15+ tried & true

cone 10 glaze recipes

recipe cards for our

favorite high-fire pottery glazes
 Contents

Good news cone 10 potters! We’ve gathered more than 15 of our favorite cone 10 glaze
recipes together in a convenient recipe-card format, perfect for printing and taking to the
glaze lab or pottery studio. Whether you are interested in trying out some of the beautiful
high-fire glazes that have been used for generations, or if you want to try something new,
you’ve found the perfect resource.

Use the beautiful images here as a guide to the cone 10 surfaces you’ll get, but be sure to
always start out with small batches and have fun testing and tweaking! Now get out there
and mix up some new high-fire glazes for your pottery!

15 Tried & True High Fire Glaze Recipes

Martin Swart’s Steady Green
Cone 8-12 Oxidation or Reduction

Martin Swart’s Opaque Green

Cone 8-12 Oxidation or Reduction

HAA2
Cone 9-10

Oatmeal White
Cone 10

Malcolm Davis Shino Glaze

Cone 10, reduction

Hank’s Shino Glaze

Cone 10, reduction

Rhodes Crackle Slip

Cone 10, redduction

Mark Nafziger’s Gold Glaze

Cone 10, reduction

Jim Brown’s Blue Glaze

Cone 10, reduction

Peach Black Temmoku Glaze

Cone 10, reduction

Celadon Liner Glaze

Cone 10, reduction

Magnesia Matt Glaze

Cone 10, reduction

Coleman Vegas Red Glaze

Cone 8–10, reduction

JVM Orange
Cone 10, reduction

Blue Jay
Cone 10, reduction
 high-fire

Martin Swart’s Steady Green

cone 8–12 Oxidation or Reduction
Whiting (Kulu) . . . . . . . . . . . . . . . . . . 25 %
Potash Feldspar . . . . . . . . . . . . . . . . . 25
Kaolin (G1) . . . . . . . . . . . . . . . . . . . . . 25
Silica . . . . . . . . . . . . . . . . . . . . . . . . . . 25
100 %
Add: Copper Oxide . . . . . . . . . . . . . 0.5 %
Red Iron Oxide. . . . . . . . . . . . . . . 3 %

Test using whiting, potassium feldspar (like

Custer feldspar), and kaolin (like EPK kaolin)
available from local supplier. To make gray/
blue glaze, substitute cobalt oxide at 0.5% for
the copper oxide.

Above: Steady Green with gray/blue substitute

Right: Steady Green

"

high-fire

Martin Swart’s Opaque Green

cone 8–12 Oxidation or Reduction
Whiting (Kulu) . . . . . . . . . . . . . . . . . . 25 %
Potash Feldspar . . . . . . . . . . . . . . . . . . 25
Kaolin (G1) . . . . . . . . . . . . . . . . . . . . . 25
Silica . . . . . . . . . . . . . . . . . . . . . . . . . . 25
100 %
Version 1
Add: Copper Oxide . . . . . . . . . . . . . . . 1 %
Tin Oxide or Zirconium . . . . . . . . 5 %

Version 2
Add: Copper Carbonate . . . . . . . . . 0.5 %
Tin Oxide or Zirconium . . . . . . . . 5 %

Add 8–10% zirconium for a very opaque green.

I prefer zirconium because it’s much cheaper
than tin oxide in South Africa.

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 high-fire

Caterina Roma HAA2 Caterina Roma Oatmeal White

Cone 9–10 Cone 10

high-fire
Dolomite . . . . . . . . . . . . . . . . . . . . . 20 % Bone Ash . . . . . . . . . . . . . . . . . . . 2.0 %
Whiting . . . . . . . . . . . . . . . . . . . . . . 7 Dolomite . . . . . . . . . . . . . . . . . . . 21.7
Potash Feldspar . . . . . . . . . . . . . . . . 48 Whiting . . . . . . . . . . . . . . . . . . . . 2.1
Ball Clay. . . . . . . . . . . . . . . . . . . . . . 10 Potash feldspar. . . . . . . . . . . . . . . 49.5
China Clay. . . . . . . . . . . . . . . . . . . . 10 Kaolin . . . . . . . . . . . . . . . . . . . . . 24.7
Silica . . . . . . . . . . . . . . . . . . . . . . . . 5 100.0 %
100 %
Add: Tin Oxide . . . . . . . . . . . . . . . 3.0 %
This opaque white matte glaze verges
on being grayish blue. It breaks black on This glaze is a bit shinier than HAA2. It can
ridges, and is great to accentuate texture be fired over a broader temperature range,
and facets. but it can be a bit runny if fired over cone
10. It breaks brown on edges and gives
It’s sensitive to thickness and temperature: better results when thin. I use it for dipping
completely matte when fired at cone 9, in a thin mixture but, with care, it can be
and has a more satin finish at cone 10, with also brushed on.
a light crackle surface. Thickness gives a
whiter look and tends to go black if applied The interaction with the impurities found
too thin. I use a thick mixture, brush it on, in the clay I collect gives a rough finish.
and fire it in the hot spots of my electric kiln
at cone 9–10. When I want a white satin glaze, I use a
combination of the HAA2 and Oatmeal
I discovered this glaze in the book, Oriental White glazes in different coats, which
Glazes, by Michael Bailey. It is recommend- results in a deep and interesting surface.
ed for once-firing, but I’ve always used it on This glaze is also useful when refiring with
bisqued pieces. HAA2, to lower the melting temperature.

"

high-fire

Malcolm Davis Shino

Glaze

high-fire
(Cone 10, reduction)
Soda Ash. . . . . . . . . . . . . . . . . . . . 17.27 %
Kona F-4 Feldspar . . . . . . . . . . . . . . 9.82
Nepheline Syenite . . . . . . . . . . . . . 40.91
Edgar Plastic Kaolin . . . . . . . . . . . . 18.18
Kentucky Ball Clay (OM 4) . . . . . . . 13.82
100.00 %

For use on porcelain,

add 6% Cedar Heights Redart
From Mel Jacobson,
Ceramics Monthly,
December 2000.

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 high-fire

Hank’s Shino Glaze

(Cone 10, reduction)

high-fire
Cryolite . . . . . . . . . . . . . . . . . . . . . . 0.6 %
Nepheline Syenite . . . . . . . . . . . . . . 55.4
Low-Melt Spodumene . . . . . . . . . . . 18.0
McNamee Kaolin . . . . . . . . . . . . . . . 26.0
100.0 %

Add: Veegum T . . . . . . . . . . . . . . . . . 1.0 %

White where thick; red where thin. Best with

early reduction and a long, concluding period
of oxidation, or an oxidation soak during cool-
ing. Yields a very soft and fat surface with
crawling. Crawls more strongly if fired soon
after glazing.
From Hank Murrow,
Ceramics Monthly, September 2001.

"

high-fire

high-fire
Rhodes Crackle Slip Mark Nafziger’s Gold Glaze Jim Brown’s Blue Glaze
(Cone 10, reduction) (Cone 10, reduction) (Cone 10, reduction)
Borax. . . . . . . . . . . . . . . . . . . . . . . . . . 5 % Bone Ash. . . . . . . . . . . . . . . . . . . . . . . 2 % Whiting . . . . . . . . . . . . . . . . . . . . 28.00 %
Zircopax. . . . . . . . . . . . . . . . . . . . . . . . 5 Dolomite . . . . . . . . . . . . . . . . . . . . . . . 22 Custer Feldspar . . . . . . . . . . . . . . 60.00
Custer Feldspar . . . . . . . . . . . . . . . . . . 20 Whiting . . . . . . . . . . . . . . . . . . . . . . . . 3 Edgar Plastic Kaolin (EPK). . . . . . . 12.00
Calcined Kaolin . . . . . . . . . . . . . . . . . . 20 Custer Feldspar . . . . . . . . . . . . . . . . . . 48 100.00 %
Edgar Plastic Kaolin (EPK). . . . . . . . . . . 15 Kentucky Ball Clay (OM 4) . . . . . . . . . . 25 Add: Cobalt Carbonate . . . . . . . . . . 0.75 %
Kentucky Ball Clay (OM 4) . . . . . . . . . . 15 100 % Rutile. . . . . . . . . . . . . . . . . . 4.00 %
Flint. . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Add: Rutile. . . . . . . . . . . . . . . . . . . . . . 8 % From Tony Winchester,
100 %
Ceramics Monthly, November 2001.
For use on green- or bisqueware

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 high-fire

Peach Black Temmoku Glaze Celadon Liner Glaze Magnesia Matt Glaze
(Cone 10, reduction) (Cone 10, reduction) (Cone 10, reduction)

high-fire
Whiting. . . . . . . . . . . . . . . . . . . . . . . . 17 % Dolomite. . . . . . . . . . . . . . . . . . . . . 4.7 % Dolomite . . . . . . . . . . . . . . . . . . . . . . 4.7 %
G-200 Feldspar . . . . . . . . . . . . . . . . . . 50 Whiting . . . . . . . . . . . . . . . . . . . . . . 15.9 Lithium Carbonate. . . . . . . . . . . . . . . 2.0
Edgar Plastic Kaolin (EPK). . . . . . . . . . . 10 G-200 Feldspar . . . . . . . . . . . . . . . . 30.2 Talc . . . . . . . . . . . . . . . . . . . . . . . . . . 8.0
Flint. . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Grolleg Kaolin . . . . . . . . . . . . . . . . . 18.9 Whiting . . . . . . . . . . . . . . . . . . . . . . 15.9
100 % Flint. . . . . . . . . . . . . . . . . . . . . . . . . 30.3 G-200 Feldspar . . . . . . . . . . . . . . . . 20.2
100.0 % Grolleg Kaolin . . . . . . . . . . . . . . . . . 18.9
Add: Tin Oxide. . . . . . . . . . . . . . . . . . . . 1 %
Flint. . . . . . . . . . . . . . . . . . . . . . . . . 30.3
Red Iron Oxide. . . . . . . . . . . . . . . 10 % Add: Tin Oxide. . . . . . . . . . . . . . . . . 3.0 %
100.0 %
Macaloid. . . . . . . . . . . . . . . . . . . . 1 % North Fork Stone. . . . . . . . . . . 6.0 %
Macaloid . . . . . . . . . . . . . . . . . 1.0 % Add: Tin Oxide. . . . . . . . . . . . . . . . . . 3.5 %
Macaloid . . . . . . . . . . . . . . . . . . 1.0 %
North Fork Stone is a native basalt material;
Tom Turner Porcelain Body Alberta or Albany slip can be substituted.
(Cone 10, reduction)
Custer Feldspar . . . . . . . . . . . . . . . . 23.5 %
6-Tile Clay. . . . . . . . . . . . . . . . . . . . . . 29
Kaopaque 20. . . . . . . . . . . . . . . . . . 14.5
Kentucky Ball Clay (OM 4) . . . . . . . . . 4.5
Flint. . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Veegum T . . . . . . . . . . . . . . . . . . . . . 1.5
100.0 %

From Craig Martell,

Ceramics Monthly, May 2002.

"

high-fire

Coleman Vegas Red Glaze

high-fire
(Cone 8–10, reduction)
Barium Carbonate . . . . . . . . . . . . . 2.55 %
Dolomite . . . . . . . . . . . . . . . . . . . . 5.61
Gerstley Borate . . . . . . . . . . . . . . . 9.18
Whiting . . . . . . . . . . . . . . . . . . . . . 8.68
Custer Feldspar . . . . . . . . . . . . . . . 53.57
EPK (Edgar Plastic Kaolin). . . . . . . . 2.55
Silica (Flint). . . . . . . . . . . . . . . . . . . 17.86
100.00 %

Add: Copper Carbonate. . . . . . . . . 0.41 %

Tin Oxide. . . . . . . . . . . . . . . . . 2.04 %
Titanium Dioxide. . . . . . . . . . 0.10 %
Yellow Iron Oxide. . . . . . . . . . 0.10 %

oxblood with purple undertones

From Tom & Elaine Coleman,

Ceramics Monthly, January 2003.

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 high-fire

JVM Orange
Cone 10 Reduction

high-fire
Bone Ash. . . . . . . . . . . . . . . . . . . 1.87 %
Dolomite . . . . . . . . . . . . . . . . . . . 26.66
Talc . . . . . . . . . . . . . . . . . . . . . . . 1.87
Whiting . . . . . . . . . . . . . . . . . . . . 12.16
Minspar 200 Feldspar. . . . . . . . . . 32.65
Georgia Kaolin. . . . . . . . . . . . . . . 24.79
100.00 %
Add: Zircopax . . . . . . . . . . . . . . . 5.61 %
Red Iron Oxide . . . . . . . . . . 2.64 %
Mix the glaze to a half-and-half consistency. I use slip
under JVM Orange to achieve a yellow color.

From Jo Severson
Ceramics Monthly, June/July/August 2018.

"

high-fire

Blue jay

high-fire
Cone 10 Reduction
Bone Ash. . . . . . . . . . . . . . . . . . . 1.87 %
Dolomite . . . . . . . . . . . . . . . . . . . 26.66
Talc . . . . . . . . . . . . . . . . . . . . . . . 1.87
Whiting . . . . . . . . . . . . . . . . . . . . 12.16
Minspar 200 Feldspar. . . . . . . . . . 32.65
Georgia Kaolin. . . . . . . . . . . . . . . 24.79
100.00 %
Add: Zircopax . . . . . . . . . . . . . . . 5.61 %
Cobalt Carbonate. . . . . . . . 1.08 %
Black Nickel Oxide . . . . . . . 1.08 %
Mix the glaze to a half-and-half consistency.

From Jo Severson
Ceramics Monthly, June/July/August 2018.

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