Cubism Notes
Cubism Notes
Cubism Notes
Name: _________________Date:_______________
Cubism
One of the most influential art movements of the twentieth century (1907-1920s), Cubism
was begun by Pablo Picasso and Georges Braque in 1907. They were greatly inspired by
African sculpture and by two painters - Paul Cézanne and Georges Seurat.
In Cubism the subject matter is broken up, analyzed, and reassembled in an abstracted
form. Picasso and Braque initiated the movement when they followed the advice of Paul
Cézanne, who in 1904 said artists should treat nature "in terms of the cylinder, the sphere
and the cone."
The style essentially fragments three-dimensional forms into flat areas of pattern and
color, overlapping and intertwining them so that shapes and parts of the human anatomy
are seen from the front and back at the same time (simultaneity). The style was created by
Picasso in tandem with his great friend Georges Braque, and at times, the works were so
alike it was hard for each artist quickly to identify their own.
Georges Braque - Georges Braque developed his painting skills while working
for his father, a house decorator. Braque's large compositions incorporated the Cubist
aim of representing the world as seen from a number of different viewpoints. He wanted
to convey a feeling of being able to move around within the painting. The still life subject
remained his chief preoccupation from 1927 to 1955.
Pablo Picasso - A Spanish painter and sculptor. One of the most recognized
figures in 20th century art, he is best known as the co-founder, along with Georges
Braque, of cubism. It has been estimated that Picasso produced about 13,500 paintings or
designs, 100,000 prints or engravings, 34,000 book illustrations and 300 sculptures or
ceramics.
Mr. Vallone’s Art Appreciation FDR High School
Analytic Cubism - The first phase of Cubism, from about 1907 to 1912. Analytic
cubists reduced natural forms to their basic geometric parts and then tried to reconcile
these essentially three-dimensional parts with the two-dimensional picture plane. Color
was greatly subdued, and paintings were nearly monochromatic.