July 2011 - Cowdray
July 2011 - Cowdray
July 2011 - Cowdray
20 April 2011
London – Christie’s announce an historic series of three auctions from the Pearson family
collections. Five exceptional British portraits will be presented in the Old Master and British Paintings
Evening Auction on 5 July in London and three important lots of silver will be included in the
Exceptional sale of Decorative Arts on 8 July in London. On 13, 14 and 15 September Christie’s will
stage the largest and most important country house sale of the year offering over 1,000 lots at
Cowdray Park, West Sussex. The sales are expected to realize a combined total in excess of £10
million.
Orlando Rock, Deputy Chairman, Christie’s: “Christie‟s have a long history of offering the finest British
collections and we are pleased to continue this tradition by offering works from the Pearson family. This collection is led
by an outstanding group of British portraits and it is particularly exciting that this will compliment and bolster the
richest offering of British art that has been offered at auction for a generation this summer at Christie‟s; from the
sublime Stubbs from the Woolavington Collection to Lucian Freud‟s turning-point portrait „Woman Smiling‟; and
from Peploe‟s striking „Still-Life‟ to the Pearson Gainsborough. We look forward to revealing the Pearson collections
to the public for the first time, and also to a summer where we will showcase a truly outstanding selection of British art
to a global audience of collectors.”
Nicholas White, Senior Director, Old Master and British Pictures: “This is the finest group of
British portraits to be offered at auction for a generation. Thomas Gainsborough‟s magnificent portrait of Miss Read,
later Mrs William Villebois, is one of the most majestic full-length female portraits by the artist to remain in private
hands and we expect that it will establish a new record price for the artist at auction. The group also includes three
outstanding full-length Jacobean portraits the likes of which are very rarely seen on the open market which give a
glimpse of the elegance of King James I‟s court. We are excited to be offering these paintings at the evening auction of
Old Master and British Pictures in July, where they will undoubtedly attract the attention of international collectors.”
Thomas Gainsborough (1727-1788): Portrait of Miss Read, later Mrs William Villebois
Estimate: £4 million to £6 million
Gainsborough’s full-length portrait of Mrs William Villebois is one of
the most important works by the artist to remain in private hands. Mrs
Villebois was the daughter of Henry Read of Crowood, Wiltshire, and
his wife Frances (née Truman), and the granddaughter of the
celebrated brewer Sir Benjamin Truman (1700-1780). This portrait is
one of three full-lengths that Truman commissioned from
Gainsborough in the 1770s, including a portrait of himself (Tate
Britain) and a portrait of his other granddaughter, Mrs Meares
(Huntington Art Gallery).
The portrait can be dated to circa 1775-7 and shows Miss Read, who
was to marry her French dancing instructor William Villebois, dressed
in the height of fashion with her hair piled high surmounted by an ostrich feather. Gainsborough,
who was particularly aware of contemporary fashion, has lavished particular attention on her
shimmering dress which is loosely based on seventeenth century fashions.
After Truman’s death the picture descended in the Truman-Villebois family until it was acquired
privately, together with Gainsborough’s portrait of her sister, by the celebrated connoisseur and
collector Alfred de Rothschild (1842-1918) who hung it prominently at Halton House. The picture
was acquired by the 1st Viscount Cowdray in 1919 after Alfred De Rothschild’s death. It was last
seen in public in 1936.
The 1st Earl of Downe was the only surviving son and heir of John
Pope of Wroxton and Wilcot, in Oxfordshire, and his paternal uncle Sir
Thomas Pope was the founder of Trinity College Oxford. The Earl of
Downe was made a Knight of the Bath at the coronation of King James
I in 1603 and is shown in this portrait in the costume that he wore at
the ceremonies attendant upon his creation as a Knight of the Bath.
William Pope was to inherit the Wroxton estate which his uncle had
acquired in 1537 following the dissolution of the early 13th century foundation of Wroxton Abbey,
where he initiated the construction of a new house circa 1610. He is commemorated in the church at
Wroxton in a magnificent funerary monument.
Portrait of a Lady with two children, circa 1620, is attributed to Gilbert Jackson and is expected to realize
£300,000 to £500,000; and the magnificent Portrait of the Earl of Morton in the dress of the Royal Company
of Archers by Sir William Beechey, R.A. (1753 - 1839) carries an estimate of £500,000 to £800,000.
Full details will be announced at a later date. Early highlights include a magnificent early seventeenth
century portrait of a lady thought to show Catherine Carey, Countess of Nottingham, in an
extraordinarily richly embroidered dress (estimate: £250,000
to £350,000); Self-portrait, seated, in black, by celebrated Irish
artist Sir William Orpen, R.A., R.H.A. (1878-1931) (estimate:
£150,000 to £250,000); an Elizabethan Revival Oak Four-
Poster Bed, circa 1920 (estimate: £10,000 to £15,000); and
“Starshot” – A polo pony in the grounds at Cowdray, with Cowdray
ruins beyond by A.E.D.G. Stirling Brown (British, fl. 1920-
1929) which carries an estimate of £1,000 to £1,500.
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The current record for Thomas Gainsborough was established when A wooded landscape with a
herdsman, cows and sheep near a pool sold at Christie’s New York on 15 April 2008 for
$5,753,000 (£2,905,556).