Dove: Evolution of A Brand
Dove: Evolution of A Brand
Dove: Evolution of A Brand
A counter on the billboard showed the votes in real time. The campaign attracted keen
public interest, as “outsized” first raced ahead and then fell back.
2.The next series of Dove ads, in June 2005, were known internally as the Firming
campaign because they promoted a cream that firmed the skin.
They featured six “real” women cheerfully posing in plain white underwear.
Dove marketing director forthe U.S., Kathy O’Brien, told the press that the
company wanted the ads to “change the way society views beauty,” and
“provoke discussion and debate about real beauty.
3.The next step in the campaign was particularly controversial. At a Dove leadership team
offsite meeting, an effort was made to engage executives in the idea behind The “Campaign for
Real Beauty” by filming their own daughters discussing their self-esteem challenges.
The impact was enormous, and the Ogilvy and Mather advertising agency
quickly turned the idea behind the film into an ad.
Youtube Video : Dove true colours superbowl commercial
Tillemans,The general manager of unilever’s north American skin business commented,
“Here was a brand in the health-and-beauty category, blatantly out to debunk the dream that
supermodel beauty was within your grasp. We were saying that the beauty industry was
portraying an unattainable and stereotypical image of beauty, and yet there we were in the
beauty industry.”
Nevertheless,
supporters of the ad prevailed and it ran in the 2006 broadcast of the Superbowl football.
4. Stage four of the Real Beauty campaign involved not an advertisement, but a film. In
Canada, the Dove regional brand-building team was running self-esteem workshops for
women, and advertising agency Ogilvy and Mather developed a 112-second film to drive
traffic to the workshops.
Video : Dove real beauty sketches “you are more beautiful then you think”
Unilever crafted a mission statement to serve as an anchor to the variety
of creative initiatives that unified “The Campaign for Real Beauty.”
Harousseau described Unilever’s media plan for “The Campaign for Real Beauty” as
breaking every rule in the company.
The ad was released to YouTube, and it was among the most downloaded commercials
ever to appear on YouTube, and its popularity was the subject of considerable
newspaper, radio and television coverage.
It generated volumes of discussion on chat rooms, with contributions on topics
like anorexia and heartfelt interchanges between fathers and daughters.
PUBLIC RELATION
Unilever established the global Dove Self-Esteem Fund to raise the self-esteem
of girls and young women.
In the U.S., the fund supported uniquely ME!, a partnership with the Girl Scouts
of the USA that helped build self confidence in girls aged 8 to 17 with
educational resources and hands-on activities.
CONCLUSION
In September 2006, Landor Associates identified Dove as one of 10 brands with the
greatest percentage gain in brand health and business value in the past three years.
Thousands of blogs and Internet chat forums showed a rich diversity of public dialog.
“Taking up the cudgels for reality is a risky strategy for Dove. The underlying idea is
appealing; the difficulty is in how to express it. When Dove ran its Masterbrand advertising, it
was criticized by some for choosing unrepresentative “real” women—a 96-year-old, described
by one marketer as: “the old lady equivalent of a super-model”; a heavily freckled, but
enviably cute, 22- year-old, and so on. The latest campaign has a harder edge, tipping the
balance away from aspiration toward realism
DISCLAIMER:
These slides were created by Divyanshu Pal Nagar,
as part of an internship done under the guidance of
Prof. Sameer Mathur (www.IIMInternship.com)