Haikus For Jews by David M. Bader - Excerpt

HaikusForJewsInterior.
qxd 12/1/00 9:16 AM Page 4
Copyright © 1999 by David M. Bader
All rights reserved. No part of this book may be reproduced or trans-

mitted in any form or by any means, electronic or mechanical, in-
cluding photocopying, recording, or by any information storage and
retrieval system, without permission in writing from the publisher.
Published by Harmony Books, 201 East 50th Street, New York,

New York 10022. Member of the Crown Publishing Group.
Random House, Inc. New York, Toronto,

London, Sydney, Auckland
www.randomhouse.com
Harmony Books is a registered trademark of Random House, Inc.

Design by Barbara Sturman
Printed in the United States of America
Library of Congress Cataloging-in-Publication Data

Bader, David M.
Haikus for Jews : for you, a little wisdom / David M. Bader.
p. cm.
1. Jewish wit and humor. 2. Jews—Humor. 3. Senryu,
American. 4. Haiku, American. I. Title.
PN6231.J5B227 1999
811'.041088924—dc21 99-31954
CIP
ISBN 0-609-60502-X
10 9 8 7 6 5 4 3 2 1
First Edition
HaikusForJewsInterior.qxd 12/1/00 9:16 AM Page 7
There is no subject whatever

that is not fit for haiku.
—BASHO
This you call poetry?

—YIDDISH PROVERB
Foreword
O f all the many forms

of Jewish-Japanese poetry, the Jewish haiku is
perhaps the most sublimely beautiful. Consisting
of just seventeen syllables, this little-known style
of verse combines the simplicity and elegance of
Asian art with the irritability and impatience
of Jewish kvetching. Its brief, carefully wrought
lines are designed to produce in the reader a
“haiku moment”—a sudden, intense realization,
such as “So that’s it?”
The modern haiku owes its origins to

fifteenth-century Japan, where it was first noticed
that a seventeen-syllable poem was over much
sooner than other poems. After the failure of
experiments with eighteen- and nineteen-syllable
alternatives (“too bloated”), the haiku was em-
braced by Zen masters and Samurai warrior
monks, who were extremely pressed for time.
In keeping with the era’s rigid code of Bushido,
haiku poets who exceeded the seventeen-syllable
limit were given the choice of committing hara-
kiri—ritual suicide—or apologizing for being so
long-winded.
The earliest Jewish haikus were the contri-
bution of the now almost-forgotten Jewish Haiku
Mavens. Like the Japanese haiku, the Jewish haiku
was typically an untitled work, consisting of three
lines of five, seven, and five syllables, respectively.
It also had to include a kigo, or “season word,”

hinting at the time of year. For example, in tra-
ditional Japanese haiku, russet could suggest
autumn, dragonfly could mean summer, while
cherry blossom might connote spring. Similarly,
in Jewish haiku, sunblock could signify summer,
extra sweater winter, and doing my taxes spring.
In Jewish haiku, the season word was some-
times left out entirely and replaced by a “home-
furnishings word,”such as broadloom.
Perhaps the most brilliant poet of the Jew-
ish haiku was Sheldon “Sashimi” Lepstein, ac-
cording to his mother. Lepstein grew up aspiring
to be a retainer in the court of the Tokugawa
Shogunate. Since he was born on the Upper West
Side of Manhattan in 1948, he enrolled in City 10
s
College instead. There, influenced by such haiku
11
poets as Basho, Issa, and Shiki, he soon found
himself drawn to the works of Melvin Wein-

traub (“Floop, floop! The sound of / matzoh balls
plunging into / boiling chicken broth”) and Irving
Gittelman (“Pans empty, plates cleared, / yet
another pot roast is / now indigestion”).
Lepstein eventually mastered the intrica-
cies of the Jewish haiku himself. Some of his
finest efforts, the product of bitter life experi-
ence, were even more pointed and concise than
traditional haiku, such as his searing one-syllable
poem, “Oy!” and his two-syllable epic, “Gevalt!”
He is perhaps best remembered today for the
melancholy haiku
N o fins, no flippers,
the gefilte fish swims with
some difficulty.
Though adhering to the traditional format,

the haikus in this volume have been made more
accessible to meet the needs of Jewish people
who may be in a hurry. All syllables have been
counted and re-counted by the accounting firm
of PricewaterhouseCoopers. The author takes full
responsibility for any errors that may have crept
in, possibly as a result of proofreading after a
heavy meal and feeling a little sleepy.
12
s
13
Haikus
FOR
Jews
F ive thousand years a
wandering people—then we
found the cabanas.

H ey! Get back indoors!
Whatever you were doing
could put an eye out.
16
s
17
I n the ice sculpture
reflected bar-mitzvah guests
nosh on chopped liver.

H ow soft the petals
of the floral arrangement
I have just stolen.
18
s
19
S hocking new finding—
all this worrying really
will give you cancer.

C atskills hotel sign—
President Johnson slept here
Haven’t changed a thing.
20
s
21
A dd cholesterol,
overcook, then serve with bread—
recipe revealed.
B eyond Valium,®
the peace of knowing one’s child
is an internist.
22
s
23
F irefly steals into
the night just like my former
partner, that gonif.

T he same kimono
the top geishas are wearing—
got it at Loehmann’s.
24
s
25

Haikus For Jews by David M. Bader - Excerpt

Written by

Copyright:

Available Formats

Haikus For Jews by David M. Bader - Excerpt

Written by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Haikus For Jews by David M. Bader - Excerpt

Written by

Copyright:

Available Formats

HaikusForJewsInterior.

qxd 12/1/00 9:16 AM Page 4

Copyright © 1999 by David M. Bader

All rights reserved. No part of this book may be reproduced or trans-

Published by Harmony Books, 201 East 50th Street, New York,

Random House, Inc. New York, Toronto,

Harmony Books is a registered trademark of Random House, Inc.

Printed in the United States of America

Library of Congress Cataloging-in-Publication Data

There is no subject whatever

This you call poetry?

O f all the many forms

The modern haiku owes its origins to

It also had to include a kigo, or “season word,”

himself drawn to the works of Melvin Wein-

the gefilte fish swims with

Though adhering to the traditional format,

F ive thousand years a

found the cabanas.

H ey! Get back indoors!

Whatever you were doing

could put an eye out.

I n the ice sculpture

reflected bar-mitzvah guests

nosh on chopped liver.

H ow soft the petals

of the floral arrangement

I have just stolen.

S hocking new finding—

all this worrying really

will give you cancer.

C atskills hotel sign—

President Johnson slept here

Haven’t changed a thing.

overcook, then serve with bread—

the peace of knowing one’s child

F irefly steals into

the night just like my former

partner, that gonif.

the top geishas are wearing—

You might also like