          
F Polka

(Paraguay)
    
     
129
     
  
  mp
f
               
139
 
      
           
148
    
    
sfz
Bass Clarinet in Bb 3
    
   GTonada 
    
Allegro q. = 76

(Chile)
      
154
           

f mf
    
       
162
             
f mf f
   
                
171
   

179 H Slow q = 68
              
 
 
mp
186 q = 112 Tango (Argentina)


                  
 
mp
192
    
              

 
198
             
   

Allegro h = 88

204
                    

   

mf
 cresc.

I
    
209 Samba (Brasil)
             
 f
  
214
     
 
 
 

 
 
4 Bass Clarinet in Bb
           
218
                
         
 
223
 
            
mp
   
228
                            
mf
 
233  J

 
               
 
f mp
   
244
                            
mf
          
249

                
f
          
255

                  
                   
261
    
Cumbia K (Colombia)
 h = 96                
265
  
 
     
mf
              
270
        

274
                            
Bass Clarinet in Bb 5

278
                        
         
L
    
282
       
        
     
302
        
         
   
307
        
  Allegro q. = 70 M Coda
                   
313
   
      
f  
                           
318
            
              
   
323
                        
           
           
              
 
rit.
   
328
 
             
 
A tempo q. = 70
 
333
        
     
 
ff
   

     
  
338
      
      

Bass Guitar
MEDLEY SUDAMERICANO


 
Slow q = 80
                      
Ab Eb G7 Cm
gli
ss.
  
p
Cm     G7/B
  
6
                 
Gm7(b5)/Bb
     
C7/Bb
      
mp
Cm
                         
12 F/A Fm Eb/Bb
  
   
      
18 Ab G7
           
Cm
   
   

  
Cm
     G7/B
            
Gm7(b5)/Bb
    
C7/Bb
  
23
       

mf
     
29 F/A
        
Fm
      
Cm
    
           
Eb/Bb Ab G7
   
34
 
       
 
Allegro q. = 70 B
   
38 C

C
 
Ab
        
Ab
C
   
     
        
f
Eb
    Gm
       Fm
         G    C 
Ab
 
44
    
          
49 Ab

Ab

 

C 
 
 
   Eb
    
     
V.S.
2 Bass Guitar
  
     G        
   
Gm Ab Bb

53 Ab
      
      
      
 
58 C
               
Em D
 G
   

f
   G      G B

Em
 
B Em
   
B Em
   
64
     

G     C 
G    
71
 

      
 
  
   
  
 
  
 
   
C
 
mf
D G     G B  G      G B

   
  
Em
 
    
79
mp cresc.
  C
86
 
   
Em
    
 A D7

C
 A D7
 G  
  
G
         
f
      G B Em   G      G B Em B Em B
 G
        
93
   
mp cresc. f
Allegro q = 140
 Pasillo (Ecuador)
         
E
        
Em Am E Am
 
102
  
E
      
f p f
       C
          
E G
       
108
   
Am
     
         
         

         
E
116 Am Dm
 
      
      
G C E
      
121

Am
       
Bass Guitar 3
Allegro q. = 70 Polka (Paraguay)

F
   
G D
  G      Em     G      D7    
   
127 D
    
f
133 Am
            D7
 
F
 
G
  
   

Em

G7
   C G
  Em 
         
138
      
Am
        
D7 G7 Cm G G Em Am D7
     
143
              
 
  G7   Cmi
G Cmi G
    
       
148
         
         
Allegro q. = 76
 
       E     
152 G A
   
sfz f
GA Tonada (Chile)
    A
  
E
     Bmi
 Gma7 E

   
156
        
mf
     
162
  
A
 AA
       
E
    
f mf
                    
   
168 Bmi Gma7 E A Bmi G

f
   
   
 
Bb7
    
E F Dmi A
   
173
 
        

Slow q = 68
       
H
179

Eb
      
Ab G7sus4 G7
  
C7(b9) Fsus4 Fmi Abmi
  

Eb/Bb Adim
  
mp V.S.
4 Bass Guitar

        
185 Eb/Bb Bb7sus4 Eb Eb G7 Cmi
         
  
mp
       
Ab C7/G Fmi Fmi Ab Bb7
 
191
       
Eb7
 
 
197

Bdim
 Cmi  Cmi6   Eb
 Csus4  
F7 Bb7

  
Bb7(b9)
      
Allegro h = 88
        
203 Bb7 Fmi Bb7 Fmi6
       
C7
     

f mf
206 Fmi
        Fmi6
   
Bb7
 Fmi
   
Bb7
    
Fmi6 Bb7
          
cresc. 
I Samba (Brasil)
                            
    
210 Fmi7 Bb7 Fmi7 Bb7 Dbma7 Eb7 Fmi7 Fmi6
        
f
215 Fmi7
  Fmi7 Bb7
  Fmi7

Bb7
 Fmi7

Bb7
 Fmi7

Bb7
                           
 
220 Eb7 Fmi7


Fmi6
 Fmi7

Fmi6

                            
Dbma7
  Fmi7 Bb7
       
     
225 C7(#9) Fmi
      
C7(#9)
  Fmi
      
C7(#9)
         
 mf
230 Fmi
  C7
 
                       
Fmi

Bb7
 Fmi7 Bb7
    
    Eb7              

234 Bbmi7 Ab% Ab%
           
   
Bass Guitar 5
 
    
Gmi7 Fmi Cmi7
                 
238 C7(#9)
     
f
242 J Fmi
         
C7(#9)
   Fmi
    
C7(#9)
 
              
mf
246
      
Fmi
 C7
    Fmi
   
Bb7
   
Fmi7 Bb7
            

                            
    
250 Fmi7 Bb7
Fmi7 Bb7 Dbma7 Eb7 Fmi7 Fmi6
        
f
255

Fmi7

                            
Fmi7

Bb7

Fmi7

Bb7

Fmi7

Bb7

Fmi7 Bb7
      
  Fmi7 Fm6
  F/A Emi7(b5)
                           
 
260 Dbma7 Eb7 Fmi7 Fm6
      
f
Cumbia h = 96 (Colombia)
K
  
265 A7 Dmi A7
      
Dmi
   
A7
         
 mf
     
270 Dm A7 Dmi A7 Dmi
       
 
    
275 A7 A7 Dmi Dmi

A7 A7
    
       
L
 
281 Dmi Dmi Dmi Dmi A7 A7
 
               
287 A7 A7 Dmi6 Dmi Dmi Dmi

 
                
V.S.
6 Bass Guitar
293 A7 A7 A7 A7 Dmi
 
             
      
298 Dmi Dmi Dmi A7
 
A7 A7
         
   
304 Dmi Dmi A7 A7

A7
          
309
 
Dmi
 
Dmi
 
A7 A7 Dmi

G13

        
f
Allegro q. = 70
M Coda
  
                              
314 C Ab
C Ab C
  
  
319 Eb
   
Gm
       Fm
     
Ab

 
 
 
G
 
 
 
  
   
C
  
324 Ab
  
Ab

 
 
 
 
   Eb
     Gm
   
        
C
     
      G7
        
                
329 Fm G7 rit.
       

A tempo q. = 70
        
333 C Ab C Ab
                  
ff
          
     
C
     
C Fm
    
337 C C
  
   
Bassoon
MEDLEY SUDAMERICANO
                       
Slow q = 80
   
p
A Canción   

con todos
          
6
 
Soli

mp
         
       
11
   

16         

    

22
       
    
mf
                    

27
  
32
              
     

B 

   
Allegro q. = 70
      
      
37
 


 
               
f
 
      
     
   
44
   
  
      
52

2 Bassoon
  


Allegro q = 96

                   
56
 

f


           
61
 
            
mf
D   
   
       
   
77
 

    
mp cresc.
 
f
      
  
89
    
        
mp cresc. f

E Allegro q = 140 
   

Pasillo (Ecuador)
       
101
            

     

f p f
108
    
    
             
mf
     
 
114
       
        
120       
Allegro q. = 70   
   

f
                                
F Polka (Paraguay)
129
        
                                   
135
      
  
                            
141
  
Bassoon 3
         
147
         

       
  
     
Allegro q. = 76
   
152
 
sfz
          
G Tonada (Chile)
     
156
  
mf f
       
  
164
   
mf f
           
 

  
171
 
   
H Slow q = 68
           
 
179
        
mp
 
      
     
185
      
mp
199
     
          
3
 
 

Allegro h = 88 I Samba (Brasil) 
           
204
        

f
          
215
    
             
 
                  
221
   
  
4 Bassoon
226   
           
  
mf
J 
   
242
         
 
mf f
          

                
252
  
257
      
               
  
        
261
                 
 
265 Cumbia h = 96 K (Colombia)
  

     
Allegro q. = 70
L
282   

  

f
315                  
          
     
M Coda

            
          
323
        
 
          
rit. A tempo q. = 70
  
330
                  

ff
          
                   
 
336

   
Cymbals
MEDLEY SUDAMERICANO
Slow q = 80
    
   

    

mf
                
Allegro q. = 70 B   
    
38 

f
   
     

 
    
49
  
Allegro q = 96  C Huaynito      
          

(Bolivia)
   
58

f
     
   
   
D
     
71

mf f
E Allegro q = 140
     
Pasillo (Ecuador)    
               
103
f mf
      
            
118
  
                 

Allegro q. = 70

   
 
127
F Polka (Paraguay)
f f
  

        
Allegro q. = 76 G Tonada (Chile)
153
      
sfz f f f
171 


2 Cymbals
             
174   
    



Slow q = 68
 
H

179
   
f
 

Allegro h = 88
 
I Samba (Brasil)
 
204
  

 
  
J

226


 
   
 

  
L
 
275
    
f
Allegro q. = 70
               
M Coda   

 
314
  
f
A tempo q. = 70
         
  rit.   
 
 
 
326
  
ff
        
    
       
335 

Euphonium
MEDLEY SUDAMERICANO
  q = 80     
                           
Slow
       
 
p sfz
A Canción   

con todos
       
6
      
Soli
 
mf

            
11
        
    
16
 
                 
   

       
23
        
   
mf

            
28
        
    
33                
 

 
      
B 
                    
     
Allegro q. = 70

     
38

f
                    
 
47
  
 
 
 
 
 
 
    

    

                   
53
 

V.S.

2 Euphonium
 
C Huaynito        
Allegro q = 96 (Bolivia)
                       
58
 
f
    
                      
      
65
  
           
D
79
   
    
mp cresc. f f
    
         
93
    
 
mp cresc. f
        
        
Pasillo (Ecuador)
      
103
    

f p f
    
        
108
        

           
       
115
    
       
          
121
       

                
Allegro q. = 70
         F
Polka (Paraguay)
127
      

 
f mp mf
                 

141

            
   
    
Allegro q. = 76
       
151
 
sfz f
G Tonada (Chile)        
              
156
 
mf f
Euphonium 3
  
     
           
164
  
mf f
                        
    
172
   

H Slow q = 68  q = 112 Tango (Argentina)
        
               
179
       
  
mp
                                
191
           
   
      3 
                      
197
 
             
 
Allegro h = 88
 
              
203
 
    
f
 mf cresc.
                 
I Samba (Brasil)
        
208
  

f
                       
215
  
  
               
   
 
221
   

          

226
      
 
mf f
J           

242
    
   
mf f
265 Cumbia h = 96 K (Colombia) 
     
     
4 Euphonium
                            
274

mf
                         
278
 
        
L 
282
  
        
304              
        

           
Allegro q. = 70
      
310
    
f
  
315            
M Coda
         
             
                    
            
323

                 
A tempo q. = 70
            
331 rit.
     
ff
                    
     
337
     
Flute
MEDLEY SUDAMERICANO
                           
Slow q = 80
           
 
p sfz
   
          
  
6
      




mp
   
            
12
       
mf

            
20

       

           
29
             
   
  B
Allegro q. = 70
 
   
                
      
37
      
f
 
           
44
      
Allegro q = 96
   
  
 


    
56
    
 
f

2 Flute
             
C Huaynito          
(Bolivia)
  
61
    
 
                     
      
69
     
       
 
D
76
        
 
mp cresc.
                        
86 
      
 

          
f
        
   
93
  

mp cresc. f
     

   
Pasillo (Ecuador)
103          

     
f p f
 
108        
        
mf
115           
                  
             
 
120
   
         F
Allegro q. = 70        
Polka (Paraguay)

127   
   
f
     
135                  
   
       
    
           
147
    
Flute 3
G Tonada (Chile)        
 
Allegro q. = 76
       
154
      
 
f mf
               
    

162
   

     
f mf f
      
        
171
    

      
Slow q = 68
179

H  solo 


      
mf

187 
  
 
     
    
    
f

  
           
198
    
Allegro h = 88
 
I
                      
Samba (Brasil)
  
204
      
f
  
      
             
216

    
  
    
222
            
    
         
226
     
mf f

J       
        
242
          
mf f

       
253
             
4 Flute
               
258
             
Cumbia h = 96
      K 
(Colombia)
263
         
         
f
275             
              
mf

L
     
         
282
      
     
  
303
      
     

309
         
           
f
      M Coda
Allegro q. = 70

                 
314

   
  
 rit. 
 
                 
     
325
 
 
   
      
  
       
A tempo q. = 70
333  

  
ff
       
    



338
  

Marching Bass Drum & Cymbals
MEDLEY SUDAMERICANO

Slow q = 80


                      
mp
 
12
                    
17
                      
  
Cymbals
    
23
                         
mf
    
29
                         
34
      
                    

       
Allegro q. =70 B 
38
     

                        
f
      
 
46    
                            

 
 


   
53
                
    
 
 C Huaynito (Bolivia)
      
Allegro q = 96
58
          
                      
f  
    
68
                  
                                   
     mf
  
D
        
78

                            
mp cresc. V.S.

2 Marching Bass Drum & Cymbals
                        
85
                 
f
    
93
                 
                            
          
mp cresc.   
103 E Allegro q = 140


                 

f p f 
Pasillo (Ecuador)
           
108
            
mf
        
114
                    
                        
   
     
             
121
    
                           
  
 q. = 70
Allegro
F Polka (Paraguay)
                                
127

   
f
135
                          
     
f
143
                            
      
 Allegro q. = 76

                           
150

sfz f
G
  
156 Tonada (Chile)
                    
       
mf f
164
  
                                    
mf f
               
     
172
   
                 

Marching Bass Drum & Cymbals 3
 q = 112 Tango (Argentina)

               
H Slow q = 68
179 

                  
p
192                        
                        

198                     
                        


f

          
Allegro h = 88
   
                           
 
204


mf cresc.

              
I Samba (Brasil)
                           
210
    
            
       
216
          
 

    
          
     
221
         
 
        
                           
     
226
mf
         
            
  
232
          
   

       
          

237
         
 
              
J
                           
242
mf


         
                           
     
248

 f
    
                     
       
254
 
V.S.
4 Marching Bass Drum & Cymbals

        
                 
    
259
       
f
Cumbia h = 96
265  K (Colombia)

                         
273
                        
281
L
                        
289
                        

297
  
                        
f
305
                        
Allegro q. = 70
 
M Coda
 

      
    
313
                     
f f
       
 
321    

    
   
                 
 
     
  rit. A tempo q. = 70

329
        
 
                          
 ff
           

    
                           
335
Oboe
MEDLEY SUDAMERICANO
  
Slow q = 80
    
       
p sfz
   
 
  
 
6
       
mp mf
        
20
      
    
mp mf
 
    
28
         
  
Allegro q. = 70
    
  
35
       
f
                         
B
40
       
                      
48
   

 
   

  

54
         

 
58
   
   
f

2 Oboe
D

79
                            
mp cresc. f
87
 
                 
mp cresc.
 
E Allegro q = 140
99
               
            
f p f

Pasillo (Ecuador)
    
     
108
       
 
mf
   
                    
118
    
  


Allegro q. = 70
   (Paraguay)
F Polka 
     
127
        
f
     
142
      
 
  
 


G Tonada (Chile)
     
Allegro q. = 76
   
      
153
    
  
mf
                 
   
161
   
   
f mf
              
169
       
   
f
H Slow q = 68
       
177

                
solo
  

mf
Oboe 3

182 
         
 
 
187
       

     
204
                
  
f
    
215
            
    
       

221
                     
  


           
226 (Solo Alto Sax.)
     

f

237
                      
242

J      
                  
f

    
255
    
                    
261
 
    
               
  

f
      K (Colombia) 
Cumbia h = 96
265
     
4 Oboe
      
274
                 

   
mf
                 
278
    
 

L
 
           
282
   
  
                   
303
   
  
       
309

          
Allegro q. = 70
                      
314 M Coda
        
f
                            

322
      
                
330
 
 
rit.
 
A tempo q. = 70
  
        
ff
                        
     
336

Piccolo in C
MEDLEY SUDAMERICANO
                       
Slow q = 80
       
    
p sfz
 

            
      
5
   
 B
       

Allegro q. = 70
    
           
38

     
 
 
f
    
           
48
  
    
     
Allegro q = 96
 
 
        
57
 
f
                          
70
 
  
 

D

    
                
77

f
90
                      
      

f
E Allegro q = 140
103     (Ecuador)
Pasillo
   

             
p f mf
       
         
117
     

2 Piccolo in C
      
Polka (Paraguay)
           
F
127 Allegro q. = 70  
     
f
     
135           
    
                         

146
 
     
  
Allegro q. = 76 G

   
Tonada (Chile)
152
        
 
mf
           
  
    
161
  

f mf
            
    
169
    

f
    H Slow q = 68

      
175


 
 
187
    
    

204
   
f
  
  
J

234
 
   
f f
Piccolo in C 3
Cumbia h = 96
265 
      K (Colombia)    
         
mf
      
      
277
      

L
282
         
        
             
 
302
       
307
              
      
       M Coda
Allegro q. = 70
             
 
313
   
f
     

319
             
       
 rit.    


A tempo q. = 70
 

    
332
     
      
ff
       
 
           
   
337

Piccolo in Db
MEDLEY SUDAMERICANO

 q = 80

Slow
        
      
    
 
              
  
p sfz
 
 

 
     
      
5
        
         
Allegro q. = 70
  B 
               
38
 
   
f

      
   
48
        
   Allegro q = 96
 
  
     
56
       
    
f
 
61

  
   
      


   
                        
71
     
  
77
       
D 
              
 
f
                     
90
      
     
 f
 
q = 140
E Allegro 
Pasillo (Ecuador)
  
103

          
p f
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2 Piccolo in Db
     
116
        
              
mf
Allegro q. = 70
  
F Polka (Paraguay)
        
        
127
   
   
f
          
         
135
     
                       
     
146
   
          
Allegro q. = 76 G Tonada (Chile)   
         

152
 
  
mf
           
        
161
 
 
f mf
             
    
169
    
 
f
    H Slow q = 68

      
175
  
Allegro h = 88

187 
  
   
     
  
I Samba (Brasil)
210
  

f f
Piccolo in Db 3
Cumbia h = 96
 
J
        
242
     
f

K (Colombia)
    
       
266
    
mf
      
279
     
 
L
     
    
282
      
                 
302
       
          
   
307
       
 
 Allegro q. = 70
    M Coda
   
               
   
313
  

f

                
  

319
   
      
     

A tempo q. = 70
 rit.     
332
         
      
ff
             


     
    
337
 
MEDLEY SUDAMERICANO
  q = 80
                                
Slow A Canción con todos
           
Piccolo in C  
   
p sfz
                               
Piccolo in Db 
       
     
p sfz
                       
                    
Flute   
p sfz mp
      
    
Oboe      
   
p sfz
                       
                  
1st Clarinet in Bb    

p sfz mp
        
                                      

  
2nd Clarinet in Bb        
p sfz mp
             
                 
3rd Clarinet in Bb                        
  
p sfz mp
  
Bass Clarinet
                                        
in Bb
  
   
sfz
   
p
                
Soli
Bassoon              
p mp
 
                                        
  
1st Alto Saxophone
p sfz
    
                                      
      
2nd Alto Saxophone
p sfz 
   Soli
          
   
p                              
Tenor Saxophone
     
  sfz
 mp
 
     
 
         
Baritone Saxophone
    
    
p mp
 

  
  
S.mute
1st Trumpet in Bb       
p sfz

       
 S.mute
    
  
  
2nd Trumpet in Bb
p sfz
 
    
S.mute
    
   
3rd Trumpet in Bb
p sfz


  
          
           
1st Horn in F
               
p sfz mp
 
      


     
    
 
          
        
2nd Horn in F
    mp

p sfz

 
1st Trombone      
  
p sfz
   
       
2nd Trombone 
   
p sfz
  
3rd Trombone  
      
p sfz
                   
                
     
Soli
      
Euphonium 
p sfz mp
 
    

 
    


                       
  
Tuba
 glis mp
    s. Cm

      
p
Ab
  
Eb G7
   
Cm
         G7/B
 
          
Bass Guitar  

p mp
 
Marching
Bass Drum                  
mp

Cymbals          
    


Hi Hat Closed
         

Cym. Snare Drum
   

Snare Drum

p mp

Timpani          
Slow q = 80 A Canción con todos
Aux. Percussion          

2
 
9
Picc.          

Db Picc.          
         
                      
Fl.

mf
    
Ob.          
mp
 
             

         
Cl. 1

mf
    
  
                  
Cl. 2

mf
     
       
      
 
Cl. 3
mf

B. Cl.          
                        

Bsn.      

                 
A. Sax. 1
 
mp
A. Sax. 2

                  

mp

       
   

 
          
T. Sax.
       

       
 


          
B. Sax.
  
            
S.mute

Tpt. 1      
mf
       
       
S.mute
Tpt. 2   
mf
    
S.mute
Tpt. 3        
   
 
mf

  
   
       
   
                  
Hn. 1

   
     
          
   
              
Hn. 2
          
Tbn. 1   

mf
           
Tbn. 2 
mf
            
Tbn. 3 
mf
                     

        
Euph. 
       
   
   
               
Tba.          

           
 
Gm7(b5)/Bb
   
C7/Bb
  
F/A
  
Fm Cm

          
Bass G.   
  
B. D.                             
Cym.         
              
S. D.


Timp.         
Aux. Perc.         
3
 
17
Picc.          

Db Picc.          

             
Fl.         
      
       
Ob.          
mf mp mf
 
               
Cl. 1     
     
             
Cl. 2

     
          
    
Cl. 3

       
 
B. Cl.
      

mf
      
  
      
Bsn. 
mf
        
A. Sax. 1                     
mf
                    
A. Sax. 2                
mf
 
T. Sax.                   
  
  
 
    
mf

B. Sax.
   
 





      
      mf 
       
open
Tpt. 1          
mf
   
   

open
Tpt. 2             
mp mf
   

open
  
  
Tpt. 3           
mp mf

Hn. 1    
  

  

   

 

 

   

  

 
mf

    
      
   
  
              
Hn. 2
mf
    
  
     
Tbn. 1 
  
  
 

      

 
   
Tbn. 2  
         
Tbn. 3     
              

        
Euph. 
mf
   
    
 
                   
      

Tba.
    
mf
        
      
Eb/Bb Ab G7 Cm Cm
            
Bass G.   
 
mf
 Cymbals 
                             
B. D.

mf
Cym.           
mf
Snare drum
                                                               

Toms Rim.
S. D.

mf
Timp.         
               
Maracas
Aux. Perc.       
mf
4
 
25
Picc.          

Db Picc.          
         
Fl.         
    
Ob.              
         
Cl. 1         
  
Cl. 2             
 
Cl. 3        
      

     
       
B. Cl.
 
 
                          
Bsn.      

                                     
A. Sax. 1
  
 
                                     

A. Sax. 2


        
   

                
T. Sax.
      

    


 
             
B. Sax.
  
                  
Tpt. 1    
     
Tpt. 2              
 
Tpt. 3                

 
  
       
           
Hn. 1
          

     
    
          
    
          
Hn. 2
             
Tbn. 1
 
       
mf
            
Tbn. 2
 
        
mf
             
Tbn. 3
 
       
mf

                          
      
Euph. 
         
   
   
              
Tba.          
                          
G7/B Gm7(b5)/Bb C7/Bb F/A Fm
          
Bass G.   
        
B. D.                            
Cym.         
                                                          

S. D.


Timp.         
            
Aux. Perc. 
5
  
             
Allegro
 
 q. = 70  B
   
33
Picc.                
 
    
       
  
f
 
 
        
   
Db Picc.         

       
 f
 
      
Fl.

                 
  
 
   
f
   
  
    
 
     
Ob.        

       
f
     
Cl. 1

                     
    
 

  

f
  
              
       
   
                
Cl. 2
 

f
 
   
      
     
          
            
    
Cl. 3
 f
  
                
     
      
       
 
B. Cl.
  
         
f  
 
               
 
 
Bsn.     
f
  
                
         
       
A. Sax. 1
   
f
        
                          
 
A. Sax. 2
f
   
   

        
     
         
T. Sax.
f
 
     
               
   
    

  
        
 
B. Sax.
    f   
                       
Tpt. 1  

                
f
               

   
     
         
Tpt. 2
     
f
                   
        
          
   
  
Tpt. 3
 f
    
Hn. 1    
  

  

  

  
        
   

 


f
    
  

            

 
              
Hn. 2
   
  
f
        

Tbn. 1        
     
f
       

     
   
Tbn. 2 
f

    
         
Tbn. 3        
          
f
 
  
      
Euph.     
f
  
      
 

    
   
  
              
           

Tba.
       
f
     
Cm Eb/Bb Ab G7
                     
C
 
C

Ab
Bass G.     
f  
                 
               
B. D.               
            
f
   
   
Cym.       
f
 
                                          


Snare drum

   

 
 
S. D.
f 
           
                     
D C
   

Timp.
f f B
   
Allegro q. = 70
      
Aux. Perc.        
6
       
42
Picc.   
       
   

Db Picc.  
 

       
 

   
 

Fl.  
 
        
 
    
 

                           
Ob.      
            
      
Cl. 1   
    

   
  
          

     

       
   
  
 
Cl. 2
 

      

  

 
     
                 
Cl. 3
 
                                                         
                             
B. Cl.
   
              

             
Bsn.
      
                        
A. Sax. 1
                      

  
      
        
           

          
A. Sax. 2
                
           
             
T. Sax.
   
                                
               
         
                                 
B. Sax.

           
     
     
Tpt. 1   

         
       

       
   

Tpt. 2             
 

  
  
Tpt. 3          

     

              
                    



          

 



 



 


     
Hn. 1
  
  
            
                             
Hn. 2
                 
Tbn. 1      
 
     
                  
          
Tbn. 2

       
        
      
Tbn. 3
                

 
Euph.
                  

      

        
                         
           
Tba.
  Eb
             Fm    Ab        
               C  
Ab Gm G
                      
C Ab C
Bass G. 
  
              
B. D.                                     
  
  
Cym.             
              
 
                               
  
S. D.
 

    
Timp.        

           

   


   
        
Tambourine
       
Aux. Perc.
           
f
7
 
        
Allegro q = 96
 
  

   
51
Picc.       


f
       

  

 
 
Db Picc.        

   
   f 
 
  
   
Fl.          
f
      
  
   
                
      
 



Ob.
f 
  
    
 

 

 
 
                    
 
Cl. 1

     
f 
   
 
       
  
                   
Cl. 2 
        

f
  
 
 

Cl. 3     

    
        
f
    
    
                                           
                        
B. Cl.
 
 
           
f
       
  
   
                
Bsn. 
f
                 

 
  
              
                     
A. Sax. 1
  

      
  
      
          
  
             
A. Sax. 2
      
   

 
            
                  
       
T. Sax.

       
   
            
                 
                          
B. Sax.

 
f
        
 
       
 
 
  
Tpt. 1      
   
f
 
            

    
  
     
     
Tpt. 2
  f
 
  
 
       
 
  
             

Tpt. 3
f
 
 

                                   
Hn. 1
                        
      f
   
    
 
              
                              
Hn. 2
      f
     
Tbn. 1
        
       
 
f
                
Tbn. 2        
f
         
         
      
Tbn. 3
        
                
f
 
Euph.
             
             
f
    
                
      f           
             
  Eb                  
Tba.

               Ab              Ab Bb                
Ab Gm G Em D
     
C
  
         
Bass G.   
  
   
f
          
                     
B. D.                   
  f  
         
      
   
Cym.       
f

                
                    
                    
  
   
S. D.
  
 
f

    
Timp.                       
f
Allegro q = 96
     Tambourine 
 
            
              
Aux. Perc.
                
f
8
 
                
61
         
Picc.


                       
Db Picc.     
                              
          

     
Fl.   

Ob.             
                      
                       
Cl. 1     
                         
               
Cl. 2          
                                 
Cl. 3                    

          
       
B. Cl.
           mf
       
Bsn.               
mf
                        
 
 
         
 
              

A. Sax. 1

     
  
             
A. Sax. 2
                     

    
                            
T. Sax.
          


         
     
B. Sax.
         
 

  

                 
Tpt. 1    
f

              
  
   
Tpt. 2
 
f
  
   
                 
Tpt. 3

f 
  
          
Hn. 1            
mf

   
          
Hn. 2
         
        
mf
Tbn. 1
              
f

                    
Tbn. 2  
f
 
      
             
Tbn. 3
   
f
                  
Euph.
              
 
 
      
  
                    



 
   
          
Tba.
    G   G
                 
mf
           
G B Em B Em B Em
    
C
    
Bass G.

    
    
mf
                
                                    
B. D.
 
   mf
     
Cym.               
                                              
 
       
      
S. D.

mf
  
Timp. 
E-B
                
  
Aux. Perc.                           
               
9
       
D
      
      
73
        
Picc.

                

             
Db Picc.

            

             
Fl.       
mp cresc.

Ob.                      
mp
   
cresc.
                 

            
Cl. 1
 mp cresc.
  
Cl. 2                                    
mp cresc.
                         
Cl. 3        
mp cresc.

      
             
B. Cl.
         
mp
 
cresc.
  
Bsn.
                 
mp cresc.
            
            
         
A. Sax. 1
mp cresc.

                               
A. Sax. 2
 mp cresc.
       
              
             
T. Sax.
mp cresc.


B. Sax.            
mp cresc.
    

  


     
             
Tpt. 1  
mp
        
cresc.
     
                 
Tpt. 2
mp

cresc.
        

    
Tpt. 3
                  
mp cresc.

Hn. 1                                  
mp cresc.

                                 

Hn. 2
         
mp cresc.
              

Tbn. 1      
     
mp
   
cresc.
               

Tbn. 2     
   
mp
     
cresc.
Tbn. 3
                    
     
mp cresc.
  
Euph.             
mp cresc.

      
                 
     
 
Tba.
mp
       G  
cresc.
                     
G G G G B Em
    
C
Bass G.  
mp
   
cresc.
               
                               
B. D.
 mp cresc.

Cym.              
mf
 
                                      
           
S. D.

mp cresc.
Timp.            
D
                
Aux. Perc.
          
mp cresc.
10

          
           

84
       
Picc.

 
f
                      
       
Db Picc.

      
         
f
            

Fl.    
f
 
Ob.                         
 
f mp
           
              
   
Cl. 1  
f
      
                 
   

Cl. 2
f
  
             
          
   
Cl. 3
f

   
                
B. Cl.
            
f   

 
mp
     
        
        
  
Bsn.
f
         
                   
A. Sax. 1 
    
f
  
  
                       
  
A. Sax. 2
f

        
               
T. Sax.
    
  
f

  
            
   
B. Sax.
  
    
f

                      
Tpt. 1
 
f f mp
       
                   
  
Tpt. 2
f mp
f

          
Tpt. 3
    
            
f f mp
   
                                   

Hn. 1
f mp
 
                   
       

              
Hn. 2
f
  mp
                
            
Tbn. 1 
f f mp
                  

       
Tbn. 2
 mp
f f
  
Tbn. 3
                         
f
 f mp
             
Euph.         
f f

       
                  
f        
Tba.
  
  C
mp
     
                
G B G G G B
    
Em D7 C D7
A G A
        
Bass G.
 mp

f
                    
B. D.                          
f mp
Cym.             
                                                                      
S. D.
                  

f mp
Timp.             
    
                      
Aux. Perc.
                         
f mp
11
 
E Allegro q = 140
              
96
Picc.           
f p
           
Db Picc.                 
      

      
p
f
    
         
   
        
Fl.   
mp cresc. f f p

                           
 
Ob.      
                      
 
f p
 
     
cresc.
       
Cl. 1       
  
mp p
cresc. f f
        
                          
Cl. 2       
mp cresc. f f p
        

   
  
Cl. 3          
           
mp cresc. f f p
    
                        
          
B. Cl.
          
f p
  f
             
cresc.
         
Bsn.      


mp cresc. f f p
   
  
     
A. Sax. 1                                   
mp cresc. f f p
     
   
 
A. Sax. 2          
 
                       
mp cresc. f f p
  
                   
           
T. Sax.
mp cresc. f f         p
      
   

                    
      
B. Sax.
mp cresc.
 
f f p

                           

Tpt. 1      
cresc. f p
 
              
     
             
Tpt. 2

cresc. f p
  
  
  
                
Tpt. 3
         
cresc. f p
  
  
      
Hn. 1                          
  
   
cresc. f f p
 
   
Hn. 2  
               
 
   
  
  
  
    p 
  
f f

cresc.
                       

Tbn. 1       
         
cresc. f p

                        
Tbn. 2
cresc. f p
                            
Tbn. 3    
f p
   
cresc.
                                
Euph.
         
mp cresc. f f p
  
      
           




 
  
 
  
  
Tba.
 
p
 G     
cresc. f
  
f
               E    
Em G B B Em B Em Am E Am
    
Em
    
Bass G.

f     
    
cresc. f p
        
                               
B. D.
  
cresc.    f p
    
Cym.            
    
f
                                      

                     
S. D.
            

f f p
   
cresc.
 

E -A
Timp.                   
f p
E Allegro q = 140
 
    

   
                   
Aux. Perc.
                  
cresc. f p
12
 
Pasillo (Ecuador)
107
   
Picc.              
f mf
    
Db Picc.              
f    
mf
          

          
Fl.           
f mf
         
       

 
    

Ob.
f mf

                                
 

Cl. 1
f mf
  
                        
   
Cl. 2


f mf
                               
Cl. 3
  
f mf
  
                        
   
B. Cl.

f mf
   
                   
Bsn.                  
f mf

                                   
A. Sax. 1
   
f
 
     
                              
A. Sax. 2

f
    
 
      
 
      
             
   
T. Sax.
f     

 
                     
B. Sax.
         
 
    
mf
    
Tpt. 1           
f mf
  
Tpt. 2             

f mf
  
                  
 
Tpt. 3
f mf
    

                 
            
   

  

  
   
Hn. 1
f mf
                               
                
   
Hn. 2

f mf
           
Tbn. 1
           
f mf
            
Tbn. 2
          
f mf
    
        
       
Tbn. 3

 
f mf
          
              

   



Euph.
 
f
       
   
 

  
     
   
   
   
Tba.
f  
           
        
E G C E
        
Am
Bass G.        
f    

                    
B. D.                         

f
mf
 
     
 
Cym.           
f mf
                                                        
 

S. D.

 
f mf
   
                   
Timp.  
f mf Pasillo (Ecuador)
  
Aux. Perc.     

 

 

 

        
 
f mf mf
13
       
Allegro q. = 70
117
    
Picc.                    
     
f
     
Db Picc.                  
          
       
f
     
Fl.              
f
        
                       
   
Ob.
           
Cl. 1           
        
f
        
Cl. 2                      
f
                    
Cl. 3          
f
       
B. Cl.                       

f
       
    
Bsn.               
f

                                     
A. Sax. 1
          
f
         
                                   
A. Sax. 2
 
f

              
    
 
                     
T. Sax.
       f

 
                        

       
B. Sax.

   
f

  
   
          
Tpt. 1             
f
    
                             
  
Tpt. 2
f
  
                          

      
Tpt. 3
f
  
                                                                 
  
Hn. 1
f

                                  
                                        
Hn. 2

        
f

             
Tbn. 1           
f
    
    
                        
Tbn. 2 

f
       
    
 
             
  
 

Tbn. 3
f
                     
                        
Euph.

f
  
 
  
  
         
   

    
 
        
Tba.
 
    
   
f
   
      
   
  

Am Dm G C E
         
Am D
     
Bass G.
 
      f
                              

B. D.                                                                 
  
        
f
             
Cym.         
f
                                                           
 
     
S. D.
  
  
f
     
                   
D-G
Timp. 
f
      Allegro q. = 70

Aux. Perc.          
   
        
14
         
     
F Polka (Paraguay)
128
 
Picc.       
    
      
 
   
Db Picc.     
            
   
Fl.      
   
Ob.           
   
f
 
   
  
       
Cl. 1
f
     

            
 
Cl. 2
f

 
                
 
Cl. 3
f
     

               
 
B. Cl.
 
   f
               
 
         
           
Bsn.

      

A. Sax. 1
 
          
f


            
 
A. Sax. 2 
  f
       
     

T. Sax.
   f

B. Sax.
    
       
 
             
Tpt. 1                          
   
                  
Tpt. 2
                   
   

Tpt. 3      
                       

                   
Hn. 1

   
                                     
Hn. 2

Tbn. 1
     
      
Tbn. 2
             
Tbn. 3
            
Euph.
            

       
 

 
      
 

 
      
 D   G      
Tba.
                           
  
Em G D7 F

 
Am

G
Bass G.         
  
B. D.                            
  

Cym.       
                                                    
Snare
  
drum
S. D.

Hi Hat closed
 
Timp.       

    
F Polka (Paraguay)
 High Wood
  Blocks
 or High
 Bongo
                                      
Aux. Perc. 
f
15
      
135 
Picc.     

     
Db Picc.     

     
Fl.     
 
Ob.        
       
       
Cl. 1    
     
       
Cl. 2      

 
              
Cl. 3   
   
 
         
B. Cl.      
mp
                         
       
Bsn.       

          
A. Sax. 1
      
   

          

A. Sax. 2    


 

T. Sax.       

  

     


B. Sax.
      
          
Tpt. 1                         

                 
     
         
   
Tpt. 2


Tpt. 3         

 
                              
     
Hn. 1

 
                                   
Hn. 2
            
Tbn. 1
   
 
mp mf
         
Tbn. 2
   

mp mf
          
Tbn. 3
   
   
mp
  
mf
     
Euph.
   
mp mf

  

 
              

 
        
   
Tba.
     
                         
D7 G Em G7 C
Bass G.      

B. D.                         
Cym.       
                                              

S. D. 

          
   
Timp.
f mf
                                          
Aux. Perc. 
16
               
  
141
Picc.        
                
 
Db Picc.       
                
 
Fl.       

   
  
  
Ob.
                   
 
Cl. 1    
               
       
Cl. 2    
       
                
Cl. 3 
B. Cl. 
         
        
              
Bsn.             
       
                
A. Sax. 1 
               
       
A. Sax. 2    
   
      
                
T. Sax.

 
                       
 

    
B. Sax.
    
                         
Tpt. 1  
                 
Tpt. 2  

Tpt. 3       

      
       
Hn. 1

    
        
Hn. 2
      
Tbn. 1   
     
Tbn. 2    
  
 


 
Tbn. 3   
      
Euph.
   

                        
           
Tba.
 Em    Em
                 
G D7 G G7 Cm G
            
Am
Bass G.  
         

B. D.                         
   
f
Cym.           
f
                                            
S. D.
   

               

Timp.
f
                               

Aux. Perc. 
   
147
Picc.  
 
Db Picc.  

Fl. 

Ob. 

Cl. 1 

Cl. 2 

Cl. 3 

B. Cl. 

Bsn. 

A. Sax. 1 

A. Sax. 2 

T. Sax. 

B. Sax.
 
 
Tpt. 1 
Tpt. 2


Tpt. 3 
Hn. 1


Hn. 2 

Tbn. 1 
Tbn. 2


Tbn. 3 
Euph.


Tba.
 
Bass G.

 
B. D. 

Cym. 

S. D.

 
Timp.  
Aux. Perc.

18
  
     
Allegro q. = 76 G Tonada (Chile)       
   
154
Picc.           
  
mf f
      
        
 
  
Db Picc.      
  
mf f
          
          
Fl.           
f mf f
   
          
    
    
    
 

 
                
Ob.
      
mf f
         
            
Cl. 1       
                 
f mf f
                
         
Cl. 2         
f mf f
   
   
       
 
Cl. 3     
        
     

      
mf f
 
f
   
     
           
    
B. Cl.
  

        
f mf f
      
Bsn.         
mf f

   
  
              
  
       
   
A. Sax. 1
f mf f
 
          
        
       
   
A. Sax. 2
f mf f
 
     
 
 
 
         f  
  
T. Sax.
  
f mf  
 
 
    
   
     
    
B. Sax.
  
mf
  
f
                   
   
          
Tpt. 1      
mf f
                            
              
   
Tpt. 2
 
f mf f
 
Tpt. 3                            
      
 
      
      
f mf f
 
         
           
Hn. 1
           
f mf f
 
    
     
            
         
Hn. 2

             
f

mf
  
f
  
             
Tbn. 1          
         
f mf f
               
Tbn. 2
                
  
f mf f
            
 
 
       
              
Tbn. 3     

        
f mf f
 
     
          
Euph.

f mf f
   
Tba.
       
 f    

 
   
  

         
    
        
mf f
             
   
A A E Bmi Gma7 E
   
A
           
Bass G.

    
f mf f
  
                    
B. D.              
mf f

f
Cym. 

            
f f
            
         
Snare drum

                               
S. D.


f mf f
 
      
            
A-E
Timp.
f Tonada (Chile)
G Tambourine f
  
           
 
Allegro q. = 76
                                     
   
Aux. Perc.
  
mf f
19
    
            
     
163
Picc.        
    
mf f
        
         
 
   
Db Picc. 
    
mf f
           
Fl.              
mf f


 
            
    
    
   
   

              
Ob.
 
mf
       
f
       
        
Cl. 1   
                  
mf f
   
       
          
Cl. 2     
mf f
 
 
   
     
 
Cl. 3      
     
     
mf f

  
 
B. Cl.       
          
     
mf f
   
Bsn.
           


   
mf f

   
  
 
                    
A. Sax. 1 
mf f
    
 

                  
   
A. Sax. 2
mf f

              
 
       f  
  
T. Sax.
mf   

    
 
    
   
     
  
B. Sax.

  
mf f
                     
   
         
Tpt. 1     
mf f
     
      
                            
Tpt. 2
 
mf f

                         
    
    
Tpt. 3      
mf f

        
          
             
Hn. 1
mf f

  
     
          
             
Hn. 2
          
mf f
            
Tbn. 1
               
        
mf f
            
Tbn. 2
           
   
 
             
mf f
   
            
       
Tbn. 3   

            
mf f
 
  
Euph.          
mf f
 
Tba.
      

 
   
 

         
    
 

mf
f
        
             
A A A E Bmi Gma7 E A
             
Bass G.

mf f
  
B. D.                           
mf f
Cym.            
f
                
S. D.
                                        

mf f
Timp.                 
  
mf f
 
               
   
Aux. Perc.                                                       
f
20
      
 
      
H Slow q = 68
     
172
       
  
Picc.
          
           
Db Picc.    
             
Fl.

              
 
                     
solo
   


  

  
  
Ob.
           mf
             
Cl. 1     
  
mp
          
   

Cl. 2              
mp

          
     
Cl. 3          
     
mp
      
B. Cl.          
        
     
mp
        
 
Bsn.            
mp
        

 
   
           
(solo Oboe)
A. Sax. 1           
mf
   

   
               
  
   
A. Sax. 2
 
     
                   
     
T. Sax.
        
  mp 
    
                   
     
       
B. Sax.
                      
      
Tpt. 1      
       
 
        
               
Tpt. 2
   
  
  

    
                  
Tpt. 3
    

  

     
            
  
   
       
Hn. 1
        
 
 
                 
                    
Hn. 2

                
    
        
  
Tbn. 1         
                                 

Tbn. 2           
      
                           
      
Tbn. 3   
                
  
       
        

Euph.


                   
            
    
Tba.
         
      
mp
 

                   
Bb7
      
Bmi G E F Dmi A Eb Ab G7sus4 G7
       
 
Bass G.

               
mp
   
                                      
 
B. D.


        
       
     
Cym.      
                           

         
Cym.
                     
S. D.
 

mp
Timp.                           
  
f H Slow q = 68
   
         
          

           
Triangle
Aux. Perc.                      

f mp
21

 
181
Picc.            

Db Picc.            
solo       
 
Fl.            
mf

Ob.                  
      
    

                       
Cl. 1
  
mp
 
                         
Cl. 2
  
mp
       
     
    
 
        
Cl. 3
mp
 
                   
         
B. Cl.
mp 
    
Bsn.
  
              

               
   
    

A. Sax. 1

A. Sax. 2            

            
    
T. Sax.
  

 
           
     
B. Sax.
 
mp mp
      
solo
                 
Tpt. 1
 
f

Tpt. 2            

Tpt. 3            

Hn. 1            

Hn. 2            
             
Tbn. 1          
mp
              
          
Tbn. 2  
mp

 
                       
Tbn. 3

mp
              
          
Euph.    
mp
 
       
         
              
Tba.
  
       
mp
          
C7(b9) Fsus4 Fmi Abmi Eb/Bb Adim Eb/Bb Bb7sus4 Eb Eb G7 Cmi
             
Bass G.   

mp
           
B. D.                    
p
Cym.           
                        

  
                
 
Snare drum

  
 
S. D.

mp
Timp.           
                  
Aux. Perc. 
22
 
191
Picc.           

Db Picc.           
     
       
Fl.         
f

Ob.           
       
  
     
          
  

Cl. 1
  
                        
 
Cl. 2
 
      
            
Cl. 3
 
     
          
 
 
  
      
B. Cl.
 
       
             

Bsn.
mp
      
(Play)
            
A. Sax. 1
 
f

A. Sax. 2           

      
   
T. Sax.
  

  
B. Sax.         
            
Tpt. 1      

Tpt. 2           

Tpt. 3           

Hn. 1           

Hn. 2           
                   
    
              
         
Tbn. 1 
                
                    
         
Tbn. 2 
                                   

    
             

Tbn. 3
     
  
   
                     
           
    
  
Euph.

 
              
 
 
 
   
    
Tba.
  Fmi
   
Ab C7/G
 
Fmi

Ab

Bb7
 
Bdim
 
Csus4 Cmi Cmi6
 
             
Eb7
  
Bass G.  
                                    
B. D.                                     
Cym.          
                                            

S. D.
                 

Timp.          
Aux. Perc.          
23
 
Allegro h = 88

 
200
Picc.           
 
Db Picc.             

  
          
Fl.       
  
Ob.            
 
                       
3
       
Cl. 1
mf cresc.
 
                 
3
   
          
Cl. 2
mf

cresc.
   
              
3
       
     
Cl. 3
mf cresc.
    
        
               
  
B. Cl.
mf cresc.
     
             
3
Bsn.  
 
                       
      cresc.   
A. Sax. 1
f mf
           
          
    


    
A. Sax. 2
f mf cresc.
 
                 
3
 
T. Sax.
       f 
mf
       cresc.    

    
 
       
3
B. Sax.
   
    cresc. 
     f
 
mf
 
                          
Tpt. 1
    
f mf cresc.
 
                   
       
Tpt. 2
f mf cresc.
   
                
       
Tpt. 3
f mf
cresc.
  
           

Hn. 1
f
  
           
f
Hn. 2
      3    
     
     
           
Tbn. 1       
 
f mf
     
cresc.
      3   
            
 
   
 
    
Tbn. 2 
f mf
     
cresc.
     
 
3
  
                 
       
Tbn. 3

f mf
     
cresc.
  
              
   

   
3
        

Euph.
f mf cresc.
          
             
 
 
 
 
 
 


Tba.
 f  mf cresc.
Eb
 
F7

Bb7

Bb7 Fmi

Bb7

Fmi6
 
Fmi

Bb7

Fmi6
 
                       
Bb7(b9) C7
      

Bass G.
f
 
mf
       
cresc.
           
     
 
                         
B. D.

 mf cresc.


f
Cym.          
f
      3     
 Crash
       
       

                            
S. D.
    
 
f mf H.H.w/foot

cresc.

C C
          
f
Timp.
Allegro h = 88 mf
Maracas
                    
Aux. Perc.      
mf
24
 
208
I Samba (Brasil)
Picc.          

Db Picc.          
            
Fl.                   
f
  
                           
  
Ob.
f
        
                        

   
 

Cl. 1
f
 
      
                         
     
Cl. 2
f
        
   
  
               

   
 
 
Cl. 3
f
 
                               
      
B. Cl.
f
                
   

  

  

Bsn. 
f
 
                                
    
A. Sax. 1
f
 
                            
       
A. Sax. 2
f

                   
       
T. Sax.
   
f      
 
  
       

B. Sax.

                                 
Tpt. 1         
     
mf

                                 
             
Tpt. 2
mf
         
                               
Tpt. 3
    
mf

Hn. 1                
 
         
    
    

mf

Hn. 2           
     

 
 
 
         
  
    

   
mf

  
              
           
Tbn. 1 
f
       
                 
           
Tbn. 2 
f
                   
           

  
Tbn. 3
f
        
               
           
Euph. 
f
  
 
                                     
Tba.
              
 f
   
                
          

Fmi Bb7 Fmi6 Bb7 Bb7 Fmi7 Bb7 Dbma7 Eb7 Fmi7 Fmi6 Fmi7
                 
Fmi7
 
Bass G.        


f

               
                                  
    
 
B. D.

 f

  
Cym.        

                                                       
Crash
S. D.


f H.H.w/foot
Timp.         
I Samba (Brasil)
                                 
Aux. Perc. 
f
25
 
216
Picc.          

Db Picc.          
            
     
Fl.                   
      
                              
Ob.
     

       
    
                      
Cl. 1
      
 
      
 
             

             
  
Cl. 2

       
    
                      
Cl. 3
      
 
      
 
             

             
  
B. Cl.
                 
 
  
   

  

  

Bsn.   

      
 
                           
A. Sax. 1
    
   
                                  
A. Sax. 2
   

                      
           
T. Sax.
     
 
 
B. Sax.        
                                                 
Tpt. 1            
            
Tpt. 2                   
  
  

       
   
  

     
         
     
Tpt. 3                                 

Hn. 1                              
   
    
    
    


Hn. 2                        
        

 
   
              

                
     
  
           
Tbn. 1   
    
        
Tbn. 2     
    
                  
                
     
  
           
Tbn. 3   
    
        
Euph.     
    
                  
      
Tba.
                         
  
   
  
   
  
   
 
  
 
   
                      
          

Fmi7 Bb7 Fmi7 Bb7 Fmi7 Bb7 Fmi7 Bb7 Dbma7 Eb7 Fmi7 Fmi6 Fmi7 Fmi6
                 
Bass G.
   
                
                         
   
B. D.        
Cym.         
                                                       
S. D.


Timp.         
                         
Aux. Perc. 
26
 
  
224

Picc.         
f
  
 
Db Picc.         
  
 
f
Fl.           

Ob.            
  
                             
Cl. 1                       
mp
 
 
Cl. 2               
     
        
     
   
  
  
  
mp
   
Cl. 3      
                                
  

mp

     
  

          

          

       
   
B. Cl.
mp
           
Bsn. 

                        
                          
A. Sax. 1
mp
   
     
                              
  


A. Sax. 2
mp

                     

 
T. Sax.

mp                         
 
  
       

B. Sax.
           
f

Tpt. 1           
f
 
   
Tpt. 2              
f
      
             

Tpt. 3

               

Hn. 1
f
   
             
f
Hn. 2
                           
   
soli    
          
Tbn. 1 
     
f
                   
    
soli    
            
Tbn. 2 
     
f
   
soli              

           
Tbn. 3           
f
             
Euph.  
      
           
    
 
   

 

     
             

  
Tba.
mf
        Fmi   C7  
       
Fmi7 Bb7 Fmi C7(#9) Fmi C7(#9)
                            
C7(#9)
    

Bass G.

 
mf
             
               
    
B. D.                 
  mf

  
Cym.        
         

                                         
Crash
S. D.

 
mf H.H.w/foot
  
C
      

Timp.
                            
mf
27
 
232
Picc.          

Db Picc.          
     
Fl.                
mf
      
(Solo Alto Sax.)
      
Ob.                    
    
f
       
Cl. 1             
mf

                 
Cl. 2

mf
  
Cl. 3                 
mf

      
       
   
B. Cl.
mf
            
Bsn.       
mf
  
solo
          
                    
      

A. Sax. 1
f
  
A. Sax. 2                 
mf

T. Sax.            
mf      
  
     
        
B. Sax.
   
  
mf
Tpt. 1          
mp

Tpt. 2           
mp

   
     
Tpt. 3
mp

         
        
Hn. 1
mf mp

      
        
Hn. 2
mp   

mf
         
Tbn. 1 

          
Tbn. 2 

         
Tbn. 3 
      
            
Euph. 
mf
                              
           
 
         
   
 
Tba.
               
                         
Fmi Bb7 Fmi7 Bb7 Bbmi7 Eb7 Ab% Ab% Gmi7 Cmi7
            
Bass G.
   
        
 
 
  
                         
   
B. D.         
Cym.         
                                                       
S. D.


Timp.         
                                          

Aux. Perc. 
28
 
  
J
240

Picc.         
f
  
 
Db Picc.         
  
f

Fl.           
f

Ob.            
  
                             
Cl. 1                     
f mp
 
 
Cl. 2               
     
        
     
  
  
  
  
f mp
   
Cl. 3    
                                
  

f mp

    
  

          

          

       
   
B. Cl.
mp
f
         
Bsn. 

                        
                          
A. Sax. 1
f mp
   
A. Sax. 2    
                              
  

f mp

                     
 
T. Sax.
f
mp                          
 
  
       

B. Sax.
     
f

Tpt. 1         
f
 
 
        

Tpt. 2
f
   
       
 
Tpt. 3

          
 
Hn. 1
f
   
        
f
Hn. 2

soli                                
            
Tbn. 1 
     
f
soli                        
               
Tbn. 2 
     
f
 
soli              

           
Tbn. 3           
f
  
         

Euph.
f
      
           
 

  

   

 

     
             
  
Tba.
f mf
  C7(#9)       Fmi   C7  
       
Fmi Fmi C7(#9) Fmi C7(#9)
     
 
                  
      

Bass G.
f
   
mf

             
                 
   
B. D.               
  mf

  
Cym.        
         

                                         
Crash
S. D.

 
mf H.H.w/foot
         
C

Timp.
J
                           
mf
29
 
248
Picc.          

Db Picc.          
                 
Fl.                        
mf f
  
                           
  
Ob.
f
               
Cl. 1                         
  
mf f

             

                     
Cl. 2
   
mf f
    
                                  
  
Cl. 3
mf f
 
      
                         
      
B. Cl.
mf f
                   
   
 
     

Bsn.       
mf f
 
                            
  
A. Sax. 1
f
 
       
                           
  
A. Sax. 2
mf f

                    
      
T. Sax.
mf       
f      
  
      
        
B. Sax.
   
             
mf
Tpt. 1        
                 

mf

                               
Tpt. 2
        
mf
         
Tpt. 3                              
mf

                 
 
  
 
    
    
    

     
Hn. 1
mf

            
     


 
 
         
  
    

    
Hn. 2
mf 

                
           
Tbn. 1 
f
 
                 
           
Tbn. 2 
f

                
           
Tbn. 3 
f
       
            
Euph. 
mf
  
 
                                     
Tba.
              
 f
  Fmi7  
                                        
Fmi Bb7 Fmi7 Bb7 Bb7 Fmi7 Bb7 Dbma7 Eb7 Fmi7 Fmi6
  
Fmi7
          
Bass G.
    


f

               
                              
    
   
B. D.
 
 f
Cym.         

                                                       
Crash
S. D.


f H.H.w/foot
Timp.         
                                

Aux. Perc. 
f
30
 
256
Picc.          

Db Picc.          
            
     
Fl.                   
       
                              
Ob.
    
             
Cl. 1                           
  
 
      
 
                           
  
Cl. 2
             
Cl. 3                           
  
 
      
 
                           
  
B. Cl.
                       
   
 
     

Bsn.   
 
      
 
                           
  
A. Sax. 1
   
                                  
  
A. Sax. 2

                     
           
T. Sax.
     
 
 
B. Sax.        
                                                 

Tpt. 1       
            
Tpt. 2                   
  


            
    
     
         
     
Tpt. 3                                 

Hn. 1                              
 
 
    
    
     

Hn. 2                        
        

 
         
  
   
 

                       
           
Tbn. 1   
    
   
                 
           
Tbn. 2   
                       
           
Tbn. 3   
          
Euph. 
  
 
                                       
Tba.
               
  Fmi7  
              
          

Fmi7 Bb7 Fmi7 Bb7 Fmi7 Bb7 Fmi7 Bb7 Dbma7 Eb7 Fmi7 Fm6 Fm6
                         
Bass G.
   
                
                         
   
B. D.        
Cym.         
                                                       
S. D.


Timp.         
                       
Aux. Perc. 
31
Cumbia h = 96
 
(Colombia)
264        K
Picc.               
f
      
     
Db Picc.          
f
      
  
Fl.                
f
      
     
Ob.           
f
                      
Cl. 1       
 
         
mf

                                 
Cl. 2
          
mf
                      
Cl. 3       
 
         
mf

                                 
B. Cl.
          
mf
    
Bsn.          
    
                                             
A. Sax. 1
      mf        
f
                           
A. Sax. 2           
              
f mf

           
                               
T. Sax.
 f       mf
       
  
 
           

     
B. Sax.
   
f
      
Tpt. 1              
f
    
Tpt. 2

                  
f
     
Tpt. 3          
   
      
f

                   
    
Hn. 1
f

               
     

Hn. 2
f
   
      
Tbn. 1             
f
           
           
Tbn. 2 
f
         
              
   
Tbn. 3
f
                   
Euph.     
f
 
                   
         
Tba.
f
       mf   
             
F/A Emi7(b5) A7 Dmi Dm A7 Dmi
      
Dmi A7
     
A7
Bass G.             
f
  
mf

B. D.                              
f

Cym.            
  
 Timb. 
   
Cym.
                                                 

Side Timb.
S. D.
   
f

mf Toms

          
E
Timp.

Aux. Perc.            
32
             
273
Picc.                 
mf
            
Db Picc.                 
mf
            
Fl.                 
mf
      
Ob.                          
mf
 
                 
soli
Cl. 1                                        
 
f
       
soli
Cl. 2                                
f
                                  
Cl. 3
                        
      
B. Cl.                                    
         
Bsn. 
      
A. Sax. 1                                    
      
A. Sax. 2                                    
                  
                                   
T. Sax.

      

                      
B. Sax.
  
                              
Tpt. 1 
mf
Tpt. 2                              
mf
Tpt. 3                              
mf
Hn. 1                              
mf
               


           
Hn. 2
mf
       
Tbn. 1

                     
mf
Tbn. 2
                             
mf
                             
Tbn. 3 
mf
                                             
Euph.
       
mf

         
             
Tba.
    
       
A7 Dmi A7 A7 Dmi Dmi Dmi

A7 A7
Bass G.                   

B. D.                            
Cym.          

Crash
                                                   

Cym. Timb.
S. D. 

Timb. f Side Timb.
Timp.          

                   
Maracas or Güiro
Aux. Perc.    
mf
33

282
L
Picc.           
Db Picc.           
Fl.           
Ob.           
                                            
Cl. 1                 
                                      
Cl. 2                     
Cl. 3           
B. Cl.           
          
Bsn. 
A. Sax. 1           
A. Sax. 2           
T. Sax.           

B. Sax.           
        

      
Tpt. 1 
f

Tpt. 2              
f

Tpt. 3               
f
Hn. 1                               
mf
Hn. 2     

 

                

 


mf
         
                    
Tbn. 1 
mf
Tbn. 2
                              
mf
    
Tbn. 3                           
mf
Euph.
          

          
                   
Tba.
Dmi Dmi Dmi A7 A7 A7 A7 Dmi6 Dmi Dmi

     
Bass G.                         

B. D.                               
Cym.           
                                                           

Side Timb.
S. D.

mf Toms
Timp.           
L
Aux. Perc.           
34
          
292
Picc.            
         
Db Picc.            
         
Fl.            

Ob.                 
                      
Cl. 1        
            
                            
Cl. 2                     
Cl. 3                    
         
B. Cl.            
         
Bsn. 
A. Sax. 1                    
   
A. Sax. 2       
 

     

               
T. Sax.
      
       

        
B. Sax.
     
                 

Tpt. 1 
 
Tpt. 2          
     

            
     
Tpt. 3
Hn. 1                        







  
                



   
   
Hn. 2
             
Tbn. 1
 
                 

Tbn. 2
                            
            
Tbn. 3
 
                 
       
Euph.
           

      
 
                
Tba.
 
 
Dmi A7 A7 A7 A7 Dmi Dmi
 
A7 A7
           
Bass G.            

   
B. D.                            
f

  
Cym.         

                                                   
Crash Cow


Bell Cym.
S. D.

Timb. f Side Timb.
Timp.          
             
Cow
Bell
Aux. Perc.       
f
35
                      
301
Picc.              
                     
Db Picc.              
                     
Fl.              
    
Ob.                           
             
Cl. 1                      
             
Cl. 2                        
Cl. 3                                
                     
B. Cl.              
         
Bsn. 
A. Sax. 1                                
       
A. Sax. 2    

       
 
 

       
 
 
                     
T. Sax.
               
               

      
B. Sax.
             
               
 
           
 
 
Tpt. 1 
   
Tpt. 2         
     
  

  
     
  

           
        
  
            
Tpt. 3
Hn. 1          







        







   
  






    







    



       
Hn. 2
                      
Tbn. 1
 
               
Tbn. 2
               
 
           
 
 
        
        
      
        
  
Tbn. 3 
                    
Euph.
                

           
           
Tba.
   
         
Dmi Dmi A7 Dmi Dmi A7 A7 Dmi
 
A7
Bass G.                

B. D.                            
Cym.          
                                                     
S. D.


Timp.          
                                        

Aux. Perc. 
36
      
Allegro q. = 70 M

Coda
               
310
Picc.                

      
f
                   
Db Picc.      
  

      
f
       
Fl.           
 
    
 
   
f
 
                      
Ob.        
f
                 
   
Cl. 1     
 

   
 

  
f

               
      
Cl. 2           
          
f
          
         
                 
   
Cl. 3
f
        
                                  
              
 
B. Cl.
        
f
       
            
Bsn.  
f
       
    
                
  
             
A. Sax. 1
f   
       

      
 
             
              
A. Sax. 2
f
    
      
   
   
         
            
T. Sax.

f


         
                          
 
   
        
        
 
 
B. Sax.
f
          
Tpt. 1                    
   
  
f

         
   
          
Tpt. 2
          
f
 
             
  
  
          
      
Tpt. 3
f
       
   
Hn. 1      







    
   

 


 
           
f
                     
              
          
Hn. 2
      
f
                     
Tbn. 1           
     
f
        
Tbn. 2
                          
f
    
        
 

            
 
      
Tbn. 3
                        
f
  
       
           
  
Euph.
f


            
           
          
      
Tba.
  f 
        
         
Dmi A7 A7 Dmi C Ab
              
G13 C C
   
Ab
   
  
Bass G.
       
 

f
    
                              
B. D. 
f
       
  
f
  
Cym.        
f f

                                       
Crash Snare drum
   
   
  
S. D.

Timb. Snare d. f
     
    

C-D
                  
    
Timp.
f
              
M Coda
Allegro q. = 70
   
  
Tambourine
       
Aux. Perc.
     
f
37
        
319
Picc.            
Db Picc.      
 

   
 

   
Fl.      
 
    
 
    
Ob.              
      
 
       
       
             
     
Cl. 1        
  
   

 

       
        
   
  
   
 

   
Cl. 2
 
  
 
                 

 
       
Cl. 3
    

                                                         
                             
B. Cl.
   
     
                 
           
Bsn.
       
                        
     
A. Sax. 1
                     
  
  

            
           
 
           
A. Sax. 2
                      
           

       
T. Sax.
    
                 
B. Sax.
          
            
         
                         
                  

                
      
Tpt. 1                


            
   

Tpt. 2                   
  
 
                 

 
         
  
Tpt. 3
Hn. 1       



          
 
   

 


  
             

 
  
  
            
                               
Hn. 2
                 
Tbn. 1      
           
          
     
        
Tbn. 2

       
        
      
Tbn. 3
      
  
       

 
Euph.
                   

                                  

         
         
Tba.
  Eb
                       C     Ab           
Eb Gm Fm Ab G Ab
  
C
      
Bass G.    
      
 
    
B. D.                                
       
 
Cym.        
                

                                    
  
S. D.


    
Timp.             

 

  


            
       
Aux. Perc.
           
38
 
   
A tempo q. = 70

    

328
rit. 
         
 
 
 
Picc.
   ff

  
      
Db Picc.          
   
  
ff
          
   
       
Fl.  
ff
     

       
      
    
        
  
Ob.
 
ff
      
     
Cl. 1     
        


 
   
 
ff
 
   
       
Cl. 2             
 
   
ff
  
    
     
   

        
Cl. 3

ff
         
                   
  
 
  
B. Cl.
 
         ff
         
 
         
Bsn.   
  
ff

    
  
         
       
 
           
A. Sax. 1
ff
      
  
          
          
        
A. Sax. 2
ff
     
  
    
 
       
     
T. Sax.
          ff
  
   
    
            
  
B. Sax.
    
         
           
ff
  
     
 
  
Tpt. 1    
ff
 
       
 
  
     
      
Tpt. 2

ff
     
       
    
Tpt. 3        
ff
  
  
                      
   
              
Hn. 1
ff
      
 
         
      
      
              
Hn. 2
     
ff
          
  
         
Tbn. 1  
   
ff


            
         

Tbn. 2 
    
ff
      
  

    
 
     
Tbn. 3  
        
ff
            
Euph.
         
     
ff
  
   
                          
      
          
Tba.
       
ff
                       
Gm Fm G7 G7
      
C
 
Ab
Bass G.       
     
   
  
ff
     
                  
B. D.
            

 
ff
   
      
    

Cym.       
ff
              
 
      
    
                          
  
S. D.

ff
      
                
D C
             
Timp.
 ff
A tempo q. = 70

         
rit.
   
         
Aux. Perc.
           
ff
39
  
   
 
               
    
 
    
335
 


    

            
Picc.
        

    

 
Db Picc.
  
                 
       
Fl.      
          
        
 
    
          
 
                  
Ob.
   
    
Cl. 1      

                 
   
  
Cl. 2      
               
   
  
  

Cl. 3     
   
  
            
   
           
B. Cl.

        
   
 
    
 
 
     
    
  
Bsn.
    
 
             
  
          
       
A. Sax. 1
   

            
     
       
A. Sax. 2
     
   

      
 
   
             
T. Sax.
  

   
  
          
  
               
B. Sax.
                        
   
Tpt. 1     
   
               
          
Tpt. 2      
    
 
                      
       
Tpt. 3
   

                
            
Hn. 1
      
   


   
       
                       
Hn. 2
                        
   
Tbn. 1
 
    
          
 
     
  

  
 
     
Tbn. 2
     
         
             
   
Tbn. 3
 
         
           
     

   
  
   
Euph.
 
   
 
   
       
          C                 
Tba.

    
   
     
    
Fm C
         
C C C
    
Ab
       
  
Bass G.
          
    
   
B. D.                            
  
    
Cym.              
                   
  
      
                
    
S. D.
 
   

Timp.               

   

        
    
          
 
         
               
Aux. Perc.
         
Snare Drum
MEDLEY SUDAMERICANO

Slow q = 80
    

  
Snare Drum
 
Cym.
    
p mp
Canción con todos
6
A Hi Hat Closed
      
12
      
18

                                         
Toms
23 Snare drum
                                   
Rim.

mf
29
                                        

          
34
                    

B
           
Allegro q. = 70
                                      
38
    
Snare drum
                                 
46
  
      


   
    
                           
52
 
  

 
58
            
                    
f
  

68
               
  
 
     

 
 
  

  
  mf V.S.

2 Snare Drum
77
D
                                             
 mp
   
cresc.
85
   
                                             
  f
       
93
                                       

   
          f
mp cresc.
E Allegro q = 140
   
                                   
101
      p f

f
               
        
mf
                                     
116
        
Allegro q. = 70
         
                                   
123
 
f
F Polka (Paraguay)
 drum                            
129 Snare
    

Hi Hat closed
       
133
                                
                                     

137
 
                                     
142
  
       
147
                                
                       
Allegro q. = 76
                  Snare drum
  
151
    

sfz f
G Tonada (Chile)
                                   
156
mf
      f
 
mf
Snare Drum 3
               
165
                         
 f
            

          
172
              
     
H Slow qCym.
                  
= 68
     
          
179
     
mp
              
         
 
                     
 
186 Snare drum
        
mp
                                  
                    
194
      
       
 Allegro h = 88
         
Crash

202
                             
3
  
f mf H.H.w/foot cresc.
208
    I  (Brasil)
Crash

Samba
     
                                          

f H.H.w/foot
                                             
214
              
 

         
Crash

220
  
    
    
    
    
    
    
    
    
    
  

                                             
226
              
mf H.H.w/foot
                             

232
                
 
   
       
Crash

237
  
    
   
    
   
    
   
     

J
242
           
                                          
mf H.H.w/foot
   
                            
   
248 Crash
      
    
   

f H.H.w/foot V.S.
4 Snare Drum
                                  

254
      
           
259
Cym.
      
        
        
        
        
     

f

      Side
265

                                         
Timb.
 Timb.
mf Toms
 Crash
                       
272
               
Cym.
      
Timb. f Side Timb.
L Side Timb.
    
279
                                          
Timb.
mf Toms
286
                                    
292  Crash
 
   
   
   
   
   
   
   
   
   
   
   

Timb.
             
298
                     


Cym.
f Side Timb.
             
305
                     
       
Allegro q. = 70 M
                                
Crash Coda

312
 
Snare drum
    
Timb.
Snare d. f
   
319
                                            
  
     
326
                                           
   
  rit.
 
A tempo q. = 70

332
           
  
 

  
 
     
 
ff
           
                          

336
      
Tenor Saxophone
MEDLEY SUDAMERICANO

Slow q = 80
    
 
                                 

sfz
p


          
6 Soli
            
mf
      
11
                 
     
        
16
     


          
23
            
mf
      
    
28
         
    
 
               
33
     
                           
Allegro q. = 70 B
38
       
 
f
                           
46
    


       
            
           
    
52
V.S.

2 Tenor Saxophone

                      
58
    





 
 
                 
67
                 
   
                
D 
      
75
 
mp cresc.
                     
85
        

f
 
         
    
93
     
  
mp cresc. f
E Allegro q = 140
   
Pasillo (Ecuador)

103
                          

f p f
      
               
     
108
 
      
       
115
        

                 

121
           
        
      
F Polka (Paraguay)
  
127 Allegro q. = 70
           
f   f
   

 
            
136
       
Tenor Saxophone 3



    
      
143
 
        
   
      
149
   

sfz
       
   
154
              
 
f mf
                
161
  
          
f mf
                      
168
     
f
                
H Slow q = 68

176
               

mp
181
            
 


187
             
  Allegro h = 88
          

202
  
3
        
   
f mf cresc.
I
        
      
207 Samba (Brasil)

        
   f
                 
213
    
 
4 Tenor Saxophone
           
218
                
         
  
223
 
                 
mp
    
229
                           
mf

234  J
 
 
                

f mp
    
245
                           
mf
               
250
             
f
 
  
256
               
       
261
             
   
f
              
265
               
     mf
            
270
    
 
    

        
                
275
   
   
Tenor Saxophone 5
 
279
        

     

 
 
L
     
      
282
      
       

    
     
302
         
        
    
308
         

f
              
Allegro q. = 70
               
M Coda
    
314
  
               
          
       
322
  
       
328
rit.
                    
    
 
A tempo q. = 70

333
        
          
ff
               
        
337


  
Timpani
MEDLEY SUDAMERICANO
  
Slow q = 80 A Canción con todos
     
      
D
 
f

B
                  
Allegro q. = 70
            
38
C

f
  

                       
48
       
  

C Huaynito E(Bolivia)
               
Allegro q = 96
   
       
57

-B

f
  
D
     
71
   

   
f
Allegro q = 140

E
 
E -A
                  
p f mf
     

112
       
           
 
  
Allegro q. = 70 F
    
Polka (Paraguay)
 
   
127
       
D-G
 
f f mf

       
         
145
     
    
f

154
    
       
A-E

f

2 Timpani

              
162
    
f mf f
             
173
           

f

 

H
179 Slow q = 68

C
   
f 
204 Allegro h = 88


C
           
mf
    
I Samba (Brasil)C
 
210
  
C
 
 
J Cumbia h = 96

242
 
E
  
   
266
K (Colombia) L
 

Allegro q. = 70

M Coda
                          
314 C-D

f
    

                       
323
          
D
  
A tempo q. = 70
      C  
332 rit.
                         
ff

                         
337
 
Tuba
MEDLEY SUDAMERICANO

Slow q = 80
 
                        
 
p

        
    
6
                      
mf
   
 
            
12
        
    
 
       
18
           
     
        
    
23
                      
mf

          
29
       
       
      

34
    
     
 
       
Allegro q. = 70 B
   
38


                    
f
43
                     
      
        
 
48

                      
          V.S.
2 Tuba
53
       
  
     
     
 
 
 
 
 
  
  
    
58 Allegro q = 96 C Huaynito (Bolivia)
 
         

               
f
 
64

            
  
  
71
    
   
  
    
  

               
mf
D
79
    
        
  
 


 


  
mp cresc.
86
  
       
            
f
   
 
93

 
            
            
mp cresc. f
 E Allegro q = 140 
         
102

   

        
   f p f
 
  
   
                 
     
   
   
116
 
          
          

121
 

          
      
  
Tuba 3
127 Allegro q. = 70 F Polka (Paraguay)

      
   
   
    
f
133

   
       
  
138
     
                
143

                      
       
148

                     
   
Allegro q. = 76
 
152
       

          
   

sfz f
156 G Tonada (Chile)
  
                            
mf
 
162
       

        
f mf
     
168
     

        
f
              
173

           
    
H Slow q = 68
     
              
179
    
mp   V.S.
4 Tuba
185 q = 112 Tango (Argentina)


        
           
mp 
191

             
 

 

197
    
     
       

Allegro h = 88
        
203
     
  
 
 
 mf
f
  
206
 
                       
cresc. 
                          
             
f
                       
215
              
 
    
220
                  
       
    
 
225
                   

       
 mf
 
             
230
              
    
                    
234
         
Tuba 5

238
              
        
    
f
J
            
242
            
      
mf
 
    
246
              
        

                          
250
             
f
                       
255
              
 
260
                    
     
      
f
 
        
      mf        
270

            
 
275

     
            
281 L
    
  
           
287
      
  
          V.S.
6 Tuba
293
     
  
      
298

           
      
304

           
  
309

     
         
f
q. = 70 M Coda
     
314 Allegro
          
                          
319
                         
              
324

                
    
     
   
328 rit.
         
                     
333 A tempo q. = 70

           
      

   

ff
  

337

      
     
             

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MEDLEY SUDAMERICANO Arr: Jaime FOREMAN F. & Juan NAVARRO C.

q = 80 (Derechos Reservados de los autores)

                              

                                             

               

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

                         

Copyright © J.N.C. 2008

                 

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

A Canción con todos

Copyright © J.N.C. 2008

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

         

       

197                     3 

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

                    

          

     

                 

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

                       

                   

                          

          

           

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

A Canción con todos

Copyright © J.N.C. 2008

q = 112 Tango (Argentina)

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

A Canción con todos

Allegro q. = 70 F Polka (Paraguay)

       

                    

                           

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

         

                        

     

                        

                

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

                     

                          

234    J      

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

314 Allegro q. = 70 M Coda

Arr: Jaime FOREMAN F. & Juan NAVARRO C.

    

Copyright © J.N.C. 2008

                        

                        