Boblicity
Boblicity
Boblicity
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Jazz was born in New Orleans around the 1920s, and involved a cultural movement that
saw the emergence of new styles of music and dance. Much of the development of jazz music is
credited largely to African Americans that employed diverse music techniques that contained
African traditions. Later, jazz expanded to the native population of America and beyond. Large
numbers of jazz musicians migrated to the northern cities from New Orleans following the World
War I. the migration led to dispersal of jazz as different styles emerged in different cities. With
the dispersal and development of jazz, there arose a cultural shift as it penetrated into nightclubs
and places that operated in prohibition. The availability of these spaces, together with
The course has extensively covered the history and development of jazz along with the
stylistic features of the music. The history is paired with notable musicians who helped in the
evolution of jazz music. It is important to note the challenges that jazz music encountered in its
journey, such as discrimination in the media as African American jazz artists were prejudiced.
For example, the music of Louis Armstrong and Jelly Morton did not get notable airtime as
compared to their Native American jazz artists (Early). The prominence of African American
jazz artists continued to propel the style further outside the boarders of America. Today, jazz is in
every country, there are budding musicians experimenting, and creating new music out of what
Miles Davis was an American jazz trumpeter who is an acclaimed figure in the historical
development of jazz and twentieth century music. He was in the forefront of many stylistic
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modifications of jazz music. One of the most creative hits was Boblicity. Miles Davis and Gil
Evans composed the piece for the first “Birth of the Cool” recording session, in April 1949
(Kahn). The popularity of this piece and the attraction is purely in the extraordinary orchestration
of Gil Evans and the musical camaraderie that existed between the two artists. At the time of
composing Boblicity, the group was called the Miles Davis Nonet. Gil Evans, Gerry Mulligan,
and John Lewis wanted a small group that would still produce full orchestral sound. The group
decided to use Miles Davis’ name because he was the best in negotiating with club owners and
Boblicity is a cool jazz composition that is characterized by relaxed tempos and a lighter
tone. The cool jazz era came at a time when Miles Davis and his group took a similar direction in
modifying jazz music to a more relaxed genre. In Boblicity Miles Davis was experimenting tonal
colour with varying rhythms that revealed an aggressive style of playing. The changes in tonal
colour are unique and do not provide an obvious tonal centre. In the recording, Miles Davis
sounds similar to Charlie Parker especially in the heavy use of chromaticism and many ascending
triplets (Davis). The piece contains the fundamentals of jazz such as the use of the blue scale,
syncopation and immense improvisation. The understanding of these jazz features is based on the
course material that has helped in music appreciation and in the description and classification of
jazz music.
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Cited
Davis, Miles. "Boplicity." All that Jazz. By Gil Evans and Miles Davis. New York City, 1949.
Sound.
Early, Gerald. Miles Davis and American Culture. Missouri History Museum, 2001. Web.
Kahn, Ashley. Kind of Blue: The Making of the Miles Davis Masterpiece. Da Capo Press Inc.,
2001. Web.