Judith Beheading Holofernes-Caravaggio: Andrea Restrepo Orozco
Judith Beheading Holofernes-Caravaggio: Andrea Restrepo Orozco
Judith Beheading Holofernes-Caravaggio: Andrea Restrepo Orozco
Liberty was and still is a concept of the most utmost importance in society, and such
approach seems to be represented on Caravaggio´s piece of work, the story of Judith and
Holofernes portrayed in the painting appears to emerge from the biblical tale itself, in this
tale Judith a widow and alluring woman sets herself up to saving the Jewish who have lost
all faith on earning freedom and have stopped resisting the army oppressing them. By
beheading Holofernes, Judith displays an act in which she parts with what was holding her,
in this case referring to the ruling army holding her people. From my own perspective and
analysis Caravaggio chose the beheading scene of the story in order to show a bigger
statement of the liberty earned. The feeling broadcasted by these obscene, yet somehow
brave action is one of fearlessness and determination, making the audience feel some
amount of confidence about themselves, especially in women and young girls.
And this takes us to the following asservation; parting from the common presumption that
most biblical figures portray conservatory and sexist ideas, id like to think of Judith as a
feminist symbol too early for the age she was written and painted in, by the clothes
displayed on Caravaggio´s painting, it can be inferred roughly the time in history this tale is
taking place, it is common knowledge women had little to no voice in these historical
settings so Judith´s bravery and sacrifice places an even bigger value for herself in the
painting and the symbol she portrays for the audience at the time and age the painting was
released. By the simple act of the author exposing a female icon slaughtering an historically
authoritative male figure and another female icon assisting on the slaying, it serves as a
reminder of women triumphing over tyrannical men.
Vulnerability and innocence; Judith´s facial expression shows discomfort and disgust, a
sign of her prevailing innocence despite the gruesome practice, her clothes seem to be the
only clear color on the scenery, a vibrant white that represents virginity and womanhood,
along with small and defined facial features, she appears young and childish yet beautiful,
also a symbol of naiveness. All this together with a vigorous red cloth in the background
makes the contrast idea of the loss of that innocence, almost like her virginity was lost, this
also derives from the fact that in the previously mentioned biblical tale Judith hands over
herself fully using her beauty and youth to Holofernes in order to gain his trust, it can be
inferred that sexual intercourse was a must for powerful corrupt men at that time.
Furthermore, Artemisia Gentileschi a famous female artist in the 17th century, painted her
own version of Caravaggio´s work of art to make a statement about the sexual abuse and
rape she suffered in her youthful years, seeing Judith´s story as parallel with her situation,
The brutal depiction in the monumental Judith Slaying Holofernes is often interpreted as a
painted revenge for the rape women have had to suffer.