ARABIAN LITERATURE: Verity, Aesthetics, and The Poetry of Islam
ARABIAN LITERATURE: Verity, Aesthetics, and The Poetry of Islam
ARABIAN LITERATURE: Verity, Aesthetics, and The Poetry of Islam
“SAJ” or Rhyme Prose is most striking characteristics feature of the Arabic prose.
It consists of succession of pairs of short rhyming expression with rhetorical and
antithetical balance of sense of sense between the pairs of expressions with a
certain loose of rhythmical balance not bound by strict meter.
→ The Qur'an
The Qur'an is the holy book for Muslims,
revealed in stages to the Prophet
Muhammad over 23 years.
Qur'anic revelations are regarded by
Muslims as the sacred word of God,
intended to correct any errors in previous
holy books such as the Old and New
Testaments.
→ The Thousand and One Nights (Arabian Nights)
The Thousand and One Nights, also called The Arabian Nights, Arabic Alf
laylah wa laylah, collection of largely Middle Eastern and Indian stories of
uncertain date and authorship. Its tales of Aladdin, Ali Baba, and Sindbad
the Sailor have almost become part of Western folklore, though these were
added to the collection only in the 18th century in European adaptations.
→ Ibn Nubata. (April 1287 – October 13, 1366). He was an Arab poet of the
Mamluk era. Best known for his poetry, he also wrote prose. His works are
largely not, or not critically, edited to this day, but in 2018 Thomas Bauer
was reported to be completing an edition of his al-Qaṭr an-Nubātī ('Ibn
Nubātah's Sweet Drops').
Ibn Nubata was the son of a Ḥadīth scholar and from early youth his
interest in poetry emerged in short poems he wrote. Born in Fusṭāṭ, in 1316
he left Cairo for Damascus and lived there until 1360, taking short stays in
Hama and Aleppo. However, the Sultan An-Nasir al-Hasan ordered his
return to Cairo. Ibn Nubata died on October 13, 1366 (7 Safar 768 H), and is
buried in the Qalawun cemetery of Al-Mansur Qalawun.
Arabic Poetry
“The register of the Arabs” (dīwān al-ʿArab) is the age-old phrase whereby
Arabs have acknowledged the status and value that poetry has always
retained within their cultural heritage. From the very earliest stages in the
Arabic literary tradition, poetry has reflected the deepest sense of Arab
self-identity, of communal history, and of aspirations for the future.
Classical Modern
Poetry Poetry
Classical Poetry. It was written before the Arabic renaissance (An-Nahḍah). Thus,
all poetry that was written in the classical style is called "classical" or "traditional
poetry" since it follows the traditional style and structure.
Illustration of how
Arabs celebrate poetry
Charcoal
painting of
Imru’ al-Qais
Famous work: Mu’allaqa. The Muʻallaqāt is a group of seven long Arabic
poems. The name means The Suspended Odes or The Hanging Poems, the
traditional explanation being that these poems were hung in the Kaaba in
Mecca while scholars have also suggested that the hanging is figurative, as
if the poems "hang" in the reader's mind.
→ Al-Khansa (575-645). She was one of the Arab world’s famous female
poets. Nineteenth-century Arab critics assigned al-Khansa’ to secondary
status in the hierarchy of Arab poets, yet she perfected the inherited forms
and themes of traditional elegies by adding new expressions, emotions, and
imagery. Her elegies about her brothers and children demonstrate a
marked shift in emotions and imageries from previous elegies.
Famous work: Elegy for Sakhr. In this work, which she lamented the
deceased’s integrity, gallantry, munificence, and justice. But to temper her
strong and tender expression of perpetual grief, a grief evinced by a
constant stream of tears which badly affected her eyes, she introduced new
universal themes such as patience, mishaps that befall man, man’s struggle
with his fate, and, his ultimate surrender to God’s will.
Elegy for Sakhr
By al-Khansa
- When, father?
- Tomorrow. Perhaps in two days, my son!