Dell Lillinger Westergaard Beats: Release: 29 January 2021 On PLAIST (EDEL)

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DELL LILLINGER WESTERGAARD

BEATS
Release: 29 January 2021 on PLAIST (EDEL)
Grid, Complex, Rough, Morph, Multidimensional Beats
Played, Constructed and Deconstructed in Real Time by
DELL, LILLINGER WESTERGAARD A Beat-Structure Work!

BEATS is the third album by Dell, Lillinger, Westergaard. The


recording is the continuation of the research by DLW that
started with GRAMMAR and GRAMMAR II released last year.
Contrary to its predecessors BEATS operates in reverse order:
“While the former publications derived from the construction
of larger forms through the use of minimal structures, the
musical research exercised in BEATS fragments a larger
superstructure into minimal entities that are then worked
through in processes of iteration and reconfiguration”, explains
Christopher Dell.

Grid, Complex, Rough, Morphed, Multidimensional Beats


The focus lies on beat as an accentuated metric pulse. “Our aim was to highlight our structural
research through beats within notated bars from different angles”, says Christian Lillinger. With
this album, DLW present their very own take on putting different perspectives on beats as a
subject matter at the centre. DLW are playing, constructing and re-constructing, complex, rough
and morphed multidimensional grid beats all in real-time. Structural, highly complex, polyphone
rhythms (parts) appear as sealed “beat” patterns. Through accent shifting they are reinterpreted
and stretched as loops making the multi-dimensionality audible.

Mindfully produced and created, the sound is three-dimensional, powerful and almost hyper-
realistic. You can hear the musicians breathing amongst the sound of the instruments bringing
the listener ever closer to the action. Christian Lillinger states: “Furthermore, we designed the
sound in post-production - in real-time mind you – in such a way that extreme closeness and
plasticity make the multi-dimensionality more tangible”.
Re-Wiring, Re-Shuffling, Re-Assembling, Retroactive, Reverse Function, Open Form, Minimal
Structure, Diagrammatic Play

Everything was recorded in a single room in close proximity to each other allowing for an extremely
direct and immediate communication. This also guaranteed that there were no latencies in the
actions, reactions and the sound. “We used sampling during the recording process ourselves, so to
speak”, as Christian Lillinger explains.

Cut Up
The album is presented as a “cut up“ with a harsh separation between each track, on purpose.
Although they have been recorded in one flow, the tracks are meant to be conceived of as individual
collages within the tradition of hip-hop sampling.

--end
About DELL LILLINGER WESTERGAARD (DLW)
The trio DLW combines energetic playing with structural composition in real time. The
interaction results in high energy that materializes in different layers of sounds, relationscapes.
Form comes into being through musical production. Thereby, the trio transcends the usual
dichotomy of rhythm section vs. solo player. Their recording “GRAMMAR“ (released on gligg-
records) demonstrates the trio’s specific structural approach to form making in manifold
perspectives. Other projects include the follow up recording “GRAMMAR II” (2019 on PLAIST),
which examines structural framework as a set of strategic perspectives in music, as well as their
collaboration with the pianist Tamara Stefanovitch (2020) and with electronic musician and
producer Johannes Brecht as DBLW, which is documented in their release “BOULEZ
MATERIALISM” from 2018 (PLAIST).

Ensemble
Christopher Dell – Vibraphone
Christian Lillinger – Drums
Jonas Westergaard – Bass

Track list Recording details


1. Configuration I Recorded 27th February 2020 at Bewake
2. Configuration II Studios in Berlin by Martin Waschkowitsch
3. Configuration III Mixed by Martin Waschkowitsch and DLW
4. Configuration IV 2020
5. Configuration V Mastered by Zino Mikorey 2020
6. Configuration VI Lacquercut by Andreas Kauffelt at
7. Configuration VII Schnittstelle Berlin 2020
8. Configuration VIII Design by Katrin Lillinger, Christian Lillinger
9. Configuration IX All Compositions by Dell Lillinger Westergaard
10. Configuration X (GEMA)
11. Configuration XI With liner notes by Ulrich Stock of DIE ZEIT,
12. Configuration XII* who joined the band for 13 hours during the
13. Configuration XIII production of this record
*4th movement from „Six Bagatelles“ by Produced by PLAIST and Christian Lillinger
Anton Webern Cover art picture by Edith Ringer
Special thanks to Hans Lufft

Dell Lillinger Westergaard - BEATS is released by PLAIST (EDEL) on vinyl (Limited Edition, 180g),
CD in premium metal casing (Silver & Gold Edition) as well as digitally.

Press contact: Ben M Painter - Plaist Music – mobile: +44 753 171 6442 – e-mail: painter@plaist-
music.com – www.plaist-music.com

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