LitePop Baby Syllabus
LitePop Baby Syllabus
LitePop Baby Syllabus
COURSE DESCRIPTION: Literature and popular culture, at times, collide, harmonize, negotiate. This course allows students to
discover how literature is expressed in popular culture forms like films, television, music, games, fashion, social media platforms, and
even in gastronomy (food). Their critical thinking, communication, and presentation skills will be enhanced as they demonstrate their
analyses of how literature inspires popular culture and how the different popular culture forms transform and appropriate the
storyline, elements, themes, and other features of literature.
KNOWLEDGE:
1. Recognize the distinction between the literary and the popular;
2. Rediscover the relevance of literature in our world;
3. Learn how literature is expressed in popular culture forms;
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Literature and Popular Culture (LITEPOP) – SMS English Area
SKILLS:
1. Critically read, identify, and discuss literary texts and themes that are represented in popular culture;
2. Analyze how literary characters, themes, storylines, elements, and other literary features are shown and appropriated in
popular culture by demonstrating critical thinking and writing in different in-class activities;
3. Present an analysis in an individual or group setting using varied creative presentation formats;
VALUES:
1. Reflect integrity and intellectual honesty in the varied writing discourses and multi-media presentations through accurate and
proper citations and documentations;
2. Manifest Benildean core values by reading, thinking, speaking, and writing critically and with consideration of diversity and
inclusivity; and
3. Espouse Benildean identity by living up with defined goals as a student and a citizen, and embracing a sense of purpose vis-
à-vis the Benildean Expressions (BenEx) of Lasallian Core Values.
COURSE STRUCTURE:
WORLMYT is an online course which will be conducted via BigSky (https://bigsky.benilde.edu.ph). All students should have an active
BigSky account in order to access the various lectures and accomplish the different activities that the successful completion of this
course requires.
A. Technology Requirements
1. Active BigSky account
2. Active Benilde email
3. A computer (desktop/laptop) or tablet (with working keyboard) with an updated operating system
4. Internet browser (Google Chrome, Firefox, Microsoft Edge)
5. MS Office
6. Programs that would enable the students to come up with short video presentations
7. Active Messenger account
8. Headset with microphone
9. Internet connection (preferably with at least 6mbps speed)
B. Communication Guidelines
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a. Uploaded lectures
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b. Announcements
C. Submission Protocol
1. Submission of requirements will be done through BigSky’s DropBox. Students should carefully read the names of the
folders within the DropBox, because they are required to submit their works inside the correct folder.
2. Students are expected to submit on the designated deadlines. Deductions will be given to late submissions.
3. Students should read the directions and rubrics carefully. Any questions regarding the directions or criteria should be
directed to the professor. The professor is expected to reply as soon as possible and clarify any activity-related queries
the students may have.
D. Netiquette
Communication is vital in this course, and as Benildeans, we are all expected to carry ourselves with dignity and composure
whether we are interacting with other people in the physical world or in the virtual world. Therefore, the following rules should
be observed when we are communicating with one another through messages, chats, or emails.
1. Provide your complete name at once upon entering the chatroom during an online discussion – this will be proof of your
attendance as well.
2. Read the chat carefully to avoid misunderstandings or illogical comments or replies.
3. No flooding will be allowed during online discussions.
4. Express yourself politely when sharing your thoughts, ideas, insights, or opinions. Only academically approved language
will be allowed, which means swearing, the use of offensive language, or green jokes will not be tolerated.
5. Respect your fellow students and professor. We are all coming from different walks of life and we should appreciate one
another’s differences when it comes to race, gender, personality, religion, culture, and tradition.
6. Help one another to overcome lesson difficulties. We are all in the same boat and we have the same aims, which are: to
successfully finish the course and to learn from one another.
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7. Do not be afraid to voice your ideas and opinions. Every input done in the spirit of camaraderie and learning is
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appreciated in this subject.
INCLUSION STATEMENT:
Benilde provides reasonable accommodations in classes for students with specific learning needs. If you need accommodations to
fully participate in this class or if you just need to consult something in relation to your learning condition please contact the Center
for Inclusive Education (CIE) so they can coordinate with subject professor on how to give you effective learning support. Send an
email to CIE at [email protected] or drop us a message on Facebook at fb.com/benildecie.
COURSE PLAN:
Intended Learning
Weeks Course Topics Evaluation Strategies (ESs) Resources Due Dates
Outcomes (ILOs)
Weeks 1-2 A. Course 1. Recalls the 1. Forum Post (Part of Recorded Lecture Individual Work:
Introduction definition of Participation Grade) Online Meme
Literature and January 19
literature and Generators:
Popular Definition of 2. Individual Work: Power
popular culture
Culture Literature of Pop Kapwing:
2. Demonstrates Forum Post:
(January 12 B. Definition of understanding of Directions: https://www.kapwing.c January 21
-January 21) Popular the relationship om/meme-maker
Choose a popular culture
Culture between popular
that had or still has an Adobe Spark:
culture and Group Work:
impact in the pupil’s life
literature by https://spark.adobe.co January 21
The student must explain
providing and m/make/meme-
the relevance of the
example of a maker/
chosen popular culture in
popular culture
his/her life Canva:
that was based on
a literary work The student must post https://www.canva.co
3. Creates a meme his/her answer in the forum m/create/memes/
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showing the
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I IMG:
influence of
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images and/or the source
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of the text/copy used in the
Weeks 3-4 A. Elements of 1. Recalls the Group Work: Comparison- Recorded Group Work:
the elements of the and Contrast Paper Lectures February 4
Literature and
Narrative narrative Text: The
Media: Directions and Grading
B. Literary Snow Queen
2. Understands the Component:
Narrative Theory: Movie: Frozen Discussion on
Feminist ideas
Elements and Feminist Choose a movie that was 2013 Group Midterm
used in the film
the Movies Theory based on any form of text Project –
Frozen 2013 https://xmovies8.p
C. Movies (for example: a short story, January 28
(January 26 – w/watch/8RVCeB
(Frozen 3. Explores and a novel, a graphic novel, a
February 4) ZJ/frozen-
2013) explains how the comic book, a folklore, a
themes, elements, biography, a historical 2013/watch-
and other literary account, or an free.html
features are autobiography)
appropriated in Compare-and-contrast the
the popular culture Reminder on
chosen movie to the actual
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forms. Group Midterm
text it was taken from
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4. Compares and Project
based on the following
Weeks 5-6 A. Movie, 1. Understands the Individual Work: History Recorded Individual Work:
History, Marxist ideas in and the Movies Lectures
Literature and February 18
and Social the film “The Biography of P.T.
Media: Direction and Grading
Reality: Greatest Barnum
Component:
Popular The Showman”
Culture and Greatest Choose a movie that https://www.smithsoni
2. Determines the anmag.com/history/tru
History Showman was inspired by an
similarities and e-story-pt-barnum-
(February 9 – B. Literary actual historical event
differences greatest-humbug-
February 18) Theory: or experience
between the them-all-180967634/
Marxist
actual historical Identify and explain the
Theory following: The Greatest
account and the
reality shown o 2 similarities Showman
within the movie between the
https://xmovies8.pw/w
historical
atch/egYV2ZDx/the-
event/experience
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greatest-showman-
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and the movie (2
2017/watch-free.html
points)
Week 7 A. The 1. Explores the Individual Work: The Recorded Lecture Individual Work:
Conversion social reality Melody of Pop Sirena by Gloc-9 March 4
Literature and
by J. Neil presented in both Literature https://www.youtu
Media:
Garcia the actual text and be.com/watch?
Music and Directions and Grading Group Midterm
B. Sirena by music video v=3nKmv5oDzBw
Literature Component: Project:
Gloc-9 How to create a
2. Determines if the
Choose a song or a recorded PPT: February 25
(February 23 - Submission of music video is in
February 25) Group harmony, or in music video that was https://www.youtu
Midterm collision, or in inspired by an actual be.com/watch?
Project negotiation with text (for example: a v=D8JV3w4TOVw
the actual text. poem, a short fiction, a
novel, a historical Group Midterm
3. Create a movie person, a historical Project
pitch based on a event, a comic book, a Submission
text and graphic novel, a play,
employing the etc.)
narrative elements Identify the title of the
song or music video (1
point)
Identify the title of the
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actual text (1 point)
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In a recorded PPT
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Behind their meanings The White Lady of
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Comics Component:
Trese Balete Drive Discussion on
2. Reads and
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2. Analyzes and o The culture it
explains how food
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came from
could be used to originally (2
Weeks 12-14 The Power of 1. Recognizes the Forum Post: What you liked Recorded Lecture Forum Post:
Threads difference between most and least in this subject? Fashion is Power March 30
The Popular
clothing, style, and Suggested activities? https://www.youtu
Culture of
fashion be.com/watch?
Fashion Individual Final Individual Work: My Cup of T
2. Understands and v=6k8YBJ5sgko April 1:
Project
(March 30 – appreciates the General Directions and Grade Individual Work
Submission
April 15) power of fashion as Component
a form or art and Individual Final
Grade Create a design for a Project Submission
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self-expression April 8:
Consultation white T-shirt
3. Creates a shirt Final Project
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Clearly state the social
design that would
issue that you are
Grading System
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Individual (40%)
Group (10%) - 50%
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ii. Class Participation
Behavior (5%)
(Observance of netiquette, Ability to submit on time)
Participation
Literature and Popular Culture (LITEPOP) (5%)
– SMS English Area - 10%
(Participation on the following: Forum Engagement)
iii. Midterm Output - 20%
iv. Final Output - 20%
LITEPOP MIDTERM GROUP PROJECT: Reel it Up! (22 points)
General Directions:
Clearly write your names.
Storyline should be based on an existing literary text, for example: a short story, comic book, novel.
Questions to Answer:
A. Relationship of Your Movie with the Literary Text it is based on: (6 points)
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C. Character (6 points)
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Main Character
4. Final fate in the story (Will he/she live? Will he/she be successful? Will he/she be happy by the end of the movie?) Explain
why you chose that ending for your character. (2 point)
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Literature and Popular Culture (LITEPOP) – SMS English Area
LITEPOP INDIVIDUAL FINAL PROJECT: FREED FROM THE PAGE (25 points)
Direction:
•Novel
• Short Story
• Play
• Comic Book or Graphic Novel
• Manga
• Role Playing Game
Visual Representation 10 points Could be clearly There are some Can be barely
related to the elements that connected to the
chosen text. A could not be chosen text
deep clearly
Design is dull
understanding of connected to the
the subject is chosen text Project has
clearly sloppy
Design is
manifested. appearance
adequate
Original and
Overall design is
creative design
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mostly pleasing
Overall design is and harmonious
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pleasing and
2) Give a brief background on your chosen character and the text he/she is featured in. (2 points)
3) State your reason why you chose that particular character. (2 points)
4) Explanation of your outfit design including a photograph of you wearing your outfit: (Note: photograph should be in a separate
short bond page) (10 points)
Every detail of your outfit should be relatable to your chosen character in terms of your character’s personality and
his/her storyline - this will include your hairstyle, accessories, and even your cosmetics.
For example: Why is it a skirt and not pants? Why choose that particular color? Why choose that cut? Why choose that pattern?
Why did you choose to wear those accessories?
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Literature and Popular Culture (LITEPOP) – SMS English Area
References:
Baker, S., Bennett, A., & Taylor, J. (Eds.). (2013). Redefining mainstream popular music. New York, NY: Routledge.
Boyce, C., & Fitzpatrick, J. (2017). A history of food in literature: From the fourteenth century to the present. Oxford, UK: Taylor &
Francis.
Brownie, B., & Graydon, D. (2015). The Superhero costume: Identity and design in fact and fiction. London, UK: Bloomsbury
Publishing.
Bru, S., Nuijs, L. , Hjartarson, B., Nicholls, P., Ørum, T., & Berg, H. (Eds.). (2012). Regarding the Popular: Modernism, the Avant-
Garde and High and Low Culture. Berlin, Germany: Walter de Gruyter.
Burns, G. (Ed.). (2016). A companion to popular culture (Wiley blackwell companions in cultural studies, 17). Chichester, West
Sussex: Wiley Blackwell.
Bushnell, C. (2012). Postcolonial readings of music in world literature. New York, NY: Routledge
Cardon, L. (2016). Fashion and fiction: Self-transformation in twentieth century American literature. Charlottesville, VA: University of
Virginia Press.
Carroll, R., & Hansen, A. (2016). Litpop writing and popular music. New York NY: Routledge.
Christou, A. (2017). Eating otherwise: The philosophy of food in twentieth-century literature. Cambridge, UK: Cambridge University
Press.
Collins, J. (2010). Bring on the books for everybody: How literary culture became popular culture. Durham, UK: Duke University
Press.
Counihan, C., & Van Esterik, P. (Eds.). (2013). Food culture: A reader. (3rd ed.). New York, NY: Routledge.
Egenfeldt, N., Smith, J., & Tosca, S. (2015). Understanding video games: The essential introduction. (3rd ed.). New York, NY:
Routledge.
Fried, D. (2014). Fictitious dishes: An album of literature’s most memorable meals. New York, NY: Harper Collins.
Gadpaille, M., & Kennedy, V. (2013). Words and music. Newcastle upon Tyne, UK: Cambridge Scholars Publishing.
Glover, D., & McCracken S. (Eds.). (2012). The Cambridge Companion to popular fiction. Cambridge, UK : Cambridge University
Press.
Hancock, J., Johnson-Woods, T., & Karaminas, V. (Eds.). (2013). Fashion in popular culture: Literature, media and contemporary
studies. Bristol, UK: Intellect Ltd.
Henthorne, T. (2012.) Approaching the Hunger Games trilogy: A literary and cultural analysis. Jefferson, NC: Mcfarland and
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Company Inc.
Juul, J. (2011). Video games: between real rules and fictional worlds. Cambridge, MA: MIT Press.
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Malloy, J. (2016). Social media archeology and poetics. Cambridge, MA: MIT Press.
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Literature and Popular Culture (LITEPOP) – SMS English Area