Death of A Salesman: What's Inside in Context
Death of A Salesman: What's Inside in Context
Death of A Salesman: What's Inside in Context
Salesman
Study Guide by Course Hero
d In Context ..................................................................................................... 1
d In Context
a Author Biography ..................................................................................... 2 Arthur Miller wrote Death of a Salesman, which was first
performed in 1949, only a few years after World War II ended in
h Characters .................................................................................................. 3 1945 and within a decade of the end of the Great Depression
(1929–1939). Both eras had a significant impact on the work of
k Plot Summary ............................................................................................. 5
Miller and on Death of a Salesman in particular, which is set in
c Section Summaries ............................................................................... 10 the late 1940s in Brooklyn, Manhattan, and Boston.
g Quotes ......................................................................................................... 18
l Symbols ..................................................................................................... 20
The Great Depression
m Themes ...................................................................................................... 20 With the crash of the stock market in 1929, America
plummeted into the worst economic downturn it had ever
b Stage Directions .................................................................................... 22 faced. Many banks, companies, and individual families lost
everything, leaving a bruised national psyche that lacked
e Suggested Reading .............................................................................. 23
confidence about the future.
GENRE
World War II
Drama
The limping U.S. economy improved as parts of the globe
ABOUT THE TITLE plunged into World War II in 1939. The economy shifted into
Death of a Salesman refers to the literal and metaphorical high gear as manufacturers began to develop mechanized
death of salesman Willy Loman. The title comes from a line in weaponry, communication technology, advancements in
the play; a character is said to die "the death of a salesman, in medicine, and improved transportation to support the war
Death of a Salesman Study Guide Author Biography 2
effort. By the time the war ended in 1945, new technologies perpetually frustrates Loman. In the end, the promises of the
focused on domestic improvements, including everything from future ring hollow as Loman's sense of identity is unfulfilled, his
washing machines and refrigerators to automobiles. relationship with his older son is fractured, and he is unable to
adapt to the changing world around him.
Turning away from the horrors of the Great Depression and
the war to the reaffirmation of life back at home, many
a Author Biography
Americans availed themselves of new technology, creating and
embracing a new American consumerism. Thanks to
advertising and the new mood of optimism, many people
believed they could "have it all"—a nice home, a happy family, Arthur Asher Miller was born into a Jewish immigrant family in
and all the products that could keep life running smoothly. New York City on October 17, 1915. Miller's father, a small-
business owner in Manhattan, manufactured coats, while
Miller's mother taught. The family enjoyed financial success
The American Dream until the stock market crashed in 1929, when, like many other
Americans, they lost their savings. This loss forced them to
relocate from affluent Manhattan to working-class Brooklyn.
The well-known phrase "the American Dream" was first used
by historian James Truslow Adams in his 1931 book The Epic of
Miller's experience as a teenager growing up in Brooklyn was a
America. In part Adams describes the dream as a place where
mixture of the American Dream and Great Depression–era
"life should be better and richer and fuller ... with opportunity
reality. He was a well-known and well-regarded high school
for each according to ability." However, he cautions that the
football star; yet after graduation he worked his way through
dream is not focused on "motor cars and high wages" but
college, earning $15 per week at an auto parts warehouse. He
rather on a "social order" in which people are empowered to
also took jobs as a truck driver, waiter, and tanker crewman.
reach their highest capabilities and "be recognized by others
These experiences never left Miller. Even after his success as
for what they are," an idea Willy Loman returns to again and
a playwright, he continued to work in factories from time to
again as he wrestles with the importance of being well liked.
time, saying, "Standing eight hours a day at a machine in one
place, you know what it's about."
However, the goal of making the American Dream something
concrete rather than philosophical has often eluded Americans
The effects of the Great Depression on Miller's family and the
such as Willy Loman, as they have struggled to define it within
country would later influence Miller's work and characters,
the reality of American living. Some have translated the dream
including the ambitions and dissatisfactions of the main
into materialism, while others emphasize simple living. Some
character, Willy Loman, in Death of a Salesman. New York
view America as the land of opportunity, where everyone has
Times critic Brooks Atkinson wrote that Willy Loman is a man
an equal chance of reward as the result of a productive work
haunted by "the phantom of his life" catching up with him:
ethic. Still others argue that aspects of culture such as poverty,
"suddenly, there is nothing."
classism, racism, and sexism keep the dream elusive for
millions of Americans. Writer Thomas Byrne Edsall cautions Following its opening at the Morosco Theater in New York on
that America's "growing gulf between the affluent and middle February 10, 1949, Death of a Salesman became one of the
classes [is] anathema to the American Dream." However, for best-known and most highly revered plays of the 20th century.
Eleanor Roosevelt, the American Dream remained an "essential Death of a Salesman received many awards, including the 1949
task" for Americans, who must be constantly reminded of its Pulitzer Prize for Drama and the Tony Award for Best Play,
"brightness ... splendor and beauty." These contrasting securing Miller's reputation as one of the country's greatest
statements testify to the continuing challenges for Americans playwrights. The play has been staged countless times since
of both defining and achieving the American Dream. its original Broadway run, and the 1985 movie version starring
Dustin Hoffman and John Malkovich was critically acclaimed.
The American Dream of the 1940s is reflected in Willy Loman's
desires to achieve social recognition and material success, but Miller died on February 10, 2005, at age 89.
his sense of optimism has long been frustrated, and the
technology that promises to make life better and more fulfilling
Linda Loman
Linda's primary roles as Willy's wife are supporter, advocate,
and defender. Secondarily, Linda is the mother of Biff and
Happy. The tension of trying to keep her family functional
motivates her character. In many ways, she is a typical
housewife of her era, focused on her domestic responsibilities
and her family.
Biff Loman
Biff is Willy and Linda Loman's older son, 34 years old at the
time of the play. As a child, Biff idolized his father and worked
hard to please him, especially through his high school football
career. Like his father, Biff values being liked more than
adhering to ethical rules and begins a practice of stealing, an
act Willy does not condemn. His conflict with his father is
driven by Biff's desire to finally come clean and live truthfully.
Happy Loman
Happy, the Lomans' younger son, is a 32-year-old womanizing
deceiver who shares many of his father's characteristics. He
Character Map
Brothers
Biff Loman
Older, disillusioned son Mother
and Son
Brothers Spouses
Willy Loman
Disillusioned salesman;
Mother and Son
disappointed in career
and sons
Father
and Son
Neighbors
Charley
Boss and Happy Loman
Willy's friend and
Employee Younger, shallow son
neighbor
Brothers
Howard Wagner
Willy's employer
Main Character
Minor Character
Linda, whose name means "beautiful," is Uncle Ben is Willy's older brother, now
the conventional wife of Willy Loman. dead, who traveled to Africa at age 21
She helplessly recognizes her husband's Uncle Ben
Linda Loman and made his fortune. His success
disintegrating state of mind and tries to haunts Willy.
protect him from himself and his sons'
judgment.
who traveled to Africa as a young man and became rich in his drives away quickly, and intentionally causes a car accident,
20s. Ben's success is a constant reminder to Willy of his own which kills him.
failure to "make something" of himself by becoming a wealthy
businessman. In the Requiem of the play, the family and their neighbors,
Charley and his son Bernard, reflect around the grave on
In a conversation with her sons, Linda Loman explains what Willy's life. Biff clearly recognizes that his father "had the
she knows about Willy's state of mind. In his depression, he is wrong dreams." Happy is unable to face reality, declaring that
secretly borrowing money from a neighbor and has at least Willy's life goals are admirable. Linda, although grieving deeply,
considered suicide. Linda reveals that she finds a rubber tube acknowledges that the money from Willy's sacrifice has in fact
in the basement with which Willy might asphyxiate himself. She set the family "free."
pleads with her sons to reestablish their relationships with their
father.
Back inside the house, Willy and Biff have a final confrontation
in which Biff calls Willy a "phony" and announces a plan to
leave the family for good. Yet Biff is also clearly saddened by
these events and goes to his room crying. Moved by his son's
tears, Willy decides to put his suicide plan into action to
provide the funds his family needs for the future.
After everyone else has gone to bed, Willy leaves the house,
Plot Diagram
Climax
7
10 Falling Action
Rising Action
6
11
5
4 12
3 Resolution
2
1
Introduction
Introduction Climax
1. Willy Loman returns home early from a business trip. 9. After this discovery, Biff thinks of his father as a phony.
2. Willy and Linda discuss their financial situation and sons. 10. Willy determines to get life insurance money for his family.
3. Willy remembers his sons' previous approval and affection. 11. Willy kills himself by crashing his car.
Timeline of Events
Same day
Same day
Same day
Same day
Same day
Act 1, Section 1 desire to grow something in nature circles back at the end of
the play when a delusional Willy tries to plant a garden in his
dark city yard.
Summary Linda's unwavering love and devotion are clear from the
beginning of the play, where the stage directions describe how
The play opens in the present between Willy and Linda Loman "she more than loves him, she admires him," because she
in their home. shares Willy's hopes and dreams. This description provides an
early clue regarding Linda's intentional blindness to Willy's true
The stage directions describe a flute that plays in the
nature.
background as Act 1 begins. The audience sees the Lomans'
"small, fragile-seeming" home in Brooklyn, New York. The As is his tendency, Willy moves from despairing about himself
house is shadowed and physically crowded by the large to judging others, in this case his son Biff. The ongoing tension
apartment buildings around it. between Willy and his son Biff over what it means to be
successful becomes clear as Willy and Linda reflect on an
Late at night, Willy Loman returns from a business trip earlier
argument the two men had earlier that day. Willy is unable to
than expected. Linda, his wife, gets out of bed to greet him.
accept, despite his own struggles with the American Dream,
Willy confesses that he was unable to make any sales and
that his son may not fit the mold his father wants to force him
became confused on his trip, forgetting that he was driving and
into. Willy accuses Biff of being lazy, while his mother claims he
veering off the road—something that has become a pattern.
is merely lost.
Willy's confusion will only increase as the play continues. His
wife, ignoring his confusion, encourages him to talk to his boss
about getting a stationary job in the corporate office, since he
has been working for the company for many years and
Act 1, Section 2
deserves it.
Willy and his wife then discuss their son Biff, who has recently Summary
returned to New York from the West and is asleep upstairs
along with his brother, Happy. The couple talks about Biff's Biff and Happy talk in their bedroom in the present as Willy talks
inability to find stable, high-paying work and the ongoing to himself downstairs.
tension between Biff and Willy about what it means to be a
The setting shifts to the Lomans' sons' bedroom, where both
success.
30-something men are staying because of Biff's visit. The
stage directions state that both are dreamers who are lost in
and Biff's ongoing struggle to decide what work will fulfill him in
life.
Summary
Happy reflects on his own discontent with his low-level job, his Willy experiences his first memory flashback with his boys and
loneliness, and the quality of people around him. Biff then with Linda.
brainstorms about getting some investment money from a
Already talking to himself in the background, Willy now comes
former employer, Bill Oliver, to start a ranch.
into view in a flashback.
Downstairs, Willy is heard talking and laughing to himself in a
He gave advice to his sons about women as they washed the
confused way.
car. Biff presented his father with a new football, one that he
stole from the locker room. Willy's initial disapproval turned to
admiration of his son's ambition.
Analysis
The boys discussed a future trip together as well as the
Happy is a womanizer who speaks about women only as upcoming big football game, in which Biff later played a
conquests, but he also acknowledges that despite having his starring role. Biff and his father were eager to impress one
own apartment, car, and women, he is still lonely. Presented another, and the family's hopes ran high that Biff would attend
with the option to leave with Biff, however, Happy reveals his the University of Virginia. Bernard entered and raised the
real drive to be a success in his need to "show some of those question about whether Biff would be able to graduate
pompous, self-important executives over there that Hap because of his poor grade in math.
Loman can make the grade." Happy is a victim of his own self-
deception and has no real moral center: he sleeps with the When Linda entered, the couple discussed Willy's commission,
fiancée of the vice president of the store, and he the family's finances, and the money they owed on several of
acknowledges behaving this way repeatedly. their appliances. Willy's optimism faded as he privately told his
wife that people laughed at him and did not like him. Linda
The conversation also reveals more about Biff's tension with praised Willy for being the "handsomest man in the world" just
his father as well as his own inner tension between the craving as the laugh of an unknown woman is heard offstage.
for an adventurous outdoor life and the need to succeed
according to his father's formula for success. Biff admits that
he does not even know what he is supposed to want. Biff, in Analysis
many ways much like Willy, has a longing for nature and an
abhorrence of the business life—phone calls, selling, keeping The tone of Willy's memory is initially happy as he looks back
stock, and so on—particularly "when all you really desire is to on his time with his sons and his dreams for his own and their
be outdoors." futures. However, by the end of this section, he is full of doubt
and disillusionment because he does not believe he is well
Biff's past is marked by some deception, which is first revealed
liked. Fluctuating between self-promotion and despair, Willy is
when he brings up the idea of visiting Bill Oliver to ask for an
unable to make peace with who he really is.
investment. Apparently, when he worked for Oliver years ago,
Biff stole a carton of basketballs and lost his job as a result. Willy hints at the American Dream again when he describes the
However, Happy and Biff both spin the truth about what really road trip he and his sons will take together sometime when it
happened for their own benefit and to avoid facing the truth will "be open sesame for all of us ... I have friends," suggesting
about themselves. that connections with important friends will open doors to the
American Dream for Willy and his sons. He also holds tightly to
the hope that his son Biff will go to an important university and
Act 1, Section 3 earn a name for himself. Yet as the phrase "open sesame"
indicates, these dreams are illusions.
The incident with the stolen ball reveals some cracks in Willy's
moral code. Instead of playing the fatherly role and disciplining not need a job.
Biff, he embraces the notion that the rules do not apply to Biff
because he is special and has the kind of ambition that makes
a person successful. Willy makes similar exceptions for Analysis
himself, as seen when his affair is revealed.
The first details of Willy's affair with The Woman are revealed.
In this section of the play, the line between truth and lies In addition to showing a new level of deceitfulness on Willy's
continues to be murky. Is Willy always reliable when he speaks part, it also shows his deep need to be liked. He is pleased
about his success, or is he spinning the truth to his own when The Woman tells him that she picked him and that he is a
advantage? Willy adjusts the truth when he discusses his wonderful man. Only a few lines later, Linda calls Willy "the
income with Linda, first suggesting that he is making a higher handsomest man."
commission than he really is. It is only after further discussion
that it becomes clear that they are struggling to make ends In the flashback, Willy gives the woman silk stockings, a
meet. luxurious and intimate gift at the time, even as his wife will
repair her damaged ones. An offstage laugh from The Woman
This section also reveals more about Willy's idea that being is heard again, continuing to haunt Willy and emphasize his
liked and having a good reputation are the keys to success. He deceit.
explains that "the man who makes an appearance ... is the man
who gets ahead" and brags that people up and down New It is clear that Willy alternates between excessive praise of and
England know who Willy Loman is. excessive harshness toward Biff, never able to settle on a
realistic view of his son or provide the guidance and leadership
Although Willy embraces an American Dream that promotes that Biff needs.
progress, he appears unable to accept some elements of a
changing world. For example, the technological advances of Willy is also unable to be truthful with his generous neighbor
the car and refrigerator cause him frustration and distress, Charley, who is able to see through Willy's façade. Instead,
revealing an ongoing cycle of consumption and repair. Like so Willy's pride makes him rude and disrespectful to someone he
much of the American Dream, the notion of deep satisfaction should view as a friend.
that stems from progress may be an illusion.
Act 1, Section 5
Act 1, Section 4
Summary
Summary
In an imagined scene from the past, Ben talks about his
Willy's past affair is revealed, and the neighbor Charley offers success to Willy.
Willy a job in the present.
As Charley and Willy continue to play cards, Ben Loman enters
Still in the past, Willy talks to the woman with whom he had an from the past. Willy asks him a number of questions about their
affair as a younger man and to whom he gave some new past, including the fate of their father. Ben reveals that their
stockings. Gradually, the action changes to Willy talking to father, a flute maker, took the family across the country before
Linda, still in the past, about not mending stockings in front of eventually abandoning them. Ben reveals his own tale of
him and Biff's need to study in light of his poor math grades. success in the diamond mines of Africa, where he became rich
by the time he was 21.
Back in the present, Willy explains to Happy why he has
returned early from his trip, and Charley, the next-door Trying to impress Ben, Willy brags about his sons, who have
neighbor, shows up for a game of cards. During the game, been stealing, and asserts that he is raising them well. Ben
Charley interjects a job offer for Willy, but Willy claims he does reassures him that they are "outstanding, manly chaps!"
Feeling guilty, Biff agrees that it is best for him to try to find a
Analysis job in the city to help support his parents. Quickly, however,
Biff and Happy get into an argument regarding the definition of
A confused, dreamlike effect emerges as the past and present
success.
overlap and conversations are hard to follow. The confusion
mirrors the confusion in Willy's own mind as he struggles to
keep track of reality. He can no longer remember what is real
and what is imaginary, what is past and what is present.
Analysis
The symbol of Distant Lands, in the form of Alaska and Africa, Linda's approach to Willy is unique among the other characters
appears, representing Willy's lost chance for escape and in the play. She is loyal and loving to Willy: "I won't have anyone
freedom. Willy asks Ben the question that has plagued his life: making him feel unwanted and low and blue." Yet she suffers
"What's the answer? How did you do it?" Willy reflects on how from her own form of self-deception. She is never able to say
his own life might have been different if he had followed his to Willy what he needs to hear about his own ambition and
brother. Ben repeats his story of success several times in this need to be liked. Additionally, she lets Willy treat her with
section of the play, making clear just how much his success disrespect and does not stand up for herself.
The flute, a symbol of Willy's father, plays. Willy, who lives in loves to be outdoors, but he feels the need to be successful in
Brooklyn, continues to struggle with his identity, the son of a the eyes of the world, as well. He is more devoted to his own
"wild-hearted man." lnsecurely, he defends himself and the way need to find a sense of success than he is to his family. He
that he raises his sons, although he recognizes the clear lives with an ongoing inner tension between the desire to be an
difference between his sons' childhood and his own. It is clear outdoorsman and the desire to earn a name for himself in the
that Willy is not grounded in enough of a sense of self to live business world.
Summary Summary
In the present, Linda, Biff, and Happy discuss Willy's state of
In the present, the Loman family discusses Biff's prospects.
mind.
The whole family gathers in the house where the ongoing
With Willy out of the house on a walk, Linda and her sons
thread of the argument about Biff's choices and future is
discuss Willy's fragile state of mind. Linda chastises both of her
interwoven with optimism about the boys starting a sporting
sons for their treatment of Willy and pleads with them to show
goods business. Willy fluctuates between harsh criticism of Biff
him more respect and to come around more often. Biff defends
and unrealistic praise. Willy is rude to Linda for almost anything
himself and tells Linda that Willy has always treated her with
she says, while Biff defends her, asking Willy not to yell at her.
disrespect, but Linda will not face that truth. Linda explains to
her sons that Willy is not earning salary, is taking loans from Biff makes a plan to talk to a former boss about an investment.
Charley, and has tried to kill himself a number of times. In Willy agrees to talk to his boss, Howard, in the morning. The
addition to car accidents, Linda discovers a length of pipe in section ends with Biff taking the rubber tube out from behind
the basement, presumably for a suicide by gas. the heater without his parents' knowing. This is the end of Act 1
and the end of that day. before Willy leaves to meet his boss, Howard. Hopes are high
that he will get a local position and that Biff will get the
financial backing he needs. Willy is thrilled to learn that his
Analysis sons have issued an invitation for dinner at Frank's Chop
House.
The theme of the American Dream and Disillusionment and the
elements of financial and reputational success continue to In a long conversation in Howard's office, Willy makes his
develop. Willy mocks his son's dream of living in the West and request for a new job, referencing his long history with the
self-deceptively presents himself as a fine figure in business: company and his relationship with Howard's father. Willy has
"Call out the name Willy Loman and see what happens! Big been with the company since Howard was born. Willy also tells
shot!" Howard the story of Dave Singleman, the salesman who
inspired Willy to follow this career path. Instead of listening to
But even as he is praising himself, Willy's insecurities crop up. Willy, Howard talks only about himself, his family, and a new
He is paranoid about being insulted. Willy cannot seem to make recording device he has purchased. Then he fires Willy based
up his mind about how to judge his son Biff because he cannot on his recent performance. Willy is defeated.
make peace with his own choices. No sooner does Willy
criticize Biff than he praises him as a great investment for a
business: "There's fifty men in the City of New York who'd Analysis
stake him."
In the midst of an optimistic dialogue with Linda, the silk
As the family discusses the possibility of a Loman Brothers stockings appear again. Willy asks his wife to stop mending
sporting goods business, Happy reveals the deep need they all them—an ongoing symbol of both his long-standing lies to her
have for a sense of family to trump business success, hoping about his affair and their true financial state.
that "it'd be the family again" and there could be "the old honor,
and comradeship"—something the family lacks in all their In his optimistic state of mind, Willy tells Linda he will buy seeds
antagonism and self-deception. This broken family is missing to plant a garden—an impossibility given the lack of sunshine in
the basic foundation it needs to deal with the world beyond the the yard due to the high-rise buildings that surround the house.
walls of its house. His desire to nurture a small piece of the natural world despite
the reality of the situation reveals Willy's ongoing self-
Biff again draws attention to the disrespect with which Willy deception as well as his lack of control over the world around
treats Linda, defending her and asking Willy not to yell at her. him.
Yet Linda defends Willy, revealing her level of self-deception.
Her identity is wrapped up in Willy and in the hope of his Willy's battle continues with the advances of the modern, man-
success rather than in an accurate perception of herself. made environment—a world that Willy says he embraces. He is
discouraged by the need to pay his insurance premium, the car
mechanic, and the refrigerator repair. He bemoans the ongoing
Act 2, Section 1 cycle of trying to get ahead. In Howard's office, the wire
recorder creates a haunting sense of a future where people's
voices can be disconnected from their bodies.
Willy talks to Ben in a daydream and then talks to Charley in his Charley and Bernard do not brag about themselves,
office in the present. particularly about the fact that Bernard will present a case
before the Supreme Court, thus underlining a sharp contrast
Ben reappears in Willy's mind, inviting him to join him on his trip between their family and the Loman family, whose false pride
to Alaska. Willy declines at Linda's urging. Willy brags to Ben stands in the way of truth and fulfilling relationships.
about Biff and Happy and asks Ben to stay and help raise the
boys. Willy is unsure that he is a good father. Charley foreshadows the play's outcome when he reminds
Willy to pay his life insurance and says "nobody's worth nothin'
Ben departs the memory, and young Bernard races in. It is the dead."
day of the big football game and hopes are running high. Willy
calls it "the greatest day of [Biff's] life."
fact that he has been fired. There is a flaw in Willy's character before their father arrives. In no time, Happy is picking up a
here in that he is too proud to accept work but not too proud woman and trying to procure one for his brother; both women
to ask for money. Not only does Willy reject Charley's offer, but are presumably prostitutes. Biff admits that he waited all day
he is rude and disrespectful to him. for Bill Oliver, who did not recognize him. In frustration, Biff
went into Oliver's office and stole his expensive fountain pen.
Distressed, Biff wants to come clean to his father and admit
Analysis everything. Happy discourages him from telling the truth.
time, although Willy associates it with Biff's failing math and exposed. Biff and Willy compete with each other in their need
Bernard associates it with the Boston trip. to confess the truth of the day. However, Biff is defeated by his
father. Willy's confession about his firing, nevertheless, is
When Willy turns to Charley, it seems that truth and friendship quickly overshadowed by self-deception as Willy and Happy
work to create a new lie to cover the reality. Biff struggles moment is the long-hinted-at turning point in Biff's life—the
between his own urge to finally come clean and the habit of moment the older Bernard refers to when he says that
spinning the truth to keep up the illusion of success. Here, Willy something changed Biff during his trip that summer.
acts as a force who actively resists Biff's truth-telling.
Yet although Biff knows his father's lies, Biff still cares for his
father. Biff defends Willy to Happy, explaining that "you don't
Act 2, Section 4 give a good goddam about him." It is Biff who takes the rubber
hose out of the basement to protect his father, and it is Biff
who tells the women that Willy is "a fine, troubled prince."
Summary Willy's need to deny his guilt and shame muddies his memory
and his ability to stay focused on the present. Unlike Biff, who
The Loman men argue in the present, and Biff's discovery of his wants to come clean, Willy's history of lies is too deep. He
father's past affair is revealed. cannot face them in the light of day.
Merging past and present, a young Bernard knocks on the The stockings again appear as The Woman appeals to Willy for
door of the Lomans' house to tell Mrs. Loman that Biff has the stockings he promised. The stockings take on their full
failed math. At the restaurant, Willy blames Biff for that past meaning as a symbol of betrayal when Biff sees them and says,
failure even as Biff tries to confess his theft of the fountain "You—you gave her Mama's stockings!"
pen. Willy's frustration boils over, and he tells his son that
"you're no good, you're no good for anything."
begins to cry, and leaves shouting, "You fake! You phony little them for leaving Willy. Meanwhile, a confused Willy is out in the
fake!" backyard planting seeds. His brother Ben shows up, and Willy
talks to him about how good Linda has been and how much
Back at the restaurant, Willy, who has been abandoned by his she has suffered. Willy considers the proposition of killing
sons, speaks to the waiter and leaves. himself for the $20,000 life insurance policy.
Biff tells his father that he plans to leave in the morning for the
Analysis good of the family. Willy accuses Biff of leaving out of spite,
and another argument ensues full of blame and rage. Biff,
The stage direction "the light of green leaves stains the house" crying, goes upstairs. However, Biff's tears show Willy he is
provides another connection to nature that overshadows the loved despite everything. Ben appears as a reminder of Willy's
chaos playing out in the restaurant. plan to get money for the family.
Time and memory play tricks again, overlapping and adding Willy sends Linda to bed, promising to be up soon. Instead, in
confusion. Willy blames Biff for failing math when the real his dreamlike state, Willy leaves with Ben and drives to his
failure revealed is Willy's infidelity and its effect on his son. No death. Act 2 ends with the sound of a car crashing and then
longer does the young Biff admire his father and want to be the family gathered around Willy's grave several days later.
like him. Instead, he announces that Willy is a phony. This
yard."
"I walked into the jungle, ... I walked
— Willy Loman, Act 1, Section 1
out ... I was rich."
Willy experiences ongoing tension between the natural and the
man-made environments. In the final pages of the play, Willy's — Uncle Ben, Act 1, Section 5
delusion leads him to plant seeds in the backyard despite the
reality that they will not grow, a metaphor for the American Uncle Ben's statement of success plagues Willy his whole adult
Dream and his family. life. At times, Willy brags about his brother's success, and at
other times, it is clear that Willy is disappointed in his own
inability to achieve this kind of success for himself. There is no
"I don't know what the future is ... recognition that Ben's success may have come from unethical
practices, just as Biff's stealing is overlooked to focus on his
what I'm supposed to want." success.
Biff does not recognize the reward of the American work ethic.
go with the springtime."
He continues to describe his disillusionment with the American
Dream and with his father, contrasting it with the kind of life he — Linda Loman, Act 1, Section 6
actually enjoys.
When Biff explains that he "can't take hold of some kind of life,"
Linda responds that a human being needs to settle down; he is
"I'll make it all up to you, Linda." not driven by the seasons as a bird is. Yet it is this social
pressure to settle down rather than roam that destroys Willy
Willy describes the life and death of the salesman who inspires
him, Dave Singleman. The outcome of Willy's romantic "I am not a leader of men, Willy,
description of Singleman's life contrasts sharply with the reality
of Willy's life. Willy takes his own life, alone and in debt. His and neither are you."
funeral is attended only by his family and two friends.
— Biff Loman, Act 2, Section 5
"It's not what you do ... It's who you Biff states the truth about himself and his father: they are not
men who reach the American Dream of financial success.
know and the smile on your face!"
Instead, they are average men who live lives of hard work that
result in little wealth or recognition.
l Symbols Seeds
Distant Lands The seeds symbolize Willy Loman's longing for nature,
something he cannot get in his city dwelling. His desire to plant
seeds reveals a healthy need to nurture growth, but it is not
well planned or executed. He fails at raising his sons, and he is
Distant geographical locations represent freedom and trapped in a world in which he is unfruitful. When he exclaims
possibility in contrast to the confinement and death of New that he needs to get seeds, his wife reminds him that there is
York City. In several of Willy's memories, his brother Ben not enough light to plant a garden. Yet near the end of the play,
appears and asks him to accompany him to Alaska, a wide- Willy, in a delusional state, is out in the backyard planting
open land of opportunity. In the end, Ben ends up in Africa, seeds, a last effort to create something fruitful with his life.
another wild and mysterious location, and becomes rich in the
diamond mines there by the age of 21. At the beginning of the
play, Biff returns from enjoyable work on a farm in the West to
try to make a more substantial and traditional living in New Flute
York, all the while longing to return to the West to start a
ranch. All three distant locations symbolize the possibility of
escape and independence.
The play begins and ends with the melody of a flute, and music
reappears many times throughout the story. Willy's father, who
deserted Willy as a child, was a flute maker and salesman. The
Stockings instrument, which is "small and fine, telling of grass and trees
and the horizon" symbolizes the past for Willy—a connection to
nature as well as his sense of abandonment and longing for a
deep connection with family. The flute also serves as a signal
Silk stockings become a symbol of Willy Loman's betrayal and to the audience that Willy's memories are near and that the
deception. Both Willy's wife and his lover discuss stockings. To past is about to overtake the present.
be economical, Linda Loman spends time repairing her
damaged stockings, a fact that annoys her husband because it
emphasizes his failure to provide his family with luxuries. Willy
Loman gives new stockings to the woman with whom he is m Themes
having an affair in Boston. When Biff Loman discovers his
father's affair, he shouts, "You—you gave her Mama's
stockings!"—a further sign of Willy's betrayal of his family.
American Dream and
Miller's choice of stockings is significant in that during World
War II, the materials used to make stockings—silk, nylon, and Disillusionment
rayon—were rationed for the war effort. This essential
component of a woman's wardrobe was hard to get. This
historical context emphasizes Willy's efforts to give The
A key component to the American Dream is the idea that
Woman, but not his wife, something rare and valuable and hard
financial prosperity is available to anyone who works for it.
to come by. In this way, Willy's gift and The Woman's praise of
Willy learns the lie behind this proposition even as he watches
Willy are more helpful to Willy in maintaining his delusions of
other characters succeed financially: his brother Ben, his
success than the vision of his wife mending her torn stockings.
neighbor Charley, and Charley's son Bernard.
In contrast, Charley and his son Bernard, who are both keeps him chained to his life in New York City and a job in
financially successful and appear to be happy people, do not which he cannot achieve personal or financial success.
b Stage Directions stage set. From the first page of the play, Miller uses his
descriptions to paint a picture of the literal and figurative
"fragile-seeming home" where the "air of the dream clings to
Miller provides stage directions to help a production team
the place, a dream rising out of reality." Miller presents the
enact the play. In addition, the stage directions convey
brokenness of the family, their futile dreams, and the reality
important information regarding the creation of theme and
that rises around and crowds the family.
meaning within the play. Stage directions regarding music,
physical setting, lighting, and characters work together to To further convey the dreamlike quality of the play—and to
create the dreamlike quality of the play, particularly the reveal how Willy is losing his grip on reality—Miller states in the
bleeding between the memory portions and the present reality stage directions that the setting is "wholly or, in some places,
portions. Repeatedly, the playwright uses music and sound to partially transparent." Neither Willy nor the audience ever
provide signals for the audience, indicating emotional shifts in knows for sure what is concrete and what is illusion.
mood and tone and movement through time.
Lighting/Effects
Music/Sounds
Lighting effects and various colors provide the audience with
The play begins and ends with music, and the playwright signals regarding theme and mood. The Lomans' "fragile-
indicates different qualities of music to represent different seeming home" is cast in the "blue light of the sky," while the
characters and moods. For example, the play begins with large apartment buildings that crowd and smother the Lomans'
music played on a flute. The directions explain that the music is home are shown in "an angry glow of orange." The playwright
"small and fine, telling of grass and trees and the horizon." uses these contrasting colors to suggest that the Lomans are
Within these directions, the playwright sets the mood. Although somehow separate and distant from the rest of their
the setting is a crowded city, the first impression the audience environment. Thus, he creates an early sympathy for his
gets is suggestive of the natural environment, a theme that characters. How can a family surviving in such a small and
returns again and again throughout the play. The flute signals a fragile home compete against the larger forces of the modern
sense of longing for something unreachable. urban landscape around them?
At the beginning of Act 2, the music has a different quality, Miller also uses lighting effects such as leaves to cast
"gay and bright," suggesting an optimistic mood: with a new impressions over the stage. The leaves come and go and
day, things might work out. The music provides a sense of support both the dreamlike quality and theme of nature versus
hope regarding a resolution to the family's ongoing sadness man-made environment. In one section, the stage directions
and conflict. state that "the light of green leaves stains the house, which
holds the air of night and a dream," drawing a clear connection
Whenever Uncle Ben appears on stage, he has a specific
between light and image and mood and theme.
accompanying melody, and the laughter of Willy's lover
precedes her presence throughout the play, giving the
audience constant sound clues regarding movement in time.
Even Willy's death is presented to the audience through sound,
Characterization
making Willy's death a sensory experience. The "music crashes
Playwrights typically use dialogue and actions to develop the
down in a frenzy of sound," which then becomes the sound of
characterization within a play. Miller's stage directions are
only "a single cello string."
unique because they include details about the inner qualities of
characters rather than focusing only on the physical details of
Miller also employs the stage directions to give insight into the
characters of Happy and Biff. Biff "bears a worn air and seems
less self-assured" with dreams that "are stronger and less
acceptable" than his brother's. The stage directions indicate
that Happy is lost but seems more content because "he has
never allowed himself to turn his face toward defeat." These
directions help the actors playing Biff and Happy to
understand Biff's inner conflict and Happy's self-delusion,
understandings that will inform their portrayals of these
characters throughout the play.
e Suggested Reading
Abbotson, Susan C.W. Student Companion to Arthur Miller.
Westport: Greenwood Press, 2000. Print.
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